272. Mind Over Monsters

During the last few years, college students have been reporting mental health concerns at unprecedented levels, straining the resources provided by college and university counseling centers. In this episode, Sarah Rose Cavanagh joins us to discuss the role that faculty can play in addressing these concerns.

Sarah is a psychologist, professor and Senior Associate Director for Teaching and Learning at Simmons University. She is the author of The Spark of Learning: Energizing the College Classroom with the Science of Emotion and Hivemind: Thinking Alike in a Divided World as well as numerous academic articles and essays in The Chronicle of Higher Education, Lit Hub, Inside Higher Ed, and Vice. Her most recent book, Mind Over Monsters: Supporting Youth Mental Health with Compassionate Challenge will be released in spring 2023.

Show Notes

  • Cavanagh, S. R. (2016). The Spark of Learning: Energizing the college classroom with the science of emotion. West Virginia University Press.
  • Cavanagh, S. R. (2019). Hivemind: The new science of tribalism in our divided world. Grand Central Publishing.
  • Cavanagh, S. R. (forthcoming, 2023). Mind Over Monsters: Supporting Youth Mental Health with Compassionate Challenge. Beacon Press.
  • Elizabeth Romero
  • Ryan Glode
  • Reacting to the Past
  • Jasmin Veerapen
  • Gary Senecal
  • Miller, L. (2020). Why Fish Don’t Exist: a story of loss, love, and the hidden order of life. Simon & Schuster.
  • Robert Sapolsky’s Publications
  • Auel, J. M. (2002). The Clan of the Cave Bear. Bantam.
  • Kelly Leonard
  • Felten, P., & Lambert, L. M. (2020). Relationship-Rich Education: How human connections drive success in college. JHU Press.
  • Viji Sathy and Kelly Hogan
  • Michele Lemons
  • James Lang

Transcript

John: During the last few years, college students have been reporting mental health concerns at unprecedented levels, straining the resources provided by college and university counseling centers. In this episode, we discuss the role that faculty can play in addressing these concerns.

[MUSIC]

John: Thanks for joining us for Tea for Teaching, an informal discussion of innovative and effective practices in teaching and learning.

Rebecca: This podcast series is hosted by John Kane, an economist…

John: …and Rebecca Mushtare, a graphic designer…

Rebecca: …and features guests doing important research and advocacy work to make higher education more inclusive and supportive of all learners.

[MUSIC]

Rebecca: Our guest today is Sarah Rose Cavanagh. Sarah is a psychologist, professor and Senior Associate Director for Teaching and Learning at Simmons University. She is the author of The Spark of Learning: Energizing the College Classroom with the Science of Emotion and Hivemind: Thinking Alike in a Divided World as well as numerous academic articles and essays in The Chronicle of Higher Education, Lit Hub, Inside Higher Ed, and Vice. Her most recent book, Mind Over Monsters: Supporting Youth Mental Health with Compassionate Challenge will be released in spring 2023.

Welcome back, Sarah.

Sarah: Thank you. I’m delighted to be here.

John: Today’s teas are:… Sarah, are you drinking any tea?

Sarah: No, I always disappoint you. I am yet again drinking coffee.

Rebecca: Yet again, such a stable person in our lives with your coffee. [LAUGHTER] I have blue sapphire tea.

Sarah: That’s a pretty name.

Rebecca: Yeah, it’s tasty. And my new favorite.

John: And I am drinking spring cherry green tea here in the midst of winter in upstate New York. We’ve invited you here today to discuss Mind over Monsters. Could you talk a little bit about the origin of this project?

Sarah: For me, I think writing is more organic than it is planned, and so it felt a little bit like the book decided it needed to be written, rather than I decided to write the book. There was just such a groundswell of interest around young adult’s mental health, people talking about it, podcasts, books. And I am a college professor, I’m a psychologist, I am an educational developer. I’m the mom of an adolescent, and so I couldn’t help but be concerned and interested in this topic. And I also felt that, as someone who has struggled with anxiety my entire life, panic disorder in particular, that I had some small bits of wisdom from my lived experiences to share. And so it just all came together.

John: How prevalent are mental health issues among youth today?

Sarah: They’re pretty prevalent, unfortunately. Some people have even labeled it an epidemic. For instance, in 2021, three of the major American organizations dedicated to youth and adolescent mental health joined together and declared a national state of emergency, which was an unprecedented move. And they cited in particular the effects of the pandemic and the fact that already marginalized groups along lines of race and ethnicity, gender, and sexuality and income were bearing the brunt of the psychological effects of the pandemic. But also there’s a lot of complexities surrounding figuring out whether rates have truly changed or whether there’s also changes in stigma surrounding mental health, which are laudatory changes, we want people not to feel stigma, and to come out and reach out for treatment. There’s also changes in the thresholds of the diagnoses themselves, they shift every several years. And there’s also changes in people’s willingness to seek treatment, and also their decisions about the level at which they might need treatment. And so there’s some evidence that a lot of these complexities may be making epidemics seem worse than it is. But what is clear is that more young adults and especially college students are expressing more distress and asking for help with that distress. Counseling centers on campus are absolutely overwhelmed and students are expressing a lot of frustration with not receiving the level and the timing of care that they need in those settings, and so clearly, we need changes.

Rebecca: In a lot of public conversations, we’re hearing debates about needing to show compassion to adolescents who are struggling, but then also others who argue that youth is too coddled. Can you talk a little bit about what you would advocate for?

Sarah: And that’s a delightfully easy setup for me, [LAUGHTER] because in the subtitle of the book is “compassionate challenge and why we need to support youth mental health with compassionate challenge.” And I argue that this debate and tension between compassion and challenge is one of these false dichotomies that we human beings seem to adore. [LAUGHTER] Students clearly need compassion, and I think compassion has to come first. For me, what that looks like is establishing classroom communities and learning environments on campus that are characterized by safety and by a feeling of belongingness. You need to feel safe enough to take risks. And you need to feel that you’re supported not just by your instructor, but also your fellow students and the Student Success Office and all of the people on campus. But once we’ve established that grounding and that safe setting, then I think to truly learn and grow, we do need to take risks, we do need to step outside our comfort zones, and we need to be challenged. And I think that challenge can be very positive. I spend one of the last chapters of the book really digging into the science of play, and how play is all about being vulnerable and taking risks and play can be scary. And you can only play in settings where you, again, feel safe. And I think, finally, what I call compassionate challenge isn’t just important for teaching and learning. As I draw out in two interviews with clinical psychologists Ryan Glode and Elly Romero, compassionate challenge is also really key to addressing anxiety and symptoms of mental health. And I don’t think we’re going to be doing any therapy in the classroom, but learning environments marked by compassionate challenge are ones that are consistent with principles that help address and resolve anxiety, which again, involves facing your fears, and environments where you’re technically safe and there’s a facilitator there to help you manage those risks.

Rebecca: John and I were talking earlier about some of the things that I had observed in my own classroom in the last year with an increase in desire for perfection, like kind of perfectionism or anxiety around not being perfect and not being right and working with students in class and trying to find ways to help students work through that so that they could take risks or could show things in progress to get feedback so that they could continue to improve. Can you talk a little bit more about what that might look like in a classroom?

Sarah: Well, I think that a lot of that brings up assessment and grading. And I think why we see that perfectionism in the classroom is that students are very concerned about their grades, because they believe, to some extent rightly, that their grades are going to translate into future security, and to getting into the right graduate school or getting the right job. And we do this to students. In high school, we train them to be so focused on the grades in order to get into the correct college and I have a high schooler and her grades are constantly just streaming, coming in in real time to her phone. And then we’re surprised when students get to college and they’re too focused on their grades. [LAUGHTER] And so I think that helping students with that need for perfection is probably reforming our grading systems so that there isn’t that need, that that focus on perfectionism isn’t necessarily rewarded in the same way. And instead, we’re rewarding taking risks and doing something creative, and maybe failing and having multiple iterations of something and seeing that work can grow over time, which, I think, amplifies creativity

Rebecca: There’s a lot more focus on process than on the product, then.

Sarah: Yes.

John: You mentioned using play in classrooms, what would be an example of the use of play in the classroom?

Sarah: Well, I think you can directly play through using improv, and especially in the early parts of the semester when you’re all getting to know each other, a lot of icebreakers are very playful. And community building can be very playful. I think there are ways like the whole reacting to the past role playing approach in history. You can easily roleplay in literature classes. So I think you can directly play. I think that what play can also be is almost like a philosophy or a stance that you take, that what we’re doing in the classroom is not dire. And, related to the grading that we were just talking about, there aren’t large stakes, that what we’re doing here is this is kind of a sandbox, where we’re playing with intellectual ideas, we’re testing things out, we’re experimenting. And there’s a sense in which it’s lighthearted, even when the topics are not light hearted, I think that we can take this lighthearted stance with our students. And I think also mixing things up and not getting too into routines, can also be playful. And I feel like I have a lot of tricks in my teaching bag, different discussion techniques and ways of getting us up and moving and things like that. But there’s always a point, kind of through the three-quarter mark of the semester, where they’ve seen it all. And so I try to save one or two things for that point in the semester and kind of throw everything out the window and do something entirely different. And I think that that can be playful as well. And so I don’t think that play in the classroom is all about things that we think of as play proper, like improv and roleplay; it can also be all of these other techniques.

Rebecca: One of the things that I’ve studied in the past is play. And one of the things that’s interesting about play is that there’s rules and there’s structure. And so a lot of times we think that play is just chaos, but actually play almost always has rules. They might not be formal rules, they might be informal rules. But that’s a way that people can feel safe and able to play is that they understand what the structure is and what the rules are.

Sarah: Those are great points.

Rebecca: You think that it’s hard to facilitate because it might seem so foreign, but actually we’re all very familiar with play. And it is actually incredibly structured. We know that structured things can be really inclusive. And so you might be hesitant to try something that seems like it might be unstructured, but I think, lo and behold, play is actually structured.

Sarah: Yeah, and a lot of those classic improv activities have strict rules in fact and one of the rules is that there’s a kindness.So, even when animals play… you know, I watch dogs play a lot at dog parks, and it can get quite vicious looking, but the animals are safe, you don’t harm each other and that is a strict rule of play as well.

John: Some of this book is drawn from research you conducted as part of the Student Voices project. Could you tell us a little bit about that project?

Sarah: Absolutely. So this was a project that grew out of my last grant from the Davis Educational Foundation. I had done a quantitative study that I talked with you all about in the past. And we had some funds left. And I had an honor student, Jasmin Veerapen, who’s now at Columbia, getting her social work degree, and she needed an honors thesis project. And so we collaborated together and ran a qualitative follow up and interviewed students from 35 different very diverse types of institutions across the country. And it was not a project focused explicitly on mental health, but on emotions and learning. So for instance, the first two questions we asked of all of our participants was: What was the best learning experience you have had in college, and tell us all about it?” And the second was, “What was one of the worst learning experiences you had in college?” ..and their insights are all so rich, and I share a number of their wonderful stories in the book. It’s a great pleasure.

John: Would that be something that you’d encourage faculty to do in their own classes?

Sarah: Yes, it was very illustrative, a lot came out of that. And we actually had worked with a consultant, Gary Senecal, because this was my first qualitative research study, and so I didn’t really know what I was doing. And he’s done a lot of qualitative research, and so he was our consultant. And he helped us shape the questions. And I think he had a large role in shaping those first two questions, because they’re just open ended enough that students share very different things, but then they all coalesce, and so it was very informative. And I think many professors could learn a lot asking their students those questions.

Rebecca: You included many narratives throughout your book, some of your own personal stories and some of the stories of student voices from this project. Can you talk about why you decided to include narrative as a part of the book?

Sarah: Yes, when I think about the books that I most like to read, the nonfiction books that I most like to read, they have a really strong narrative component. So I recently read Why Fish Don’t Exist, which was one of my favorite reads out of the last few years. And I love Robert Sapolsky’s books, and I’m a story person. And I mostly read fiction. And so I really enjoy nonfiction that has a strong narrative component. So that was one of my motivations, that I wanted to write a book that was like the books that I like to read. I think that story, though, also is really compelling. I think that there are insights that are embedded in stories that things like quantitative data can’t always tap into in the same way. And I think in particular, for topics like this, and for emotions and for students’ perceptions of their own learning, I think that we need story.

John: In addition to narrative, which is really compelling in your book, you also bring in a number of other disciplinary studies. Could you talk a little bit about some of the other disciplines and some of the other research your book relies on

Sarah: That’s a little, maybe, too far into humanities, I’m a little worried. I am a social scientist by training. And I’m very aware of the fact that there is disciplinary expertise. But I do bring in a lot of humanity’s work, in particular monster theory. So I read quite a bit of monster theory, which wasn’t even something that I knew existed before then, but that’s in there. I do something that I get from my mother. I used to make fun of my mother for always citing literature and stories as evidence for things. I would take an anthropology class and come home from college, and we would talk about it. And she would shake her head at me and say, “Well, that’s not how it happened, in Clan of the Cave Bear. [LAUGHTER] But I do a little bit about that. So I bring in some stories from novels and short stories that I think illustrate the points that I’m trying to make as well. And then I think, most compellingly, I bring in actual experts from their disciplines. So I interview a sociologist about her research on trigger warnings. I interview a Latin American Studies scholar about his work on vocation, which I found so fascinating. And I also interviewed a couple of clinicians, as I said, and Kelly Leonard who is a Second City improv person, and so I bring in those other disciplines through the lens of the people I’m interviewing.

Rebecca: Sometimes it’s really helpful to have these illustrations because statistics can go only so far in helping us understand what that actually looks like and feels like in our classrooms or in the experience that students are having because we can feel really far removed… or I’m feeling farther and farther removed [LAUGHTER] from students and it helps to hear things in their own voices. And we don’t always ask them enough. I wish we asked more.

John: …which is something really troubling to those of us who focus mostly on statistical analyses, and so forth. [LAUGHTER] But it’s true, a compelling story can be much more effective in convincing people of some concept than any number of studies that you might present to them.

Sarah: But we do have lots of citations for people like you, John. But I tried to bring both sources to the table,

Rebecca: …which is good, because you got both of us here.

Sarah: Mm hmm.

Rebecca: So can you talk a little bit about the intended audience of your book?

Sarah: Absolutely. My primary audience, I think, is people who are doing the work of higher education, so college instructors, staff like me who work in teaching centers, and student success offices, administrators, and so it does have a strong higher ed thread throughout. That said, I don’t think there’s a super bright line between especially late high school and early college in some of these concerns. And I think it could be useful for high school educators, especially those who might be advising students about the college selection process. I think that there is some insight and some sections, maybe, that could be of interest to college students themselves, and possibly their parents. But I would want them to know that it’s not a parenting book. I don’t want anyone to pick it up thinking it’s a parenting book. There’s long sections, again, on trigger warnings and institutions needing to actually carry out their DE&I statements. And someone picking it up thinking they’re going to get some pithy advice about parenting is not going to be satisfied.

John: Would this be a good focus for faculty reading groups or book clubs?

Sarah: I think so. [LAUGHTER]

Rebecca: We think so too. [LAUGHTER] Yeah, it looks like, yeah, it looks like some really wonderful topics that you’re exploring to think about all of higher ed in a lot of ways, and perhaps some reimagining that needs to happen.

Sarah: Oh, thank you.

Rebecca: Can you talk a little bit about what we, as educators or people working in higher ed, can do to create a more compassionate and challenging environment for our students? What are some actions we can take?

Sarah: Well, I think you have to do the compassion piece first. And I think that colleges really need to be examining, and I think they are examining, there’s lots of other people sharing this message of compassion and relationship, rich education, thinking of Peter Felton and Leo Lambert’s book. And I think that we need to embed compassion in the atmosphere in the classroom and the dorms. I think that we need to pay a lot of attention to community. I think that we need to shore up resources in counseling centers. I’ve been attending, as part of the research for this book, lots of webinars with people who are looking at this topic from a lot of different frameworks. And there’s a lot of interesting work being done on peer support, which I’m both interested in and also wary of. I think that peers are our natural first source of support. And that peer support could be really life changing for a lot of college students. But just like we shouldn’t be doing therapy in the classroom, I don’t think it’s the responsibility of college students to do counseling for their fellow peers. And they’re trained to spot warning signs and to do the kind of heavy lifting that a lot of counseling involves. And so I think that we’re going to need to dedicate more resources to trained clinicians in our counseling centers. In my interview with Ryan Glode in the book, who is, again, a clinical counseling psychologist, he really feels that counseling centers provide just sort of venting sorts of therapy, and that he’s a strong advocate of cognitive behavioral therapy and exposure therapy, and that students need much more individualized treatment and approaches. And so I think that that’s an interesting thing to explore. And the last thing I would say is, I always say this, but faculty need more support and time, because there’s been a lot of great essays coming out, the last couple of weeks even I’ve seen, about the fact that student success is really faculty success, and faculty are where students get more of their support than anywhere else. And we can try to reach out to them in many different ways, but they land in our classrooms, we know that we’ll see them in their classrooms, even if they’re not leaving their dorm much, they usually come to class. And so it’s an entry point. Mentoring is such a strong part of the college experience and so wonderful for growth and mental health. And so I think that for faculty to really apply all of this and have really close student relationships and really rich classrooms and all of these things, they need more time and more support. And so I think that the two places I would put my support is in the counseling center and then in supporting faculty, giving them the kinds of time and the kinds of support that will allow them to be the teachers that they can be when they have the time to do so.

Rebecca: Are there specific places where you found compassion to be lacking that surprised you in your research? We know that there’s a [LAUGHTER] strain on counseling centers, but were there some other places that really rose to really needing some attention,

Sarah: None of the students we talked to had trouble coming up with either a best or worst learning experience. And the good ones are really, really good. And the poor ones were pretty poor. And so there’s a lot of unevenness, I think, and I think that that, when I talk as I just did about, if you just give faculty more time, then they’ll blossom, and then the students will blossom, and sometimes when I have conversations with administrators about that, or see policies being enacted on different campuses, I can tell that there’s a wariness that if you give faculty time, they’ll just either do more research, or they will check out and that there’s a danger there and we need to work faculty harder. And I do see in talking to the students about their best and worst learning experiences, that the people teaching those worst learning experiences really need to step up their game a little bit. And so I think that there are those pockets out there that still don’t apply themselves to their teaching or look at it as an onerous responsibility. But the good teachers are really fantastic. And so maybe leveling that out a little bit, bringing the worst learning experiences up to the best learning experiences might be somewhere I recommend some attention.

John: One of the areas where people often see a dichotomy between compassion and challenge is in terms of deadlines in courses where material later in the course build on material earlier in the course, it’s really easy for students who are struggling to get further and further behind when they don’t have at least some sort of a deadline. Do you have any strategies for addressing that, besides focusing on the learning rather than on grades? What can we do to help ensure that students make regular progress while still maintaining compassion?

Sarah: Um hmm. I think this is the question of the moment. [LAUGHTER] And I can tell you, I just had a conversation with a reporter at The Chronicle who was writing a whole big piece on just this issue. And we at Simmons just met with our advisory council, who are a group of about 12 faculty who we check in with about what faculty needs are. And this was their number one answer, like clearly. So we’re going to do a panel in the spring at Simmons, where we have some faculty with very different perspectives. We’re hoping to draw out some of these tensions and have this discussion. And so I do think it’s an excellent question. And I think that a deadline is a good example of where compassionate challenge needs to be. I think that all of us need the structure of deadlines. I myself benefit [LAUGHTER] greatly from the structure of deadlines and schedules. And I think especially for college students in the early years, if they’re so-called traditionally aged students, some of the process of those first year or two of college is learning time management and in scaffolding them into good time management. And so I think that structure is very important. As Rebecca was saying earlier, it’s also an inclusive teaching strategy, Viji Sathy and Kelly Hogan have written extensively about that. But I think without compassion, deadlines are going to worsen student anxiety, and also it doesn’t make a lot of sense for contemporary life. And so some techniques that I’ve seen are things like using frequent tokens instead of just no deadlines or 100% flexibility with deadlines and things kind of pile up toward the end. You can have tokens where students can have a set number of missed assignments, or dropped assignments, or I need an extra week or two. I think that it’s important in whatever you do, if you are going to be flexible to be transparent with all of the students about it, because I think that some students will ask for flexibility and the other students won’t know that they can ask for flexibility. And a lot of that falls out along the lines where everything falls out and creates inequities. So I think that having some structure, but with some flexibility built in is probably the best way to go. I was interviewing a biology instructor for a different project. And she was telling me what she did is she had pretty close to unlimited flexibility within modules. So she had her whole semester set up in modules, but then you had to submit things within that module, because as you say, especially some fields, the information builds, and if you miss part, you’re going to be in trouble. And so I thought that was another interesting approach. But I agree that in particular when we’re thinking about mental health, that structure is better. And the last thing I’ll say is that at my previous campus, we had a panel of the Dean of first-year students, it was the head of our accessibility office, the head of our counseling center, and then a clinical counseling psychologist from our psychology department about issues surrounding student mental health. And one of the instructors asked about deadlines, and they were all unanimous, they said, deadlines are necessary. The worst thing you can do for a student high in anxiety is allow no deadlines or submissions whenever they like, because that will quickly get them into a negative place, and that they need that structure. So I think it’s a great example of the need for both compassion and challenge.

Rebecca: One of the things that I think about when I hear structure or certain kinds of support is routine. And you talked a little earlier about having some routine, but then disruptions to that routine. Can you talk about why some of the disruptions to the routine might be important, or why not having a routine all the time could be helpful for students?

Sarah: Well, I think the positives of routine are that they’re reassuring, for one thing. I think we all as human beings, it’s relaxing to settle into a routine, and it’s also lower in cognitive load. If you just know, okay, every Thursday, I have a homework assignment, every Tuesday I have a quiz, you don’t have to constantly be scrambling and figuring things out every week. And so I think that routines can be reassuring, and they can also be more transparent and easier to follow along. I think where the disruption is great is it re-energizes. So it’s great to be reassured and calm things down. But then that can get boring and kind of stultifying after a little while. And so once you have established the routine to mix things up once in a while, I think, can be re-energizing. And so I think that’s where a blend of the two can be really powerful.

Rebecca: You mentioned that you do this in your own classes. Can you share an example of one of the ways you mix things up in your own class,

Sarah: it’s not terribly exciting. But the one that I do this most clearly is in my motivation and emotion class. And in that class, we’re covering different topics and we’re reading research articles and doing presentations. And again, I try to mix things up, but I have a set number of things that I mix things up. And then usually right after Thanksgiving, I throw everything out the window and we just spend a week doing something different. And so we used to watch a movie together. And then we would write an essay about the motivation and emotion aspects and the themes that we’ve talked about all semester long, how it played out in those characters lives. And I was showing Lars and the Real Girl, I don’t know if it’s kind of an older movie now and stopped doing that for a while for a number of reasons. But then more recently, in this activity called “making the world a better place.” And I had a selection of psychological science articles, each one that tackled a societal problem, like climate change, or misinformation, and how we could use principles from recent psychological science research and to help improve this societal conundrum. And then we did small group work with snacks. And they would work on little group presentations all together that were very low stakes, and then present them to each other. And we would have a grant competition among them. But it was just this week where the routine was very different.

Rebecca: It sounds like almost a culminating point of the semester, instead of ramping up stress with a big project, it’s ramping down the stress with something that’s applied, but in a more low key way.

John: …but also valuable and fun.

Rebecca: Yeah, definitely. To me, it sounds like: “[LOUD EXHALE]”

John: We always end with the question: “What’s next?”

Sarah: Well, I have a new grant. Well, a semi-new grant. And it’s a National Science Foundation Incubator Grant with my co-PI, Michele Lemons of Assumption University. And it is examining assessment, feedback, and grading in undergraduate bio education in particular. And so we had a qualitative portion, we had a survey portion, and we had student interviews, and we’ve just wrapped data collection, So I have a lot of writing and meaning-making and analysis, and then a full proposal grant [LAUGHTER] to write. So on the research side, that’s what’s going on. And on the writing side, I don’t know yet. I have a few possible ideas. I’m in a writers group with Jim Lang, who I know you both know, and his new book, which is going to be fantastic… and you have to have him on the show… is all about how academics can successfully write trade books for a wider audience. And I’ve been enjoying the chapters as he’s been writing them. And I was reading his chapter on where to get your book idea, and I realized that I’ve written a couple of books now from my expertise, but I don’t have to stick with my expertise. I could do something super fun. And so I don’t know.

John: Not that your expertise isn’t fun or interesting. [LAUGHTER]

Sarah: Well, thank you. And anything I write will obviously have a strong psychology component, it’s just like in my bones at this point. But yeah, so stay tuned. We’ll see.

Rebecca: Sounds like some exciting things down the pike for sure.

John: We look forward to hearing more about that when you’re ready to share that.

Sarah: Oh, thanks.

John: Well, thank you. It’s great talking to you.

Sarah: Thank you. Always a pleasure.

Rebecca: Yeah, I always learn stuff from our conversations, so I’m looking forward to having you on again in the future.

Sarah: Oh, thanks. Same.

[MUSIC]

John: If you’ve enjoyed this podcast, please subscribe and leave a review on iTunes or your favorite podcast service. To continue the conversation, join us on our Tea for Teaching Facebook page.

Rebecca: You can find show notes, transcripts and other materials on teaforteaching.com. Music by Michael Gary Brewer.

[MUSIC]

265. The New College Classroom

Despite all that we have learned from cognitive science about how people learn, the most common form of classroom instruction still involves students passively listening to a lecturer standing at a podium at the front of the room. In this episode, Cathy Davidson and Christina Katopodis join us to discuss alternative approaches that treat student diversity as an asset and allow all students to be actively engaged in their own learning.

Cathy is a Distinguished Professor at the CUNY Graduate Center, the author of more than twenty books, and a regular contributor to the Washington Post and the Chronicle of Higher Education. She has served on the National Council of Humanities and delivered a keynote address at the Nobel Forum on the Future of Education. Christina is a Postdoctoral Research Associate in the Transformative Learning in the Humanities Initiative at CUNY and has authored over a dozen articles on innovative pedagogy, innovative pedagogy, environmental studies, and Early American Literature.  She has received the Dewey Digital Teaching Award and the Diana Colbert Initiative Teaching Prize.

Show Notes

Transcript

John: Despite all that we have learned from cognitive science about how people learn, the most common form of classroom instruction still involves students passively listening to a lecturer standing at a podium at the front of the room. In this episode, we explore alternative approaches that treat student diversity as an asset and allow all students to be actively engaged in their own learning.

[MUSIC]

John: Thanks for joining us for Tea for Teaching, an informal discussion of innovative and effective practices in teaching and learning.

Rebecca: This podcast series is hosted by John Kane, an economist…

John: …and Rebecca Mushtare, a graphic designer…

Rebecca: …and features guests doing important research and advocacy work to make higher education more inclusive and supportive of all learners.

[MUSIC]

John: Our guests today are Cathy Davidson and Christina Katopodis. Cathy is a Distinguished Professor at the CUNY Graduate Center, the author of more than twenty books, and a regular contributor to the Washington Post and the Chronicle of Higher Education. She has served on the National Council of Humanities and delivered a keynote address at the Nobel Forum on the Future of Education. Christina is a Postdoctoral Research Associate in the Transformative Learning in the Humanities Initiative at CUNY and has authored over a dozen articles on innovative pedagogy, innovative pedagogy, environmental studies, and Early American Literature. She has received the Dewey Digital Teaching Award and the Diana Colbert Initiative Teaching Prize. Welcome, Cathy and Christina.

Cathy: Great to be here. Thank you for having us.

Christina: Thank you so much.

Rebecca: Today’s teas are:… Cathy, are you drinking tea?

Cathy: I am drinking English breakfast tea.

Rebecca: Yes. [LAUGHTER] And Christina?

Christina: I am drinking English breakfast tea.

John: And I am drinking wild blueberry black tea.

Rebecca: I forgot what kind of tea I made this morning. [LAUGHTER] I have no idea. I made nice loose leaf tea this morning, and it’s tasty, but I don’t remember what it is.

John: So you’re drinking a tasty tea.

Rebecca: I’m drinking a tasty tea this morning.

Cathy: Will I be kicked off the show if I say I’m drinking coffee?

John: About a third of our guests do. Yeah, and sometimes water.

Christina: I also have a Diet Coke. [LAUGHTER]

Rebecca: Sneaky, very sneaky.

John: And I had that right before I came over here.

Christina: We’re drinking all of the things.

John: We’ve invited you here today to discuss The New College Classroom. Could you tell us a little bit about how this book project came about?

Cathy: I can begin. This is actually the third in a series I called the “how we know” trilogy, which I began in 2011 after I stepped down as Vice Provost for Interdisciplinary Studies at Duke University, my previous employer, and was really interested in the science of attention and the neuroscience of learning. So that book really is about the neuroscience of learning. Then I wrote a second book called The New Education which came out in 2017, and was re-issued in a post pandemic version just this past spring. And it’s called The New Education. It’s really the history of higher education and why we inherited the forms we have now and how much higher education was re-created for and rebuilt, redesigned explicitly for the industrial age. And then I wanted to do a kind of installation guide that actually showed people how we do these things, how you take our knowledge of how the brain works, take our knowledge of learning, and how you take our knowledge of history and why we’ve inherited this very cumbersome history and actually do something new. And I thought it would be ridiculous for someone at the end of a long career to be telling other people how to teach. And I had the great fortune to be working with this… Christina will close her ears right now, she gets very embarrassed when I say this… but this utterly brilliant scholar, an Americanist environmental scholar, sound studies scholar who also had written several essays on pedagogy and had won all the teaching awards. And I asked her if she’d be interested in co-writing a book with me. And we started writing it when I was a senior fellow to the Mellon Foundation in my beautiful office overlooking the courtyard of the Mellon Foundation. And then the pandemic hit. We made a pledge to one another that we’d meet every Tuesday and Thursday and write together and we literally wrote, rewrote, re-re-re-wrote, and then re-re-re-re-re-wrote [LAUGHTER] every word together during the pandemic. So when people say, “Can you have a real relationship? Can you have a real project during the pandemic?,” we would say “Absolutely.” And that’s actually kind of key to the book, ‘cause we talked about learning in all its facets online and face-to-face. But that’s the very long version of how I’m the luckiest author in the world to have been able to work with Christina.

Christina: I’m the luckiest. [LAUGHTER]

Rebecca: It must have been very nice to have the stability of consistent writing times with each other during a time that was so unstable.

Christina: Yeah, it was a lifeline. I live in Brooklyn, near the Barclays Center where a lot of the Black Lives Matter protesting was happening here. And kids will be playing in the street. They had to close the streets on the weekends and weekdays so that kids could get time outside and neighbors could gather together outside where it would be safe. And kids playing on the street, drawing all these beautiful things in sidewalk chalk, and then you’d see police completely decked out, batons out, pepper spray, all kinds of things, getting ready for the protest that was just completely peaceful protesting and a police force that was just prepared for something wildly different. And it was a really dark time in trying to protest and think of a better way, a more equitable institution, an institution that could prepare students for the world, to be citizens of the world and also to fight for social justice and racial justice, and getting together and writing this book. It felt we have even more purpose more so than ever, in writing this and leaning into the active learning methods that really prepare students to participate and engage with the world.

John: You begin the book with something which actually serves as a very nice introduction to much of the rest of the book, which is a story about a 50-person department meeting in which no one was responding to the department chair. Could you just share a little bit about this anecdote?

Christina: Sure. So I was in that department meeting, it was a meeting in which we were given a really big task of imagining the goals for the department for the next 10 years. This is a review that happens every 10 years. And the department chair was standing at the front of the room behind the podium and was like, “Alright, so what are our goals for the next 10 years?” [LAUGHTER] …and everyone was quiet. Because as you can imagine, everyone has things that they want to change, things that they think could be better, and no one wanted to be the first to speak. And it really just felt like one of those situations where there’s a bunch of dry straw, and someone could just light a match. And so I was like, “Okay,” I knew everyone there, and I was familiar with the chair. The chair was very supportive of students, and I knew he was willing to listen. And then I said, “Hey, can we just talk to someone next to us and come up with a few ideas first, before we speak with the whole group?” He’s like, “Sure.” And this is what’s called think-pair-share where everyone thinks about a question and then they pair up with someone next to them or a small group of people. And then when we’re all done, we come back and share what we came up with. And five minutes go by and he is trying to get the attention of everyone in the room, the room has exploded in all this conversation, but everyone is smiling and enjoying talking to the person next to them. They’re thinking more hopeful thoughts with their generous colleagues and students and faculty all together. And when the chair was finally able to call everyone back to order… I’ve done this in 8 ams… the poor people who teach next to me have said that my classes are too loud at 8 am. [LAUGHTER] And Cathy has done this with a lot of people every time she gives a talk, and it takes a long time to get everyone to come back to order. And then people were so eager to share what they had talked about in their groups. And there was a little bit of anonymity, because it was like, “Okay, everyone in my group said this, not just me,” [LAUGHTER] and everyone was willing to share and we started to envision some really beautiful goals for the next 10 years that were really hopeful, that were imaginative, and creative, and beautiful, rather than starting with critique. Or sometimes what happens is, if one person says something, then everyone else kind of jumps on that train, and this way, diverse number of ideas coming out of these different separate conversations. So that’s why we do it.

Cathy: If you want an education-ese term this is called an inventory method. It’s the opposite of the standard seminar where you ask a question and those same three students raise their hand dutifully and answer the question. And sociologists of education have studied who those students are who raise their hand. And they tend to be a good match for the professor in class and race and gender and family background, family income… the people who are most into the class, most likely to get an A plus, most likely to go on to graduate school, most likely to be professors, replicate their professor. And that’s one reason why only 1% of Americans have a PhD and 25% of the professoriate has a parent that has a PhD. We have a system that’s a closed system. When you do an inventory method, like the one that Christina uses, think-pair-share, everybody in the classroom contributes. In that case, it was a meeting. But that’s true in a classroom too. Sociologists of education also tell us that 20% of students graduate from college without ever having spoken in a class unless they were required to speak by a professor. But if we really believe that higher education is about empowering students, not just giving them content, but giving them the tools to be experts themselves, then they have to learn how to articulate those ideas. And of course, some people are shy and then having them write on an index card means they’re still participating , even if they’re too shy to actually say something in class. An incredible method that I learned from a second grade teacher and I’ve done in many situations. Christina was alluding to the famous one I tell all the time about trying think-pair-share with 6000 International Baccalaureate teachers in the Philadelphia Seventy-Sixers auditorium. So they’re all thinking and pairing and sharing on these jumbotrons in the auditorium.[LAUGHTER] It was great. And I’ve also done it with the top 100 performing CEOs of the Cisco foundation. I did this with the Board of Trustees at Duke and John Chambers, the CEO of Cisco was on, he said, “I need you to talk to my executives, because there’s nobody more likely to be reticent about giving comments than one of my CEOs who’s talking to me. Power does that. There’s a kind of silence that happens in the face of power, whether it’s with second graders or a department meeting like Christina was in or students every day in our classes.

Rebecca: I think what’s really interesting about both of the stories that you’re sharing is that we’ve been in those situations where the silence is overwhelming, we’ve maybe have been the person running the meeting or the classroom or also been the person in the audience.

Cathy: And it feels awful, it feels terrible. My students call it’s playing silence chicken. [LAUGHTER] That’s a great term.

Rebecca: It’s a perfect descriptor for sure. So given that we’ve all had these experiences, and also have experienced the opposite. I think probably all of us, or at least most of us have experienced those engaging opportunities. Why do we always default to the one that doesn’t work? [LAUGHTER]

Cathy: Every structure we have in academe tells us our job is to learn from the master. And I use that word in quotation marks, but pointedly, and then repeat back what you learn on a final exam and that’s how you get As. And the students in our classrooms, they’re the winners, not the losers. They got to college because they learned that lesson, Freire calls it the “banking model,” where it’s my head dumping and depositing stuff into your head. We also have studies that go back to the 1880s, not 1980s, 1880s, the Ebbinghaus experiments with memory that tell us we forget 75% of what we’ve learned for that exam within weeks after the exam is over. So it’s not an effective way to learn, but it’s the way we learn. So we’re being reinforcing in a way of learning we only use in higher education and formal education, we don’t learn new skills that way, when it’s not commonsensical to learn from a lecture. I don’t learn how to play tennis from a video. I might look at a video, but that’s not how I get better. I practice and I improve and someone corrects me, and then I change what I’m doing. We all know that. But, for education, we’re told, learn from the sage on the stage. That’s what you’re supposed to do. That’s how you excel and our students have learned how to excel. It makes complete sense that they would think they learned more from a lecture than when they contribute. They’re deferring to the authority in the room.

Christina: And I think that this has been ingrained in them for a long time. We’ve been ranked and rated since birth, literally the first minute of birth ranked against others. And this one wonderful researcher, Susan Engel. She’s at Williams College, developmental psychologist, and she cites a study where kids on average before they go to school, when they’re at home asked about 27 questions per hour. And anyone who has a toddler, sometimes it is well more than 27 questions per hour. [LAUGHTER] My toddler just started asking why about literally absolutely everything. He’s about three. So right on target for asking lots of questions, for being naturally curious about the world. She talks about this. It’s called epistemic curiosity. And Dr. Engel says that once kids go to school, they ask on average three questions per hour, which is just a precipitous drop in getting to ask your questions, getting to know the world around you through engaging with it. And so by the time they get to college, they expect to learn more from a lecture, that they are not experts in the room, and that the person at the front of the room has all of the answers. And they have been trained through standardized testing to believe that there is a right answer, and they just need to be able to get to that right answer. That doesn’t train them to take on the world’s toughest problems and be problem solvers, to find alternative solutions, to think outside the box. And maybe those problems in the world are caused by believing there is a right answer and not thinking that maybe it’s me sitting in the room with all of these other people sitting in the room who could find a better solution or a better answer than the one that that one person has. And that’s how we change society. That’s how we transform our institutions. And I think they’ve just been ingrained in this system for so long, that by flipping it around and saying no, there are 50 different ways to answer this one question or 50 different ways to solve this one mathematical equation, then it’s more up to them. It’s giving them a little more responsibility and autonomy so that they can practice using it when they get out into the world rather than thinking, “Oh, there’s someone smarter than me who clearly has that figured out and they’ll take care of that problem.” That doesn’t really give them the kind of responsibility and accountability that I think that we all need in the world.

Rebecca: What you were talking Christina, I was thinking about a conversation I had with my kindergartner over the weekend, who does still ask many, many questions, some of which I do not know the answer to and so I don’t remember what she was asking me but whatever it was, I did not know the answer. And I said, “I don’t know, we’ll have to look that up” and she’s like, “I’ll ask my teacher, she knows the answer.” She’s in kindergarten, she’s only been in kindergarten for two months.

Cathy: I interviewed kindergarten teachers and first-grade teachers about learning. And almost every kindergarten teacher said, “when kids come to them, they think they can do all these things like ‘I love math, I love music, I love art, I’m an artist,’ by first grade, within six months into the first grade, they know, ‘I’m not good at art, I’m not good at math, I’m okay at language, but I’m very poor at…’ and already have absorbed those kinds of lessons about themselves.” And what you said is great, because it’s like the authority of the teacher is already happening. And then what happens when you absorb those lessons into a self definition. And that’s what we’re working against with active learning, is not just definition of the teacher, but definition of yourself in your role as a person.

John: And that’s hard to correct at the college level, because students have been indoctrinated in this from their very first exposure to educational systems. And when faculty do try using active learning, they often get a lot of pushback from the students. And that’s a challenge for new faculty where their teaching evaluations may have some impact on their continued employment. So it’s a difficult cycle to break.

Cathy: Yes, and it’s one reason why we include the research, serious research with any thing we offer to faculty members about what they can do in their class. And we also talk about the 2014 meta study in the publication of the National Academy of Science that looked at every possible way of evaluating learning and said if this had been a pharmaceutical follow-up study that Eric Mazur, who’s one of the inventors of the flipped classroom, did at MIT because his brilliant MIT students, were all sure they were being shortchanged by active learning. So he had them read serious scientific studies of active learning and then they all thought they were doing great by having active learning, and they thought they were better. So it’s about using the methods that speak to people in order to change the methods because unless you address the actual present situation of the audience, of the students, of the people you’re addressing, you can’t change things, you have to honor that present situation before you can move to something else and make a structural change beyond that.

Rebecca: A lot of the current system of higher education, as you mentioned, is based on a really different era, a really different audience of students and our student populations have changed, become more diverse, there’s more people going to college now than before. So how do we help students who have been through this system that has not really invited them to the table to really get involved. We share some of the research, and what are some other ways we can support them on this endeavor, and to continue helping us change the system.

Christina: Some really great pedagogy out there. One I’m thinking is an assignment that Erin Glass does with her students where they read terms and conditions for all of the technology that they’re using on their campuses. And they have to closely read them and critique them to help them become more aware of capitalist surveillance and what they are required to sign up for. And then they write a critique of that, of the university and of the system that they’re being signed up for, so they’re not only learning more, they’re learning digital literacy. They’re also learning more about the institution that is guiding these things that they’re signing up for. And they’re becoming better critical readers in general. And they’re also talking back to that institution and saying you could be doing better. And so there are ways in which we can give our students real-world problems that are immediately close to them and to their experiences of education, and task them with coming up with something better. And it’s really wonderful that students who come from all different kinds of educational systems to get together and think of what could be done better. Or Cathy also does this where at the end of the semester, a final project could be like, come up with a better syllabus. I don’t know if you want to speak to that Cathy, but I love this assignment.

Cathy: Yeah, I love to end the class where I be in the next class, like I say, “Okay, we’ve had about 12 weeks or 16, depending on the institution that I’m at, together and we’ve done this as a syllabus, and you’ve contributed to the syllabus, the last assignment, and sometimes we make this even as a final exam, is to make a syllabus the next people who take this class will inherit. Put your stamp on it. What did you like? What didn’t you like? That’s an incredible activity and it means it’s but again, using an education-ese term, it’s metacognition, too, because it means students are looking back over everything they’ve learned, which is the best way to beat the Ebbinghaus 75% forgetting because you’re actually processing it, analyzing it, and then trying to come up with some new version that you’re bequeathing to somebody else. It’s a legacy that you’re bequeathing to somebody else. It’s a marvelous exercise and you can do it in any kind of class. It’s quite fascinating to see the different ways people can come up with things. So often people say, “Well, you’re an English teacher, so of course, you’re flexible.” But what about… there’s somebody named Howie Hua, who’s a professor at Cal State Fresno, who on Twitter almost every day he comes up with what he calls mental math problems. And he’ll ask something seemingly simple that you think there’s no other way to solve that, like, “Add in your head 24 plus 36? How did you do it?” And dozens of people respond with different ways to add whatever those two numbers are that I just said, in their head. And it’s fascinating, because the point he’s making is it’s not about the right answer. It’s about, not only understanding the processes, but understanding all the different tools that we can have in order to be better mathematicians, more passionate about science or more passionate about all kinds of learning. So I think any assignment that gives students the tools and allows them, and even better is when they can pass on those tools to somebody else. When Erin Glass does that assignment, they not only critique, but they come up with their own terms of service. What are the terms of service for our class? What’s the community constitution for our class? What are the community rules we’re going to form in this class? …and so they’re already invested in a new kind of structure even before you start populating what that structure is going to look like.

Christina: And I think from the first day, you can really set students up for something different. One thing that Bettina Love does in her classes is she has everything set up and she goes, “Okay, now you tell me when the deadlines are going to be for this.” And so students look at their calendars, look at their schedules, and determine when things are going to be due so that they’re not all due in the same week as midterms or as in the same week as finals. That’s a very student-centered approach, asking students to come up with the learning outcomes of a class. And even in the most restrictive situations, you can add learning goals and learning outcomes, even if yours are set by the department. So I think also asking students what needs to change to better serve them and centering them in that conversation, you can start with your class and then start to think more broadly about a department or a whole institution.

Cathy: What I love about all of these different things, and we’ve borrowed them from other people, one of the things we did was we interviewed so many people, academic twitter was very helpful for that, to find out what they were doing and profile people and amplify people who are doing amazing things. What works best is when something specific, if you say how should we change this class, you get silence chicken. If you say here are the 10 learning outcomes that our department requires us to write, do you have anything else you’d like to add? Maybe work with a partner and come up with your own additions to these required learning outcomes? Students come up with beautiful, soaring, inspirational things that just make you aware that if they’re allowed not to be cynical, students want to have agency and want to have something that will help them in the rest of their life, it’s pretty scary to think about the world out there. And they want and need these things and want to be participants in the shaping of their own life and in their own agency.

Christina: And you’re reminding me too, that there’s this widespread movement right now to rename office hours, to call them student hours, because students are so used to going to the office being a punitive experience. And student hours really welcomes them to come with maybe more than just “I’m having difficulty with this problem set.” “But I want to talk about my career, what can I do with this degree? Or I’m having difficulty with x? Can you help me with y?” I think it really better serves them as well to rename it student hours to show that we actually really want you to come and we really want to talk to you. I don’t want to just sit alone in my office. [LAUGHTER] I want you to be here.

John: What are some other activities or ways in which we could give students a bit more agency? You mentioned the reflection on the syllabus and rewriting a new syllabus at the end. And you also hinted at having students be engaged in the syllabus itself. What are some other ways we can do this during the course of the class?

Cathy: I often quote our friend Jonathan Sterne, who teaches at McGill University because this is the most counterintuitive one. Jonathan teaches various versions of mediasStudies, media information, technology, and disability studies. He himself had throat cancer, and he talks through a voice box that he himself helped to design… a remarkable human being. He teaches classes of 400 to 600 students, and people say there’s no way… how in the world could that be active learning? He hands out index cards and at the end of every class students write down an answer to something he asks. He might ask “What did we talk about in class today that you’re still going to be thinking about before you go to sleep at night? And if there was nothing, what should we have been talking about?” Today’s media if you don’t have anything to say about media in the modern world, something’s misfiring. He has a blog about his learning, and he’s charted how well students have done since you’ve done these simple exercises of having students report back after every class. He also works with TAs who have special sections, and they take the 15 cards from their section, so they know what questions the students have before they go into the session. And then he uses some of those to spur his next assignment. He does this kind of cool thing where he spreads it all the cards and says, “Well, John said so and so. And Deborah said so and so. And Rebecca said, so and so. And Christina said so and so.” So he makes it interactive. He also does an incredible thing. He says, “With this many students, I have to use multiple choice testing, and I know how impoverished multiple choice testing is.” So he sets his students a creative assignment each time, sometimes it’ll be a piece of notebook paper, sometimes it’ll be an index card, and he’ll say, “You can write any crib sheet you want, go back, and you can do anything you want from the semester to help you do well on the multiple choice exam.” And what he knows is what they write on that crib sheet is the learning, right? It’s not filling in the ABCDEs, it’s the learning he also leaves some portion, it might be 5%, might be five points, it might be10 points, depending on the system he’s using. He’s Canadian university, so it’s a slightly different system than in the US. But he leaves some amount free, and students hand in both their multiple choice exam and their crib sheet. And he gives extra points for the crib sheets. He’s even done art installations with some of the crib sheets that students have done. But the point is the way you review a class and organize the knowledge onto some very prescriptive sheet, and he says the prescription is extremely important… he’s a composer as well. So he knows how it’s important is to have rules and to play with those rules. And it’s almost like a game. That’s where the learning is happening. So even in the most restrictive situation, you can still do active learning and learning that’s meaningful to how your students learn and how they retain and how they can apply that learning later.

Christina: A colleague of mine, Siqi Tu, also has her sociology students come up with some of the questions that will be included on the final exam. And you can do this with a multiple choice or a long answer type of exam, and the students develop a question. And then when they submit their questions to the professor to review, they also need to include what skills are we assessing with this question? And is this the right answer? What are the various ways you could get to the right answer? And if the right answer is D, then why are you offering A, B, and C as other but wrong answers? Why are they not the right answer? …things like that, to get students to have this kind of command over what they’re learning, why it’s important, what is worthy of being assessed, and how to go about assessing it and testing that knowledge. They have a lot more agency then in how they are being evaluated. And so their expertise is also being solicited there. And the majority of the learning is happening in creating the question and explaining all of the pieces of how that question has been crafted and what the right answer is and why. And then, at the end, she includes at least a portion of the student-generated questions on the final exam. And so it not only gives them great exam prep, but then they also know better what to expect. And they have more agency and control over how they’re being evaluated.

Rebecca: I really enjoyed some of the titles of the chapters in your book, for example, “group work without the groans.” [LAUGHTER] And I thought, yes, group work without the growns. So they resonate.

Cathy: I used to consult quite a lot with business. And just because of that I helped create the Duke Corporate Education Program, which was for returning executives, when I taught at my previous institution. And the number one expense of management experts who are brought into corporations to help manage more effectively is to help them with group work. And in classrooms, sometimes even in sixth grade, we say “Work in your groups and then do something amazing.” Well, no, we know what’s going to happen. That one person who raises their hand, they were one of the three who raises their hand, and in the group, they’re the one that does all the work, then there’s somebody else who kind of goofs off, and then there’s somebody else who does nothing at all. And we know those patterns, and it’s horrible for all three, it’s horrible for the person who always steps up, they’re not being pushed, and it’s horrible for the person who does nothing or the person who goofs off. So when I do group work, I have students write job descriptions. They write out job descriptions for who is going to do what in the group and I also love to have them do an exercise that I call superpowers. What’s your hidden superpower? What’s your three things you do that you think have no relevance at all to this group but that you know you do really well? It might be playing video games. I’ve had people say they were a clown. I found out that my executive director of the program I run was a professional clown. I didn’t know that. She’s a gorgeous young woman and she was a clown. She’s the last person I would have thought of who would be a professional clown. People have these skills, and what they find out in a group is those skills are not irrelevant, because you’re talking in group work not only about coming up with a product, but about interrelationships. And how you can make all the different parts of your personalities work together coherently to create a final product. Also, I have students put that on their resume. I have them look online at what employers most prize. And it turns out collaboration… duh…because that’s what they spend their money improving. Somebody who can be a great collaborator is somebody you want to hire in a job. So my students can not only put that on their resume, but have a wonderful example. You don’t have to say it’s in a classroom. I worked on a project with four others, and we took that project in from idea to implementation, and my role was the firestarter. That’s a term from computer scientists. I’m especially good at coming up with new ideas and presenting those ideas to a group. Fantastic. And then they don’t grown, they realize they’re learning a skill, not being put back into a pattern that they themselves hate and are embarrassed by or resentful of.

Christina: And I think in addition to telling them why group work is important, that they’re going to end up working in groups for the rest of their lives. Everything I’ve done in any job has been collaborative to some degree, and mostly a lot, like really collaborative. And so I just kind of tell them, “This is not busy work, this is actually good practice for the rest of your life, because at the end of the semester, you’re not going to work with these people anymore. But if you’re in a job, the only way to leave that group is to leave that job and the stakes are so much higher. So first of all, this is good practice.” But I think also, we sometimes neglect to offer students the structures that they need to feel confident in their grade for group work, and to feel confident going into group work. So from the get go, giving students structure for the group work, like a checklist of jobs or asking them to come up with a checklist of tasks that they need to complete, assigning roles, like putting a name next to each item on that checklist, so that it’s clear who is doing what. Teaching them a skill like that is teaching them how to delegate authority, how to be a good entrepreneur, a leader, and pointing that out to them that by creating this checklist and putting everyone’s name next to everything, you’re delegating authority, you’re learning these leadership skills that you need in the workforce, and helping them to understand that it is absolutely okay and totally normal to feel social anxiety before going into a group, particularly after a pandemic, when we really lost the ability to make small talk.

Cathy: It’s exhausting. [LAUGHTER]

Christina: It’s exhausting. It’s exhausting. It is we lost that skill. Oh my goodness,

Cathy: Today happens to be a Monday and I had brunches on Saturday and Sunday and took a nap after each one. I can’t remember how to do brunch anymore. [LAUGHTER] And we’re all in that situation.

Christina: It’s true. I just wanted to add one more thing, which is that it’s not just social anxiety, but it’s also anxiety about grades and grading. And we have a whole chapter about grades. Because no one likes grading. No one likes grading. And I think it’s important too for students to know that they’re being graded and assessed fairly on group work. I’m so having that checklist of roles and turning that in at the end to show who did what is really important. And inevitably, it’s funny because we also put faculty into groups …that transformative learning the humanities… where I work, and this inevitably happens with faculty too, that they get really anxious about working when the ideas aren’t gelling together. And I think it’s really important for students to know how they’re being graded. And if someone’s ghosting or someone’s not pulling their weight or not showing up, give everyone else extra credit for helping to make that work, helping to reach out to that person who’s not showing up or ghosting: “Are you okay?” And a lot of times that person is not okay. And they needed someone to reach out and ask if they’re okay, they need that support. So offering the students who unclog a problem, you can give them a plunger award, literally, that happens in a lot of groups, or do something to recognize someone who goes above and beyond to help resolve those kinds of conflicts and issues, rather than it feeling like “Oh, but my grade is being hurt by someone else.” I think it really helps to foster collaborative community and a learning community where everyone is important. Everyone is valued and everyone needs to be okay for the group work to be successful. How can we help our colleagues, our peers.

Cathy: Around 2005 to 2010 years for my organization HASTAC which I co-founded in 2002… NSF now called it the world’s first and oldest academic social network… we created a wiki and we went to this guy in a garage and asked him if he would help us create a wiki and then the next year he launched Wikipedia… that was Jimmy Wales. [LAUGHTER] So that’s how old, that’s how ancient this is. But with that world, we were dealing a lot with open-source computer programmers. When they would do a job, when a job would be posted on Stack Exchange or another open source site, they would have to find a partner that they’d never worked with before and know if that person was reliable, somebody who could complement their skills, and so they do a badging system. And I worked with the Mozilla Foundation on creating badging systems, where you would write down all the criteria that you need to accomplish a job and you never gave a negative, you never give a negative, you just give somebody a badge if they did something great in doing that, and then somebody else who comes by and wants to look to see if they want to work with that person sees where they’ve been given the right badges and says, “ooh, yeah, those are the things I do poorly and those are things what you do well.” Again, HASTAC calls that collaboration by difference. Not everybody has to do everything perfectly, but you have to know, you have to have an inventory of what people contribute. So in my classes, also, when I’m doing group work, I’ll have students not only write their own job descriptions, but write a list of the qualities they think are most important for the success of the group as a whole. And after every week, when they come together, I’ll have them give badges to the people. I don’t even say how many, what percentage, just give a badge to someone who you think really showed up this week, and give a badge in a different category. You don’t have to tell the person who never gets a badge from any of their peers that they’re not pulling their weight. And then that can be a first step, as Christina said, to doing something like reaching out and saying, “You must feel terrible that nobody’s given you a badge in anything. What’s going on? Is it indifference? Is something going on your life? What’s happening?” Yeah, and it doesn’t have to be punitive. But when you see that none of your peers are rewarding you, sometimes it’s like, “Darn them. I’m doing all the work. But I’m a shy person. So I just make the corrections.” That often happens among computer programmers who often are not the most voluble, personable, people. They used to wording, we’re doing code? And someone will say, :”No, no, no, I was fixing all the code you didn’t see, you just didn’t look and see that I was fixing all the code.” And then you can make an adjustment to and it’s an incredibly important adjustment. I’m working with somebody now who was Phi Beta Kappa, three majors, straight As, et cetera, et cetera, and never spok in college. And when she hears these methods, she says, “This would have changed my whole way of being in college.” Instead of feeling shame of all the people who should not feel shame, she felt ashamed that she wasn’t contributing. And because she was never offered an opportunity to until she wrote this brilliant final exam or brilliant final research paper when her teachers knew but in class, she felt like she was failing. That’s horrible. That somebody that brilliant would ever feel like they weren’t doing a great job.

Christina: I think it also asked how to get students excited. And thinking about what Cathy just said, I like to frame group work as an opportunity to practice being a step-up or a step-back person. So if you’re normally a step-up person, like everyone loves that you’re the first to volunteer to help. It’s great to be a step-up person, but sometimes that doesn’t leave room for stepping back and taking into account all of the things that have been said, and reflecting on the larger picture and finding the forest through the trees. And so I invite students to try to practice if you’re generally a step-up person, try being a step-back person. And if you’re generally a step-back person, try being a step-up person and see how it goes. And I also put all of the really loud step-up people in a group together, and I put all of the really quiet step-back people in a group together, because at some point, they’re going to have to talk and the step-up people need a way to regulate who is talking. And so I think a lot of us try to distribute those people through groups, and that can really change group dynamics. So I like having them all together in various ways to feel comfortable being among peers and navigating those roles and being more aware, calling to mind those roles before group work, so they could get excited about trying something new, and recognize that this is always just practice.

John: Will these methods help to create a more inclusive classroom environment?

Christina: These methods are inclusive because they solicit participation from every single person in the room. Inventory methods achieve total participation, that’s a term from the American Psychological Association, 100% participation, not just the hand-raising few. So these methods are inclusive.

John: There has been a lot of criticism recently concerning the way in which traditional grading systems cause students to focus on trying to achieve the highest grades rather than on learning. Do you have any suggestions on how we can focus student effort on learning rather than achieving higher grades?

Christina: Shifting the focus from grades to learning? A very quick answer would be thinking along the lines of Carol Dweck and using a growth mindset… that we are all learning… that you can do more assignments that are completion-based or labor-based to a satisfactory degree rather than A, B, C, D, F. And I think that one really great model is from Debbie Gail Mitchell, who teaches chemistry in Denver. She decided that an 80 is achieving proficiency. And the goal is to achieve proficiency. And so if you get an 80 on an exam or an assignment, then you receive the total number of points for that exam or assignment. And there’s a total number of points to achieve for the whole class. And so assignment or exam adds up to that. And so students stop grade grubbing or worrying if they’re getting an 83 or an 84. And they focus more on learning.

John: We always end with the question: “What’s next?”

Cathy: At one of those brunches This weekend, I had the privilege to meet someone named Matt Salesses, S-A-L-E-S-S-E-S, who is a novelist who just took a job in the MFA program at Columbia, who’s also written a book called Craft. And the book looks at how we teach writing in writing workshops by looking at novels and noticing how often white-authored novels don’t tell you the race of the white characters, but do tell you the race of the non-white characters, and how much craft through all fields as well as in writing workshops often assumes a putative expert in a putative subject as being white. And then everybody else gets defined. So even when we do the terms like diversity and inclusion, there’s an implicit grounding that the person who has craft and earns that craft is going to be from the dominant race. And it’s a really interesting book that looks at the Iowa Writers Workshop and the principles by which it was written up. You could have done craft as a way that higher education was set up. So many of the people who started and set up the metrics for higher education in the late 19th century were in fact, eugenicists, they really believed there was a biological reason for racial superiority and created a system that reified that prejudice that they had. So that’s just a parting. I just happened to be at a brunch at one of those exotic face-to-face human real experiences this weekend where I met an astonishing person with an astonishing book that I’m thinking about more and more. So that’s a what next for me as of yesterday, but that’s the wonderful thing about active learning is yesterday always has something interesting you can learn from.

Christina: My what next is I’m working on an article right now with a colleague, Josefine Ziebell. We’re both sound studies scholars, and also interested in pedagogy. And we’re looking at the school-to-prison pipeline, and the ways in which school soundscape mirrors the carceral soundscape, and how to give students more sonic agency. And so thinking about silence in the room, thinking about voice, and in what ways speaking up can challenge authority and how that can cost you your life in the worst scenarios. And also just like bells ringing, the time ticking ways in which school soundscape can contribute to the school-to-prison pipeline by regimenting everything about a person’s body and depriving them of their sonic agency, where making noise is considered inappropriate when that is exactly what we need to do to transform these institutions. And so I guess that just studying that I find really interesting right now with Josefine.

Rebecca: Well, thank you so much for such fascinating conversation today and things to think about and wonderful teasers for your book.

Cathy: Thank you very much.

Christina: Thank you so much.

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John: If you’ve enjoyed this podcast, please subscribe and leave a review on iTunes or your favorite podcast service. To continue the conversation, join us on our Tea for Teaching Facebook page.

Rebecca: You can find show notes, transcripts and other materials on teaforteaching.com. Music by Michael Gary Brewer.

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238. Engaged Teaching

The past two years have been challenging for teachers to navigate and be excited about. In this episode, Claire Howell Major joins us to discuss what it means to be an engaged teacher as well as practical resources to support teachers on their journey. Claire is a Professor of Higher Education in the Department of Educational Leadership Policy and Technology Studies at the University of Alabama. She is the author or co-author of several superb books and resources on teaching and learning.

Show Notes

Transcript

John: The past two years have been challenging for teachers to navigate and be excited about. In this episode, we discuss what it means to be an engaged teacher as well as practical resources to support teachers on their journey.

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John: Thanks for joining us for Tea for Teaching, an informal discussion of innovative and effective practices in teaching and learning.

Rebecca: This podcast series is hosted by John Kane, an economist…

John: …and Rebecca Mushtare, a graphic designer…

Rebecca: …and features guests doing important research and advocacy work to make higher education more inclusive and supportive of all learners.

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Rebecca: Our guest today is Claire Howell Major. Claire is a Professor of Higher Education in the Department of Educational Leadership Policy and Technology Studies at the University of Alabama. She is the author or co-author of several superb books on teaching and learning. Welcome back, Claire.

Claire: Thanks, I’m delighted to be here, John and Rebecca. Thanks for having me again. My second time, so yay.

Rebecca: Love it!

John: We’re really happy to have you back again. And our teas today are… Claire, are you drinking tea?

Claire: I am not. I’m drinking water.

Rebecca: John. I have a supreme English breakfast today.

Claire: Nice. Good choice.

John: Supreme as in?

Rebecca: It’s supreme.

John: Okay, we’ll leave it at that, and I have an Irish breakfast today. So part of the same empire there.

Rebecca: Yeah… [LAUGHTER]

John: That supreme empire.

Rebecca: I was going to say, is it very supreme? [LAUGHTER]

John: It is just Twinings Irish breakfast.

Rebecca: So we’ve invited you here today to discuss Engaged Teaching: A Handbook for College Faculty, your newest book, co-authored with Elizabeth Barkley, and its relationship with the K. Patricia Cross Academy. Could you first tell us a little bit about the creation of the K. Patricia Cross Academy?

Claire: Sure Rebecca, I would be delighted to. The Cross Academy is a resource that Elizabeth and I developed, in part, to honor Pat Cross, and her many, many contributions to higher education. Pat had just an amazing career in higher education that started really in about the mid 50s. And she finished her work in the mid 90s. And she served in a ton of high level administrative positions: at Cornell, at Berkeley, and at Harvard. And these were really high level positions at a time where it was pretty difficult for women to get high level positions. And she just did an amazing job and was really respected for her work as an administrator, but also for her work as a researcher. And you probably know her Classroom Assessment Techniques with Tom Angelo. It’s a fabulous book that shares formative classroom assessment techniques, and it has been used far and wide. I use it myself on a regular basis, and it’s been around for a long time and is still just a great tool. In that book, Pat and Tom developed a format for the assessment techniques that Elizabeth, Pat, and I used when we co-authored our first book together, Collaborative Learning Techniques. And it also served as the model for several of our later books, including Student Engagement Techniques, Interactive Lecturing, and Learning Assessment Techniques. And those techniques became the basis and the foundation for the Cross Academy. So that’s where it came from, but in addition to honoring Pat for her work, we also wanted to share information with faculty. We wanted to make some of these techniques a lot more accessible, so people didn’t have to necessarily go buy a book. That they could go to an online resource and pull that information anytime, anywhere, and also for free. We just wanted an open resource that could help faculty, and help faculty in short chunks. Each of our videos is about two to three minutes, and so it’s not a huge investment of time to go watch two or three minutes of video to get a great technique that faculty can try out in their own courses, and hopefully find a good use for. So our purpose there was twofold, to honor Pat and her work and also to widely share information that her work was foundational for, and we developed it from there and wanted to share that information with others.

John: At the teaching center here, we shared many resources with our faculty during the course of the pandemic. But the one that was most appreciated by faculty, based on the number of responses, was the K. Patricia Cross Academy resources. People wrote back saying how very useful it was, and how they wished they had seen it earlier and it’s gotten a lot of really positive responses here on campus, and I’m sure everywhere.

Claire: Well, thank you for that, John. I’m just delighted to hear it. It just warms my heart to hear that your faculty have enjoyed it. We have had a lot of visitors to the site, over 200,000 at this point. So I do think we are accomplishing that goal of sharing information with faculty. And we’re always just delighted, and so pleased to hear that people are finding it useful. That they are using the techniques in their own classes… so, just great news.

John: There’s so many other resources out there that describe some of the techniques that you have there, but they’re usually text based with maybe some images, or there may be a YouTube video or there may be some handouts attached to the text and so forth. But what people seem to really appreciate with this, and what we really appreciate with this is… you’ve got all those resources together in a really nice efficient arrangement. And you’ve devised a site where it’s really easy to find this material. You have a number of ways of indexing it. Could you talk a little bit about the ways in which people can access the information on the site?

Claire: Sure, sure. The site currently consists of 50 main videos, and each video is focused on a single teaching technique. For example, quick writes, or digital stories, or case studies and so on, and all of these techniques can be sorted in several different ways. You can search by the activity type, is it an assessment technique? Or is it a group learning technique? You can sort by the problem that it solves, for example, are you having trouble with student engagement? Are you having trouble with student attention? You can sort that way, and you can sort by Dee Finks’ learning taxonomy. So is it for foundational knowledge you’re trying to use the technique for? Are you trying to help students develop higher-order thinking skills? Are you trying to help students learn how to learn? And so the site is sortable in all those different ways, but it’s not just those 50 techniques. Each of those 50 techniques also has an online version. So we developed 50 additional videos, where we say, “Okay, here’s what a jigsaw is,” in the main video. And then in the accompanying video for how to do it online, we would say, “Here’s how you do a jigsaw in an online course.” So we have 100 videos really, because each of the 50 has the online version. And in addition to the videos, because you know, I’m pretty much a text-based person. I love to read, I love to see things in writing, I love books, all of those things. But we also have the techniques in downloadable templates. So in addition to watching the video, you can download a written version that gives you the quick and dirty of: here’s how you do it… provides the rationale for it. It gives an example of how it’s done in practice, a lot of times those examples come from my courses or Elizabeth’s courses. But there’s also worksheets space for faculty to record their own answers. And we also have a blog on the Cross Academy site, which we call CrossCurrents. And the blog publishes monthly, and we have different write ups each month of things that are timely and topical for teaching. And so we might discuss blended learning, for example, in a video or a blog, or another blog might be: “here’s how you can get students to read for class.” So we have all those different features in the Academy.

Rebecca: I love that everything is so bite sized, so that you can curate your own kind of collection of things to share as well so easily because the examples aren’t embedded in other examples. Which is sometimes you know, you might have a video or a workshop on good techniques, but then they’re all in the same thing. You can kind of separate them out, which is really nice. [LAUGHTER]

Claire: Yes, thanks Rebecca. We think so too, and part of that is, we know how busy we are. I mean, gosh, right now especially, faculty are just overwhelmed with teaching, with research, with service, with whatever we’re doing. And it feels like now it’s even more so than, say, pre-pandemic, because there’s so much more emotional labor to engage in. And it’s just a lot of work. So how do you find time to work on your teaching, and that’s one of the things we wanted to do is make everything easily accessible, like I said, where you could learn something new in two to three minutes, or a five- or ten-minute read of a blog post or something like that. So the goal is to make it manageable, and very, very useful and very practical.

Rebecca: And such a great model for what we should be doing for our students.

John: One thing I do have to wonder, though, given what you just said about all the challenges that faculty are facing is… how you’ve been able to stay so incredibly productive with all of these books. I think you’ve written more really good books on teaching and learning than most faculty have ever read.

Claire: Well, thank you. I think that’s a compliment, [LAUGHTER] I’m gonna take it as one.

John: It is. I’m really amazed. [LAUGHTER]

Rebecca: Please teach us the ways. [LAUGHTER]

Claire: I think there are maybe a couple of reasons for that. One, I have a Bachelor’s and Master’s degree in English. So my background is in English, and in English you learn to write a lot and you learn to write quickly, right? [LAUGHTER] Or at least in my degree programs that was one of the features, but the other thing is that, maybe because of that degree is, I process by writing. I learn things by writing. It’s how I take in information and understand the world. So a lot of the books I’ve written and co-authored with Elizabeth and other people. You’ve met Todd, and Michael and some of the other folks that I’ve worked with, just wonderful, fabulous folks, but one of the things that I think I try to do is learn something. And when I’m learning something, I’m usually writing stuff down about it, and by the time I’ve written all the stuff down that I’ve learned, then I think, “Well, I can just share this with other people,” right? I’ve done all this work to try to understand something myself, to think through it. That’s something I can share with others, and that’s certainly how the first book that Elizabeth, Pat, and I developed together, the Collaborative Learning Techniques, came about. I was really struggling with collaborative learning. It is hard to do that well. But the benefits are worth it because the research is really clear on that. It helps students learn, it helps develop their learning outcomes, it helps them get along with each other, it helps increase understanding and awareness, it really benefits marginalized students, it benefits not marginalized students. I mean, the research is really clear that it is a fabulous technique. And so I just wanted to learn how to do it and learn how to do it well, and so I started digging into everything I could get my hands on, and trying to pull it together, and synthesizing it. And I talked with Pat Cross about it, and Pat said, “You know, we should use that classroom assessment technique format for this book. And by the way, Elizabeth Barkley is going to be writing this book with us,” and that’s how that got started. Anyway, I think that’s mainly it. It’s me trying to learn and I’m on a constant quest for trying to learn new things, and I just try to share that information when I can.

John: And we all benefit from that . Thank you.

Claire: Thank you.

Rebecca: So glad you’re so curious. [LAUGHTER]

Claire: Yeah, I guess so. I guess I’m curious or motivated by challenges that I’m facing. So either way, either way.

Rebecca: Can you talk a little bit about how Engaged Teaching, your new book, relates to the Academy?

Claire: Yes. So I think there are a lot of different ways it relates, but I’ll say this, we wanted to write a foundational, or introductory book for college teaching. So one of the things I try to do in my work is, I’ve mentioned how busy faculty are, I want to put theory and research into the faculty’s hands in ways they can use it to improve their own teaching and learning. And those have been narrow slices, like collaborative learning, like learning assessment techniques, like interactive lecturing, some of those things are pretty focused. And so Elizabeth and I were talking about it, and we decided that it would be really useful to have a foundational text that does basically that. That draws together the theory and the research, but we’re both very, very practical people. We want things that help faculty in their day-to-day practices, that they can take away immediately and use something from. So we had the Cross Academy that have those takeaways. You can use this in your class tomorrow, watch this video, take it to your class tomorrow, or take it to your class in an hour. But we wanted to provide the theory and the research that supports that and some of the broader practical tips. So that’s kind of how it came into being. That we wanted this broader foundational book to give the techniques some context, and to give it some foundation and some grounding in the work. So they do talk to each other. Like I said, the book is the foundation, and the techniques are the very practical: “Here’s how you carry it out.” Although the book has that too, the practice parts, but it’s bigger practice, it’s more like a general tip. Whereas one of the tips might be, “Use small groups in your teaching,” and then the techniques are, “Hey, use a jigsaw,” or “Hey, try a think, pair, share.” So they are connected that way.

John: And you describe those linkages in the book and have a table of how those techniques tie back into the chapters to make it easier to do that cross referencing.

Claire: Yes, that’s right. And we mention the techniques within the chapters where we find them particularly relevant. Many of them can cut across a lot of different chapters. But if you’re reading the chapter on collaborative learning, we mentioned techniques that are on the Cross Academy site that are focused on group learning, and so forth.

John: The title of the book begins with “Engaged Teaching.” How do you define engaged teaching?

Claire: That’s a really good question and I think engaged teaching is a really interesting and important concept right now. You read things in The Chronicle of Higher Education… faculty are disengaged, students are disengaged, etc, etc… I’m not sure I believe that exactly. I know we’re tired, right? [LAUGHTER] I know that we’ve dealt with some things through the pandemic, and it’s taken a toll. But I think the engagement is still there, and I think to be really effective teachers starts with being an engaged teacher. One leads to the other. Being engaged can get you to be effective. So I think of engaged teaching as two things, it’s a foundation and also a process. And the foundation is an intellectual foundation. And that involves the knowing what, the knowing why, and the knowing how, and that’s how each of our chapters is structured. Every chapter you’ll read there’s a “what this topics’ about,” “why this topic is important” (largely drawing on the research), and then “how you can do this particular thing in practice.” So that’s the foundation, the intellectual part of that. And the process is implementing that in key areas of teaching and the key steps that we have to undergo. And that is developing our own knowledge. It means planning a course, it means creating a positive learning climate and choosing and using the appropriate instructional methods. And it also involves continual improvement of our teaching practice. So it’s going through each of those phases of teaching and thinking through the knowing what, the knowing why, and the knowing how.

Rebecca: When I think about engaged teaching, and as you’re describing things, Claire, I also think about reflective practice and how they’re tied together. And the idea that you have to observe what you’re doing to be fully engaged, or take time to reflect on that, to really dig into the research or to know what techniques you want to look into, or to recognize that you’re struggling with something.

Claire: Right, and I think that’s a key point. And I think the idea of reflective practice is kind of an overarching idea of the book. But we also have a chapter on that, on being a reflective teacher and using reflective practice in your teaching. So absolutely, they are definitely related.

John: For our listeners who have not yet picked up a copy of the book, could you provide an overview of the different sections of the book?

Claire: Sure, part one is about foundations of teaching and learning. And in that we start with engaged and effective teaching, and what engaged teaching means, and how that can lead you to effective teaching. We also think through pedagogical content knowledge, and that’s a specialized kind of knowledge that faculty have that no one else has and it’s really important to develop that, and we think about how to develop that. We also talk about student learning, which I think is really important and it’s something we don’t always have formal instruction on in our graduate programs, or prior to teaching our courses. But we think it’s really essential to understand what your views of learning are, and how students learn, and what can be challenges to student learning, and then how they can overcome those challenges. So it is a very foundational: “Here’s teacher knowledge, here’s student learning, and here’s some things you need to know.” Part two is about planning, and that involves thinking about learning goals, objectives and outcomes, everybody’s favorite, right? But those are more and more essential in today’s society [LAUGHTER] they say. We all have to usually do those for all kinds of reasons. For accreditation purposes, because we have to post our syllabi, and other things, and because it is just a good idea to do. The research shows that it helps improve student learning. If you have this kind of clear path laid out and know where you’re going, it helps you know how to get there. We also, in that section, talk about assessing and grading, and we talk about visual elements in teaching which is, I think, an under-thought-through aspect of teaching, but I think it is important to the planning process. And that could be from your syllabi to your slide decks to your online LMS or whatever. There’s a lot of visual content that we share with students that I think we can improve and really think through and do a good job on. Part three is about the learning climate. We think about student engagement and motivation. We talk about community and how to build community in classes, and we also think through and talk about how to promote equity and inclusion in teaching. Part four is about instructional methods, and we cover three big ones there: interactive lecturing, discussion, and then also collaborative learning. And then finally, in part five, we focus on improvement. And we talk about reflective teaching and assessing and evaluating student teaching from beyond student opinions of instruction, right? Some other ways to go about it. We do talk about student opinions of instruction and some of the challenges with those, and some of the benefits with those, but also thinking beyond that, and other ways to assess and evaluate teaching. And then our final chapter is on the scholarship of teaching and learning, and how we can go that extra step in collecting data, understanding data, and sharing that information with other people.

Rebecca: So basically, the textbook that none of us had when we started teaching. [LAUGHTER]

Claire: That was kind of the idea. Yeah, absolutely. I teach a course on college teaching, and this is what I would want my students to know.

John: And it’s everything from the basic theory of course design, implementation of the course, and looking back and seeing what worked, and what didn’t work, and what you could do better. It’s pretty much everything faculty need to do to become an effective teacher, or an engaged teacher.

Claire: Maybe not everything, but we definitely try to cast a wide net and cover a lot of important topics that we hope will benefit people from thinking through a little bit more.

Rebecca: I really love that this particular text includes an introduction to the scholarship of teaching and learning too, because it’s an area that many of us might want to engage in, but are never really exposed to necessarily, at least early on. You might stumble upon it [LAUGHTER] as opposed to it being like formally introduced.

Claire: Right, right, and there’s so much good work in that area. I mean, that field is really growing, and they’re just more and more articles being published, and I think it’s wonderful because so many times teaching is very isolated. We go behind our closed doors, or we sit behind our screens, and we teach our courses, and it stops there, and our students go out, and that’s wonderful, and carry on. But we may have faculty teaching the same courses at other institutions who never hear anything about what we’re doing, and if we can contribute to that knowledge then we can all get better. It helps us all level up just a little bit to be able to hear what other people are doing, and what’s working, or what’s not working, and to have that data I just think is really great. So I hope people will look at that and think, “Gosh, I could do this. I could go out and do an article on my teaching and share that with others.” I think that would be a fabulous, fabulous outcome.

Rebecca: Can you describe to our listeners, maybe a couple of your favorite teaching techniques or other nuggets from the book?

Claire: That is such a hard question, it’s like choosing your favorite child. [LAUGHTER]

Rebecca: All right, just an example, just an example, it doesn’t have to be your favorite. [LAUGHTER]

Claire: No, no, I’m gonna give you a couple. I have used, I believe, every single technique we have on the Cross Academy site, and so I have personally field tested them all, and I think Elizabeth has as well. And there are some ones that I turn to over and over and over again. Quick writes are one, I think background knowledge probe is another one, case studies I use quite often. There are two that I turn to, I would say, more often than others. And one is the digital story, and that’s where students create videos, and in these videos they describe how their own personal lives connect to the course content. And I like to use these early in a course to help students introduce themselves to each other, and also because it puts them in a mind frame of understanding, “Oh hey, I do have important knowledge and experience that relates to this course,” and that’s pretty good. And I have seen students just produce really, really wonderful, fabulous stories, and it’s really heartening. They share things and it’s just really powerful to see these. So I do love that one. Another one that I really love is a personal learning environment, and that’s where people have digital resources that they can use to learn more about their course content later on going forward. And it’s basically they create a concept map that’s got nodes and ties to the resources that they could use, and it could be people, it could be websites, it could be books, it could be journals that they’re going to consult going forward. But I often like to end a course by having them develop a PLE where they can say how they can continue to learn about the course content going forward. So those are two of my favorites, I think.

Rebecca: Those are good favorites. I like those two.

Claire: Yeah I like them, they’re good. And they work well both online and on site. So they’ve got some flexibility that way.

Rebecca: Just mentally noting like, “Yes, yes, that would be a really good way to end my class.”

Claire: Right?

Rebecca: Yes, maybe I should update my syllabus. [LAUGHTER] Re-writing the assignment in my head as we’re talking. [LAUGHTER]

Claire: Yeah, it’s one of my favorites, and they get really detailed with them. And they have all these mapping tools you can use like Popplet, or Buble.us, or whatever the newest programs are and they make just beautiful illustrations, and get really complicated maps, and do have very clear content sources that they can seek out in the future. And I think that’s great. And I love seeing the people that they choose. It’s really fun to see.

Rebecca: I imagine anything that doesn’t say “just Google it” sounds great. [LAUGHTER]

Claire: Yeah, although sometimes Google does pop up on one of the resources in the nodes. They do mention Google and that’s fair, right?

Rebecca: As long as it’s not the only node. [LAUGHTER]

Claire: No, it’s not. It’s never the only one. So I’m teaching this college teaching course, and I had them do a PLE for this course and they have all kinds of people who were out there talking about teaching. They have all kinds of books that we’ve discussed in class and journals that focus on college teaching, conferences that are related to college teaching. It’s really elaborate and intricate. I never really specify, you could specify how many nodes and ties they have to do, but I never do and they have not yet disappointed. They’re always really very thoughtful and well done, and really nicely mapped out resources.

Rebecca: I’m sure as the instructor that gets to look at all of them your own really expands. [LAUGHTER]

Claire: It does, right, right? Yeah, that’s a good point. They have great suggestions. They really do.

John: I really liked the way you described bringing students into the discussion though, by thinking about how it applies to their life and building the relevance and salience of the material, and then preparing them at the end to become lifelong learners. So you’re really bringing students into the conversation in the discipline in a way that a lot of classes don’t.

Claire: Right, yeah. I think it’s really important, and so I’m teaching this course that I’ve mentioned a couple of times now, online this semester. And students are really great and really open, and there are a few things that I’m doing there that I think are interesting. One of the things that I do is, instead of having them submit assignments, they submit everything through the discussion board, and so they all see each other’s PLEs, they all see each other’s digital stories. It’s sort of like a gallery approach to assignments and I love it, you know? And nobody’s complained about it yet. So I think that’s good. I will say I’m teaching graduate students, I might have a different approach if I were doing undergrad. But at the graduate level, they seem very willing to share their information with each other. And they always say that they learn from looking at each other’s posts, that they always think of things that they would not have thought about if they had just been submitting online. And so I do think it’s very important to have the conversation, and the students involved in the direction. Another thing I think is interesting is that I do a questions and comments section on each module. And that’s all it says, if you have any questions or comments, post. They have no reason to post there, and the first time I tried that I thought, “No one’s ever going to use this,” but they do. They get in there and they post, they post thoughts about readings, they post questions to each other, they respond to each other’s questions. And I don’t get very involved in that unless there’s a question that hasn’t been answered, then I’ll answer it. But mostly, that’s a self sustaining thing where students are just self managing the board and helping each other out and talking to each other without the instructor telling them to, and without a lot of monitoring, so that’s fun. So yeah, students are fabulous. I love involving them. I love hearing from them, and I love giving them a space where they can share and talk to each other.

John: And it sounds like they’re quite engaged.

Claire: They are, they’re great, they’re great.

John: The use of a discussion board for students submitting assignments reminds me of an earlier discussion we had on a podcast with Darina Slattery. She called the activity E-tivities, where all the work in her course… it was also, I believe, a graduate course in education…, was done through discussion board submissions. And she also described some of the benefits that students receive from sharing each other’s work and that collaborative environment. So it seems like a really good technique that I should try too. [LAUGHTER]

Claire: Right, It’s fabulous. I love it, I love it. I recently was revising my course with an instructional designer. He was like, “You know you’ve got all your assignments set up as discussion boards, right?” It’s like, “Yeah, yeah I know.” He’s like, “Do you think they’re going to be nervous about that?” I said, “Well, they don’t seem to be.” [LAUGHTER] They seem to be fine, just sharing away no one’s, like I said, ever really expressed discomfort either during the class, or through the SOI, it has only ever been very positive. I loved seeing what other people were doing, I learned from other people, it was great to be in that kind of dialogue with other people. And so it is an unusual approach, and I guess maybe it’s good to prepare people for it. But they seem to respond well, at least as far as I can tell.

John: But it’s also preparing people who are going to be teaching to work in an environment that’s collaborative so they’re not in their silos making the same mistakes that tens of thousands of people have made in the past, and being able to learn from each other and to share with each other. So, that seems like a really productive strategy.

Claire: It is a great strategy, at least for me and my students. I’m not saying it works in everybody’s class or for everybodys’ students, but it has been wonderful for me. The other thing I do in this course is that each week they create an assignment that’s called “create.” They have to create something, and it’s something for a final teaching dossier that they do. And so each week they produce something, like they might do a teaching philosophy, or they might outline a class session, or they might do something else. And one thing I’ve done this semester is ask them to offer each other improvements, right? Give everybody a constructive criticism. One compliment, one suggestion for making it even a tiny little bit better, because they then assemble all this work into a final portfolio. And so they’re helping each other out throughout the semester. I’m starting to see their portfolios come in, and it does make them stronger. They are doing really great work. They are all very constructive. They’re very kind to each other, and I had to nudge them a little bit at first and say, “No, you need to help them get it better, It will help their final grades if you can help them now.” And once they understood that they really locked into that and really started trying to help each other on their final projects, and that’s been really interesting and good to see as well.

Rebecca: I’ve been able to do something similar in using chat software. So right now I’m using Google Chat. But I’ve also used Slack to submit and share work.

Claire: Mmhmm.

Rebecca: And I find that my students are much more comfortable sharing in that environment where they can have written feedback and share written feedback, because they can contemplate what they say more carefully. And also, it makes a record of it, and they don’t lose it if we have a conversation about it. It’s like documented feedback. [LAUGHTER]

Claire: Yeah!

Rebecca: …or they can go back and reference, and those are things that students have said that they appreciate about an environment like that is that they’re nervous about speaking up about it, but they’re less nervous if they can plan a little bit more about how they approach it or talk about it in these chat environments. Which is funny because I think of chat as something being like, quick, [LAUGHTER] but they treat it more like a discussion board.

Claire: Right, right. Well, I’m doing it on the discussion board so I think it’s similar to what you’re doing. They do seem to appreciate it, they really do. And I think they’ve benefited from it, and I think through the process of offering constructive feedback, they see things they can improve in their own writing as well. So they’re helping somebody else out, and they’re helping themselves out, and I think that’s really fabulous, and it’s so exciting seeing their final projects come in, and how they have taken them and improved them over the semester. It’s really gratifying.

John: I’m having students do something similar, where they’re providing feedback on each other’s work. And in our last class meeting, one of the students said, “I wish the comments contained more constructive criticism.” And hearing it from another student, I think, has helped quite a bit in improving the quality of the feedback, because I asked them to provide constructive feedback to each other, but they were very reluctant to do that in the first round or two. But when other students are saying, “You know, I wish we could get more of this type of feedback.” They picked an example of that, and it seems to be making a difference.

Claire: Yeah, absolutely. It’s so gratifying. You’re just like, “Yeah, y’all are doing it, this is great.”

Rebecca: Along those lines, John, today in my class, we did an electronic whiteboard activity. I teach web design so we were critiquing a website. So I gave them a link to look at, and then to use sticky notes essentially to provide feedback. And then what I did was ask them, “Was this actionable feedback?” And then they were like, “No, not really. I don’t know what this means, I don’t know what this means.” It’s like, “Exactly,” [LAUGHTER] and I heard all kinds of clicks go on. So I think moving forward, as we moved on in the class period today, it was amazing how much better and more clear [LAUGHTER] the comments were, once they realized how vague they were when we took this thing that was outside of us to look at.

Claire: That’s great.

John: So now this book, Engaged Teaching, was written during a period of pandemic. And also I believe there’s been some developments on the K. Patricia Cross Academy during this period. Did the pandemic influence the development of these two projects?

Claire: That’s a great question, John. I think the answer is most certainly, yes. And on the Cross Academy side, I think it’s a very clear connection. We knew that we wanted to develop videos on how to do them online, eventually. So we had our 50 techniques, and we thought, “Yeah, you know what would be really good, and helpful and useful, is if we eventually, down the road sometime, created short videos on… here’s how you would do this online, either asynchronous or synchronous.” And we were kind of going along our merry way and the pandemic hit, and we realized that needed to happen a lot faster than we had originally planned. And so we sort of front loaded that, and got videos out really, really quickly, all things considered. And it was challenging because we do our filming in California, and we couldn’t travel. So there was no going there to do videos, we couldn’t be in a room with a bunch of other people trying to film those videos because, at that time, at least originally, we weren’t real sure how the spread was happening. And we didn’t know a lot about how to contain it, and I don’t think it would be great to be mask on those videos anyway. So we went to voiceovers and did a lot of work through voiceovers and accompanying footage through that, and so that shifted as well. I think as far as the book goes, I think it shifted our focus just a little bit to that concept engagement a little bit more, because we started to realize how important engagement is for faculty, for the life of faculty, for successful teaching, for all of those things. I think maybe initially it started out as the foundational textbook, and then I think we realized the importance of weaving the engagement piece through that, and thinking through, what does it mean to be an engaged teacher? And how do we engage in this work at any time, right? Especially when we’re struggling and we’re tired, and we’re doing things we don’t know how to do. I think that just became a lot more prominent. It was always there, but I think, like the online videos, the plans were there, they got frontlined. With the engagement, it was always there, but it got spotlighted or forefronted and a lot more

John: Is there some type of foundation funding the development of the K. Patricia Cross Academy? Or where does the funding and support for this come from?

Claire: So the funding for the Cross Academy has been 100% private donations, and anonymous donations to this point. So it has been completely funded by the generosity of people who wanted to support this work, to make this project an open project, and not a paid subscription or anything like that. We wanted it to be open and we found people who thought this was a good idea and were willing to support us from that. We could always use more funding, right? And so in part, this book can help with that because all the royalties that we receive from the book are going directly to support the K. Patricia Cross Academy. We’re supported by the SocialGood Foundation, and all proceeds are going directly to the SocialGood Foundation. The SocialGood Foundation is earmarking them for the K. Patricia Cross Academy, and so all of the money will go directly to support the Cross Academy for helping us continue to develop content, blogs, and videos, and continue sharing that information.

Rebecca: So we always wrap up by asking, What’s next?

Claire: Yeah, that’s a great question. And there is always something next at the Cross Academy. We are continually trying to develop that site, and what is in the works right now is a new phase where we are developing an activity bank for college faculty to work through. And these activities will help faculty reflect on their own current views on the different aspects of college teaching in the book that we’ve just published, discuss their ideas with other faculty, and create teaching materials that can help them in their own classrooms, and also develop products that could help them in promotion, and tenure and merit reviews. So that is coming I hope soon. I guess it’ll be 2023, but that is the next phase that we are working on.

Rebecca: That sounds awesome.

John: It does.

Claire: We’re really excited about it. I hope it’s going to be useful for people and really give them the opportunity to engage with engaged teaching a little bit more, to engage with the Cross Academy in ways that can help them improve their teaching… and students’ learning by extension.

John: Well, thank you. It’s always great talking to you, and you’ve given us a lot to think about and our listeners a lot to think about. And we strongly encourage people to pick up a copy of Engaged Teaching. It’s a great book. I haven’t read through all of it, but I’ve read through a big chunk of it in the last few days since my copy came in.

Claire: Well, thank you, and thanks, John and Rebecca for having me. I have totally enjoyed being here, thoroughly enjoyed the conversation. It’s been lovely.

Rebecca: And we look forward to seeing the next round of materials that come out because I know we’ll want to share them.

Claire: Great. Thanks very much.

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John: If you’ve enjoyed this podcast, please subscribe and leave a review on iTunes or your favorite podcast service. To continue the conversation, join us on our Tea for Teaching Facebook page.

Rebecca: You can find show notes, transcripts and other materials on teaforteaching.com. Music by Michael Gary Brewer.

John: Editing assistance provided by Anna Croyle, Annalyn Smith, and Joshua Vega.

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