436. The Joyful Online Teacher

Online classes provide opportunities for students not served by traditional in-person classes, but asynchronous experiences can seem isolating for both students and instructors. In this episode, Flower Darby joins us to discuss ways to make online instruction more joyful for both students and faculty.

Flower is an Associate Director of the Teaching and Learning Center at the University of Missouri. Prior to this position, she served as an Assistant Dean of Online and Innovative Pedagogies and Director of Teaching for Student Success. Flower has over 30 years of teaching experience, including both in-person and online modalities, and is frequently invited as a keynote speaker at academic conferences. She is a co-author of Small Teaching Online: Applying Learning Sciences in Online Classes, and The Norton Guide to Equity-Minded Teaching. Her new book, The Joyful Online Teacher: Finding Our Fizz in Asynchronous Classes, has just been released by the University of Oklahoma Press.

Show Notes

Transcript

John: Online classes provide opportunities for students not served by traditional in-person classes, but asynchronous experiences can seem isolating for both students and instructors. In this episode, we discuss ways to make online instruction more joyful for both students and faculty.

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John: Thanks for joining us for Tea for Teaching, an informal discussion of innovative and effective practices in teaching and learning.

Rebecca: This podcast series is hosted by John Kane, an economist…

John: …and Rebecca Mushtare, a graphic designer…

Rebecca: …and features guests doing important research and advocacy work to make higher education more inclusive and supportive of all learners.

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Rebecca: Our guest today is Flower Darby. Flower is an Associate Director of the Teaching and Learning Center at the University of Missouri. Prior to this position, she served as an Assistant Dean of Online and Innovative Pedagogies and Director of Teaching for Student Success. Flower has over 30 years of teaching experience, including both in-person and online modalities, and is frequently invited as a keynote speaker at academic conferences. She is a co-author of Small Teaching Online: Applying Learning Sciences in Online Classes, and The Norton Guide to Equity-Minded Teaching. Her new book, The Joyful Online Teacher: Finding Our Fizz in Asynchronous Classes, has just been released by the University of Oklahoma Press. Welcome back, Flower.

Flower: Thank you so much. It’s my true delight to be here with you both.

John: We’re really happy to talk to you. It’s been a while.

Flower: Yes, we’ve all been busy, I think. Lots going on.

John: And certainly you have been. [LAUGHTER] Our teas today are:… Flower, are you drinking tea with us today?

Flower: I do have tea, and I went with a classic Earl Grey today.

John: Very nice.

Rebecca: Nice!

John: In a nice inclusive education mug. Is that what I saw on there?

Flower: That’s what I have, from CU Boulder, inclusive educators. This is actually from their podcast, Inclusive Educators.

John: Nice.

Rebecca: I have a cinnamon cardamom tea.

John: And now that the temperature has risen above zero, today we have a heat wave. I think we just checked and it was 12 degrees. I am having spring cherry green tea in honor of the spring, which will be here sometime in the next few months.

Flower: Love it.

Rebecca: Sounds good with the temperatures rising. Flower, we invited you here today to discuss The Joyful Online Teacher. Can you tell us about the origin of this book?

Flower: Yes, Rebecca, this has been a long time coming. It originally started through inspiration from Dr. Sarah Rose Cavanagh’s really transformational book in my life and in the lives of many educators and students. Her book is The Spark of Learning: Energizing the College Classroom with the Science of Emotion. She has other ones, but that’s the original inspiration for this book. And as soon as I read it, I thought, “Wow, there is so much potential when we truly apply the findings from emotion science to asynchronous classes in particular.” So I began cultivating this idea. This book is also inspired by the work of Dr. Barbara Means, a very well published scholar, researcher on education, learning, and technology, and in 2022, she put out a paper calling for the application of psychological literature to online classes. She pointed out that the frameworks that we are accustomed to talking about really come out of educational technology, and we need to go a little deeper into how people learn online. So that factored into this. And then I would say the third ingredient that sort of shaped this book is just my ongoing sense that online classes are kind of less than. They’re just not as fun [LAUGHTER] as teaching in person, at least for me. I love teaching in person. I love when we get to be together in a room, and yet I see so much value and purpose in asynchronous online classes as well. Student demand is growing. It is an equity issue for me to make these classes as positive and supportive as they can be, and so what we ended up with is The Joyful Online Teacher.

John: And s peaking of positive, your first chapter begins with a discussion of Martin Seligman’s PERMA model of well being to provide a theoretical framework for your book. It’s been a while since we discussed this model on the podcast, and I think we only discussed it once before. So can you provide our listeners with an overview of this model?

Flower: Yes, so I did deviate from what a lot of us who write about online education really tend to rely on like the Community of Inquiry framework, for example. And I just wanted to find out how we could foster thriving and flourishing and well-being in our asynchronous classes in general, because in my experience teaching online for decades, it doesn’t feel like I’m flourishing in that environment. And what the students tell us, and what many educators tell us, is that that’s a common experience. So I turned to PERMA, as you said, Seligman’s theory of well-being that he introduced in a 2011 book called Flourish. And PERMA is an acronym for five building blocks of individual well being. And what I love about this model is, first of all, it’s extremely well tested, and there’s a mountain of empirical evidence that shows that it reliably predicts well being and success better functioning in every life domain. So I love that it’s so well validated and supported. But I also love that you can pick and choose between these five building blocks based on what resonates with you, your personality and such. So let me quickly summarize the five building blocks, and the idea is cultivating experiences within any of these domains are going to enhance our own sense of well-being, our own happiness. So “P” is for positive emotions, and what the literature shows is that when we are experiencing positive and pleasant emotions, like enjoyment, like gratitude, satisfaction, pride, a whole range of pleasant experiences, we’re going to feel better. And that makes sense, right? But as Seligman himself points out, about 50% of the world does not go around feeling positive all the time, and so I love that there are other sort of building blocks. “E” is for engagement, that’s the state of flow. That’s where we’re so absorbed in the task at hand that we lose all sense of time and self, and that’s a source of well-being. “R” is for relationships, and specifically positive relationships, I think about these especially in an online class in terms of supportive social connections. “M” is for meaning. When we find value and purpose in the thing that we are doing, that in itself, is another way to boost our own well being. And “A” is for accomplishment and this one resonates with me. It is crossing the item off the to do list. It is winning the game of cards just for the sake of winning. It is helping our online students cross the finish line of our classes. So what I did in this book is I highlighted two of these domains as particularly relevant and impactful for asynchronous online classes. I take a deep dive on positive emotions, what does the emotion science say? And how can we put that to work in online classes, and then “R,” relationships, supportive social connections? How can we help everybody thrive and persist in those online classes based on those two elements specifically?

Rebecca: So in your book, you provide an analogy between building a course and preparing for a road trip as a way of establishing this sense of well being. I know, personally, I enjoy planning trips. So what are some design strategies that can be used to promote well being during the semester, particularly around these like positive emotions?

Flower: Yeah, it’s funny you said that, Rebecca, because I hate planning for a road trip, and I got to be so real, I don’t love all the stuff that we have to do as instructors to get ready for an online class. I feel overwhelmed, and I don’t think I’m alone by all the rubrics, all the checklists, all the frameworks, all the “you should do this” and “best practices that,” organizing the modules, it’s not my favorite. It’s not where I find the fizz, making sure the rubrics are there, the dates are all right. All of that is not my favorite, but it’s funny that you said that, because, of course, I discuss everything with my amazing husband, Tim. He’s an instructional designer. He’s been supporting faculty teaching with technology in classrooms and online for over 30 years. And he was like, “Wow, I kind of like planning for the road trip.” [LAUGHTER] And I was thinking specifically about the tasks that may not be as fun, like getting the car to the mechanic, getting the wheels aligned, but when you take the time to do those things, then you foster a more enjoyable trip when you’re actually on the road trip. So chapter one really is about what I find to be a little bit less fizzy, but then I know there’s other folks like you who are like, “No, it’s okay, let’s get our checklists done.” And so, thinking about how do we set up our course? And this is not really new [LAUGHTER] for anybody who has any experience supporting online teaching or teaching online. It is about, well, first of all, I encourage us to remind ourselves of the “why,” of the meaning and of the purpose. Again, back to the “M” in PERMA, I know for a fact that online classes literally change lives, to quote one of the folks who’s featured in this book, Michelle Pacansky-Brock, “they make it possible for people to attain a college credential or degree when it would not otherwise be possible to do.” And so when I do get a little bit bogged down with the tedium, the administrivia of preparing an online class, I have to remind myself of my “why,” and so that’s what we start with in chapter one. Then, I kind of go through some of those relatively well understood strategies in terms of making sure your course is organized. And to your point about fostering a more enjoyable experience, when my course is confusing, then what happens is the students get confused, and what we know from emotion science is frustration or confusion demotivates learning and learners, then they email me with questions, as they should, and then I have a whole mountain of email, right? And so it’s kind of like when the wheel is out of alignment, it’s harder to steer the vehicle and keep it on track, but when you take the time to make sure that things are set up, that they are organized, everybody does have that more enjoyable experience. So one other thing that I would mention here, as we’re setting up the class is to kind of set ourselves and our students up for success by announcing our availability. Now more than ever before, online students might expect an answer in the moment, and we are not AI chatbots. We are not available 24/7, so help our students know that. When life circumstances come up for ourselves that impact our availability, let our students know that. Let them know if we need to be away for a few days, when we’re going to be back, anything like that that we feel comfortable sharing. All of those are ways to set up the journey for success.

Rebecca: One of the things that I heard you say, that I think everyone can relate to, is not enjoying piles of email. So having less piles of email alone could make for more joyful experiences for everybody. [LAUGHTER]

Flower: And if I could just comment on that, any strategy that has been successful in my own teaching and anything I recommend that seems to resonate with folks more broadly is pretty much all about saving me pain. [LAUGHTER] There are tedious aspects of teaching, and oftentimes it is something that we could do better. If a lot of my students are missing the mark on an assignment, maybe I wasn’t as clear or explicit in the instructions. So if I go back and I add to the transparency of what I’m asking students to do, eventually the result is less grading time for me because they’re getting it on the mark. So I admit it’s purely selfish, but whenever I can save myself pain or help other faculty save themselves some pain, I actually think it’s benefiting their well being and student success as well.

John: Now, I’m with you in that I much more enjoy the interactions with students as the course is progressing, but after I started teaching, I realized I couldn’t really be that improvisational and just do things day to day and so forth. And I’ve learned also that putting in the extra effort, getting all the details in, creating a consistent course structure, making sure that everything is there in advance, just makes it so much more enjoyable later. I don’t enjoy that part of it, but it does pay off in terms of the rest of the course, and those few weeks of getting things ready in advance, or maybe more than a few weeks, depending on whether it’s a course you’ve done before or if it’s a new course, really pays off nicely.

Flower: That’s exactly right, John, I agree with you 100%.

John: And I was thinking when you mentioned that about how we started this podcast. When we first started talking about I said, “Okay, well, let’s record one tomorrow, and we can release it later this week.” And Rebecca’s response was, “Well, why don’t we plan to start releasing them in about a month or so? Let’s get everything organized and planned first.” So it worked out well, but it was a bit of an adjustment there.

Rebecca: It’s a little yin and yang going on here.

Flower: That’s good!

John: So, in an in-person class, having an energetic and enthusiastic instructor can help inspire student engagement, because we know that emotions are contagious. It’s a little bit harder, perhaps, to do that in an online class. How might instructors create a similar environment in an asynchronous course?

Flower: This is such an important question, and the beauty of it is that a little goes a long way. And one of the things that I do in this book is I tell the stories of people who love teaching online, and we just get to learn from their experiences. So the book is as much storytelling as there is research and empirical evidence to support the recommendations, but there’s also people who love teaching online, and I really think keeping our focus on that, on the people in the class, seeing our online students as people, and not just names on a screen, which I myself have been guilty of, and really highlighting the importance of regular interactions, but not in a mechanical way. So to get to your point, as you already mentioned, emotion is contagious, and there is a lot of evidence to show that teacher enthusiasm literally infects students and energizes them, and this definitely applies in online spaces as well. Anybody who’s familiar with my work are going to see some themes [LAUGHTER] that have been characterizing my work for some time now. But let’s think about, how do we convey our passion to our online students? Whether it is in the recording, maybe an audio or a video recording. The research shows that even, especially video, even like animating our facial features and inflecting some enthusiasm in our vocal intonation that can energize students, even in an audio recording. Again, there’s more depth and nuance, and we can convey that excitement about what we’re doing in class. We can also convey that we really care about our students when we’re more willing to bring that media. It doesn’t even have to be just media, though. We can do this in our written comments, announcements, feedback, discussion posts. It really is about being “the sun” is the way I think about it. I personally think Canvas, Moodle, Blackboard, places like these, are ugly. I really do. [LAUGHTER] I cannot believe how they are so not user friendly, so unappealing visually. So I think about what individuals, as instructors, what we can do to bring warmth, energy and enthusiasm into our classes. And it may be that you send an announcement with a meme, or maybe you tend to use emojis. Those kinds of things that are resonant to our authentic selves, and being mindful to project our enthusiasm about our topics, about student success, those are ways that we can create a similar environment in online classes.

Rebecca: One of the other areas where there’s a lot of growing evidence is that students are more likely to persist and learn more when they feel like they belong. What are some of the strategies you recommend to help students feel that they belong in an online class, particularly in an asynchronous setting?

Flower: Yeah, I’m really glad to be talking about this. My co-authors and I took a deep dive on this in The Norton Guide to Equity-Minded Teaching, which is freely available thanks to W.W. Norton. That’s where I really began to articulate, “what does the research say, and how do we apply it in online classes?” And what we know is persistently, consistently, for decades now, students in asynchronous online classes have told us that they don’t feel they do belong, they feel isolated, they feel lonely, they do not feel connected with other people. In fact, there’s a relatively recent study that reports one student saying that they don’t even think it’s possible to feel that there’s a community in online classes. So we have work to do here. Those feelings of isolation and loneliness definitely contribute to those higher attrition rates that we experience in online classes. I love the example of, again, my friend and colleague, Dr. Isis Artze-Vega, lead author of The Norton Guide, and she really put into practice this idea of relentless welcome, which we learned about in Relationship-Rich Education by Felton and Lambert. It’s this idea of communicating to students repeatedly that we’re there for them, we will help them. If they have a late assignment, what can we do to help them get that assignment in, to help them cross the finish line? Again, Isis’ story about asynchronous teaching is in the book. There are many others, but it is about helping our students see us as a real person. For example, I’m in a lot of online classes, and I speak with a lot of online instructors, and it surprises me, and quite frankly, it saddens me, how frequently there is not even a photo of the instructor in the online class. There may be good, valid reasons why an individual instructor does not want to post an image of their face. I understand and respect that. But I think there’s a lot more of us who just haven’t put two and two together. Students tell us they feel like we’re not real. They tell us that they think we’re just computers or bots. So let’s help our students see who we are as a real person. A headshot, a photo of ourselves doing a hobby, and again, it’s not just one and done. It’s not just an “all about me” page at the beginning of the semester. It is about interacting in ways that help our students see that “Wow, we really are ice hockey fans,” and “did you see that game over the weekend,” right? Or whatever our personal interests might be, that we feel comfortable bringing into class. Again, not crossing any boundaries, but helping our students see that we are real people can help them feel connected to us. And the flip side is also true as well, being intentional to get to know our students as real people really goes a long way. As I already mentioned, I have been guilty of seeing a name on a screen and struggling to envision the real person who was on the other side of that screen. So first-day information sheets, where we collect some information from our students, and maybe invite disclosure, I don’t think we should require, but maybe invite students to share a little bit about their personal interests, hobbies, career goals. Those kinds of activities can help us demonstrate to our students that we do see them, that we do care about them, that they are a valued member of the community, that fosters belonging and that predicts academic success and completion of the online course.

John: And we’ll include links to The Norton Guide, as well as Relationship-Rich Education, as well as a couple of podcasts we had with some of the authors. Along those same lines, one of the things that may be difficult is that we know that there’s research that suggests that when people read written feedback, they’re more likely to perceive it as negative than if they hear it being said, because we don’t see facial expressions, body language, tone, and other things. Now, video can help address some of those things, but if people are not going to be using video, how can they convey this more positive and supportive environment to reduce the risk of misperceiving some of the comments that students may see?

Flower: Yeah, great question, and again, a relatively simple thing that we can do when we pay attention to the words that we write. I alluded to this earlier in this conversation, it is 100% possible to convey enthusiasm, support, encouragement, “you got this,” when we take another moment or two to write some of those quick phrases. Some online instructors find it helpful to have some template text that they can copy and paste. I personally tend to be more spontaneous and in the moment, but there is an aspect of taking a few more moments to share a few more words that help students and being intentional. Now, I don’t think any of us should be inauthentic. As you may know about me, I tend to have kind of a natural cheerleader kind of a personality like, “Come on, we can do this!” And I don’t think people should break that way if that’s not their style, but I do think we can overcome the transactional distance, create warmth that is not always evident in these text heavy environments. The course material itself is often written in a dry academic language. I take inspiration from research that shows that warming up the tone of your syllabus can help students feel better prepared for success, the same is true in our written materials in online classes. And the last thing I would say is findings from research on immediacy cues in asynchronous classes, specifically immediacy cues that comes out of the field of communication and it’s a way to help students feel that you are approachable as an instructor, that you are on their side, you are available to help them. We often think about these immediacy cues in in-person classes, for example, maintaining a pleasant facial expression of body language that is a little bit more relaxed, not standing at the lectern and just reading your notes. These are in-person nonverbal immediacy cues, but research has shown that there are things that we can do in online classes to apply this effect as well. One of them is about the perception of time, so students notice the length of our comments or our feedback on an assignment, and if it seems like we were very brusque and abrupt, again, sort of a negative perception is formed, but if they perceive… because we have included just a few more words in our message… if they perceive that we spent a little bit more time with them, it boosts their motivation and engagement, both of which are precursors to learning. So in my opinion, how do we do this when we’re relying on text, it is faster. I think that typing comments is faster than recording video. I certainly encourage people to use more video, but when I’m teaching online, taking just a mindful moment to add a few more words of encouragement, maybe even to acknowledge, “hey, this is challenging, but I know you can do this.” Typing words like that makes a difference.

Rebecca: One of the things that we mentioned just briefly a little bit ago was that in online, asynchronous classes, there’s higher attrition rates than in-person classes. What are some other strategies we can use to encourage students to persist?

Flower: Yeah, so I’m thinking of a 2024 research paper that came out and I love when articles have a catchy phrase. This one, the first part of the title is, “It Helped Push Me Through the Class,” and it’s the things that we have been talking about. It is relational online teaching. It is teaching with rapport. And as I mentioned at the very beginning here, a little goes a long way. Having that photo of the instructor, writing opening materials in an online course in a way that makes it very clear for students to understand what they need to do to get started, maybe trying to break up our written materials in the online classes with a little more white space, with a little bit more use of headings, keeping everything accessible, so that we are meeting digital accessibility requirements, absolutely, but we can bring in more of that relational kind of online teaching. That’s the way I think about it. Again, Michelle Pacansky-Brock is doing great work in this area. She talks about humanized online teaching. It’s the same thing, it is about cheering our students on, pulling for their success, maybe reaching out. Attrition rates are higher, they have consistently been for decades. Maybe what we do is we’re intentional to take 15 minutes on a Monday morning and check and see who has not really been active in the class in a few days, send a little message to that individual and say, “Hey, I noticed you haven’t been here. Are you okay? Is there anything I can do to help?” That kind of a strategy doesn’t take very long. It can make a huge difference for students, because it communicates that you noticed, that you saw that they were not there, and you took action to reach out in a supportive way. That’s the kind of thing that can and does make a difference with helping students persist and complete the online class.

John: Just a few minutes ago, you suggested that one of the ways we can help connect to students and create a better relationship with the instructor is by finding out more about the students and asking them some questions so that we get to know our students a bit better. But if they share that information with other students, could that help build community in some way, if we can bring some of those things into discussion forums or some class activities where they’re revealing something that they’re comfortable revealing about themselves and why they’re taking the course, perhaps. Might that help forge better connections among the students in the class?

Flower: Yeah, it’s all about, as you said, helping students find some common interests. And the way I think about this is to structure social interactions throughout the class, not just in the first week in the introductions forum. I mean, that’s standard, and I do recommend that we should do that, have an introduction forum in week one, but in many online classes, that’s it. There’s no further attempt to build connections and relationships among the students. When we are intentional to do that, what happens is, again, that more naturally warm environment, a more trusting environment, which will help students engage. So for example, I think it can be helpful to have maybe a weekly social post only. I was speaking with one instructor recently who changes the prompt every week, and if this aligns with your grading philosophy, I recommend assigning points. Make it worth points, because online students are busy, they don’t do things that aren’t required. I understand that, but maybe one week, the topic of discussion is, “what series are you binging right now?” Maybe the next week, “what is one favorite hot beverage, given the icy temperatures,” right? Things that don’t have much to do with class, encourage students to post photos or memes. If they want to do that, it will be amazing. And I think people will really see the benefit of investing time and part of the grading scheme and module space in structuring ways for students to connect and engage with each other in ways that are not necessarily about the material in the class, just person to person.

Rebecca: In a lot of ways, that’s very similar to the small talk or small interactions that happen before or after an in-person class. And you have to be more intentional design those opportunities when an online environment is kind of a drop in, drop out, as you need or as it makes sense for you on your schedule. So you have to kind of make those spaces for that to occur.

Flower: That’s exactly right, and I actually want to qualify some of what I said, I get very carried away with myself. But to your point, social interactions can happen spontaneously and naturally, whether it’s turning to your neighbor and saying, “Hey, do you have an extra piece of paper,” whatever it might be, and the research has found that that’s actually really important to help students be successful. So that’s why I say “Yes, it doesn’t happen by accident in online classes. Let us structure those opportunities.” But, [LAUGHTER] I want to qualify that. I have learned over time that in some courses that may not be as necessary in some disciplines, maybe students don’t have time for the social stuff as much. So two points here, for example, once a number of years ago, I was speaking with a professor in an MBA program. He’s like, “My students are motivated, they are busy, they are professionals, they know what they need to do, they want to get in and out, they don’t have time for all that fluff.” And at the time, I wrestled with that, but I think he has a point. So instructor preference, discipline, the nature of the program, the kinds of students that you have, these are all factors that we want to take into consideration. I still would argue that some social support is more beneficial than not having that much, but every recommendation like this, I think individual instructors need to filter it through their own wisdom and experience, and make those informed decisions based on what they think will be best for their students, their discipline and such.

Rebecca: I can imagine some of those could be a little more spontaneous feeling if you have students that have some similar interests that you learn as you’re interacting with them, and you connect them to one another because they do have some shared goals or interests or pursuits.

Flower: Yeah, one of my favorite recommendations, again, people who are familiar with my work may have heard me talk about this before,[LAUGHTER] but it’s because it’s so good. This idea originally came from Dr. Courtney Plotts. What I like to do is to provide a slide, or it could be a Canvas page, for example, with some images that represent kind of a wide range of emotional and mental states. And then make this a discussion forum, and it would be “which picture best,” and then you can finish that sentence however you want to, in terms of the prompt, right? “Which picture best represents how you’re feeling about your weekend,” or “this upcoming project that we have due,” or “your college classes in general for this semester,” and then again, if it’s in a discussion forum, students can connect with each other over the pictures that they choose. And so the slide that I tend to use a lot has a happy looking dog. It has the nervous slash playful looking cat. It has a dark mountain scape with heavy clouds and snow. It has a humming bird drinking nectar from a flower. And when students see that somebody else picked the dog, “Oh, yeah, tell me about your dog!” There are ways to structure with some degree of spontaneity as well. And like I said earlier, my personal sense is that in asynchronous classes, assigning points is more necessary because we know students don’t do things if they’re not worth points. That is not my overall grading philosophy, but regarding asynchronous online classes, I would say that when students see that you’re assigning points for some of those things, it conveys that it’s important. It conveys the value that you place on those activities.

John: For many years, one of my colleagues and I have been using this metacognitive cafe, low-stakes discussion forum where students reflect on their learning process, and at the end of the semester, they always said that that was one of the things they valued the most, because it helped them see that other people were struggling with some of the same issues, that they weren’t alone. Besides the benefits from just the metacognitive reflection on their learning, it helped them to see that the things they were struggling with were experienced by other students as well, and they would often bring up things saying, “I have to take care of a two-year old, and it’s really difficult to do these things.” And then other people would respond about some of their challenges, and it just helped form much more of a community where they got to know each other much better than they would have if the focus was just on the content directly.

Flower: That is a wonderful example. I love that so much, that empathy building, that sense that we’re not in this alone. That’s exactly what online students tell us, [LAUGHTER] they feel like they’re in this alone. So I love that opportunity to, if nothing else, vent or commiserate [LAUGHTER] and share that experience to build that trusting community. I love it.

Rebecca: One of the things that we talked about a little bit earlier was how some students may think that we’re just a bunch of bots teaching these online classes, and obviously the proliferation of generative AI generally can really feel like it sucks the joy out of some teaching. How do we prevent some of that from happening and maintain this joy and online instruction in the presence of AI?

Flower: Yeah, a really important and very timely topic. In the forthcoming book, there is a subtitle that basically says, “don’t let AI steal your joy.” That sums it up for me. There are people who are calling for the end of asynchronous online education because it’s impossible to prevent students from using AI to outsource their learning. I don’t agree with those calls. We know, again, that this modality makes it possible for people to pursue a degree when they wouldn’t otherwise be able to, not to mention, it’s a business model that is well established [LAUGHTER] in higher education. Student demand for this format is growing. What we need to do is to figure out how we double down on the human connections we’ve been talking about, and motivate students to not outsource their learning to AI. So, and I do want to be very clear, I’m not talking about agentic AI. It is horrifyingly possible now for a student to use an agent browser to go in and complete online class tasks. That, I’m gobsmacked. [LAUGHTER] I still think that the human connection will help students choose not to do that, but I’m not talking about agentic, I’m only talking about generative AI. And again, I do firmly believe that cultivating trust, that building the social connection among students and instructors, that we can help students choose not to use AI in inappropriate ways. I also think all of the recommendations that people are making for how to teach and facilitate meaningful learning with AI, in in-person classes, we can apply those same ideas online: give students transparent guidance on exactly what you’re asking them to do, exactly what you don’t want them to do with AI, invite students to… not invite… I would say, actually assign students to disclose where and how they used AI, structure a reflection that gets students to think, to John’s point, about the metacognitive aspect, “did my use of AI help me, or did it hold back my learning? Or was it more trouble than it’s worth?” All of those kinds of recommendations where we are talking to students about AI, building critical literacy, awareness of the ethical concerns, responsible AI use, I think all of those same ideas can totally happen in asynchronous online classes. And I would argue that we would double down again on that human connection. Now what I am seeing, I’ll just add briefly, many asynchronous instructors are needing to shake things up a little bit. So we have always relied on discussion forums. Some instructors are moving towards social annotation using tools like Perusal or Hypothesis. Some folks are kind of rediscovering tools that we’ve had for a while, like Voice Thread because, yeah, let’s face it, those often tired and uninspiring discussion forums that we’ve relied on for a long time, that have been ripe for change for a long time, some of those existing or traditional ways of doing things just make it too easy for students to outsource their learning with AI. So changing things up in ways that are long overdue, I would argue, these are some of the ways that we can address the threat that AI poses. Last thing I would say on this is I know for a fact that there are hard working people who want the learning and they want the degree legitimately, they’re going to do the work. We have an opportunity to think more creatively, to inspire and motivate our students by giving them meaningful, relevant activities and tasks online.

Rebecca: This feels like the flat tire part of the road trip where you actually successfully get a new tire. [LAUGHTER]

Flower: You know, this isn’t a surprise to you. When we were in the pandemic, when we were coming out of the pandemic, many of us were going,”Great! We can change some things that have needed changing!” It feels that way to me again. There have been many aspects of asynchronous online classes that needed refreshing, maybe now we’ll actually do this.

John: And these issues, these challenges from AI, are not unique to asynchronous instruction. It’s basically with any type of work that students are doing outside of the classroom. And there’s a lot of people exploring this, both in face-to- face classes as well as in online classes, and we do have to think more carefully about the assignments we’re giving and how they might work, and how we can incentivize students to focus on the learning rather than outsourcing that.

Flower: I would like to add, there are really wonderful smart scholars like Dr. Tricia Bertram Gallant and her co-author, Dr. David Rettinger, there’s a global community of folks working on academic integrity, and these folks are rightfully [LAUGHTER] inviting some conversation about how valid our assessment of student learning can be on any work that happens outside of a physical classroom. To your point, this does not just apply to online classes, but anything we ask students to do that does not take place under our watchful eyes and without any technology, which introduces some inclusivity concerns. This is a concern. So in the context of asynchronous online, especially, because I don’t think it’s going away, I don’t think it can or should go away. I do wonder if we might see a return or a resurgence of in-person testing centers. And I’m kind of speaking that in that voice, because it’s not ideal in some ways, but proctored tests are a thing that still happen. For example, the NCLEX exam in nursing, that is a supervised in person experience. It has to be. I would like my nurse to adequately give me the medication that is prescribed. So I’m wondering, for asynchronous online classes, if we might see more in-person assessment. And I’ll share one model from my former institution, Northern Arizona University. In Arizona, there’s a wide rural population, and I love this model. Basically, agreements were made with local libraries, community colleges, other such gathering places around the state, and students would just make an appointment and go to their local place to do an in-person assessment. So, I just wonder if we can, and maybe even should, begin to explore that option more fully than is currently the case.

John: And when we talked to the authors of The Opposite of Cheating, we’ll share a link to that as well, one of the things they talked about was the possibility of consortiums of schools or state university systems, perhaps, agreeing to do some joint proctoring to provide capabilities for that throughout the state, and that might be an option, but it would be hard for smaller private schools, perhaps, to join in these types of things, but it is something that I think we should explore because of these challenges.

Flower: And that’s why I love the model at NAU, where a local library or a community college or other offices that already exist, they just entered into an arrangement and had a system and had a system and a process.

Rebecca: All right, so we always wrap up by asking, what’s next?

Flower: Well, I have to tell you, what’s next for me is finishing my PhD! [LAUGHTER] This is something that I have been quietly pursuing in the background for a number of years now. My program is fully online, asynchronous, I have been walking a mile in the online students’ shoes, and I am not undertaking any other big projects until I finish this PhD. My experience has informed the book. When I said earlier that I talk with a lot of online students, it’s because they’re my classmates. [LAUGHTER] So that is next for me. I want to finish this. It’s a PhD in psychology. How do we learn, and therefore, how do we teach more effectively? So it completely aligns with my work. It finally became time to pursue this, but it’s hard, just like for our online students to be a working professional with many pursuits in life and try to juggle that as well. So that’s next for me, is finishing that program.

Rebecca: You got this, Flower! [LAUGHTER]

Flower: Thank you! But I tell you what, no more books until it’s done. That I know for sure. [LAUGHTER]

John: Yes and keep the fizz going through the dissertation process.

Flower: Yes, absolutely.

John: Well, thank you. It’s always great talking to you, and we’re looking forward to hearing more about your research on your dissertation.

Flower: Yes, thank you so much again for having me. As you know, these conversations bring me fizz, and I hope your listeners feel a little bit more uplifted and fizzy as a result.

Rebecca: I think they will. Thank you, Flower.

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John: If you’ve enjoyed this podcast, please subscribe and leave a review on Apple Podcasts or your favorite podcast service. To continue the conversation, join us on our Tea for Teaching Facebook page.

Rebecca: You can find show notes, transcripts and other materials on teaforteaching.com. Music by Michael Gary Brewer.

John: Editing assistance provided by Madison Lee.

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435. Insights From The Field

This podcast is a recording of a panel session featuring three online learning leaders, that was presented at the SUNY Online Learning Summit on Wednesday, February 25, 2026. The panelists are Yakut Gazi, Marina Amini, and Van Davis. Yakut is the Vice Provost for Learning Innovation and Digital Education at Duke University. Marina is the Executive Director of the California Virtual Campus, and Van is the Executive Director of WCET and the Vice President of Digital Learning at WICHE.

Show Notes

Transcript

John: Today’s Tea for Teaching podcast is a recording of a panel session, featuring three online learning leaders, that was presented at the SUNY Online Learning Summit on Wednesday, February 25, 2026.

[MUSIC]

John: Thanks for joining us for Tea for Teaching, an informal discussion of innovative and effective practices in teaching and learning.

Rebecca: This podcast series is hosted by John Kane, an economist…

John: …and Rebecca Mushtare, a graphic designer…

Rebecca: …and features guests doing important research and advocacy work to make higher education more inclusive and supportive of all learners.

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John: Welcome to: “Insights from the Field,” a special Tea for Teaching podcast on policy, data, and inclusive collaboration. I’m John Kane, an economist and the director of the Center for Excellence in Learning and Teaching at the State University of New York at Oswego.

Rebecca: I’m Rebecca Mushtare, a designer and the Deputy Dean of Graduate Studies at SUNY Oswego. We’re the hosts of the Tea for Teaching podcast and the moderators for this session. Our guests today are Yakut Gazi, Marina Amini, and Van Davis. Yakut is the Vice Provost for Learning Innovation and Digital Education at Duke University. Marina is the Executive Director of the California Virtual Campus, and Van is the Executive Director of WCET and the Vice President of Digital Learning at WICHE. Welcome Yakut, Marina, and Van.

John: Today’s teas are: …and we’ll start with Yakut.

Yakut: So I’m Turkish originally, and Turkish tea is the big thing. We always have Turkish tea brewing in our houses. So that’s my tea.

John: Very good. And Marina?

Marina: And I’m from Afghanistan originally, so I’m drinking green tea with cardamom.

John: Excellent. And Van?

Van: Well, I’ve already switched over to water today, but my favorite tea is lapsang souchong. I love a nice smoked tea.

John: I do too. I have to keep it separate from my others so they don’t all become smoked flavored tea, but it’s a very nice flavor. And Rebecca?

Rebecca: I have a Pekoe tea, Edinburgh’s Gin Tea and Roses today.

John: And in honor of this recording time in January in upstate New York, I am drinking a spring cherry green tea, [LAUGHTER]…looking forward to somewhat warmer and less snowy weather. So we’ve invited you here today to discuss the future of online education. We’ve seen rapid proliferation and evolution in generative AI platforms since they were publicly introduced just a little over three years ago, leading to concerns about the integrity of online assessments, especially recently given the development and use of AI agents. How should online learning leaders address the risks that this poses to the perceived value of online courses and degrees?

Rebecca: Yakut?

Yakut: It is true that advances in AI created risk for the way traditional education is delivered, and also assessed. The concern about AI undermining validity isn’t unique to online education, though, it affects all of higher education. If you remember, COVID has created a pedagogical emergency. Generative AI created a new one, but I’m not sure if you’re treating it the way it needs to be treated like we treated in the COVID period as an emergency. Online learners, I think, may be actually better positioned to respond, because we have already been engaging in academic innovation and advocating for active learning and authentic assessment for many years. So this may be an opportunity to implement better approaches in a full-scale manner, where the focus becomes the process of learning rather than the product of learning, because that now can be created through the use of AI, and it’s actually being done in all of our classrooms, whether or not we like it. So we, as the learning leaders, need to push the conversation from preventing AI use to designing learning experiences where the use of AI is transparent, ethical, and skill building. So this means creating policies that allow for AI use, like when and how, rather than ban AI use, and also focusing on authentic assessments, project-based work, reflective practice, collaboration, things that AI can support but cannot replace. But I think the challenge is not necessarily modality, like online as a modality is a challenge. We know how to do these things. The challenge is doing these pedagogically sound things at scale. In my mind, this is a moment that poses a risk for online education at scale, more than online education broadly. But then for us to implement this approach where focus is not on the outcomes but the process, we have to work with employers, we have to be able to articulate our competencies to employers that AI is not a threat to credibility, it’s the part of our formula in higher education and how we how we train people. For example, imagine every course in our institutions have an opportunity for hands-on authentic learning, where at the end there is a skill that’s visible to future employers. There are 8.2 million learners in higher education who wants an internship, but only 3.6 million of those get one. There’s a huge gap already, so hands-on internship opportunities during our course of higher education should not be for those who want it, or it should not be postponed to last year of education. It should be an integrated part of the equation. These are, to me, pedagogically possible, but the challenge is to be able to figure out the logistics and systems to do this at scale.

Marina: So we are talking a little bit about the word academic integrity. You know that really resonated from your description, John, and I’m from the California Virtual Campus, which represents the California Community Colleges. We’re 116 colleges serving about 2.2 million students, and this is an issue that we’ve been grappling with around academic integrity, especially with agentic AI. And just to kind of put it in perspective of what do we mean by agentic AI? Because I think it could have a couple of different definitions. When I’m talking about agentic AI, I’m talking about these autonomous agents that can go and log on into an LMS, a learning management system on behalf of a student, scan for assessments or assignments or discussion posts to complete them and submit them on behalf of the student within seconds. And we already have analytics in our learning management system that indicate that a student can go in, and has gone in, because we have the data and completed a 50-item quiz, short answer quiz, not multiple choice, and submitted it within about four seconds, so we know that the student is not searching for these as prompts on like ChatGPT, because that would actually involve some interactivity with the student. They’re actually having an agent go in and submit it on behalf of themselves. That’s a very big concern that we take very, very seriously. Obviously, the consequence is that our degrees and our programs and our transcripts will lose its value and that they will become meaningless. And so I think it’s similar in the case of being like other crises, like COVID 19, for example, but it’s also uniquely alarming in kind of the destruction that it can have on the value of our grades and our courses and our programs. And the question of, “How do we address the concern?” I think we do handle it in the way that we handle these other risks. We have to be deeply engaging with our faculty. We have to pull together our technology partners. And I think a mistake or a pitfall of this can be if technology says, “Well, the solution lies only in faculty changing the way they assess, adopting project-based learning or authentic assessments.” And if faculty turn around and say, “Well, the problem can only be solved technically if we create some kind of barrier or blocker for these agentic browsers.” And I think those are both equally flawed in terms of its approach, because we’re expecting the answer or the solution to be around the silver bullet, when in actuality, I think the solution lies in a deep partnership where we sit down with each other, with our partners, we look at both programmatic and technical solutions to making sure that the academic integrity of our institutions remains intact.

Rebecca: AI enables more efficient adaptive learning and provides increasingly personalized pathways in support of student success. How do we strike a balance between personalized learning and the formation of human connections essential to creating a sense of belonging? You want to start, Van?

Van: Sure. So this year marks my 30th anniversary of being in higher education, and I started my career as a faculty member, I spent a decade in the classroom as a history professor. And one of the things that I learned very quickly during that time is whether I wanted to or not, you end up teaching to the middle. You run the risk of losing the students that are ahead. You run the risk of losing the students that, for whatever reason, are behind. As much as I wanted to personalize learning, I couldn’t do that, at least not at scale. I think that AI does give us the opportunity eventually to be able to personalize at scale. That does not mean that the human piece loses out. In fact, that human piece, I think, becomes even more critical. We know that relationships matter. We know that, beyond a shadow of a doubt, a student can succeed when they have a relationship with somebody on that campus, ideally, their professor. I’m a big fan of Parker Palmer’s work, and specifically, I’m a really big fan of To Know As We Are Known. And if you’re familiar with it, Palmer talks about relational epistemology, which is really just a fancy way of saying that, at the end of the day, what matters is a faculty member’s ability to create a relation with a student, and for students to create relations with each other, and that is the moment at which learning takes place, not the transmission of knowledge, but real learning takes place in the midst of those relationships, and a skilled faculty member turns the classroom into an opportunity to develop relationships and for people to co-create knowledge together. I don’t think AI changes our ability to do that. I don’t think it takes away our ability to do that. I think what AI may be able to do is to take some of the burden off of faculty when it comes to trying to personalize learning, so that faculty can focus on what a human does best and what faculty do best. And that’s the creation of relationships, and that’s where I think the true learning takes place. And I have to say, when I was a faculty member, that was the piece that excited me the most, and probably the piece that, unfortunately, I got to do the least.

Yakut: If I can jump in here, plus one to everything Van said, I mean, so insightful, and I’m not going to repeat because that’s exactly where I was going. But one thing that, when I was listening to you Van, I was reminded of the statistics. Khan Academy’s, Khanmigo, last year, they published their self-efficacy study results within the school districts that they worked with. If you’re familiar, Khanmigo is basically personalized learning using AI. Within the school districts that they worked with, where the tool was available to all teachers and all students at no cost, only 9% of students, 0, it’s not 19%, it’s not 90%. 9% of students used the tool to the level that Kahn Academy deemed standard use, which is two hours a week. So where I’m going with this is provision of the technology, provision of the platform or the tool, does not necessarily lead to the opportunity to learn. So we think these technologies are going to make these available for everybody, which they will, but then there is still a missing piece that makes the student use the technology to learn, and that’s, I think, the inspiration to learn, and that’s the human thing. So as Van mentioned, it takes a faculty member or a parent or an uncle somewhere to inspire people to do something. So if we relieve people of the busy work that takes place to prepare for teaching, or actual teaching in the classroom, we may give them time to actually do this human element of inspiring to learn. And I think the two are hand in hand.

Rebecca: So Marina was kind of hinting at some of the data that’s available in our LMSs. And one thing that online learning leaders increasingly rely on is this use of data analytics, based on institutional and LMS data, which provides more information on student learning practice. AI tools allow for more efficient analysis of this data. So how can this data be leveraged to improve the online learning ecosystem? This could be faculty workload, course offerings, student engagement, and anything else that you can imagine.

Yakut: There are a few things I can mention. First, predictive analytics for early intervention, identifying student interest much earlier, not just those who are failing, but those disengaging. And there was an example about this earlier, struggling with specific concepts and provide targeted support before they fall behind. We have been pursuing these kinds of systems for a long time. I have 32 years in this profession now, and probably half of it was all about predictive analytics. The challenge has been the siloed nature of our data systems at our institutions that create only a partial picture of student success, unless you invest in data lakes, integrated data solutions and whatnot. And then there’s also the governance issue around data. AI can create a leapfrogging effect here. An ability to do this predictive work can also reduce faculty workload. This way, the human is in the loop and is the one doing the empathetic work and empathetic outreach, asking, rather than finding out who needs this kind of outreach, doing the work of outreach, saying, “Are you okay?” Apparently it’s one of the most powerful things you can reach out to students about, are you okay? The heavy lifting is done elsewhere, and then we become more human. Another example could be curriculum optimization. By analyzing patterns across courses, we can identify where students consistently struggle, what courses are synergetic to take together, for example, what courses are toxic to take together and then provide information to both faculty and students around those. Where are the gaps that exist in our program pathways? So if there are skills that are needed, and then that analysis of curriculum and skills matching can be done by AI, and then this can impact our course redesign and sequencing decisions. And also our institutions can allocate resources a little bit more effectively. Analytics can help us understand the actual demand patterns, optimal cohort sizes. We usually say, “Oh, 30 students,” but then we don’t really base it on I mean, it’s a habit that’s telling us about the cohort size to be. It may be classroom size. We can actually do deeper analyses, especially when we’re facing enrollment pressures and financial pressures. But I have to also emphasize two things here. One, this data should inform our decisions, so it’s data-informed decisions, not even data driven, because sometimes we may have to make decisions that go against data, it can be political, it can be governance reasons. We need governance structures that will take this data and generate insights from it, and then transparent communications with students about how their data is used. And this is crucially important. We need to democratize this data and allow students to have access to it, along with institutional access or faculty access. So transparency, ethical use, shared governance around analytics are very important as we become more excited about AI’s potentials in this analytics stage.

Marina: I love all of those things around predictive analytics, early intervention, and then optimization as well. So I’ll just try to add to that conversation a little bit. I’m really interested in how we’re serving our students in online modalities, and who it is that’s succeeding in those courses, because I think we know that traditional education has served a certain group and demographic and gender over time, and only in recent years are we sort of aware of some of the biases in the design of our curriculum and our courses that serve certain people, and how can we analyze our data more efficiently to address what exactly is it that we’re doing that’s helping some students fail and helping some students succeed? And I’m saying that intentionally, because I think we are agents of that success and failure in many ways, as our institutions are structured, and so I’m very interested in sort of decolonizing online education through the use of data analytics and institutional research is notoriously slow. You have to wait a year to get your IR office to work on some data set. It’s a lot of intensive, hard work, and then a year later, you get this sort of lagging indicator of, like, well, like two years ago, this was the thing, and it’s not even relevant now, or things have changed. So I’m excited that AI and data visualization and optimization can allow us to have this in a more timely manner, like just-in-time data. It can help faculty to realize how their own strategies are impacting certain students, well or not well, and then make those changes immediately. If I have an AI coach in my class and it’s telling me that they have identified, I have six African American students, but one of my strategies is unintentionally impacting them in a negative manner, I want to know that now. I want to know what it is that I’m doing in a private message from my AI assistant, [LAUGHTER] and I want to rectify that and immediately change. So that’s the kind of agility that we currently lack in education and in research that I’m very, very excited about: bringing in AI to help with that sort of private, supportive coaching done in the privacy of my own course from a desire to want to improve and serve all of my students.

John: Now, you’ve talked a little bit about some of the benefits, or some of the cost first, and now some of the potential benefits that we have from using AI. How do you see online learning changing in response to AI? And we’ll start with Marina.

Marina: Yeah, so I just want to say it’s really hard to follow up with all the positive, I think benefits that AI can bring that Van and Yakut have brought up, and I 100% agree with those. So I don’t always want to be the downer [LAUGHTER] in this podcast, but if I had a crystal ball and kind of playing on the previous question that you asked, John, around academic integrity, assuming that that is a problem that we’re not going to be able to immediately solve, either programmatically or technically, one of the concerns that I have is that it will affect a specific kind of online learning, which would be fully asynchronous online courses. The ones where they don’t have any set live meetings, I think people will be most critical of those kind of modalities. And so if I have a crystal ball to look at, I suspect that we’ll be bringing back more hybrid forms of online education to replace more asynchronous forms, because of the concern around academic integrity. That’s my crystal ball. What does that mean? Well, it could mean that hybrid, maybe half the courses meetings will be in person, half online, or it could be that there’ll be more proctored assessment, either online proctoring solutions with some of the main vendors that you may have heard of, or in person. So we would need some kind of proctoring network, or some way to address that concern. So I think as a stop gap measure until we kind of come to terms with the academic integrity piece, I see some of that changing. That being said, I do want to sort of add to the good elements that you know Van and Yakut are bringing up, because I think AI can help humans be more human in some ways. I have not been in the classroom for a number of years, but I did teach online for a long time, and I would love to go into my learning management system, and my AI assistant pops up and says, “Hey, Johnny has not interacted with you or any other students for eight days. You might want to check on him to make sure he’s engaged.” Or my assistant tells me, “Hey, you interacted with these 10 students in the discussions this week. You might want to answer posts from these 10 on the public posts” and things like that that help me to be more human, that help me to be more equitable in terms of how I interface and touch my students online, I think that could be a really amazing use of AI, and I don’t think we’ve really realized the true potential of that.

Van: And if I could jump in, I agree with everything that Marina said. My fear, though, is exactly what her crystal ball says, and that is that asynchronous, online education may become more difficult, or will face additional scrutiny, because we already know that we’re highly scrutinized, but we also know that online, asynchronous education plays a critical role in access for a certain student population, and I would hate to see those students, particularly adult learners, or learners who are working or have caregiving responsibilities, lose those opportunities. I think that the main thing that AI is going to do for online education is, I do think it’s going to force us to rethink our pedagogical practices. And I think that we are probably going to need to think about, how do we do alternative forms of assessment, and how do we move from assessing knowledge to assessing abilities and skills. I said that I started my career as a historian. When I took my PhD history exams back in the 1990s so back in the last century. When I took those exams, I sat in my office with my laptop and had no ability to consult any sort of document. It was purely from memory. It was eight hours of answering questions from memory. The reality is, though, that whenever I got into a classroom to teach, I never created a lecture, I never created an assignment, I never created a test without pulling a textbook down or pulling some sort of reference manual down and looking at it. What I did in terms of my teaching was completely disconnected with the way that my graduate program, which came from an R1 institution, assessed me. And so I do think that one of the things I hope AI is going to push us to do is to really rethink our assessment practices so that they are more in line with the reality of our students after they leave our classrooms. And that’s not unique to online education. I think that that type of shift in pedagogical practices really needs to happen across the board if we want our students to truly be prepared for the world that they’re going into after they leave us.

Yakut: Can I quickly add two things that we’re seeing actually happening in terms of change in online, and that’s in the design process. Those of you who are designing online courses will know that one of the first friction points is when we ask faculty to write learning objectives, because they’re not used to thinking about the end in mind, right? They’re used to thinking about, “This is the content I’m going to teach.” So that friction is reduced by use of AI, because you’re easily creating a set of objectives, reiterating from that. And then the other aspect is video production process. You can now ask a faculty member to say something for three minutes, and then you can make that faculty member say anything in any language. Now it may look fake, but it’s going to get better, right? So the video production process and instructional design process are immediately impacted by the use of AI, and it’s going to impact those professions, so we need to do something about it, but I think it’s making our institutions a little bit more agile in terms of updating courses, but also creating new courses based on the input from the market. I also see in larger, better adoption of open source content, because open OERs are problematic because faculty do not have the time to go and research, curate, adopt OERs. AI is proving useful in that process too, going and researching and bringing you things to review and curate. So I think there are immediate gains there as well.

John: Moving to a somewhat different topic, federal regulations and political shifts, of which we’ve seen an awful lot in the last year or so, can create uncertainty. And we’ve seen a flurry of executive orders designed to dismantle long established higher ed priorities concerning equitable and inclusive education, while also restricting financial support. What advice do you have for leaders trying to stay agile and innovative in this evolving and somewhat seemingly random political environment while maintaining compliance with federal regulations in areas such as accessibility and SARA and any other area that may pop up?

Van: Well, if you don’t mind, I’ll start. Given what we do at WCET, if you’re familiar with WCET, we really function at the intersection of policy and practice of digital learning, and we spend a lot of time monitoring what’s going on, particularly in Washington D.C., at the federal level, at the Department of Education, and increasingly in the executive Oval Office, and translating that to the field, in terms of what that means. It’s not lost on me that before I joined the webinar this afternoon, I was watching several of my colleagues respond in real time to the negotiated rule making that’s taking place in Washington DC right now around things like accountability measures, new accountability measures around student loan limits. So it really is a dynamic environment that we’re in. I think that there are ways that AI can help us navigate this, actually. So, one of the things that I played around with, I spoke to a group of SARA administrators, that’s the State Authorization Reciprocity Agreement. I spoke to a group of SARA administrators this summer at their annual meeting, specifically about AI. And one of the things that I played around with was taking the SARA policy manual, pointing Perplexity to that manual, and then asking it specifically to create a synthesis of the regulations in that manual, and then asking it to go out and pull out the contact information for each state SPE that’s the State portal entity, that’s the primary SARA person in each state, and to provide me with a table of who those individuals were and what their contact information was. This is something that it would take somebody hours, if not days, to do, I got this back in two minutes. So I do think that there are ways that AI can be used to help us navigate the policy landscape more quickly than what we have been able to do in the past, and to democratize that so that everyone has the ability now to understand these regulations, rather than just a few people at each campus. We are going to have to remain vigilant. We are going to have to make sure that we follow what is happening, particularly in Washington D.C. I will tell you that this Department of Education is very bullish on AI. They are particularly interested in finding ways that it can be used in the educational process. Having said that, they have done very little, though, in providing regulatory guidance. So, my advice is to monitor, to lean on organizations like WCET that are monitoring this for you, to not be afraid to experiment with it. And then I would say this, regardless of the technology: start small and fail, and learn from your failures, and don’t be afraid to fail. And I think that that last piece is really critical, it’s critical with any technology, but I think it’s especially critical with AI, because the only way we’re going to be able to figure out how to best leverage this is if we experiment with it, and if we experiment with it, we have to accept the fact that we’re going to fail sometimes, and we can learn from those failures. That’s scary in higher education, we’re taught not to fail in higher education, and I think that we’re going to have to shift our mindset so that we really are embracing a growth mindset, to borrow Carol Dweck’s framework, if we’re going to be able to remain agile, but also be very innovative, and leverage AI to the ability that we are able to.

Yakut: So Van has been doing this for such a long time, I don’t know if I can add anything except for a plus one to everything that he said. Maybe one thing that I can add is agility does not mean reacting to every political signal. Staying grounded in institutional values and your personal values, and then building flexible implementation strategies. So our commitment to accessible, inclusive, high quality education, and student success doesn’t change how we articulate and implement that work may shift because of what’s happening around us, and the importance of being connected to networks like WCET, UPCEA and learning from these state compacts and peer networks is extremely invaluable. There may be institutions out there without enough resources to allow their people to be connected to those networks. So maybe this is the time to urge these professional networks to be a little bit more lenient and allow, for example, I’m just making this up, I just thought of this while I was listening to Van, what would it be like if professional organizations allowed 5% of an institution’s size to be peers like gift memberships? So the institution X, a regional university, may not have the resources to become a member, but it is so important for all of us to be successful at this point in time. Maybe, you know, my institution can gift a 5% of our size to that institution, so like sister institution kind of thing. And very important to document your decision-making processes at your institution, how you’re interpreting regulations, documented, so that you have both accessibility to that information but also accountability. It protects your institution. It demonstrates good faith effort and legal counsel and government relations are your friends in this uncertain political environment, and proactive communication with them is very important.

Rebecca: In states with multiple public colleges such as the SUNY system, each campus is, to some extent, competing with other campuses in offering online degrees. What mix of cooperation and competition is optimal in such environments?

Marina: I can talk a little bit about the California Virtual Campus because the California Community Colleges are very similar to SUNY in terms of just being a big ship to steer. A lot of you know, local decisions, some centralization, and people are always, I think, generally speaking, a little bit threatened by the centralized stuff. When the California Virtual Campus first rolled out, gosh, 10 plus years ago, and we talked about course sharing, there was immediately sort of concerns around, “Are we going to be cannibalizing our enrollment?” We love the word cannibalizing, I don’t know why in education [LAUGHTER], but immediately it’s like, “oh my god, we’re going to lose enrollment. This is going to be terrible for us. The Big Brother is going to take over our curriculum and tell us what to do.” There’s all of these anxieties that come out from administrators, from faculty, from different leaders, and so I think to put that in a different perspective, has been really hard, because you’re fighting against that cultural anxiety that we have around being an independent institution. So when do you hear and when are you independent? What I’ve tried to do with the CBC and our system is to have some very honest conversations around “what exactly is your concern? Is that concern an institution centered concern, or an enrollment concern, or a funding concern, and how does that then relate to your learners?” Really shifting the conversation from, “we’re worried about how we do things to what’s the best-case scenario for our students? Do they have the options that they need? Do they have the access that we need? Are we really leveraging our collective power in a way that benefits the learners in the most compelling and powerful way?” That’s sort of the question that I’ve had to ask, and it took about 10 years [LAUGHTER] for California Community Colleges to get on board with course sharing, and now it’s a big success. We share professional development, we’re sharing financial aid, we’re sharing transcripts, things that people have held on to so closely, of like, “No, this is our school. This is our university.” And I think this idea is very outdated now, thankfully. And the future really is less institutions, especially smaller institutions, rural, under-resourced institutions trying to be everything for their students, trying to give them every class that they need for every program, and meeting every need. That’s exhausting, and what we’re finding is courses are being discontinued, faculty are, in some cases, unfortunately, losing their work, especially part-time faculty and adjunct faculty, programs are being discontinued, and in some cases, entire institutions are being shut down and absorbed by other institutions, or just not being absorbed at all. And so to avoid this, I think, unfortunate, outdated approach, we have to pull together, we have to pool our resources, and we have to put aside our institutional egos and really realize that there’s a lot of strength in our collective power and when we come together. I can give some examples later but one thing that we’re doing in the California Community Colleges, which is really exciting, is several of our rural colleges, which, again are tiny, they don’t have a lot of staff, they don’t have a lot of programs or money. They’re pulling together to create fully online associate degrees. So by themselves, they would never be able to meet all the requirements to offer those degrees online, but collectively they are, so it’s benefiting their programs, they’re able to grow their enrollment, and it’s benefiting a large swath of their students as well. So that’s the kind of thing that I think doesn’t have to be competitive, but they can actually be mutually beneficial for students and institutions.

Van: So you know, the “C” in WCET stands for cooperative. We’re the WICHE Cooperative for Educational Technology. So we take this idea of collaboration and cooperation really seriously. And I think just plus one to everything that Marina said, it’s always hard to follow Marina whenever I’m on a panel. I think that course sharing was a great example. It’s also oftentimes a really scary example for faculty, especially. What I wish that I would hear more about is the way in which institutions begin to share administrative burden. And I think that maybe, if there’s a thin end of the wedge that can maybe help an institution eventually get to that course sharing, It’s to have that conversation about, “Are there administrative functions that can be done better collectively than individually? And what are those?” And maybe the easiest thing to do to start with is an arrangement where you are jointly purchasing services. We know that folks are able to get better deals whenever they go in with multiple institutions than whenever they go in with individual institutions. At an earlier point in my career, I was in charge of online education in the state of Texas, and the legislature asked me to determine what each institution in the state of Texas was paying for its learning management system, and I learned very quickly that A) I didn’t have access to that information because there were non-disclosure agreements, and B) there were non-disclosure agreements because what institutions were paying for the same learning management system were vastly different. And so I do think that one of the things that institutions can immediately do, that isn’t scary, is to create those purchasing co-ops and to look at what administrative functions can you share. And then, by all means, move as fast as you can towards course sharing, because I think that Marina is absolutely right when we think about what is in the best interest of our learners, course sharing is oftentimes in the best interest of our learners. It gives them access to a larger number of classes, it gives them access to a larger number of opportunities to progress in their academic career and move towards that credential that they’re seeking, and it allows institutions to specialize. As a recovering historian, as much as I would love to see every institution offer a history major, the reality is every institution probably doesn’t need to offer an online history major. So think about what is it that your institution can do that is unique to you, that you can double down on and do well, and then begin to share that with other people and with other institutions. And I think that will help us greatly in terms of being able to really move towards what our learners need, rather than just what’s going to be in benefit of us. And the last thing I would say is not only think about, are there programs you can specialize in, but think about, are there student populations that you can specialize in? You know, maybe you have an institution that is particularly good working with English language learners. Not every institution is going to have that level of expertise. And so maybe think as well about, in addition to the programs that you may have some specialization in, are there learner populations that you know that you are doing a good job of meeting their needs, and you can help other institutions do that as well.

John: Institutions vary quite a bit in terms of their size, their funding, how well established online programs are. What strategies can leaders at small or resource-constrained colleges use to develop sustainable online learning practices despite often limited staffing and infrastructure, or in environments where faculty are experiencing burnout or there’s some form of organizational resistance to change?

Yakut: Well let me jump in, and I think there are quite a few parallels between this question and the previous question that was asked. 15 years ago, I was at a regional university in Texas, and in fact, I know Van from those days. In a matter of three years, this was a new institution, we rolled out 13 online programs. It was amazing. There were not a lot of resources, brand new university, faculty resources are scarce. I was a team of one. So fast forward to today. This would not be possible. One, the market is so saturated with degrees, you don’t have the competitive advantage anymore. And two, the resources are even reduced compared to 15 years ago. So in places where resource-constrained or smaller institutions, sustainability of effort comes from focus. So, not trying to do everything like, “Oh, let’s just roll out an online program for every single program that we offer,” but intently looking at the market need and connection to jobs, starting with that community where the institution exists, but a little broader too. So those small number of programs that clearly advance this mission and student access, then invest deeply in quality faculty support, instructional design, quality is by itself, a whole entire conversation, I think. And then faculty burnout. It’s real. And many times when faculty resist online, we take it personally. We don’t like it. But then it’s just exhaustion rather than real opposition. Transparent communication, realistic timelines, recognizing that this is instructional labor, this is on top of everything else that we’re asking from you, and then supporting that instructional labor in a respectful way goes a long way in helping faculty burnout. Sometimes, the most strategic move is to slow down and build that trust and capacity within the institution, because let’s face it, in institutions like that, you’re going to rely heavily on faculty time and faculty effort to design and develop those courses, compared to larger institutions where there are large teams of instructional designers or video producers that are going to do the heavy lifting for your faculty. Again, tying to the previous conversation, shared tech services, vendor collaborations, a lot of these institutions can punch above their weight and without overextending people, so that those kinds of strategies should be part of it. And finally, I want to tie this conversation to the AI conversation. Many universities have responded by signing big enterprise deals with AI companies. And they paid a lot of money for this, and they wanted to achieve equitable access for their own communities, they wanted all their students to have access, all their faculty to have access. But this results in us treating AI as a competitive advantage, where we should start seeing it as a collective challenge. So we should be forming system-wide and cross-institutional partnerships when it comes to AI deals as well. These partnerships can be between universities, between universities and community colleges, sister campuses like sister cities, so that we raise all boats and ensure equitable access for everybody. There is room for all of us to be successful, and our actions should complement that belief. And we need to bring faculty into these decisions, because the moment you announce a deal, AI deal, that will allow everybody to have access to AI, it may be interpreted as a blanket permission for unrestricted AI use in every course, which is not the case at many of our institutions. So faculty’s presence at these tables is very important.

Marina: Yeah, I just want to say amen to Yakut’s point about faculty burnout and kind of respecting the time and the expertise that they bring to the table. Our faculty also have, at many of our institutions, expressed burnout, and so anything we do is really thought around that concern. In terms of AI, if we want to foster leadership amongst the ranks of our faculty, we actually created an AI fellowship, and we selected a couple dozen AI fellows from the system to lead some really important work. And they’re being compensated with reassigned time or stipends in some cases, to do that work, in addition to some staff members, classified staff members as well, because they often, you know, occupy the gray space that we forget about, that support faculty and instruction too. So that’s very important. I think about a parallel to online learning, and actually it’s an important parallel with open educational resources. In my previous role as a dean at one of the community colleges in our state, we wanted to grow open OER, but it was the same thing. Faculty were like, “In order to change my textbook to an OER, it’s gonna take so much work and effort, and I have to change all my tests and all my prompts and all of this.” So we started giving very small stipends. I think at the time, it was like $500 for faculty to adopt OER. And I did an analysis of this over time… I wish I had AI to do that, but I had to do this [LAUGHTER] myself… but essentially, we saved students something like five million dollars within the first couple of years that it was being adopted, and we spent, I think like 200k during that same period of time. So doing the data on the return on investment for supporting faculty, it’s going to be tremendous to kind of ensure that they’re not burnt out, that they have time, and they have the space mentally to do the work that we need them to do. So that would be one key thing. And I think OER, what we’re finding, and what we found in our institution is as well, that there are higher outcomes in terms of success rates and grades in online courses when an OER is used in that course than in the same course with a physical textbook that students had to purchase. So those are kind of connected. And then just to kind of go back to course sharing, I can always count on Van to be my greatest ally with course sharing, but we have colleges that were very reluctant to get involved in course sharing, as I mentioned. When I joined the CVC four years ago, we had something like 2,000 enrollments on course sharing and 2,000 enrollments for a system of our size is not that great. We’d joke that most of it’s our staff trying to see if it works. This year we’re going to have more than 50,000 enrollments. So within four years we went from 2,000 to 50,000. I think we’re going to double and triple that in years to come, because we finally gain momentum and trust and involvement and engagement. Of those 50,000, you look at the numbers, some rural colleges are making out like bandits. They’ve gained 1000s of enrollments through course sharing, by putting their courses on our course sharing platform, and benefiting from it tremendously, and gaining enrollments that they would never be able to get from their local zip code because of their rural environment and so forth. So, it’s a win-win proposition, it doesn’t add any extra work. We let them fill their classes locally with their local registrants, meaning they’re returning students, their athletes, their disabled students, and so forth. And then any courses that are not filled, we pull them into our platform, and they’re open for anybody in the state to take. It’s a very simple formula that, again, has really netted 1000s of enrollments for these small rural colleges, brought in funding, brought in additional resources for their burnt out faculty and their staff and their infrastructure. So I think my suggestion for strategy is find those formulas that are win-win propositions. It doesn’t need to be something where one person loses, another person wins in order to get the involvement, there are ways for everybody to win, and that’s, I think, an exciting opportunity for us.

Rebecca: We always end by asking: what’s next? Start with Van?

Van: Sure. So ironically, I just finished writing a blog post for WC Frontiers on this, this morning. I don’t have a crystal ball. I do have a magic eight ball, though, if you remember those. My predecessor gifted me one to help me navigate the challenging federal policy environment. So I have my trusty magic eight ball. I think there’s six things to look for in 2026. I think the first thing is we need to remember that the connection to workforce education is everyone’s responsibility. It’s not just a few faculty members’ responsibility. This is particularly important with the move to Workforce Pell, but it’s important as we see a workforce increasingly asking for graduates that are AI literate. And I think that AI literacies is everyone’s responsibility. Two is AI literacies. I think that we need to desperately change the narrative from just focusing on academic integrity to beginning to focus on AI literacies and you’ll notice that I use the plural there, because I don’t think it’s black and white. I don’t think it’s you know or not know. I think that it’s a spectrum of issues that faculty and students and staff need to have mastery of. Three, and this really ties to what Marina was just talking about, we need to get creative economically. Like I said, I’m a historian by training. That means that I tend to run towards the pessimistic side, because I know just how bad things can get sometimes, and I am afraid that we’re looking at a very challenging economic environment on the federal level, and that’s going to trickle down to the state level, especially for our public institutions. So I do think that we’re going to have to get creative economically. We’re going to have to do things like think about course sharing, like thinking about purchasing consortiums, changing our business model in higher education and in digital learning. I think that that means that one way that we can do that is to lean into those post-traditional learners. There are 43.1 million Americans who started college and did not get a credential. That is a travesty. We should not have 43.1 million people that stopped out. That tells me that, first of all, we’re not doing right by those folks, but it also means that there are 43.1 million people that we can get back into higher education if we try, and we won’t get all of them back. But we need to think about how do we offer programs that attract those adult learners and keep them. What did we do wrong the first time around to make them stop out? It’s not all an institution’s fault. Adult learners have a number of challenges that they’re juggling, but are there ways that we can attract them back into our classes, and that we can make sure that we provide them with the supports that they need in order to stay and be successful? I don’t think we can lose sight on accessibility in 2026. It is not just the right thing to do ethically, it’s going to be the right thing to do legally, with the Title II regulations that go into effect at the end of April. And the upshot of those five things is that digital learning is going to be more important than it has ever been before. And that means that your job as digital learning leaders, your role on your campus, your role in the SUNY system, is going to be more critical than it has ever been before. And so I think that that’s what we have to look forward to and the upshot of it is that, at the end of the day, what you do as a digital learning leader matters and is going to be more important than it has ever been before, more important than it even probably was during the COVID-19 pandemic. So that’s what the magic eight ball over in my WCET office says.

Yakut: Now, how do I follow this? I mean, you covered everything, Van. I was actually going to start with the same sentiment, online education sits at the center of all the challenges higher education is facing, and the work ahead of us is to leverage its pedagogical power, its ability to expand access to affordability, and its ability to amplify our institutions’ impact. You covered a lot of things. There is one thing that I would like to just append to what you said. I want to point out that we in higher education often forget that we are not just educators. We’re also employers. In many cases, we are one of the largest employers in our communities. And many campuses, many of our institutions still lack a coherent AI upskilling plan for our own workforce. We have tons of projects facing transfer efficiency across our institutions, productivity, but then we don’t really have, in many cases, a plan to help our own people adapt. A Brookings Report from, now, a year and a half ago, estimated 19 million US jobs that are significantly affected by AI. And many of those roles exist right on our campuses. Many of our employees hold jobs at risk of automation, such as legal analysis, paralegal, administrative assistance, accounting, communications, we just talked about instructional design and production. These job categories are, drumroll, they are populated by women. You know, we identify these areas of risk, but we don’t really come up, at least in higher education, strategies to address those. We must understand that there is a differential impact of AI on our workforce. These jobs that I listed are stable middle class professions. They are pathways for upward mobility for a lot of families. So we have to ask this year and beyond, what happens to our societies when women or any subgroup begin to disappear from the workforce as a result of AI, and what are we doing to stop that from happening? Thank you.

Marina: It’s unfair to go after Yakut and Van, but I just want to really say I appreciate that Yakut points to our own employees and our own communities, and starting at home, I think that’s something that’s an important reminder for me myself. If I could just leave with three additional things to summarize some of our conversations from today, I would say, you know, number one is a reckoning when it comes to AI in higher ed. There is a reckoning for specifically, as I mentioned, asynchronous fully online courses, and how we’re going to manage that, and the long game of changing the way we teach and the way we assess our students and the use of outcomes in our courses. So I think this is going to be the next big thing for us to tackle. The second and this is something Van has spoken to about extensively, is a move toward thoughtfully shared resources. In our system, we pay for the common LMS. We pay for and negotiate common ed tech vendor contract tracks as well, course sharing, as I mentioned. So there’s going to be more and more a move toward this, especially in light of federal funding issues that colleges are experiencing. And the final piece of it that’s actually really near and dear to me, is a revisiting of old norms and ways of doing things. The way we handle our transcripts, for example, is… I’ve spoken about this in other venues… highly inequitable. The way we handle our financial aid, that can be very hit or miss depending on what institution a student goes to. The way students have access to courses, our levels of accessibility, the way we gather analytics and research, which I think AI will dramatically transform. Institutional research is going to greatly change in the next couple of years. I think these are going to be really exciting “what’s next” as well for higher ed.

Rebecca: Well, thank you so much for joining us. We appreciated the conversation and the many things to be thinking about as we trudge down 2026.

John: Yes, thank you.

Yakut: Thank you for having us.

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John: If you’ve enjoyed this podcast, please subscribe and leave a review on Apple Podcasts or your favorite podcast service. To continue the conversation, join us on our Tea for Teaching Facebook page.

Rebecca: You can find show notes, transcripts and other materials on teaforteaching.com. Music by Michael Gary Brewer.

John: Editing Assistance provided by Madison Lee.

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412. Higher Ed Instructional Design

Instructional designers have played an increasingly important role in supporting instruction in all modalities. In this episode, Safary Wa-Mbaleka and Gianina-Estera Petre join us to discuss a new resource describing effective instructional design practices in a global context.

Show Notes

  • Wa-Mbaleka; Chen, Baiyun; Petre, Gianini-Estera; and deNoyelles, Aimee (2025). The Sage Handbook of Higher Education Instructional Design. Sage.
  • Journal of Educational Studies
  • Petre, Gianina (2022). Training Pre-Service Teachers for Classroom Management through Study Groups.
  • UDL Guidelines
  • Means, B., Toyama, Y., Murphy, R., & Baki, M. (2013). The effectiveness of online and blended learning: A meta-analysis of the empirical literature. Teachers college record, 115(3), 1-47.
  • Showers, B. (1982). Transfer of Training: The Contribution of Coaching.
  • TILT Higher Ed
  • WCAG
  • Petre, G.E. (2025) ed.,. The Alphabet of Values. Stanborough Press.
  • Wa-Mbaleka, S., & Thomas, D. (2022). Qualitative Research in a Multilingual Setting: Principles and Strategies. In The SAGE Handbook of Qualitative Research in the Asian Context. SAGE Publications Ltd.

Transcript

John: Instructional designers have played an increasingly important role in supporting instruction in all modalities. In this episode, we discuss a new resource describing effective instructional design practices in a global context.

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John: Thanks for joining us for Tea for Teaching, an informal discussion of innovative and effective practices in teaching and learning.

Rebecca: This podcast series is hosted by John Kane, an economist…

John: …and Rebecca Mushtare, a graphic designer…

Rebecca: …and features guests doing important research and advocacy work to make higher education more inclusive and supportive of all learners.

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Rebecca: Our guests today are Safary Wa-Mbaleka and Gianina-Estera Petre. Safary is an associate faculty at University of Arizona Global Campus. He has authored and co-authored more than 60 scholarly journal articles and more than 30 books and book chapters. Gianina is an Associate Professor at Adventus University of Cernica, Romania. She is the Research Center Director and Editor-In-Chief of the Journal of Educational Studies. Safary and Gianina are two of the editors of The Sage Handbook of Higher Education Instructional Design, which was released in July 2025. Welcome, Gianina and welcome back, Safary.

Safary: Thank you. Glad to be back.

Gianina: Thank you.

John: Today’s teas are:… Safary, are you drinking tea?

Safary: I’m having water today. [LAUGHTER]

Rebecca: The foundation of tea. [LAUGHTER]

Safary: Yes. [LAUGHTER]

John: And Ginanina?

Gianina: Yes. Actually, I like drinking ginger tea. I think two hours ago I had one. I like tea, but also water.

John: Very nice. Ginger tea is one of my favorites, too.

Rebecca: It’s a good choice, for sure. I have Lady Grey this morning.

John: And I have spring cherry green tea.

Rebecca: So we invited you both here to discuss the Sage Handbook of Higher Education Instructional Design. Can you tell us about the origin story of this book?

Safary: Actually, I think, John and Rebecca, you’re part of the origin of this book, because when we had another podcast last year, you asked me the question, so what’s next? [LAUGHTER] And I said, I think we need to look into one of the dimensions and try to dig deeper into that. And as I was looking around, I quickly realized that instructional design is a big deal. And so that’s how it started. I talked to Gianina. I talked to two other colleagues who are co-editors, and we all agreed that, yeah, it was time to have a book on instructional design and specifically for higher education.

Gianina: For me, I just joined the team, a little bit late, compared with the three other colleagues. And what can I say? I collaborated in many projects with Safary, and from this collaboration, when he told me about this project, I said, “Wow, I really want to participate. I really want to be involved in this. I think it’s a need.” And you know how it is, the natural way of appearing, the project’s appearing. You are working on something, and suddenly another idea appears, and you are saying, “Oh, we need to do this.” So I was very happy to be involved in this project with Safary and the other colleagues.

John: And this is a rather large project. This volume has 50 chapters organized into seven sections. Could you give us a brief overview of the types of topics covered in each section, and maybe with a few topic examples?

Gianina: As you mentioned, 50 chapters organized into seven sections. I will give some titles. For example, section one is about general foundations of higher education instructional design. Here is the introduction of what instructional design is. what instructional designers do, understanding and addressing common instructional design challenges and so on. The second section is theoretical foundation of instructional design. Here we have ideas or topics about historical foundations, instructional design theories, instructional design models and other. Section three, it’s about practical foundations of higher education instructional design. And here we have topics about learner needs and analysis, keeping teaching in mind while designing classes, addressing issues of inclusion. I am just selecting some topics. Section four, it’s higher education instructional design at the course level. And here we have exactly the topics, how to design standards, the goal, the syllabus, how to design an online course, flipped class, hybrid class, more micro credential courses and other topics here. With section five, higher education instructional design and the curriculum. And here we discuss about quality assurance, partnership between subject matter experts and instructional designers, mobile learning, designing content for learners with disabilities and other topics. Section six, it’s about technology in higher education instructional design. Hot topic, no? Using technology [LAUGHTER] when designing instruction and when conducting instruction. Here in Section six, we have also about artificial intelligence, how to integrate artificial intelligence in teaching and learning, and the last one, research in higher education instructional design, with the focus on research trends in higher education instructional design, conducting research in higher education and instructional design, investigating learners experience and so on. So a lot of topics, interesting and very actual, I would say.

Safary: Yeah, and thank you so much, Gianina for this summary. You will see that it is true that we have a number of textbooks on instructional design, but as an instructional designer myself, I’ve been in instructional design for many years, there was always something missing. If it is the leaders who design the textbook, it tends to be mainly leadership. If it’s the IT people, it tends to be technical. If they’re just the instructional designers, it’s just the instructional design part. But as you can see on this one, we have a variety of all the different stakeholders, the people who are involved in instructional design, from leadership to technology to the curriculum, to many other things, evaluation, assessments, we tried to capture as many things as possible, so that you have one resource that captures most of what is needed in instructional design, especially in higher education.

John: And you brought in a lot of voices into this volume. How did you select the contributors for this project.

Safary: You know, I think that it started with the selection of the focal editors, because the selection of the co-editors was very strategic, making sure that we’re getting people who have a lot of connections in the field of instructional design. The other two who are not with us on this podcast are from University of Central Florida Baiyun and Amee, who were my colleagues before, actually I worked together in the same department, so they have a large network. And we said, “Okay, we need to look outside the United States, because we don’t want this to be just the United States.” And quickly I thought about Gianina, and she has a large network in Europe. And so with the four of us together, and each one having our own network, we’re able to quickly put together a group of contributors trying to make it as diverse as possible. So we have contributors from many different countries, from North America, Central America, Latin America, Europe, Africa, Australia, I think New Zealand and Asia, of course, we covered almost the whole world.

Rebecca: One of the things that I really appreciate about this particular volume. in your past work, too, is this international perspective. And not just because you have a wide variety of authors representing a wide variety of perspectives, but that a lot of the chapters are co-authored by folks of different perspectives. Can you talk a little bit about those decisions?

Safary: Gianina, do you want to go first?

Gianina: Yes, you know, because we are connected, the editors are so connected and involved in so many projects, research projects, collaboration projects, it’s not very difficult to have a group to connect with of experts, of course, in this field, and also inviting those experts, they have also connections, and they invited other experts in the field. So we tried to motivate them to work by teams, because this different perspective brings a lot of good work, a proper view, a proper image on the topic. So because we are people of collaboration, and we love collaborating, it was not so difficult to work by groups. For example, I had a chapter with three other colleagues, one was for Valencia University, Spain, and the other two were from Montemorelos University, Mexico. So this diversity, I think it’s a very positive and strong point in the book, because different perspectives can bring rich approaches in the topic.

Safary: Yeah, and in my case, and I agree with Gianina actually, collaboration brings synergy that you didn’t get from just a one-sided thing. And this is from the different projects that I’ve had with Sage. This is my third one with the handbooks. I have come to realize that this is actually the strength that we bring into Sage. I have been privileged to work on three continents, and I see that there are many different perspectives, and there are experts everywhere in the world, and not just in one place, as much as I am pro America, because this is where I am, and this is where I study, and this where I’ve spent many of my career years, but there’s just a lot of knowledge out there. And I think this is the strength that we get from collaborating. When you have people from the Middle East contributing, people from Europe, from Africa, from Asia, from Asia Pacific, you’re getting multiple perspectives. Sometimes I read some of the manuscripts, some of the drafts people have submitted. I never thought about that, or we have never addressed that here in the West. And so from the conferences I’ve had with other people, other projects have worked together, connections like Rebecca, I think you were one of the contributors. I don’t know how we got connected, if it was from the podcast or something. And some of the people, my students now, who know other people, you find that the final product is very solid. It’s much richer because it represents the global perspective, because the field of instructional design is not only one sided, it’s everybody’s involved in it.

John: What is the target audience of this book? Is it designed primarily for instructional designers as a resource? Is it designed for faculty to see how instructional designers can assist them? Or is it designed for administrators to better understand the role that instructional designers play?

Gianina: The book is for all the mentioned and for the others also. So we have in the list of the target population, let’s say this or audience. We have instructional designer, but also university students, online education leaders, researchers, faculty, team leaders, support personnel. So it’s a variety of target audience here, and I think based on my experience during this process, from the beginning to the publication moment, I could connect with all these categories. I discuss with them. I presented the book also in Romania and with other researchers and administrators I collaborate with. So I could see that it’s a need, and they were waiting the book to be published so that they have this global perspective on instructional design in higher education.

Safary: And while we focus primarily on that, and we kept that in mind, we made sure that all the contributors kept this audience in mind. We understand that there’s a lot there that can be used in the industry, a lot of information. For example, we have instructional design models there, quality assurance in instructional design. These are things that can be used even K through 12. But we didn’t want to claim that we’re writing it for all those other places, because in case we missed something that is very much relevant to them, then we wouldn’t want to be accountable for that. But it can be expanded to anybody really who is interested in instructional design or learning instructional design, or applying instructional design or doing research in instructional design. They can definitely do that.

Rebecca: I can see it as a really helpful guide for new faculty who don’t have experience [LAUGHTER] designing their instruction, because it is so comprehensive and it allows you to kind of dip into spaces that you may be less familiar with. Maybe there’s areas that you are familiar with, but there’s other topics that maybe you want to explore more, like AI or other topics like different models or different ways to structure a course. So you each co-authored or authored chapters in this book. Can you tell us a little bit about your contributions to this volume?

Safary: I contributed to quite a number of chapters, obviously chapter one and the last chapter. I always contribute to that If I’m a co-editor, I always love that, because it’s like this where we’re going, and this what we have learned. I like that. So the first chapter and last chapter, that’s what it is. But the two chapters that I really contributed to substantively, one is on instructional design models. I like instructional design models. I don’t know why. The first book I used on instructional models, textbook when I was doing PhD in instructional design was, I think, Gustavson, 2002, that’s old now. And when I was going through those instructional design models, I was just amazed. It’s like, how did they come up with this? And so we have one chapter on instructional design models, just a synthesis to have things in one place. I know that books that are just books for instruction design models, but this is like a synopsis of 10 or more designs, something like that, the most practical ones that people can use. Anybody who is new to instruction design can easily follow and we tell them, here are the strengths of each design, here are the weaknesses, and you can use them in this and this area. So I co-authored that with a gentleman from Chicago. actually. I don’t even remember how I got to know him. We have never met, but we have collaborated like we have known each other forever, but we just got to know each other on this project. And he’s an instructional designer in one of the universities there, and so he was equally excited about instruction design, and he teaches instruction design. The other chapter that I really, really loved, and I contributed alone because I just wanted to put in my own concepts of quality assurance in instructional design. I basically took the same things that people have, but presented them in a different perspective and integrated research in that chapter as well, which tends to be left out when you’re talking about quality assurance. People talk more about the strategies to use, but not so much emphasizing the research aspect of that. And so I was able to create an acronym for that to present the different phases that have to happen. And for each phase, I have questions that people have to ask to assess that specific dimension of instructional design, and it’s much more comprehensive, not just at the course level, but in the whole instructional design process. I contributed to others, but at a minimal level, but those two are the ones that I really got carried away with, because it’s just my passion. I love instructional design, step by step and the instructional design models, and also to make sure that the quality is taken care of.

John: So while we have quite a few instructional designers in our audience, we believe, a lot of people in the audience are faculty who may not be familiar with instructional design models. Could you just talk a little bit about some of your favorite instructional design models, the ones that you use, just so that people who may not be as familiar get a feel for them.

Safary: Well, all of us, we know this elusive ADDIE model. You know that is kind of the leader, even if, when you want to go around it, you’ll find that you’ll always find some dimensions of that in whatever other people come up with. We have rapid instruction design model that is also out there. We have spiral designs, those who just feel like you go in circular ways. And looking at the different models, I have come to realize that some look at it as strategies, while others look at instruction design models are more into processes and the ones that I like the least, they look at it primarily as a philosophical or theoretical thing, which I prefer not to go from that perspective. If we talk about instruction design models, I want things step by step, things that I can easily find in what other people did.

Rebecca: So what I’m hearing you say is a lot of these models are really actionable. So if someone is getting started in designing their own course, they can follow a process. And there’s these different processes folks can follow.

Safary: Yes.

Rebecca: …as a way to develop their course.

Safary: Definitely, and for me, if it is not that user friendly, that people can follow step by step, then there’s an issue with that instruction design model, because we are going to introduce these to people who are new to the field, we don’t want them struggling: “Okay, how do I implement this?” They should be able to read and understand most of what is being said and be able to apply that.

John: The other chapter you mentioned focused on quality assurance. You mentioned that you’ve presented some research there, but is there any particular quality assurance technique that you use, or that you encourage people to use?

Safary: I wouldn’t say that I have one specific technique. What I have done in that chapter, I created the different phases of instructional design, somewhere between five to seven phases, and each phase, I have the specific elements that have to be taken care of. So I created a table that shows the different phases and each phase exactly what needs to be taken care of. It’s a long list. It’s a long list, but that makes it very practical, so that anybody who is still new to instruction design can follow, and once they have addressed all those steps, they can move to the next phase and easily address what is happening.

Rebecca: And how about your chapters. Gianina?

Gianina: Of course, I contributed to the first chapter and the last one with Safary, and I met the other colleagues, but I wrote, as mentioned, one chapter with three other colleagues, one from Valencia University and the other two from Mexico, on hybrid class, how to design a hybrid class. And because all four, we are excited about blending face to face and the online instruction, we focus on different aspects on how to design, and we provided specific examples how to use different tools, how to integrate them in instruction. And I wrote a chapter by myself, so it was about addressing issues of inclusion in instructional design. And in this chapter, I would say that it was blending my model, the model I developed during my PhD thesis, the model just saying a few words in between. So I am coming from a former communist country, so in my country, in Romania, only in the last years, we are speaking about cooperative learning and how to train future teachers to use cooperative learning. So during my PhD studies, I developed a model named CoLearnItt, cooperative learning for initial teacher training. And in this chapter, I’m presenting my model blended with the UDL principles. So it seems that all the components of the model are very well connected with the UDL. So I am presenting with specific examples from my classes, because in the last years, I conducted action research in my inclusive education class. So during the years, I came up with different action plans and models. So I improved them year after year. And in this chapter, I’m presenting the last version of my model. So I’m very excited because it’s very practical and each professor can implement in his teaching when designing the class, these elements from the CoLearnItt model and UDL principles. And this is very exciting for me.

John: Let’s go back to the first chapter you referred to on hybrid learning. This is an area where which I think is probably underused given the meta-analyses that suggest that it’s often more effective than either face-to-face or purely asynchronous or online learning. What are some things though, that faculty who first engage in hybrid learning might do wrong? What are some common errors that perhaps you’d like to encourage people not to do when designing a hybrid course.

Gianina: From the readings and the research I conducted, I could identify that is not a balanced way between the face-to-face and synchronous or asynchronous part. So in my opinion, it should be a training before designing such a class, because it’s not easy. So it’s about how to use technology, and not all of the teachers are used to the new technology. It’s about how to create the content, how to organize the content, how much of the content should be explored before the class, in a flip class format, and how much in the class, in the physical class, how to organize or to design the assessment, because it’s important to have part in online, synchronous or asynchronous, and also in face to face. So all these aspects should be in a balanced way, introduced in a hybrid class. And I think the teacher should be trained in doing this, because it’s not an easy task, let’s be honest, and also the technology. How do you use what kind of platforms so that they should be user friendly and easy to access, easy to understand and so on, how to explain your students how to use the platform, how to respond to the assessment tasks. So all this should be in a balanced and very organized way. And yes, the teacher should be trained before organizing such a class.

Safary: And if I may add to that, the other challenge that personally, I have seen with people who are not trained. Training is very, very important. The challenge has been people over loading their students, because here, let’s say this started as a face-to-face class. They have 100% of face to face, and then they have another 50% online, and so students are overwhelmed with a lot of work.

John: That course and a half phenomenon that people often talk about with hybrid courses when people are first designing them.

Rebecca: It’s a problem for both for the students and for the faculty, right?

Safary: Yeah, yeah, true. [LAUGHTER]

Rebecca: Can you talk a little bit about your inclusive model and share some insights that folks might include in their classrooms to make their classrooms and their courses more inclusive?

Gianina: In the model I developed each component… let me list the components…. so it’s about using the training model of Showers, because only following a specific steps the students you are preparing to be teachers can learn how to apply, from the training to the class, everything. It’s about, how to design the classroom management so that it’s inclusive, how to organize your interactive lecturing so that address each type of the students you have in the class, how to evaluate the students, how to design, how to offer or to give expert feedback, so that mastery learning takes place in that class. Also how to use dimensions of learning to build step by step this inclusive class, because we have such a diversity in our classes today, and we need to be so creative and to bring so much diversity in our teaching, so that each one of them can be touched by our teaching, to be motivated by our teaching. So all these components are related to the three directions in UDL, how to diversify the teaching methods, so that the students can learn how to diversify your evaluation, your assessment, so that each one of them can respond in his or her own way due to the diversity that I mentioned, and how to engage them in the classroom. So in these three directions, I think my model is very well connected with the UDL principles. And I showed in the chapter how each component or how each part of the component, it’s very developed. So I cannot just say in a few words the entire model, but I can show with specific examples from the classroom and from my research, how the CoLearnItt model is connected with UDL principles. It’s really nice. You know, for me, it’s very exciting to achieve this point with my model, because I don’t know, in future, maybe something new will appear. Because I’m continuing with the research, I am conducting action research in each class, so after each class, something new comes up.

Rebecca: Probably one of the best parts about working on a project like this is getting to learn a whole swath of new things. [LAUGHTER]

John: And that’s also one of the benefits and challenges of running a podcast. We get so many good ideas from our guests that we try to implement, perhaps sometimes too many of them, and it can be a bit overwhelming at times. We also have another co-author of one of the chapters… Rebecca, could you talk a little bit about your contribution to the book?

Rebecca: Sure, I had the honor of working on a chapter about designing for students with disabilities, which is something that is certainly dear to my heart. As listeners of our podcast know, and I think I got to co-author with a colleague that, Gianina, I think you maybe had recommended that I write with Chip and so it was really wonderful to work with a colleague from Romania, who I had not met before. And one of the things that we explored in this chapter is some of the digital accessibility standards, the web content accessibility guidelines in combination with UDL or Universal Design for Learning and TILT, Transparency in Learning and Teaching, and how there are some really interesting synergies and overlaps between these three models and strategies, but also where they differ, and how those differences and implementing some of those other pieces actually really help support a variety of different kinds of students with a variety of different kinds of needs and different kinds of technology that they might be using to access information. So it was really fun to work on this particular chapter, to explore the different kinds of things that we often recommend, but also like you Gianina, to like put them lined up next to each other and see where some of those overlaps are, and to really make those explicit, so that it also made the differences very explicit.

John: And how did you connect TILT with digital accessibility?

Rebecca: Well, you know, one of the most important things is not necessarily the technical standard around digital but all of our digital content needs to be transparent in the way we’re organizing it. And there is a WCAG, or a web content accessibility guideline that really points the idea of like clear language and TILT is all about clarity and transparency. So it was a way to kind of bring that to life, I think, in a much more obvious way, and really provide steps that someone could take to implement that into their coursework. So there was a lot of examples that are like that, where there’s one here that seems like something I need to do, but maybe it’s in a language that doesn’t make a lot of sense to a teacher, but then you bring in another model that talks about that same kind of concept or content in a different way, that can be really helpful.

John: Very good.

Rebecca: So one of the things that I know is covered in this really comprehensive volume is assessment of instructional design, but we haven’t really talked about that in as much detail. Can you share a little bit of insight of what is captured in this volume on that topic?

Safary: Assessment has always been a challenging topic, and from this volume, it became clear that it’s not just a matter of strategy, it’s not just a matter of technology. It has a whole lot of things related to the philosophy of education, cultural background of the education setting, the historical background, the political background. So these are things that we never really thought about. Because, like, as far as I’m concerned, when I look at assessment, immediately I put on my American lenses. I look at it from that perspective. But other people, it’s like, remember this place where I was in a specific country in Africa, where assessment is about policing and making sure that students struggle, students suffer. So students who get an A, it’s like it’s a fight between the students and the faculty. So when I found myself in that specific country, my first few months, I was struggling because it was an expectation on me that I should assess students from that perspective. But I said: “No, assessment for me is to help students learn and make their learning effective and efficient. And so if I see that there’s something that’s not working, how can I support the student better?” But no. So there was a tension between my philosophy of assessment, of learning and assessment, and what was being expected from me. And so you’ll find that when we are dealing with assessments and instructional design, you’ll find that the context where the assessment is going to take place has other elements that have to be taken into consideration. We cannot have universal principles that everybody will abide with. You will always find variations based on specific context with the specific countries’ specific culture and maybe languages as well.

John: I can imagine that being a challenge, given all the variety in the audience that you’re writing for, given the different histories of higher education and the role of higher education and the traditions of higher education. One other issue, though, related to assessment, that I think we all wonder about, especially in forms of online assessment is AI, and you do have some information on AI in the book. Do you have any recommendations for people who are teaching in terms of being able to adequately assess work when students might perhaps have access to a wide variety of AI platforms that can respond to many different types of assessments?

Gianina: Actually, I listened some presentation of some experts in AI, and I understood that we should not be afraid of AI, but we should learn how to use it properly in our classes. So regarding assessment, let’s say that in Romania, because of the background, as a former communist country, we are not so how to say attached, for example, to formative evaluation. So we are focused on summative evaluation. And sometimes this is a big issue, because our students are learning just for grades, not all of them, some of them, of course, based on what this expert was presenting, that we should not be afraid of AI, but learning how to use it, I was thinking, why not inviting some experts in AI in my university and training our teachers how to use AI, not only to evaluate, to assess, but also to teach, to present and to create content to help students to understand how to use it in an ethical manner. And yes, I connected with some experts from Portugal, and they will come probably in March, April next year, to train us on how to use AI. So I think it’s not anymore that moment to just to be scared about AI, but just addressing properly, because it’s the reality. So why not teach our students how to use it in an ethical manner? And I think many things can be created and time saved with the use of AI, but in a proper way, of course, and also assessment, I think the teachers very fast, can identify if the homework is done with AI or by the student, if you know your students, of course, if you have 200 or 300 students, it’s very difficult. In my university, because we don’t have so many students, it’s a small university, we can, in a moment, identify that this is not the voice of my students. These are not the words of my students. So it’s not difficult. But go back to my first idea, why not collaborating with AI in an ethical manner?

Rebecca: So one of the other topics that’s covered in such a comprehensive volume…. we can’t emphasize how comprehensive it actually is… is leadership. Can you talk a little bit about the role leadership plays in instructional design?

Safary: I was so glad that we were able to include at least one whole chapter on leadership in instructional design, for many different reasons. Number one, when those who are with online, but this volume covers both online and face to face, when people want to go deep into instructional design, they want to have instructional design team or instructional design department, usually [LAUGHTER] they will just try to identify somebody who is an IT, because in their mind, instructional design means somebody who’s good with the computers, which is not true. I mean, yes, you know some of the computers, but instructional design is not primarily computers. It’s really about thinking and doing things, planning instruction, and that’s basically what it is. And so because of this, we do not really have a lot of leaders who are trained as instructional design leaders. People just grow into instructional leadership, but not really train. And so you find that if somebody didn’t go through like a leadership training, or they didn’t study instructional design, because they may be instructional design team leader without actually having done extensive training on instruction design, you’ll find that there’s always a disconnect between the instructional design team and the leader, that’s one side, somebody who can provide the vision, the mission and design the whole department, provide the leadership for the whole department and connect that to the university. It has to be somebody who understands very well instructional design but also knows how to deal with higher administration, because the instructional design leader is not necessarily the president of the college or the university. And so how do they do this? That chapter covers that extensively and is written by people who have extensive knowledge and expertise in the area. The other aspect of this, and I’m going to speak now from the online education perspective. I’ve been in universities where online education was being integrated at the beginning. I’ve been twice director of online education to start the department of online education. And the common challenge has always been, “Oh, since you have a computer and you have internet connection, and we have online library, okay, you don’t need anything, you just do everything, and we’ll have online education.” The administrators do not understand that this is a whole different thing. We need a team, we need a budget. We need resources, and this is something that they have, if they want to go into online education, they will have to invest significant money into this. And so the chapter helps with that. If you want to start an instructional design team, what needs to be in place? How do you relate with the top administration to make sure you get the buy in and the support that is needed to lead your instructional design team? What are the challenges? How do you fund resources? How do you connect? How do you deal with things when you have limited resources, because that tends to be a challenge, especially when the department is new. What kind of personnel do you want to have on board when you have your instructional design team? How do you establish the standards, the policies? All these are things that have to be dealt with when you are a leader of instructional design.

John: And as the role of instructional designers has become much more developed and much more extensive in terms of how they’re used, that’s an important point, and it sounds like that’s an important chapter too for potential leaders to be looking at.

Rebecca: So we always wrap up by asking, what’s next?

Gianina: Many things are next, are coming. One of the projects I finished, it’s The Alphabet of Values. It’s a book for teachers, for parents, and for kids. And next week, on Wednesday, is the launch of the book here in Romania. I’m very excited, because the book, it’s with the contribution. I’m the editor and the one who designed the pedagogical part with strategies, methods, for children, for parents, and for teachers. But 26 authors from around the world, with MA and PhD in education, business and public health, wrote the stories. So all the continents are covered. And the beauty of this book is that it’s inclusive, has different aspects. It’s also interconnected with other fields, with geography, history, languages, religion, and others, and it’s very practical. The illustrations are done by a specialist, by an expert or professional in this field, and I’m very happy that it was published, I think three or four weeks ago, and the next week is the launch of this and also another book I’m sending in two weeks to print. It’s qualitative research, a practical guide for early career researchers, also with the contribution of different experts, researchers around the world. And I really hope that it was more for Romania, because we still believe that qualitative research is not so important, but step by step, we can show that has its place, and it’s very relevant in many fields. So printing, publishing in English, of course, I will translate it into Romanian language. So I am very excited about this, and also about our next year international conference, Safary participated. He was two years ago, the keynote speaker, but next year, we have competing perspectives in the AI age. This is the theme, so it’s very interesting. And these are my future projects, only a few of them, because we are involved in many projects. But I’m happy because two of these are done.

Rebecca: I love that you are supporting learners and educators of a wide variety of ages [LAUGHTER] and education settings and moments in their career.

Gianina: When I come back from my PhD studies, I studied in the Philippines. By the way, Safary was one of the best teachers I had there, and we continued, as you can see, to collaborate since I came back. I wanted to help the education system here in Romania, because we are making small steps towards Western approaches, but I want to contribute to this development, and I’m very happy to do this.

Rebecca: How about you, Safary?

Safary: You know, writing is my addiction, and Gianina knows this, because ever since I met her, I don’t know if it was 2016, somewhere around there, when we first met, I’ve always written, and for the first time, last March, after I published my recent book on qualitative research, I said, I’m going to take a break until October this year. So I’m on break. I have not been writing. It has been hard. It’s been very hard because I have so many ideas that are popping up in the head. I said, “No, no, I’m taking a break until October.” So in October, of course, I have a few ideas that are already in mind. I’m thinking of going back to qualitative research, because the first handbook I published was on qualitative research in Asian context. Then there was these two for higher education. And so I want to go back to qualitative research and probably create a textbook for quality research designs, because I see that a number of people are struggling with that. This is not going to be a handbook. It will be just a textbook, probably 200 pages and that’s not not too long, just to guide people to distinguish between the different designs, so that they don’t confuse that. I tend to be a little bit of purist as far as qualitative research is concerned. So I want things to be done right. You know, the structural design mindset is still influencing my other things that I do. So that’s the plan I have in the near future.

Rebecca: So although taking a break from writing, the mind is not taking a break. [LAUGHTER]

Safary: It’s not, but at least I get time to relax and oh, well, not so much. Gianina and I have a conference next week at a qualitative research conference starting on Monday, so Monday, Tuesday and Wednesday. Again, it’s covering different countries, but it’s a lot less thinking than when you’re leading a handbook.

John: Well, thank you. It’s great to hear from you, and it’s great to hear about this project and your future plans.

Gianina: Thank you.

Safary: Thank you so much for inviting us. It’s been a great privilege to be back on the podcast.

Rebecca: Yeah, thanks for joining us.

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John: If you’ve enjoyed this podcast, please subscribe and leave a review on Apple Podcasts or your favorite podcast service. To continue the conversation, join us on our Tea for Teaching Facebook page.

Rebecca: You can find show notes, transcripts and other materials on teaforteaching.com. Music by Michael Gary Brewer. Editing assistance provided by Madison Lee.

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396. Title II

While the Americans with Disabilities Act has long required digital content to be accessible, specific technical requirements were recently defined in updates to Title II of the ADA. In this episode, Mark Greenfield joins us to discuss the new regulations and what that means for public colleges and universities as the April 2026 deadline approaches.

Mark retired as the University at Buffalo’s Web Accessibility Officer after 35 years of service at the institution. He continues to consult on digital accessibility and serves as a member of the Association for Computing Machinery (or ACM) U.S. Technology Committee, which educates and informs Congress, the Administration and courts about digital technology developments and how they may impact public policy in the US.

Transcript

John: While the Americans with Disabilities Act has long required digital content to be accessible, specific technical requirements were recently defined in updates to Title II of the ADA. In this episode, we discuss the new regulations and what that means for public colleges and universities as the April 2026 deadline approaches.

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John: Thanks for joining us for Tea for Teaching, an informal discussion of innovative and effective practices in teaching and learning.

Rebecca: This podcast series is hosted by John Kane, an economist…

John: …and Rebecca Mushtare, a graphic designer…

Rebecca: …and features guests doing important research and advocacy work to make higher education more inclusive and supportive of all learners.

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Rebecca: Our guest today is Mark Greenfield. Mark retired as the University at Buffalo’s Web Accessibility Officer after 35 years of service at the institution. He continues to consult on digital accessibility and serves as a member of the Association for Computing Machinery (or ACM) U.S. Technology Committee, which educates and informs Congress, the Administration and courts about digital technology developments and how they may impact public policy in the US. Welcome, Mark.

Mark: Thanks for having me.

John: Thank you for joining us. Today’s teas are:… Mark, are you drinking any tea?

Mark: I am drinking tea. It is a Blackberry sage.

Rebecca: That sounds nice. I have just some decaffeinated breakfast tea, thanks to John making me some hot water. [LAUGHTER]

John: I have a peppermint, spearmint, and tarragon tea today. I’ve already had a lot of caffeine today.

Rebecca: So Mark, we’ve invited you here today to discuss new regulations in the U.S. related to Title II of the Americans with Disabilities Act and digital accessibility. In order to ground our conversation today, though, can you share a definition of digital accessibility?

Mark: Sure. So when we’re talking about digital accessibility, the goal is to make sure that everything we’re doing online works for people with disabilities. And it’s interesting, as I kind of explain, over the last few years, what I do for a living, how many people don’t know that that’s a thing, when, in fact, not only is it a thing, it’s a very important thing. And I like to also use the words digital accessibility rather than web accessibility, for a couple of reasons. One is that with web accessibility, you’re talking about a very specific technology where, with how technology has changed over the years, it really is much more than just websites. The other reason I like to use the word digital rather than web is that it lets people know that this just isn’t the purview of web developers. It actually impacts anybody who’s creating content online. So when I have a lot of conversations with faculty, if I talk about web accessibility, they’re assuming this is IT, and IT compliant, without realizing the impact that a faculty member has when it comes to making sure that their materials are accessible.

John: You mentioned that digital accessibility requires that the needs of people with disabilities be met, but are those the only people that benefit from digital accessibility?

Mark: So there is a lot of myths around how many people are impacted when it comes to digital accessibility. Most people, in their mind, automatically default to somebody who is blind or somebody who is deaf, when in fact, there’s a number of different indices on how many people have a disability. The number I use is 20%; about 20% of the population has a disability that impacts their ability to use technology. And when you’re thinking about the different kinds of disabilities, it’s visual disabilities, people who are both blind and have low vision and are colorblind. I think the number is 8% of the male population is color blind, so if you’re using color to provide information and using red and green as your color combination, somebody’s not going to be able to differentiate that. Then beyond visual disabilities, you have auditory disabilities, people who are deaf or hard of hearing, motor disability, somebody who can’t use a keyboard or can’t use a mouse, and also cognitive disabilities. And this is something I think is important for educators when you think about dyslexia and other types of learning disabilities, this falls into the realm of digital accessibility. But the other thing to remember is that, even though we’re talking specifically about people with disabilities, almost everything you do related to digital accessibility, improves the user experience for everyone. What can be frustrating for the general population can be a barrier for somebody with a disability. I’ve always been a huge advocate of user-centered design usability, and there’s a direct correlation to accessibility with that. And my message to web developers always has been, when you’re addressing accessibility issues, you are improving the overall experience for everyone.

Rebecca: Can you talk a little bit as we’re kind of framing this idea of digital accessibility, what some of the specific skills are related to digital accessibility, especially for content creators?

Mark: Sure. So there are a lot of things that make a website or a document accessible. Some of it does get complicated, but much of it is very simple to do, and something that I think everybody should just build into their workflow, whether you’re creating a web page or creating a document. So some of those include: color contrast, so the difference between the color of the text and the color of the background, there are specific contrast ratios you should be thinking about, but understanding to make that contrast workable for people who have low vision, and think about using your cell phone out in the sun. That would help in that situation as well. Related to colors, making sure that you don’t use color to convey information. I see a lot of schedules where an available time slot is green and an unavailable time slot is red, red/green is the most common color blind combination. So if somebody can’t see that difference because you’re relying solely on color to reflect that information. So another thing that everybody should think about is what I call semantic markup. And what semantics mean is that you’re describing the function of the information rather than what it looks like. So think about a heading. What you don’t want to do, whether you’re in Microsoft Word or using Google Docs or making a web page, is take your heading, make it a larger font and bold it, because that’s just addressing what it looks like, but not what the function of that content actually is. So when it comes to headings, when it comes to lists, when it comes to links, those are all things that can be marked up in a way that assistive technology understands what that is and will work properly with that. Again, very easy to do. Another thing is with images, making sure that you have provided alternate text, which allows a screen reader or other assistive device to be able to know the content of what’s in that image. Again, very easy to do. Another thing related to that is with videos, making sure that they’re captioned. Again, the tools are such now that you can do captioning much quicker than you could even five years ago. So really, no reason not to caption all your videos. And one of the things when I talk with faculty about captioning is that this really can be part of Universal Design for Learning. When I was working at the University of Buffalo, we had a large international student population, and they benefited from having captions on the videos, because they could understand the content much better. Making sure that when you are using a form, whether it’s a PDF form or whether it’s a web-based form, that you have labels for the input, again, important for assistive technology to understand how that form is working. I also want to make sure that when it comes to web pages, that your content will work with just a keyboard, not relying on the mouse. This is a skill that I recommend everybody learn. It takes about five minutes to learn how to navigate a web page using just the keyboard. Push your mouse to the side, and there are just a handful of keys you need to learn to be able to navigate a web page. This is very important for two reasons. One is most automated testing tools cannot determine whether the keyboard is working correctly or not. The second is that when it does not work correctly, that can be a complete barrier for somebody with a disability. One of the examples I use is that there was some administrative software at the University of Buffalo that we used, once you were into the software, it was fairly accessible, the problem was to log into it with your name and password, required the use of a mouse. So anybody who needed to use a mouse, it was a complete barrier; that tool was unusable. So really a good skill for everybody to learn.

Rebecca: You used assistive technology a lot in your last description, can you just describe what that is for folks that might not be familiar?

Mark: Sure, so assistive technology is developed specifically for people with disabilities. The most common assistive technology are screen readers, and there’s a variety of screen readers. Many of them are free. In fact, I recommend that people use free screen readers. On the Windows side. NVDA is a free screen reader, which is really powerful; on the Macintosh side, VoiceOver is included on both the iPhone and on a Mac, so again, very easy to learn how to use those. Those work for people who are blind. And one of the things about screen readers is that there are people who use those who can see but have other disabilities. So it’s not just somebody who has a visual disability. Another type of assistive technology is known as a mouth stick. So this is somebody who does not have use of their hands, but can still use a keyboard by just putting the stick in their mouth and then pressing on the keys instead of using their hands to do that. More sophisticated assistive technology is something like a Braille keyboard. So there are keyboards that allow you to type and get feedback using just Braille. So pretty advanced technology. And one of the things we’re starting to see is, I’m wearing AirPods right now, and those AirPods can be used as a hearing device as assistive listening, and that’s one of the things I’m happy to see is that a lot of mainstream devices now can be used as assistive technology.

John: The history of legislation related to disabilities is fairly recent, beginning with the Americans with Disability Act (or the ADA) that was enacted in 1990. At the international level. The UN Convention on the Rights of Persons with Disabilities was adopted by the UN General Assembly in 2006. In it is the explicit claim that accessibility is a human right. The first version of the Web Content Accessibility Guidelines was released in 1999 with a 2.0 version adopted by the International Standards Organization in 2012. More recently, laws have been updated throughout the world to more explicitly address issues of digital accessibility. As one example, can you talk about the recent updates to Title II of the ADA in the US?

Mark: Sure, so Title II of the American with Disabilities Act had rules established last April, and this was, in my opinion, a really important event in the history of how the web and disability come together. The important thing to remember about the American with Disabilities Act is that is a civil rights law. So that should be the message. This is about human rights and about civil rights. As you mentioned, the ADA was adopted in 1990, which predates the web. So the web went public in 1993. I was fortunate enough that I was there like a week after that it went public, and guessed that the web might be a thing. I taught myself how to program and away I went. But it’s always been case law, rather than regulations from the government about what does disability actually mean. And it was a long process. The real start to the current regulations was in 2010. That rule making was then dropped in 2016, picked back up and finally adopted last year. So this has been a long time coming, and one of the things to remember about the ADA Title II is that now we have a specific technical standard that we can reference. And for the ADA Title II, it is WCAG, which is the Web Content Accessibility Guidelines version 2.1, level AA, and we can talk more about what all that means if we want to talk more about what all that means. But anyways, this was the first time that there was a specific technical standard that people could reference. There was an interesting case with Domino’s Pizza. This was like four or five years ago. Domino’s was sued because somebody who was blind could not order a pizza online, so they took Domino’s to court, and one of Domino’s defenses was, “Tell me what it means to be accessible, and I’ll make it accessible. There’s no standard. How do I know if I’m making it accessible or not?” For me, that was an interesting argument. However, eventually that case did go to the Supreme Court, and the Supreme Court chose not to hear it, so Domino’s didn’t win on that argument, but it raised a really legitimate point: that having a technical standard would be so helpful, and this is why the ADA Title II regulations are so important. A couple other things about the ADA Title II regulations. This is specifically for state and local government. That is what Title II is. And all public colleges and universities fall under Title II. Private colleges, however, are not part of Title II, and some people who work at private colleges may think, “I’m off the hook. I don’t need to do this,” when, in fact, that is not the case at all. For anything outside of state and local government, it’s business as usual. That means that you still absolutely can be sued in court, if you have accessibility issues, but they’re not going to use the WCAG standard necessarily as the measuring stick. It’s going to be up to the court to decide what are we going to use as a measuring stick. In fact, there was just a case in Louisiana in February where the state of Louisiana said we don’t have to do this until next April. And the courts are saying, “Oh, yes, you do. This is still in effect, even though the deadline for Title II isn’t until next year.”

Rebecca: So, Mark, you’re talking a little bit about the laws in the U.S., but this isn’t just a U.S.-specific thing. Can you talk a little bit about what’s been happening globally, in a general sense?

Mark: Yes. So, globally, there has been a tremendous increase in legislation specific to Web and Digital Accessibility. In the European Union, they’re actually a little bit ahead of the United States, because their accessibility laws deadline is this June, and pretty similar in terms of what the expectations are technically, but they’re again a year ahead of where the United States is. Ontario, same thing. Ontario has had a pretty strong accessibility law in place for quite a while. So, in many ways, the US is catching up to this. One of the things that is nice about the WCAG standards is that they are internationally recognized. So almost every law that you see specifically references the WCAG standard, which I think makes it much easier for consistency, to understand what is expected when it comes to web and digital accessibility.

John: How do the changes in Title II impact our educational system, specifically higher ed, in terms of its effect on institutions, students, and faculty and staff?

Mark: So, Title II regulations are actually a major change with the way that colleges and universities need to think about Web and Digital Accessibility. And that major change is that the ADA Title II regulations move to a model of full accessibility, rather than accommodations. For anybody who is familiar with Section 504 of the Rehabilitation Act, that is an accommodation model. If someone has a disability, it is very specific to their situation. This person is blind, is trying to access this information, and we’re going to create an accommodation that will help that specific person. The expectation with Title II is that everything is fully accessible from the get go. So this, for institutions is a major change philosophically in terms of how you need to think about meeting your accessibility goals… huge, huge change. For faculty and staff at a university, I think the Title II regulations bring the importance of this to the forefront. I am a longtime advocate for accessibility beyond legal requirements. In fact, I would do everything that I normally do when it comes to creating a website if there was no law, because it just is best practice and usability and all of those kinds of things. But with law, that gets people’s attention, and I think with the Title II regulations, this is getting people’s attention because you are breaking federal law if you are not making your sites accessible if you’re a public university. So I think that changes things for faculty and staff, where there’s a level of seriousness now and a level of training that’s needed that perhaps wasn’t there before. When it comes to students, I think this is an opportunity for students to learn about accessibility and why that matters. One of the questions I get is that, technically, students posting information onto a class website or a class activity within their learning management system, that needs to be accessible. And a lot of administrators, faculty and staff, are kind of pushing back against that, saying, “How are we going to make that happen?” Well, the answer is, you train students how to do it. It’s not that hard to do the basics. Every student I’ve ever talked to has been fascinated by the fact that you can make things accessible for people with disabilities. There’s a level of empathy there that perhaps isn’t there with people in my generation. So I think this is a great opportunity to train students on what accessibility means and give them the basic tools to make their content accessible.

Rebecca: I’ve heard some conversations with decision makers across higher ed about whether or not these regulations will be enforced because of current executive orders related to DEI, the dismantling of the Department of Education and the reduction of the federal workforce. What is your sense of the stability of the law and the momentum of the work on digital accessibility in higher education?

Mark: So that is a great question, and my answer may change an hour from now [LAUGHTER] than what it is right now. That’s fair. [LAUGHTER] It is very, very fluid. That being sai, one thing about the Title II regulations is that the current administration cannot legally just throw those out. They were established in April of 2024. I believe it’s 180 days have to go by, and then it’s kind of written in stone at that point. So the current administration can’t say, “Never mind. We’re going to just ignore these.” That’s legally not what they can do. Now, whether they do that anyways, we’ll see what happens. So that’s one thing to think about. The second thing to think about is that much of what happens in the courts around accessibility are private lawsuits. That has nothing to do with the Department of Justice and how they prioritize Title II. Anybody can bring a lawsuit against you at any time, and now you’re in the court system, and it has nothing to do with the administrative branch of the government, so you are always exposed to a lawsuit, and that’s where most of this activity happens. The other thing to keep in mind is that most states also have laws around accessibility. For those who are in New York state, there are pretty strong laws around web and digital accessibility. So even at the federal level, you may not think you need to worry about this, but at the state level, you absolutely do. As far as the Department of Education’s Office of Civil Rights, I’m actually pretty good friends with a lot of people who currently and formerly work there, unfortunately. What has happened with the OCR is that the central team still exists, and again, I’m saying this in April of 2025, but that team still exists, but it’s been drastically cut in size. And the big question is, how quickly can they respond to complaints? Because they have like 10,000 complaints on the docket, not just for accessibility issues, but beyond accessibility issues. So how quickly can they respond to those, that’s open to anybody, who knows what’s going to happen with that. So I don’t know what’s going to happen. I think it would be misinformed to think that you don’t have to worry about this, however, because, who knows? The bottom line is that, as I mentioned before, we should be doing accessibility work, regardless of the law, there is tremendous value there. So one of the things I do as a consultant is when I come on campus and I meet with senior leadership, is I talk to them about how important is web and digital accessibility to everything that happens on your campus. It used to be that we would talk a lot about mission and vision statements, which always included the words diversity and inclusion, which web accessibility fits right in with that. That’s a piece that I’m concerned about right now, is whether we can connect accessibility to DEI initiatives. One of the interesting things for me when I was at the University at Buffalo, as the Web Accessibility Officer, I reported to the Director of Equity, Diversity and Inclusion, and that was something I told the administration I wanted to do, because it sends a much different message about why we’re doing this when it’s part of diversity, equity, inclusion, rather than being part of the IT office, where now it’s an IT compliance issue. Now would I take that same strategy right now? Probably not, because of some of the challenges around DEI. I am hoping that people push back on this a little bit, because the ADA is federal law. So to me, there’s a complete disconnect between what’s happening around DEI nationally and what the law actually is. Now, how courts interpret that, how the current administration interprets that, is anybody’s guess. I understand why some people are gun shy about talking about DEI and then adding A into that as well, but I think that there are federal laws around this, and I think there is solid ground for continuing to do this work. So who knows what’s going to happen again? It’s a very fluid situation. It’s an unfortunate situation, because last year, after waiting for 15 years, we finally got these Title II regulations, and now a lot of that work is being questioned about how this is going to move forward.

Rebecca: I think, as you mentioned before, about the global context, too, that underscores the idea that it doesn’t really matter what the current political climate is, that globally, there’s an initiative in this direction, and we’re likely to continue seeing it. We’re gonna get behind if we’re not doing it here.

Mark: Absolutely.

John: Now, when faculty and staff and others creating digital content are creating new material, if you start from the ground up and are not retrofitting accessibility onto older work. It’s pretty easy to create accessible content, but there are areas, though, in some disciplines, where it’s a little bit more challenging for faculty. That includes areas where there’s discipline-specific notation, such as chemistry, math, or music, or limitations to machine-generated captions for content that is sung or in multiple languages or spoken by non-native speakers. How should institutions handle content with these more complex challenges?

Mark: This is a very, very important topic. I recently read a statistic that people with disabilities constitute 10% of our national workforce, but only 2% of STEM professionals. So that disconnect tells me that this is really an area that we need to think more about and to address. And as you mentioned, basic accessibility is relatively simple to implement, but there are places where accessibility can be a challenge, whether you’re talking about chemistry notations and math formulas and those kinds of things. What I recommend that campuses do is that they really work hard to create awareness among those faculty members in those disciplines to understand what some of these additional challenges are, and then providing the support and resources to help them meet those challenges. The good news is that these challenges are not new. So there are a variety of tools that are being created to help with math formulas and scientific notation and others. So I think it’s really important that the faculty understand, 1. we’re going to have to take that extra step, and 2. that a campus provides those resources. And related to that, I think it’s important that at least one person on a campus really is paying attention to these additional types of tools. And they’re improving every year, and I think it’s important to stay up with how those improvements are happening, and have somebody play point on campus so they can connect the dots with the vendors who provide these tools and the faculty members who need them. There’s also a lot of good information out there on how to make, for example, STEM materials, accessible. So if you Google that, a lot of places will come up. I have done some work with the National Center on Accessible Educational Materials, the AEM, and they have a lot of great resources. They’re very much involved with Universal Design for Learning… bring the accessibility component into that. So that is a place where you can get a lot of great resources about how to make these more challenging educational materials accessible.

Rebecca: One of the other areas that I know often raise challenges for faculty, but other folks in higher ed, are third party content like learning materials, content platforms and services, PDFs of articles with complex charts and graphs are often a concern. What role does higher ed institutions need to play in moving the accessibility needle in these other spaces, with these third party vendors.

Mark: Third party vendors and procurement is the most challenging aspect when it comes to your digital accessibility program. The phrase that the Office of Civil Rights always uses is we’re going to look at your program, services, and activities. When you think about a campus’s program services and activities, they are almost always happening on third-party products, whether it’s your learning management system, whether it’s your student information system, your alumni system, on and on that list goes. But the reality is that it’s third-party products where the rubber hits the road. So this is really, really important. One of the challenges with the ADA Title II rules is that they don’t apply to vendors. Those are private companies. They don’t need to legally make their products accessible. So what does higher ed need to do to kind of help fix this situation? One is to recognize the buying power, the collective buying power of 4500 colleges and universities across the country, and start to put the appropriate level of pressure onto the vendors. As I say that, the approach I try to take with vendors is rather than it being adversarial, let’s think about this as a win-win opportunity. I happen to know the heads of accessibility at many of the major educational technology companies, and they want us to complain, because in these big organizations, it’s up to the product manager to determine how accessible a given product is, not up to the Accessibility Officer for that company. So we need to put pressure on vendors, and I think there is opportunity for us to do that collectively, rather than individually. This is something I have been talking about with a number of people nationally, about how do we become more efficient in terms of how we approach vendors? And two things to think about: one is testing can be challenging to determine whether a vendor’s product is actually accessible or not. So rather than 4500 colleges doing their own testing, is there a way to combine that and just kind of share best practices, share results? Good idea in principle, but in practice, many times lawyers get involved with this and they’re concerned about legal risk if I, as Mark Greenfield, representing the University of Buffalo, say product X is not accessible, the people at product X don’t agree with that, so we’re going to take you to court and question that. So unfortunately, the lawyers have been involved with that, but there are ways around that, which we continue to work on. And then the second thing, again, is the collective buying power. I have been pleasantly surprised over the last couple of years about how serious publishers and the major educational technology vendors are taking accessibility. They are making progress with being honest and objective about what the shortcomings are, and putting resources to address those shortcomings. So I think it is really important that we continue to do that kind of work. One of the things I was disappointed with with the new ADA regulations is that they only applied to Title II, which is state and local government. I wish they would have also addressed Title III, which is the private entities, the vendors would fall under Title III. For a whole bunch of reasons, it would have been nice for them to address both of those at the same time, but unfortunately, that didn’t happen. So I think we really need to be an advocate about why this matters, and kind of use our collective buying power to encourage vendors to push them kind of in the right direction.

John: The focus on improving the accessibility work on many campuses have focused on faculty and staff but had not addressed students in most campuses, probably. What role do our institutions need to play in moving the accessibility needle in these other spaces for classwork from students or from student clubs and organizations, for example?

Mark: I would love to see college campuses be much more proactive when it comes to training students about the importance of accessibility, why it matters, and just very quick and easy things that anybody can do to make their content more accessible. I remember 20 years ago, I taught a general education course at the University of Buffalo, it was called UB 101, where we basically gave them the components: this is how you kind of survive in college in your first year, and what all the various offices do, and some other advice and guidance. I would love to see any campus that has a course like that, you know what? Spend the day, spend an hour talking about accessibility, what that is and why it matters, and show them the basics on how to do it. Again, my experience has been students are very happy to take those steps to make something accessible, and I think they would just eat that right up. And I think it’s a good service. I am a little disappointed that here we are in 2025, 30 years after the web was invented, and 35 years after the Americans with Disabilities Act, and yet we have made little progress when it comes to the accessibility of higher education websites and documents, and that’s very frustrating to me. I think one of the ways to start to improve this is let’s start to work with students and have them understand, and not just computer science students. There is a group called Teach Access, which is working with computer science faculty to make sure they’re incorporating accessibility in their teaching. But I think it needs to go much farther than just Teach Access and computer science majors to everyone on campus. And again, this is not that hard to do. A real quick story for you. One of the favorite projects I have worked on in my entire career was working with a group of third graders to make a blind athlete’s website accessible. It was a fascinating project. The athlete’s name was Rachael Scdoris. She runs in the Iditarod, and she was legally blind. Through the ADA, she actually sued the Iditarod to have a spotter 1000 feet in front of her, so she had some sense of where she was going in the middle of Alaska. She won that lawsuit. When my daughter was in second grade, as a class project, they followed the Iditarod, and my daughter chose Rachael Scdoris to follow. She was young and blonde, and my daughter identified with her, so when I found out she was blind, I went to her website and found out that it was completely inaccessible. So I didn’t contact Racha el directly. I contacted her agent and told him, you know, this probably isn’t the best look, because Rachael is actually pretty vocal about accessibility and disability. And at first I said, “You know what? Maybe I’ll fix this for you.” But then I had a better idea, let’s train my daughter and some of her classmates how to do this. So I took a group of third graders, taught them how to code websites, this is back in 2006, 2007 and they recreated Rachael’s website and it was perfectly accessible, including captioning the videos that were on her website. So when people tell me that this is too hard, I tell them, “No, it’s not. I had a whole group of third graders who could do it.” The bigger lesson from that was when I asked the third graders, “Why does this matter?” It was all about empathy. “Of course, we’re going to do this to help as many people as we can.” So instilling that mindset in the students, I think, would be a big step forward to help us address why we are still kind of challenged by making everything accessible.

Rebecca: I mean, we are institutions of learning.

Mark: Exactly.

Rebecca: We’re well positioned to educate an entire generation on how to do this work.

Mark: And when you think about how important the web and digital is now compared to a generation ago, I think COVID actually brought this to the forefront when we moved everything online. Now, all of a sudden, everybody’s really paying attention to what happens online and accessibility as well. But as you think about the program services and activities, more and more of those are moving online all the time. So it makes the importance of Web and Digital Accessibility all the greater. And there is an opportunity to train the next generation to really just be aware of and understand what this is all about.

Rebecca: It’s really easy for folks to get hung up on the legal obligations, especially as we’ve kind of framed the conversation around Title II. But can you talk a little bit more about the value of digital accessibility and why we should be doing it anyways?

Mark: So again, one of the misconceptions is that it’s a small part of the population that has a disability, when, in fact, it’s 20% of the population, and that is just people with permanent disabilities. We’re not talking about somebody with a temporary disability. So for example, if you broke your arm and couldn’t use a mouse anymore, or a situational disability, whether you’re in a library watching a video where you can’t have the sound up, or those kinds of things. So there’s a lot of value, just in terms of the percentage of people, but beyond that, one of my goals is to get people to think about accessibility, not as a cost center, but as a strategic investment. Forrester Research a few years ago, did a study on the ROI, the return on investment, of both usability and accessibility together. So this was not just about accessibility, but usability and accessibility are definitely joined at the hip, and really you can think about those very similarly, but the ROI they found was 100 to one. For every dollar invested in usability and accessibility returned $100 of value. So think about it that way, the value beyond. Again, I was talking before about students who maybe English is their second language, and the value of having captions on a video. So there’s just a lot of opportunity there. And the thing is that it’s really not hard to do the basics of accessibility, and if you start with that mindset, it is relatively easy to do. Another message for my web development friends is don’t try to make everything as fancy as possible. Simpler is better. So, as an example, without getting too technical here, there are a variety of ways that you can add alternative text to an image. The simplest way and the best way is to use the alt text within the image tag within HTML, instead of trying to get fancy with ARIA and other fancy programming, which you can kind of accomplish the same thing, but you’re much better off keeping it simpler, because, even as we speak in 2025, the way that web browsers, assistive technology, and the operating system all interact varies tremendously, and ARIA doesn’t always work. So you can get a combination of things where it’s not working on NVDA, where it does work in voiceover because you’re using ARIA. So again, a message I have to developers is, try to keep things as simple as possible. This is a usability thing as well. There’s not a day that goes by that my wife doesn’t hear me say, “What’s wrong? This website’s awful because of usability issues,” and that’s, quite frankly, still the case with higher education. Part of my consulting business is doing audits, not just accessibility audits, but doing just general accessibility and usability audits. And I have yet to find a college or university where I can’t write a 20-page report about the usability issues that a site has, and a lot of that has to do with people just trying to be too complicated.

John: We always end with the question: “What’s next?”

Mark: Fascinating question when it comes to technology, and technology changes so fast. So I’m going to tell this story. Again, I’ve been doing IT work for 45 years. Gordon Moore was the CEO of Intel and Moore’s law is that computing technology doubles every 18 months. He said that back in the early 1960s, we’re here in 2025 that is still the case. The challenge is that it’s difficult for us as humans to get our arms around exponential change. I like to share the story of the inventor of the game of chess. So an inventor comes up with this new game called chess. He takes it to the Emperor, shares this game with the Emperor. Emperor loves the game. The inventor says, “Here’s what I want for a reward on the first square of the chess board, I want one grain of rice, on the second I want two grains of rice, on the third square I want four grains of rice, eight grains, 16, exponentially. We’re going to grow that until we’ve done all 64 squares of the chess board. I ask people, “How big of a pile of rice do you have after you’ve filled all 64 squares?” People are amazed that that pile of rice is bigger than Mount Everest. When I started working at the University of Buffalo, 1987, we wanted to buy a Cray II supercomputer, biggest, baddest computer on the planet. Cost, I believe, $17 million in 1987 dollars. We even, as a research university, couldn’t afford it, so we rented time at Calspan down the street at $10,000 an hour. Anybody who has a second generation Apple iPhone or newer has more computing horsepower in their hand than a Cray II supercomputer. That’s what exponential change is. So in your mind, you’re saying, “That’s great. Over the last 30 years or 40 years, we’ve made that much progress. In another 40 years, we’re going to also make that much progress.” That is not exponential thinking. In the next three or four years, we’re going to make that much progress again. So to loop this back to kind of where technology is going and where accessibility is going and what’s next, one of the things I’m paying attention to is voice technology. I gave a talk at an international voice conference a few years ago and talked about how voice could improve accessibility, and it’s really interesting about what the application of voice technology can do, because it can free us from the interface of having to use a computer and a mouse, where now you don’t have to worry about a lot of the disabilities that come into play right now. So the future is multimodal, multi-surface interfaces, which can take into every combination of things and really address accessibility. I was very encouraged that at this voice conference, people are taking accessibility very seriously and trying to build some tools into the voice interface. Related to that is artificial intelligence, and many people are predicting that ultimately the user interface for AI is going to be voice. Now I go back to watching a Space Odyssey and thinking about HAL, and that interface with HAL was a voice interface, so I can see a lot of that coming, and there is real opportunity to address accessibility issues with that. We need to take caution in terms of how quickly we use AI to improve accessibility. One of the big controversies in the accessibility world now is the use of accessibility overlays, which are products and tools where they tell you a single line of code can be installed on your website and immediately address all of your accessibility issues. In the last couple of years, they’ve been talking about AI as the driver of that, the reality is they don’t work. And I am very disappointed in most of the overlay companies who are, quite frankly, telling lies about what these products can do. And for anybody who’s thinking about using an overlay, or currently using an overlay, know that that that can get you sued. There are actually a number of court cases right now specifically addressing the use of overlays on websites, so be very cautious about that. Also, a lot of talk now about how artificial intelligence can be used to remediate documents and remediate websites. I think there is a lot of opportunity there, but it is too early to have that working the way it should be working. For example, in Microsoft Word right now, AI will generate alternative text for you. My experience has been that’s good, maybe one out of 10 times. So you really need to pay attention to that. There’s an old quote. It’s known as Amara’s law, and it says we tend to overestimate the effect of technology in the short run and underestimate the effect in the long run. And I think that is the case with AI, where everybody’s kind of running out to say AI is going to fix everything today. Not the case. But I am very encouraged down the road about what AI can do. And let me just kind of close this with, I would be remiss if I didn’t mention a book in this talk. I have a tendency to mention lots of books, and a book I would recommend everybody learns is called Haben: the Deaf Blind Woman who Conquered Harvard Law. It’s written by a woman by the name of Haben Girma. I’ve actually interacted with her a few times online. She is just awesome and such a passionate advocate for people with disabilities. People are amazed that she could graduate from Harvard Law School being deaf blind, but she did, and she is a huge advocate for that. If you get the opportunity to hear her speak, she always is talking about how there is an opportunity for innovation when it comes and she’s encouraging all of the technology people to really think about innovation and how we can use technology to improve people’s lives. And that certainly is something I hope we see again, even as educational institutions going forward, how can we provide that platform for this innovation?

Rebecca: Yeah, that’s a great book. Thanks for recommending it. Thanks so much for joining us today. It was great to talk about accessibility, a topic I never get sick of talking about.

Mark: Thanks for having me.

John: And it’s a topic that all institutions need to be addressing to a much greater extent as we approach that deadline. So thank you again.

Mark: Thank you.

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John: If you’ve enjoyed this podcast, please subscribe and leave a review on iTunes or your favorite podcast service. To continue the conversation, join us on our Tea for Teaching Facebook page.

Rebecca: You can find show notes, transcripts and other materials on teaforteaching.com. Music by Michael Gary Brewer.

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362. Teaching Digital Storytelling

Digital storytelling provides students the opportunity to bring their lived experiences into the classroom as creators rather than consumers of knowledge. In this episode, Tom Mackey and Sheila Aird join us to discuss ways digital storytelling can be used to increase student information literacy, critical thinking skills, and to support diversity, equity, and inclusion initiatives.

Tom is a Professor of Arts and Media and Program Coordinator for the BA and BS degrees in Digital Media Arts at SUNY Empire State University. He is the recipient of a 2022 SUNY Chancellor’s Award for Excellence in Scholarship and Creative Activities and the recipient of several other awards for his teaching and mentoring work. Tom is also the co-author of several books and two MOOCs that focus on metaliteracy. Sheila is an Associate Professor and European Director of International Programs at SUNY’s Empire State University in Prague, in the Czech Republic. Her work broadly focuses on cultural history and public scholarship with a particular focus on  public history, pop culture, children of colonial enslavement, and issues of race in the African Diaspora community. Sheila has presented her work in many domestic and international venues and has co-authored two papers with Tom. Sheila and Tom are the co-editors of the new book, Teaching Digital Storytelling: Inspiring Voices through Online Narratives, published in 2024 by Rowman and Littlefield. They also co-authored the framing chapter for this volume based on their collaborative development and teaching of Digital Storytelling as a virtual exchange between SUNY Empire students studying in Prague and the United States.

Show Notes

Transcript

John: Digital storytelling provides students the opportunity to bring their lived experiences into the classroom as creators rather than consumers of knowledge. In this episode, we discuss ways digital storytelling can be used to increase student information literacy, critical thinking skills, and to support diversity, equity, and inclusion initiatives.

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John: Thanks for joining us for Tea for Teaching, an informal discussion of innovative and effective practices in teaching and learning.

Rebecca: This podcast series is hosted by John Kane, an economist…

John: …and Rebecca Mushtare, a graphic designer…

Rebecca: …and features guests doing important research and advocacy work to make higher education more inclusive and supportive of all learners.

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John: Our guests today are Tom Mackey and Sheila Aird. Tom is a Professor of Arts and Media and Program Coordinator for the BA and BS degrees in Digital Media Arts at SUNY Empire State University. He is the recipient of a 2022 SUNY Chancellor’s Award for Excellence in Scholarship and Creative Activities and the recipient of several other awards for his teaching and mentoring work. Tom is also the co-author of several books and two MOOCs that focus on metaliteracy. Sheila is an Associate Professor and European Director of International Programs at SUNY’s Empire State University in Prague, in the Czech Republic. Her work broadly focuses on cultural history and public scholarship with a particular focus on public history, pop culture, children of colonial enslavement, and issues of race in the African Diaspora community. Sheila has presented her work in many domestic and international venues and has co-authored two papers with Tom. Sheila and Tom are the co-editors of the new book, Teaching Digital Storytelling: Inspiring Voices through Online Narratives, published in 2024 by Rowman and Littlefield. They also co-authored the framing chapter for this volume based on their collaborative development and teaching of Digital Storytelling as a virtual exchange between SUNY Empire students studying in Prague and the United States. Welcome Sheila, and welcome back, Tom.

Sheila: Thank you.

Tom: Thanks so much. So happy to be here. Appreciate the interest in our new book.

Sheila: Absolutely.

Rebecca: Today’s teas are:… Tom, are you drinking tea?

Tom: I sure am. So, I’m drinking Celestial Seasonings Tangerine Orange, Zinger.

Rebecca: Nice. And how about you, Sheila?

Sheila: I am drinking hibiscus tea in a Starbucks cup, but that’s okay.

John: And I am drinking lady gray tea in a SUNY- Oswego School of Education mug, which was given to us when we moved into this new recording space by the dean of the school.

Sheila: Nice.

Tom: Great.

Rebecca: We’re enjoying our nice space here, for sure, and I have a nice cup of Hunan jig, which I brewed this morning.

Sheila: Great.

Tom: That’s great.

John: We’ve invited you here to discuss your new book. But first, could you talk a little bit about what a digital story is? How would you define this?

Tom: Well, the idea of a digital story is that anyone with access to digital resources can really write, plan and produce their own personal narratives. So this is an idea that’s been around now for, I would say, a few decades, and there’s been a lot of interest in this, but it really is about being able to tell your story using digital technologies. And the idea, too, is that you don’t have to have the most expensive tools to do that, these could be freely available tools that are online, and, again, really empower people to tell their story.

Sheila: Absolutely, and as Tom said, today, since we’re so technologically connected, anyone with a cell phone, and we know that through some of the things that are coming through social media and people creating narratives and developing narratives, but in this particular instance, this is about teaching students how to not only use their cell phones, but introducing them to free and different editing software and going through steps in order to come out with a finished product.

Rebecca: Can you talk a little bit about how your book, Teaching Digital Storytelling, came to be?

Sheila: The back story is Tom and I both were teaching digital storytelling in our own sections. While in Europe, we came up with the idea to bring the students that were in Europe into the learning environment with the students that were in the U.S. So that was how he and I started working together and creating an environment for the students to work together, which we thought was brilliant, because we just think that… you’re an academic, you just think like, “oh, that’s a brilliant idea.” [LAUGHTER] And so we worked it through both with the Executive Director of International Programs, Francesca Cichello, and she was very happy about our ideas. So Tom and I worked feverishly to create the course. And while doing the course, we were also writing some articles. And then one day, Tom really came up with the idea and said it would be good for us to put together scholars from all over the world in this book. And it was particularly perfect since we were working with students in Europe as well as the US, it made sense to have an international perspective. Tom can go a little further on how that worked, but that’s the initial way that we started the conversation to create the book.

Tom: And that’s perfectly stated. That’s really how it happened. And it is interesting that this idea of a collaboration between the two of us then really launched the idea of the book, which was also really supporting collaboration, focused on teaching digital storytelling. So this course we’ve both been excited about as Sheila mentioned. We’ve both taught it individually. It’s really a legacy course that’s been a part of the online program for many years at Empire State University. And I think having that experience of teaching it together and thinking about how to revise the course, or this virtual exchange between Prague and the United States, had a lot to do with how the ideas developed. It’s interesting that when we got together and we decided to do this, again, virtually, a fully online course, we really took a close look at it, and I know we’ll be talking about metaliteracy later on, probably, but I do want to point out that we really did a really full revision of the course for this particular exchange, so that the core of it is still there. But even though I’ve been doing all this work with metaliteracy. Sheila said, we really need to build more of those metaliteracy ideas into it. And the idea of a metaliteracy is that students are reflective. They see themselves as producers of information. So that alignment between metaliteracy and the course really worked out perfectly. So we revised several of the core assignments in the course to build more of the metaliteracy components in it so that students could, not only participate in this virtual exchange between Europe and the US, but they also were able to think about themselves as metaliterate learners through this experience. So that was a key point too in the book is that when we decided to do the book, it was building this collaboration. We were hoping really to get interest from authors from around the world, which is what we ended up with, which we’ll talk about too. So we’re very excited that it has that international component, which was key to our experience. But we also asked all of the authors to really look at their experience teaching digital storytelling from around the world through the lens of metaliteracy. So some of them may have already been familiar with meta literacy if they were not. This provided them with an opportunity to look at their own teaching through that particular perspective, which I think also contributes to really what we have here with this book, Teaching Digital Storytelling.

John: We’ve discussed metaliteracy on an earlier podcast with Tom and Trudi Jacobson, and we will share a link to that in the show notes. But could you redefine for those listeners who don’t remember that episode or missed that episode, what metaliteracy is?

Tom: Sure, so I’ve been developing this idea of metaliteracy. And as you noted, this was really a full collaboration between me and Trudi Jacobson from the University of Albany, and we had been working together, really, for decades. And the idea originally started as this idea of reframing information literacy, so thinking about information literacy in a new way, and trying to move beyond just skills development, that is finding, locating, using information, which was an older definition, to really thinking about a meta literacy that’s more of a holistic, overarching, comprehensive framework that really encourages students to think about themselves as knowledge producers, specifically in the kinds of new environments that we’re in. When we first advanced the idea, it was thinking about social media, in particular, online communities that’s now evolved to the kinds of AI environments that we’re in, and specifically generative AI, and thinking about how Gen AI impacts the production experience. So no matter what environment a student is in, the idea is that they develop a metaliteracy mindset that prepares them for that information environment. That’s really important, because we know that these environments are always changing. And the AI experience, of course, is a really, kind of a revolutionary change in how we understand the production, distribution of information. AI is having an impact on all aspects of our life right now. So the idea, then, is that students think about themselves as producers of digital content, both individually and in collaboration with their peers. So that works perfectly for a course about digital storytelling where that’s exactly what they’re doing.

Rebecca: So the publication is part of the series of books on innovations and information literacy by series editor Trudi Jacobson, who we just mentioned. Can you talk a little bit about how the digital storytelling assignments helped to develop the student information literacy and metaliteracy skills that you’ve been talking about?

Tom: Sure, well, let me first say I really appreciate you mentioning that this is part of the larger series. And when we first brought the idea to Trudi Jacobsen, who I’ve been working with all these years, she loved the idea, so we really had her support, and then she was able to support us as we proposed this to Rowman and Littlefield. I also had this great opportunity to work with Charles Harmon, who I had worked with on several of my edited books with Trudi earlier in my career, so it’s really exciting to have that collaboration and to have Trudi’s support for this idea and how we revised it to include metaliteracy components.

Sheila: The course is staggered and in a structured way, to take students from step one, step two, to get through the process. Now with meta literacy, we found it because I love the whole idea of it, because I think that it puts students in a position to think about who they are in terms of not only a production, but even their learning ability. Are they more upfront? Are they more behind the scenes? How do they work within these different environments? So some of the things in meta literacy, like, do you prefer to work singularly? Do you want to work in a group? Are you more of a leader type? And so it makes the students delve into who they are in terms of a learner. And I think that is extremely important, because I think that part of teaching students who they are is oftentimes skipped in the educational and the learning environment, so to bring them in slowly, because, as we know students think, “Oh, digital storytelling, this is going to be a walk in the park.[LAUGHTER] I’m just going to do a little thing.” And that is so not what this course is about. So the first thing we have them do is a selfie, and in that selfie they can do it any way they want. And we got some really great stuff, because some students did anime, s ome students just sat in front of the camera. They were more comfortable with that. Other students did voice overs, and so it gave them an opportunity to create a hello to everyone in the course in any way they wanted to. So that’s an interesting thing, because usually, sometimes, students want to be told exactly what to do, and that’s not the case here. There are certain requirements, but you kind of have free reign to develop these narratives and stories however you wish. And believe me, we’ve had some interesting stories. So the selfies begin to connect them to the meta literacy framework. And Tom and I talked about this, wanted it in the very beginning of the course, because then that would inform how they went forward.

Tom: Absolutely, it’s really a great way to talk about that. And I really like the way, too, you mentioned that it’s making students aware of themselves as a learner, sort of that broader perspective. So we get them to do that right from the very beginning. The idea of a selfie too is everyone is familiar with the idea of taking a selfie picture. So the idea of a selfie video, I think it places them in a situation that they’re a little bit more comfortable with, that they kind of get what that is. They know what that is. So that means sure that they have to be on camera. But if they want to use an avatar, because some students don’t want to appear in front of the camera, that’s okay, they can start with the avatar. That first assignment is important too, because it’s an introduction to the course. They introduce who they are, where they’re from, whether they’re from Prague or the US. And the other thing we ask them to do. With metaliteracy, there’s a visual model that kind of simplifies and explains what this is. So it shows that the core four domains of learning, including metacognitive, affective, behavioral, cognitive then it shows as a central ring that shows the characteristics of the metaliterate learners, such as being productive, civic minded, things like that. But then the outer ring is focused on the roles of the meta literate learner, such as being a producer, a researcher, a communicator. So with that first assignment, that visual model, we present the model to the students, and it really had a big impact, I think, on the assignment itself, because we asked them to do more than just introduce themselves. We also asked them to select one of the metaliterate learner roles that they identify with the most. So it’s interesting. Some students will say, “Yeah, I see myself as a producer.” Others say, “I see myself as a communicator or researcher,” and that allows them, too, to say a little bit more about themselves. So maybe at work they’re an effective communicator, or maybe in their own time, working with social media, that they’ve already produced video or images or things like that. So it really allows for an excellent introduction to the course, while they’re also starting to investigate this metaliteracy model. So we really bring them into the conversation. It’s not just applying a model to our teaching, it’s really inviting students to think about the model themselves and to start grappling with what meta literacy is. Also, Sheila, I think you’ve really made a great point in terms of how we envision this as a kind of scaffolding. Throughout the course of the assignments, we go from the selfie video to then an assignment about mobile learning, so that we ask students to produce a digital story with their mobile device, because so much of what we do today is with our cell phones, and that’s really fascinating, and that gets them out in their community. So it gets them beyond just working with their laptop. They really think about what they can do as a digital storyteller with that cell phone that they always have in their pocket. Then the next assignment, again, kind of scaffolding, goes to a theme of empowerment, which is core to metaliteracy, because the whole idea, if you become aware of yourself as a metaliterate learner, then you are empowered, because you can make decisions about your learning. So it’s not just gaining insights about who you are, that’s a key part of it, but it’s then being able to identify, perhaps, where you need to improve. And that is empowering for students, and that, I think, is probably one of my favorite parts of the course. Sheila, I don’t know what you think of that, but when they really talk about empowerment, of their own empowerment, people in their lives who have empowered them, your parents or friends, or maybe even celebrities that they look up to, or authors, musicians, things like that, that, to me, is a real turning point in the class where they’re producing really sophisticated work, and they’re working with one of the key themes of meta literacy, which is empowerment.

Sheila: Absolutely. With that empowerment piece, it gives them freedom to bring forward what empowerment means to them, and they take different routes, like nothing is the same. And as Tom noted, some of them might do personal things. It might be a family member or whatever. Others might talk about a movement, others talk about a moment in time when they felt empowered. And I think that this is the beginning of them opening up and feeling some sort of autonomy in what they will create moving forward and realizing that, this course, you have to work. You have to actually do the work. This is not about memorization. This is not about a test in terms of you must answer these questions properly or you fail. This is practical and giving them experience that they can use moving forward, whether it is to document an older family member’s stories, whether it’s to document your community, whether to look at what’s happening outside, in terms of the world around us, and what are those things that make you feel that you are empowered? So it’s a great exercise that puts them in place for what is yet to come.

Tom: And I just want to jump in too with one other point, because as you were talking about that, it made me realize too that here’s another key aspect of our teaching digital storytelling, that also influenced the book, because this idea of students introducing themselves through the selfie and then also the empowerment piece is also key to another core theme to the book, which is diversity, equity, and inclusion. We really see this course as opening up conversations about students, their identity, who they are, and that was something else that when we put the call out to all the authors, we were hoping for international perspectives, which we certainly gained. We were also hoping for a discussion about metaliteracy. But the other core part of this book is really every chapter author focuses how digital storytelling really promotes diversity, equity, and inclusion.

Sheila: Exactly. Very important point, yes.

John: Certainly, by having students tell their own stories, it automatically brings their lived experiences into their course. So I could see how that would be very useful. How might digital storytelling connect to campus DEI initiatives?

Tom: I think that the idea of digital storytelling, it’s a course, but what we do in this course could certainly be utilized in courses that are not about digital storytelling, which is, I think what we have in the book. There’s some authors who utilize digital storytelling techniques to support these ideas. So I would think that, in terms of campus initiatives, this idea of getting students to really utilize these digital tools, which continue to change, and now with certainly the generative AI revolution, this would be a great way for students to think about the production of their stories. Sheila, what do you think about that?

Sheila: I would say that, how does it connect to campus initiatives? I think by creating a safe environment for students to create a story and to share, because sometimes it’s very personal, and so for them to feel comfortable and safe in this environment and to produce it and edit it, can definitely connect to campus DEI issues, because this is another approach. This is not just, “Oh, we’re going to read this.” This is what DEI is, we’re going to try and do these initiatives. Students are living those DEI experiences in real time. And as we saw, like, particularly around the COVID era, students were sharing what that was like for them, depending on who they were, where their cultural place is in society. And I think that this, as Tom said, is definitely as connected. And I think it would be very useful for students to be involved in these sort of narratives across campuses. I think it would weave a fantastic story on how DEI is useful, how it has impacted them, what their experiences are, and I think that puts them more in the conversation, other than, “Oh, this acronym, DEI, I don’t know, it doesn’t really affect me,” or “I don’t know about it,” but when you give people a camera, a pen, and a piece of paper, it shifts the paradigm, and it shifts kind of like in public history. So public history is a bottom-up approach, not a top- down approach. And connecting digital storytelling to this is that you’re empowering your students. You’re empowering the people that now, the way we use technology, are able to share their story across different venues and take different approaches to do that. So, yes, I think it can be connected very much so.

Tom: Yeah, I think it’s interesting too, because it allows students, as Sheila said, to really utilize these digital tools that they all have access to, and in many ways, to reclaim that space, because there’s so much misinformation out there. There’s so much disinformation, especially sort of where we are right now, and it allows students to be reflective, to be ethical producers of information, telling their authentic story. At the end of the day, that’s really what we’re doing in this course, and it’s what we’re trying to advance and encourage with our authors, and they just did an amazing work in that area. So again, it’s also kind of a democratization of technology, because we’re saying, as Sheila pointed out, we’ll give some parameters, we give some suggested ideas for digital tools. But we also like it when they find tools that are easily accessible to them. They don’t have to buy a very expensive product to produce digital stories. So I think making them aware of that environment, that they are really the ones doing this kind of research to find interesting tools and then to use those in a productive and ethical way to tell their authentic story. I mean, that’s what the course is all about, and that’s really what the book is about.

Rebecca: I think it’s really important to underscore that storytelling is such a powerful way to communicate, and data is a powerful way to communicate, but the literature just really describes this power, and that literature is really extensive. Can you talk a little bit about why storytelling is so powerful as a form of communication?

Sheila: Well, storytelling, as we know, is ancient history. No pun intended, right? But it is something that’s been going on for years and years and years, and I think that because, prior to this technology, there were people in control of whose story they told, how they told the story, what they wanted to tell in their story, who would be excluded from the story, who would be included in the story. And so digital storytelling is an absolutely powerful tool in that regular everyday folks can take back that power and inform and properly display and write and direct and do this script and this story board and create and weave a story that is important to them, important to their community, and it puts them, so to speak, in the game. It’s no longer the idea of, “Well, I can’t buy a $10,000 camera, I can’t even buy a $1,000 camera. I don’t have the editing tool.” That is now passe. All you need, is a cell phone. On the flip side, if you want to do a non visual, all you need is a recorder. You can do an audio podcast. So I think, and I know Tom and I agree with this, storytelling is powerful and in the hands of the right people, it can evolve and include many more people than it would without digital storytelling, because then they have to go the traditional way, and that was very difficult at one time, it’s no longer as difficult, which means that the market gets flooded with good, bad, and ugly and indifferent things. But teaching in the environment that we teach, we’re coming from an angle where ethics is extremely important, using the proper materials are important, and we teach that all the way along. And then you do you, you create your story using what you’ve learned thus far, and you can share it just with the class. You can share it if you have a YouTube, Instagram, whatever. And then there’s something we can talk about after. And we have a museum that we’re further developing. And the idea of the museum, which started years ago, was to have an environment to put students’ work, because I always felt that sometimes students do some really great project, and then what? Where is it? They put in all this work all semester, and in that moment when they present, okay, this is great, But then, where is it? Well, ask permission for students who wish to have their work put in the museum, then it becomes a living space. So if they want to connect their family to the museum, their friends. If they’re going for a job in marketing or whatever, and they say, let me show you a little something I did while I was in school. They can connect, and it’ll be there, hopefully forever and ever, and demonstrates the work that they do. And that is another way of empowering students and letting them know that their work is important, and we put it in this environment, and it’ll be there till whenever, because we’ve had some great submissions with the students’ permission to put in the museum, which we hope to further develop. Well, we will. I don’t even hope to, we shall further develop it. I don’t believe in “Well, we tried.” No, we’re going to do it. We’re going to develop it further, and invite others to put their students’ work in the museum as well. It has a lot of good reasons for having it and what we’re doing.

Tom: That’s a really great point. And this was really Sheila’s idea, because it was based on a virtual museum that we’re using in digital storytelling was based on Sheila’s experience in public history. And so she had a virtual public history museum, which we’ve since adapted to this particular course. And it is important to this idea of narrative, because students, again, with their permission, they get to share their stories, and we get to see this over a period of time, and we’re really gaining quite a collection of student work that is, in many ways, instructive. So a key aspect of metaliteracy, one of the roles is teacher. So that learner as teacher. And in many ways, they’re doing that through their collaborative work. And we make them aware of that in the course. But I think they’re also doing it through the sharing of their stories that they’ve produced. It allows others to see the kind of work that can be done. And again, it gets to this point of how important narrative is. And students, I think, as producers of digital stories, I think they become much more discerning of the kinds of narratives they see on a daily basis, which is really important. So it allows them to be more analytical. It allows them to be more of a critical thinker in terms of the content they are receiving on a daily basis, because there are all kinds of digital stories. An advertisement could be a digital story. The kinds of political ads we’re seeing now, those are narratives, and we want students to be really discerning and as they access and review that information, one way we do it, too, I just thought of is, in addition to having them as producers, we also share with them and ask them to analyze digital stories that are about personal narratives. So there’s some great resources out there, StoryCorps, StoryCenter, Animation Block, which is really focused on animation in particular. So we’ve done some curation of really effective digital stories that we ask students to analyze as part of the online discussions and as part of their engagement with the readings that we provide as well. And I think that also contributes to their ability to analyze the kinds of narratives they see on a daily basis, and also being able to produce in an effective, ethical way, their own personal narratives, which are important. And one last thing I’ll say about this too, is that in the course, the writing really is a key part of this. So digital tools are important, but Sheila mentioned the script. So script writing, we spend quite a bit of time on just the words and having students really think about what they’re going to say, how they’re going to map this out as a professional script. They also have to do a visual storyboard, which is another key part of planning. So before they even jump into the digital tools, we really want them to reflect on what they’re writing, what it’s going to look like visually, and how all the pieces really come together through the digital story.

John: One aspect of what you both mentioned is that when students create this work, it’s very different than the type of work they do in many of their classes, where they write something up, they submit it to the learning management system, and then at the end of the term, it goes away and they never see it again. David Wiley refers to that as a disposable assignment…

Tom: Yes.

John: …and having something that lasts beyond the term, that they can share with people, that they can put on their LinkedIn profiles or share with their friends, their family, and so forth, is a really valuable experience. One of the other things, though, you’ve been talking about, is that you mentioned the course that you’ve taught together, and also that’s the basis for the first chapter of this. Could you tell us a little bit more about how the class is structured and how students interact between the two countries.

Sheila: The course, from the very beginning, attempts to bring them in together in the selfie, in the introduction, tell us a little bit about yourself type of thing, which they do in the selfie video. And throughout the course, it’s broken down into different steps, we have discussions. And so with the discussions, a student is required to make a comment based on the topic and readings of the week. They then have to respond to minimally two or more students on their posting. And by that, we don’t mean, and we specifically say like that doesn’t mean, “Thumbs up. Great post, looking good. Thanks a lot.” We explain to them that it’s a conversation and your comment is a continuation of the initial comment, so you want to come in like, “Oh, whatever, like, I didn’t know that. Now I understand. But according to this reading, this is what happened.” Or according to this video I saw this. Or the video that the original poster might have used, a student will say, “You know what? I went back and looked at that, and that was really interesting,” or, “that was really different.” So from the very beginning of the course, we bring them together, because we talk about this all the time, community. We say our course is a community. We’re in this together, and so it’s interesting. When it comes time to give feedback, students are very cautious when they have to reply, very cautious. And they tend to want to say everything nice, which is great, but also we want them to be respectful and comment in a way that makes the original poster either rethink or think about what they may not have seen, what they may have said, and how it’s being interpreted by others. So Tom, you can further expound, but I think that’s it in a nutshell.

Tom: Yeah, I agree completely that the kind of cultural exchange happens from that very first assignment, because as students are talking about themselves and which of the metaliteracy roles they identify with, they’re sharing something about themselves and their place and where they are, where they live. And I think that that really opens up the eyes of the students in Europe and the United States. The mobile story too, I’ve noticed, again, because a lot of students will take their cell phone, they’ll go out and they’ll show themselves in Prague and walk around Prague. So I think that’s really enlightening for the students in the US to see that. And keep in mind, these are Empire State University students who are studying in Prague through a partnership program. They don’t always have a lot of interaction with the US students, and that was one of the problems we were trying to solve. And Sheila really wanted to initiate this, it was how can we get the Prague students and the U.S. students, who are all earning degrees from Empire State University together? So this virtual exchange really allows that to happen, because otherwise it’s not a traditional international exchange program. Students studying in Prague are earning our degree, and so this really brings them together. So that’s really where I think the cultural exchange starts to happen. The other piece I want to build on with the discussions that for every digital story that’s produced, there’s also a peer review that’s a part of that assignment. So students really have to look at the rubric that we use for evaluating and they’re supposed to use that to really evaluate the work of peers. And as Sheila noted, sometimes they might be a little shy in those kinds of conversations, but because they’re working with the criteria, that really helps them to do that. So that’s also a kind of exchange of ideas. Then I think the culminating project, the closing project, while these are all individual stories, that does have interaction through peer review, the final collaborative project, students work together as a team to explore a social cause. So it could be climate change, for instance, a lot of students are very interested in that, which is encouraging, and they’ll do research on climate change, and then they’ll work together as an international team. And we make sure that we definitely when we put the teams together, we make sure there’s always enough of that kind of exchange to happen, so that as they’re working together they learn about each other, they learn about who they are, they learn about where they live, their culture, which is really important. And of course, some of that, they have to face some challenges. Sometimes they’ll complain a little bit about the fact that there’s a time difference, a six-hour time difference, and we say, “Well, we would like you to work in teams for some of this. So that means you have to try and coordinate some time to do that. But also a lot of this can happen asynchronously.” But I think even working through those challenges, is really productive for them, because that’s the real world. If you’re going to have virtual collaboration around the world, that’s what you’re going to have to deal with. And they ultimately work through it really well. And I think, in many ways, those final projects are probably some of the best projects in the class, and it’s just so inspiring to see the kinds of social causes they take on and that they address in a rational research-based way, and then how creative they are. It’s also that key metaliteracy piece that I mentioned earlier, of learner as teacher. That’s one of the key roles you play in these kinds of environments. And they’re doing that. A student who might be highly skilled with the digital tool is explaining to other students how that works, or maybe a student who’s a very strong writer is kind of sharing that work as a writer, and they’re really helping each other out. It’s very much a teacher/learner, mentor/learner, I would even say, kind of experience which brings it all together to why the focus on metaliteracy is really key to this digital storytelling course.

Sheila: The other piece is that with the metaliteracy framework, when we break the students into groups, so there might be four to five in a group, and they are responsible for choosing what their position will be. So who’s going to be the editor, who’s going to do the filming, who’s going to do the narration, if they’re going to use music, how’s that going to work? And so everyone in that group is supposed to take on a job and then do their piece and bring their pieces together to work on a final project. As Tom mentioned a moment ago, sometimes there’s perceived issues. “Oh well, I’m in Prague, six-hour difference, or I’m in New York, I don’t know, I can‘t. I don’t know what I’m gonna do.” And I always come back with “this is real world stuff that you’re doing. And so what would you do if the CEO of your company is on one continent and you’re on another, and you have work to do and you have to present. How are you going to do that? So this is a mini prep for you to learn how to adapt to different environments, because the traditional environment is slowly going away.” And so we have people working remotely all over the world, with people from different time zones, different regions. And so what do you say when there’s a 12-hour difference? Do you say, “Well, I’m sorry I’m sleeping or I don’t have time?” No, you’re going to find a way to work through it. So this is a mini exercise. This is your boot camp in learning how to adjust and work with eople that are not physically in front of you, that are not physically in your time zone, and are a part of your project. So there’s a lot of practical experience for them in this course as well. And as you noted, it’s not your traditional course. And students come in at first thinking, “Oh, I could do this in my sleep,” until they see, “uh oh, I actually have really do some things in here.” And that’s when it becomes interesting. And I love watching the changeover as they go through it. And they start learning, and they feel a little more safer in the course, and they start taking chances, and they’re creating different projects and different narratives is absolutely wonderful. And as Tom also mentioned, with that final project, it has to be on a social issue. So whether it be homelessness, mental health, drugs, climate change, they get in, and you can see the passion for the topic by the very final product they produce together. It’s absolutely wonderful. I love this course. I absolutely love it. I love working with Tom on this and this museum idea was thought of and developed many years ago. And a colleague of mine at Empire, Lisa Rappel, she was initially involved with me to get it done, and then life got in the way. So it was kind of just sitting there. And when Tom and I got together with this course, and I was so excited, I thought, “oh my god, we can use the museum,” and Tom and I got busy and started working with it. So we’re hoping to kick it up a notch, and you have to stay up on technology and so you never get a break, because soon as you learn something, it’s like, “oh, okay, great. Well, that’s passe.” Now we’ve got a new thing, so we’re going to work on making that museum even better than what it is right now, and it’s pretty good right now, but we want to kick it up a notch, and particularly with all this AI that’s going on, and this AI is developing as we speak, it’s important for us to create this environment that uses technology in a very responsible way, while teaching the students as well.

Rebecca: So you’ve both mentioned many aspects of ethics and AI, so maybe you can share a little bit about how you’ve incorporated that into your course.

Tom: When this openAI initiative brought so much attention to AI, the very first thing we did, in addition to the digital stories, there’s an assignment early in the course where they have to write about the ethics of digital storytelling. So that’s the assignment we first revised because we really wanted students to reflect on the ethics of AI, and there’s so much creative potential as well. So you can see how that’s also wrapped into this course, but that’s really the assignment we first revised, and we changed the questions and changed the resources, and really asked students to really think about what are the ethical implications of generative AI for producing digital stories. One of the resources for that assignment is something from StoryCenter. It’s the Digital Storytelling Bill of Rights. [LAUGHTER] So students get to think about the Bill of Rights of a digital storyteller and also the subject of digital stories. But I think revising that assignment was really important because they really have a chance to think about those ethical aspects which are so key. The other thing about this course is that we promote, in addition to freely available digital tools, it already had a very strong component about the use of materials that are openly licensed through Creative Commons. So we don’t want students using resources just by downloading things from the web. They have to be either public domain or Creative Commons. Now AI opens up much more potential. I think in our next revision, there’s more we actually want to do with the course, to really give them permission to use Dall-E, for instance, to create images. And also, of course, there’s now new generators for creating video, and that’s something we’re going to embrace and build into the course. Instead of telling students “don’t do it,” we’re going to ask them, “How can you do it in an ethical and responsible way?”

Sheila: Exactly, exactly, because it’s with us, it’s not going anywhere. So, we’ve got to figure out a way to incorporate it in a responsible way and make them ask the question, instead of being the sage on the stage, that’s not what we do with this course, we want to invoke their critical thinking and for them to think about what is happening around them in a way that makes sense, as opposed to us telling them, “ Oh, this is not good, you don’t need to do that.” Because they don’t listen anyway. So it’s better to let them learn how to discern and how to critically analyze and think on their own. I think that’s what we want from all our citizens.

John: We always end with the question: “What’s next?“

Sheila: Well, I think what’s next is… well, there’s several things the sky’s the limit, right? But I think that another revision to the course for next spring, as Tom said, to really input AI and figure out how we want to do that, and to hopefully get some grant money… anybody listening… to help us upgrade the museum, because we believe it’s a wonderful space for students, and I think that walking the road of life and seeing what narratives I could think about and get involved with, and more co-teaching with Tom, because I thoroughly enjoy it. We love it. We absolutely love it.

Tom: Yeah, we really do. You can tell. Sheila and I have known each other so long, and we just love working together in the teaching and the research. And I agree completely. I think that the revision to include more AI components is definitely what we want to do this year. I think continued research presentations, talking about the book. We’re really excited about the book. I’m really interested too… I think we both are… in continuing to engage with some of the book authors who contributed to this book. We were so excited that three of the authors or author teams are from South Africa. So when we put the call for hoping for these global perspectives that we’re able to reach that. The book itself covers, in addition to our perspectives, just looking at the table of contents, we have authors who write about meta-theater as digital storytelling, the metaliteracy of memes, digital book making as a form of digital storytelling, local history, story maps. There’s so many creative ideas out there that if we could continue to promote this idea of digital storytelling building it into the curriculum, helping campuses to advance their DEI initiatives, that would be amazing. So I think that’s what we’re really hoping for, and that’s the idea of the book too is that this gets the conversation going. It’s our experience, but then it’s also building on our experience to bring in other scholars and teachers and students.

Sheila: And this all evolved out of our engagement with students in the course, so they’re at the core of everything that Is transpired after that as a result of the course.

Rebecca: Well, thank you so much for joining us and sharing your book and all of your stories.

Sheila: [LAUGHTER] Thank you.

Tom: Thank you. We enjoyed it. [LAUGHTER]

Sheila: Absolutely. And may digital storytelling just keep on going and going and going. Thank you so much. This is wonderful.

[MUSIC]

John: If you’ve enjoyed this podcast, please subscribe and leave a review on iTunes or your favorite podcast service. To continue the conversation, join us on our Tea for Teaching Facebook page.

Rebecca: You can find show notes, transcripts and other materials on teaforteaching.com. Music by Michael Gary Brewer.

[MUSIC]

335. The Abundant University

The cost and the benefit of investing in a college education have been increasingly questioned outside of the academy. In this episode, Michael D. Smith joins us to discuss whether the traditional college model can survive in a world in which technological change has expanded the possibilities of  alternative education and credentialing mechanisms.

Michael is the J. Erik Jonnson Professor of Information Technology at Carnegie Mellon University’s Heinz College of Public Policy and Management and the author of The Abundant University: Remaking Higher Education for a Digital World. He is also a co-author of Streaming, Sharing, Stealing: Big Data and the Future of Entertainment.

Show Notes

Transcript

John: The cost and the benefit of investing in a college education have been increasingly questioned outside of the academy. In this episode, we discuss whether the traditional college model can survive in a world in which technological change has expanded the possibilities of alternative education and credentialing mechanisms.

[MUSIC]

John: Thanks for joining us for Tea for Teaching, an informal discussion of innovative and effective practices in teaching and learning.

Rebecca: This podcast series is hosted by John Kane, an economist…

John: …and Rebecca Mushtare, a graphic designer…

Rebecca: …and features guests doing important research and advocacy work to make higher education more inclusive and supportive of all learners.

[MUSIC]

Rebecca: Our guest today is Michael D. Smith. Michael is the J. Erik Jonnson Professor of Information Technology at Carnegie Mellon University’s Heinz College of Public Policy and Management and the author of The Abundant University: Remaking Higher Education for a Digital World. He is also a co-author of Streaming, Sharing, Stealing: Big Data and the Future of Entertainment. Welcome, Michael.

Michael: It’s great to be here, John, Rebecca. Thanks for having me so much.

John: We’re really pleased that you could join us. Today’s teas are:… Michael, are you drinking tea?

Michael: I did earlier today, my wife makes this lovely herbal tea that you put in a little strainer. So I still have that in my memory. [LAUGHTER]

Rebecca: I haven’t English breakfast. I was a little bit on the go today. [LAUGHTER]

John: An unusual circumstance that has only happened, I believe, once before… I also have English breakfast. So this is twice so far out of 330 some episodes, I think, that we’ve been drinking the same tea.

Rebecca: It’s rare. We’re not exactly the same, yeah. [LAUGHTER]

Michael: Alright, what are the odds?

John: 100% today? [LAUGHTER]

Rebecca: Yeah. [LAUGHTER] So we invited you here today, Michael,to discuss The Abundant University? You note that the current system of higher education was created in an environment in which educational institutions provided access to scarce educational resources to a privileged few and the perceived quality of colleges and universities was judged primarily by their selectivity. Can you explain the role that scarcity has long played in the structure of higher ed?

Michael: Yeah, so we created a system of higher education in a particular time and with a particular set of technologies. Specifically, you need to sit in my class, if you’re going to hear me, and I think both our expectations about privilege, and our technologies have changed in ways that mean that we desperately need to change how we deliver higher education. So one of the things I talk about in the book is just if you look at what defines power, what defines market power in the university, it comes from being able to control access to the scarce seats in your classroom, being able to control access to the scarce faculty experts, whatever the heck that means. And then being able to control access to who gets the credential, the highly valuable credential, that’s going to help you rise in the work world. I think those things are starting to change in ways that we in higher education ought to wake up to.

John: One example that you use to illustrate the issue of scarcity involves Joyce Carol Oates. Could you describe this example for our listeners?

Michael: Joyce Carol Oates is a great example. She’s an absolute rock star. She’s written 60 different novels, she’s won a National Book Award, O. Henry awards, she’s been nominated for the Pulitzer, all these wonderful things. And so you’d think we’d want to get as many students exposed to Joyce Carol Oates and her knowledge as possible. The problem is within the existing system, to get exposed to Joyce Carol Oates, you’ve got to get admitted to Princeton, which has an acceptance rate of like 4%, then you’ve got to be able to pay the tuition at Princeton, which is without aid, something like $80,000 a year. And then, even if you do those first two things, you’ve got to get up at five in the morning and stand in a long line of students to get access to one of the 10 seats in Joyce Carol Oates’s class. So we’re taking this incredibly valuable resource and we’re making it incredibly scarce. Could we do better? Well, we are in some sense, because Joyce Carol Oates has a class on the streaming service Masterclass, where for 15 bucks a month you can get access to Joyce Carol Oates’s knowledge. Now is it the same as what you get at Princeton? No, but it’s better than nothing. My daughter and I sat and took the class together, and it’s actually quite good. And that’s the contrast between scarcity and abundance I’m trying to draw out in the book. Are there ways we can use technology to make resources that used to be scarce, abundant in ways that could benefit students?

John: And that scarcity made a lot of sense when it was one lecturer sitting in a seminar room or in a lecture hall running a class and there was no way of distributing that information more widely. Things have changed a little bit since then, haven’t they?

Michael: They’ve changed a little bit and I talk about in the book, there’s something kind of odd about the way we define expertise in universities and the way we distribute that expertise. So to get tenure, I had to become the world’s recognized expert, whatever that means, in this incredibly narrow part of my discipline. So my value to the university is: I’m a specialist. And that’s great, except when I teach I teach like a generalist. I teach all these different topics where Erik Brynjolfsson is the expert or Catherine Tucker is the expert or Natalia Lavina or Ed McFowland. Wouldn’t it be cool if you could learn that topic from them? We’ve never been able to do that because it’s hard to bring them into the classroom. But now, we can create that sort of experience in ways that I think could really benefit our students. One of the examples I talked about in the book is Anita Elberse at Harvard Business School and I have both studied a particular area and we actually disagree, our conclusions disagree. When I teach it, I’m pretty sure I’m giving short shrift to Anita’s position. Wouldn’t it be cool if you could bring both of us into the classroom and I give my position she gives her position and the students decide for themselves. We’ve never been able to do that. I think we can now.

Rebecca: …really pointing to how technology is offering the opportunity for more inclusion. And that’s certainly been a topic that’s been happening throughout higher ed with Inclusive pedagogy and topics about UDL and digital accessibility and things like this. But you point to a number of structural barriers that impede this from actually happening in higher ed generally. Can you talk about these barriers and what it would take to make them go away?

Michael: Yeah, this was one of the hardest parts about writing this book is sort of taking a cold, honest look at our business model, for lack of a better word. And when I was giving this talk in front of a particular audience, and somebody said, “Mike, all the research shows…” and they were right… “all the research shows that the best way to become wealthy later in life is to get a four-year college degree from an elite school, and so we should be encouraging students to do that.” I’m like, “yes, and no, you’re absolutely right, the best way to become wealthy is to get a four-year college degree from an elite school. The problem is, the best way to get a four-year degree from an elite school is to be wealthy.” And when you add those two things together, we’ve created this terrible feedback loop that just exacerbates social inequality. Now, you might say, “Why do I say being wealthy is key to getting a four-year degree from an elite school?” And in the book, I talk a lot about some of Raj Chetty’s research, which shows that kids born in the top 1% of the income distribution have a one in four chance of getting admitted to an elite school, top 80 school, kids born in the bottom 20% of the income distribution have a one in 300 chance of getting admitted to the same elite school. And so what I say to my friends who are economists is, “Hey, I’m trained as an economist too, I believe in the efficient allocation of scarce resources. If we in higher education genuinely believe that rich kids just happen to be 77 times more likely to be capable of an elite education than the system’s working fine. But if we don’t believe that, and I don’t know anyone who does, then this is a terrible way, a terribly unjust way of allocating access to the scarce resource.” I don’t mean to pick on Princeton, but let me pick on Princeton since we talked about Joyce Carol Oates. Princeton admits more students from the top 0.1% of the income distribution… families making more than $2 million a year… than the combined number of students they admit from the bottom 20% of the income distribution… families making less than $25,000 a year. Is that because Princeton is biased against the poor? I don’t think so. I think it’s because all of our incentives encourage us to make decisions that are highly correlated with wealth. And I could expand on that if you want, but one example I think a lot about and talk in the book about is Georgia State University in 2009, made some very intentional efforts to increase access to their campus, they ended up increasing the number of Pell-eligible students that they admitted from 32% to 60%, which meant they had three times more Pell-eligible students at Georgia State University than the entire Ivy League combined. So great news for access and inclusivity. The only problem is by doing that, they dropped 30 places in the US News and World Report rankings because their SATs scores, their alumni giving, all these other things, fell. The system is rewarding us for doing things that we all know are bad for society. And so a key part of the argument of the book is we’re not going to solve this by tweaking the existing system. We’re going to solve this by creating a new system that rewards people for inclusivity and diversity.

John: As you’ve just said, part of the issue is that all of the agents there are pursuing what’s rational for them. Their parents from high-income families spend a lot of resources in preparing for that. And we’ll include a link in the show notes to an earlier podcast we issued a few weeks back where we interviewed John Friedman, who is one of Raj Chetty’s co-authors on several of those studies. So we do address some of that in that podcast, and I encourage people to go back and listen to that if you haven’t seen that. But we have a system where it’s currently self-reinforcing, that institutions are doing what’s best for them, faculty are doing what’s best for them, and parents are doing the best they can, given the constraints that they’re facing. How are we going to get past those incentives to move to a more inclusive environment, or that would reward institutions for becoming more inclusive,

Michael: It’s going to be really hard within the existing system, I think there’s two options we’ve got. One is to rely on folks like Paul LeBlanc and Raj Chetty and Zvi Galil at Georgia Tech University, people who are willing to say, I want to create this, and I’m going to do it, even though I know it’s not aligned with my self interests, and I’m going to create a online educational experience, because I’m focused on the needs of my student base, rather than what the market is telling me to do. And I think that’s possible if we rediscover our mission. And the reason I say that is because you mentioned one of my previous books, and a lot of my previous research was about the entertainment industry and how technological change affected the entertainment industry. In looking at that, what I found really interesting is the industry initially opposed technological change, because they saw it, correctly, as a threat to their business model, their way of doing business. At some point, I had this really interesting conversation with a pretty senior creative person at one of the studios. And we were sitting in the lunch room, and he sort of leaned forward and quietly, so none of his colleagues could hear, said, “Mike, a year ago, we sold my show to Netflix, I want you to look at the season of my show that Netflix just put out, and you’re gonna see that it is in every way superior to what we did on the lot. The storytelling is better, the cinematography is better, and I just can’t figure it out.” They told themselves, the technology companies are going to make stuff that’s inferior than what we do, and what they were seeing with their own eyes, and not to mention at the award shows, the technology companies were actually making great entertainment. And I think it was that realization, where they said, “You know what, you’re right. Technology is a threat to my business model. But my mission is different than my model, my mission is creating great entertainment, and getting that entertainment in front of an audience. And my mission is so important to me, that I’m willing to blow up my model to pursue it.” I think that’s exactly what we’ve seen in entertainment. What’s the parallel here? What’s our mission in higher education, friends? if our mission is helping rich kids get a leg up in the job market, everything’s working just fine. But that’s not our mission. Our mission is helping people from all socio-economic backgrounds discover their talents, develop those talents, so they can use those talents to the benefit of society. I think we’re leaving a lot of people behind. And I would love for us to get excited about that mission, so excited that we’re willing to blow up the model.

Rebecca: We’re undergoing strategic planning at our institution. We’ve been having lots of interesting conversations about many of these things, actually, some of which are really inspiring to think about, like, what is the mission? If we’re really thinking about equity-informed student success, what are those metrics? How would we need to change how we’re looking at things to even know that we’ve achieved success? And what I’m hearing you talk about is there’s the difference between the institutional change that needs to happen, and then the broader machine of higher education. But when I think about cultural change, I think about bottom up and top down change. There’s regulation kind of change, but there’s also that grassroots change. And it’s almost like many institutions need to have this discovering independently to make some of that start happening. And force, bigger systematic change.

Michael: Yeah, I think we need bottom-up change in the sense of, I’m tired of being trapped in a system that forces me to make decisions to exclude people solely because they grew up in the wrong zip code. I think the other thing we need is some top-down change. And there what I talk about in the book is, back in the early 2010s, a lot of really smart, prominent people, including Clay Christensen, who I have a world of respect for, said that in 5 to 10 years colleges are going to be in real trouble, because we have this new technology. It’s 15 years later, that hasn’t happened. So I think a lot of people sort of roll their eyes when they hear technology is going to change our business. In the book, I try to argue, respectfully that I think part of the reason Clay Christensen was wrong, is he wasn’t using the right model of disruption. So his model says this technology comes in, and it’s going to create an inferior product and the incumbents are going to ignore it. What I’m trying to argue is that MOOCs and other online learning, if you think back to those three factors I talked about earlier, scarcity in the classroom scarcity in the experts, and scarcity in the credential. What online learning so far has done is its created abundance in who can get access and abundance to the faculty. What it hasn’t changed is the credential, the credential is still scarce. If you go to a Princeton or Harvard, or let me just eat my own dog food, Carnegie Mellon, people are going to assume you’re smarter than someone who went to a different school. What if we changed the way we did credentials? What if we would change the way we did credentials from this very brand-oriented credential that we have now to something that is closer to the student’s actual capabilities, actual skills? What the heck am I talking about? So the story I’ll tell is on my whiteboard as I was writing this paper, I had “brand” circled with a big question mark next to it. If the university brand name is the brand, how do you change the value of brand names? It’s really hard. So I’m scratching my head about this. And later that day, I was buying a really expensive scanner from a manufacturer I’d never heard of before, solely because it had a 4.9 star rating on Amazon and a bunch of really positive reviews. I was like, “Oh, crap, that’s how you change brand names. You add in objective information about the quality of the product.” I’ll stay in complete strangers’ homes, because they have a good rating on Airbnb, I’ll drive home with complete strangers, because they have a good rating on Uber. We see this in all these areas of society, could we bring that into the academy so that instead of judging people based on the name of their school, we start to judge them based on their actual skills? Wouldn’t that be cool. The other thing I’ll say, just to roll this out a little bit more is one of the things I think we’ve seen in these other areas of the economy is when you didn’t have the brand name, when you were an independent hotel no one had heard of, I’m going to assume you’ve got lousy rooms, and I’m gonna stay at the Hilton instead. Once we created a way to signal your quality, all of a sudden, a whole bunch of people who didn’t have the brand name had the incentives to invest in quality. We’ve got a whole bunch of places that aren’t Hilton, who are investing a lot in creating great room experiences. What’s the parallel? If we were to open up a way for students to signal their true skills, might we create a whole bunch of incentives for students to invest in those skills in ways that they just can’t right now, because I’m going to be judged based on the brand name of my school, instead of my actual knowledge?

John: Going back to the issue of markets, currently markets encourage institutions to maintain the scarcity. But they’re also subject to the Baumol disease of increasing relative costs, which is inherent in anything where labor is a major component of the production of the service. And with rising costs, while that maintains scarcity, it also opens up the market for other alternatives that can provide credentialing as an alternative to the traditional institutions. Could you talk a little bit about the Baumol disease and also perhaps, how that might encourage institutions to start shifting to other less expensive methods of credentialing?

Michael: Let me answer the second question first, and then come back to Baumol. Can we imagine ways that we could have new ways of credentialing students, and the example I used in the book is a guy named Gilberto Titericz. He worked for the Brazilian state oil company graduated from the 12th ranked Brazilian engineering college. And it just so happened in the evening, he liked to play around with Kaggle, which is an online place where you can go and provides awards for people to solve analytics challenges. And he got good enough that he had risen to the top of the worldwide leaderboard. And all of a sudden, Silicon Valley companies were recruiting him not because of his degree, not because of his work experience, not because of the GPA, but solely because they could see an objective signal that this guy’s really smart at analytics. I told this story to a buddy of mine who works in journalism, and he said, “You know what, Mike, I won’t hire anybody unless I can see their substack. I want to see if you can write. I don’t care if you graduated from Columbia’s journalism school, I want to know whether you can write.” And I think we’re seeing a lot of areas where you can have these signals. As an economist, it warms my heart that you would bring up Baumol’s cost disease. What Baumol’s cost disease says is that if every other sector of the economy is increasing productivity and economists define productivity as output divided by input. So you’re creating more output with less input. If you’re in a sector where every other sector is increasing productivity and your productivity isn’t changing, then your costs are naturally going to go up. And that’s very consistent with what we’ve seen in higher education. We’ve seen over the last 60 years, prices in higher education have increased at four times the rate of inflation, Or said another way, if they kept pace with inflation, college would cost 25% of what it is today. How do you change that? How do you improve efficiency? Well, you got to create more output with less input. I don’t see how we do that within the bounds of the existing classroom. We might be able to do that if we intelligently adopt technology in ways that allow us to educate more students with fewer resources than what we’re using today. The problem is, that’s really scary for a lot of my colleagues, and myself, as I’m very transparent in the book that this poses a threat to me too. And I think this brings us to the point where we’ve got to figure out what’s my core value here. One of the quotes I have in the book is a colleague who, a bit tongue in cheek, and I’m going to use it with permission but without attribution, said, “You know what, Mike, the professor has to have an incentive to adopt the technology. I’m a tenured old fart, I can ride out this technological change until I retire. Technological adoption will occur one funeral at a time.” And again, I know he was being cheeky, but I think in the back of our minds, a lot of us are like, “I’m just going to try to hang on to the existing thing for as long as I can.” I’m not sure we’re going to be proud of that decision 15 years from now. Congratulations, you’ve presided over an institution that you know is leaving deserving kids behind solely because they grew up in the wrong zip code. You’ve benefited yourself, are you proud of the outcome? I don’t think we’re gonna be.

Rebecca: It’s really hard to make those choices, of course, when you’re feeling very comfortable, and those choices may make you very uncomfortable. But I think that’s just in terms of the personal impact versus that bigger social impact that I think many of us are really committed to, but then our actions don’t always follow that commitment.

Michael: Yeah. And again, I try to be transparent as possible in the book that I’m as subject to this as anyone, friends. It wasn’t until I started staring at this, that I really had this “Oh, crap” moment of “I’m doing things, we’re doing things that are contrary to our values. Maybe we need to start questioning the structure and thinking more about those values.”

Rebecca: What role do faculty have in starting to initiate these changes?

Michael: It’s a great question, I think we need to start questioning the assumptions. Here’s a good starting point for that. I was talking to another colleague about this. And what she said, and this is going to be close to a direct quote, was, she said, “We train our students to identify and dismantle unjust social structures in every aspect of society, except our own.” I would love for us to start thinking about our own unjust social structure, and how can we change it in a way that creates more justice for students who deserve it. And the only way I’ve been able to come up with ideas about how to do that is by changing the structure. I just don’t see how we do it from within the existing structure where I teach 35 students for 80 minutes at a time twice a week, blah, blah, blah. The cool thing is, I actually think we have a decent number of examples of success, success, not only in creating more equity, but also in creating a viable and sustainable system. If you look at what Paul LeBlanc is doing in Southern New Hampshire University, if you look at what Mike Crow is doing at Arizona State University, if you look at what Zvi Gali did at Georgia Tech with his online master’s in computer science program, I think they’ve all been very successful at increasing equity, and also very successful at creating a sustainable business model.

John: So what should other institutions consider doing to transform their institutions into one which is more sustainable?

Michael: This is where we get into strategy. And, again, I teach technological change and economics and strategy. I honestly think, if you’re looking at this as we want to create mass market four-year degrees, I think Southern New Hampshire and Arizona State have a big lead in the market, and it’s going to be hard to catch up to. But if you’re looking at niches, if you’re looking at specific degree programs, I still think there’s a whole bunch of opportunity out there to say: “Can I create a program that appeals to a specific market engineering, for example, that is delivered online, but it’s delivered online in a very high quality way.” And I’m going to even pause there for a second and say, delivered online is probably too strong. So in my technological change course, I bring in the head of data analytics at the University of Pittsburgh Medical Center to talk to my students about how data is changing health care. And right after the pandemic, he came in and said, “You know what, Mike, we’ve looked at our data and what we’ve discovered is that for most doctor-patient interactions, telehealth yields equivalent health outcomes as you coming into the office. There’s some things you’ve got to come into the office for, but most things, telehealth works just fine.” What’s the parallel? I think there are a lot of things we do in higher education that can be delivered perfectly well remotely. Some things need to be done in person, and I would love for us as educators to think really hard about what are the things that have to be done in person, and what are the things that can be done perfectly well online, maybe even better online? So it’s not 100% in either direction. And then I’ll have people say, well, there’s some things trying to get it more in the in person side. And the example I think of there is I talked to Ara Austin, who’s the professor at Arizona State, who teaches organic chemistry remotely. You say, “How the heck do you teach organic chemistry online? Are you mailing hydrochloric acid to students’ homes, and hoping they have a fume hood somewhere available?” And the answer is, what they did is they looked at their curriculum, and they discovered that 13 weeks of the 14-week semester can work perfectly well online. For the labs, they actually bring students on campus, and they do a one-week intensive organic chemistry lab experience, you do two labs a day for six days. And what they’ve discovered in serving the students is that the online students’ knowledge of organic chemistry is equivalent to the residential students, but they walk out with a higher identity as scientists. There’s something about doing two O-chem labs a day for six days that you walk out and say, “I’m a scientist, I can do this,” that you wouldn’t get if you did those same labs, one lab a week, over the course of a 12-week semester. I think there are a bunch of things out there where I’d love for us to get excited about saying how can we redesign the classroom in a way that might even create better educational outcomes, while also including a whole bunch of students who otherwise would have been excluded.

John: One of the challenges is that student bodies have become increasingly diverse, but instruction is often aimed at the student in the middle of the distribution. One of the things Carnegie Mellon is known for is the Open Learning Initiative and the development of adaptive learning platforms. Is that something that colleges might be able to leverage to increase the scale of classes to lower the cost per student?

Michael: Yes. And heck, yes. So let me go back to my roots studying the entertainment industry. One of the really interesting things about the rise of streaming platforms is… we’ve actually got a paper coming out showing that we’ve seen an increased diversity in casts on streaming platforms, because you’re not tied to the mass market delivery. When I teach a class, and I talk about this in the book, of 30 students, I’m pretty sure 10% of them are bored, and 10% of them are completely lost. The problem is that, in that delivery modality, I have no time for the 10%. I’m trying to keep the middle 80% of the class happy. Wouldn’t it be cool if I could identify the 10% of students who are bored and say, “Alright, let’s go on to the next topic,” and identify the 10% of the students who are lost and say, “Alright, let’s spend a little bit more time on this topic so that you get it before we go on.” We can’t do that in the traditional delivery model. But we can online. There are a lot of ways to say I’m going to personalize this in the same way that streaming platforms say I’m going to personalize what’s being shown to your preferences and needs. I think we can personalize the way the education is delivered to the preferences and needs of the individual student.

John: And I could see a system where that results in recommendations for students for their next courses. You’ve done well in this, you may want to consider these alternatives for next semester.

Michael: Yeah, I talked to a colleague in the business school who got his degree in electrical engineering. And as I was talking about this, he said, “You know what, I just saw a YouTube video and for the first time understood what a Fourier transform was, and what it was used for.” This is this key concept in electrical engineering and signals. 20 years later, he saw a video, he’s like, “Oh, that’s what it’s for. I can do it mechanically, but I never really understood.” Wouldn’t it be cool if we could have a set of different ways of explaining a concept and match the different ways of explaining to the students to what we think the student is likely to resonate with? The other way of thinking about this is students’ preferences for faculty. Here’s what I mean by that. When my daughter was president of the STEMinest club at her high school, so take feminism and combine it with STEM and you have STEMinism. And when she was going into her senior year, my STEMinest daughter wanted to take AP physics. And the high school said, you can’t take AP physics because you don’t have AP calculus, you can’t take AP Calculus, because you don’t have precalculus. And you can’t take precalculus, because we’re not offering it this summer, I’m sorry. And that didn’t really work for me and my wife. And because of the research I was doing, I knew that there’s a site called Outlier.org that delivers a whole bunch of classes, including calculus. And by the way, if you pass the class, you get credit at the University of Pittsburgh. So my going back position was, “Hey, if my daughter passes this class that gives her credit at the University of Pittsburgh, are you really telling me that’s not good enough for high school calculus?” Anyway, we won that argument. What was really interesting about the way Outlier designed her class is they had three different teachers teaching the same modules in their own voice. So Tim Chartier, a white guy like me, calculus professor at Davidson; John Urschel, African American scholar, who just finished his PhD in math at MIT, and by the way, before he started his PhD, was the starting guard for the Baltimore Ravens. So munch on that for a second; and then Hannah Fry, University College London. And they each teach the same topics in their own voice. And you, as the student, can choose which of these professors do I take? Guess which Professor my STEMinest daughter gravitated towards. She immediately gravitates towards Hannah Fry. And I mentioned this to a colleague, and what my colleague said, “Oh, Mike, there’s a bunch of research that shows that, in general, men do better than women in quant- related classes, and that difference goes away when the class is taught by a woman, and by the way, the same thing is true for underrepresented minorities. In general, lower performance, and that difference goes away when the class is taught by someone who looks like them.” Wouldn’t it be cool if we can allow students to self select into the teaching style or the background of the professor that’s most going to resonate with them? It’s really hard to do that in the traditional environment, but we can online.

Rebecca: Yeah, I think this personalization is something that I’ve also been thinking a lot about, and it’s super possible. We have the technology to do it, just our institutions aren’t keeping up. And as a designer, I am always thinking about audience. And when I’m working with my students, we’re constantly talking about how it’s impossible to design for everybody. Like there’s no such audience as everybody, [LAUGHTER] there are specific people who are in your audience, and the more specific you can get, the better you can design the experience. And that’s exactly what you’re describing.

Michael: Exactly. Yeah. And it’s gonna be really hard if we take the existing 30 person twice a week delivery model as a given. But if you relax that assumption, there’s a whole bunch of really cool things you can do.

John: Changing the focus a little bit, you talk about how faculty perceive the role that we play in preparing students for their future careers in education. But you also present some evidence on how employers and the public and students perceive the way in which we prepare students for their futures. Could you talk a little bit about that?

Michael: Yeah, there’s this huge disconnect, respectfully to my colleagues, between how we perceive ourselves and how the outside world perceives us. In 2020, I wrote a piece in The Atlantic, basically saying that higher education in 2020 looks a lot like the entertainment industry did in 2015. We are fat and happy and completely unaware that technology is about to change how we deliver our product, for lack of a better word. What was really interesting is the feedback on that piece from outside the academy was overwhelmingly positive, and frequently expressed a great deal of anger and frustration towards the institution of higher education. The feedback from within the academy was overwhelmingly negative and frequently expressed a great deal of anger and frustration towards anyone who would question the institution of higher education. Like there’s this enormous disconnect. It almost reminds me of early in the demise of the cable subscriptions. So there’s a guy named Chase Carey, he was the COO of 21st Century Fox, and in 2013, he was asked at an investor’s conference, “Are you at all worried about people canceling their cable subscriptions?” And he said, “Not at all. People will give up food and a roof over their head before they give up cable television.” And my guess is he said that because he had surveys showing that people will get behind on their mortgage and behind on the credit card payment, beforer they get behind on their cable bill. But it wasn’t because they loved cable, it was because they had no other alternatives. I think we, in higher education, look at “people keep showing up. People keep showing up and paying my high prices, they must love my product.” I think there’s another way to interpret that data and it is they have no other options than to paying us a whole bunch of money. The smart thing for us to do from the perspective of the business model is to eliminate any other options for students. But I think the right thing for us to do from the perspective of society and our own moral standards, is to want to create other ways for students to get the knowledge they need so they can just demonstrate that knowledge in the workforce. That’s the change that I think needs to happen in how we look at these things.

John: That’s a message I think that we all need to hear a bit more often, because it’s really easy to become complacent with where you are and what you’re doing and just assuming that it’s serving everyone’s needs, and we don’t want to be in the position of the cable companies or the traditional print newspapers and so forth in response to a changing environment that may make us obsolete unless we adapt.

Michael: That’s the hard part. What’s interesting to me is how hard it is for market leaders to identify and respond to change. And when I teach this in class, if you teach it really well, disruption is an incredibly depressing topic because the last slide in every good disruption story is “and the incumbent died.” Blockbuster, dead; BlackBerry, dead; Britannica, dead. And if you teach it really well, there’s some kid in the back of the class who’s gonna go: “Can you get any example of an industry that responded well to technological change?” And for a long time, I sort of mumbled that answer, but now I’m starting to say “the entertainment industry.” If you look at what Bob Iger did at Disney, he blew up their organizational structure to go after this new opportunity. I’ve got this really interesting quote of Bob Iger saying, “When I launched streaming and Disney plus, I looked at my organizational structure, and I realized that it didn’t make sense anymore.” And if you sort of dig down, every entertainment company has a president of home entertainment, president of television, president of theatrical, president of international and all those peoples’ jobs is to protect the old way of doing business. Bob Iger blew that up and created an organizational structure that looked a lot like Netflix. What’s the parallel here? I think we need to think really hard about our incentives and our organizational structure, if you will. I was talking to Zvi Galil at Georgia Tech, and what he said is, “I got the faculty to adopt this online teaching method by changing their incentives and making it in their financial interests to teach online.” I think, leaders at the top, if we want to adopt this, you’re gonna have to think really hard about what’s my existing incentives, and how can I change those incentives in a way that encourages faculty to adopt this new innovation?

Rebecca: In your book, you have an interesting story about a president who gave a talk about why it cost $60,000 to attend my university. Can you share that story with us?

Michael: Love to. I’ve given this talk at a bunch of different universities, and when you give this talk, you have these interesting side conversations with people and one of those side conversations was someone who had heard their President give a talk to a local community group titled “Why does it cost $60,000 to attend university X?” and the President said, three reasons. Number one, technology doesn’t lower my cost, it actually increases it because I still have to maintain all the big buildings and now I have to invest in new technological systems. Number two reason that it cost $60,000 to attend my university is because I got to keep up with the Joneses. If all of my competitors are building big, beautiful dorms and big, beautiful buildings, I’ve got to build those same buildings if I want to remain competitive, and the number three reason because I f’ing can, although he didn’t use f’ing, he used the actual word… because I f’ing can. And he went on to say, “Every year I raise my prices, and every year I get the same number of students, if not more.” And while he didn’t use those words, what he’s saying is, I’m not on the elastic point in the demand curve, my market is inelastic to price increases, why shouldn’t I increase my prices? And so I came home and shared this story with my wife, which I found pretty compelling. And my wife who has an MBA and a Master’s of Public Policy, she doesn’t leave me to mansplain price elasticity to her. She listens patiently and nods. And then at the end, she says, “So, let me see if I’ve got this straight.” And after 30 years of marriage, what I’ve realized is, “let me see if I’ve got this straight” is shorthand for I’m about to destroy you rhetorically. “So this university is a 501-C3 nonprofit.” “Yeah.” “So that means they’ve taken tax-exempt status from the government in exchange for an agreement to act in a way that is consistent with the public good.” “Oh… yeah.” And she said, “I’m fine if they want to behave like a profit-maximizing monopolist, just give back the tax-exempt status.” I don’t mean to pick on any university presidents. They’re doing what their incentives tell them to do. I would love for us to come back and say, “What’s my mission?” If my mission is to increase my prices, because I’m not on the elastic point of the demand curve then go for it, but give back the tax-exempt status. The tax-exempt status implies that my mission ought to be bigger than that, ought to be doing what’s right for society. And I think that’s going to require a lot of change.

Rebecca: Thank you just underscored our call to action for this episode.[LAUGHTER]

Michael: I hope so.

Rebecca: Perhaps this is a great moment then to switch to our last question, which is: “What’s next?”

Michael: What’s next?, I think what’s next Inside colleges, is for us to get more excited about our mission, and then changing our model to best support that mission. And like I said, I think that’s going to require a lot more technological adoption than what we’re seeing today. Honestly, I think what’s next outside of higher education is for employers to start to adopt more hiring practices that, frankly, de-emphasize the four-year degree in favor of emphasizing skills. “Do you have the skill? I don’t care where you got it from.” I think we’re starting to see that. And when I give this presentation, I’ve got a slide in the presentation that has a bunch of headlines from press outlets saying this or that company is de-emphasizing the four-year degree in their hiring practices. The next build of that slide is a quote from each of those articles saying, “and they’re doing it because they want a more diverse workforce. And they’ve recognized that I can’t get that diversity if I continue to rely on elite colleges.” A, I think that means employers are starting to pick up on the fact that colleges aren’t delivering the students that I want , but B, I think that ought to be a call to action for us in higher education. Because if you think about it, what it means is that the evil capitalists in the business market are further along than we are in terms of embracing diversity. Maybe now’s the time for us to try to catch up.

Rebecca: Well, thank you for such a great conversation and many things for us to be thinking about as perpetuators [LAUGHTER] of the higher ed system as it exists. So I think there’s a lot of room for us to each, individually, make small moves to start shifting things.

Michael: And I want to put a big caveat on a lot of what I’ve said here, I don’t know anybody in higher education who would say “I’m excited about excluding people,” I genuinely think we’re all on the same page. I just think we’ve gotten into this world where we assume that what we’ve always done in the past is the right thing to continue to do. And I’d like for us to question those assumptions.

John: Well, thank you. You’ve made a lot of really good arguments about the need for change. And I’m hoping that we all start thinking about ways in which we can adapt to create a more inclusive educational environment, and perhaps slow down that cost increase or find alternative routes to training our students to become productive members of society.

Michael: Thanks, John and Rebecca, it was wonderful being here with you and I really appreciate you having me on the show.

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John: If you’ve enjoyed this podcast, please subscribe and leave a review on iTunes or your favorite podcast service. To continue the conversation, join us on our Tea for Teaching Facebook page.

Rebecca: You can find show notes, transcripts and other materials on teaforteaching.com. Music by Michael Gary Brewer.

…

Ganesh: Editing assistance by Ganesh.

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314. Handbook of Online Higher Ed

Since its start in the late 1990s, asynchronous online instruction has spread throughout the world and has been the subject of extensive experimentation and study. In this episode, Safary Wa-Mbaleka, Kelvin Thompson, and Leni Casimiro join us to discuss their new handbook that examines effective practices in online learning from a global perspective.

Safary is an Associate Professor of Leadership in Higher Education at Bethel University in St. Paul, Minnesota. He has authored and co-authored more than 40 scholarly journal articles and more than 20 books and book chapters. Kelvin is the Vice Provost for Online Strategy and Teaching Innovation at the University of Louisville. Kelvin developed the BlendKit Course open courseware as part of the Blended Learning Toolkit, and he co-hosts TOPcast: The Teaching Online Podcast. Leni is a Professor of Education, the Associate Dean of the AIIAS Graduate School and Chair of its Education Department and the Director of AIIAS Online, the virtual campus of the Adventist International Institute of Advanced Studies (AIIAS) in the Philippines. Kelvin, and Leni are frequent invited speakers on topics related to online instruction. They are the co-editors of The Sage Handbook of Online Higher Education.

Show Notes

Transcript

John: Since its start in the late 1990s, asynchronous online instruction has spread throughout the world and has been the subject of extensive experimentation and study. In this episode, we discuss a new handbook that examines effective practices in online learning from a global perspective.

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John: Thanks for joining us for Tea for Teaching, an informal discussion of innovative and effective practices in teaching and learning.

Rebecca: This podcast series is hosted by John Kane, an economist…

John: …and Rebecca Mushtare, a graphic designer…

Rebecca: …and features guests doing important research and advocacy work to make higher education more inclusive and supportive of all learners.

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John: Our guests today are Safary Wa-Mbaleka, Kelvin Thompson, and Leni Casimiro. Safary is an Associate Professor of Leadership in Higher Education at Bethel University in St. Paul, Minnesota. He has authored and co-authored more than 40 scholarly journal articles and more than 20 books and book chapters. Kelvin is the Vice Provost for Online Strategy and Teaching Innovation at the University of Louisville. Kelvin developed the BlendKit Course open courseware as part of the Blended Learning Toolkit, and he co-hosts TOPcast: The Teaching Online Podcast. Leni is a Professor of Education, the Associate Dean of the AIIAS Graduate School and Chair of its Education Department and the Director of AIIAS Online, the virtual campus of the Adventist International Institute of Advanced Studies (AIIAS) in the Philippines. Kelvin, and Leni are frequent invited speakers on topics related to online instruction. They are the co-editors of The Sage Handbook of Online Higher Education, which we’ll be talking about today. Welcome Safary and Leni and welcome back, Kelvin.

Safary: Thank you.

Leni: Thank you.

Kelvin: Good to be here.

Safary: A pleasure to be here.

Rebecca: Today’s teas are? Safary, are you drinking tea?

Safary: I’m having water this morning.

Rebecca: A key ingredient to tea it might add. [LAUGHTER]

Rebecca: How about you, Leni?

Leni: I used green tea, particularly this Japanese matcha. [LAUGHTER]

Rebecca: Nice. How about you, Kelvin?

Kelvin: I have deconstructed tea. That’s also called water.

Rebecca: [LAUGHTER] Popular globally.

John: And speaking of globally, Rebecca and I are both drinking Moon Bird tea, which is a gift from one of our listeners in France who sent this to us a few weeks ago. So again…

Safary: Wow.

John: …thank you, Myriam.

Rebecca: Yeah, it has a nice hint of pear and elderflower.

John: …which is also a green tea.

Rebecca: Yeah.

John: We’ve invited you here today to discuss the SAGE Handbook of Online Higher Education. Could you tell us a bit about the origin of this book project?

Safary: The origin of this project is actually something that has to do with me having worked with Kelvin several years ago at the University of Central Florida. And right after that, I decided to work in the Philippines and that’s where I met with Leni Casimiro and we worked together. And at both institutions, we were working with online education. And eventually I was transferred to work for two years in Kenya. During the COVID-19. I happened to be in Kenya, and I quickly saw the great need of people wanting to have online education. The resources went up in the place. The things were scattered all over the place. And immediately the idea came that we needed a project that captured the whole world because now this was a worldwide phenomenon, it was no longer something peculiar to Kenya or Philippines or U.S., the whole world was in need of a tool like this. And that’s how I reached out to Kelvin and to Leni.. Thankfully, they both agreed to be part of the project. And I think, from my perspective, that’s where it came from. I don’t know about them… how they think about this? [LAUGHTER]

Leni: Well, for me, it’s really a big project that we did, combining the different parts of the world. You see where Kelvin comes from, representing the West, I represent the opposite, the East. And although Safary comes from the East as well, but he can represent the African continent. And so this really makes the book a global project, really a blend of different perspectives. And so I can say that online learning is represented all over the world in this particular book. And this is indeed, a big surprise to all the readers and a big discovery for everyone.

John: Speaking of readers, what is the intended audience of this book?

Kelvin: Well, I mean, honestly, I would say anyone, anywhere, around the whole planet, who in any way touches online or digital education, should access this book. It’s great for libraries and institutions to acquire and be in their communities. It’s a big book. There’s stuff in there for everybody. So I think it’s a great resource.

Rebecca: Speaking of the size of the book, the handbook contains 50 chapters. Can you talk about how you selected those chapters?

Kelvin: I think the scope and the sequence and the layout of the chapters and the sections sources originally to Safary’s proposal with the publisher, but it was intended to be rather comprehensive with sections like fundamentals and student support and administration and instructional design, instructional delivery, regional specifics, particular regions around the world, and how online education might differ a little bit in, say, the African context versus the European context. But over time, as we were recruiting authors, and as the writing process started, you get a little bit of evolution, the sections might morph a little bit, the distinctives of a given chapter might adjust based on interest and specializations of the authors. So that’s a little bit of the insight into the evolution. But I credit Safary for the vision, which I would say, is probably about 80 plus percent of what he originally had envisioned in the layout. That’s my guess. Safary, would you agree with that?

Safary: Yeah, the thing is that, when you work on a huge book like this, especially a handbook for Sage, they want to have the complete plan when you submit your proposal. Before I can get my co-editors to agree with me, they need to have kind of ideas, okay, this is what I have in mind. So usually, when I work on a handbook like this, I come up with a rough draft. And Kelvin and Leni were very good in catching certain things that I wouldn’t have caught because of their expertise, their experience, and their regions that they represent. And so in the end, what we have here is a product of the Table of Contents was really the product of these three brains that are speaking today.

Leni: I really liked the way Safary has chosen the chapters of this book. Well, we can say that he really originated the choice of these chapters. As you can see, from the perspective of a reader, when you look at the content, you can look in the sequencing, and you will find that you are actually looking into the step-by-step development, or the step-by-step process of engaging in online education. I will say it’s almost like a manual, almost every step that you will go through in undertaking online education in your institution is covered in this book. That’s why it’s really a very important book for every school to have.

John: We had some challenges coming up with a brief intro for each of you, because each of you has done so much with online education in many different roles in many different places. But you also have an editorial board for this book, which is a little bit different than many other books that we’ve seen in terms of handbooks. What was the role of the editorial board in putting this handbook together?

Safary: Yes, we had an editorial board. When you have a project of this magnitude, it is really important to have experts from different parts, especially at the global perspective of experts, and of course, experts on the different topics that are represented in the handbook. As much as we have experience with online education, we cannot assume to know it all… areas where we definitely need help. And so we selected very well known, very well recognized experts from different parts of the world. As far as online education is concerned, all the names that are there are people who are very well respected in the field of online education within their respective countries. The role they played was, for them to be our experts in checking the accuracy and the quality and the completeness of the chapters that were submitted to us. So basically, each chapter went to two to three reviewers and the editorial board members were the primary reviewers to help us really catch everything… and the work they did, I know that some chapters had more feedback than others, but I can say that contribution they gave through their feedback was very substantive in improving this handbook. I don’t know, Leni, how you found that when you’re working with the editorial members who are assigned to you?

Leni: Yeah, actually the editors we chose, I can say they are truly excellent and helpful. During the early parts of the writing of the chapters we lead editors are having like a tug of war with the chapter authors. They tend to bargain their thoughts with us, but when the editorial board came into the picture, it gave a more balanced outlook into writing the chapters. And so we really appreciate their services. The other thing is that this editorial board members are experts in the area and so we can truly depend on them. Their feedback were truly much valued and contributed much to the excellence of the contents of this book.

Rebecca: So the handbook is divided into seven sections. Can you provide a brief overview of each of those sections to give us the lay of the land?

Leni: Oh Yeah, seven sections, it’s nice to give an overview for people to know what the book contains. First section, of course, is the fundamentals of online education. It contains the introduction to the topic of the book, online learning, and some variations in online delivery, like blended, MOOC and ERT, emergency remote teaching, we just really call it ERT, and that became popular during the pandemic. The second section, online education around the world. This section is the most colorful part of the book, at least for me. Because it tours us around the world and gives us a view of how online education grew in varied contexts like US, Canada, Europe, Asia, Latin America, Africa, Australia, and the Middle East. The third section, Online Instructional Design, this section now brings us to the T-cell of online learning, the design of online instruction with focus on how learning happens online. This is now the more serious part of the book. While we came from the most colorful, we now go to the serious part of the book. And then the fourth one, Online Instructional Delivery, this section focuses on the hammer and nail of online learning, the actual online teaching, and this is the most exciting part. Because this is now the delivery, the previous one was the most serious part, this one is the most exciting part. And then perhaps, Kelvin, can you say about the fifth section [LAUGHTER] Instructional Technology for Online Education?

Kelvin: Here’s what I would say about that, if you’ve got the most serious, you talked about the most exciting that you talked about, maybe the fifth instructional technology for online education is the most invisible, maybe that’s what it is. Nobody thinks about plumbing until it doesn’t work. [LAUGHTER]

Leni: Thank you. So that’s technology, I would say this section is essential, because you cannot teach without knowing how to use technology [LAUGHTER]. And the sixth section, Online Education Administration and Management, I would say this is the driver’s seat of online bandwagon [LAUGHTER]. Online education can never prosper without the support of the school administration. So, leading school reforms, like entering the field of online education requires certain strategies to be certain of success. Therefore, I would say this section will indeed equip the readers with those skills, perhaps Safary, can tell us what section seven is?

Safary: I would say the last section is the Customer Service, given that the students are the customers. So the customer service, how to make sure we deliver the best customer service to the online students. And so it discusses all those different aspects of how to really prepare, plan effective service to the students, because many times when people are migrating from face-to-face to online or integrating online education, they forget that online students actually need serious support. And this support definitely needs to be defined. And people who are dealing with the students need to be trained. And so the last chapter actually deals exactly with that.

Leni: For me, because I was looking at the table of contents, and I was smiling in my mind, wow, this is really neatly done. And so this works came to my mind, and I said, Oh, the seventh section, this section focuses on the heart of every online classroom, the students. And so because the students are the reason why we offer online learning, thus we ought to know how we should support them.

Rebecca: One of the things that I love about working on collaborative projects that are really big, and then you have these opportunities to reflect together, is how you summarize what you did. It’s probably really different than while you were right in the middle of it. And it’s fun watching the facial expressions and things as you guys are describing the different sections.

John: With 50 chapters, there’s a great deal of breadth and depth on these topics. In section one, though, you address two topics which are not always considered as part of traditional, at least, online education, which is the use of MOOCs and ERT, emergency remote teaching. But these have played fairly important roles. Could you talk a little bit about the role of MOOCs and Emergency Remote Teaching in the larger environment of online higher education?

Leni: As I see it, MOOC and ERT are connected to the overall theme of the book, because technically they are both delivered online. Online learning can be synchronous or asynchronous. And it’s mostly taken asynchronously while ERT is done synchronously, because it is generally a replication of the face-to-face classroom through the web. However, there are certain arguments in the field as to whether can we classify these two under online learning, because they are believed to not use the principles of effective online teaching. And they say, is their instructional design in ERT? There are more questions to raise to the point that some people believe they should not be called online learning. But for me, we have a common denominator, course delivery through the web. Maybe we can hear from my co-editors here, Kelvin and Safary, what they think about it?

Kelvin: I was thinking, John, when you asked that question, I think the combination of Emergency Remote Teaching and Massive Open Online Courses, it’s part of the popular conception of what online education is, it’s sort of like what a layperson might think, is, it’s just one big thing. So if you didn’t address Emergency Remote Teaching, Massive Open Online Courses, maybe even Blended or Hybrid learning, those mutations, it might not provide quite the same way in for the broadest possible audience. But then, once we’ve ushered you into the house, through the front door, I hope we do a good job of taking you on a more detailed guided tour through the nuances and everything that online education can be, without just being stuck at that surface level.

Safary: If I may add something to the ERT. Personally, the reason why I wanted to see this chapter there was that outside of the United States and maybe Canada, and a little bit of Latin America, when ERT came, Emergency Remote Teaching came, many people call it online education. And as we know, online education, the way we know it traditionally, is much more than translating your face-to-face class to a Zoom class or Google meet class. And let’s face it, that the word there is emergency. This was an emergency modality, which obviously emergency is never the best option, it means better than the chaos that you’re going through. And so many people who didn’t know online education, they came to believe that Emergency Remote Teaching means online education. And many people who were against online education to start with, it was like, “Okay, we have already said that this thing is really bad because it was an emergency.” So it was very important to distinguish what Emergency Remote Teaching is. And in the future, if somebody wants to use that for another calamity that happens, then they know what steps to take, but it does not replace what is known, what we define as quality online education.

Rebecca: One of the parts of your book, The second section is about online education around the world. And getting that tour around the world is not something we typically get the opportunity to have. So can you talk a little bit about what some of the global differences in how online higher education is structured and practiced across continents and regions?

Safary: This section came up as we were trying to make the book global. We really wanted to hear the voices of the people from around the world and not just the United States… the United States being the lead on online education, no question about that. We wanted to know where things are in different regions that were represented. We had to even go online to try to track people down from different countries. It was not easy finding people from certain regions where we didn’t have a network. So as a result, we’re able to bring on board chapters from different parts of the world. We had a chapter from the United States, we had a chapter from Europe, from Canada, from Asia, from Latin America, from Africa, from Australia, and from Middle East. So we were able to see what was happening in each one of them. And these chapters we had, they were kind of similar in a way where we wanted to know what is happening, what are the challenges, what are the achievements that people have in those regions, so that people from those regions who decided to do more work on online education, they have a place where they can learn of what is happening in the whole region from this book. They can have this as a reference to understand what was happening in their region. It is true that when you have one chapter, for example, I co-authored a chapter on Africa, because I was still in Africa at that time. It’s a chapter that’s covering 52 countries, you cannot really cover 52 countries, we just had to have illustration from some of African countries, because there’s no way we have data on all the 52 countries, but at least, there were some common themes that were coming up from a different African countries if I can speak from that specific region.

Leni: I can speak from the perspective of an Asian because I come from Asia. And I would say, we cannot deny that online education started in the West. But because we live in a connected world, it spread easily. Basically, I can see a lot of similarities around the world. The only differences I noticed, because your question says what are some of the global differences in how online education is structured and practiced? Now, I would say the only differences I noticed are the approaches to online learning, depending on the level of their maturity, in using this modality, and the resonance of the context they serve. Institutions that have been engaged in online learning for a long time definitely deal with issues that are different from those of newcomers, the needs of the context they serve also differ, so the strategies utilized also differ. One thing I would highlight, though, is that you can clearly see the creativity and continuity of people in different parts of the world in running online education. And we still can learn from each other. That’s why I said a while ago, the section on the global online education is really colorful.

Rebecca: One of the things that I think is really interesting about that section, is that it can also give us insight as instructors that teach a global audience about what the contexts are that students might be coming from. And that’s something that we often don’t have a little bit of insight into.

Safary: I think that is a very good point. Now that we have online education, people are teaching in many different countries. I remember just a couple of weeks ago, I was approached by one of my former students who wanted me to teach a class in the Caribbean. If things worked out for me, for that class, I would have just glanced at that chapter that covers a little bit of the Caribbean and see what I need to watch out for. So that is definitely a good point for the section on the different regions. In this handbook.

John: When online education first started, there wasn’t really that much known about what would work effectively. And as online education evolved, we saw the role of instructional design become an important part of the practice of online education. And section three deals with online instructional design. And that’s helped facilitate and inform online education, along with a lot of research that’s been done since the early stages. How have instructional design practices evolved since the early stages of online education in the latter part of last century?

Kelvin: That’s a good question. And I guess I’ve been in this field watching this first hand and touching it for about 25 years now. So I sometimes say not exactly the first floor of the building, but just one step above. And what I would say is that when I started in the late 90s, what we saw a lot was adaptation of traditional instructional systems design models and practices, that is constructs that were used quite often in corporate education. See if this takes you back to the past: CD ROM development, military learners. Those kinds of methods, practices, and models were adapted to this online context. And some of that’s constrained, like you’re making a system, like it’s a bounded system that was, quite often the context, like a CD ROM. And now you’re talking about the internet, a network open system. And I remember some of those early days, like, “Okay, what can we learn from these models? How can we adapt those?” Over time though, we learned that this is a unique context, which then began to have its own models and practices and processes and research and iterations and development. And I think of even things like much newer developments, like alongside of constructs like inclusive pedagogy, we see practices and thrusts, like inclusive design, as being a very specialized subset. So we’ve got a very robust research and professional practice literature that has grown up and these, arguably, two and a half decades of online education experience to draw upon. And I guess I’ll just say this, about that. Throughout my time in this field, what I’ve seen is that online tends to make the formerly invisible, visible; formerly implicit, explicit. And I think that evolution of instructional design and development field, it has learned from that. Online education has drawn us along in what does it mean to bring learners in from really anywhere and bring them together in a learning community, and how do we excel in that. That’s been a really rich progression over these last two and a half decades.

Safary: If I may add to that, the reason why we had this section was that many people who are new to online education, they think that online education is about uploading all the files that you have been using face to face, and then let the students read that, and that’s online education. It leads to a lot of frustration from the students because there was no instructional design for online learning. And so we needed to have a section that would guide people into that. And also for instructional designers in college and universities where they already have instructional designers. Some of them have not gotten a degree in instructional design. So they have limited knowledge. They just happen to know a little bit more than everybody else, but they don’t really have a solid foundation. And so that section helps to kind of guide people in the proper instructional design for online learning.

Rebecca: So sections four and five focus on online instructional delivery and instructional technology. These are topics that we love to talk about and have episodes of this podcast on. But given the time constraints, we probably can’t dig in fully here. But can you help us identify some of the most important changes that have occurred in how well designed online courses are taught?

Leni: That’s a nice question. Kelvin also said a while ago, he was mentioning about the early years of online instructional design, I would say, perhaps 1998 to 2000, those are the early years I’ve been involved, still in the planning stages of online delivery. Most of the online courses we developed were primarily text based, and are delivered asynchronously. That was after the military, Kelvin used, online learning, it was already in the university. Why text based? Because even our students, in the context we are serving also did not have the capability or the capacity to access videos or higher level technology tools. That’s why we designed the way they can access us. And so, yes, it was primarily text based and asynchronous. However, through the years, I would say two forces caused the major changes in the way we design online courses, first, technological developments, particularly in instructional technology. And second, changes in the needs or nature of our stakeholders, the students. Well, technological developments without a doubt have increased the repertoire of instructional media that we can use in designing truly engaging online courses. But as I’ve said earlier, technology is not the heart of online learning… it’s our students. And we saw how the nature of our online students change over time as well. While many of them were happy with plain text based asynchronous online courses during the early days, now they want more real-time meetings. And the flexibility they want is indeed tremendous, I tell you. We notice that there is a greater demand now for more flexible and personalized learning approaches. And these topics are dealt with in this handbook. I know Kelvin has written on this. And some other chapters also addressed this flexible learning, personalized learning approaches. These are now the needs and demands of the new generation of online students.

John: This is bringing me back to a time when I started back in 1997 teaching online when many of the students had 300 baud… [LAUGHTER] …or 1200 baud modems, and you couldn’t do much more than text. And I remember putting in some flash-based videos, and many students couldn’t access those because they didn’t have the download speed, especially students in more rural areas. So there was a lot of resistance to online education when it was first introduced, which is one of the reasons why I think instructional design practices became a part of early online education to help ensure the quality of that. And we do have, in most institutions a fairly elaborate process of instructional design assistance and instructional design review for online courses, which is something that’s never really happened in the same way for most face-to-face courses. Might it be time to start applying some of the techniques and practices of design that’s being used for online course delivery to in-person course delivery?

Safary: I remember about 15 years ago, I was training faculty on online teaching in the Caribbean. And I remember many of them, at the end of the training, saying, “I have improved my face-to-face teaching because of the training that I have been going through for online teaching.” So I definitely believe that if people get the proper training in online teaching, they can use that knowledge to improve face-to-face teaching. Because let’s face it, many people are teaching not because they have a degree in education, but because they have a degree in whatever field they come from, they have never learned how to teach. And so when they go through the training for online teaching, they discover a lot of principles that they should have even been using face to face. So I definitely agree with you on that one.

Kelvin: Yeah, it’s true. I say it all the time online makes the formerly implicit, explicit; formerly invisible, visible. And I think that’s why online has been a vehicle for applying thoughtful design and teaching practices and the improvement thereof. Once you sort of concretize the elements that make up an online education experience, then you can see well, how are they arrayed? Are they lined up properly? Does this cause lead to the desired effect, and you can work on improvement, no offense to anyone in this, but when we just are dealing in the ephemeral, we will walk into a space, four walls and a door, and we say words into the air, it’s much harder to see how those parts fit together or don’t. And it’s harder to be reflective. So, I think that’s the reason that online education has brought more emphasis to potential improvements, continuous improvements, and so I welcome it as a vehicle for a more thoughtful process in general. I love this elegant turn of phrase Caroline Boswell says she frames teaching as a student success intervention. Or as I put it, I’m one of those odd people who sees a connection between teaching and learning. And not everybody does.

Rebecca: You’re kind of queuing up our next question perfectly Kelvin. The final section of your book is really about student support. And our students are often distributed when we’re teaching online. So what are some of the biggest challenges in terms of supporting students that are in these online programs or online courses?

Kelvin: Yeah, I would welcome Leni’s and Safary’s viewpoint on this as well. But to me, I’ll keep it simple and say that the biggest challenge is the diversity of student profiles. The different backgrounds, the multifaceted demographics, and resource or not resource, or technological connection or not technological connection, that diversity makes it awfully hard to assure kind of an equitable experience for everyone. So that’s the gap that emerges, that student support is trying to offer… not to mention the diversity of approaches to design and development in the actual experience. But I’m curious what Leni and Safary would say to that.

Leni: I would go for the opposite, on the side of the teachers, I would say the greatest challenge in student support is personalizing your support. It’s related to your diversity. Almost every online student has her unique needs and contexts. So considering different personalities and backgrounds as well, you may be able to personalize your support. But in the name of efficiency, you’ll find yourself dehumanizing the process. What do I mean by this? Well, machines can never replace human touch. And human touch is what every online student needs.

Safary: If I may speak a little bit from experience I had in Kenya during the COVID-19, we migrated our classes to the online delivery. And I quickly realized that… and this was something that was going on in all of Africa, I know this because I was involved in different international association for online education all over the continent…. and so we were meeting and discussing some of these issues. The major challenges that were going on at that time, I don’t know about today, were dealing with infrastructure, because most universities that didn’t have online education platforms, or online education structural systems, so the technology was not in place. Many students there were not access because the internet was extremely slow, some were using loads of data to access the materials and they would run out. Some had issues with electricity. These are things we take for granted in the West. These are the not issues that we will discuss even in textbooks of online education, but they are real issues that cannot be ignored. And so that was a major challenge in supporting online students, because the infrastructure was not in place. And I think the issue is still the same. But more and more work is being done. I remember, for example, in Kenya, what the government did, they gave the free data access to all the faculty in the whole country, as long as it was used only for instructional purposes [LAUGHTER]. If you want to use it for something else, it wouldn’t work. I mean, that was quite creative, to try to help people to help education move forward, because everything was just stuck because of COVID-19.

John: Over the past year, we’ve seen a fairly explosive growth and use of generative AI large language models, including chat GPT, Claude, and a few others that have come out very recently. And that opens up a lot of interesting opportunities, but also some challenges for online education, particularly concerning the assessment of asynchronous learning. How do you see online education adapting in response to the widespread availability of tools like this, which will only become more powerful over the next few years?

Kelvin: It’s sort of the very definition and epitome of disruptive innovation or disruptive technology. And just to be clear about this, I don’t think it’s limited or focused on asynchronous online education, I think it’s everything. For me, it’s really an opportunity to address learning and assessment of learning much more meaningfully, and I’ll use one of Leni’s words, more personalized and relational. I think one of the things we’re seeing with the injection of these various forms of artificial intelligence into the learning setting is the value proposition of the human. And I think it was Cathy Davidson, years ago, from HASTAC said something like, “If we faculty can be replaced by a computer we should be.” That is, if all you’re offering is something that is easily rendered more efficient and scalable by a machine then, well, what are you doing it for? I think that the opportunity to really gauge learning, which is a very personal and a meaningful thing, we act like it’s something that’s kind of homogenized and industrialized, but learning… I don’t know what learning is, frankly, I can’t crack open a human and see what all is happening with the connections and making of meaning in all the background experiences. All I can do is get insight, but in dialogue, in the creation of artifacts I get a glimpse. If we’re product oriented, to the exclusion of the process, and to the exclusion of the human context, well, that can be certainly disrupted, maybe stolen by artificial intelligence in machines. But if we keep the emphasis on humans, on “Well, John, tell me about this…” that’s more meaningful. I learned a practice a long time ago from a faculty member that I studied under, where she adopted a practice of a learning summary. And in any course, again, that’s just one artifact, but it gives a glimpse into the articulation of what learning is really about. So I think we need to push the envelope in “What does authentic assessment mean? What does meaningful learning look like?” Now, that’s hard to do at scale. Are you going to have a personal oral defense with every student for every assignment, probably not. But if we see artifacts, and products, as breadcrumb trails leading to a destination of a more substantive dialogical process, well, then maybe that’s something. So I don’t think we know yet how this is going to play out. And I think your listeners are gonna find cold comfort from me in getting to an easy solution. But I think the future of responding to generative AI is to lean more into the human and the relational than less.

Rebecca: So we always end by asking what’s next?

Safary: Well, as far as this project is concerned, what is next really, we want to continue building a community of online higher education scholars, practitioners, so that this momentum that has been created by this book can continue, because this is one of the few maybe rare books that really have so much global contribution to online education. Many of the books that are written, they’re usually kind of regional to a specific region of the world. And so this is the first time we have a network of, I think, around 100 people who contributed to this, coming from many different countries. And I feel this has created synergy on the discussion of online education in a way that we should not let that go. So one of the things that we have been talking about is the possibility of holding a summit on online higher education in the next few months, once everybody has gotten a chance to hold a copy of this book, and to bring different experts together from different parts of the world, and try to address online education from different parts of the world, while addressing common issues such as assessment, which is one of the major controversial issues anywhere have been, everybody talks about the challenges of online assessments. So that’s things like this, and probably this artificial intelligence, which is a new thing, we may want to go deeper into that… we’re not able to dig too deep with that, although we addressed it in the book. But we didn’t go too deeply because it was still kind of new ChatGPT was just coming out when we were finishing the handbook. And so that is one of the things that we are looking into, there is another handbook in the making with SAGE that will focus specifically on instructional design in higher education. So that would be like an extension of this project. So we want to continue building on this work, because we consider it’s very important.

Leni: I’m really optimistic about the next steps on this because it’s like a seminal book that really got there’s a global perspective, as Safary says it’s not the same as the other online learning books. So we can also see a lot of developments coming up. And so I will say, this book is just step one, the next steps will really be coming up definitely, because the field is always growing. We have seen its growth, and it will still grow. And so there’s more to follow, I believe.

Rebecca: Well, thank you all for joining us. I know that our listeners will really enjoy the handbook and all that it has to offer.

John: Well, thank you, and it’s great talking to all of you and we’re looking forward to reading the book.

Safary: Thank you so much for the opportunity. Really appreciate that and wish everybody a wonderful reading experience.

Kelvin: Thanks for having us, Rebecca and John.

Leni: Thank you very much.

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John: If you’ve enjoyed this podcast, please subscribe and leave a review on iTunes or your favorite podcast service. To continue the conversation, join us on our Tea for Teaching Facebook page.

Rebecca: You can find show notes, transcripts and other materials on teaforteaching.com. Music by Michael Gary Brewer.

Ganesh: Editing assistance by Ganesh.

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308. Design for Learning

We tend to design courses for ourselves because we are the audience we know best. In this episode Jenae Cohn joins us to explore how user-experience design principles can help us create effective and engaging learning experiences for the students we have right now. Jenae is the Executive Director of the Center for Teaching and Learning at the University of California at Berkeley. She is the author of Skim, Dive, and Surface: Teaching Digital Reading. Her newest book, co-authored with Michael Greer, is Design for Learning: User Experience in Online Teaching and Learning.

Show Notes

  • Cohn, J. (2021). Skim, dive, surface: Teaching digital reading. West Virginia University Press.
  • Cohn, J., & Greer, M. (2023). Design for learning: User Experience in Online Teaching and Learning. Rosenfeld Media
  • Global Society of Online Literacy Educators
  • Horton, S., & Quesenbery, W. (2014). A web for everyone: Designing accessible user experiences. Rosenfeld Media.
  • Web Accessibility Guidelines
  • Copies of Design for Learning may be ordered at the Rosenfeld Media website. The discount code for listeners is TEA20. It’ll be available on Wednesday, 9/27 and will give listeners access to 20% off the book for one month (i.e. 30 days).

Transcript

John: We tend to design courses for ourselves because we are the audience we know best. In this episode we explore how user-experience design principles can help us create effective and engaging learning experiences for the students we have right now.

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John: Thanks for joining us for Tea for Teaching, an informal discussion of innovative and effective practices in teaching and learning.

Rebecca: This podcast series is hosted by John Kane, an economist…

John: …and Rebecca Mushtare, a graphic designer…

Rebecca: …and features guests doing important research and advocacy work to make higher education more inclusive and supportive of all learners.

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Rebecca: Our guest today is Jenae Cohn. Jenae is the Executive Director of the Center for Teaching and Learning at the University of California at Berkeley. She is the author of Skim, Dive, and Surface: Teaching Digital Reading. Her newest book, co-authored with Michael Greer, is Design for Learning: User Experience in Online Teaching and Learning. Welcome back, Janae.

Jenae: Thank you. I’m so glad to be back.

John: It’s good to see you again.

Jenae: …Good to see you, too.

John: Today’s teas are… Jenae, are you drinking any tea?

Jenae: I sure am. I’m always prepared to drink tea. Especially when I’m talking to the two of you. But I went for a classic English breakfast tea this morning. Do you both have some tea with you?

Rebecca: Yeah, I have English tea time.

Jenae: We’re matching…

Rebecca: Yeah…

[LAUGHTER]

John: And, I’m not. I have [LAUGHTER] ginger peach black tea today.

Jenae: That sounds really good, though.

John: It is.

Rebecca: Sounds like a good way to start the day, for sure. So we invited you here today to discuss Design for Learning. Can you talk a little bit about how this book project came about?

Jenae: Absolutely. So my colleague Michael and I have a lot of shared interests. Michael and I both are trained in rhetoric and composition. And we both are people really interested in online writing, online reading, and online learning, broadly speaking. We both served on the board for the Global Society of Online Literacy Educators, which is an organization dedicated to supporting folks who teach reading and writing online, broadly speaking. Through that organization, we got to know each other better. And we just realized how much we wanted to talk about what it really meant to create quality online learning experiences. And something that kept cropping up for the two of us. And I should say that both of us have had like a hodgepodge of jobs in and around higher education. We kind of joke that we were both sort of like these misfits in higher ed, people who have kind of done a bit of teaching, a bit of admin. He’s worked in publishing, I did a lot of work in instructional design and just higher education pedagogy. And something we noticed, just in the various roles that we were in was that educators, professors, faculty could learn a lot from user experience frameworks. And we were reading a lot about UX and UI in the work that we were doing around instructional design and for him publishing, and it just dawned on us like, why are we not bridging these conversations between the work of thinking about designing learning interfaces and the work of building really good, high quality learning experiences. I think we notice that in higher ed, there is this tendency to kind of try and reinvent the wheel around defining what a good teaching experience, especially what a good online teaching experience is by just creating really kind of exhausting templates and tons of checklists and rules. And we really thought those are useful, but wouldn’t it be more useful just to remember that students are people navigating devices online? And can’t we use the frameworks that help inform those design decisions to inform the design of learning experiences to make them better? So that was really the genesis of this project. We started off thinking we’d write a bunch of blog posts and then it struck us that blogs and articles were great, but wouldn’t it be even better if we wrote a book [LAUGHTER]. So we put it all together, and it resulted in this book.

John: So who’s the intended audience of this book?

Jenae: We really are targeting a broad audience with this book, I’d say primarily folks who do instructional design style work in mind. So in higher ed, that could be faculty, a lot of faculty play the role of instructional designers, as well as facilitators and teachers, of course. But, we also hope that this book would really reach folks who do dedicated instructional design support. We also hope that this would just reach people who are having to teach online or do trainings or workshops online, and who are still really struggling with it. This book, I would say, was written before the pandemic happened. We were, I would say, drafting and conceptualizing it before the pandemic. And of course, the pandemic shaped the drafting as we went, there’s still COVID-19 out there, so I don’t want to say we’re beyond the pandemic. But in this moment where we’re beyond perhaps like a peak point of the pandemic, let’s just say. There may be folks who are still wanting to be more intentional about what it means to provide more equitable access to online learning experiences, who want to be designing in a more intentional way, and who want to be really thinking critically about how to create more sustainable online learning experiences, as well, that really work. I think we were also on a mission with this book to prove that really, anyone can do this, you just need to keep some known principles in mind that, again, this is not totally new territory, and scholars and user experience and human computer interaction have been thinking for a very long time about how to make information accessible online, and how to make sure that information and interactions are easily navigable. And so that was really the literature we wanted to tap into. So that’s all to say that I think people who benefit from reading this book is really anyone who wants to be creating a better online learning experience for whatever teaching situation they’re in.

Rebecca: I’m, of course, super excited about this book, because I’m a UX designer. I love that you use that framework to write this book. Can you talk a little bit about why you chose this approach?

Jenae: Absolutely. I’m so glad that you appreciate this book exists. We’ve gotten really good reception from the UX community on it as well. I would say that we use this framework because we felt like it really centered the learner in an important kind of way. I think that in a lot of teaching situations, people who educate or design learning are often more thinking about the content: What information do I have to deliver? What are the main things that I need to make sure people know how to do? Those aren’t bad things to focus on, we need to cover content, and we need to make sure that there are clear outcomes. But I think it’s most important to really think about how is someone engaging with that content? How are they understanding it? What are their opportunities to understand that content in a variety of different ways. And I think what a user experience framework allows us to do is to center that reminder. Learners have these embodied experiences that shape how well they’re going to be able to learn, how well they’re going to be able to interface with the information. And if we’re talking about that in an online context, in particular, it’s impossible to do so without addressing what it means to, again, engage with and use these online environments effectively. So I think a UX framework really just allows us to be more centered in reminding ourselves who really benefits from the learning experiences we design, and who really needs to have access to [LAUGHTER] the information to be successful. And I think UX frameworks just really help us center that.

John: Can you talk a little bit about how this approach centers the user in terms of practical ways in which that’s built into the design process?

Jenae: Sure, one way to sort of think about that is to really take a step back and try to remind yourself just who is taking your class in the first place. Starting there, starting from the place of trying to be curious about who your learners really are. I think that it’s easy to make assumptions, I’ll just say in higher education, in particular, since I think that’s primarily the audience for this particular podcast. I think a common misconception, for example, is that all students entering their class are traditional college age, 18 to 21 years old, but like, I should put a big asterisk on that and say, that’s probably not the traditional age at most institutions anymore. But that’s the stereotype of kind of who a college student is. And there may be some assumptions about what their prior learning experiences were like that brought them into a college classroom… about the prior knowledge that they had. And so what I think a user-centered design encourages us to say, “Do we know that? How do we know that? What information do we need to gather to remember who’s actually coming into our rooms?” And I’m not suggesting that any educator has to like, do deep dive demographic data work to find out who their learners are. But I think most of us can kind of anticipate the range of people who are coming into our classes. We might anticipate just the different types of learners that we may encounter. And by that, I mean, it’s worth, I think, before you start designing, just trying to remember, what are the different motivations that students have for coming into the class? What are their purposes for being there? What are the main things that students are going to want to do by being in your class or your training or your workshop at any given moment? So starting by just sort of trying to map out who those people are? And then try to anticipate, okay, given this motivation, or this purpose that this learner may have, what kinds of things might they be looking for… literally looking for my online course? What things will they click on first? Which links are they going to want to access most frequently? Which resources are going to benefit them on the site most? And then trying to design your learning management system course site, or if you’re not using learning management system, your course website, broadly speaking, to really privilege the resources, the links, the activities, the pages that are going to be best aligned with what you anticipate your users or your learners may need. And Rebecca, I’m sure, can speak to this given her expertise, too, but UX design really is a whole process of trying to consider how the visual information, how even like the tactile information, say how your keyboard was set up, how your device is set up, how that allows you to most easily use and engage with products, so to speak, that you’re building. And in this case, we want to think about how can you build the best online course that you can, in a way that allows users to most easily find the information you anticipate they will most frequently need?

Rebecca: So one of the things I’m hearing you say, is really thinking about the wide variety of learners that we have and the different needs that they have and trying to address that. One of the things that’s really popular in UX design and that you talk about in your book are personas. Can you talk a little bit about how learner personas can help us think through the different kinds of learners that we have in our class in a really practical, tangible way. You just kind of provided that theoretical framework, but I love that the personas is such a practical application of that.

Jenae: Yes, thanks for asking that. Rebecca, I was debating whether to dive into that with the last question. But let’s dive into it now. So for those who aren’t familiar, personas are an exercise where you really try to create a character sketch, I would say, of the user you’re imagining is going to engage with your course or in this case, try to imagine an example of a student who’s going to be in your class. And by creating a character sketch, I mean, I encourage instructors, if they have the time to sit down and say, “Okay, what might be the name of someone in my class? What might be their age? What might their prior experiences with learning my topic have been? Why are they here? What brings them to college? Or what brings them to this class in the first place? What are going to be some of their biggest challenges? What are going to be some of their biggest hopes? What are the things that they’re going to be most excited about doing in this class?” And again, it’s a bit of an imaginative exercise. And so I think it’s easier to do with more teaching experience. But it’s also not impossible to do even if you’ve had relatively limited experience. It’s really just an exercise in trying to think through who might be the real people that you are engaging with, I do want to say that there’s been a lot of conversation in the UX community, and again, Rebecca, you may have some thoughts on this, too, about sometimes the stereotypes that personas can perpetuate. For example, I think there have been concerns in the UX community that when you try to characterize, say, an older user, of an online interface, a stereotype might be that they struggle more or are more challenged with using technology than, say, a younger user. And that that might be a challenge to anticipate. And so I want to be mindful, for example, that if you are going to be in the practice of building personas, which we talk about in the book, because I do think is a useful exercise to kind of try and make concrete for yourself who is going to be on the receiving end of your experience, that you do try to check yourself a little bit on reinforcing stereotypes to the best of your ability. It’s easy to do, stereotypes exist because we notice patterns sometimes in how people behave. And that can sort of reproduce some harmful assumptions about who those users are. But again, to the best of your ability, attempt to anticipate what the needs might be based on what you do know about who might be in the room, just again, kind of reminding yourself that you’ll want to think about your personas in nuanced ways, and not necessarily make assumptions about who they are. And I would say one solution to that, how am I supposed to write a generalized description of a persona, while avoiding all possible stereotypes about who they might be? I would say again, time allowing, try to run your personas by other people, and just see what their reactions are to reading them. For example, if you have a trusted colleague, or a friend who teaches a similar class, or who you work with regularly, just show them what you’ve drafted and say, “Does this feels like a real person to you?” And to attempt to ask diverse people about how your persona sketches are landing or how realistic they feel to them. That’s always a good way to kind of gut check, and just make sure that as you’re anticipating your users’ needs, you’re not falling too much into your own biases about who the people are that you’re supporting in your course.

Rebecca: So one of the things, I think, people do sometimes run into when they’re making personas is to create the ideal student that doesn’t exist, and also to recreate themselves. And so one strategy that I often recommend is thinking about creating aggregates of people that you do know. Because then they’re more realistic in terms of the way they might interact. So if you’ve taught a class before, you might have a real pool of people you could draw from [LAUGHTER] and to create a persona from, obviously, that’s more difficult when it’s a new place. And I was also going to offer up in terms of thinking about disability and thinking about accessibility, that there’s a book called A Web for Everyone, and they have a lot of resources. It was published quite a while ago, but they have a lot of resources still online, they have some personas for people with a wide range of different kinds of disabilities. And sometimes that can be really useful in just thinking through kinds of scenarios that you might not think of on your own.

Jenae: That’s fabulous. I would love to see that resource about sort of supporting accessibility, especially. That’s such a huge issue in designing online learning experiences, particularly. I’m so glad you mentioned those resources. That’s fantastic.

John: And while there may be those types of biases that you might have, those who’ve taught classes multiple times do know some of the types of problems that past students have had. So those issues that they’ve experienced in the past could be built in. But one of the other things you suggest is doing a pre-course survey, so that you get some more information about the actual students in the room rather than those who may have been thinking about when you initially designed the course? Could you talk a little bit about that survey?

Jenae: Yes, I’d be happy to talk about the pre-course surveys. So this is a practice that, I think, has multiple benefits. So in a pre-course survey, I think instructors have this wonderful opportunity just to ask students what their motivations are for engaging with the class, what brought them here, how they would characterize some of their prior experiences with learning similar topics, if any, and just to voice what concerns they have, or what things are exciting to them about the term ahead. I’m giving a lot of examples of possible questions and I just want to acknowledge that not all instructors will want to ask all of those questions all at once. But those kinds of questions that really get at motivation and concerns, I would say, in a nutshell, can be really critical, both for adjusting, I think, those persona expectations. So, creating personas should be an iterative process, I should say, as well. It’s not a one and done thing where you anticipate who your learners are prior to the course starting and then you’re like, “Okay, I figured it out, I know who all the students are. Knowing who the real students are, can then allow you to go back to what you anticipated. I think, and both of you, Rebecca and John, were speaking to how you could use prior information from prior terms to inform your kind of current term or current course. Great, you could sort of just align your prior understanding with this current information you might get from these surveys to then go into your course website, or your course learning management system, your syllabus and say, “Okay, is this design going to work for the group of people who are actually here based on what I’m reading?” …recognizing, of course, that nothing’s gonna be perfect for everyone. But you can do the best you can to try and make the materials as good as possible for the group that you have. In front of you. I would say that you want the survey to feel less burdensome for your students to complete. I’m giving a lot of examples of questions that I think are ideal as open-ended questions. Some of these, you could turn into multiple choice or kind of Likert-scale style questions, because you can just use it as an opportunity to take the temperature. “On a scale of one to 10, for example, how confident do you feel in your understanding of your ability to pick up new quantitative concepts?” …for example, if you’re teaching in a STEM-style discipline. Or “On a scale of one to 10, how comfortable do you feel as a writer or with writing tasks?” …if you’re teaching something more humanities- or writing-centric. You can get really creative in trying to solicit some feedback. And I also encourage instructors to be judicious in what they’re asking in these pre-course surveys to kind of try and ask questions, with the end goal of helping you as the instructor make small tweaks to the design of the course. Think about this information as a way to say “Okay, are there certain links I should put on the homepage that I didn’t think needed to be on the homepage? Or should I reorganize the menu on my learning management system in a way that highlights some resources more than others based on the information I’m getting in the survey? Should I reorganize a module to introduce some content before other content, because I’m seeing a trend in the surveys about less confidence in one area of the course than I was expecting in another?” So thinking about how the answers might inform your design, a research-based perspective really, I think, can make your course really even stronger. And I think it’ll feel better, both for you and the students because it helps the students see that you’re curious about them, you want to know who they really are. And we know that engaging personally with people really matters for good teaching. But the instructor too, it can be really frustrating. If you design something and it doesn’t land with your students. You feel like you spent a lot of time building something that didn’t work. That’s a really disheartening experience. So getting the feedback might allow you to avoid [LAUGHTER] having or feeling so disappointed if the information didn’t land the way you were expecting it to. And this isn’t foolproof. There’s always room, again, for iteration. But I do think the surveys can at least help you anticipate a little bit better how the progression through your course could go.

Rebecca: I can imagine that some of those surveys with open-ended questions could lead to better understanding how students name things or label things which could give you a lot of clues about the actual user design of a course by just how you might name or provide quick descriptions of things. In your book, you talk a lot about instructional text design, which obviously has lots of skills in online learning from instructions for assignments to just how we might label a folder [LAUGHTER]. There’s lots of skill there. Can you talk a little bit about the basic principles that you’d recommend for course designers to follow when they’re writing instructional text?

Jenae: Absolutely, and I realized, as you were talking and responding, I was nodding along. And then it struck me. It’s like, “I’m on a podcast, no one’s going to know that I’m nodding and agreeing with you right now.” So [LAUGHTER] for the listeners sake, like I was nodding along quite vigorously with that entire response. Instructional text, I think, is one of the most underrated and one of the most important things to design for any online course experience. I think that online course designers have a real tendency to rely too heavily on video and on images. There’s an assumption that if you’re working online, everyone’s just using video all the time, or everyone’s just wanting to engage with the flashiest multimedia possible. That is still important. I mean, we have two chapters in the book, all dedicated to video. So I don’t want to undermine that. It is important to engage with multimodal artifacts and building multimodal interventions, when you’re teaching in a multimodal environment like the internet. However, for students who may have low internet access and low bandwidth, for students with disabilities, text remains one of the most accessible and easiest ways to find information in an online course. I’d also say text is one of the most mobile-friendly pieces to think about. And we know that increasing number of students are accessing their courses or coursework through their smartphones. I’ll answer your question directly now, but I wanted to provide that context. I would say when it comes to designing instructional text, I really encourage instructors to think about two big things, to think about the hierarchy of the information that they’re writing, and to think about the discrete chunks of information that they’re wanting to communicate. So when I talk about the hierarchy of texts, I think it’s important when we’re writing to consider what are the sections of our text? Most academics, most instructors, are used to, when they’re reading or writing, creating headers, and sub-headers, and paragraphs that denote a certain order of information. And when you’re teaching online, especially, I think even more critically about how are you labeling the text? How are you indicating which things are instructions versus content? How are you labeling the order of the content that you want students to read in? How are you even labeling the order of instructions, like there is usually multi-tiered sets of steps. So using header text and different layers of header text, is a really important web accessibility measure. And again, it helps readers see visually and if they’re using a screen reader tool, it helps them navigate that text more easily. So I should take one step back and say when I’m referring to header text, I mean that when you’re working in a rich text editor, on any website, you can typically see an option to select different layers of headers, like the header ones are usually the highest, biggest level header, header twos go below that header, threes go below that. So just being mindful that just increasing text size is not the same thing as using headers is one really, really simple way to create hierarchy. And again, to denote the correct order of reading the text information. And when I say chunking text, this is as simple as just thinking about paragraphing, making sure that you are spacing out pieces of content in really critical ways. So anyone who’s read a piece of writing with super long paragraph knows, that’s a lot harder to kind of discern, it’s a lot harder to see how one idea moves from one to the next. Shorter paragraphs are typically easier to get a sense of when you’re moving from one idea to a new idea. And so even though long paragraphs have their purpose, perhaps especially in scholarly writing, or even in more, I would say kind of creative writing, in some cases, when you’re doing really instructional or technical work, which you’re often doing when you’re designing a class, shorter is better, more chunked is easier to access, because you’re assuming that people are doing things with your information. So those are the two qualities I would just be thinking about with instructional text. There’s a whole other component that we didn’t really address in the book, but I’ll just stick to very briefly here, which is also thinking about just the visual appearance of your text. A lot of accessibility folks speak to some best practices and guidelines around font face, and font size, and some of these factors when you’re designing text as well. I’m not an expert, I should say, in like type of graphic design or font size, but I want to point out anyway, because I think if you are designing online, it’s important again to do the best that you can to try and anticipate those needs. So I think as a general rule, making sure your font sizes are not super teeny tiny, or super large. Making sure that you’re using standard font faces: Arial, Helvetica any sort of sans serif font is typically considered a best practice. The rules around this change all the time, Web Accessibility Guidelines change as technology evolves, so I never like to give super hard and fast rules, and again, it’s not my area of expertise. But it’s another piece to keep in mind that visual and verbal information is intertwined. Text is a visual medium, online learning experiences are largely a visual medium, by default. And so the more mindful we can be of what that looks like, and the more mindful we can be of how the visual experiences we design online, are compatible with accommodations for disabled users. We just anticipate our users’ needs, our learners’ needs more proactively, and it raises the boats for everyone. It just gives everybody a deeper chance to succeed if we’re just thinking about these interface choices in more deliberate ways.

Rebecca: I love that you’re really talking about how the instructional text is also part of digital accessibility. It’s important to have plain language, it’s important to chunk your content and these sorts of things. So I’m really excited that you’re incorporating that into the work that you’re doing.

Jenae: Thank you. It is exciting. I think it’s one of these things that, when Michael and I were first discussing this book, it was a real lightbulb moment for us that there was such a robust literature out there that discussed all these great principles for making sure that online information was easy to find. And it just was striking to us that a lot of folks in teaching professions weren’t getting access to that information or exposure to that information. And we started thinking about this, again, prior to the pandemic, kind of in the mid 2010s. And even at that point, online courses were growing, mobile access was becoming a more common way that students were engaging with courses. So, why not tap into these existing sets of conversations that are industry best practices, for engaging with online interfaces, in spaces like higher ed, and in spaces just like learning and development, where these dialogues seem not to have met each other as fully as they could.

Rebecca: Our chief technology officer and I were having a conversation about some of these things yesterday as we’re talking about our student body is diversifying and that we have far more students with disabilities who are able to attend college and have access to college in a way that maybe they haven’t in the past. And as you were talking about headings and paragraphs and things, something that people might not know, is that if you use a screen reader, you’re not necessarily visually interacting with the text. Instead, you’re thinking programmatically, and so just like kind of vision centered [LAUGHTER], the user might skim headings visually, it’s the same way someone might use a screen reader. So by choosing a heading level two, it allows someone to find that section easier. And by breaking things into paragraphs, and delineating that’s that kind of content that allows a screen reader user to be able to jump to a particular part of the content. When we don’t do that, a screen reader user has to listen to everything from the top to the bottom of the page.

Jenae: Great example. Yes, and that’s such a frustrating experience to have to do that. If we can be just a little bit more attentive to the information architecture of sort of what we’re trying to communicate and convey… information architecture is a technical term, but it’s also a metaphor [LAUGHTER]… we have architecture and we have design to help create solid foundations for places that we live. Similarly, when it comes to information, we need to be building solid infrastructure to help people navigate their way through a course. One of my colleagues a while ago used a metaphor for online learning design I’ve never forgotten and we’ve alluded this a bit in the book, which is that when you’re building something online, it’s like you’re just building a whole house [LAUGHTER]. When you walk into an in-person classroom, the architecture is literally there, and you make assumptions about the room in the space, the second that you walk in the door. When you’re designing text online, or just when you’re thinking about the whole online learning experience, it’s a total blank canvas, you have to build that architecture and those hierarchies. If you’re not attentive, you’re absolutely right, the consequence is that it can be a big overwhelming mess of information. And I think it’s a useful practice for instructors, even when they’re not teaching online, to think about these things. It’s also just a great exercise and getting really very focused on what information do you want to prioritize when you’re communicating assignment instructions or when you’re picking out content-based readings for your students? What do you want them to focus on? What are the big things you really need them to learn or pay attention to? And so if your course design, your visual design can align with the hierarchy of choices you’re making as an instructor or the priorities that you’re setting, it just makes it easier for everyone to have equal access that information so that more time can be spent for students to focus individually on how they’re processing, applying, doing higher-order thinking with that information. They don’t have to spend so much energy just trying to intake the kind of basics before they have the opportunity to really work with it and apply it meaningfully,

John: You provide a lot of other information in your book, and we encourage people to read your book. If they want to find out more about creating videos, about providing effective webinars, and so forth, there’s some really nice hints and suggestions throughout. But one of the things you end with in there, is ways in which instructors can continuously improve their courses, in terms of soliciting feedback to make the course better each time. Could you talk a little bit about how you would encourage instructors to continuously work on developing their courses?

Jenae: Sure. So I really like that section of the book, because what I hope that section communicates is that thinking about your course design is a reflective and an iterative process. I don’t think a course is ever really fully perfect and done, there’s always things you can do, and modify each time you teach or offer the experience. So, I don’t think getting feedback on the course has to be hard, I don’t think it has to take a ton of time. We talk about multiple ways of getting information about how the course is working. And I’m going to start with I think some of like the easiest and most passive ways to get information and then we’ll sort of work our way to some of the more perhaps active or personalized interventions for getting information about the course. So one thing I think is worth really paying attention to, after you finish teaching a course, are some of the analytics that are available in your learning management system or your course website. And I recognize that some folks are really reluctant to look at the analytics, because there is a surveillance economy implicated in the tracking of course analytics. Every site on the web tracks your movements, every site in the web knows how long you’ve stayed on a certain page, what things you’ve clicked on. And a learning management system is no exception to that. Unfortunately, that information can get weaponized to discriminate against students, discriminate against users in problematic ways. In the web, outside of learning, for example, analytics can be gathered and sold to advertising companies to spread information about your activities for profit. So I just want to note that context, but you can also use this information for good and for some useful things as well. So seeing which resources students are clicking on the most in your class can be really useful information for you to say, “Huh, seems like a lot of people found that resource useful.” You don’t have to necessarily identify which individual students looked at which resources but you can look at this data, typically in aggregate, and again, most learning management systems have an analytics dashboard, you can access to look at this. I think that’s incredibly useful just to see what was clicked most often and what wasn’t. You might also want to track, for example, which pieces of information students did spend more time on. It could indicate a couple different things, it might indicate that something was really challenging, if students spend a lot of time on one particular piece of content over another or if they found it useful. You’d have to contextualize that data based on what you were seeing in the course. But I think if you’re willing to look at that information, again, in the context of how your term went, it might just give you some passive information that could surprise you. I would even look at, for example, with assignment submissions, how many delays were there on certain assignments versus others? In which assignments did students request more extensions more than others? Again, this is just information that might help you inform whether the pacing was appropriate for the course, whether assignments were sequenced appropriately. That kind of thing. If you want to get more active, if you gave a pre-course survey, you can do a post-course survey. Most institutions, of course, have formal evaluations of teaching, but we know that institutional student evaluations of teaching can be fraught. Sometimes they ask the kinds of questions we don’t always want to ask or find most useful as instructors. So if you do your own very brief post evaluation, you could focus it on the design of the course itself. I think it’s worth asking students at the end of the course, how easy was the course site to navigate? How accessible did the materials feel for your ability to learn? You could return to some questions from your pre-course survey. If you asked a Likert scale about rating your confidence with learning something on a scale of one to 10 at the start of the course, you could ask them by the end, “How does your ranking change?” Even referring back to the original data that they might have submitted to you with the pre-course survey. So those are another way to ask them. I think if it’s possible to, what I love to at the end of the course is even a little brief post interview with students if possible. We mentioned this a bit in the book. Again, it’s time consuming. But if you have a small-ish class where you could have conferences at the end of the term, and have a moment with just a five-minute conversation to ask students: “How did it go? What aspects of the course design did you like most? Which were most challenging to you?” That’s another way to get information. Finally, I’ll just do one more technique we write about in the book, which is never discount your own reflection on your experience as well. This is another form of user research. Even though you are not the end user for the course, you are the designer, and so I think it’s always useful just to jot down a few notes and treat that as research when you’re done, too. What did you notice about user interactions on your course site throughout the term? What things surprised you? What things went exactly as you expected? You can use those notes to iterate and improve your experience for the next time that you offer it. So those are just a few techniques and many, which again, are drawn from the field of user experience research surveys, and interviews, for example, are pretty common user experience research practices… other UX research practices that, again, just depending on your time, depending on your resources, it’s great if you can see students engaging in the course as well, asking them, just really seeing what it looks like for them to interact in the course. That’s a good way to get at good information about it. I just want to encourage anyone who’s teaching not to shy away from getting that kind of feedback, because it does make, I think, teaching more satisfying when you’re getting more information about what’s working and what isn’t.

Rebecca: So, you know this question’s coming…[LAUGHTER] We always wrap up by asking: “What’s next?”

Jenae: Yes, I do know it’s coming, and it’s funny, because I was thinking about it. What am I [LAUGHTER] doing next? So to be honest, I don’t have a clearly defined project, I’m doing a lot of little things, I might be taking a little break, because I have written two books in about two and a half years [LAUGHTER]. So that’s been a lot… wonderful. I think I’ve been bitten by the writing bug, for sure. And so I suspect there’s more writing in my future, but nothing immediately next. I’m still very curious about what it’s going to mean to keep designing really good online learning experiences in the future, I don’t think we’re done with that conversation. I’m really curious about how that’s going to evolve in the context of creating more inclusive and equitable learning environments for students. So I imagine those are topics I will continue to explore to some extent, but we will see how, of course, with AI too, and the impacts of that on online learning, I’m sure there’s gonna be a whole set of ways to think about these topics that will continue to evolve. So I’m kind of keeping my eyes open and my ear to the ground on how things are developing. And we’ll just kind of see what ideas emerge from there.

Rebecca: Well, it’s always a pleasure to talk to you, Jenae. Thanks for all the work that you do.

Jenae: Likewise, thank you, again, for having me and for engaging with these excellent questions. And if you listened to this podcast, we’ll put in the speaker notes, I’ll give you a little gift of a promo code. If you’d like to buy the book, we can give you a 20% off discount with thanks to Rosenfeld Press who published this book.

John: Well thank you. We’ll be sure to include that in the show notes and it’s always great talking to you.

Jenae: Wonderful, and likewise, thank you again.

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John: If you’ve enjoyed this podcast, please subscribe and leave a review on iTunes or your favorite podcast service. To continue the conversation, join us on our Tea for Teaching Facebook page.

Rebecca: You can find show notes, transcripts and other materials on teaforteaching.com. Music by Michael Gary Brewer.

Ganesh: Editing assistance by Ganesh.

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298. Sustainable Professional Development

The rapid changes in teaching practices and teaching modalities during the last few years have provided challenges for both academics and the professional developers that support them. In this episode, Judie Littlejohn, Jessamyn Neuhaus, and Chris Price join us to discuss ways of moving toward more sustainable models of professional development.

Judie is the Director of Online Learning, an Instructional Designer, and an adjunct instructor of history at Genesee Community College. She is also the Chair of the SUNY Faculty Advisory Council on Teaching and Technology, or FACT2. Jessamyn is the Director of the SUNY Plattsburgh Center for Teaching Excellence and a Professor in the History Department at SUNY Plattsburgh. She is the author of Geeky Pedagogy: a Guide for Intellectuals, Introverts, and Nerds Who Want to be Effective Teachers. She is the editor of Picture a Professor: Interrupting Biases about Faculty and Increasing Student Learning. Chris is the Academic Programs Manager for the SUNY Center for Professional Development. He coordinates and leads system-wide professional development in the SUNY system. Before moving to this position, Chris served as the Director of the Center for Excellence in Learning and Teaching at SUNY Brockport. Chris is also a member of the POD Core Committee. POD is the Professional and Organizational Development Network serving those who work in educational development.

Show Notes

Transcript

John: The rapid changes in teaching practices and teaching modalities during the last few years have provided challenges for both academics and the professional developers that support them. In this episode, we discuss ways of moving toward more sustainable models of professional development.

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John: Thanks for joining us for Tea for Teaching, an informal discussion of innovative and effective practices in teaching and learning.

Rebecca: This podcast series is hosted by John Kane, an economist…

John: …and Rebecca Mushtare, a graphic designer…

Rebecca: …and features guests doing important research and advocacy work to make higher education more inclusive and supportive of all learners.

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John: Welcome to this live podcast recording session at the SUNY Conference on Instruction and Technology. The topic of this panel session is “sustainable professional development.” Our panelists are: Judie Littlejohn, Jessamyn Neuhaus, and Chris Price.

Rebecca: Judie is the Director of Online Learning, an Instructional Designer, and an adjunct instructor of history at Genesee Community College. She is also the Chair of the SUNY Faculty Advisory Council on Teaching and Technology, or FACT2.

John: Jessamyn is the Director of the SUNY Plattsburgh Center for Teaching Excellence and a Professor in the History Department at SUNY Plattsburgh. She is the author of Geeky Pedagogy: a Guide for Intellectuals, Introverts, and Nerds Who Want to be Effective Teachers. She is the editor of Picture a Professor: Interrupting Biases about Faculty and Increasing Student Learning. (Jessamyn will be joining us as soon as she finishes a presentation in a nearby room.)

Rebecca: Chris Price is the Academic Programs Manager for the SUNY Center for Professional Development. He coordinates and leads system-wide professional development in the SUNY system. Before moving to this position, Chris served as the Director of the Center for Excellence in Learning and Teaching at SUNY Brockport. Chris is also a member of the POD Core Committee. POD is the Professional and Organizational Development Network serving those who work in educational development.

John: Judie, Jessamyn, and Chris have all been extremely active in helping faculty navigate the challenges of the last few years. Welcome, Judie, Jessamyn, and Chris.

Rebecca: This wouldn’t be a complete episode of Tea for Teaching if we didn’t ask about tea, so, our teas today are: … Chris, are you drinking tea?

Chris: English afternoon.

Rebecca: Well, you’ve made the correct choice.How about you, Judie?

Judie: And I have Darjeeling, which is my current favorite.

John: And I have a Tea Forte black currant tea today.

Rebecca: And I have Irish breakfast.

John: Jessamyn, you’ve arrived just in time to be asked about your tea.

Jessamyn: Well, I specifically arranged to have to be somewhere else when I was supposed to be here so as to demonstrate in this meta way, unsustainable faculty development [LAUGHTER] where you’re in two places at the same time.

John: During the past three years, faculty have engaged in professional development at unprecedented levels in response to the global pandemic, and here in SUNY, with the SUNY-wide transition to a new learning management system. From what you have observed in your roles, how has this changed instructional practices? We’ll start with Chris.

Chris: Yeah, so prior to the pandemic, online learning was was more optional. You were either an online instructor or a college had online instruction as part of its mission, but it was a choice. And so after the pandemic, the whole “Should I do online?” just went away and it became “How am I going to do it?” or “How are we as a campus going to move things online? And so the validity of online instruction, that question, just kind of went away. We know, though, that during a pandemic, it wasn’t the ideal time to transition to online instruction, it was just everybody doing it all at once by the seat of their pants, and instructional designers and everybody that supports online instruction were definitely stressed out. So it wasn’t an ideal situation. But I think where it’s left us now, is that we don’t have to have those debates anymore about whether or not online is a valid mode of instruction or not. And so it’s allowed us to take a step back and be a little bit more creative with how we incorporate online instruction into our courses, our programs, our colleges and universities. And so, for example, if you think about HyFlex instruction, before the pandemic, I had never heard of HyFlex instruction, and it really kind of has emerged since then as being something that many colleges and universities are considering as an integral part of their instructional plans. If you would have told me before the pandemic that folks were teaching courses asynchronously online, online synchronously via videoconference, but also face to face, I would have really questioned whether or not that was even possible, and now campuses are doing it all over the place. We just presented today about a Tools for HyFlex courses project that we’ve been looking at, investigating the different types of video conferencing tools that faculty are using in their courses. And so, just to sum up, yes, the pandemic definitely, a lot of residual trauma that folks have from it, but I do think that overall that now the acceptance of online as a mode of instruction has definitely been a positive.

Rebecca: How about you, Judie?

Judie: I do agree with what Chris said, we’ve seen a huge growth in HyFlex courses on our campus as well, and the exponential use of Zoom. But I think these changes are not finished. At the beginning, just before the pandemic really sent us all home, we started training everybody in Zoom on our campus. We were fortunate that that final week, we were on spring break, so we were able to literally herd everybody into computer labs. And each day, we were allowed fewer chairs in the lab as people had to start to spread out a bit. At that time, the focus really was on Zoom, and on using our LMS for the faculty who weren’t using it yet. But then, I think, as people became more comfortable with Zoom, and also we knew we were changing LMSs, the focus really shifted to the LMS training. On our campus, we don’t have the dedicated lab space and personnel to teach all of our faculty a new LMS at the same time, so we took advantage of all the SUNY trainings that were offered. We were in the first cohort onboarding to the system-wide Brightspace digital learning environment, and a lot of our faculty attended every virtual workshop that SUNY offered, and thank goodness that we had those opportunities for the faculty because we could not have recreated them all ourselves. So there was a huge growth, I think, in faculty participating in webinars and trainings offered by SUNY. And it all translates, I believe, into course quality. I think, as far as instructional practices go, the students are having better learning experiences because of the way the content is arranged in the new LMS. But along with that, though, I feel like most of the faculty are more open to engaging with students in Zoom, even if they are in 100% asynchronous courses. They have more virtual availability, I’ll say, than they would have had previously in their face-to-face office hours. So those are the two big things, the course quality, and the virtual availability, that have really increased through all this.

Rebecca: How about you, Jessamyn?

Jessamyn: I guess I’m thinking of something a little less tangible than the other two, which I totally agree with what was just said. I would say the awareness of students’ life circumstances, and how life circumstances can impact learning. I remember very clearly, my first semester after the emergency pivot and a faculty member saying to me, like it was just percolating through his head, and he said, “But what if my student doesn’t have access to wi-fi?” …like he was thinking it through. I saw it happening and the change happening, really thinking about how life circumstances impact student’s ability to engage in the courses. And I would say that it was a good shift, that awareness, but it’s also been very overwhelming. Because once you start down that road, it piles up fast, all the ways, and all the challenges that individual students might be facing.

Rebecca: The tremendous pressures of the pandemic broke down silos between faculty, departments, disciplines, and institutions to initially support the transition to remote teaching and to support the increased interest in inclusive teaching practices. How do we sustain this culture of sharing and prevent the silos from being rebuilt? Judie?

Judie: First, I think the way the silos were breaking down just as SUNY was working on new, updated general education requirements, is really helpful as far as sustaining this, because, with the DEISJ requirements, which are Diversity, Equity, Inclusion and Social Justice, they help us maintain this level of empathy and concern. I don’t want it to sound like the faculty didn’t care about the students before, but I think the level of empathy really increased throughout COVID and the new general educational requirements will help to maintain that. Faculty will continue discussing how they are meeting all these updated requirements in our current programs, and they’re sharing ways to incorporate the DEISJ requirements into different fields that may not have overtly considered those topics previously. So, yes, I think it’s fortuitous timing with SUNY’s shifts in DEISJ requirements, as far as keeping those silo walls broken down so that people can continue having conversations and sharing.

Rebecca: So what I was observing when I was hearing both Jessamyn and Chris is that in professional development we should be implementing the good pedagogy that we’re trying to have our faculty also implement in the classroom.

John: So faculty have become more aware of the challenges that our students face in terms of mental health and wellness, access, and family and community resources, resulting in more interest in inclusive teaching practices. How do we sustain interest in these issues while faculty, staff, and students all feel overwhelmed, and overworked?

Rebecca: You don’t feel that, do you John? [LAUGHTER]

Jessamyn: Well, I would never underestimate the power of acknowledging the situation, acknowledging the reality. So I started both of my sessions by saying, “I know this is a tough time, I know that you are tired, I know that we are all tired.” I also have been taking care to frame and remind people that I would never recommend anything to you that’s not going to make your teaching life, working life, better, I would never tell you to do something just for the sake of checking a box or because I think it’s the right way. But this will make your life easier, your working life better. And finally, I’m really leaning into cut down on content, as much as you possibly can. That’s sort of an underlying advice I’m giving, is talk less and listen more, for me as well, but for faculty. And it’s not that creating more student-centered course design is less work, per se, but it definitely changes the energy in the room and feeds our teacher souls in a different way than nonstop lecturing does. Those are just a few ideas.

Chris: So, I’m gonna take a little bit of a different track here. One piece of advice that I would give is that you got to figure out ways to let things go, things have to go, we can’t burn the candle at both ends, but that, of course, is easier said than done. I’ve been privileged to be involved with, the last few years, online groups of tenure-track faculty throughout SUNY. These are sessions that are open to anyone in SUNY. They take place every couple of weeks. They’re about an hour. They’re not recorded. They’re in Zoom. But we just call them open mic sessions. And I do it with two colleagues at Empire State University. Alan Mandel and Shantih Clemans came to me and the three of us kind of put this together. And, and one of the things we keep hearing from new tenure-track faculty is that as the issue of service comes up again, and again, and again, they’re not really sure how to navigate that. And I think we know this, and I think the research bears this out, that women, minoritized folks, bear a disproportionate service burden on campuses. And so how do we get around that? We need everybody doing service, our colleges and universities just cease to exist if folks weren’t doing service. So I think what we need to do is do a better job of recognizing and rewarding service and distributing it more equally across campuses. Again, I know, that’s probably easier said than done, but I think that that might alleviate some of that disproportionate burden on many of our faculty. The other thing too, is I think, we need to encourage more of a team-based approach to instruction. So that, there are some things like you got to let go. And you got to say, okay, you know, maybe I don’t need to be tweaking every single thing in my course. And now I know instructional technologists and designers are also overwhelmed. But, I think they would all appreciate it if faculty didn’t come to them in an emergency and they came to them more proactively to figure out how to troubleshoot things in their courses. So those are two just very practical suggestions.

Judie: For me, on my campus, as far as sustaining interest in maintaining that level of empathy with the students when I’m overworked and overstressed… we’re short staffed right now, so I do a lot of things in a day and the day is long, and I also teach, but I teach as an adjunct, so I can’t grade or give feedback during my working hours, and I share this with faculty too. So when I what I do every single day when I get home, I go right to my computer, which sounds counterintuitive, but I just keep my day going and I sit right down and I grade all three classes for whatever the people did in the last 24 hours. So I grade every single day, all three courses, because I’m in that place, right? I’m home from work. This is what our students do. They’re working all day, they’re taking care of their kids, they’re doing whatever. And then they get home and they have to sit down at their asynchronous course, and try to rewatch the video, read the lecture, take the quiz, and do all of that. So I feel more connected with the student in that way. Because I do it every day, there’s not that much to grade. If I have classes of 25 students and they don’t all do their work on the same day, it’s spread out throughout the week. I’m real forgiving of deadlines and things like that, I suggest deadlines to keep them on track to finish on time, but I never penalize late work. And I don’t want to their I don’t want to judge their excuses, either. Because I always feel like, I end up being the judge of the best excuse if somebody needs an extension. So everyone has their extension out front. And I grade their work as it comes in and give them their feedback. And it just helps me keep my empathy that way, I think, because sometimes you’ll look and start to read a response or an essay and think, “oh, here we go… this again,” or you know [LAUGHTER] and then I always think, somehow, in my home space like that, it’s easier for me to take a step back and say, “I don’t know what their day is.” I always say “I’m not wearing their shoes…” Who knows what the students have had to go through throughout the day. And one thing that helped me a lot early on in the pandemic was we have a respiratory care program on our campus, and our respiratory care faculty were right there on the frontlines of COVID, like nobody else. And they’d never taught online. And they didn’t use the LMS. So I was constantly helping them get their materials online and their grading online and their announcements and so forth. And I could see the announcements that these people were writing to their students, and just how powerful they were, and they’d start off with, “Please take care of yourself. Please get some rest. We understand you have to take time…” and just how much concern and true love for their students that they were able to demonstrate in these announcements. And some of them I kept as just examples of how to show empathy towards your students. And I think having that sort of an example for me, as an adjunct, helped me set my own daily practice to be able to keep that empathy for my students. So I think just finding a good example like that and being able to share it, is how we can help keep it going forward.

Rebecca: So along the lines of resources, budgets and resources for professional development are limited, I hear. Where should professional developers place their focus, and their efforts?

Judie: So for me…we did assign these by the way, we don’t just randomly know when to talk… [LAUGHTER] I take a project management approach to a lot of these things, just because I like to keep records and details and know who’s done what and where we stand. So definitely, from that perspective, I start with a needs analysis, and who has what, who needs to know what, and where are the gaps, and how can we fill the gaps? So I don’t think there’s a way to identify that one key thing that all faculty need right now, aside from entire LMS training. So, we are in cohort one, so this summer, everybody’s teaching their courses for the second time. So we’re kind of over that hurdle. I tell them, we climbed the mountain and our sliding down the back side and able to focus more on course improvement than how does the LMS work. But beyond that, I’m still trying to get some of our own training materials that existed in our former LMS. we have to Brightspace-a-size things. So, [LAUGHTER], we have to Brightspace-a-size, for example, the RSI, the regular and substantive interaction training, and bring that up to the right standards in Brightspace, so that I can identify who wasn’t able to complete it before and things like that. But by and large, though, it definitely is a needs analysis, that we can’t throw all of our professional development energy into one bucket. We got to figure out what are all the buckets and who needs who needs a ladle full from each?

Jessamyn: Yeah, I’m gonna piggyback on that because I think campus culture really is key to answering this question. The campus culture around faculty development efforts, really has an impact on what’s going to land and what’s not. I’d also add to that, that we, as professional educational developers, should be keeping track better track of where our time goes, where our efforts go, when we make a yearly action plan. We should also be doing monthly activity reports just for ourselves, and to save us time at the end of the year, compiling everything we did, and that can help us see where our time and energy and hours are going and if it’s unsustainable. So if you’re spending… well, I know I can say 100% certainty… what’s your biggest time suck, audience? I bet it starts with E…

Rebecca: …and ends with mail.

Jessamyn: [LAUGHTER] and ends with mail… and ends with “oh my god, another three hours doing email.” So really sort of self reflecting and reporting on that, I think is important. But the last thing I would say… just I’m going to put a plug in for where professional developers should focus their efforts on inequitable teaching labor, and systemic discrimination facing historically minoritized faculty in the academy, and faculty with… a term I learned… invisible and visible disabilities, because we might have some power to move the needle there. Like, for example, student evaluations of teaching do professional and personal harm to faculty every single semester, or every single trimester. There might be a way that, in our role as professional faculty developers, we can mitigate that, change some policies or provide people with actual actionable strategies for lessening that impact. That’s on the top of my list right now.

Chris: Yeah, I’m gonna pick back up what Jessamyn said, because I think the most important resource a campus has for professional development, are the people who work in professional development on the campus. You may have no budget, but at least there’s someone, and hopefully it’s a full-time person, or someone with a significant course release to do that work on your campus. So, that is a resource, and so doing needs analysis is important. And knowing what you’re doing is important, because it helps figure out what is it that you can do most effectively. The Center for Professional Development, now that I’m there, I do a lot more program planning a lot less working directly with faculty. And we don’t really have a budget, like a lot of the things that we do are things where we find people to deliver programs, and then we charge a fee for the program, so that, you know, we can pay the people who do the do the programs. But we do a lot of other things that are free, and they’re mostly relying upon folks giving their labor for free to do it, because mostly they enjoy doing it. So I mentioned that new faculty open mic series for new tenure-track faculty, and that everyone who’s involved with doing that does it because they’d love to do it. And it really energizes them as well as the participants. And so, I think, having those groups of folks coming together… Yes, people do want resources, they do want curated things… to learn how to use Brightspace, and that’s really important, and I think it’s also important to bring faculty together whenever you can, just to talk about a topic… any kind of opportunity you can have them critically reflecting with one another and doing it in a way that’s meaningfully tied to things that they’re constantly focused on in their teaching. I think that’s low hanging fruit, frankly, just when you get faculty together. It’s helpful if you have a budget for food and that sort of thing, but that’s not always possible. It’s even better if you have stipends to incentivize them to do that, but that’s usually not the case. And so, I think that that, mostly when you bring folks together and talk about things that really matter to them, usually has good results and doesn’t usually cost much.

John: On campuses, there has always been some differences in the degree to which faculty participate in professional development: some faculty will go to every possible workshop or training program, others you only see if there happens to be a global pandemic and they need to learn how to use Zoom or their gradebook in the LMS. What are some of the major barriers to professional development and to faculty engagement with professional development?

Chris: It’s just not valued, recognized, and rewarded enough, right? And let’s face it… not as much on community college campuses. I have an example I’m gonna talk about in a minute, on one of the community colleges where it is recognized, valued, and rewarded, and what a significant impact that’s having on that campus. But, and I’m not going to call any campuses out, but on many of the four-year campuses, it’s kind of folks who do it, actively do it because they feel like they need to do it and they do it because they care about their students. Not that the others don’t care, but that’s front of mind for them, they really know that they need to be continually improving to reach their students, to engage their students, especially those who are hard to engage. And, they they do it on their own time, and they burn the candle at both ends, because they have to do the other things that are recognized and rewarded. So that’s the first thing. One of the things when I first thought about with the last question is rather than just strategies for developers to do that don’t cost much, we’re advocates as well. Jessamyn, you alluded to this, I think we have to be advocates with administration, with faculty leaders, for the value of professional development, professional learning, and you need the folks at the very top level to buy into it. So the campus I was thinking of, Rockland Community College, has a Provost Faculty Scholars Program, where they’re incentivizing their faculty to go through the Lumen Circles program, which SUNY invests in and makes freely available to campuses, which are critical reflective practice groups, and they give them a small stipend to do it. They have them report back on campus. And again, the Provost is actively involved in the development of the program, the promotion of the program, and it goes into their tenure and promotion dossiers, and it’s recognizes you are doing the thing that we want you to do. And they have a lot of folks on campus doing it. So it gets back to that critical point of tipping the campus in favor of being a learning organization and not just everybody for themselves.

Rebecca: Juide, how about you?

Judie: The major barriers to faculty engagement with professional development, I’d say, as I am on a community college campus, and we don’t have Teaching and Learning Center, we don’t have any faculty developers full time. So we are a really lean ship, I guess, on our campus. Faculty development happens in pockets in different disciplines or out of my office, basically. And it comes down to time and money. Community colleges are broke right now. Our funding is FTE based, and as we see the enrollment go down, or the population decline in the northeast, or enrollment goes down, every enrollment we lose is money we don’t have. And we can’t offer… I mean, we could give them a sandwich maybe… [LAUGHTER] but we can’t give people money for engaging in anything. And to be totally honest with you, that always baffled me that people expect to be paid to learn something, when usually, we expect our students to pay to learn and here we’re offering training, but you don’t want to do it unless we pay you to learn it. Like it’s wrong to me, it’s an ethical dilemma, maybe for me. But we also on our faculty… I’m certainly not slamming them or saying that they’re all greedy, and they won’t do anything if they don’t have any money for it. They teach five and five, and they are on Senate, and they’re on search committees and they’re club advisors. And nothing happens if they don’t do it. They’re a huge driving force on our campus, and they have just as many responsibilities as all the rest of us and then to try to pile you got to come to this training, and you got to finish this project. And if you do this, and you do that, like there just aren’t the hours in the day. So, untill something traumatic or tremendous happens like COVID or like an LMS change, it’s very hard for them to find the time and when they do find the time like you said, Chris, they’re burning the candle at both ends. So we have to balance burning out faculty versus helping them improve their practice. And we just try to do that by being available all the time and having drop-in hours all the time and troubleshooting where we can and offering consistent programs so they can come when they are able to attend.

Jessamyn: I think one major barrier is actually I’m just going to echo what Chris said about it being acknowledged and valued. And following up on Judie’s point about the financial compensation, I would say and not being rewarded, but not necessarily financial, like rewarded in the sense of being acknowledged as a vital part of one’s job as a college instructor, and therefore, part and parcel of how you’re evaluated and reviewed. And there’s even some kind of professional development that should be considered important campus and department service. So like the department delegate program I mentioned earlier, where one member of a department comes in, does some stuff at the Center for Teaching Excellence and takes it back to their department, that is valuable service, it needs to be in people’s employment review and their tenure file, not as a individual extra thing they did for their own pedagogical fun, but as service contributing to the betterment of the department and the campus and for students. So that’s a sort of top-down barrier to faculty engagement. And I think we also need to own, as faculty developers, something Flower Darby mentioned in her podcast with you that faculty development and advice to people about teaching can’t be a one-size-fits-all framework, that teaching contexts are very different, impacted by social identities and embodied identity. So that’s on us, on the people providing faculty development and advice about teaching, to better acknowledge disparate teaching realities. That’s Roxanna Harlow’s phrase: “disparate teaching realities,” inequities facing our instructors. So I guess that’s like the top-down, bottom-up and then sort of in the middle academic culture generally, academic culture that tends to not value pedagogical learning the same way it values research insights or knowledge production. It should be part and parcel. I mean, we’re a bunch of smarty pants academics, right? Like, we love knowledge, that’s why we’re here, it’s that this should be part of that. This should be respected and seen as part of the work we do, as knowledge creators in this world.

Chris: I just want to address the whole issue of if you’re lucky enough to have a budget or a grant to pay people to do professional development. So I’m totally of two minds on this. On the one hand, I totally agree with Judie, in that there is an ethical issue here, you’re being paid to do something that you should be doing anyway, just as part and parcel of your job. And yet, in many cases, campuses are investing in the resources that you’re taking advantage of. And that just added cost and makes it less sustainable over time, and more expensive, and it creates that culture of I’m not going to do it unless I get paid. And so there is a real, I guess, hazard there when you introduce the piece around paying people to do things that they ought to be doing anyway. But on the other hand, I’ve kind of come to see it as a way to help people be accountable for doing that work and whenever I’ve been in a situation where we’ve paid people to do professional learning, it’s usually not compensation for their time. It’s more just a way to kind of say, “Hey, here’s just a little sweetener to make it more of a priority and to remember, “Oh, yeah, I’m getting that money, I better do the thing I said I was gonna do. When we have the grants that we have through system, we gave everybody a stipend for participating. And, we had almost everybody complete all the surveys and give us all the data that we wanted for it. And so, I think it’s,, used correctly and used very judiciously, it can be effective, but it’s a problem that I think many of us would be lucky to have and most of the campuses that are using it are usually using grant funds and not just their budgetary state funds to do that sort of thing.

Jessamyn: One thing I’ve done for the department delegates which was a big investment of time, so it wasn’t like they came to one workshop, it was this big thing they did all semester. I was able to offer an honorarium. So honorarium sort of in the sense of like, what it really means. It was a miniscule amount of money. But it was symbolic of that I wanted to try to acknowledge in some way and honor the time and effort that they’ve made.

Rebecca: So now we’re gonna move to audience questions. There was a question early on, before we actually started recording about strategies to reach hard to reach students. And so I’m wondering what you all might be able to offer to that question.

Judie: On our campus, we have an early intervention system. And we have different departments that are involved in that, and they work together to create reports that can be disseminated between our success coaches who work with all students and our online specialists who work with what we call the truly distant students. And so if I can’t reach somebody in one of my classes, or another faculty member isn’t getting a response from a student, we can turn to these other resources, and ask other people to try to help us connect with the students to find out what’s going on. Sometimes that helps a lot when you reach out and say,” Hey, can you just check in with me? I want to know how you are.” But some you just never reach and they have different reasons of their own for just stepping away. And unfortunately, that happens sometimes.

Chris: I think this is where the siloing is the worst on campuses, between folks who work in the academic side of the house, and those who work in student supports, student affairs. That’s where I like to see student success initiatives. There’s a recent report by Achieving the Dream and it was about professional learning as essential for any student success initiatives. And those of you don’t know Achieving the Dream, they do a lot of work with Guided Pathways and they work in a lot of community college campuses. And so, that was the gist of the report is that, if you’re going to have a student success initiative, you have to involve the faculty and the faculty have to see their participation in those initiatives as part of their own professional learning, because they’re working with students daily in different capacities, they see students, you know, whole students, not just the student in my section, and those are the things that we said, faculty are doing more and more of now, trying to see their students as whole people and not just when they see them three days a week or whatever.

Jessamyn: Yeah, I really agree with both of you that there has to be a systemic response. And like, Kevin Gannon, I think on your podcast, I heard him say there are things we can pedagogy our way out of, and student success is one of those things that the broader system needs to support as well. I would just add one, one thing, and the only reason it’s on my mind is because I this semester was added to what was called as called the Student Success Consortium on my campus, and at the end of one meeting, they turned to me and said, ”So, if you could do one thing, what should we do?” I was like, “Oh, no pressure,” but I did think of something, and that is: if, on an individual basis, what instructors can ensure that students have numerous on-ramps when they get off track, and that a lot of students disappearing and ghosting is because they flub something, or they’ve made one misstep or they’ve missed one assignment. And if it’s not drilled into their heads: “there’s a way back, there’s a way back, there’s a way back,” then, it’s really easy to spiral into, “I’m done, I failed, I can’t. So I’m just going to avoid it.” So I ended up saying, ”that was one thing I could change was to ensure every class offered students clear, consistent, and repeated reminders about the ways to get back on track when you stumble.

Rebecca: Lots to think about for sure. There is one question that’s come in, and it’s an anonymous question, it says: “To the best of your knowledge, is it against the state rules to lobby vendors to provide professional learning programs to various colleges, or maybe even your take on doing that?”

Chris: So we just did these two projects, Tools for HyFlex courses and Tools for Large Courses, and we also work with Lumen Learning to do the Lumen Circles. So, I’m no expert on procurement, [LAUGHTER] but my understanding is that if whatever is spent is within a certain threshold, it’s acceptable to engage with vendors to try to meet needs that you have, and the POD organization actually, a few years ago, had in EDUCAUSE a guide for faculty development folks, for educational developers, to working with vendors, because when I first started doing this work, I tried to keep them at arm’s length, and like, we could do this in house, and I had this kind of can do attitude. But as I’ve gotten a fewer years under my belt, I have a different attitude now, and that we can certainly work productively with partners who are working in a space where they’re trying to make money off of whatever they’re doing, be it educational technology, or a faculty development kind of thing. And you just have to, as Jassamyn said earlier, do it within the context of your institution and what you need it for. You shouldn’t just think you’re gonna buy something off the shelf, and just think “I’m just gonna plop it in here, it’s just going to work.” I’ll bring Rockland up again, they’re incorporating the Lumen Circles in their campus with already pre-existing programs, they hired somebody to coordinate the faculty going through it. And so it just needs to be mindfully incorporated into the things that you’re doing. And so that applies, like I said, to either faculty development, educational technology, or anything beyond the LMS that you want to bring on your campus to help faculty work with students.

Rebecca: Sounds like a way to extend some sustainability to the work that you all do by leaning on some other resources.

John: We have a second question, which is, “Is there a repository that lists free webinars for faculty development?” and the person submitting said they pass out a list of those through email on their campus. How can you find free webinars?

Judie: Oh, I think lists like the POD listserv. I’ve been to so many AI webinars lately, and I haven’t paid for anything and then once you become familiar with who offers them, you get on their mailing list. For example, I did the Project Management Conference at Arizona State University, and those people are awesome. And they run all kinds of programs, and they’ve never charged anything to me. Oh wait, let me rephrase that. [LAUGHTER] They don’t say we like that, Judie Littlejohn, she’s free. though. They advertise their free offerings externally. And so I take advantage of those. But, once you start to discover these, it feels like they just lead to more and you can see like on LinkedIn, the different social media outlets, and even reading different articles. In Inside Higher Ed, you’ll read articles about different opportunities that are free. And that’s where I find them. I don’t try to assemble them in a list though. That’s an interesting idea. So, every Friday, I send an email out to all our faculty, it’s just our Brightspace update (that’s what I call it), but it’s not always Brightspace related what I list under there, but it generally is. But I will if I find things, especially the SUNY offerings, I always list exactly what faculty are welcome to take advantage of that they don’t have to go through us for, they can do that on their own. A lot of people are very appreciative of those. So it’s helpful, but I do like that idea of trying to put a list together to share or have posted on a site that people could go and look at when they want to.

Jessamyn: I’m gonna add a cautionary note, though, I do think people appreciate resources, but you can also overwhelm them with resources, when people are stressed and cognitive, you know, have a cognitive overload. And here comes Jessamyn like, here’s just five books you should read and two webinars you should attend and come to my workshop next week. I’ll have people that are like, “Uhhhh, guess what, I’m gonna ghost you now [LAUGHTER] and I’m gonna just avoid the whole thing, because it looks too overwhelming.” So, it’s an overused word, but I curate, like I really, really carefully curate before I send out any recommendations. I’ve cut way back, even on providing things through my site to people, because it got overwhelming. Again, campus culture really matters, but I would curate carefully.

Chris: Yeah, we have just at the Center for Professional Development, we do have a faculty development playlist on our YouTube channel. So if you just look up SUNY Center for Professional Development on YouTube, and faculty development playlists, we do have a bunch there, everything that we do gets tagged that way. The POD google group is a good thing. What I usually do when I’m looking for something is I do a Google search for whatever I’m looking for and then I look to see if it’s on a Teaching and Learning Center website. There are some that are really good, Vanderbilt is good. I know that there was maybe some issue of some of those resources being taken down. I hope they’re not. Carnegie Mellon, I know, has a lot of great resources. So there are a few teaching and learning centers that put a lot of time and effort and energy into curating great faculty development resources. So that’s what I would do. That’s what I do. [LAUGHTER]

Jessamyn: I’m gonna throw out another kind of maybe radical idea for the attendees here at CIT. I think webinars can be very valuable, but I also have seen and in my personal experience, building our pedagogical toolkit often happens conversation by conversation, or seeing somebody do something. So at a conference that we’re at right now, a lot of the presentations, sometimes it’s the content, and sometimes it’s just what somebody did while they were presenting the content, or the conversation I had with you… it could be via Zoom or it could be an email, but an interaction that flips a switch, “Oh, I could do that.” It seems like a lot of pedagogical learning, like all learning happens incrementally, it takes a lot of practice and hearing it many times and trying it out. Webinars definitely have a place for sure, especially for Brightspace-a-zation… [LAUGHTER] Brightspace-a-size, yes and LMS stuff for sure. But some of the things that we do in our classroom, it’s less about being buried under content and more about connecting with someone else talking about what’s working, what’s not working, repeat.

Rebecca: Well, thank you so much for wonderful advice throughout our panel today. But we always wrap up by asking: what’s next?

Judie: Well, I can answer that one. Jessamyn said some phrases that I’ve never heard on our campus such as yearly action plan, and monthly activity reports. And I thought, “Oh, my goodness, this is a thing.” So maybe we could, as we’re trying to add more staff into the Online Learning Office this fall, I’d like to try to come up with things like that and have a more predictable approach, perhaps for the, you know, from the faculty side, of what sort of professional development opportunities we might be aiming for. And when they can expect them to happen. I like that idea.

Chris: And I’m always thinking about how to connect folks across SUNY who do this work so that they can share with each other because I do think there are unique things about working within SUNY that would make it so worthwhile for folks in SUNY to connect to our supporting faculty. POD is great. It’s an national and international network, but I do think there’s lots of affordances of just talking occasionally amongst ourselves.

Jessamyn: Well, I knew this question was coming. And I am going to take this opportunity to give the world premiere of my working title for my next book project that I am working on this summer. It’s called Snafu edu:Teaching and learning when things go wrong in the college classroom, and I’m working on a manuscript, it’s for West Virginia University Press in their teaching and learning in higher ed series. And I know nobody in this room, nothing ever goes wrong in your classroom, but for the rest of the people who teach, things go wrong.

Rebecca: Snafu.edu?

Jessamyn: Snafu edu.

Rebecca: I like it. I like

John: Have you grabbed the web address yet?

Jessamyn: I have. [LAUGHTER]

John: Okay.

Jessamyn: I have.

Rebecca: Well, thank you, everyone. We appreciate you participating today.

Jessamyn: Thank you, John. Thank you, Rebecca.

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John: If you’ve enjoyed this podcast, please subscribe and leave a review on iTunes or your favorite podcast service. To continue the conversation, join us on our Tea for Teaching Facebook page.

Rebecca: You can find show notes, transcripts and other materials on teaforteaching.com. Music by Michael Gary Brewer.

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297. The Road Forward

The opening session of the 2023 SUNY Conference on Instruction and Technology, which took place at SUNY Oswego, included a keynote address in the form of a live podcast interview with Flower Darby. This podcast episode is a recording of this session, which included both a live and a remote audience. Flower is an Associate Director of the Teaching for Learning Center at the  University of Missouri at Columbia. She is the co-author, with James Lang, of Small Teaching Online: Applying Learning Science in Online Classes and a co-author of The Norton Guide to Equity-Minded Teaching.

Show Notes

Transcript

John: The opening session of the 2023 SUNY Conference on Instruction and Technology, which took place at SUNY Oswego included a keynote address in the form of a live podcast interview with Flower Darby. This podcast episode is a recording of this session, which included both a live and a remote audience.

When colleges shut down in the country in mid-March of 2020 we reached out to Flower Darby to provide some guidance for people who were moving to remote instruction, for the most part, for the first time. She joined us on a special episode… in fact, it was the only time we released two episodes in one week… and she provided advice to faculty on emergency remote instruction, resource sharing, and strategies to keep courses going. Today, we are pleased to have Flower back with us to reflect on the impact of the past three years and map a road forward for teaching and the academy.

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John: Thanks for joining us for Tea for Teaching, an informal discussion of innovative and effective practices in teaching and learning.

Rebecca: This podcast series is hosted by John Kane, an economist…

John: …and Rebecca Mushtare, a graphic designer…

Rebecca: …and features guests doing important research and advocacy work to make higher education more inclusive and supportive of all learners.

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John: Our guest today is Flower Darby. Flower is an Associate Director of the Teaching for Learning Center at the University of Missouri at Columbia. She is the co-author, with James Lang, of Small Teaching Online: Applying Learning Science in Online Classes and a co-author of The Norton Guide to Equity-Minded Teaching. Welcome back, Flower.

Flower: Thank you, John. Thank you, Rebecca. Thank you all for having me and for being here and focusing on how we can map that all important road forward. So good to be here with you all.

Rebecca: So it wouldn’t be an episode of tea for teaching if we didn’t ask about our teas. So our teas today are: … Flower, are you drinking tea?

Flower: I have my iced tea in here. And it is a Hawaiian Islands Passionfruit blend.

Rebecca: Nice.

John: And I have a Tea Forte black currant tea today.

Rebecca: And I brought out the Jasmine dragon pearls green tea for today’s episode.

John: When we last talked on March 17 2020, you provided some suggestions on how we could maintain instructional continuity during that two-week shutdown we were going to have to deal with [LAUGHTER] and one of the things you asked in the conversation was what are we going to reflect on looking back when we’re through this immediate crisis situation? So we’re going to turn this question back to you. What sticks in your mind the most from the period of pandemic teaching?

Flower: Yeah, thank you, John, it’s such a big question. And I have reflected very deeply on this over the past three years of ongoing research, conversations with 1000s of educators around the country and around the world. And really, there is one thing that has become crystal clear for me. And that is the centrality and the importance of holistic wellbeing for both ourselves, our faculty, our staff, and our students. I’m excited about how technology use has advanced as a result of the pandemic. But that’s not actually the central focus for me. It is about the importance of our wellbeing, of our students’ holistic wellbeing, and of how we need to center and highlight and forefront social connections and those kinds of relational aspects of teaching and learning with technology in person wherever we are. That extended period of isolation and loss and grief and challenge and distance in education really brought to the front for me the importance of connectedness, and being intentional in how we connect with our students and help them connect with each other as well.

Rebecca: I think you’ve started hinting at this already, Flower, but how has higher ed been transformed by this pandemic experience?

Flower: Yeah, thank you, Rebecca. So I do think that there has been a lot of work done to enhance technology implementations, to provide better support for faculty who are just in the trenches trying to figure this out, whether it’s using new features in Canvas or your learning management system that you may not have used before. Here at the University of Missouri all of our classrooms are now called Zoum rooms. And that’s Zoum, because we’re at Mizzou, which is spelled M-I-Z-Z-O-U. And it’s a challenge for faculty to be in these high-tech teaching spaces and it’s wonderful that the university is making this commitment. But for me again, it is not about the tech, we have seen good tech advancements. We just heard from the Chancellor about some really amazing innovations and that is wonderful because it is going to keep moving us forward. But it is true, I do believe the truth of transformation that is beginning, and that we need to continue, is focusing on this notion of holistic wellbeing and relational teaching and learning.

John: In 202o, one of the things we talked about in that last conversation was the insufficient systemic institutional support for teaching centers, instructional designers, and the effective use of technology in teaching and learning. Have leaders in higher education made long-term sustainable investments in this work.

Flower: Yeah, great question. I think some have, and of course, my answer is going to be, “And we could do more here.” Here again, I just mentioned that example locally here at the University of Missouri with all this investment in the Zoum rooms. What I’m hearing sometimes, though, is that the challenge in managing all the bells and whistles, especially if you do have students who are in the room in front of you, and also Zooming in, it is not something that we necessarily prepare college faculty to do in our graduate programs. I’ve had so many countless conversations over the last few years where the fact is, as a professor, I did not necessarily set out to be a tech whiz as well. So I’m seeing encouraging signs and improvements and a greater awareness of the potential for effective use of teaching with technology to enhance inclusive and accessible, equity-minded student success. And I’m going to say we can do more.

Rebecca: As you just mentioned, prior to the pandemic, many faculty and students were resistant to online instruction. And while this resistance has faded, in some cases, one of the concerns that you expressed in our earlier discussion was the physical isolation experienced in online learning and you mentioned this a bit earlier today. Has the pandemic helped us to develop new ways of encouraging that relationship building online?

Flower: I would say yes, and I would say greater awareness and receptivity to the importance of building relationships online. I think that once again, we still have work to do in this area. But I do believe that prior to the pandemic, there was less awareness on the part of faculty and no blame no shame, I would say it’s the way that institutions and graduate programs may or may not prepare faculty for effective online teaching. I would say there was kind of less institutional awareness of the importance of those relationships online. Now we have seen what happens, we felt it, we’ve lived it in our bodies, when we felt disconnected from our students, when we’ve tried to teach to black boxes with a name, or Anna’s iPad on the Zoom screen. We’ve kind of lived out that disconnect and that isolation. And yet, we know there was abundant research to show that we can have really engaging interactions in our online spaces. And we know that it increases access. I’m here with you today from beautiful Columbia, Missouri, because we have this option available, although I would love to be in the room, but we have other folks joining online as well. We see the value, we know the importance of those connections, those relationships. And one thing that I have really focused in on in the last couple of years is being intentional in the way that we create and structure those opportunities for rapport building and to close the distance because we know that it’s not going to happen by accident online, whether asynchronous or synchronous, intentionality is required. And I encourage faculty to rethink how they use their class time, what the activities are in asynchronous modules, maybe even the kinds of assessments that are in our syllabi, and whether we’re offering points for those kinds of activities. Basically, my argument is that we can do more to design for intentional social connections… that I would say would apply in all class modalities.

John: During the pandemic, the inequities that our students face became much more visible. When we were connecting to students who were zooming in from home and they had trouble accessing the one computer they had to share with four or five other people, or when they didn’t have good network access, or when they were struggling to try to work to pay some bills, and so forth, those inequities became really hard to ignore, for faculty. And campuses did a lot to mitigate that, by loaning computers, by loaning hotspots, and providing other resources. But now that we’ve moved back to more on-campus instruction, and with staffing shortages and budget cuts very common in higher ed, do we run the risk of falling back on some of the exclusionary practices that we had practiced in the past?

Flower: I would say yes, we run that risk. But I actually want to take a little tangent here and tell you about a conversation that I had just on Friday. This past Friday, I was at a conference in Portland, Oregon for teachers of accounting, and I had a very heartwarming and encouraging conversation with one individual faculty, and I think it’s highly representative of where our heads are, and more importantly, where our hearts are now. Of course, I was presenting on the importance of social and emotional connections… that’s what I do… and she shared a story…in fact, I have a couple of poignant stories from that event. This particular one said “You know, I used to be the hardline accountant, you follow the rules and you make the deadlines or you get out,” and then she said “until I was watching my students trying to take their exams via Zoom, and I saw one of my students, his little brother was like hitting him on the head with like a paddle while he’s trying to take his exam. And I saw all kinds of other things.” This experience, the pandemic did give us a view, a window into our students’ lived experiences. The other one, just very briefly, another faculty member, a caring, passionate, dedicated, instructor was talking about how she had one student in one particular semester who lost 13 members of her family to COVID. How much community was built as the entire class was caring deeply. So I do believe there is lasting change. The first accountant I was telling you about, she’s like, “I’ll never go back to that hardline approach. I have more empathy for my students now. I see what they’re dealing with to make this happen.” Now, that said, yes, we do run the risk of falling back into exclusionary practices. I’ve been thoughtful, reflective of how we want to go back to the way things have always been, and I get it, I’m back on a physical campus, I spent the entire time of the pandemic myself working remotely, and I hungered for a physical campus with real live embodied people and students on the pedway. And I’m loving this experience. So I get it that we want to come back to our tried and true, our comfort zones, our methods we’ve relied on. And if we slip back into, for example, less than equitable teaching methods like large lectures and high-stakes exams, we are absolutely sliding back into exclusionary practices. So I would encourage us to not waste this crisis, which is not my unique phrase, but I think it’s definitely apt in this time. Let’s keep pushing forward so that we can become more inclusive and equity focused as higher ed as a whole,

Rebecca: It can definitely be easy to slip back into habits, but I know many of us are really committed to that change and the equitable work that you’ve been talking about, Flower. What can we do together to redesign higher education to be more equitable? What do we need to do?

Flower: Yeah, great question, and sometimes I think, huge picture as in, it’s way too big to change, and other times, I really focus on the circle of control. So I definitely think that, if you haven’t seen it before, I think it’s Stephen Covey has these circles, the inner one is control, here’s what I have influence over, then there’s a broader circle, that’s influence, here’s what I have some influence about. And then the third circle is concern, there’s not a lot that I can do. And so I think we can focus primarily on our control circle. I do think, and we make this argument in the newly released Norton Guide to Equity-Minded Teaching, we make the argument that we do need to advocate for systemic change, and we need to do that in community. So we can work towards that. And then there are influences and aspects that we cannot really necessarily change. We can be concerned about them and mindful. So what can we do? Well, here’s what it comes down to for me, and I’ve thought a lot about this. I would argue, as I just mentioned a minute ago, we have to stop doing things the way we always have. So if you think about the history of higher education in the United States, it is based on centuries of tradition in Europe. And it was designed to be available to elite white men. It is exclusionary in its very nature. So we have this opportunity to say we know that our student body is diversifying. And we know that is so important because with diversity comes strength, comes creativity, comes new perspectives, comes better solutions. So let’s stop doing things the way we always have. Let’s stop with those large lectures. And I do sometimes think about things we can’t change, like, untenable work conditions where contingent faculty are going semester to semester, or we’re being asked to teach these large enrollment classes with very little, if any, TA support. Those are things that are challenging that are, for me, are in that circle of concern. But I think a general mindset to think about is, if I’m tempted to slip back into doing things the way I used to do, maybe that’s an opportunity to ask myself, whether there’s a more equity-minded way to do some things, a more inclusive way, a more active way to help students really process and interact with the materials that we’re teaching.

Rebecca: You’ve talked a little bit about burnout, stress, and mental health concerns that continue to challenge our students, faculty, and staff. And we’ve talked about needing to humanize the learning experience through the pandemic. What role… and you already hinted at this, [LAUGHTER] but I’m hoping you can dig into it… what role does holistic wellbeing play into the future of the academy?

Flower: You know, clearly by now, you know, I’m glad to say it needs to play a central role. And I don’t think as an academy, we are quite there yet. We do work and exist in an overworked culture. We absolutely do. And I would say we’re high-achieving individuals. If we choose to be here, we’re passionate, we’re focused, we work hard, but in general, we need to give grace to ourselves to take more opportunity to support our own wellbeing. We need to extend that grace to each other in community… to say “it’s okay, go ahead and take that weekend off. I don’t need the manuscript on Monday. It’s alright.” And then collectively, again, I think the more that we’re having these conversations, that can help. So just recently, my good friend and colleague, Sarah Rose Cavanaugh, had a piece come out in The Chronicle. And the headline was, “They Need Us to Be Well,” and it’s about how, if we want to support student success, if we want to advance equity and become even more inclusive than we already are, we actually have to start with ourselves. And I don’t think that we do this very well in this culture. I have had to work, to learn to give myself permission to take a weekend off. It’s something that we, again, for me, it’s about giving permission, it’s about supporting each other in these decisions as well. And then, broadly speaking, I hope that we are seeing the beginnings of a culture change. Questions about the validity and the feasibility of teaching these large-enrollment sections or teaching online classes with very little attention paid to interactions between people. I think we do have this opening for these conversations, and I’m doing everything I can to advance those conversations.

John: In response to the pandemic, faculty face unprecedented changes in the way in which they were teaching. And since then, we’ve had a number of other changes in our practices. Here at SUNY, we’ve had a transition to a new learning management system that came immediately after these transitions. And I know other campuses happen to be doing the same thing at the same time. But one of the things that’s happened recently is the introduction of new AI tools, such as ChatGPT and image generation tools. And one of the questions a lot of faculty have is how they might be able to accurately assess student learning in the presence of these tools, while also appreciating the affordances that these tools provide. And how will these AI tools transform instructional practices and the future of the Academy?

Flower: Yeah, great question. And sadly, I don’t have a crystal ball, [LAUGHTER]

Rebecca: Dang.

Flower: …however, I do have some thoughts [LAUGHTER] to share and some, again, recent research, there was a survey that I heard of… just yesterday, I saw a summary of it, it was run by the Washington Post. And it was essentially saying that many faculty are not really thinking about ChatGPT generative AI, all these new tools. We’re doing a little bit of the “I don’t want to deal with that quite yet.” And again, that’s an overgeneralization. But that’s what the survey results really did show. So how these tools will impact our work in education? My real answer is: “Yes, they absolutely will,” I have come to conclude that they are like the advent of the Internet. Remember, way back in the early to mid-90s, when it didn’t used to be possible to do an online search for something? I think this tool, this change,is along the same lines of the smartphone. Remember, when we didn’t always have a super powerful computer available to us in our pocket or our bag? For me, this is a seismic change, and it will change the way we do things. Now, that’s scary… and exciting. [LAUGHTER] Our world is changing, and we have to be willing to embrace it. Are we worried about whether students are going to do their own work? Absolutely. Do we know that we need to equip our students to use these tools in order to thrive in their careers? We know that too. Right now we’re in a very unique moment of trying to walk a middle ground here, trying to see what are the opportunities of these tools? How do we help to understand whether our students are actually doing their own work? I don’t have those answers. What I do know is that this is another big, and quite frankly, painful opportunity to think deeply again, about the way we do teaching and learning in higher education. The pandemic was this for me, ChatGPT, and Gen AI is this for me. We can think deeply about the way we do things. We’re gonna have to change some things. And that deep reflection and change process is undeniably painful, undeniably scary, and can be deeply meaningful and rewarding as well.

Rebecca: That’s a little too much seismic activity going on there. [LAUGHTER]

Flower: It is. It’s a tough moment. It’s a really tough moment in higher ed. I want to just be honest about that.

Rebecca: So at this moment, we’d like to move to some audience questions. And we do have a first audience question. And that first question, Flower, is moving forward, which pandemic modifications, or temporary adjustments, should we adopt as best practices to meet the needs of modern learners?

Flower: I have one that comes very easily to mind. And thankfully, it’s not a big huge effort or overhaul to our course design and pedagogy. And that is, let’s check in with our students more often. Let’s check in more frequently. During the pandemic, in an effort to engage those black boxes that were on our Zoom screens, many of us developed new ways of using Zoom polls, of asking quick questions in the chat box, assigning collaborative activities in Google Docs or Padlet, these kinds of things, and the students have unwaveringly told us that they appreciate us checking in more often. So, whether it is a matter of if you are lecturing in person, every 10 to 12 minutes or so ask your students a quick question, quiz them on the concept, or ask them “How are you doing? Are you with me?” …here again to think about the Zoom example, which I know not everybody is really doing as much of, and that’s probably good. But I know one instructor who would use to say, “Are you with me?” and her students knew that they could use the emojis in the chat box… one thumbs up was like, I’m not doing too good. Two thumbs up, pretty good, pretty good. Three thumbs up, I got it. And she told me that if she saw a range of those one thumbs ups coming in, she’d be like, “That’s it. We’re not going any further until we kind of talk this through a little bit more. What are your questions?” That’s the kind of informal checking in with our students that I’m encouraging us to do. Again, this can take the form of an activity that happens during class, a quick poll, it can be a show of hands, I saw a great example, just last week, those of you here in the room and watching the video will see this, for the audio recording, I’ll just describe it. I heard this great example of a biology instructor asking her students a very simple check your understanding question during a large lecture, and she had taught her students that they should answer the question based on a number of responses, the responses were numbered 1, 2, 3, 4, 5. And she said, choose the best answer and just put it right here, on your chest, so that you can hold up the number of fingers right against your chest. And what this does is it doesn’t let anybody have to feel really awkward or insecure about “I’m not sure if I’m holding up the number one, and maybe I’m wrong.” By holding it right here, we’re doing a couple of things. We’re providing safety, we’re building trust, we’re giving students an opportunity to retrieve the information that they have just been taught. And again, you can adapt this approach to anything: How are you doing? Are you with me? Hold up a one if you’re feeling terrible. So this idea of the informal check-ins with students… you can also do online anonymous surveys using Survey Monkey, Google form, whatever is in the learning management system. Ask your students: How are you? What do we need to do more of? The stop, start, continue, survey is a really great model. What should we stop doing? What should we start doing? What should we continue doing? And then very importantly, if you do those kinds of surveys, which are really powerful and equity minded, you want to circle back to your students and say, “Alright, here’s what you told me. No, we’re not going to stop having our weekly homework assignments. Those are important. But here are some changes that I can do.” So informal check ins with your students, it does a lot of different things… key for me is demonstrate pedagogical caring, that we do care about our students. And we want them to be successful. And it helps our students to communicate to us if we need to slow down or provide another explanation, those kinds of things.

Rebecca: So I’m wondering, Flower, if you can talk a little bit more about some of these same kinds of practices, but in an online environment, in an asynchronous online environment, where sometimes it’s a little more difficult to figure out how to adopt some of these practices?

Flower: Yeah, great question, Rebecca. And thank you for kind of bringing us back to online because I have another huge takeaway for me [LAUGHTER] from the pandemic is that online, asynchronous, I think, is one of the most challenging formats to teach in. And I myself still struggle to see the students in my classes as real embodied people. It is so easy to fall into the sense that they are names on a screen, that they are tasks on a to-do list. And we know that our students don’t think we’re real. They tell us repeatedly… well, they don’t tell us they tell each other, they tell the media. My own daughters have said to me online teachers aren’t real. I kid you not. [LAUGHTER] During the pandemic they’re like “My teachers aren’t real people.” So very important, asynchronous while recognizing the limitations, and I don’t actually mean of the format in this case. I mean, the demands on people’s busy lives, because we know students who choose asynchronous online frequently need the flexibility. And maybe they don’t necessarily see the value of all the discussion forums and those kinds of things. So how do we do this relationship building, this increasing interaction? Certainly, I would argue that, as instructors, we need to be communicating with our students more often than not, and that can be announcements, it can be interacting in the discussion boards, not a ton, not dominating, but posting a guiding question here, or “that’s a great point” kind of there. We can be responsive in our assignment feedback, we don’t have to write a tome of comments. But even using an emoji or a quick comment to say, “I see you. I appreciate your work.” Some learning management systems make it very easy to record assignment feedback. Now, all of these, we need to hold in balance with the point I was making earlier about self care and holistic wellbeing for ourselves. I am not saying that we should become 24/7 chatbots, who are always available to our online students. I am saying they need more than what we might do. And we can also foster these connections to support their wellbeing with each other. So here’s one very quick example. I love an activity called “share one photo” and what this is, you can create this in an asynchronous class as an individual assignment, or as a discussion forum getting to know you kind of opportunity and if you do it… well, in either format, you could do this more than once. It could be an ongoing or an every other week, something like this. It’s a great way to intentionally structure social connections and relationship building. And what you do is you ask your students to look in their photo library on their smartphone, don’t go out and take a new photo, look in your photo library, choose one photo that is meaningful to you, write a line or two about why you chose to show that and submit it. And it’s worth points. Because it’s not just that we only focus on the class content, we focus on building relationships to help our students thrive. This can be really powerful, you will get different responses. If it’s an individual assignment, you make it more vulnerable images, if it’s a discussion post, you’ll have opportunities for students to connect with each other, like I was just saying, it doesn’t always have to be just you. But this is a way for students to choose what they want to share. It demonstrates to them that you care about them as people and not just names on a screen. And it can be a really powerful and fun way to see a little bit more about who your students are as people. I would certainly encourage that we do the same. Let’s also share one photo, help our students see us as real people as well.

John: One of the questions that has come in is from someone who is in a nursing education program, and the instructor notes that they use a lot of high-stakes exams and assessments in that. Do you have any suggestions on how they can move away from that? And I’ll just add a little bit to it, given that they do have high- stakes assessments as a criteria for licensing.

Flower: Yeah, great point, I was gonna make the same point there, John, thank you. There are disciplinary considerations to all of the recommendations that people like me come in and make. [LAUGHTER] And if you do have those accreditation exams, then part of your curriculum needs to be preparing your students to be successful on those high-stakes accreditation exams. So for me, a lot of times it’s about keeping things in tension, or in balance. We know that they need practice, they need to develop a comfort level with higher stakes, higher pressure situations. And honestly, I’m thinking about on the job, when you’re dealing with a patient, there could be a healthcare crisis that you need to be able to respond to. So, for me, preparing future nurses to deal with the pressure is part of the learning outcomes. But maybe, while they’re students, maybe we can balance that just a little bit. Maybe it’s not just about those high-stakes exams, maybe we balance out the grading scheme to award more points, as an example, for a weekly written reflection, where students can explain how they’re thinking about the processes that they’re learning about. If we have to, and I’m going to qualify… if we have to, for disciplinary reasons, have those bigger exams, because I’m going to invite us to think about: “Do we have to have those exams in this case?” Yeah, maybe. But maybe what we can do too, in a very equity-minded way is to offer retakes, offer test corrections, and a critical part there is to again structure a way for students to articulate where they went wrong, what they learned through this process. So kind of explain, how do I get this wrong? What did I need to do differently. So for me, it’s about balancing the grading scheme, thinking about equity-minded grading in terms of maybe you could build in the drop one exam, drop your lowest test, there’s a lot more that we write about that in the Norton Guide, which by the way, I want to say is actually available for free as an ebook. And, of course, I don’t have the link right in front of me. But maybe in the podcast notes, you can place the link to finding out more about that book, because it is freely available and has lots more of these kinds of ideas in it.

John: It’s a great resource, and we will share a link to that in the show notes.

Rebecca: We have a question that came in from Kristin Croyle, who is one of our previous guests on Tea for Teaching, and also is our Dean of the College of Liberal Arts and Sciences here at SUNY Oswego. And she asked, “What do you recommend for campus leadership approaches to support student learning and faculty staff wellbeing and what should we institutionally start, stop, and continue doing?”

Flower: Oh, I love it. Thank you so much.

Rebecca: No small question there.

Flower: [LAUGHTER] I know, right? Well, first of all, I’m going to actually focus on faculty. When we support faculty wellbeing it can translate most effectively to student wellbeing and success and equity. But one thing we haven’t really talked about today is how our own identities as instructors impact our day-to-day experience. And that can be a big question. It can be related to identities, our social identities, involving our race, ethnicity, gender, sexual orientation, it can involve lots of things. It can even involve the work… and I did this for literally decades… being an adjunct faculty and teaching just wherever I could, mostly online, so at least I wasn’t a freeway flyer, but recognizing that our individual faculty have a lot of demands, a lot of needs, and one size does not fit all from a campus leadership perspective. So recognizing and elevating the importance of attending to our individual faculty to maybe working with them to adjust teaching loads. There’s a lot in the recent media and literature about how some instructors who hold some marginalized identities end up doing a lot of emotional labor that many other identities may not, in terms of supporting students who are underrepresented, extra demands on their time. So let’s stop treating all faculty the same. Pie in the sky, let’s also stop with these untenable working conditions. But that’s a big one. Let us start paying attention to the individual wellbeing of the individuals who are doing this hard and important work of supporting our students and helping them to learn and grow and graduate and make a better life. And let’s continue having these conversations. This is the way we’re going to enact change.

John: We have a question from Christine Miller. And she asks, “While respecting academic freedom, how do we spread the good news of equitable and inclusive practices to resistant faculty and support these practices with our adjunct faculty?

Flower: Yeah, this is a great question. And the opportunity to work on the Guide to Equity-Minded Teaching gave us as an author team, which I do want to give a shout out to my brilliant co authors Isis Artze-Vega, Bryan Dewsbury, and Mays Imad. It gave us lots of opportunity to wrestle with this. And here’s exactly where we landed. I used a phrase earlier that has served me quite well. And that is to not blame and not shame. Let’s recognize that our colleagues, maybe those whom we support, whether we’re perhaps in an instructional design role, whether we’re in a leadership position, let’s recognize that every person is on their own individual equity journey. And we don’t want to judge somebody for perhaps not being in the place that we are, for being a little bit more resistant. The way that I think about it is that maybe we haven’t given them an invitation to slow down and think about things from a different perspective. Maybe they haven’t had that opportunity to see their accounting student trying to take an exam while their little brother was hitting them on the head. So let’s meet our faculty colleagues where they are. We talk about this with our students, too. Let’s meet them where they are, let’s help them to find a way in to what we’re encouraging them to learn and think about. Let’s not blame. Let’s not shame. Let’s extend grace. Let’s support each other. Let’s ask questions. Let’s tell stories. Because, as I just mentioned, the one with the accounting student and the exam, these are things that get people to think about things differently. So it’s a really important question. I’m asked this a lot. And we think about polarized political situations, you think about legislation that is being enacted around the country or being debated. And yet, of course, I’m gonna say this work is worth doing. It’s all the more worth doing. Let’s be strategic, and let’s be supportive of each other and not get frustrated with somebody who isn’t quite where we want them to be yet. We’re all on a journey.

Rebecca: There’s another question. There’s actually a bunch of questions that we’re not going to get to because they all came at the same time. But there’s another question here that says, “You mentioned the different circles of control for advocating for equity and advocating in communities. How do you seek out or help build those communities on your campus, and then build consensus on what that community can influence on the campus?”

Flower: For me, it’s about being intentional to dedicate time and I will try to be brief in my answers, so hopefully, we can get to a few questions if possible. Let’s be intentional with our own personal time to create those communities and work together. One example that has a long history is a book club. So maybe a group of folks on the community, on the campus, want to choose our new book, or any range of other really great books and set aside time in your semester to connect with other colleagues, working with your centers for teaching excellence, working with your instructional designers. These are ways that we can individually choose within our own circle of control to establish community with our colleagues and support each other in this work.

John: We have an anonymous question, which is: “If you were to create or select an emoji to represent [LAUGHTER] the road forward in higher education, what would it be?”

Flower: Wow, that is a good one. The first image that flashed into my mind is the big mountain [LAUGHTER] with a path going up. And I kind of like that because it can represent a couple of different nuances. It can be: we have a long way to go, we have an uphill battle. But it can also be: we have this amazing opportunity and challenge ahead of us and we can ascend and climb this mountain together. I’m going to leave it at that.

Rebecca: Well, thank you CIT audience members for your questions and engagement. And also Flower, for all your answers to not the easiest questions. But we always wrap up with one last question, as you know, and that is: “What’s next?”

Flower: Yeah, thank you. You may have asked me this question in March of 2020. And I have the same answer. [LAUGHTER] I am resuming work, working hard on a manuscript on effective teaching, applying emotion science to teaching with technology. I was working on that manuscript. This amazing opportunity to join the author team for the Norton guide came along, So I had to pause on the emotion science book, but I am picking it up in earnest, and I think again, it holds a lot of keys for how we can enhance equitable higher education for ourselves and our students.

Rebecca: I know it’s something we’re definitely looking forward to here.

Flower: Thank you.

John: And thank you for joining us. We really appreciate it, and it’s great to talk to you again.

Flower: Yeah, very nice to be here with you all and I hope it’s a wonderful rest of the conference as well.

Rebecca: So let’s give Flower a warm thank you. [APPLAUSE]

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John: If you’ve enjoyed this podcast, please subscribe and leave a review on iTunes or your favorite podcast service. To continue the conversation, join us on our Tea for Teaching Facebook page.

Rebecca: You can find show notes, transcripts and other materials on teaforteaching.com. Music by Michael Gary Brewer.

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