184. Engaging Students

As faculty we don’t always have the opportunity to talk to students about their overall learning experience and what has worked well for them as students. In this episode, Christine Harrington joins us to discuss what keeps students engaged, from their perspective, and how that ties to research on teaching and learning.

Christine is an Associate Professor in the Department of Educational Leadership at New Jersey City University and the author of Keeping Us Engaged (and several other books related to teaching, learning, and student success). Christine has been the Executive Director of the Student Success Center at the NJ Council of County Colleges.

Show Notes

Coming soon!

Transcript

Coming Soon!

181. Capstone Experience

Imagine a course in which the faculty member is a coach who guides students through a real-world project with messy data and the problem-solving that comes with it. In this episode, Dr. Kathryn Berkow joins us to discuss how a course with no content can provide students with a rich learning experience full of analysis and insights. Katy is an Assistant Professor of Management Information Systems at the University of Delaware. She is also the host of the On Cultivating Student Engagement in Higher Ed podcast.

Show Notes

Transcript

John: Imagine a course in which the faculty member is a coach who guides students through a real-world project with messy data and the problem-solving that comes with it. In this episode, we explore how a course with no content can provide students with a rich learning experience full of analysis and insights.

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John: Thanks for joining us for Tea for Teaching, an informal discussion of innovative and effective practices in teaching and learning.

Rebecca: This podcast series is hosted by John Kane, an economist…

John: …and Rebecca Mushtare, a graphic designer.

Rebecca: Together, we run the Center for Excellence in Learning and Teaching at the State University of New York at Oswego.

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Rebecca: Our guest today is Dr. Kathryn Berkow. Katy is an Assistant Professor of Management Information Systems at the University of Delaware. She is also the host of the On Cultivating Student Engagement in Higher Ed podcast. Welcome back, Katy.

Katy: Thanks so much for having me on again.

John: We’re really happy to talk to you again. And our teas today are:

Katy: I’m having a decaf Earl Grey.

Rebecca: …good classic. I’m having a Scottish afternoon tea, which is my new regular.

John: And I am drinking vanilla almond tea. It’s a black tea from the Republic of Tea.

Rebecca: I really like almond teas.

John: This is my first, it was a gift from my son.

Rebecca: So we invited you back Katy to talk about your capstone course that you offer. Can you tell us a little bit about the course?

Katy: Absolutely. I love talking about this class. It’s one of my favorite courses to teach and I teach it every spring. And so having the break in the fall teaching my other courses gives me a lot of renewed energy for this capstone. It’s a senior capstone experience for our business analytics minors in their final semester as they prepare for their next steps after graduation. And the students have a variety of majors and a variety of perspectives in the class. And analytics is only their minor focus. And so in course design I have had, I would say, two influences. I have a colleague who designed a similar capstone for our management information system students that relies on semester long projects with an external sponsor. But also, before coming to the University of Delaware, I worked in the financial services industry as a quant analyst. So I worked through lots of long, larger scale, analytical projects. And so I modeled the course after my colleagues set up quite a bit, but I adapt it from my own professional analytical experiences. So when I first started teaching this course, I shied away from saying what I’m about to say, but now that I’ve seen enough students through the course to know that they learn so much over the course of the semester, I feel very comfortable sharing this: there is no content in this particular course, and I think that’s what makes it so much fun. So we spend the complete semester working on a large scale, real, unwieldy project that is truly representative of the type of projects students will face in their professional careers as data scientists. The students work on the project throughout the semester, they report to me or my co teacher as their manager every week. And we provide feedback on performance, suggestions and resources for how to move forward. When the students are stuck, we’ve usually seen something like that before. And we can brainstorm together how to get unstuck. And sometimes all the students need is confidence that the direction they’re planning to go in is a good one. But because there’s no content, the projects can really unfold and be the focus for all of us throughout the semester, and each student team gets a unique experience. So the two important things that I really want students to know after finishing this course, are: one, that there’s no perfect answer to a complex problem… there are only a degrees of good, better, better than that… when it comes to analytical solutions, which I’m sure is true in so many areas; and number two is that each unique problem needs its own thoughtful solution. We’re not trying to teach students in this class how to think about every problem, just how to think analytically now that they have the analytical tools. Not what to do in every situation, but how to think through each complex new situation they face.

Rebecca: Do students in this class all work on this same project, or do you have small groups working on projects.

Katy: So each student team is working on a project throughout the semester, and this semester, for example, I’ll have 42 students in the class working on nine distinct projects.

Rebecca: Do the students define their own projects, or do you have a predefined project.

Katy: So I create the projects for them with community members. Because there’s no content in the course, the project is the critical design component. So each year, I start getting ready months in advance curating these projects for the semester. In the past, we’ve worked with our own athletics department on a variety of projects, a large retail banking institution, a service provider of home repairs, a few local nonprofit organizations, and lots of others. And so the variety is exciting, because the students all have different interests as well. And I tell these organizations that all I really need from them is a sufficiently challenging research question. I mean, everybody’s got lots of questions, but we have to really hone in on one theme, and then enough data to support finding an answer to that question, perhaps. It’s not been too challenging to get project sponsors interested, because I’m offering free analytics. [LAUGHTER] And so I might contact someone through a friend of a friend and say, “Here’s a few naive questions, I think we might be able to help you answer if you have the data,” and people generally seem excited to have an introductory conversation. So, for example, some of the organizations that we’ve worked with want evidence of program efficacy. They might have survey data or some measurement of before and after metrics on the students or participants in the program. And we can use that data to answer questions. Others have said we want suggestions for how to price the seats in our new stadium which is super open ended and they’ll provide some data about ticket sales, for example, and so it’s a very open ended data-driven question but it’s not standard. And sometimes those non standard questions are even more fun. So I write up a project description after a couple of meetings, discussion, thought with the project sponsor. That might be two to five pages, it’s not a lot of information, and then I get the data into a format that students can work with, which sometimes is me doing nothing to prepare the data. I do want the students to struggle a little bit with formatting the data since data cleaning is a big part of learning to be a successful data analyst, but I provide lightly processed data and a project description to the students as their starting point. So, I ask them what project they’d like to work on after introducing the projects to them on the first day of class and I try to fit students to a project that they’re most interested in, but really sometimes i’m surprised that some projects are more popular than others and it’s not the ones that I expect

John: Paul Handstedt has a book called Creating Wicked Students: Designing Courses for a Complex World and what you’re doing sounds very much like what he’s advocating. Giving students really challenging problems where there’s no clear solutions, is a really good way of helping them pull together all the things they’ve learned. So in a sense the content is really everything they’ve done up to the capstone but you’re giving them an opportunity to apply it in ways that they’ll need to, if they’re going to be successful in their career

Katy: Absolutely. Completely. Because I did read that book and really felt inspired and I think I was already doing this style of course at the time, but it made me feel like I was headed in the right direction, that giving students this opportunity to try solving a problem that has no answer and most of the problems they try to solve in their careers don’t already have answers or we’d just be using those existing solutions. And so it is really good practice I think for whatever’s next especially in the field of analytics. Ee don’t know what the technology looks like or the methods are going to look like as we move forward and so they really need to be able to think critically about ethical concerns, methodologies, how to work with their data in a really honest and skilled way that can be applied to lots of wicked problems.

Rebecca: So, it sounds like in a process like this, which sounds similar to kinds of courses that I also teach, you act more as a coach rather than more of a traditional teacher, kind of coaching them along on how to respond to the data, respond to what’s happening in the moment. Is that correct?

Katy: Absolutely, and that’s something that I love about this class. I know a lot of your guests have talked about removing themselves from the sage on the stage position and becoming the coach or cheerleader in an active environment and that is one of the things I love most. When students are excited and driving the questions, I get even more excited to talk about what those answers might look like with them.

Rebecca: Do students have the opportunity to talk to your community partners or is it always through you?

Katy: So we staged the course in three sections and we have three presentations associated. So, the students will get started, spend maybe three weeks or so working with the data, getting to know it, generating some questions and some initial discovery points, and then they’ll present those results to their sponsor. And actually teaching online has been much easier for the project sponsors because they can easily attend presentations and provide feedback. Usually in that first round, the discovery period, the students present something and the sponsor can say, “Oh, let me explain that.” It’s sort of a back and forth where there’s a lot of sort of correcting any misunderstandings or answering questions. Phase two, the students are working toward what I call an initial solution. This solution might be a basic model that makes some assumptions that are maybe not appropriate, but just to get started. And it underscores what I love most about the class which is the idea of iterative solution. Presentation three is going to give them an opportunity to refine the solution, completely abandon what they did for presentation two, or improve it in a way that makes it more realistic, more robust, more an answer to the project sponsor’s research question. So, absolutely, the students get to interact with their project sponsors during those presentations where they are leading the show, they’re having the conversation, they’re hearing the direct feedback as though the project sponsor is their manager in that moment. And then I can sort of serve as a liaison, saying “I think what you’re saying is this,” “maybe we can put that on our to-do list,” and sort of just offering the support to both sides, to help everybody come together for a solution

John: How do you assess the contributions of individual students in the group project?

Katy: This will be the fourth time we offer this class and this has evolved quite a lot. A few things have remained the same. Those presentations I mentioned are a clear part of assessment in the class. But each week, I require that each team submit a status state. And that will be a highly detailed list of achievements toward answering their research questions, and also a list of highly detailed to-dos for the next week. So, even though it’s not a class in project management, they’re getting that scope of accountability for moving their project forward. And I require that each student’s name appear next to achievements, and next to to- do items. And that gives me an opportunity to really see what’s happening. But we also have weekly meetings. The students, instead of meeting in a classroom setting where the entire class is together, I’ll meet with each group for maybe 30 minutes. If they need more time, certainly, we can have an office hours setup. But 30 minutes is usually plenty for us to discuss anything from the status update, for them to get feedback from me, and for me to say things like, “It doesn’t really seem like we’ve done enough this week, what’s going on team?” …just like their manager would say in real life, maybe they haven’t had a chance to have that really, in-person accountability conversation before. The need for that is very rare. Most of the time, I’m saying things like, “Wow, I’m so blown away by what you’ve achieved this week. How can I best assist this week with your to-dos? What do you want to talk about in this meeting?” but those are the three components. I recently transitioned to specifications grading, which has been a ton of fun in this particular class, because the senior students are so independent and really prepared to graduate, that this gives them a lot of flexibility. So I require excellence in answering the research question as the C-level component. So the team grade is the C, do a great job on this project. And then I can add in individual components that will scale toward a B and an A. So for this semester, for example, the students will earn a B if they complete a data ethics module where they have to think and write about some ethical dilemmas in data science. They write reflections on visiting speakers who are analytical professionals that we have come to class via zoom, and they evaluate their own performance. And then to earn an A, I ask that the students take on a particularly challenging component of answering their team research question. And I don’t give a lot of guidance there except to say, discuss it with your instructor so that everybody’s on the same page. So I can help them determine what is sufficiently challenging to be truly deserving of an A, because every project is so different, I don’t want to spell out what they need to do. But an example would be if you’re working toward a C in the class, you could work with a team member to generate a model that answers a particular, say, sub question of your focus. But if you’re working toward an A, you need to be maybe developing that model on your own. The one thing that I do promise students is that there will be no surprises. I know it sounds like there’s some looseness in the specifications. But we’re talking about it every week in our meetings. And if students are not on track to earn that excellence, C-level grade, then they know about it with plenty of time. And I’ve really never had to give students much more motivation than “Hey, I haven’t really seen much from the team this week. Let’s talk about those to-dos for next week.”

Rebecca: It sounds like those meetings are really important in terms of processing learning, not only just moving the project forward, but also just processing “what are they learning?” …and how might they move that forward in the future, not just in their projects? And you also mentioned some sort of self-evaluation or reflection, can you talk a little bit more about that component?

Katy: Oh, sure. At the end of the semester, I ask them to do this performance evaluation of themselves in much the same way that I have to write one in my role and have done in the past. It gives them a little bit of practice self reflecting. I’m not really judging performance based on their performance assessment. I’ve already seen what they’ve done in the meetings. When they speak with confidence about something complicated, I know that they’ve learned a lot. So I really just ask them to be honest, and say, “What do you feel like were your greatest growth points? What do you feel like you still need to work on as you head into a professional role as a data analyst?” And I also ask for feedback about the course. {What were the elements that you felt contributed most to your growth this semester, and what things didn’t contribute anything?”

Rebecca: What have your student responses been to working on these projects.

Katy: So ever since the first time the course was offered, the students have expressed sincere appreciation for the help in making a transition from student to professional. It seems like by the time this course pops up in their schedules, they are really ready to start becoming more independent, and squeezing into a seat in a classroom just doesn’t feel comfortable for them anymore. So they express that this course and other capstones like it that are problem based really give them an opportunity to be in the driver’s seat and have more independence in their senior spring. Many also have said that they’ve learned the skills of analytical thinking, data cleaning, planning, modeling, but now they’re seeing for the first time how those things go together in a sequence and on a complete scale over much more time. This isn’t just a week long project where everything is abbreviated and if they’re going into an analysis role this is going to be what their career is like. So, I couldn’t be happier than to hear those two things. It makes it feel like a success. But, I’d also like to add something really selfish here. I get so much personal fulfillment from teaching students, at any level, but this class really gives me the opportunity to stand back and coach as you said earlier, Rebecca, rather than be that sage on the stage in front of the class with the slides. And I just get so much enjoyment from seeing students take off, watching them steer the ship for the first time, getting their answers. I also teach them at sophomore levels, the intro course, and so i’m lucky enough to see them again at the senior level and just saying that it makes me feel really proud is such a dramatic understatement because seeing them ready to leave the University of Delaware and become professionals… it’s really really fulfilling in a selfish way.

Rebecca: My experience with classes like that, too, is that students really appreciate the opportunity to try out this pretend career for a moment. [LAUGHTER] It’s a safe place to try that rollout and understand where they fit in the bigger picture or what specific role within an area or field might be a good fit for them in a way that an internship doesn’t, because it’s maybe a little more flexible or you have more of that direct contact with the faculty member during that process instead of just in the work environment. I’ve had students that have said that in those scenarios they’ve really appreciated that opportunity to fail without repercussions.

Katy: Yeah that’s a great point. It’s like we’re the coach but we’re also the bumper in the bowling alley… that we’re just trying to keep them on track and rolling forward. And I think what you said is true, especially as I think about what their roles might look like… different positions as data analysts… maybe they’re the best at doing the analysis, building the models, or maybe they’re the best at communicating the results and being the liaison between people who are super analytical and people who are not super analytical. So, this class, just as you said, gives them an opportunity to try on the different hats that might be available and see where they fit best in a comfortable supportive environment.

John: When you mentioned watching your students grow from seeing them as sophomores to seeing them as seniors, I have very much the same experience. I used to teach a wider variety of classes but in recent years, since i’ve been working in the teaching center, I primarily see them just as freshmen in a large intro economics course and then I see them generally as juniors and seniors in any econometrics class and in a capstone course, and seeing the change in them and seeing how they become confident with their material and seeing the work that they’re able to produce is really impressive. It’s a really nice feeling.

Katy: Absolutely and when you’re talking to people from other universities or if you’re talking to a panel during accreditation, it’s really, really nice to be able to speak to the entire scope of the educational process. When you see them one time as sophomores, or even one time as seniors,you only get that point in time feedback, but when you get to see the whole development process it just makes you so proud of what the students are learning and you have just such appreciation for all that your colleagues do along the way as well. It just makes it feel like there’s a symphony happening here and that you can see it much more clearly.

Rebecca: So, Katy, you’ve talked about this is the fourth time you’ve taught it. So, the first two times I believe were in person, then you had a time that started in person that shift out not in person. I imagine this time is remote.

Katy: Absolutely.

Rebecca: So, can you talk about that transition or transformation?

Katy: Sure. Last spring we were in person for five weeks and then we transitioned online and I was actually having one of my group meetings with students when the email came out. So, the email came out announcing that we were closing maybe at like 4:55 and we were meeting at five. So, I corralled the team into my office and I said “What’s going on? Just read it out loud. Let’s get this out in the open.” And it was so helpful for me to see the students processing the information live because I was processing it too but thinking in the way that they were thinking in that moment was so helpful to me. One student, for example, raised this question of “But i’m supposed to be on spring break when they say we’re coming back to school…” And i’m just like “Uh huh, let’s take it one day at a time. this is obviously new information for all of us.” But that’s how she was processing and the next student said “Are we going to not have a graduation?” …and I don’t know the answer to that. I said “Well I don’t know if this is going to be two weeks oor three months or longer, but we’re just going to take it one day at a time.” it was just so fascinating to hear what was happening in their minds. One of the questions that came up was “What’s going to happen in this class?” …like they felt almost more concerned about this class than some of their other ones transitioning online. And I said, “Well that you certainly don’t need to worry about. I feel less concerned about transitioning this particular class online than I do my other ones. Because all we do is have conversations. We have conversations together in this small group, we have conversations as a class where we’re listening to a speaker, and we have conversations with your project sponsors. And we can do all of that on Zoom.” I was lucky enough to have had some experience with Zoom beforehand. And so I just felt really confident that there might be one or two things I had to think through, but that most of the things that we were doing could easily be achieved via Zoom. So it was the other classes that were more, I’ll say, traditional in delivery format that I was worried about. So this, I feel like the students are getting exactly the same experience, they just don’t get to shake their project sponsors hand, which, you know, is a little bit disappointing. The networking component is really nice in person, but it’s not necessary. And I think meeting in these small groups, I still get to know the students just as well, and really can serve in the capacity of whatever they need, whether it’s mentor, thinking about helping them to find a job, or just project mentor, whatever is needed, I can do via zoom, because it’s in this sort of small group protected setting. And so it has been maybe the greatest challenge to transition other courses, not this one. So I really feel good about how this one has transitioned online,

Rebecca: I was shaking my head up and down the whole time you were talking, Katy, because I felt the same way about my project based courses. And in some ways, some of the logistics got so much easier being online. There’s some classes that I do that were project based, for example, our Vote Oswego project that I do with a political science faculty member in the fall, we do things with our classes together, it was so much easier to find a space we could all fit in on Zoom, we could easily get in and have the space to go into small groups without getting too loud. And some of those logistics actually were really fine online. And then even with some other projects that we were doing, having our community partners join us more easily, in a lot of ways, by being on Zoom, rather than having all the logistics of going to campus in person and finding a time that’s going to work, because there’s all the travel time involved and what have you as well.

Katy: Absolutely. One of our visiting speakers comes from Denver every year, just to be with us. She happens to be a graduate of the University of Delaware and loves spending time with our students and giving back in that way. But when I had to call her and say, “Hey, we don’t need you to come all the way to Denver anymore, we’re going to be virtual,” maybe that was a relief. [LAUGHTER] But now it just opens the door. I’ve heard a lot of your guests say it opens the door for so much flexibility in the future to just bring in more voices into the classroom and have an opportunity to learn from just a variety of different people because the commute time is zero now.

John: Going back to your point about students being a little anxious of how the course was going to proceed, I had a very similar experience with my capstone course compared to another more traditional type class. I met with them on the Monday before the shutdown began, and it wasn’t announced and there had been no discussion, at least that I had heard of on campus. But it was pretty clear that campuses all over the world were shutting down. So it was pretty clear we were going to as well. And I said “We should be prepared that this might be our last time meeting in person.” And they said, “Well, what are we going to do? How are we going to keep doing all these meetings and keep going?” And they wanted to make sure the class would be successful. I said, “Well remember how I told you, if you couldn’t be here sometime, you could just come in on Zoom? Well, that’s what we’ll probably be doing in the event of a shutdown.” Most of them had laptops there, I said, “Go to the Zoom website, create an account, [LAUGHTER] just so you’ll have it there, because you may want to create your own sessions for work within your groups.”And they downloaded Zoom to their smartphones and to their laptops. And I said,”Let’s just try connecting and just make sure you mute your microphone so we don’t get any feedback issues.” And they were pretty relaxed about it. And nothing really about the course changed other than the fact that they were meeting over a computer. They were doing all the presentations, they were doing all of their group work in breakout rooms instead of gathering tables around. And actually in a lot of ways it was easier because when they were meeting in small groups in the physical classroom, they were all looking over the shoulders of the people who were actually doing the writing at the time. And it was just so much easier for them just to share the screen and discuss it from wherever they were and have a much clearer view.

Rebecca: I think it’s really interesting that both of you are talking about how concerned the students were about being able to fulfill that particular class or that particular project and I think it really attests to probably their commitment to that project. And Katy, in your case, it might be just because it’s somewhat high stakes, right? There’s a client or a partner involved that you want to satisfy and it feels really satisfying to do real work for real people. And I’ve had this experience as well with community based projects that students just are all in on those kinds of projects, and just don’t want to see them fail at all.

Katy: That’s true. I’ve never had a problem getting students motivated. I told you once in a while, I’ll say like, “What’s happening this week?” and then you hear there were some tests or something like that. But honestly, the students are highly motivated all semester, because they’re getting to interact with those project sponsors during the presentations. And they’re going to be accountable to that person’s face or group of people during the presentation. And so sometimes I worry, as we get closer to the end of senior spring, that students are going to lose their motivation, and it really doesn’t happen. You know, they’re tired by the end, they’re ready to be done with the project, because this might be the longest project they’ve ever worked on. But they really deliver. And they always really impress me, I don’t feel any stress at the end of the semester with grades, because they, number one, they know what’s happening. We’re very clear all semester long about where their grade is headed, but also because they’re driving it. And this is a group of students who’s elected to have a minor in addition to their major studies. And they’re just highly motivated. Most of the class is earning an A by the end because of the excellent work they produce.

Rebecca: Sounds like a really fun class to teach.

Katy: I have so much fun. The hardest part’s the project. Once the projects are made, the rest is easy. I just show up and ask questions.

Rebecca: Mm hmm. I love my projects classes,

John: Is there any type of artifact that the students create that they can share with potential employers as a demonstration of what they’ve learned.

Katy: I would say I always encourage the students to include their project on their resume. But I do ask students to sign a nondisclosure agreements for their project sponsor. Tthat makes everybody feel more comfortable. Sometimes the data is sensitive if it’s got, for example, young children participating in a program, and other small businesses might not want to share their data. And so I have the students sign something. But I tell them, if you’re interviewing, you can certainly describe your involvement in the project in a loose way, you can talk about the specifics of the modeling you did, and how you contributed to the client’s end goals without saying, “Oh, I worked for this specific company.” And they also do create an executive summary. So that’s an artifact. They share their presentation slides, of course, with their customer, and they create an executive summary. But the goal of that artifact is to deliver information to their project sponsor, and not necessarily to serve as a portfolio. When I offer this class in the graduate level, where I have professional students who might be working, I don’t also ask them to work on a project for another organization. They collect their own project from publicly available data, and they generate a description of what the impact they could have studying this publicly available data might be. They create a digital portfolio using a WordPress blog. And then that’s something that they could really share as an artifact. So if it happened to be publicly available data they were studying, then they could certainly share that with a prospective employer.

Rebecca: It’s also a great opportunity at that capstone level to have conversations about the way that the profession works. Whether it’s nondisclosure agreements or copyright or whatever it might be related to what you’re doing. These are important times to have those conversations before the students graduate and move into their professional lives.

Katy: Absolutely. Because the data in our classes is often either… I’ll call it simulated, which is just made up by me, as an example, or some publicly available data that’s already in a nice format. So, it’s good for them to have the exposure to working with data that is just in a different format, because it comes from a different place. Or to see that not every dataset looks the same as the one your teacher might have curated in your sophomore level introductory course,

John: We always end with the question: “What’s next?”

Katy: So Monday is the start of our semester at the University of Delaware. So what’s next for me is diving into nine really exciting projects this semester with our seniors this year. So I’m really excited about that. But for the course overall, there’s going to be a big change coming up. And that is that I mentioned we have minors in business analytics in the course. We recently added a major in business analytics. So I think the exciting thing to look forward to is that we’ll have an even greater mix of students coming up either next spring or the following spring that will include people who have had even more training in analytics during their time in the University of Delaware, and it’ll increase the variety of solutions that we can provide to our project sponsors. So that’s really exciting, as is being part of a growing program. But in addition to that, I’d like to concur with many of your other recent guests who have said that they’re focused on what the future looks like in their classrooms. Certainly what’s next is going to involve some changes. And it seems like there are lots of opportunities to reimagine our courses when we have the option of being in person, but also using the new tools we’ve learned for engagement and flexibility. So in the broader sense of what’s next, I really don’t know, but I’m thinking about it a lot.

John: Our students got an interesting email. For the first time since I’ve been at Oswego, we had about a foot of snow and it was coming down pretty quickly and instead of getting a notice that classes were canceled, they got a note that all classes will take place remotely today. [LAUGHTER] So one change is, I think, for those students who used to look forward to the occasional snow day in upstate New York, those days are probably gone pretty much everywhere.

Rebecca: It’s not just the students that look forward to those days. [LAUGHTER]

Katy: Absolutely, I agree. But you’re right, that’s a big change. And we’re seeing that at the University of Delaware as well, our winter session courses were not affected by snow.

Rebecca: Well, thanks so much, Katie, for joining us and sharing other great stories from your classroom. There’s so much to learn from your practice and I’m glad that you were able to join us again.

Katy: Well, thank you so much for having me back. I really enjoy talking with both of you. But also I enjoy learning so much from all the guests that you talk with on your show.

John: And I really enjoy your podcast as well and am looking forward to hearing more episodes. And this sounds like a really great project you have there.

Katy: Thanks so much. Yeah, I hope everyone will check out the On Cultivating Student Engagement in Higher Ed podcast and I’m hoping to put out a second season this spring.

John: And we will share a link to that in the show notes.

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John: If you’ve enjoyed this podcast, please subscribe and leave a review on iTunes or your favorite podcast service. To continue the conversation, join us on our Tea for Teaching Facebook page.

Rebecca: You can find show notes, transcripts and other materials on teaforteaching.com. Music by Michael Gary Brewer.

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178. Teaching for Learning

As we again begin planning for the uncertainties of the fall semester, it is helpful to have a rich toolkit of evidence-based teaching practices that can work in multiple modalities. In this episode,  Claire Howell Major, Michael S. Harris, and Todd Zakrajsek join us to discuss a variety of these practices that can be effectively matched with your course learning objectives.

Claire is a Professor of Higher Education Administration at the University of Alabama. Michael is a Professor of Higher Education and Director of the Center for Teaching Excellence at Southern Methodist university. Todd is an Associate Research Professor and Associate Director of Fellowship Programs in the Department of Family Medicine at the University of North Carolina at Chapel Hill. Claire, Michael, and Todd are the authors of many superb books and articles on teaching and learning in higher education. In June, they are releasing a second edition of Teaching for Learning: 101 Intentionally Designed Educational Activities to Put Students on the Path to Success.

Show Notes

Transcript

John: As we again begin planning for the uncertainties of the fall semester, it is helpful to have a rich toolkit of evidence-based teaching practices that can work in multiple modalities. In this episode, we discuss a variety of these practices that can be effectively matched with your course learning objectives.

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John: Thanks for joining us for Tea for Teaching, an informal discussion of innovative and effective practices in teaching and learning.

Rebecca: This podcast series is hosted by John Kane, an economist…

John: …and Rebecca Mushtare, a graphic designer.

Rebecca: Together, we run the Center for Excellence in Learning and Teaching at the State University of New York at Oswego.

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Rebecca: Our guests today are Claire Howell Major, Michael S. Harris, and Todd Zakrajsek. Claire is a Professor of Higher Education Administration at the University of Alabama. Michael is a Professor of Higher Education and Director of the Center for Teaching Excellence at Southern Methodist university. Todd is an Associate Research Professor and Associate Director of Fellowship Programs in the Department of Family Medicine at the University of North Carolina at Chapel Hill. Claire, Michael, and Todd are the authors of many superb books and articles on teaching and learning in higher education.

Rebecca: Welcome, Claire and Michael and welcome back, Todd.

Todd: Thank you, Rebecca.

Michael: Good to be here.

John: Thanks for joining us. Today’s teas are:

Todd: I got myself a nice hibiscus tea, in my favorite little mug.

Rebecca: Awesome.

Michael: And I have a nice regular Co’ Cola.

Claire: Chocolate milk, signing in here. [LAUGHTER]

Rebecca: I think that might be a podcast first, Claire. [LAUGHTER]

Claire: I’m 12, basically. [LAUGHTER]

Rebecca: I’m drinking Scottish afternoon.

John: And I’m drinking ginger peach green tea. We’ve invited here today to discuss the forthcoming second edition of Teaching for Learning: 101 Intentionally Designed Educational Activities to Put Students on the Path to Success, which forms a nice acronym of IDEAS. The first edition provided faculty with a large variety of evidence-based learning activities that faculty can adopt to enhance student learning. These were grouped into eight categories of teaching approaches, lecture, discussion, reciprocal peer teaching, academic games, reading strategies, writing to learn, graphic organizers, and metacognitive reflection. What will be new in the second edition?

Michael: Thanks, John, for the overview and also for having us here today to talk about this. We’re very excited about the second edition. I think we’ve got a great team here, I so enjoy working with Todd and Michael on it. Basically, we’ve kept the same structure that you mentioned before, we have the same eight categories. We have the same structure within each chapter where we move from research to practical tips and specific ideas that people can use in their own classes. The idea is that it is a very broad kind of technique that we include when we include the techniques and when we talk about the research. So it is something that people from all disciplines and fields could in theory use for their own classes. Now, in practice, people have to make decisions about what will work best for their learners at their institutions and their disciplines and fields. So that part has stayed the same. We have updated the research from the first edition to the second. So it’s five years later. So we have included many new research studies to support the message and what the research shows us about what works well in higher education, what has been shown to change educational outcomes of learners, what can faculty do in particular that will help student learning. Another thing that is new in this edition, and I think this is really timely right now, is a focus on online learning. So in the first edition, we talked a lot about how these would work in in-class or onsite settings. In this edition, we go that next step and say, “Here’s some of the theory about what it means to do this online and here are some techniques.” And then within each specific idea, we say specifically, here are some tools that you can use to implement this in an online environment. So we have spent a lot of time working through that. We know how many people have shifted from onsite to online or hybrid courses and how important this is for successful teaching right now. So there’s a big focus on that.

Michael: One of the things as we were going through working on the online elements of this. that’s only become that much more important in light of the pandemic, is understanding the ways to blend the in-person technique and technology together. And that’s something, I think, as we’ve certainly gone through the last year everyone has done that in a much more detailed way. But I think what we’ve in part set out to do here, because we started working on this before the pandemic, is there elements of technology and teaching that faculty should be including afterwards after the pandemic is over? …And so one of the things I think readers will be able to take away. This is not a book written in response to the pandemic… that we can take these various techniques, take technology, take the understanding of your learners and context, as Claire mentioned, and then together figure out what is the best activity in your setting. Think that’s, as we set out identifying the various techniques throughout the book, is understanding that no class, no instructor is going to be comfortable with everything. So we’ve tried to give what I like to think of as a broad menu for faculty under each of the broad topics but also in terms of individual strategies and techniques that faculty can use in their setting. And the hope is, if you need an idea to use in your class that day, you can pick this book off the shelf, and somewhere in there, it’s going to be something that’s gonna work.

Rebecca: I think we really love the mix of both the research and the practical aspects of the book. I think sometimes either it’s just practical, or it’s just the research, and it’s hard to bring them together. So having everything in one place is very handy. [LAUGHTER] Faculty like that. We like convenience for sure. One of the things that I’ve been doing some research on recently is some students complaining about this online environment being so text heavy. And so I’m kind of curious if you could talk a little bit about maybe some of the research on graphic organizers and some of the strategies because that’s a visual way of handling some information in a time where students are feeling really bogged down by text.

Michael: I think to your first point, this is critically important. As we first started talking about this book in the very, very early days, one of the things we wanted to do was to bring together both the research literature, what do we know from the scholarship, but also what are the practical things that faculty need to know how to implement these ideas. And so we very much kept that. That DNA was part of our very early conversations, and is still part of the second edition. And I think one of the things that we found in terms of writing the book, and I think, as we’ve heard from folks who’ve read it, subsequently, is to be able to have access to the research for faculty, those of us who are in teaching centers, and faculty developers, we live this stuff every day, we know where the research is, and what the most recent findings are. For most faculty, whether at an institution focused on teaching, or even researchers, that access is much more difficult to find, right? It’s spread out in hundreds of journals, most of which just folks in the disciplines don’t necessarily read. And so trying to bring that out, and also insights from related disciplines. This is very difficult to access all this literature, because it’s spread out in so many different outlets, it’s in books, it’s in journals, it’s in places like podcasts, there’s all these places to get the information. It’s really difficult, I think, for a faculty member with a limited amount of time to dedicate to course planning and preparation to find all these resources. So that’s what we wanted to do was bring that together, but also remembering that faculty need to be able to take all that information, I think it’s all of us have worked with faculty, we found that they want to know that it’s researched-based, and what those research findings are, but then they want to quickly get to: “Now, what do I do with this information?” And so that’s the way we’ve set up the book is we’re going to go through the literature, if you want to do a deep dive there, all of that information is there. But then we also want to be able to provide some really tangible tactical things for a faculty member to do. And so as we designed all the ideas and thought about the updated literature, that’s still the core tenet of what we want to do.

Todd: Next. I think the second part of the question,you said, Rebecca, was the visual aspects, specifically. So, I thought Michael covered it really, really well. But there’s a whole section in the book with graphics, of course, and just so many different ways you can use the tools that are out there: concept mapping right now, and doing word clouds, and setting up different ways for people to share a space and to drop in photos and images. And there’s a lot of them in there. And I like what Michael said in terms of there’s so much information, it becomes really overwhelming. So my educational technology list is 118 different educational solutions right now that are being used. And so what we try to do in the book was spread out not all 118 of them, but we spread them out. So if you’re interested in concept mapping, here’s a program called Cacoo. And if you want to do word clouds, there’s the traditional WordClouds. But there’s also AnswerGarden, which gives you a little bit more opportunity to put some text in there. But. lots of things on graphics.

John: Going back to that division of teaching and research and practical tips . The research is not just on the general principle of how these things work, but specific studies of how the individual tools or the individual approaches have been used, and that I found really helpful. In the new addition, is this most appropriate for people teaching synchronous courses, or you mentioned that there’s the addition of online components, are the online components primarily asynchronous online, or synchronous online, or some combination of those.

Todd: Actually, that’s great, because this was a really exciting project to do. And one of the things we did to update the book was we went in, and actually, there’s not 101. The title of the book is 101 Intentionally Designed Activities. I would challenge anybody who wants to sit down and rattle off 101, I want to hear you do it. Because when Claire and Michael and I got together we did, we said yeah, 101 sounds great. And we got up to 100. And then everything started to sound like a variation on something we’ve already done. So the hundred and first one is actually a do it yourself intentional. Isn’t that great?

Rebecca: It’s perfect.

Todd: Take your information and apply it. And the reason I bring this up is that means there are 100 in there, 100 different suggestions we have of how to engage your students. For this second edition we went through and we came up with one synchronous and one asynchronous way of doing each one of those. So this book actually has 200 different ways to engage your students in synchronous and asynchronous classes. And I got to tell you that I was really impressed with the team here. To be able to pull that off is really, really challenging. Some of them are very easy. If you want to basically do a small group discussion or post something, you use Padlet or something is really easy. Some of them became really interesting. So for instance, Kahoot! is a great adaptation to something like a Jeopardy type of thing. But then how do you do something like Jeopardy in an asynchronous course, where it’s going across time? So we’re digging through and Kahoot! It turns out has a way of doing that. So, really excited about having different ways of doing this in both synchronous and asynchronous class.

Claire: John, you mentioned how much research there is about the individual techniques. And I just want to share that there is so much research being done in education right now. It’s just blossomed as a field of study, and that’s wonderful. But I think Michael alluded to the fact that faculty members don’t have time to sit down and read 1000 studies, but we do, right? We did. And so we’re sharing that information. We’ve synthesized and collated and culled out what didn’t look like such a good study, or trying to make it into something that’s accessible for faculty who are busy and may not want to read that much educational research… I don’t know, hypothetically. So we are trying to say, “Okay, here’s what it says,” and then definitely apply it to practice. You also mentioned the distinction between onsite and online. I think that distinction is becoming a little more blurred than it used to be. When I teach an onsite class anymore, I’m still having my learning management system set up, there’s still stuff that I’m doing through the learning management system, there’s still stuff I’m doing online. When I teach online, I still have, maybe not face-to-face meetings, but I have Zoom meetings, I have these synchronous ones. And it just is not such a hard and fast distinction, I think. It’s like “I do this with people in the room in real time, or I do this through the technology.” And I think we can use things in all kinds of settings, and that’s what we’ve tried to share a little bit. And I do want to give a shout out, or a special credit to Todd on this. Because there are some things that, like he said, just one technique, how would you do it on every one? I’m like, “Oh, well, that’s an assignment, you submit that through your LMS.” And Todd’s like, “No, here’s 47 different other ways you can do that.” [LAUGHTER] And it’s like, there are some really creative ideas, I think, in there about different tools that you can use to do things in different ways. And so it’s not all just submitted as an assignment through your LMS. There are a lot of really cool tools out there, and to go back to Rebecca’s point, can make things more visual and more creative. And I think that involves students in ways that producing more text may not. It’s like “Oh, wow, I get to make this beautiful, professional looking product and share that with others.” And that causes or at least creates an opportunity for engagement in ways that others can’t. So yeah, we tried to share some good ideas about how to use technology. And that technology might be in an online class, or it might be in a hybrid or hyflex class, or it might be in an onsite class where you use technology in a way that supports onsite learning.

Rebecca: I really need to know what strategies were the most difficult to come up with across platforms or cross modalities. I must know. [LAUGHTER] You have to share.

Todd: There was one that took me about four days to get to and so here’s one for you. One of our onsite ones that we did was Pictionary, you know, drawing. So you divide your class into two teams, and somebody takes a marker and starts to draw. And then of course, everyone has to yell out an answer. Do that in an asynchronous class, that becomes challenging. But I stumbled across a program… actually, I shouldn’t say stumbled across, I’ve used it a couple times. But as I was thinking about this, after a couple days, I was thinking, “No, you got to turn that a little bit.” So there’s a program on there called Formative. And Formative is something that you basically come up with an image that you start and you draw like a circle or something and you present that to the class, And then each class member draws what they see of that, and then you can get feedback on that. And it suddenly occurred to me as instead of having people guessing back and forth real time that way, what you could do is provide the basic image for the class and then say, “Okay, I want everybody to draw something and submit it on this date. And then the first person who can figure out what it is, you basically write in.” And so it’s a way to do kind of Pictionary in an asynchronous way. But that was one of the trickiest ones.

Rebecca: That’s funny that you mentioned that particular thing, Todd, because I’m teaching a class this spring, a new class for me, where I was trying to come up with a way of doing Exquisite Corpse, which is a folded paper drawing, where one person would draw a head and then you try to do the body and then the next person does legs or something… something like that with my class. And I came across an example of having different boxes, essentially in a whiteboard app, for each student. And I’m going to do pet robots. And so everybody draws one part of the robot, the nose, and then you pass it to the next person. And then you say, like, “Oh, draw the head,” or whatever. So it’s a way of doing that. But that took me a good few days to come up with a solution.” [LAUGHTER]

Todd: Yeah, it does.

Michael: Well, I thought I knew a lot about technology. And as Claire said, Todd would pull something out that never ever heard of before or heard of, but I never thought to use it in that way. And I think that was one of those challenges is, anytime you’re writing a book, you don’t want to be obsolete by the time it comes out. And so it’s always tricky with technology, because websites change and services change and the ability to do different things change. But I think what we were able to do in the end was, even though it may reference a particular website or software, the underlying design principle will hold even as we get different technology over time. And I think that was one of the things we struggled with five years ago, because I’m just not sure technology across all 100 ideas was there. But I think now we’re at the place where you could at least have some semblance of how you would do this, even if that particular service was no longer available.

Todd: I really liked that you said that because the one that I’ll have to admit, one of the very first times I did exactly what you’re thinking of here is I love doing gallery walks in classes, the traditional gallery walk. And I’m sure the listeners know, but you set up four or five flip charts, you put students in groups, smaller groups, each groups in front of a flip chart, they respond to a prompt, different prompts for each flip chart, and then you rotate and you keep rotating until you come back essentially to the first one. and I thought about it for a little while and thought this would work out really well on a Jamboard. So you go to Google Jamboard, and you set up five boards and people go through it. But just like Mike was just saying, if Jamboard goes away, alright, let’s do it with Padlet. And if Padlet goes away, alright, we’ll do it with something else. So once you think this is a way through technology to do this, then it becomes actually fairly easy to find other ways to do it.

John: For faculty who are reading this for the first time, and they see now 200 techniques, maybe only 100 of which might apply for their courses, they might be tempted to try a lot of those. Would you recommend that people who are redesigning their courses or restructuring their courses try doing many new things all at once? Or should perhaps they use a more gradual approach?

Claire: I think the answer to that question depends a lot on who the faculty member is. I think some faculty members want to go all in and try a lot of new things. I think some might do well trying one new thing, and seeing how that works, and then trying another use thing. I also think that again, it depends on who your students are, what your discipline is. A lot of our techniques, though, are things that can be done in addition to other things. Like you might lecture for 10 or 15 minutes, and then do a think-pair-share. Or you might do a punctuated lecture where you stop and say “What are you thinking about right now?” …or something like that. So these are ones that can be incorporated into what faculty are already doing for the most part. So I really think it depends on what the faculty member wants to accomplish and what works best for their particular situation.

Michael: I agree with Claire, I think there’s a notion of, depending on how many times you’ve taught the class, for example, there may be a different freedom to innovate in different ways. I think the other part though, is we have to be careful if we talk about teaching innovation in this way, is beginning with the end in mind. Changing something for the sake of changing something is not a good idea to use one of these techniques. The idea is: know what you’re trying to get the students to learn. What is the content you’re trying to get them to learn? And then look for a technique that best gets you there. Certainly, as I talk to faculty, and think about ways they might do something different in class, you’ve got to start at that point, then decide what is the most effective way to get your students there. Now as much as I love all of the ideas in the book, they’re not all going to work in every situation, even if you were game to try them all. And that would probably not be an effective way to teach class. But if you know what you want your students to learn… and then we always preach backwards design, there’s a reason we do that. We start there and get them to “what we want to know” and then figure out what’s the best way to do that. And I think that’s, to me, when I think about using these activities in my own classes and as I talk to other faculty, is if I know what I’m trying to convey, I can then say, “Well, now I need to go look for a game because this might be content that’s a little dry, or I know from the past that students don’t enjoy it as much. So maybe a game would be a good thing to spice it up a little bit.” Or if I know this is really important content, and they need to understand it in a very specific way. Well, now let me look for a lecture activity that I can convey that content. So I think that, if you know what you’re doing, then you can use the book and we’ve got the full menu available to you. But if you don’t know what type of restaurant you’re going to, the menu is going to be gibberish.

Claire: I absolutely agree with that. I do want to follow up with one thing though. I would say for the person who is, and surely nobody’s still doing this, lecturing for 50 minutes without a break. Even if you don’t know why you’re going to stop every 15 minutes to do a short thing, like maybe an interpreted lecture or pause procedure or something like that. Even if you don’t know why, go ahead and do it, [LAUGHTER] because it will help your students learn better is why. That’s the answer. We all know about human attention span and all that good stuff, but also just varying the activity a little bit and giving them something to reset their attention span will be really, really helpful to their long-term learning. So even if you don’t have the perfect learning goal crafted out, if you could just stop every 10 or 15 minutes and give them something to do, something short to reset their attention span and get them back on track, they’re going to be able to listen to you more in that next lecture segment. So I absolutely agree with Michael, the one caveat is just stop every 10 or 15 minutes and do something different.

Todd: I love what you just said there, Claire, but I’m not even sure its attention span. I don’t think it’s attention span. And I mean, that is part of it. But cognitive load.

Claire: Well, that’s part of it, too. Yeah.

Todd: Anytime you’re trying to learn something new, how many times have you start to watch a video, a YouTube clip on how to do a change your carburetor on your lawnmower or whatever, that you have to stop after about three steps and say, “Whoops, wait a minute, what was that stop again? We’re the experts and we start spewing all this information. And I love that Claire said that. And I live by backward design. So, I love that one too. But the one thing we know from all the research, that’s the most clear thing out there is that putting something with a lecture always enhances learning. If you’re only doing the lecturing, and then you put something with it, it always does better. My biggest fight over the last three or four years, the research doesn’t actually really say it’s lecture versus active learning. If you read the research, the titles will say that at times… people argue that all the time. It’s not lecture versus active learning. The research is lecture alone versus lecturing with active learning, and lecturing with active learning kicks butt all the time. So I love that.

Rebecca: There’s a lot of faculty who are now teaching online synchronously, which is, you know, a newer modality that’s not written about quite as much. And John and I’ve been talking about that a bit the past few months on our podcasts.

John: …certainly, since March.

Rebecca: Yeah, I guess it’s coming up on a year. But I know one of the things that faculty are struggling with is ways to do some of these activities and build community online as part of that and get students connecting with their peers. Can you talk about some strategies that might be in your book that we could point faculty to looking into more?

Michael: You know, it’s such a great question, because I think if I think about all the way back in the beginning of March, when we had faculty on our campus that have never heard of Zoome before, we’d had Zoom for a while, but most people had never had a reason to really use it. This is the single biggest challenge I think our faculty have faced. For some getting in the learning management system was a struggle, but we could get past that fairly easily, at least to a threshold to be successful. Learning what to do… and I think to some extent, it gets to Claire’s answer about lecturing, we still have a number of faculty that do lecture almost exclusively. And so, as soon as the pandemic took hold and we moved online, we had faculty that were just lecturing the entire time. And particularly, I think this is somewhat better at least for some student populations, you know, the internet capabilities and things. We were all just overloaded, right? Yeah, and nobody could get on and constantly got the messages about connectivity problems, and Zoom and all the rest. And so faculty started recording lectures, then what happened, at least with our students, there was no reason to go to class anymore, I can watch that lecture and put it on two-times speed. And I can get out of class in half the time I used to. We’ve had a lot of conversations with faculty about how to make that time important. And especially for some faculty who are concerned about, “Well, once I record all my lectures, you don’t need me anymore.” Well, if all you’re doing is doing those recorded lectures, we probably don’t need you anymore. But do the thing that faculty are best at. It is building communities. It’s encouraging curiosity and creativity and all those things that get those of us in teaching, really jazzed to get up in the morning and go to class, be it in-person or online. And so I think for me, and as we’re thinking about some of the techniques, the more complicated the modality gets, whether we’re talking about something like hyflex or synchronous online, I think in some ways, that’s where getting back to the basics can be helpful. So using some of the lecture and discussion techniques, where you take a break and change as we were talking about just a minute ago. I also think breakout rooms… and I know this is something I think Claire’s talked about before… breakout rooms can sometimes be an extra layer of complication we may not need. And so thinking about the ways that small group discussions can be had in Zoom, or any online platform, but I think that at the end of the day, for me, it’s when we’re using complicated technology, and it may not be complicated technology wise, right, but different modalities that we’re not always comfortable teaching in, and none of us would have designed in an ideal setting. We’re clearly far from ideal. But if we can take some of those basic ideas… think-pair-share as an example. That’s one that we’ve been using for forever. Can we use that in an online platform in a way that you’re not trying to do too much technology. We had faculty early on who were trying to use every piece of technology in every class session, and they couldn’t remember which login, and then this would crash and that would crash. It was just too much. So using the basic functionalities, some of the discussion techniques where you can use the chat window, I think many faculty are probably not using some of those basic functionalities as much. So I think that’s, to me, as you’re looking at the various techniques, if you can make it easier, the more complicated the student situation is. If you know you’ve got students that are working all day and come into class at night, then maybe being super technical in different software packages… that may not be the time to do that. If you’re working with traditional 18-year olds who are savvy using a lot different technology than maybe you could. And I think that’s for me been one of the lessons of the last almost year now is can we get back to basics, and then let the technology help us to reach our students, build a community, build their engagement, use Zoom to access office hours and some of those kinds of things in which I think we’re finding our students are having much more engagement with, if we can get them to show up. So that’s to me, if we can get back to the basics, then it would be helpful, I think, for both faculty and student learning.

Claire: I’d like to pick up on this too. And that’s in part, I’m a mom, I have a 10th grader, the 10th grader is in the room right next to mine, I can’t help but overhear sometimes. I try to stay focused on my work and not pay attention, but the house is only so big. And so I’m just hearing things, and some of his teachers…..well, they’re all wonderful people… they’re lovely, lovely people doing excellent work and a pandemic. But some of them will talk for the full 60 minutes of the class. And I’m going to tell you, my kid who is a wonderful, lovely person and a really, really good student, like you might expect… both of his parents are profs, we’re nerds, we’re a nerdy family. So he does well in school, he is not managing to stay focused for those 60 minutes. I will see him get up and go to the kitchen, maybe walk through, there may be a little pacing. It’s just not happening. And then there are other teachers who will do some of the things that are in our book to mix it up. And he is in there. He’s engaged. He’s talking to the screen, talking to the teacher, he goes into breakout rooms, they’ll ask a question like, “What did we talk about last week,” like “Today, I learned…” “What did we talk about last week? And why is that important today?” Or they’ll say “Okay, so what do you think is gonna happen in this experiment that we’re about to do in chemistry?” …so like an anticipation or taking a guess kind of thing. They might occasionally go into breakout rooms to work a problem or to compare their notes for the session. They might break out and do some kind of jigsaw activity where they work together and then they teach each other. They might even do just a quick prewriting, they’ll say, “Write for a minute, and then we’ll take their responses.” And it is like night and day, he doesn’t leave the room, he is focused the whole time, he is able to maintain that attention and engagement. It’s not just attention, like Todd said, it’s more than that. It’s the ability to hang on, to concentrate, to process, for his working memory to really be able to stay with the whole thing. And so I think that what we can do is use some of these techniques when we’re teaching these synchronous things. So we’re not just giving everybody Zoom fatigue. So we are giving them good educational experiences, and not just 60 minutes wall of sound from the teacher, because that’s just not the best way. They’re not going to learn the best in that kind of situation.

Todd: Well, I heard a learner recently put it in the way that really helped me out. She said “I think about classes as to whether or not I could spend the entire class period ironing or not.” [LAUGHTER] And she said, “If I could stand up and iron an entire load of clothes while class is going on.” And all I could conceptualize in my head is “Oh, that’d be the same as like watching a soap opera or a television program while you’re ironing.” And she said, “Yep, if I can do that, I don’t need to be in class, I can just look at the recording later.” But just like what Claire was just saying, if you’re doing all those things, my goodness, it’d be interrupting your ironing all the time. [LAUGHTER] Make them do something. One of the things so fascinating about teaching is that you’re constantly straddling a line that has cut points of boredom and frustration. You got to be above boredom, you got to be interesting enough or present information in an interesting enough way that people will attend to it. But you can’t do it in such a complex way that they’re frustrated by it, because they just can’t get it. And so how can you take a learner and engage them, but not frustrate them? And that’s what you have to always be looking for techniques or ways to do that.

Michael: You know, it’s funny you say that Todd, because right before we started recording, I went out, and I’ve got a sixth grader and he was in the kitchen and getting some peanut butter cookies my daughter made this weekend. And I said, “What are you doing?” And he said, “I’m getting some peanut butter cookies.” I said, “Okay, what are you supposed to be doing?” Oh, I’m in class.” The laptop’s upstairs. He’s downstairs in the kitchen. And he had his headset on and was listening. But I contrast that with other times when, like Claire, I go past and he’s in class and when he’s got a notebook out and he’s working. His art teacher right now… because I think in some ways, certain disciplines are kind of naturally inclined to go this way…. With art, he’s got different media out, he’s got his markers, and his crayons and colored pencils and different type of paper, and he’s doing this stuff. And then he’ll be in another class, and he can go to the kitchen and get cookies and not miss a thing. And while yes, we’re all doing the best we can, I do hope when we come out of this, there’s going to be some lessons we take away from it. And one of those being: if we can just hit record and walk away, that’s maybe not the best thing for an hour class or even longer for those who have longer classes. But if we can engage students, if we can stop for a minute, if we can make them think, if we make them do something, the combination of those two things. It’s hard right now. If somebody was trying to do active learning for an entire 60 minute class, that also would be really hard to do right now given everything. But this blend, as Todd said earlier, the research shows when we can put lecture and active learning together and put some of these different techniques together, that’s where I think we’re gonna see some benefit. And I think that’s true whatever we were teaching, if we were talking about K-12, or higher education, or anything in which you are trying to communicate.

Todd: And that made me think of something else too, real quick, that I just heard a session done by someone who works at Zoom. And keeping in mind, Zoom is not static. For those of you who are using Zoom, it’s changing all the time. So they have now changed how the reaction buttons are used. They’ve got them set up in a much more easy format, they have some things that stay there until you take them off, some things that don’t, there’s all these other techniques too. Closed captioning, Zoom has finally got it, it just was launched, I believe, yesterday, or the day before it came out. I got students who have babies, they can’t have the sound on. I mean, that’s a new thing that’s good. They’ve got another one now and they blur out the background. And here’s what I really love about this with the guy who was explaining it, he said, “We’re now gonna have the capability instead of virtual backgrounds to blur the background, we did that for a more equitable situation for students who are uncomfortable with their housing situation. I was blown away that that’s the reason the guy said they did it, not because “Oh, here’s another thing that people would like.” So again, the technologies keep changing. But we as teachers, it’s what Michael and Claire both said too is we as teachers have to decide what to do and why, again, back to backward design.

Claire: And I’d like to pick up on the point too that, I think right now, making connections with other human beings is really, really important. And that’s not just watching your teacher on TV, that is actually having some kind of meaningful exchange where you get to talk to another human being. And a lot of people haven’t left their houses not much since March, or they’re not in class, they’re still online, just making that human connection is absolutely essential. And some of our techniques allow for that. They’re putting people together where they’re connecting, either through discussion or group work or something else. And I think those things, even if they’re just for a brief period of time, are probably some of the most important things we can do right now.. is give them that space and time for exchanging ideas and sharing and making that contact.

Todd: My gosh, and I know we got to move on.. this question we’ve been on it for a while, but Claire, that was such a great concept. I remember, a student in one of my classes from almost 30 years ago, and it was a night class, she kept dozing off. And I kept walking by her desk and saying, you know, “Maybe you better go splash some water on your face,” and I walked by again, and “Maybe you should just like walk around the building once real quickly.” And at the end of the class I talked to her real quickly and I said “How are you doing? I’m really concerned about you.” She said, “I’m so sorry. I’m so so sorry. I almost didn’t come to class tonight, because I just worked a double shift and I’m absolutely exhausted. But this class is the only time during the week that I feel like a real valued human being.” You know, what Claire said, even without the pandemic, a lot of individuals are in home/life situations. They’re in jobs where they’re not appreciated by their colleagues. I mean, it’s one time during the day that students can feel like they mean something. And so even more so in the pandemic, but yeah,Claire. I’m glad you said that. I hadn’t thought about her for a long time.

Claire: Nice. Yeah, it is connections. It’s very important and very meaningful. And students, I truly believe they really appreciate those opportunities all the time, but especially right now when their opportunities are more constrained than they might normally be.

Rebecca: Not just students as faculty…. [LAUGHTER]… the interactions too. I remember last semester there were times when I had some really nice deep conversations with some of my students and it was like, “Wow, alright, this is the first time I’ve had a conversation with someone who’s older than three.” [LAUGHTER]

Claire: …outside the immediate family… it’s lovely.

John: We thought we’d ask each of you to share one of your favorite techniques that are in this book,

Rebecca: …or most impactful for you

Todd: …comes down to a lot of different things. But sometimes I’m actually gonna jump in and say it’s kind of a combination. It was one that I didn’t actually do, but it was one I just saw, but a technique… these techniques are so cool. Having a person open a Google form. We’ve mentioned Google forms several times in the book, but asking a quick question for the Google form of “What do you think about this?” The learners then typed what they thought, the individual was able to take those very quickly, download those into a word cloud, and then presented the word cloud. Now we’ve got AnswerGarden as a word cloud that we mentioned on a couple of the IDEAS, and Google forms is something else we use in it. But the ability to capture that information and turn it into a visual that quickly was just one that I thought was really amazing.

Michael: I think my favorite is one, it’s called “Houston, we have a problem.” And it’s taken from Apollo 13, of course. And it’s that great scene in the movie where the engineers have to figure out how to get the oxygen thing working on the spaceship. And so they have all this stuff. And you can’t give them new supplies and new tools, because they’re halfway to the moon. And there’s this great line: “you have to make this fit into that using just this.” And so what I love about this is it’s fundamentally problem solving, but it brings together knowledge and skills. And so you give students, and it can be different depending on whatever class of course, it can be a set of terms or methodologies or equipment or whatever it might be, but the students have to take these things and figure out how to use them. And I love the notion of that. I use versions of it in my own classes, the notion of having students take something, even things that might be out of the context of the class, or even the discipline, and figure out how to make it work. Because I do think fundamentally, to me, it gets to what you do when you leave us. The academy’s this great place where we can play with ideas and information and learn skills, but it’s somewhat sanitized, it’s hard to really get to the messiness of what students are going to face when they leave us. And that, to me, is such a great activity where you’ve got to figure out how to get to a solution, and you don’t have all the information, you may not have everything you need to solve it. But you collectively as a group have to come. So I think we called it a game, I’m not sure if it’s entirely a game, there’s probably a game element to it. But I just love the notion of students having to work together and kind of fight to a solution.

Rebecca: Michael, did you say that you do this in some of your classes?

Michael: I have,yes. Probably my favorite way to do it is for research design, actually, and give students a variety of different data sources and analytic techniques, and a question they’re trying to solve. And so they have to decide if I’m going to use this quantitative data or I’m going to use this qualitative method or I’m gonna use a survey, and they’ve got to figure out how to do it. Amd I usually do it in a fairly compressed amount of time, because what I’m trying to do is quickly think about the tradeoffs in making methods decisions and research develop. And so they can’t do everything they want to do. But they have to figure out how am I going to be able to answer this research question. And so it’s real simple where I usually give them like index cards with terms in them, but then they have to work through and figure out the way they would do it. And what’s often is impactful is to see how the other groups, for the same question, how they got to a different way to get to the answer, then it opens up some great conversations about the methods and rigor and validity and trade offs in research. And it’s kind of a fun way to learn about those ideas.

Claire: I like a lot of those. And it’s really hard for me to choose. But I’m gonna say jigsaw, just to pick one out of a hat, really. And I think jigsaw… I mentioned it earlier, it’s where you create base groups, and students work in base groups to study something and learn about it, and to decide how to teach each other. And then you recombine groups, one person from each base group joins the team. So they then teach each other what they learned in their base groups in their jigsaw. And I think it’s a wonderful technique to encourage collaboration. And it involves students. It engages them. I have a story about it. I teach a college teaching course. And I remember one year early in my teaching of this course, I wanted them to know about the history of college teaching, I thought it was important to have them understand where we come from and how we’ve gotten to where we are. So I created this lecture. It was so long ago, y’all, that it was on overhead. Remember the clear overhead slide you put on the overhead projector, it was like that. And when I teach, one of the things that I do that’s pretty useful is, at the end of every class, I take notes on how things went, and then I put it away, and I pull it out the next year I’m teaching or the next time I’m teaching the course. And so I had created this lecture about the history of college teaching, about pedagogy in higher education. And I gave it, and the next year I came back and I looked at my notes and it said “This was bad. [LAUGHTER] This was really bad. This was bad for you. This was bad for them. [LAUGHTER] Don’t do it.” I had no memory of that at all. I thought, “Oh, good, I’m gonna give my lecture. I’ve already got it done and everything.” And so I… [LAUGHTER] …I pulled back and said, “Alright, what I’m gonna do is a jigsaw with this.” So I gave each group a period of time: y’all got the colonial period, y’all got the antebellum period,” and so forth. So there were four or five periods, I don’t remember how many I divided it into, and they got together and then they taught each other. And they broke out into their new groups, taught each other. They were using games to teach each other. I think they busted out like Jeopardy and Pictionary and all these great things. They were so engaged and into it. And they learned so much more, I promise, through that jigsaw than they ever would have through my lecture. And it was just a really good and useful activity. So that remains one of my favorites for that reason. But I also want to add that I like a lot of the metacognitive activities. It’s one of the best ways to improve the learning, right? But I think it’s something that we don’t always think about doing. And so things like wrappers or even opinion polls, or the “today I’ve learned…” “what’s the most important thing you learn today?” They take so little time and can really, really deepen learning

Rebecca: And that’s only three or four out of 200. [LAUGHTER]

Todd: Well, I gotta say, while we were chatting about that, and Claire was talking about, I just pulled up the chapter that we just finished. And if I have it right here, there’s 14,000 words in that chapter. That was the metacognitive chapter. So this is a pretty dense book in the sense of there’s tons of stuff, but if anybody’s interested, we have 14,000 words on metacognitive strategies, [LAUGHTER] the research behind it, and how to apply it.

John: And that’s something that most faculty tend to ignore. So, including that I think is really, really helpful. The evidence on that’s overwhelming.

Claire: It really is. And I would say maybe not dense, like I don’t think it’s a real dense read. I think it’s chocked full of goodness, right? Here’s a lot of… [LAUGHTER]

Todd: Well, that’s a good point.

Claire: …rich… information rich, yeah.

Todd: I’m actually curious to see how the new books gonna look, though, because when I was looking to the as we were going through updating everything, the standard out there is you’re supposed to change 20% of the material, I think we added something like 30% new material over and there was nothing to take out, because there was nothing in there that was outdated. Nothing we’d written from the first edition was no longer valuable. So the previous book plus about 30% new. So it’s gonna be a very meaty book. But it’s a good resource… not meant to be read from cover to cover. It’s just meant to open it up to what you need.

Rebecca: So when can we start reading this book? Exactly.

Todd: The book will be available in the latter part of June.

Rebecca: So we always wrap up then by asking: what’s next?

Todd: In the universe, or…

Rebecca: However you really want to address this, because there’s a lot…

Michael: Todd, do you wanna go first?

Todd: Sure. I think what’s next is just to get through spring. Michael brought it up too, and we’ve kind of touched on it. This is really hard…. the pandemic, with everybody shifting to everybody, we know months and months and months ahead of time that we’re going to do this…” We all want to get back together. So for many of us, UNC Chapel Hill was right at the lead of this one, is students arrived on campus, and seven days later, they shut it down. And then spring came along. And it’s like, “Okay, but now we’re going to be able to be face to face, right?” And we’re still doing either online teaching or emergency remote teaching. The differentiation, of course, the online teaching is a very thoughtful process where people put together this whole package of how you deliver education and emergency remote is we just do the best we can with the time we got. So I think the “what’s next” is to get through the spring, take the summer, I wholeheartedly believe in the fall we’ll be closer to being back together in classrooms. And then I think it’s coming back to what both Clair and Michael have said, is pulling the essence of some of the really cool things we’ve learned and embed those into classes for faculty members who have never even considered teaching online a year and a half ago or a year ago, to now implement those strategies. And so I think that’s what’s next is: how do we find some good out of all of the garbage that’s been happening? And that’s what I’m looking for. Pathological levels of optimism. I think we’re going to get through it and then we’re going to be better off in the future than we were in the past. I’ll use one quick example of this because I work in a medical school, flu rates are almost non existent this year. And I knew that was going to happen six months ago, because nobody took flu that serious… I shouldn’t say nobody, a lot of people didn’t… 30 to 50 thousand… it’s hard to get these numbers, sometimes 30 to 50 thousand people a year die from the flu. And now what we’ve got is a whole population that knows we should wash our hands, stay home when you’re sick, and don’t be in each other’s space all too much and wear masks when you need to and because of that I think next flu season is going to roll around and I think people are going to put their masks and stand back, and we’re going to see flu rates with maybe 20-30 thousand people less dying every year. So with teaching, with health, I think down the road is putting new practices into place.

Rebecca: Sounds like a lot of metacognition might be going on.

Todd: I’m a metacognition nerd. [LAUGHTER]

Michael: So I agree with Todd, I think there’s a lot of lessons to be learned from the pandemic, and what’s going to happen afterwards. I think the other really negative implication of the pandemic is that this moment of equity and inclusion has been too easily forgotten, I think, in corners of higher ed, myself included at times. We’re so trying to get through the day that this reckoning that’s happened, I worry that those of us in higher ed have forgotten it. And so we absolutely need to take some lessons from the pandemic for teaching. But I also think we’ve got to continue to work on the inclusion in our classrooms, be it an in-person classroom or an online classroom. That work is gonna take a lot longer than the pandemic, I suspect, but is equally as important.

Todd: Boy, Michael,I’m really glad you just said that, because this whole thing has shown a huge light on the inequities in our systems. I think the inequities are huge. And I really do hope we can, at least with the big flashlight on there, maybe we can sort a few things out. But I’m really glad you said that.

John: Those inequities became much more visible to faculty with the shift to remote teaching, it was really easy to ignore these differences when everyone has access to the same computer labs, the same wireless network, the same study facilities and some degree of food security with meal plans on campus. But when students dispersed and went home, all that broke down, and faculty suddenly had to become aware of that, and faculty are attending workshops at rates I’ve never seen before. Our attendance has just skyrocketed. And a lot of people have come to appreciate backwards design and building new things into their classes. So I’m really optimistic about many of these things. But we certainly need to do a whole lot more work on equity and inclusion issues.

Claire: I think one thing I’ll say is that faculty aren’t typically taught how to teach, it’s not something we usually take classes on in graduate school, it’s not something that we receive a lot of training before doing it. Most of us have to learn through trial by fire, or we have learned by watching our own teachers, growing up, going through grade school and high school and college, we figure out what works by being participants in it. So I think the result of this is a lot of us haven’t had, again, that formal education in how to teach. We don’t have the research grounding, the theoretical background, and a lot of times when we’re just starting, we don’t even have the practice. So what this pandemic has done has changed that, because we’ve shifted to a new modality that most of us have never engaged with before. Most of us hadn’t taught an online course, or an emergency remote course, and so we’ve had to figure it out on the fly. But what I think this is done is put it in the forefront. All of a sudden teaching is something we really have to think about is something we really have to figure out because I’m doing it in this whole new way, and I can’t just bank on what I suspect works, I have to figure out this new system. And so I think we do have a lot more people thinking about it. I think we also have more institutions investing in professional development in ways that we haven’t before. And we have more faculty participating in professional development than we have before. And so I think it has highlighted teaching in a way that it hasn’t been for everyone for a while. And I think that’s good. If we’re looking for some kind of silver lining here, I think we can say that, all of a sudden, people are at least more often really aware of teaching and thinking about what makes good teaching. And when you have to plan out an online course, it really makes you think through the process. I know we went in March to emergency remote teaching, but a lot of us were teaching online in the fall. And so when you have to think through a whole course in this new way, you really have to think through the process from start to finish. And I think it changes the way you think about teaching, to teach online. And I hope in good ways, like Michael’s saying, I hope that we can learn from what we’ve done and figure out, “Hey, this is stuff that works really well” or “This is stuff that maybe doesn’t work as well,” and that we can take that back into whatever teaching mode we are in in the future. So I do think that there has been a big shift, and I think that’s going to stay with us. I expect we’re gonna see more things done online going forward. And I don’t want to say completely online. I am absolutely not saying higher ed is going online. I’m saying people may use some of the pieces of online activities that worked well for them. They may do an online assignment if they never did before, or they may have a Z oom virtual office hour or something like that. So I think there are going to be some things that we take from this experience.

John: And I think Todd has a book coming out on that, which we discussed in a podcast that was released on January 27.

Todd: Oh, Creating Equity-Based Digital Learning Environments. Oh yeah, I remember that.

Rebecca: Maybe that one? Yeah.

Claire: I want to add too that, I think faculty… I want to believe this… have become more aware of the need for compassion in their classes. I mean, it’s easier when everybody seems healthy and well to say, “You know, no late assignments,” or whatever, and “it’s in the syllabus,” and my late policy is this. But I want to think that people understand that people are sick, or caring for sick people, and that life circumstances are changed, maybe they have their little kids at home with them. I think it’s important to be compassionate for students and to understand their needs. And I think this is highlighted, in addition to equity and inclusion, just some more issues, that people have lives. And they’re different when they’re not on campuses, and that we can be compassionate and kind to people. And that doesn’t make us any less rigorous or whatever. It just means that we’re kind and compassionate, and I think our students will learn more when we are more aware of them as humans.

Todd: we’re seeing that in the POD network, and the Lilly conferences, the stuff you just brought up, Claire, anything dealing with mindfulness and compassion, those types of things. People are just swarming to those sessions, they just love those things. Because it’s vital right now.

Claire: You know, sometimes students will, when I send out something, and I’ll say… I just sent out a note to a student today, and said, “Oh, your assignment didn’t come through, I think you didn’t respond to a peer, so it didn’t come up in the gradebook. I just want you to know, I’m not going to count off late, please just get it done.” It’s just like, “Oh, my gosh, thank you so much for reaching out. I so appreciate it.” It’s like: “who hurt you?” You know… [LAUGHTER] This should not be like this. And this has happened time after time, where I’m just like being a nice human being to say, “hey, you missed this,” or, “hey, don’t forget this,” or whatever. And it’s just this overwhelming response. And I don’t think it needs to be that way. I think we need to show students that we do care about them and understand their situations and just want them to learn. And that doesn’t mean I’m a softy, I don’t want to say that we don’t need to expect them to work hard and do the work and show up and all that. We absolutely do. We just need to understand their circumstances as well.

Rebecca: And not assuming that mal intent. I think sometimes that’s what was happening before the assumption that “they did it on purpose”, or they’re skipping out or something rather than just being like a reasonable human being who made a mistake or forgot something.

Claire: Or you hear the thing, “Oh, their grandmother died. How many grandmothers do you have?” Well, it doesn’t matter how many grandmothers you have, you know, it’s like stop being that way. Maybe they do actually have three grandmothers or maybe they have situations that they don’t want to tell you about. Give them the benefit of the doubt until you can’t, I think. But that’s me. That’s me. Not everybody feels that way.

Todd: Here’s the quick teaching tip on this one I’ve just stumbled in this years ago, and it worked out really well. For me, I will have eight to 10 kind of general “rules.” Just don’t lie to me. Just be honest about stuff. And when I ask you a question and for those types of things, I’ll just say, “Here’s 10 things.” And I did this with face-to-face classes a lot. And I’d say now get into groups of four and come up with two or three things for each group that you’d like me to consider. What are some additional things you’d like me to consider. And the reason I brought this up is because of what you just said, Claire with the “who has hurt you.” The very first time I did this, I just thought this would be a neat way of showing them. It’s a communal organization. I have expectations. So do you. One of my students started out by saying, “If another student starts to attack me, don’t come to my defense. But please moderate the conversation. I can fend for myself if you’ll control the situation.” I thought, well, that’s a really good one. The next one was “If we provide an answer, and it’s wrong, please don’t call us stupid.”

Claire: Oh my gosh.

Todd: And I thought to myself, they’re not making this up. They’re saying things that have happened to them. And so again, the quick teaching tip is on your first day of class, it can be online or it could be face to face, is just “Here are some of my expectations. And now I’d like to hear what are your expectations.” And that’s where you find out who’s hurt them and you address it.

Claire: I’ve also heard of people doing like “life happens” passes the you get one assignment or two assignments or whatever, it is no questions asked. Use the card when you need it. And I don’t need to see your doctor’s note. I don’t need to see anything. Just you have your passes and use them as you will. And I think that’s a fine way to handle it. Or you can just listen to them and say, “Okay, you can have an extension.”

John: Well, thank you. This has been a fascinating conversation and it was great talking to you. And we’re looking forward to the new edition of your book. Your first edition was invaluable as a resource. And this sounds like it’s going to be even more.

Rebecca: It’s like next setting, level up. It sounds like.

Claire: Thank you.

Todd: Yes. Thank you both.

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John: If you’ve enjoyed this podcast, please subscribe and leave a review on iTunes or your favorite podcast service. To continue the conversation, join us on our Tea for Teaching Facebook page.

Rebecca: You can find show notes, transcripts and other materials on teaforteaching.com. Music by Michael Gary Brewer.

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177. Blogging in Unexpected Disciplines

Maybe you’ve seen professional development sessions about digital portfolios or blogs and thought, “that is not relevant to my classes.” In this episode, Dr. Kathryn Berkow joins us to discuss how she has used blogging in her Business Analytics class to allow students to share their learning journey. Katy is an Assistant Professor of Management Information Sciences at the University of Delaware. She is also the host of the ON Cultivating Student Engagement in Higher Ed podcast.

Show Notes

Transcript

Rebecca: Maybe you’ve seen professional development sessions about digital portfolios or blogs and thought, “that is not relevant to my classes.” In this episode, we look at one example where blogging has been used to share students’ progress on business analytics projects with an audience.

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John: Thanks for joining us for Tea for Teaching, an informal discussion of innovative and effective practices in teaching and learning.

Rebecca: This podcast series is hosted by John Kane, an economist…

John: …and Rebecca Mushtare, a graphic designer.

Rebecca: Together, we run the Center for Excellence in Learning and Teaching at the State University of New York at Oswego.

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John: Our guest today is Dr. Kathryn Berkow. Katy is an Assistant Professor of Management Information Sciences at the University of Delaware. She is also the host of the ON Cultivating Student Engagement in Higher Ed podcast. Welcome, Katy.

Katy: Well, thanks so much for having me. I’m a huge fan of your podcast.

John: And we’re fans of yours.

Rebecca: Our teas are:

Katy: I am drinking tea today, I just made a cup of something called Scandinavian detox, which is an herbal caffeine free blend.

John: And I’m drinking ginger peach green tea.

Rebecca: Oh, back to an old favorite. Me too. I’m back to the Scottish afternoon tea… just delivered.

John: We’ve invited here to discuss how you’ve been using blogs in your business analytics class. Could you first describe the class in which you’re doing this?

Katy: Absolutely. So I teach business analytics at the University of Delaware. And the course that we’re talking about today is a reformulation of a traditional second course in statistics, and it’s for sophomores and juniors. So this is a required course in the business school for most business majors. For some, it’s their last statistics class they’ll ever take. And for others, it’s creating the opportunity to introduce perhaps more study in analytics. There’s a wide range of students in the class, lots of different majors, lots of different interests. And the topics that we focus on, are sort of three-pronged instead of a traditional two-pronged approach. So we focus on introducing a programming language, which is always a topic that introduces some fear for many students. We talk about statistical modeling, which also brings some fear. And the third, the part that introduces the reformulation of the class is the communication around the results of building a statistical model. And the potential impact on the research question and what the potential is for using these analytics. We really want to connect the students to the impact that their analytics could have on an organization.

Rebecca: Statistics isn’t necessarily the first topic that comes to mind to meet a blog assignment. So can you talk a little bit about how you decided to introduce blogs into your course?

Katy: Absolutely. And I completely agree with you, Rebecca, this didn’t come on suddenly for me. There were two things that were happening concurrently. The first was, I was experiencing a lot of frustration with my multiple choice homework assignments. When I started teaching the course, I had traditional exams, and these multiple choice questions. And there was always a problem with the multiple choice questions. I’m not putting enough time into writing them well, and generating the multiple questions for each topic that’s going to create that ability to randomize selection for different students. And there was always a problem, you know, a student would email and say, like, “I think I got this wrong, but I don’t know why.” And we would discover that there was actually a problem with the question. But the second thing that was happening as I was becoming more and more frustrated with my homework assignments was that I attended a workshop about digital portfolios. And it was the kind of workshop where you go to several sessions over the day, and you have a great choice. And this was one that I was like, “Well, that sounds interesting, but I’m not sure it’s going to be useful for me,” just like you said, I’m not sure that’s a statistics class was an obvious digital portfolio class. But I just kind of listened, I loved the idea and filed it away. They were giving examples of using it for writing courses or art classes to feature students’ work. But eventually, this moment came where I realized that the two could absolutely go together and highlight the communication in my class that’s missing from the multiple choice homework questions. The students were not getting practice at communicating the impact of their results, or the meaning of their results, in multiple choice questions, really. So the idea to create a space for them to not only report results, but to talk about them in their own words, really made me excited. And I just immediately started developing this new assignment, knowing that I was taking a risk, but I was really excited about it.

John: And so as they’re reporting this, is this something they’re doing over the course of the whole project?

Katy: Yeah, absolutely. So the way the project begins, that first week of the semester, I have students select their own data set of interest from some resources I provide. So an example of that would be like I send them to Kaggle. As a first source. Kaggle.com has lots of publicly available data that people have put up on the site to share. And I’ll have the students select a data set of interest, and work with that particular data set all semester long. So they start by generating an interesting research question to them. And you know, I’m just asking them to put some context around. So some students will select something very serious. Last semester, some students wanted to work with COVID-19 data, which is so relevant and interesting, but others did not want to work with COVID-19 data, they wanted to work with something that was maybe feeling like more of a break from what we were experiencing. So, a lot of students choose sports related data. And whatever the students choose, they’ll work with that data set. The intention is for them to work with that data set all semester long, and apply every skill to that data set and report out. So, there are a variety of different topics, and I also include In my syllabus that we should just be conscious that we’re not all going to choose the same type of data. Some of us are going to choose very serious topics and we should all treat the discussion of those topics in a serious way, and some of us are going to choose some things with a little bit of levity like studying the winners of the bachelorette and what their characteristics are like, and that we should appreciate the levity in that too, and just appreciate each other’s choices.

Rebecca: One of the things that I know that I’ve appreciated in doing projects like this in my class, is the ability for students to practice that professional communication and have an audience. Can you talk a little bit about who the audience of the blog is, and whether or not it’s public facing?

Katy: Oh, sure. So the blogs are intended to be public, because they’ll submit the links to their posts as their homework assignment. And then we use Canvas as an LMS. So Canvas loads those assignments right up, and I can look at them right away, which is great. But because the blogs are public, I also include some notes about that in my syllabus, pointing out that you wouldn’t want to report personal information, for example. You can keep it as private as you’d like to, in that you don’t have to identify yourself as the author if you don’t want to. But I encourage them to keep a professional tone, especially if they want to use this as a potential portfolio to share with future employers as evidence of their study and their work. And I tell them, they can spend as much or as little time as they’d like making it look beautiful, with some really beautiful images. Some students choose not to do that at all and it’s just a plain white background with a title. And that’s fine, too. So I tell them, I am their audience, but that they should consider that this is a public space, and that they might have a broader audience. But I also include in the syllabus, if anyone is uncomfortable with the idea of a public facing blog, they can request a different option. I’ve never actually had to offer that option. But I would offer like, let’s create a Google Doc that is more like with chapters instead of a blog with individual posts.

John: What platform are students using? Do they get to choose our own? Or are they all working in one platform?

Katy: So, I suggest WordPress because it has a free option. And because that’s where I built my example blog, which I’m happy to talk about as well. And I can provide more detailed instructions and troubleshoot with them a little bit more easily. But if they want to choose Wix or something else that they’re more comfortable with, I’m completely fine with that so long as they know that I’m not an expert in any of these other platforms.

Rebecca: Do you want to talk a little bit about that example you just mentioned?

Katy: Absolutely. So the example blog that I built was sort of my first experience with understanding if this could work in the class. As I was trying to formulate what we would do, I was writing my own version of the blog, which later turned into a resource that can help students as an example. So I selected a data set about understanding diabetes, and its relationship to age and blood pressure. And this is a very common data set on Kaggle. So I was writing. The goal is for students to take each topic that we learn in class, and there’s about, say, 15 topics over the course of the semester. So if we learn to build a basic regression model, the students will then apply the basic regression code that we’ve learned in class, and we’ve seen a couple examples and apply it to their own data set. So now I’m thinking about COVID-19 and I want to understand the relationship between, say, rates of cases and age groups, something like that. So they now have my example blog to go to and read and see how I structured what I did. And they’ll say, “Okay, Katy built her model relating blood pressure to age, and I’m going to do something similar.” And one of the reasons why I like creating the example is so that they can see where they’re going. But I also really liked that it serves as sort of a textbook support where we don’t have a textbook in our class. So in the later, more complex topics, I also write a lot about how I’m interpreting my results, and why, so that they have a little more support as they try to make those interpretations. And of course, if they’re having any trouble making those connections, they can always come to office hours and ask questions. But those who have used the example blog as a support really report that it’s useful.

John: You mentioned that you don’t have a textbook, but I’ve seen on your website that you have created videos that serve as a substitute for a textbook.

Katy: Yes, as we’ve transitioned to online remote teaching, I had actually been very lucky to have had experienced teaching online before. And I wasn’t using those videos that I had used in the online version of the class in my on campus class at all. But there have always been students not able to attend class for various reasons. You know, “I’m an athlete and I’m going to be traveling, I’m going to miss class” or “I’m just sick and I’m going to miss class.” So for lots of reasons, students have needed an additional resource and, without a textbook, that’s always been a concern. So I wanted to provide those additional supports but, of course, as I’m sure you’ve considered before as well, does providing the video reduce my attendance in class? There’s this constant struggle. But as I have been doing this online remote teaching, I think that I don’t care, I just want to provide all of the resources, so that every student can find this material in whatever way is easiest, most flexible, most accommodating to their lifestyle. And so that means putting out the videos in what I’m calling a digital textbook. And I can also refer it to students even when we’re on campus as an additional support if they need it after class.

Rebecca: How have your students responded to working through this information in this way? And have they had the opportunity to look at each other’s blogs and comment and do some peer feedback as well?

Katy: That is a great question. I have not incorporated any peer feedback of the blogs into class… except this semester, as we were doing the remote teaching, I was meeting in small groups, so the students would watch the videos from the online class. And then we would come together in conversation. And the only peer feedback that I’ve ever incorporated is having the students present their issues as they work through their blog posts during these small group sessions, and then having others weigh in. And I found that to be so rewarding, it was just so much fun to have them identifying each other’s problems. And there were lots of students in each group studying similar types of data. So one student is studying hockey, “Oh, I’m also studying hockey, did you find this…” and so it really was fun to make those connections. So in that way, we have had some peer oversight and I think I’d like to find ways to continue that kind of small group discussion about the blogs. But overall, the feedback on the blogs has been positive. The way that I know that is I’m looking at course evaluations, I would say, in maybe 40% of my course evaluations, students are mentioning the blogs in general. So, not everyone by a longshot. And when they do mention it, it’s in two ways, in general: 1. I really loved the blog posts, or 2. the blog posts were really hard, but I knew I was learning. And so seeing comments like those, it really makes me feel like I’m achieving the goal of helping the students to get to a place where they’re ready to apply the skill in a new setting. So that’s the beauty of the blog, that it captures what we really want them to do, which is to get into their professional setting, ready to apply it to a new situation, because they have my example blog, they have their example blog, they can remember how to do this given those skills.

John: You provide students with a sample blog, but do you give them any other guidance on what they should include in their blog post?

Katy: Absolutely. So in each problem description, so for each blog post assignment, I’ll give a bulleted list of items that they should include. But in addition to that, because I probably go on a little bit in my bulleted list, I also provide a rubric. And Canvas, as an LMS is really helpful in this way, because I can include the rubric right in the assignment and tell students how I’ll be calculating the points for each assignment. So I can have one point for including an image showing the results, I can have one point for correctly interpreting the intercept, etc. So the students will know as they’re writing, what are the things that I’ll be looking for. But even better than that, they can also see where their blog posts needed improvement. So after it’s been graded, and by the way, it’s very easy to grade in Canvas, because it can take me just a few minutes to read through a post and know whether the student has done the five or six checklist items in the rubric and just click, and I’m done in just a few minutes per student, which is great if you have a large number of students say whether it’s 50 or 150. It’s relatively quick. And I’m very lucky to have the help of a TA with that. But the beauty of the rubric in canvas is that the students can see which buttons I’ve clicked so they can know “Okay, I got a five out of six on this post. And where I wasn’t effective was at describing what the meaning of the intercept was. So now I can go to tutoring or to office hours or talk to the TA about how I could change that for a project or an assessment.”

John: How many posts do they have to make as you’re working through the project.

Katy: So the students will work on a post for every topic over the course of the semester, which ends up being 14 topic related posts. I also have them create a welcome post that’s just “Hey, I’m here blogging as their first assignment…” that just officially sets up their blog and creates their first post walking them through the process. And they create one additional post about “data and impact” I call it so they report which dataset did I select? Why? What’s the potential impact? So I have them create a research question they’ll be focused on through the semester and describe what impact it could have. Now this is a business analytics class, but I think of it more like an organizational analytics. So even if you’re studying the bachelorette, you can position yourself to think about, “Okay, I work for Netflix, and I’m trying to understand, is there a theme here? Do we need to have more diversity and inclusion in our bachelorette or bachelor? So what are the dynamics around the situation we’re studying?” And obviously, some things lend themselves more to a traditional business analytics context than others. But I want the students to know that any organization can have any research question. So you can create that context. And then they do a final post with conclusions at the end of the semester.

John: Do you have a generic rubric that works with all of the posts? Or is there one for each of those stages?

Katy: Great question, John, you’re pointing out that there was quite a bit of setup on the front end of this. So it was good that I was really excited about it when starting the experiment, [LAUGHTER] because I had to build that example blog, I had to build each of the 17 total assignments, and that kind of semi-custom rubric to each one. So each one includes the requirement that an image must be posted, for example. But, if we’re studying linear regression assumptions, I’m going to have one point associated with each assumption that needs to be tested correctly. So there is a lot of customization. However, after creating, because these are so generic or agnostic to the material the student is studying, after creating that first batch of assignments, I’ve been doing this two years now, I have never needed to change it. And I really haven’t had any issues with these assignments when it comes to “this wasn’t clearly enough defined,” for example, because while the students do tend to become frustrated with open-ended assignments, they hear me say, a lot of the time, business analytics is an open-ended kind of structure. It has a lot of art, and a lot of science. And I can’t answer the questions, always in a direct way because your real life is not going to have direct answers to every question. And so over the course of the semester, I do find students tend to get more comfortable with this ill-defined nature. But they also have the support of specific rubrics to give them some sense of structure when possible.

John: Would you recommend this approach to other faculty outside of the more traditional writing fields?

Katy: Absolutely, but I won’t pretend to know how. What I would say is that I encourage just hearing what other people are doing, like I get so much value out of listening to your podcast, and to Bonni Stachoviak’s podcast, just hearing what people are doing in their classrooms that’s engaging their students, because one of the reasons I created my own podcast was to generate more sharing, because what happens in our classrooms is so opaque to others. As I told you, I attended that session a couple of years ago, maybe three or four years ago now. And I didn’t really think it applied. And I know we all say like, “Oh, well that’s not for me,” or “that’s not gonna work,” I just feel like the more ideas we have circulating in our minds that you know “don’t work,” and the more issues we face on our own in our own classes about, especially now, how to engage students under these changing circumstances, I just feel like having a glossary of ideas that you can pull from and maybe adapt to your own class is so helpful. So I think there are lots of potential applications to this, that I could see. In fact, I use this in my other courses. So I teach a capstone course at the senior and graduate level. And when we’re not using proprietary data related to an organization, which I do in my senior capstone, like in the graduate course, I do have students select publicly available data, I also use a blog reporting structure. So I did need to develop a similar framework with rubrics. But it creates this sort of agnostic space where no matter what project you’re working on, you can report out on that topic, and all you need to do is share a link with me and then I can see your status update for the week. And you can really tell a lot by how students are writing about what they’re doing. Now in, say, a finance class where there’s a correct answer to every question, I’m not sure a blog is going to be a perfect fit. But it’s just really nice to have it as one option for reporting something because probably there’s going to be a report or a reflection or writing assignment in some space, where digital reporting is a really nice way to reduce paper, make our classes much more streamlined for remote delivery or flexible delivery as we move into the future. I do think it has a potential for tons of applications that I certainly haven’t thought of yet. But I really like this delivery method in class.

John: And you mentioned reflection, and that’s something that’s useful in any discipline, and that’s one way in which it could be fairly easily integrated. You’ve made my life a lot more complicated this week, because I’m supposed to be preparing my syllabi this week. We’re recording this in late January. We’ll be releasing it a little bit later. And when I saw the description of what you were doing, I was thinking this is something I should try this semester. So I’m probably going to be trying to implement some of these ideas in my econometrics class this semester.

Katy: Well, that’s great to hear. I hope it works.

John: I hope I can get it all together.

Katy: Well, I’d be happy to share anything by the way, like if you want to see my example blog or if you want to see an example rubric or an example assignment description, I’d be happy to share any of those things.

John: That would be very helpful. Thank you.

Rebecca: It is funny that sometimes we get these really great ideas to try out these new things, and John and I certainly experience this frequently. As podcast hosts, we’re exposed to so many great ideas, and then we have so many. But it’s really great, even though that sometimes there’s a lot of time involved in the setup of these things, they often play out in saving time over time….

Katy: Absolutely.

Rebecca: …presuming you stay with it, right? [LAUGHTER]

Katy: Well, absolutely. And that’s one of the things that has been the neatest for me, because one of the issues with the multiple choice questions is that they were so specific, and there was so much opportunity to make a mistake, missing a dollar sign or writing the wrong variable name. With the blog assignments, they’re so open ended. All I’m saying is: “Apply using linear regression with two variables to your dataset.” How can I get that problem description wrong? I can’t. So the beauty of the blog is that the nature of the description of an assignment is so open ended, but so directly flowing from what we did in class that the students really know how to accomplish each step.

Rebecca: I’m sure they also can see the practical application and how all of this skill sets not only from the statistics part of it, but also from the blog component of it, or the digital reporting of it, is practical for their future careers and things. And I think that tends to give students a little bit more buy-in to these kinds of assignments.

Katy: I think you’re right. And it achieves two other critical things. One of them is that it brings the sort of inherent motivation that we know is so important for student learning right up front, the students are choosing what they want to study. So they’re going to have a lot more excitement. And honestly, I see that when I’m talking to them. I don’t know anything about professional hockey, but when my students are working with hockey data, and that’s the area that they have the greatest interest in, I see them light up when I ask questions about like, “Now, how did you make this interpretation? Why do you think this is related to this?” So inherent motivation is a big deal. But the second thing that is a really fun byproduct is that having read what students are doing and having spoken to them in office hours, it brings up a ton of fun examples to talk about in class. So I might remember that Adrian is working on, you know, the COVID-19 data, and I can sort of bring that up casually in class. We found this weird thing that happened in Adrian’s dataset, and why do you think this is happening? Or what do you think is a good solution to this problem that Adrian’s facing and we can talk about things that I had never imagined would come up in class just because of a quirky dataset that was publicly available.

Rebecca: I could see how that also puts students in the position of being an expert or a co- teacher in some ways, which I can see as being another motivating factor.

Katy: Absolutely. That’s such a great point, because they’re also experts in each other’s conversation. So in the small groups that I was doing in the remote teaching in the fall, one student would say, “Oh, well I bought him an idea for your data set based on our conversation last week.” And even if you just watch hockey, and you’re not working on a hockey dataset, but you really like it, you can be an expert in someone else’s space. And clearly I can’t, because I’m upfront with the students about what I know and what I’m interested in and what I’m not. So like, I don’t watch a lot of hockey. so you have to help me understand. And that sort of puts me in a backseat in the same way it puts them in the front seat.

John: Earlier, you mentioned that one of the motivations for doing this was that you wanted to move away from multiple choice tests. Have you eliminated multiple choice tests from this course?

Katy: So yes, I have… sort of. In the remote teaching environment, I have relied more on team projects and multiple choice quizzes. I was trying to model after folks I’ve heard on your podcast and others say that having smaller-stakes quizzes is much more inclusive, gives students more of an opportunity to learn and to course correct, and so I was having these multiple choice quizzes. But I’m finding that the multiple choice quizzes are really an obstacle for students. And I am as frustrated as they are with them. They’re doing great on the blogs, but they’re not doing as well on the multiple choice questions. And I suspect it’s because of the poor design in the multiple choice questions and not because the students don’t know what they’re doing. They couldn’t do a great job on the blog if they didn’t have the skills. So as we head into the spring, where I’ll be teaching remotely again, I am planning to drop the multiple choice quizzes completely. That’s not to say I’ll never use multiple choice questions again. In my in-person class, I have used multiple choice questions or a multiple choice final as part of assessing students. But for now, it seems that the multiple choice quizzes really have not been effective. So this semester, I’m going to be grading students on their blog posts, team project, and participation, which is just an interaction metric

John: Are the team projects the same as a project they’re reporting on the blog?

Katy: Oh, great question. So when I assign a team project to students, it is on a data set that I’ve selected. So at the beginning of the semester, they are downloading a folder of lots of different data sets that they’ll need for examples working through the course skill videos that we’ve talked about. And I’ll choose a data set that they might not have seen yet and write some questions that are somewhat open ended, “build a model,” and I’ll try to randomize across teams like which variables they should use in their model. So they’ll all be predicting sales, for example, but they might have different predictor variables. So team one is going to choose variables, 1, 2, 3, etc. So they’re all working with something a little bit different, but they’re trying to end up in the same place: predicting sales. And these are totally open ended. But they get to work together, and that helps. And I’ve also been using specifications grading in this class over the last semester, which has been a lot of fun. The students have started to appreciate it toward the end of the semester, though, maybe I shouldn’t have selected a semester that was so much in transition to experiment with that. [LAUGHTER] Maybe it created a little stress at the beginning. But by the end of the semester, the students were saying things like, “I really liked that I could choose my level of interaction with the course.” The reason I bring this up is because I would require revisions in team projects. So every team had to score 100%, which of course is alarming to students until you say, “there will be revisions required until you’ve scored 100%.” So I want us to move past these topics, but we are going to make sure that we learn them. And I think that was a really neat experience for me to be able to coach students through finally getting mastery, which I have never done in class before. If a student didn’t master a topic, we just move on and maybe there will be an opportunity down the road. But it really was nice to see students come to a place where they had achieved a particular benchmark.

Rebecca: Were your collaborative assignments done during class time, or were they outside of class?

Katy: So this semester, I allowed students to have an entire day that they could complete the assignment anytime between 12am on that day and 11:59pm. I also encouraged my international students to do it during that 24 hours, but to make sure it was done during that eastern time 24 hours. And they could work on it during the class time, during the scheduled class time. Because it was a day that we would have had class, but they didn’t have to. So they had the flexibility to choose a time that worked for them. If it was late at night, great. If it was early in the morning, great. Or if it was during class time. That’s fine with me too.

John: We’ve really been enjoying your podcast. And you’ve mentioned this a little bit. But can you tell us a little bit more about how you decided to start this podcast?

Katy: Absolutely. First, I want to thank you both for listening. I’m such a fan of your podcast and others that are similar. And just like the digital portfolio idea, the possibility of creating a podcast has been in the back of my mind for a while, listening to some others like yours. So just as I have learned so much from hearing what others are doing via podcasts like yours, I just feel like I can’t get enough examples of creative ideas that people are using to engage their students. And not just big ideas like “Oh, implement a new grading system.” But small ideas like “Oh, I spend the first minute of my class engaging my students in this way,” or “I have this micro assignment that we do only occasionally but builds community.” And as I mentioned before, what we do in our classrooms can feel so opaque. It’s really that I just wanted to contribute in a time when we can all use more sharing of the things that are working for us, and not every idea is perfect for every person. But just more sharing of what’s working so that we have more options to choose from when teaching feels so different and so challenging to so many of us right now. And so the podcast is generating, selfishly, tons of new ideas for me, which even if that’s the only thing that comes out of it, that’s enough. But it’s also doing the service of drawing attention to the great ideas around me at the University of Delaware this semester, and hopefully, in a broader sense in the future. And so I just really appreciate being able to feature great ideas that are happening around me that might not otherwise be heard about except in documentation of excellence, for example.

John: And often those are only seen by a few people on review committees and sharing it more broadly, both within your campus and across the whole academic community, raises the visibility of that work much more extensively.

Katy: That’s my hope because the more people I talk to, I just feel so impressed by the exciting ideas that I’m hearing from different people and to be able to amplify their voices. I couldn’t be happier to be able to do that.

Rebecca: Well, you’ve talked about some really exciting things that you’re working on. But we always like to raise the ante by asking: what’s next?

Katy: So next, for me would be a second season of the podcast. I’d really like to incorporate more ideas from a broader range of places across the University of Delaware, but also bringing in others from outside just to add to the discussion. And also, I’m really thinking a lot, listening a lot to your podcast, and thinking a lot about what the future looks like in my classroom. I will have taught remotely now for…. this will be my second semester in the spring teaching remotely. And I’m learning so many things about how we can make learning more accessible to more students under the current circumstances. But I think a lot of it applies to what our future looks like. So I’m really not sure when we go back in the fall, I’m hopeful we’ll be back in the fall safely, but I’m really not sure what my class is going to look like. I can’t imagine that I’m just gonna slide back into what I used to do without incorporating some new things. And finally, I am expecting a baby in June. So there is a new chapter ahead for me that will bring some other fun changes. And so that is what’s next.

John: Congratulations.

Rebecca: Congratulations. Yeah.

Katy: Thank you very much.

Rebecca: …definitely exciting times on so many fronts.

John: Rebecca had that experience fairly recently.

Katy: Oh, congratulations.

Rebecca: Yeah, my daughter is three and a half now, but yeah, it was a great adventure and continues to be a great adventure. So I know you’ll have a great time.

Katy: Yeah, I’m certainly looking forward to understanding all the things that are ahead and totally different and maybe they’ll also inspire some new ways of thinking about learning from seeing it through a different set of eyes

Rebecca: It definitely did for me. [LAUGHTER]

John: I think it does for everyone who raises children. And actually Josh Eyler, after watching his daughter learn and experience the world…. it inspired him to study more about learning, which is ultimately the source of his book on How Humans Learn.

Katy: I think I heard him talking with you about that on your podcast.

Rebecca: Well, thanks so much, Katy. This has been a great conversation.

Katy: Well, thank you both so much for having me. It’s really been a pleasure chatting with you.

Rebecca: Hopefully we’ll have you back in the future to hear more about the fun things you’re doing in your classroom.

Katy: That sounds fantastic. Thank you.

[MUSIC]

John: If you’ve enjoyed this podcast, please subscribe and leave a review on iTunes or your favorite podcast service. To continue the conversation, join us on our Tea for Teaching Facebook page.

Rebecca: You can find show notes, transcripts and other materials on teaforteaching.com. Music by Michael Gary Brewer.

[MUSIC]

145: Pedagogies of Care: Ungrading

This week we continue a series of interviews with participants in the Pedagogies of Care project. In this episode, Dr. Susan Blum joins us to talk about ungrading as a method to support and motivate student learning. Susan is an anthropologist at the University of Notre Dame and the author of several books and articles on higher education. Her newest book, Ungrading: Why Grading Students Undermines Learning and What to do Instead, will be released as part of the West Virginia University Press series on teaching and learning in December, 2020.

Show Notes

  • Blum, Susan (2020). Editor.  Ungrading: Why Grading Students Undermines Learning (and What to do Instead). West Virginia University Press.
  • Pedagogies of Care
  • Blum, S. D. (2016). ” I Love Learning; I Hate School”: An Anthropology of College. Cornell University Press.
  • Blum, S. D. (2017). “Ungrading.” Inside Higher Ed. November 14.
  • Noddings, Nel (2010). Caring in Education. Infed
  • Sackstein, S. (2015). Hacking assessment: 10 ways to go gradeless in a traditional grades school. Times 10 Publications.
  • Arcidiacono, Peter (2020). Differential Grading Policies. Tea for Teaching podcast, February 26. (the podcast that John referred to that discussed women and underrepresented minoritized groups in STEM classes)
  • Kruger, J., & Dunning, D. (1999). Unskilled and unaware of it: how difficulties in recognizing one’s own incompetence lead to inflated self-assessments. Journal of personality and social psychology, 77(6), 1121.
  • A Theory of Public Higher Education
  • Society for Values in Higher Education
  • School Stories

Transcript

John: This week we continue a series of interviews with participants in the Pedagogies of Care project. In this episode, we talk about ungrading as a method to support and motivate student learning.

[MUSIC]

John: Thanks for joining us for Tea for Teaching, an informal discussion of innovative and effective practices in teaching and learning.

Rebecca: This podcast series is hosted by John Kane, an economist…

John: …and Rebecca Mushtare, a graphic designer.

Rebecca: Together, we run the Center for Excellence in Learning and Teaching at the State University of New York at Oswego.

[MUSIC]

Rebecca: Our guest today is Dr. Susan Blum. She is an anthropologist at the University of Notre Dame and the author of several books and articles on higher education. Her newest book, Ungrading: Why Grading Students Undermines Learning and What to do Instead, will be released as part of the West Virginia University Press series on teaching and learning in December, 2020. Welcome, Susan.

Susan: Thank you so much. It’s a pleasure to be here.

John: Today’s teas are. Are you drinking tea?

Susan: I am drinking tea. I’m a tea drinker. I love the name of your podcast and I started my day with Mountain Rose Assam tea with milk and sugar. But now I’ve moved to Light of Day Organic Green Jasmine tea from Traverse City, Michigan.

Rebecca: It sounds like a lovely morning.

Susan: It’s as good as we can have during the pandemic.

Rebecca: It looked like you were drinking out of a lovely cup too, actually.

Susan: This is a Chinese made cup with lids that I’ve had for 35 maybe more years and I’m a China specialist by training and when I first went to China, and everybody was drinking out of covered tea cups, I came home and I thought I had to get some myself. So this is chipped and old, but it’s precious. So, thank you for noticing.

John: Very nice.

Rebecca: Yeah, thank you for describing it too. Sometimes we see things… We don’t always communicate all that to our listeners.

John: The visuals don’t translate well on a podcast.

Susan: It’s a white background porcelain mug with blue dragons and clouds and fish.

Rebecca: Yeah, it attracted my attention the second I saw it with your cup earlier. [LAUGHTER] I’m drinking Scottish breakfast tea and I haven’t quite decided what the difference between the breakfast and afternoon is. So I’ll have to report back next time.

John: That’s right. You were drinking Scottish afternoon before. I think the breakfast tea is supposed to be fairly strong. I’m not sure about their afternoon.

Rebecca: I’ll let you know if I can’t sleep. [LAUGHTER]

John: And I’m drinking ginger peach green tea today.

We’ve invited you here to talk about your contribution to the Pedagogies of Care project and your forthcoming book on ungrading. First, could you tell us a little bit about what prompted your interest in upgrading.

Susan: Well, for over a decade, almost two decades now, I’ve been investigating education. And I do that as an anthropologist. So, there have been a lot of dimensions of my inquiries. I began really thinking about plagiarism, which comes in part from work I had done previously on deception. And that comes in part from my own training as a linguistic and cultural and psychological anthropologist. So the plagiarism work made me really wonder what students were doing in school, what their purposes were, how they felt about it, what motivated them, and so forth. And that led to more research on student experience in college and what the purpose of college was. And that led me to really question what we were doing in the classroom and how we were actually meeting students, given what they need or what they want, or what we think they should want, which is a kind of strange conundrum, and how all of this fits into more general ways people grow up and become adults and are socialized into their societies. And so clearly it has to do with issues of social structure and social values and power. And when I think about power, I think about agency and I wonder who has the agency in learning? Is it the students? Is it the teacher? Where are the topics being generated? What is motivating the learning at all? What kinds of ways can we build on innate curiosity and desire to be competent and responsible people in social groups? And how do our pedagogical practices support or even contradict and prevent some of what we actually want? So my more recent book called I Love Learning, I Hate School: an Anthropology of College really explored a lot of the contradictory dimensions of what we claim we want and why those things don’t really work. And students are pretty aware of a lot of these things. So I really explore what I call and others call “the game of school” where if everybody’s going through the motions and the outcome is just a set of points and the learning…. it’s nice if you get it, but you don’t have to, you can sort of cram some thoughts into your head and do well on a multiple choice exam and get the points at the other side. Learning doesn’t happen. Coercion, fear, anxiety, lots of negative things happen. And that seemed to me to be tragic. It’s a waste of time, money, effort, and it doesn’t have to be that way. So I have been engaged for at least a decade in really rethinking my own pedagogical practices from top to bottom. You know, what do I teach? Why do I teach it? How do I teach it? What do I do? What do the students do? What do they do alone? What do they do together? And grading ended up being one of the kind of threads that connect to all these different dimensions of things. And I’ve also been part of a research project to study student learning in an internship. And there were no grades, but there were authentic outcomes of their practices. And so, I’ve been trying to make my classes as authentic as possible, rather than something people are doing simply for performance of competence, but to actually feel competent themselves. So, grades are thought to have three functions: sorting (which I reject), motivating (which we know doesn’t work), and communicating (which also doesn’t work). So I’ve tried to figure out how to make co-operative classrooms where everybody learns as much as they possibly can, for their own purposes, not for me, and I try to have students help generate their own goals so that they see this is not simply a task to be checked off, but as something that matters to them. I mean, I’m spending my life doing this work, and the thought that it’s just something to check off and get out of the way till they can get on to the real important stuff was very galling to me and actually, frankly, almost made me quit, which is kind of the topic of my next book. But the idea that I could actually change something that everybody thinks is central was so liberating to me. And it has really transformed the way I’ve been teaching. And so I’ve really been very pleased with the outcome. And since I published a short piece on Inside Higher Ed in 2017, I found that there are thousands of people at all levels of education, who are engaged in ungrading, throwing out grades, degrading, we call it different things, but we’re all engaged in the same enterprise. So editing this book… I want to be clear. I’m not the author of this book, I’m the editor. I have written the introduction and conclusion and a chapter but about 15 other people have also contributed to this book. And it’s been so gratifying and reassuring and stimulating and refreshing to know that all these other people are engaged in this too from all different directions. So I’m very excited about getting this out into the world so that we can provide some support and reassurance for people who might be interested in doing this but aren’t really sure how to make it happen.

Rebecca: Authentic learning is something that I’ve been really interested in for a long time. And so ungrading has always been really interesting to me, but I haven’t quite gone all the way there yet. And I’m certainly wanting to experiment in that space. Can you describe for folks what on grading look like and how that shifts the focus to learning?

Susan: Sure, and there are ways to do it partially or fully. So I’ve gone to total ungrading until the end of the semester when I am obliged to give a grade for my class. I wish I didn’t have to. I don’t actually think it’s meaningful or informative. But I’m required to do that. So that does happen, and I can tell you a little bit about how that happens, too. But ungrading really means you talk about what people are learning, maybe you have a conversation about what they’ve done well, what they haven’t done well, some things don’t actually have to be graded at all. We don’t have to assess everything. That doesn’t have to be the central activity of our teaching. And there can be what Nell Noddings refers to as free gifts. You can have people have experiences in the classroom, and the outcome is the enjoyment and the learning. And so that is its own reward. And if people perceive that they have been satisfied in their learning, then that’s an assessment. And you don’t have to translate that into some sort of numerical or letter reduction of what is, we hope, a fully human, rich multisensorial experience. I taught a class on food and culture last semester, which is a really fun class to teach. And students did activities, many of which they generated. I didn’t dictate everything. But one of the classes wanted to push one of the topics which was on technology and food. And they wanted to see what tools people use for cooking. So they had this idea that they would take pictures of what was in their kitchen drawer. This was before the pandemic. So take pictures of what’s in your drawer. So we talked about what was in the drawer. And then they had the idea that they would ask somebody older in their family to take a picture of what was in their drawer and talk about it. So then they had the idea that they could interview people about this. And anyway, it was wonderful as an experience. They interviewed their grandmothers and their mothers about what has changed and why do you have this tool? and what is the tool? …and we had so much fun talking about it, and everybody learned everything and it wasn’t graded. It just wasn’t graded. Because who wouldn’t want to do that? And so the motivation was purely intrinsic. And the assessment was when their classmates said, “Wow, that’s so interesting,” or when their grandmother said, “Wow, it sounds like you’re learning interesting things in school.” And so the measure of the outcome was part of the experience. And there was no need or use for anybody else to assess it. So that’s one type of grading is just not grading. You’re learning something, you’re enjoying it, you’re sharing it, and that’s what we’re here for. So there’s no point in doing more than that. But there are other kinds of assessments that are appropriate sometimes, and so for the assignments that are major assignments in my classes, I have the students include with their assignment, a self assessment. And these self assessments used to look a lot like grading, but they don’t anymore. They used to look like: “I did this right. And I did this right. And I had enough sources and I used the proper format. And I did this and that.” And then it was kind of a rubric where you could add things up. Now it’s much more: “What did you learn? What did you do well? What didn’t you do well? Why didn’t you? What do you need help with? What would you do differently? What are you taking with you?” So, it’s a reflection. So, it’s an assessment, but it’s much more of a reflection, which fosters metacognition, which we all say we want. And until this year, I had “adequate,” “not adequate,” and “exceeds expectations” or something which still kind of translates into like F,C and A. Now I just say, you know what you’re doing or you don’t know what you’re doing. And so sometimes in classes where things are new and hard, I teach a linguistic anthropology class where I have students do sometimes very difficult projects: ethnography, conversation, analysis, all kinds of stuff that they’ve never seen before and they admit is difficult. Sometimes they can say “I didn’t do this well.” And because it’s not a grade, there’s nothing at risk for them to admit that they actually haven’t quite felt secure about it. And that’s helpful information for me. It’s very honest, then we can say, “Well, actually, not that you know how to do this. And that’s okay. And we can work at it more, or I don’t expect you to because it takes two decades to master, or whatever it is.” So, then when I return their projects, I reflect on what they’ve done as their project, and sometimes I also reflect on their reflections. So there are a lot of layers here. So, that’s some of what ungrading looks like.

John: Since this relies on intrinsic motivation, what do you do to help build that? I imagine some classes students will come into them with a great deal of intrinsic motivation and in others that they see as just a gen ed requirement or something… a hoop that they perceive as a box they have to check off, which is something that, as you said, always bothers us. How can we perhaps help build that intrinsic motivation in classes when students are there when, as they perceive it, they’re just required to.

Susan: So I teach fundamentals of linguistic anthropology class, which counts as a social science requirement. So I get a lot of students in there for their gen ed requirement. It also counts as something among a set of choices for the major, but it might not be that they’re inherently interested in the topic. I personally think that everybody’s interested in language and communication. And everybody can become interested in anthropology, which is the study of people, but I don’t take for granted that they’re interested in it the way I’m interested in it. So, in that class, in particular, I have spent a lot of time really tweaking every dimension of the class, from the way they sit in the room, to who speaks first every day, to getting to know each other. I try to introduce play and fun. And I have teams and snack teams and students bring in interesting things for themselves. And anyway, this is really my laboratory where I work on how to create experiences that may allow students’ intrinsic motivation to flourish. Because I don’t think I produce intrinsic motivation. I just create conditions for it. So in that class, I now spend a whole week before we even get started just inviting them to ask big questions, to take charge of their learning, to think about what they’re curious about. Sometimes they work in groups that then they have a responsibility to each other. Also the social dimension… sociality, we know is part of it… I spent a lot of time thinking about the emotional and affective dimension of learning. I try to find really interesting things to do and read and try to connect it to their lives. Students are doing a lot of observations of things that are happening around them, which many of them have never done in an analytic or critical way; they’ve only done it in a reactive way. So, I think there are lots of ways to connect students’ own experiences beginning where they are, not with a deficit perspective, but with an asset perspective. You know, what do you know? What do you care about? …and then connect what we’re learning to something that you want to know more about? In that particular class. I have people write linguistic autobiography, and many of them say, “Well, I just speak English. I grew up in America.” And by the end of the semester, when they go back, and they look at that assignment again, they realize “No, there’s actually something to say because I speak this kind of variety…” and there are a lot of things to do that connect to students’ own lives that still get to the material. I’m not shirking my responsibility, but I also think there are lots and lots of ways to get there and they don’t all have to get to the same place. That’s perfectly fine with me. So, those are some ideas.

Rebecca: You talked a little bit at the very beginning about ungrading throughout the semester, but then, at some point, there is some authority that’s requiring a grade. Can you talk a little bit about how to negotiate that?

Susan: this was something I really worried about for years. And then in the summer of 2016, I came across Starr Sackstein’s book Hacking Assessment. She’s a high school teacher, and she has a chapter in our new ungrading book, and she talked about how to go grade free in a conventional school. So, that gave me confidence and ammunition to try to figure this out. So basically, I asked the students to suggest a grade for themselves. I have conferences, I actually try to do the mid semester and semester final to just say like, “If you were going to give yourself a grade, what would it be and why? What’s the evidence?” I’m not that fixated on the grades anymore. grades for me have become such uninformative flat measures of student experience that I find them very maddening. So if I had a student who came in who had never encountered the discipline before, and got very excited and tried some new things and didn’t do that well at those things, but learned a huge amount, to me, that’s a great accomplishment and a great gain, even if their paper wasn’t as good as somebody who’s a senior anthropology major whose paper it’s flawless. I want to say that both of them have had great learning experiences. And if they both say they earned an A, because they learned a lot. I’m actually okay with that. And I know one of the questions people always have is: “What about the engineers who design our bridges? What if the bridges fall down because one person learned a lot but they still don’t know it?” And one of the things we’re really excited about in our ungrading book is we have STEM teachers. So they are talking about what it’s like to teach computer science or math or chemistry and use an ungrading approach. So it can be done in slightly different ways. But for me, because I’m trying to get my students to see the world, reflect on it, analyze the world, that’s what anthropology does. If I get them there, then I am completely happy to give many of my students As. They don’t all ask for As; they don’t all think they’ve earned it. They come in with different standards and experiences about what grades mean anyway. and international students tend to have very, very high expectations for themselves. So they suggest well, modestly, “I only earned a B minus” but I might say that they really demonstrated great learning and accomplishment and it might be harder if they’re not a native speaker of English. So, I may bump it up. I can bump it up or down. They’re suggesting great, but usually, they’re pretty honest. And they learned a lot. They’ve worked hard. And I usually do accept the grade that they suggest.

Rebecca: How do you see the role of reflection and revision as part of the ungrading process? You mentioned handing in an assignment with a reflection, and then you reflect on all of that. What do they do next? Is revision or iteration a part of the practice?

Susan: It depends on the course. I’m teaching a writing course for graduate students again, and revision is obviously the heart of writing. Anybody can revise anything they want in my classes, and I’ve had students say, “I turned this in, but I procrastinated and I couldn’t really get it done, and I’m just not proud of it. And I’ll say, “Would you like to redo it?” And they’ll look at me like “What? What do you mean? I get to redo it. I’m not like branded as a failure my whole life?” No, if you want to redo it, I’m happy to read it again. I try, depending on the course again, to have things build on each other so that even if they’re not literally revising that assignment, they’re recognizing gaps or deficiencies or weaknesses or strengths that they can carry forward to future work that might rely on what we’ve already done. But I have not, at least in this laboratory class that I’m talking about, I haven’t really had one overall semester-long project. I have thought about doing that, and I haven’t done it yet. That could be something I do next spring. If we’re back in pandemic-ville, I may revise things completely again, just because why not?

Rebecca: I’m thinking about ungrading in the realm of, in the design world, doing sprints, so doing one project that builds on it, but having really distinct chunks that you get feedback on and can keep revising all semester. And so it definitely is in that same spirit. So I’ve been wrestling with how to completely implement that.

Susan: Well, I think in a skills-based discipline, there are certainly skills that you need to try and not be good at it first and then get better at. And that’s how we learn anything real. And it seems obvious to me now that punishing people for not knowing at the beginning is the wrong thing to do. So, having only the final product evaluated seems appropriate to me. But I know design… there are some things that people might all agree on, but there are other things that people don’t all agree on. And that’s true of real life. That’s one reason that a single scale of grading is such a distortion of how we really live our lives. People might make a movie and some critics love it, and some critics don’t love it. And to pretend that there’s a uniform single scale is to deny most of our actual experience outside school.

John: One of the things you mentioned in terms of international students is that they often underestimate the quality of their work. You also mentioned in your recording for the Pedagogies of Care project that some underrepresented groups in particular disciplines often experience the same problem. And we had a podcast recording related to that a while back that talked about how women and underrepresented minorities did as well in their introductory STEM classes, but they were more likely to drop out because they didn’t perceive the quality of the work as being sufficiently high. And that served as a major barrier. And I’m wondering how you address the issues of students who undervalue what they’ve learned or underestimate the amount of learning they’ve achieved. When you’re meeting with students and providing feedback and they undervalue their work, how do you address that with them?

Susan: Well, that’s where I’m grading is so perfect, because I can have a conversation. I have these short individual meetings with every student at least twice a semester. And I can say to them, especially if mid semester they say this isn’t very good, because I’m not smart or my grammar’s bad or I didn’t do this before or something, I can say to them face to face, or at least it used to be face to face, I can say, this was extraordinary. I loved what you did, this was such a contribution. So, I can just personally affirm their value and say, you might be focusing on this, but also notice this wonderful thing. And because also, students are constantly interacting in my classes, the students who may have fewer privileges coming in may get a lot of affirmation also from their classmates for their offerings. They may be quiet, they may not be willing to speak, but I try to make people comfortable, at least in small groups or pairs or something, so that they can make their contributions. So, I think it’s less of a problem when people can actually reflect and get comments back. Also, sometimes students exchange papers or exchange work, I tried to have an authentic audience, so that I’m not the sole audience so that people aren’t writing for me, but they’re writing maybe for real people. That’s something I’ve really tried to develop more. I think that when students read each other’s work, they tend, at my school anyway, to be very nice to each other. So they will get some kind of compliment. And I think then in that sense, there’s less of a potential for people to retain this idea that they are somehow deficient. But I also would like to say that schools can’t solve every problem. And teachers and classes, even the best, can’t solve every problem. And so we have broad racism and sexism, and ableism, and all kinds of other things in our society, and one particular teacher might make a difference, but these are really bigger questions that we need to address outside school also. As a professor, my realm is in my classroom, so I can try.

John: At the other side, what about the students who’ve come in who’ve read some material on the topic and have this fluency illusion where they perceive that they’ve learned it very well. I’m thinking of the Dunning-Kruger effect where the people with the lowest level of understanding often overestimate their competence the most. How do you address those issues?

Susan: I’m not so worried about that, really. I’ve had experiences like, that where students think that they’re kind of expert, and they’re not actually, but I don’t really see my role as like cutting down students’ confidence. I think there are enough forces out there trying to do that. So, I don’t really want to jump on the confidence destruction bandwagon, but I like to think that there will be some kind of real consequence where they will say something to somebody who knows more and that person will say,”Yeah, but X” or where they will interact with another student who will know more, and then the student who has this false sense of their own abilities will realize “Wow, I only noticed these three things and Julia noticed 25 things. I guess I have more room to grow as an ethnographer.”

John: This system, though, relies on intrinsic motivation. And you’ve mentioned using authentic assessments, also perhaps, to help build that. Could you describe some examples of authentic assessments that you use?

Susan: Sure. So in this linguistic anthropology class, one of the projects is in groups of three-ish, they have to create some kind of presentation about a particular language. So something they’ve heard of like Hindi, or something they haven’t heard of, like, I don’t know, Tzelta or something like that. And I give them some things they are supposed to include, but the form is completely open. So, I’ve had infographics, I’ve had lots of websites, I’ve had PowerPoint things. And one time, it worked really great… and I’m in this weird classroom that I like with a bunch of screens. The room is imperfect but they’re five screens around the room. And so I happen to have 10 groups that year. So the students plugged in their laptops and the other half of the students circulated and listened to the students as they were talking about their project. And then on these whiteboards that were next to the screens, they were writing praise, questions, suggestions and different kinds of questions. They had to figure out what kind of question it was: Was it a kind of application question? a factual question? or something like that. And the students really loved that project, because everybody saw what everybody did. And the assessment was basically peer generated. It was: “I liked this image.” “This was a really clear presentation,” or “I didn’t really understand what you meant here.” And so that’s assessment. It doesn’t look like assessment. It doesn’t say good and bad, but it’s getting feedback about what you’re doing that you can take with you. So if somebody says, “I couldn’t read the italic font,” next time, presumably they won’t read the italic font. But they’ve had 30, some people responding to their work, which is such excellent feedback, and so much more useful and meaningful than me just sitting there with something and writing a few things.

Rebecca: I like that poster session model idea. It’s a lot of fun and I think students really do respond to peer feedback in that way. I know I’ve been really successful when I’ve done class sessions that are like that poster session or fair-like atmosphere with those same kinds of categories to fill out, I think, is really super helpful. I’ve had really good experiences with that, too.

Susan: One of the things we’re all thinking about is how to translate all this physical stuff online. And you can. Like this past semester, that project ended up online. And so I had a Google Doc, where people were doing the same thing, and it worked fine. It wasn’t as fun as running around the room, but it was effective.

John: I’ve done the same thing the last couple of years in my econometrics class where students create posters, half of them present one day and half the next class day and I give a break, and a group of them can wander around and see the others on the days when they’re presenting, and I’ve invited members of my department. The Dean has come by in the past, and it’s been something they found so much more valuable than the PowerPoint presentations that they used to do, where they’d all be sitting there nervously, and then getting up and being glad to get through it, and then they’d sit there quietly waiting for the rest of them to be done. There’s so much more engagement when they’re up there presenting for the whole class period to anyone who happens to wander by. And it’s a form of a more authentic assessment, I think, that they value quite a bit.

Rebecca: …builds in more practice, too, because they’re talking about it multiple times. [LAUGHTER]

John: Yeah, having them talk for an hour about their project is much more effective than presenting to a silent audience much of the time. I liked it, they liked it, and they strongly encouraged that it continue.

Rebecca: So, we started talking a little bit about how to translate some of these things online. So, why is upgrading maybe particularly important to think about during this pandemic or in this transition to remote learning or the unknowns of the fall semester, as they currently stand? [LAUGHTER]

Susan: That’s a great question. We are in a very unpredictable moment. And every campus is trying to figure out what to do. The ones who are fully online have just made their claim, and so that’s a little bit more predictable at some level. The ones like mine that are committed to in-person except for exceptions or hybrid until we can’t do it anymore.

Rebecca: It’s a familiar story. [LAUGHTER]

Susan: Yeah. And I read everyday about what everybody around the country is doing. And we don’t really know. So anybody who is sticking to a rigid grading scheme is probably going to keep recalculating and recalibrating all semester long… if you’ve got participation, but then people lose their internet connection because they are stranded somewhere, then what do you do? Do you just have a different formula for that person? I think having precision in grading schemes has often been seen as equitable and comforting for students because it gives them security knowing what they’re going to do, but that presumes that you know what the conditions are going to be. I think, even in ordinary times, there are a lot of fallacies built into that and students’ conditions aren’t as uniform as we often assume they are. But, we know now during the pandemic, how widely and wildly variable people’s conditions are, and the New York Times has done stories about one student helping her family with a food truck and the other one is in the family second home in Maine, and there’s everything in between. There’s using the WiFi in the parking lot of the library or there’s using the WiFi in your beautiful six bedroom home. So the lack of uniformity just highlights all of the inequities and all of the unevenness of the conditions. So, if you’re sorting people, but they’re in wildly different conditions, you’re not actually doing a very good controlled experiment, and it’s certainly unequitable. Another dimension we should probably consider is that, in our current moment, everybody is experiencing some kind of stress and trauma. And the trauma-informed pedagogy is something that we all need to learn a lot more about. We know that one of the outcomes of grading in ordinary times (I don’t know what we’re going to end up calling this third condition) is that grades produce stress and pressure. Right now, with so many other stresses and pressures, we don’t really need grades to add to that. How we keep people accountable, how we keep them on track, how we keep them motivated, involved, connected to each other is really our challenge. And that’s what I think those of us who are really thinking about this are trying to spend every minute of the summer trying to figure out. But grading is not the best method for motivating people. So, I think that this is the perfect time to try ungrading.

Rebecca:So if we try ungrading, how would you recommend framing such things in our syllabi?

Susan: Well, I’ll tell you what I do. I have one sentence on my syllabus. My syllabus is not a contract. It’s not one of those punitive sort of legalistic syllabi. So, what we’re figuring out in this conversation is that everything is connected. But my syllabus has one sentence that says, “We will be practicing ungrading in this class, this will be explained.” And I begin most of the semester by having meaningful, enjoyable experiences where people are learning, and I don’t say it’s not graded, it’s just not graded. And then over weeks, I explain what oungrading is, and I show them this is what we’ve done, see how it works. And when I’m lucky, I have students who have had other classes with me and they can sort of support my claims that this is actually meaningful and they won’t just blow it off and they won’t just think it’s not important. I want to have an acknowledgement here before we end though that contingent faculty, graduate students, people of color, young women, people who are tenure track, people who are teaching lots and lots of classes, may not feel that they have the security to engage in something that’s unfamiliar. And it might be risky for some people. They may need to clear it with their chair or their Dean or somebody like that, who may say no, because it’s scary. That’s one of the reasons we’re trying to have this book so that a young contingent faculty member who really cares about pedagogy can say to the person who’s really holding their employment over their head, “Well, there’s research, too. Look at all these people who are doing it, they’ve done it, they’ve done it, okay, they’ve done it for years, and I would like to try it too. Can I try it in one class, maybe with a good outcome?” So, I don’t recommend starting from a completely conventional class last semester to a completely unconventional class online next semester. I think changing things bit by bit is probably the way to go.

Rebecca: I think that’s good solidI think that’s good solid advice, always: iterative practice with our classes. [LAUGHTER]

John: And you mean by that, perhaps, having some activities that are ungraded and then gradually expanding that as you become more comfortable and your department becomes more comfortable with that?.

Susan: I think that’s a great way of framing it. And it depends on the subject too. Some are much more amenable to ungraded, like writing or social science or something.

Rebecca: So we always end by asking: what’s next?

Susan: So, I’m part of a project called A Theory of Public Higher Education. It’s funded by Indiana University and the Society for Values in Higher Education and we are generating a theory of public higher education. We are going to be publishing our kind of manifesto. We’re finishing It this summer and fall, and it should be published next year. We’re very excited about that. It’s a group of six of us from all different institutions teaching all different subjects. It’s really led us to rethink what is higher education from the foundation up. Another project that I’m also really excited about is called School Stories. And I’d love it if your listeners would give it a look. You can find it at schoolstorieslab.com. And it’s basically crowdsourcing experience stories about being in school. So, it can be students, teachers, parents, administrators, it can be from any place in the world, from any level of school. Our only condition is that you have to be 18 to write the story, because otherwise, we get into problems. But we just launched last week, and we have worked on our web design, and we’ve worked on our IRB, and we’ve worked on every dimension of this and we’re really excited about it. There’ll be a new theme every week; this past week, the theme was racism. So what are people’s experiences of racism in school? We have a whole COVID sort of shell and context for what we’re doing now. So, please check that out. And then my next other project is a book I was writing really well until the pandemic hit. It’s about how your education, it’s called Progress Report about my own transformation in teaching, but it’s on hold right now, because I don’t know what to say, exactly. [LAUGHTER] I’m in a profound process of rethinking right now. So, I will write that but I don’t know what it’s going to be now.

Rebecca: It does seem like COVID-19 has transformed us all. We’re just not sure how yet. [LAUGHTER]

Susan: Right? I mean, we’re living through what we all perceive simultaneously as a huge transformation.

Rebecca: Well, thank you so much for sharing some insight into ungrading. It’s been an interesting conversation, and hopefully, it’ll provoke people to think a little bit differently about their plans for the fall and in the future.

John: Yes, thank you. We’ve really enjoyed talking to you. And this is a topic we wanted to get on the podcast for quite a while. So when we saw your contribution to the Pedagogies of Care project, it was an ideal match.

Susan: Well, thank you so much for your great questions and your welcoming demeanor and for your own little contributions to how to think about teaching, which I’ve kind of taken notes on, and to our listeners. Good luck to you and we’ll get through this.

Rebecca: We hope

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John: If you’ve enjoyed this podcast, please subscribe and leave a review on iTunes or your favorite podcast service. To continue the conversation, join us on our Tea for Teaching Facebook page.

Rebecca: You can find show notes, transcripts and other materials on teaforteaching.com. Music by Michael Gary Brewer.

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143. Pedagogies of Care: Creativity

Is creativity something you value in the work that students produce? In this episode, Natasha Haugnes and Martin Springborg join us to discuss ways to spark, motivate, and support creativity.

Natasha has served in faculty and curriculum development at the Academy of Art University and as an adjunct professor at the California College of the Arts. Martin is the Director of Teaching and Learning at Inver Hills Community College and Dakota County Technical College, Natasha and Martin both contributed to the Pedagogies of Care project and are two co-authors (with Hoag Holmgren) of Meaningful Grading: A Guide for Faculty in the Arts.

Show Notes

  • Haugnes, N., Holmgren, H., & Springborg, M. (2018). Meaningful Grading: A Guide for Faculty in the Arts. West Virginia University Press.
  • Pedagogies of Care
  • Haugnes, N., & Russell, J. L. (2016). Don’t Box Me In: Rubrics for Àrtists and Designers. To Improve the Academy, 35(2), 249-283.
  • Haugnes, N., & Russell, J. L. (2008, 2014) “What do Students Think of Rubrics? Summary of survey results: Student Perceptions of Rubric Effectiveness
  • Sawyer, R. K. (2011). Explaining creativity: The science of human innovation. Oxford university press.
  • Deci, E. L. (1972). Intrinsic motivation, extrinsic reinforcement, and inequity. Journal of personality and social psychology, 22(1), 113.
  • Deci, E. L., Koestner, R., & Ryan, R. M. (2001). Extrinsic rewards and intrinsic motivation in education: Reconsidered once again. Review of educational research, 71(1), 1-27.
  • Inoue, A. B. (2015). Antiracist writing assessment ecologies: Teaching and assessing writing for a socially just future. WAC Clearinghouse.
  • Nilson,. Linda (2019). Specifications Grading. Tea for Teaching podcast. August 21.
  • Tharp, Twyla (2006). The Creative Habit: Learn it and Use it for Life. Simon & Schuster
  • Transparency in Learning and Teaching (TILT)

Transcript

John: Is creativity something you value in the work that students produce? In this episode, we discuss ways to spark, motivate, and support creativity.

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John: Thanks for joining us for Tea for Teaching, an informal discussion of innovative and effective practices in teaching and learning.

Rebecca: This podcast series is hosted by John Kane, an economist…

John: …and Rebecca Mushtare, a graphic designer.

Rebecca: Together, we run the Center for Excellence in Learning and Teaching at the State University of New York at Oswego.

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Rebecca: Our guests today are Natasha Haugnes and Martin Springborg. Natasha has served in faculty and curriculum development at the Academy of Art University and as an adjunct professor at the California College of the Arts. Martin is the Director of Teaching and Learning at Inver Hills Community College and Dakota County Technical College, Natasha and Martin both contributed to the Pedagogies of Care project and are two co-authors (with Hoag Holmgren) of Meaningful Grading: A Guide for Faculty in the Arts. Welcome Natasha and Martin.

Natasha: Good to see you. Yay.

Martin: Thanks for having us.

John: Our teas today are:

Martin: I’m drinking coffee this morning.

Rebecca: Always… Always the rebels.

Natasha: Well, I had my two cups of coffee and now I’m on to Wild Sweet Orange Tea…

Rebecca: That sounds good.

Natasha: … and it’s delicious. Yeah.

Rebecca: I have iced Scottish afternoon tea

Natasha: Afternoon? Huh…

John: And I am drinking Tea Forte Black Currant Tea. We’ve invited you here today to discuss Natasha’s contribution to the Pedagogies of Care project and your joint work on Meaningful Grading in the Arts. Natasha, could you start by telling us a little bit about your contribution to the project?

Natasha: Sure. “Nurturing the ‘aha moment’” is the topic of the video made. And it was based on one of the tips in the meaningful grading book that I co-authored with Martin and Hoag. This video focuses on the “aha moment,” or that moment of insight in the creative process, and how to really nurture students and invite them into that moment. I focused on the “aha moment,” which could also be called the moment of insight in the creative process because it really is associated with kind of joy and happiness and magic. And there are a lot of cultural myths around insight and creativity in general, but especially these magic moments. People think they come out of the blue, that they’re come down from God, that they’re somehow related to some innate ability. And research shows us, and people who are creative practitioners know, that this is not entirely true. So, I just decided to kind of hone in on that moment. In my work at the Academy of Art University, I have worked with a lot of students and a lot of instructors who are often drawn to creative fields because of the joy and they really want to engage in that, the joy of the creative process. But then when the students get to school, and when the new instructors come to teach, they often get really drained. And they find that there’s so much hard work and there’s so much stress in the classrooms, even in things like painting and graphic design and moviemaking classes, students seem to get really rundown, and they don’t connect with those moments of joy. So, this results in frustration. At my own school, we were seeing pretty high dropout rates of students at a certain point and I actually ended up working with at-risk students in my role as the Resource Center Director at the Academy of Art University many years ago, and that taught me a lot about working with students and engaging them in their creative process. A lot of the students I worked with, they were sent to me by an instructor who would say “This student is just not engaging. They’re really sloppy in their work. They’re really lazy. They’re not putting the time in.” And when I talk to those students, I would find patterns that really ultimately meant that they weren’t understanding their creative process. They were doing things like brainstorming a whole bunch of ideas, and then trying to finish one, but then getting distracted and thinking, “Ah, I’m going down the wrong path, I’m going to do this other project, I need to take this other approach…,” and they would go down another path, and then they would abandon that path, and they would take yet another approach and pretty soon it’s time to go to class and the project they’re presenting for critique looks like it was done at the last minute. Again, this is really frustrating for the student and the instructor. And I realized I needed to learn a lot more about the creative process in order to work with these students and help them connect to that joy, help them understand how the hard work connects with the joy, and help the teachers understand how the hard work connects with the joy. I think it’s really imperative that our faculty understand creative process and define it so we can teach it to our students. And this is especially important for students whose livelihood depends on creativity, like a game designer, a graphic designer, even an illustrator can’t just go to work and hope that insight comes, they need to learn how to have some control over that, not only for their own work, but just so that they continue to enjoy what they’re doing.

John: It sounds like part of the problem is that people think that creativity is just something that people either have or don’t have, and they don’t see that it involves a process that includes a lot of work. What types of things can we do to nurture students in making the connection between the work that they do and that aha moment to get them to that point, so that we don’t lose them on the way.

Martin: One thing that I talk about quite frequently with faculty, no matter their discipline, but especially in the creative fields, and one thing that we go back to quite a few times in Meaningful Grading, is rewarding failure and grading process versus grading that final product. If you value the development of a creative process and you value your students diving into the waters that they’re sort of murky, they cannot be afraid to do that. And at the same time, they should also be aware that you’re rewarding that effort and their engagement and what can be kind of a scary process for them, especially if they consider themselves non-artists or unable to do art because they don’t have some innate knowledge of it. So, as you develop grading systems, making sure to work into those grading systems those things that you truly value about that process and about your course.

Natasha: I think it’s really crucial. And something that I try to point out in the videos is breaking it down, scaffolding the process for them, breaking it down into small accomplishable steps and explaining to them: “No, this is not creativity, this is not your whole project. This is what you need to do now. And here’s what you need to do, and you need to put the work in to do it. And then you can move on to the next step.” I think that’s really important, and it’s just really important for the instructors to do that. We often have the overview, we understand the process, we have faith that they’re going to get there, but the students don’t, necessarily, and so that’s kind of what leads to those patterns of procrastination that we see with the students who aren’t doing so well. They put things off, they don’t understand the importance of that early hard work that you really have to just put in in order to get the payoff at the end.

Rebecca: What are some ways that you recommend building in experimentation or risk taking into the grading system? Because those are often things that we value in creative fields, but are harder things or things that we don’t always build into our evaluation systems. We might focus more on the principles of design or something technical, [LAUGHTER] because those are easy to measure.

Natasha: You’re a graphic designer, aren’t you, Rebecca?

Rebecca: I am. [LAUGHTER]

Natasha: I think graphic design is actually a really great example of a place where you can get really bogged down with rules, right? I mean, you can approach graphic design almost as a mathematician and just kind of go “ka-chink, ka-chink, ka-chink, ka-chink, ka-chink” and you can create stuff that follows the rules, but doesn’t really have a lot of creativity to it. And I guess one piece of advice, this goes to a recommendation that I’ve included in the video, but really simplifying criteria. Again, if you can break down the steps and have each step just be assessed on one or two criteria, that allows students to kind of say, “Okay, I’ve met the goal, now I can do what I want. I’ve done what that teacher needs to see, [LAUGHTER] and I’m going to pass, and now I can really play with it.” In some research that I did with a colleague of the Academy of Art University quite a while ago, we did this big study, twice actually, called “Student Perceptions of Rubric Effectiveness.” We found a common pattern in students’ responses, the students that really liked the rubrics said that they liked the rubrics because it told them exactly what they did have to do. And then once they checked off all those boxes, they could just run with it, and that was very freeing to them. We can talk later that a rubric is not always perceived that way, for some students, it kind of acts like a creative constraint. But, I think if we can keep the criteria to a minimum, that can allow students to know what they have to do and then have fun with it.

John: One of the things I noticed in reading through your book, and also in what you were just talking about in terms of giving stories scaffolding, is so much of the advice that you give could apply in pretty much any discipline. While your focus is on the arts, students don’t have the same expertise that we do. And the tasks that they’re facing are much more challenging and require much more processing. And they don’t always come in with that growth mindset. Much of what you’re talking about basically, is how to help students move from this binary view that they’re either good at it or they’re not to recognizing that learning is work, and that they can get better as they develop. And it was nice to see how closely this was aligned to the advice we try to give in so many disciplines.

Natasha: I totally agree, John, and actually I was in a conference at the University of Missouri where they actually viewed this video, and the person who was facilitating the workshop that I was lucky enough to be able to attend from the comfort of my own home office here, she’s a scientist, and she actually put up a map of the scientific method and said, this is the creative process and this is not the exclusive domain of artists and designers by any stretch of the imagination. So, I love having those cross-disciplinary conversations. I actually teach writing and ESL, and so I see some crossover there. I guess I’m just reluctant to offer a lot more advice to teachers of physics and math and economics and things like that, simply because I don’t have as much experience with those instructors. I’ve been exclusively art and design skills for a really long time. Martin, maybe you can speak to that. You have a lot more majors at your colleges.

Martin: Especially in those foundational courses, you’d certainly get students coming in at a variety of levels. So, they have past experiences, or they don’t, and those with past experiences sometimes come in with quite a bit of knowledge or experience in the arts. So, they’ve had a lot of high school experience, for example, that puts them at a different level than the other students in your class that are truly beginners and don’t have any prior experience and consider themselves very much non artists. So, one thing that’s important to do, just getting to the practical here, if you’re in an arts course teaching at that foundational level… or really going back to your comments about this crosses disciplines, no matter what discipline you’re in, if you’re teaching that foundational level course, getting everybody at that same base level at the beginning. Purely speaking from past experience here on this one point, I taught photography for about 20 years. And in my intro courses, I would frequently have students come in that had high school experience, and they had learned something and could demonstrate that thing. But, at the same time, they learned it in a, I’m not going to say the wrong way, but in a bad way. They picked up some poor practices from their previous education in that, and so you have to make an effort to untrain that a little bit and get them to that same process that you want everybody to engage in, at that very beginning level. So, that step and that effort also makes those students who are truly coming in as beginners and don’t have any previous experience realize that “Oh, yeah, this is something that I actually have to learn and that everybody has to learn and these students who come in with previous knowledge, it’s not just some inherent skill or ability that they have in the arts. Another thing that I found really helpful, in sort of leveling the playing field and making it apparent to those truly beginning students, is using my past beginning students who have come into my courses with no experience, using their products as exemplars when I’m talking about how I want somebody to do something. So, if I’m talking about an assignment, I’m using examples from, and I’m pointing out the fact that these students came in from like, say, they’re nursing students or their automotive students, or this student came in with zero knowledge, and this is the thing that they produced, and it’s actually an ideal example of what I want you to produce in this assignment. So, using that, and going back to those examples shows those students who come in as true non-native or true beginners, that that level of achievement is possible.

John: I think that was an interesting point, too, that also shows up in other fields. I know people teaching computer science often will note that it’s much easier to teach people who are true beginners than those who had been self taught or perhaps picked up something in a course, where perhaps not an optimal pathway was given to them. The importance of unlearning things, perhaps, or breaking down the structures that people have and replacing them with stronger structures, can be as much of a barrier as people who are struggling just to get to that initial level. And that I imagine is particularly true in the arts.

Martin: Yeah. And going back to what I mentioned earlier about valuing process, maybe they do produce a product, that’s roughly the same result, like if they come up with the same result, but the process that they engaged in to get to there is so much more complicated and convoluted than what you’re trying to get everybody to engage in. So, they do need to go back and learn process. They do need to be at that same level as everybody else in your course.

John: One of the issues that often comes up in discussing creative fields is the importance of intrinsic motivation. Could you elaborate a bit on how we can help develop intrinsic motivation for students in these fields?

Martin: So, another thing that we talk about or that we bring up in Meaningful Grading frequently is the building of a community in an arts classroom and how important that is. That community is the intrinsic motivator. For example, if you make that a primary goal of yours in a course, you would then grade heavy on participating in that community at the beginning, knowing full well that the goal you have is to make that a more intrinsic reward for students and to back off on the grading or drop it all together, that participation component. So, that they not only learned that after they leave your course and after they leave an arts program that an arts community is vital. Like you can’t develop work in some sort of vacuum. As an artist, you have to be engaging with others, but also within your course, it’s just showing them and it’s creating that intrinsic value. Like, what’s bringing me back to this class day after day is not the grades that I’m getting from my instructor, but the vast resource that I have in these 30 other classmates that are able to give me feedback and support. And that also show me what they’re working on… that give and take. So, that’s one example of building in that intrinsic value.

Natasha: Correct me if I’m wrong, Martin, but a huge part of that community is critique. It’s critique discussions, right?

Martin: Exactly, hours and hours of it.

NATASHSS: …and helping students to understand that just getting that conversation, it doesn’t even have to be feedback, but a conversation, and engaging people to talk about your work does build intrinsic motivation. That’s the big payoff that we’re working towards.

Martin: And if you don’t have that tight community in that class, when you get to the middle or the end of that class, when you really want students to be engaging honestly in critique, it’s going to be like pulling teeth. You have to foster that community so that students feel comfortable, that they can open up, they can give opinions about other’s work, and accept opinions about their own work.

Natasha: I kind of want to get into a little bit of that intrinsic/ extrinsic motivation research. And I guess one of the things that got me into this field, and my obsession with grading and creativity, which people kind of look at me and they say “You talk about grading in art school, shame on you.” But the thing that was so confusing for so many of these at-risk students that I worked with before was they were engaging in those conversations, or they thought they were, with their instructor and their instructor would say things like, “Yeah, you know, you’re doing great, keep going.” And that can mean “Keep going. You got to keep working. ] 3 handclaps] But you’re not there yet.” But the student was hearing it as “Yeah, I’ve done it. Good enough.” Right? And so that student would say, “I got a D+, I don’t understand. Like, what’s going on? The teacher likes me…” or “the teacher said I was doing great.” And so they weren’t able to suss out the actual evaluation in those conversations, especially these new students. So, this is where it is so important to actually have grading systems that align with those conversations and that reflect those conversations. Keith Sawyer, he is like the creativity guru who I follow. He’s amazing. He wrote this book called Explaining Creativity. And there are a couple of pages in this book, Explaining Creativity, where he does essentially a synopsis of all the research on the effects of reward and grading on creativity. And there’s some things that we can look at here that are kind of important… that yes, we can extinguish intrinsic motivation with grades, we can do it by giving As for everyone. We can do it by just throwing grades that are completely unconnected to the actual conversations we’re having in class. And we can do it when we grade students and use a whole lot of really judgmental language and convey that judgment. That will all really decrease intrinsic motivation and creativity. But a lot of that early research on intrinsic-extrinsic motivation goes back to the Edward Deci studies, I believe, and he actually did more work on this later. And there’s a more nuanced conclusion that he came to later that when grades and rewards are perceived as information, when these grades and rewards are based on the quality of work that students are turning in, that can actually enhance creativity, and it can really build intrinsic motivation. But even when you’re using grades well, they shouldn’t be emphasized too much. This is the conversation that I often had in faculty development when I was working with new teachers. Oh, come to class, you’ll get five points. Five Points, that’s not why you come to class. You should not be coming to class to get the five points; you should be coming to class because the conversations are important. That’s why we want you here… and just changing the script in how we talk about grades. You need to have a grading system that has a lot of integrity. But, we should not be banging that over our students’ heads all the time, it should be kind of in the background just running along in the background. And what we communicate to students is the intrinsic rewards of all the work that we’re having them do.

Martin: And that’s why your grading system has to transform a little bit over the course of a semester, going back to that grading heavily on participation at the beginning of the course, where you have to get the students to the course to participate in the beginning for them to realize that there’s value in those conversations. If nobody shows up, they aren’t going to have conversations, but then that can change and it can evolve over the 16 weeks or 10 weeks or whatever length your course is.

Natasha: Yeah, and there are those students who really do care about grades I find in art and design school, there’s a certain subset of students who really don’t care, and that’s fine. And so they’re kind of on their own path, and they’re often doing well. But there are those students who really care and there are the students who are on the verge of failing out of school so they have to care. And I find that just understanding that, instructors need to leverage that knowledge to convince students to do stuff that we want them to do… that we know will do them good anyway, right? So if I say, “Okay, you’re going to be really a grade grubber… you want an A do these things,” and they’re the things that they need to do anyway. It’s a way of kind of tricking them into doing what we want. If you’re grading what’s important in your course, it’s going to work out, it’s going to work out for the students who really care about the grades, for the ones who don’t as much, hopefully, they’ll just be intrinsically motivated to understand why they need to engage. But grading what’s important is really crucial in that, I think.

Rebecca: One of the things we’ve talked a bit about is scaffolding and helping provide structures. So if we were to provide structure for faculty who are thinking about the idea of building a grading system that has the values that we’re talking about, things that really they care about or are important to their class, what are some of the steps you would recommend they go through to actually develop that system so it actually does reflect the values that they want?

Natasha: Well, [LAUGHTER] my answer to that is it’s ultimately working towards a rubric. And again, that can be kind of a bad word. I’m the one who’s been walking around the art and design school for 25 years saying, “Let’s build rubrics. And let’s do normings.” And I had a photography teacher tell me one time “Natasha, you gotta understand when you say “norming” to an artist, I mean, that’s like death, you know?” So I’m like, “Ah, sorry.”

Martin: There’s a reason why we don’t have assessment in the title of our book.

Natasha: Yes.

Martin: That was on purpose.

Natasha: It was by design. Absolutely. For the really grade-averse instructors, I start with a conversation. And I usually start with grading because that’s a really good entryway. And I’ll just say, “What are you teaching? And what does that look like? And what does it look like when a student does it? And what does it look like when a student doesn’t do it?” And really, that’s where you start. And then I think the next step is really getting real student work in front of this instructor or this department or this cohort of instructors who are teaching the same course… different sections of the same course. They need to look at the student work and they need to say, “Well, yeah, that one meets the criteria for this course that doesn’t.” Why? Why not? Having those conversations, that’s like the best investment that I think any department or any instructor can make into really focusing their teaching and to improving assessment is just think about how you’re making what you teach visible. And then what does it look like when it’s acceptable and when it’s not acceptable, when it meets the goals and when it doesn’t meet the goals? And then it just moves on from there. And if what you think is important, the quality of the color print in your poster, or the resolution on your screen of your logo, or whatever the heck you’re talking about, it might be process. So again, what does that look like? Well, I want to know that they’re listening to the feedback and really taking it in. Well, how can we make that visible? Maybe I have them do a little recording or do a short paper saying here’s all the feedback I heard, and here’s how I responded. “Joey told me I should change the concept, but I didn’t like that idea because…, so I’m not going with that…” and actually have them make that thought process visible. So, it takes some, again, creativity on the part of the instructor in the field of the teaching and learning. But usually, if there’s something really important that you’re teaching, you can have a way to make it visible and figure out what you’re looking for. And what does it look like when there’s evidence that the student has done what you need them to do? And what does it look like when that evidence is not there yet?

John: I usually meet with new faculty and generally ask them what would they like to see workshops on and, about six or seven years ago, one thing that was requested was a workshop on evaluating creative work. So I reached out and we got four people from different departments. We had someone from art, someone from music, someone from theatre, and someone from English. And they put together a presentation of how they evaluate creative work. And one thing that was in common was they all used rubrics, and they all talked about how there are certain fundamental skills or processes that students have to follow. And that’s what they embed in the rubrics and it surprised a lot of people in STEM fields who were attending because they were much less clear about what they were expecting from students and They expected something that would be much less well defined. And so one of the things they also emphasized, and you’ve talked about is that it’s telling students exactly what they’re expected to do and what types of things they need to demonstrate in the work before they can embellish on that. And that was a really important feature in all of their discussions, the same arguments show up in your book. That surprised many people outside of the creative fields.

Natasha: Oh, those are my tribe. That warms my heart to hear that, John. That’s exciting, yeah.

Martin: One of the added benefits of using rubrics is that time saved as well. Faculty time is a precious commodity. And if you can convince them or just show them how much time will be saved by simply having that rubric available, and using it as a guide, as you’re going through the assignments that are piled on their desk, it’s a convincing argument.

Rebecca: So, we talked a lot about building in values into our evaluation system. Can you talk about some of the things we should avoid doing.

Martin: I can speak to that a little bit. So, one thing that I’ve seen a lot of arts faculty members do… from a student perspective. So, coming up through the arts, one thing I’ve seen a lot of, and heard stories about, is the instructors bringing their personal bias, their own career and background, and that subjectivity in general, to the process of evaluating student work. So I’ve heard some pretty bad horror stories about that. For example, I’ll just go into one story quickly because I think just every faculty member who’s hearing this should know that this is never something that you want to repeat. So all the work, as you can imagine, all the prints, lining the board during critique and the instructor just, without words, just going across the board, pulling work down and throwing it out the window. Like if he doesn’t like it, right… if it doesn’t meet his criteria, which are a mystery, by the way…

NATASHAS: I’ve been in those classrooms. I’ve seen that.

Martin: Tell non-arts people about these stories, and they’re like, “no.” Yeah, it really happened. So remembering that you got to check your personal bias and your personal preference for art at the door and rely a lot on, or more on, having students engage in self evaluation, like did they feel like, and how do they feel like, they have made this, or communicated this, through their work, this issue that they think is important through their work. And if it doesn’t, like if you’re not understanding, then engage in a conversation about it. Like how they feel they’re getting there and where you think they’re not getting there. So using that as a starting point instead of your own, “I am the authority on art, and this is why this does not work.” That’s a huge demotivator.

Rebecca: I think one of those biases that a lot of faculty might bring to the door, is the history of white art created by white individuals.

Martin: This is the history of art, it’s all white male.

Rebecca: If students are creating their work from different cultural perspectives, and the faculty member is not up to speed on other cultural perspectives, we’re enforcing essentially a white supremacist point of view and system. So how do we engage in those moments in a way that’s productive, especially if we don’t understand the cultural background that something is based on?

Martin: Yeah, if students can’t place themselves in the history that you’re talking about, you’re referring to, how are they to imagine themselves in that world in the future?

Natasha: I’m gonna offer just one little tip here because yes, I hear you, Rebecca, and we see it everywhere in the overwhelming influence and sort of self-perpetuation of the white colonialist culture, even in our art classes. Something that we found when we did our rubrics research was that students, in general, really love rubrics, it helps guide their work. But what they really loved… even more than the grid of language… was samples, examples of work, examples of work that span the quality. Here’s an example of something where somebody tried really hard but they didn’t quite hit the mark. Here’s some examples of passing work. Here’s some examples of work that really hits it out of the park. And it’s really important not to have one example, especially in a creative field, because what happens then? The students who are not very competent will copy. Here’s an opportunity to allow for many different interpretations and really show those to your students. Consider using student work from previous semesters from a diverse range of students with diverse content. And that gives students something to connect to, it helps them see themselves in the class, it helps them understand that you, as an instructor, see them and value them. And that even though you have these criteria, there are many ways to reach those goals and reach those marks, those criteria that you’re putting out.

John: And so, by including a range of examples too, from different genres or different approaches, so that it does not become just a Western culture, perhaps. In recent podcasts we’ve done with Kevin Gannon, for example, he talked about decolonizing your syllabus and just suggesting that when you’re putting together your syllabus or searching for examples or exemplars, you could just do a little Google search on decolonize your [insert subject matter here] syllabus, and you can often find some good discussions of that with some good resources that you can build in.

Natasha: Yeah.

Martin: Yeah.

Natasha: This is incredibly important. In my work at California College of the Arts, there’s a very active group of instructors. They’re working on decolonizing the classroom, anti-racism, anti-racist pedagogies, and I’ve learned a lot since I’ve been in teaching there. I haven’t been there for a very long time. But I guess there’s a book called Antiracist Writing Assessment Ecologies: Teaching and Assessing Writing for a Socially Just Future by Asao Inoue. And he speaks quite a lot about assessment. And the point he makes about assessment is he says, in order to really decolonize your classroom, we need to be careful how we talk about quality, because quality so often is really culturally loaded. It’s so loaded that it is really hard for us to even untangle what we see and what we look for. And as a response to that, he really emphasizes grading on labor, grading on the work. And this, again, relates to some of the topics that are in this little video I put together although I don’t really call it this by telling students and taking all that quality judgment away from your rubric and from your assessment and just saying, create 50 of these things, [make 50 taglines, make 50 photographs, write five different thesis statements for your paper or write five different opening lines for your paper and just do that. And that’s the way of just asking for labor. You’re just saying do this work and it doesn’t have to look a certain way or be a certain way. But if you just put some effort into this, you will do well. This is a way of assessing work that actually pans out much better for students of color, students from cultures that are not traditionally represented very well in the faculty at colleges and university. So this is something I’ve been really taking to heart a lot. And in my writing class, I’ve actually, at CCA, where I teach freshmen composition to non-native English speakers, everything is graded on pass not passing yet. And so that really emphasizes the labor. If they’re not passing yet, the implication in that not passing yet grade is that you will do it again. Just do it again. Do it again. Nope, still not quite right, do it again. There have been a few students who have redone their essays four or five times, and it’s painful. But wow, they learn… they learn. And again, the trick is in not having five pages of criteria, but having a pretty narrow band of criteria that we’re looking for here that doesn’t get really niggly about the quality.

John: It sounds like it’s a specification grading system that you’re using. And it’s also building in something much more explicit than the “keep going” message that can be misinterpreted. So giving students the opportunity to try something to not quite get there, but to encourage them to continue working on it more explicitly than perhaps students always hear.

Natasha: And I’m glad you mentioned specifications grading, Linda Nilson has been a huge influence on the way I think about teaching and grading. She’s got a lot of really good thoughts out there for sure.

Rebecca: One of the things that’s really easy to evaluate is something that’s technical that has a right or wrong answer. How do we evaluate in a rubric format, things that are more qualitative, like the amount of experimentation or risk taking or other things that we might value in terms of creativity? Can you give us a concrete example?

Natasha: Actually, we have a a whole tip in our book about risk taking. There’s some really interesting ideas about ways you can really force students into making some mistakes and talking about them. There’s so much that comes up that seems, at first, like it’s going to be really hard to describe it in a rubric. But again, if we just get instructors and people who teach these disciplines together, talking about things, usually they can come up with something much more concrete, even if it’s not a cut and dry technical skill. Concept is one and I have some examples of like before and after for rubric wording. And often when we first write out a rubric, we might use some really sloppy language like “The concept is sloppy. It’s lazy. It just doesn’t work.” That just doesn’t work, right? [LAUGHTER] And so that might be the first draft. But then you start looking at some student work and talk with your colleagues. And you’ll find some more precise language will come out. Often when we talk about concept… I’m talking about the context of maybe an advertising campaign. But the concept is predictable. That’s a concept that is not acceptable is predictable. It’s the first thing that comes to mind when people think of this product. So, that is not a good concept. So there you go. Now we’ve made something a lot more understandable to the students and to the instructors when they’re using this rubric to grade later. And it can help you move forward in a way that that judgmental language won’t. It just makes the students feel bad. It makes the teachers frustrated, because we’re like, “Oh, it just doesn’t work.” But actually taking the time to look again at a range of work that doesn’t meet or that does meet the expectations for this thing that seems really nebulous at first usually you can manage to articulate it, and if you can’t, then maybe that’s not something you’re actually teaching in your class and maybe that’s outside of what you’re assessing. This is another tip that we come up with quite often. I think oftentimes instructors who fear grading, they think that they need to grade the art and you can’t grade art. No, you can’t grade art. You can’t say Picasso was better than Twyla Tharp. You can’t compare people and grade artists in a holistic way. Your grades should be based on what you’re teaching, and the objectives for your class. And we can communicate to our students, this is what we’re looking at here. You’ve also done this other stuff really well, but in our class, we’re really looking at this, so this is what your grade is based on. And that’s a really important factor in this whole endeavor, as well. One other little trap, I think, that faculty members can fall into when we talk about assessing grading or assessing creative work is that when we sit down to write our criteria out often the first thing we want to talk about is that incredible piece that that student two years ago did, it was amazing. It was mind blowing, it was so good and students need to see this and you get into those conversations. And that’s fun to talk about with your colleagues and you pull up that student’s work. And you talk about how great they were and what they’re doing now. Yes, that work should be shared with other students, that’s exciting. We have to celebrate those moments. But for the student in the middle of the pack in your class who’s kind of struggling, we need to think about what’s acceptable. That’s why it’s really important to really focus on that line between what meets expectations and what doesn’t meet expectations, because there are some students that just really need to work on that. [LAUGHTER] There are others that are going to blast through that and do really great things, but the ones that need our help are usually the ones that are hovering around that middle area.

Rebecca: So, we’ve talked a lot about rubrics and grading and evaluation, kind of assuming that we’re living in a perfect little world in some ways. But as we all know, right now, in this moment in time, there’s a lot of extra stress of COVID-19, protests related to Black Lives Matter, and any numerous other health things that are coming up because of COVID-19, remote learning. [LAUGHTER] All of these things, there’s lots going on. And so students are under more stress than normal. Students are often under a lot of stress, but this is like extra stress. So in these moments, what are ways that we can help promote creativity and also help our students really feel supported and being able to learn whether they’re on this point in the spectrum or they’re finding being creative really therapeutic and helpful, and all the way to students who just feel like they’re frozen because there’s so many things going on in the world, they feel like they can’t move forward.

Martin: I think now is a great time to be engaging students in creative process. It’s what gets us unfrozen. I’m speaking purely from my location at a Community and Technical College. If we can get students to engage in those often elective courses outside of their major or area of focus that allow them the opportunity to dive into those things that they are feeling a lot of stress about or anxiety about. It helps students be more successful in those courses that they do have to get through as a matter of course for their program of study.

Natasha: Oh, boy, these are hard times. I think, just most immediately from the video, the nurturing the aha moment, I think that it’s even more important than ever to break down our projects into small steps and help make those steps really kind of distinct from each other. I think that’s something that’s happening for students now, and for us, is we’re sitting and we’re staring at the screen all day long and it can become this big blob of existence where one thing bleeds into the other. And if we can really make the steps a little bit distinct, including a few steps where the students just disengage from all social media and anything online where they can actually be alone, without all of the electronic stimulation. I think those are things that can really help nurture their creativity. And also just I think there’s this funny paradox right now that we’re all alone. We’re all isolated. And yet, if you’re sitting there on your TikTok and Instagram and all day long you’re connected and that can be really, really stressful… and so convincing students to take a break from that, telling them we’re going through another step now. [LAUGHTER] And keeping things again really simple so that they can have that opportunity to use what we’re doing in our classes as a springboard to express themselves. Encourage them to incorporate what’s going on in their own life into the work that we’re doing, including examples and acknowledgments of what’s going on in the world. Really important. And it’s a fine line. I’ve just talked about this with my co teacher about how we’re going to be discussing Black Lives Matter, the latest George Floyd protests, and the Black Lives Matter protests, and the defund the police protests with our students who are mostly from Mainland China. Where do we even begin with that discussion? How do we do that without completely stressing them out, but also using it as an opportunity to feed their curiosity and acknowledge their own stress around these issues? So we need to let them know that we’re a safe space for everybody to engage and really help them break down things into small packages and celebrate their achievements. And again, let them keep working if they’re not quite there yet. Let them do it again. Let them do it again, let them do it again, I found myself being very forgiving on deadlines,

Martin: We also have to help faculty realize that they’re safe to engage in those redesigns and those conversations, and that comes from at that administrative level, engaging this at a college or institutional level. So that you aren’t leaving faculty to figure this out on their own. At my two colleges, for example, we have this new initiative that will run all the way through next year, and actually, for the next three years, probably called Equity by Design. And so we’re starting with a team comprised of administrators, directors, faculty, helping each other understand what this effort is going to be at a college level.

Rebecca: One of the things that you’ve both emphasize is kind of these small steps. And I think a small step for an expert might be different than a small step for a beginner. [LAUGHTER] Can we just take a minute or two to describe the differences between what an expert might think of as a small step and what might be in practice an actual a small step for a student.

Martin: One thing that we have been engaging in at my colleges is the TILT framework of Transparency in Learning and Teaching by Mary-Ann Winkelmes and her team. Mary-Ann came to one of our colleges in January and actually spoke and I’ve been facilitating communities of practice at both colleges on this topic this year. And in that work, there’s a realization as faculty review each other’s assignments and each other’s syllabi that you’re not starting at square one, you’re actually starting at square five, because we have to so often take a step outside of our disciplines to realize that, like you just said… So, what’s complex or complicated to one student is not for another and vice versa. So that transparency effort helps us to really outline the steps of an assignment, even those small steps. And so I’d encourage any family member struggling with whether or not to start at this point or that to review that transparency literature a little bit to engage with their colleagues, share assignments, and ask their colleagues whether or not they’re starting in the right place.

Natasha: That’s such a good question, Rebecca. The expert/novice thing is just something we grapple with all the time as instructors, especially if we’re teaching a new course… something that I’ve had to do in my own class… I was just thrown into a very new course for me a couple of years ago. And we did a new project on public service announcements this last semester, and I start something in class, I told the students “Now, choose a topic from this list of public service announcements that you’re going to create. And first thing you have to do is do some research. So let’s look at some websites.” And by having them do that in class and seeing what they come up with, I start to say, “Oh, right. [LAUGHTER]] They’re going to TikTok, you know, they’re going to these kind of places I didn’t even anticipate, and that allows me to then say, “Okay, I need to actually really scaffold this down.” I don’t want this to take two weeks of my time, I want them to find a credible source and then I ended up giving them a list of basically five places they should look. And you might say that is oversimplifying it, but again, this was just a step in the process of a larger PSA that they needed to make. So I needed to really like clamp that down. But I think if we can have students start in class and actually watch what they do, that gives us a lot of information about how big a step they’re willing to take on. And again, the little creative process chart that I put in the video that I created, I think a lot of creative practitioners, people who are really established, they’ve internalized this process, and they even don’t even want to put it on the line. They’re just like, “Oh, you bounce around, you know, you go back and forth and it’s not a linear thing.” And that’s not actually helpful to a new student who’s really nervous, who’s really stressed, who’s in school for the first time. They’re paying a ton of money to go to art school and their grandparents are really pissed because they should be an accountant. That’s intense. And so these students really need things broken down. And I think that just an awareness of our own expertise is a good starting point, and taking our cues from the students.

Rebecca: This has been really interesting. We always wrap up by asking what’s next? \

Natasha: What’s next, Martin? [LAUGHTER]

Martin: What’s next for me is to finish this book I’m working on with Cassandra Horii. We’ve been doing this project together for the past decade or so. I’ve been making photographs at colleges and universities across the country. We use those photographs that I make in classrooms in faculty teaching to help faculty think about their teaching practice. So we do this form of photo0based teaching consultation. So we’re putting those thousands of thousands of photographs together into a book. And we’re working with the same press that Natasha and I were with, West Virginia University Press, on that book. As far as my other life as an administrator in higher education, what’s next is figuring out what fall semester looks like. How are we engaging students? And in what space are we engaging them? Are courses going to be offered HyFlex, we don’t know? Are any courses going to be conducted face to face? Some of them have to be. You can’t teach arc welding at a distance. There’s some of that that has to be hands on. So figuring out exactly how we’re engaging students in this next phase is what’s next for me.

Natasha: I’m going really micro because these are really big questions. I’m going to keep working on the curriculum for my ESL class. I am now not in faculty development officially anymore at my university in an official role. My current role is that I coordinate and write the curriculum for one level of the English for non-native speakers at the Academy of Art University. And it’s exciting. So I’m working on actually integrating more of the anti-racist ecologies. I’m working on incorporating even more creative process readings and practices into my ESL course in the new zoom world, also really trying to figure out how to get students conversation practice in zoom. That’s the really tough one. So, I’m very much just kind of looking [LAUGHTER] about two feet in front of myself right now. And boy, as far as the bigger issues go, I don’t know. Let’s check in again in the fall. [LAUGHTER]

Rebecca: I think that’s fair.

Natasha: This afternoon, I’m going to make a creative genealogy for myself. I’m making a creative family tree, because I’m having my students do this next week when we start class and I’m going to do it for myself as a sample for them and also just to see what it’s like to go through that process. So that’s actually been really fun. That’s my fun thing that I’m doing.

Rebecca: It’s all about balance.

Natasha: Yeah.

John: Well, thank you. This has been fascinating. I really enjoyed reading through your book, and I’ve enjoyed your contribution to the Pedagogies of Care, and it’s been really great talking to you. Thank you.

Rebecca: Yeah. Thank you so much.

Natasha: John and Rebecca, it’s been a really fun conversation. Thanks so much for inviting us.

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John: If you’ve enjoyed this podcast, please subscribe and leave a review on iTunes or your favorite podcast service. To continue the conversation, join us on our Tea for Teaching Facebook page.

Rebecca: You can find show notes, transcripts and other materials on teaforteaching.com. Music by Michael Gary Brewer.

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140. Pedagogies of Care: Nerd Edition

This week we continue a series of interviews with participants in the Pedagogies of Care project. In this episode, Dr. Jessamyn Neuhaus joins us to discuss the myth of the super teacher and the importance of focusing on self-efficacy, being human, and being reasonable with ourselves and each other. Jessamyn is the Interim Director of the SUNY Plattsburgh Center for Teaching Excellence and a Professor in the History Department at Plattsburgh. She specializes in the study of pop culture, gender studies, and teaching and learning. Jessamyn is a recipient of the State University of New York Chancellor’s Award for Teaching Excellence. She is also the author of Geeky Pedagogy: A Guide for Intellectuals, Introverts and Nerds Who Want to be Effective Teachers.

Show Notes

Transcript

John: This week we continue a series of interviews with participants in the Pedagogies of Care project. In this episode, we discuss the myth of the super teacher and the importance of focusing on self-efficacy, being human, and being reasonable with ourselves and each other.

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John: Thanks for joining us for Tea for Teaching, an informal discussion of innovative and effective practices in teaching and learning.

Rebecca: This podcast series is hosted by John Kane, an economist&hellip

John: &hellipand Rebecca Mushtare, a graphic designer.

Rebecca: Together, we run the Center for Excellence in Learning and Teaching at the State University of New York at Oswego.

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John: Our guest today is Dr. Jessamyn Neuhaus. Jessamyn is the Interim Director of the SUNY Plattsburgh Center for Teaching Excellence and a Professor in the History Department at Plattsburgh. She specializes in the study of pop culture, gender studies, and teaching and learning. Jessamyn is a recipient of the State University of New York Chancellor’s Award for Teaching Excellence. She is also the author of Geeky Pedagogy: A Guide for Intellectuals, Introverts and Nerds Who Want to be Effective Teachers, which she talked about on one of our earlier podcasts. Welcome back, Jessamyn.

Jessamyn: Thank you for having me. I’m really happy to be here.

Rebecca: Today’s teas are:

Jessamyn: I am drinking anything and everything with caffeine all day long, every day since March. [LAUGHTER]

Rebecca: Fair.

John: And I am drinking a ginger peach green tea which is, I think, my fifth or sixth cup of tea today.

Rebecca: I’ve got the Irish breakfast going today. You notice, my caffeine choices are definitely on the higher end lately, too. [LAUGHTER] The powerhouses of tea.

John: Caffeine has been extremely helpful in the last couple of months. [LAUGHTER]

Rebecca: What’s in your teaching tool belt? Some caffeine. [LAUGHTER]

Jessamyn: Yeah.

John: We’ve invited you here today to talk about your contribution to the Pedagogies of Care Project, which we’ve talked about in the last couple of podcasts. Could you tell us a little bit about your contribution to this project?

Jessamyn: Sure. It’s called Pedagogy Nerds Assemble: Battling Big Teaching Myths during Troubled Times. And it’s really about encouraging faculty teaching self-efficacy in the face of so much uncertainty, and trauma, and loss, and struggle now and in the foreseeable future. It also takes the kind of little bit of the snarky tone that I enjoy adding to the scholarship of teaching and learning, kind of real talk to empower faculty to not buy into certain myths that can really interfere with our ability to appreciate our unique ability, our unique contributions to student learning and student success. And mine is in the form of a recorded PowerPoint presentation. I know the project has taken different kinds of format to try to be as accessible as possible. So, I’m very comfortable with PowerPoint, I definitely do not like recording a video of myself. I just did the first one yesterday, because I have a feeling I’m gonna need to do it more often in the semester to come and it was just as awful as I imagined it could be. [LAUGHTER] For the PowerPoint, I have a little picture of myself on the slide, but just my voice.

Rebecca: It sounds like something that we really need. Like self efficacy is something that, in a time when we’re really stressed, is something that we all need more, but also it’s hard to feel like you can empower people to feel like they can empower themselves. Do you have any tips that you can share with faculty about things that they can be thinking about?

Jessamyn: Well, I don’t want to give away all the myths, so I can build interest in the project. But, one of the myths of the three that I tackle in the presentation is the super teacher myth. And fighting that super teacher myth, the impossible ideals of the incredibly charismatic professor who magically helps students learn just by being entertaining. That myth is really, really persistent. And I think the more we can encourage people to recognize that that exists, even maybe at an unconscious level, but to really call it out and recognize it. And that goes a long way towards seeing: “Oh, so here are the ways I can help students keep learning even in these traumatic and troubled times.” I had a crisis pretty early in the shift to emergency remote instruction because I had not taught online before. And I was really struggling with being present to students and communicating to students because, as an introvert who had retreated to her house to replenish her teaching energy, I suddenly found myself needing to open up communication to students at home, while my beloved family (who I wanted to throttle) was humming and buzzing around me. And I had to be more accessible and communicate and present to students, all things I’d learned how to do in person pretty well as part of my teaching persona and to be effective, but I didn’t know how to do it online. And I was lamenting on Twitter: “I suck at this. I’m never going to be good,” and Flower Darby, a scholar of online teaching and learning, reminded me “It took you a long time, like it does for everybody, to learn how to teach effectively in person. The same is true for this new format, this new platform.” And it’s that super teacher myth, “I should be able to do it suddenly, even though I’d never done it before.” So, fighting the super teacher myth would be one of my top pieces of advice. I think.

Rebecca: I think one of the things that you’re pointing out that’s important to remind everybody, as we’re planning for fall in new platforms is there’s a learning curve to anything that’s new. And so if you’re having to learn the LMS, or a new piece of technology, or whatever, the faculty member needs to do that, but so do our students. So, [LAUGHTER] we need to build in some of the time and space to allow ourselves to do that as well as our students and they know when we’re not comfortable or we haven’t built up those skill sets to so being real with students about where we’re comfortable and when we’re not is also not a bad thing being human is important.

Jessamyn: No, and actually it can model for students having a growth mindset, and that learning takes time and it requires making mistakes and, as hard as it is, as difficult as learning is, especially in crisis conditions, especially in the context of trauma and loss, learning is also why we academic nerds and scholarly geeks got here in the first place. I know it’s helped me a lot this semester, in the midst of the struggle and this pain, to be able to look for things that I’m learning about teaching, and I’m learning about my students, and maintaining a growth mindset about my own pedagogical practices, remembering that it always takes a lot of practice, takes experience, takes reflection, but feeling like I was able to learn something… that always makes things better, that makes my nerdy heart happier. [LAUGHTER]

John: I think a lot of faculty have experienced learning in ways that many people hadn’t learned since grad school in terms of making an adjustment. Some people found it easy. The people who are ready teaching online generally found the transition at least smoother than it was for other people. But, for people who were used to only teaching in the classroom, this was a pretty traumatic experience, as it was for many of the students. I was just looking through some comments I got from my students this semester. And some of them said, “I didn’t sign up for an online class, because I really didn’t like it,” and they said the same thing in class right before we made that transition. So, it’s been a learning experience for all of us and maintaining that growth mindset, I think, is really helpful. How can we help students do that? I know you talked about that in your book as well as in your project.

Jessamyn: Well, kind of what I was just saying before, one thing I’ve found helpful is really the modeling portion, especially with the online aspect. And it was helpful with my students, first of all, to clarify this semester. This is not an online class. This is emergency remote instruction, and we’re looking to finish the semester the only ways we can in this crisis condition. And then, just liike we were mentioning before, I also was very clear and upfront about things I was learning how to do. And I’ve mentioned it a couple places now, so it’s getting a little less embarrassing, but I’ll admit it’s still embarrassing. One thing that I was forced to learn how to do was have students submit assignments electronically. I was still making them print out a hard copy of their paper and turn it in, even though for years, I knew I should not be doing that. I knew it made more sense to have them submitted online because I like to scaffold it. So, I always said, so I have to see my previous comments. It totally made sense. Plus, they didn’t have to pay for the printout, which was a real hardship for some of my students. So, I was finally forced to learn how to do it. And I told students, because I made a big deal at the beginning of the semester, I know this is old school and I am being an old Gen X lady here, but can you please print out your assignments? I’m really sorry about the extra step. And then halfway through I said, “Okay, Well, we’re all gonna do this together, and I’m gonna learn how to use the Moodle Dropbox” and I messed it up several times, the settings were wrong and students couldn’t submit. And they were so understanding. A couple of students said this to me, “I know you’re just learning how to do this.” So, it’s okay and it was kind of like modeling that and being clear about this was the technology that was new to me, and trying to be flexible with it. It kind of forced me to also rethink things like I have this really harsh and firm deadline. Well, yeah, except you messed up the Moodle dropbox parameters, so you can’t do that anymore.

Rebecca: I think one of the things that your story illustrates, to some extent, is that breaking down that one myth that you had just talked about, the super teacher, that by showing that we’re learning and that we make mistakes, it also shows students that the learning process includes making mistakes and so it’s not a terrible thing to have that occur. I know that when I’ve struggled with things in class before the students really respond to knowing like, “Oh, I don’t know the answer to that, like, let’s see if we can figure it out.” And the more you can indicate that you’re not some encyclopedia, [LAUGHTER] the more helpful it is.

Jessamyn: Yeah, I had a lot of students clearly very hesitant and fearful about going online. So, helping to demystify that a little bit, I think was helpful.

Rebecca: What are some of your takeaways from this semester moving into the fall?

Jessamyn: For me personally, definitely, kind of building on what I was just saying, being able to better utilize some of our learning management systems to achieve the pedagogical goals that I’ve always wanted to do. There are some very effective tools that I just had not utilized much before because I was doing face to face. One example I can think of is I live for discussion. That’s my favorite part of class and having students discuss, I’ve tried to keep my own piehole shut as much as possible and there are ways to structure, at least some discussion. Even if you’re doing a face-to-face class, you can also include some discussion in your learning management system that’s more inclusive, that will encourage what I hear from faculty lived experiences. And what I’m starting to read about is that there’s ways a good online discussion can increase student participation from people who, for whatever reason, are hesitant to participate in face-to-face discussions. Somebody I know who works with students with English as a second language said when they were forced to switch to online discussions, they started to hear so much more from students who had been hesitant about participating in face-topface discussions. So, my personal takeaway is definitely, when it helps me achieve the pedagogical goal that I would have in any format, I should be able to use some of the online learning tools that are out there. For faculty at large, I guess, I would say two things: One, I saw a lot of pain and struggle, as people were forced to give up things that had worked really effectively for them in the classroom. There’s a real loss there. That’s just one of many, many losses that faculty themselves were experiencing, and of course, in our personal lives during this crisis, but also as teachers, the switch was pretty traumatic in many ways. So, that kind of emotional component and being aware of what we lost and ways that the uncertainties that we’re facing really are going to take a toll day to day, class to class. And the other big takeaway, I think, I saw a lot of faculty and read about a lot of faculty really reflecting for the first time: What are we grading? How are we going to assess student learning? That really rose to the top among the faculty here. How can we possibly assess student learning? They’re just gonna cheat if they’re at home with their book and having it shoved in your face. Well, what do you want them to learn? What are they trying to learn? And how are you going to be able to assess that? So, really deep and difficult reflections on assessing student learning,

John: That type of reflection can result in improved practice, no matter how we’re teaching in the future, I think.

Jessamyn: Yeah, for sure. I just want to give one little shout out here to that term “Pedagogies of Care,” because I do think there’s some misunderstanding about it or assumptions that it means just being completely and utterly touchy feely and a lessening of academic rigor. And that’s not the case, as I talk about in Geeky Pedagogy and have talked about a lot in my own personal experience. You can express care for student learning and a wide range of ways you don’t have to be the extroverted, extra warm, motherly, fatherly professor. I am not that person. I’m very intellectual. And with students, I keep it really professional. But, I’m always getting feedback that she cares a lot, Professor Neuhaus cares so much, because I’m totally fascinated with their ideas and their learning and I do everything I can to help them learn. So, Pedagogy of Care, first for students, means clearly conveying to students that you want them to succeed. And that can take all kinds of different forms. The other thing in my contribution to the project that I emphasize about the Pedagogy of Care is that extends to faculty as well. And we really could all stand to be a little bit kinder and gentler to ourselves and to each other in these extraordinarily difficult times. The Pedagogy of Care extends to our own learning, and not “I flunked. I flunked the semester of teaching. I suck.” No, be as kind to yourself. I’ve repeated this to a number of people for the past four months, like just talk to yourself the way you would to a struggling student that you want to succeed, you know, you’re trying&hellip keep going&hellip you can do it. Don’t give up. This is an obstacle and it’s hard, but you’re learning. talk that way to yourselves too, and try to extend it to colleagues if you can.

Rebecca: I think that one thing that I heard a lot of faculty talking about in relationship to this idea is what they need for self care, and what they actually need and be able to kind of articulate it on a day-to-day basis beyond just the crisis, but there’s competing interests of like family and work and home space and workspace and what have you. And I think people are realizing what kind of time they need for different things to feel balanced, because everything got so out of balance, [LAUGHTER] going from one extreme to another.

Jessamyn: Oh my gosh, yes. I wrote about that. I had an essay in the Chronicle of Higher Education, and it was talking about being an introvert working from home and contrary to this kind of knee jerk: “Oh, introverts have it so great now, because they get to be at home.” Well, except that there could be other people there as well. [LAUGHTER] And demanding, finding, wresting out some solitude when you’re working from home was to me really vital, and it was not easy at all… it was stressful.

Rebecca: Yes, I remember reading that article and thinking, “Yes, all of these things.” [LAUGHTER] We have a system at my house now and that system is really helpful.

Jessamyn: That’s good. Yeah. structure. Yeah. And I live with two off-the-charts extroverts, like off the charts. And normally that works pretty well for us as a family. But, during this situation&hellip no&hellip social isolating. Like our needs were diametrically opposed. I need more time alone. I need more human contact. Yeah, it’s been rough. It’s been rough. [LAUGHTER]

John: We’ll include a link to your article in the show notes as well.

Jessamyn: Thank you.

John: So, you’ve picked a great time to be taking over a teaching center. [LAUGHTER].

Jessamyn: &hellip just the status quo, same old, same old, nothing really big going on.

John: So could you talk a little bit about what you’re planning to help prepare faculty for the uncertainty of the fall semester?

Jessamyn: Sure, It’s a great question. It’s definitely a uniquely challenging time to be trying to revitalize a teaching and learning center on a small rural campus with very limited resources and, like most state schools, facing some really severe financial and student enrollment problems, like maybe forever altering some structures. So, it’s tough. There’s a lot of managing of expectations and emotions. I think the advice that I’ve gotten by far the most, and makes the most sense as well, is the importance of building connections and building communities on campus and reaching out to a wide variety of stakeholders, including students, and really trying to foster pedagogical communities of practice on campus. So not trying to, again with the superhero theme, not trying to fly in and say I’m going to fix everything, but instead trying to encourage sharing of ideas, sharing of resources, support for each other, at this difficult time. We have a very small technology enhanced learning unit that has one instructional designer but we are collaborating on summer programming and working together and just trying to help everyone, I guess, really cultivate that growth mindset we were talking about, and try to approach this as an opportunity for learning. I won’t say silvered lining. That’s not how we want to frame it. But there is this opportunity because every campus has a small group of people who are bought into faculty development from day one, and they’re at every workshop and they want to take every offering and they’re your biggest fans. Then there’s a small group who are going to actively oppose faculty development in any way shape or form and will never ever come to your stupid pointless workshops for any reason, not for love or money. But, then there’s this whole middle population who you could maybe attract them, they could go to one workshop and find it useful and maybe go to another one. Well, that population, in the past three months, has just shot into a whole new world. And I have had, just in the past couple months I’ve been the Teaching Fellow for the CTE and then just starting this gig as the interim director. So I was doing some things with the CTE, and I saw more faces and heard from more people who had never darkened the door of the Center for Teaching Excellence appear and ask me questions and show up. Because, I think it’s not just personally “I don’t know what to do,” but suddenly everywhere, like literally everywhere are professors saying, “I could use some assistance with this. I’m not sure what to do.” Like for the first time in ever, there’s this like cultural acknowledgement that “I don’t know everything.” Like, that’s a major leap for academics to be like, “Well, yeah, maybe I don’t know everything here and I could use some assistance,” but everybody was saying it, everybody was doing it. So, there’s this opportunity to keep building on that and to offer assistance and encourage that growth mindset about their own pedagogical practices to a whole group of people who have never thought about it that way before. So it’s this precious opportunity. I hope I don’t blow it. [LAUGHTER]

John: I think we all share those thoughts about hoping we don’t blow it in getting ready for this.

Rebecca: Now, let’s not put unreasonable expectations upon ourselves.

Jessamyn: I know. [LAUGHTER]

John: But this is true not just for teaching. As human beings, we tend to do things as we’ve always done them unless there’s some compelling need to change. And when things don’t work the way they used to, it forces us to reevaluate how we’re doing anything. And then it’s a great growth opportunity. And it opens a lot of potential. It can be really difficult, as we’ve all been noticing.

Jessamyn: I do think it’s also, not to slam my beloved academic geeks, but I think it can be especially hard for scholarly experts. I mean, we were trained in graduate school: “You don’t reveal your vulnerable underbelly to the alpha academic or you’ll get your throat ripped out.” You always have to be the smartest person in the room. Like that’s the goal of getting your PhD and to back up and admit, “Well wait, I could use some help with this&hellip that’s a big leap for a smarty pants who’s used to their classroom kingdom where nobody ever questions their expertise and authority, which by the way, is not every professor,it depends on your embodied identity. That is a big caveat there. But, you do have this professorial authority and saying “I need help” or saying, “Wow, what worked before isn’t going to work here.” That’s a major leap. That’s a big ask for many academics.

John: And it can help break down that super teacher myth that you mentioned earlier.

Jessamyn: For sure. Yeah.

Rebecca: I think, along those same lines, too, it’s like that same group of people is recognizing all kinds of barriers that students face that weren’t so visible before.

Jessamyn: That’s very, very true.

Rebecca: So really, like transitioning the perception of the ivory tower to something a bit different, and I actually really hope it sticks.

Jessamyn: Yeah, me too. And that’s been amazing, actually, the way I’ve seen that on my campus as well. And it was interesting because I was doing a department-based needs assessment before the emergency pivot. So, I’d been talking to faculty about what they saw as teaching challenges and the student population. And then, within a few weeks after our shift, I saw some of those same professors saying very different things about their students and seeing them in a very different way. Like straight up saying, “My students lives are so hard…” like the obstacles and the lack of access to WiFi, for example, that’s a serious issue. Yeah. And it always has been. So, yeah, it really did. It humanized, I think is the term I hear some people saying is it humanized our teaching in new ways, for sure. And that could be a reach sometimes. Like I was saying, I am very intellectual, I don’t have a lot of personal discussions with my students. But, in these crisis situations, I was very clear about being worried about them and being concerned and hoping they were safe. And all my students appreciated it, but I knew some of them were like, “This is Professor Neuhaus saying, ‘Oh, I’m worried about you. Stay safe.’ Professor Neuhaus, really?” So, yeah, humanizing our interactions is important.

John: I hope that’s a message or a lesson that continues through into the future.

Jessamyn: Me too.

John: And I think it’s worked both ways, that I think a lot of students have seen some of the challenges their professors have faced, not just in terms of using the technology or teaching in a new format, but in terms of having children or pets or other things, or having technology issues, or having access issues themselves, where someone might be using a video game or something similar, cutting into the bandwidth. Many faculty have reported to us that their students have expressed concern, asking if they’re okay, and encouraging them to stay safe and so forth.

Rebecca: I think it’s also along those same lines brought to light some of the invisible barriers that contingent faculty have, being at multiple institutions or the incredible workload that they’ve been asked to bear without really any compensation for the time and effort and energy that’s gone into it.

Jessamyn: Yeah, for sure.

John: Our institution has provided loaner computers and other types of technology to both students and faculty. And an interesting phenomena was that there were more faculty who requested computing equipment and other tools than there were students even. They provided a good deal of it to both, but some of those barriers are not just for students, especially are adjuncts who often are struggling to get by.

Jessamyn: For sure. I was just going to reference and you can put this in the notes to Cate Denial, a historian who wrote a very well known essay, I’m hoping she’ll write a book, advocating a pedagogy of kindness. And I definitely saw how effective that can be this semester for me personally, but I also saw with a lot of other faculty for the first time really seeing what a little bit of flexibility and a little bit of kindness&hellip again, not lessening academic rigor, but bringing in, specifically, some of that humanizing kindness&helliphow effective that can be. And actually, on a similar note, the advocates of ungrading have gotten a big boost as well, because I’ve seen and read a lot of faculty saying, “Wow, you know, once I told my students pass-fail, for example&hellip Wow, their final projects were so great, like they actually did what I want them to do and learn what I want them to learn once the stress and anxiety and kind of false dichotomies, I guess, of grading were taken off the table.” So there’s some real possibilities there.

John: We’ve talked quite a bit about things that we should be focusing on in terms of getting ready for the fall. But what are some things we should probably avoid as either faculty or professional developers in preparing for the fall semester?

Jessamyn: I think a big one is to not ignore or try to just sort of skip over the trauma and the loss that people experienced and also not play like “Who had the worst trauma?” or “Who had the worst loss?” In all kinds of ways we experienced loss as we experienced trauma&hellip and the way trauma works, the weight loss and grieving works is even a small loss can be very difficult because your brain and your heart and your soul are trying to process all your losses and all previous grief and loss. I know I always love graduation. And even though I sit there&hellip it’s very long… it’s very hot… [LAUGHTER] and it can feel like a chore at times. But, the commencement ceremony is so meaningful for everybody, but especially for first-generation students and their families. And we tried to fill in a little bit with some online messages and some online rituals. And I started watching it and just started crying. And I’m like, “What is this? What is happening here?” &hellipand it’s a loss to not be able to engage in that ritual. It’s not the world-ending loss, but it’s a loss and it’s a trauma and people are going to arrive to classes in late August, whatever format it is, with all those things having really just happened to them&hellip faculty, students, administrators, I mean, everybody’s gotten a really raw deal this semester. And that’s not just going to be magically fixed, even if somehow we’re back to exactly where we were. And if all the face-to-face classes are in session as they were planned, and everything’s fine again, but what happened this semester is still gonna be there.

Rebecca: I think that’s a really good reminder. Our students are going to be changed and will be different. And I think in the moment of this semester, a lot of students weren’t able to process what was happening. So, you might really have a really different experience with students in the fall, when they’ve also had a little space to process what that experience was like and the things that they missed out on and are missing out on if they’re online in the fall.

Jessamyn: Yeah, the first chapter in Geeky Pedagogy, advocates for practicing awareness, and really just being as fully mindfully present to the reality of what’s happening around you. And I think that’s always important. But, I think it’s going to be especially important in the fall. And it doesn’t mean we shouldn’t try to change things that are bad, but to first really be cognizant and aware of what is happening, what is going on here. And the state of all our mental, emotional, and physical states is going to be something that we really have to pay attention to.

Rebecca: I think that’ll really shift what first days of classes look like in the fall.

Jessamyn: Yeah, for sure. The uncertainty remains. We don’t know what’s going to happen. And we can put plans in place, but we just don’t know. And that’s…

Rebecca: &hellipterrifying.

Jessamyn: Yeah. [LAUGHTER] For people who love to plan, and I had really fooled myself, you could see it in my book, too. I’ve attained a new enlightened state where I can roll with the changes and you got to be aware of stuff but then as soon as my world was severely disrupted, no, it was all gone. Just zip… gone. [LAUGHTER]

Rebecca: Emotions do have a lot to do with how we learn and process things.

Jessamyn: Yeah! [LAUGHTER] Come on, emotional learning… yeah.

John: As you know, we always end with the question: What’s next? A question that we’re all thinking about pretty much all the time.

Rebecca: Please tell us.

Jessamyn: Yeah. Wow, that’s crazy&hellip ‘cause I have been working on a project, an anthology of insights into effective teaching from women, marginalized, and underrepresented faculty. It hasn’t been suspended, but I extended the deadline, not having the bandwidth and assuming potential contributors also just utterly overwhelmed. And then I guess it’s like day by day&hellip What could maybe help a few people on campus teach effectively? And, of course, how am I going to prepare my own class to be as resilient and flexible as possible for the fall&hellip and just on a personal note, what about my child? He just finished his first year of college. It was not a overwhelming success. I mentioned last time I was here that he is a lackadaisical student. And he had many of the challenges that first-year college students face. And then, of course, this semester has been a disaster. He was one of those students who said, “I don’t want to do an online class.” He’s an extrovert. He’s very social. So, we’re not sure what’s going to happen for him in the fall. So, those are all the uncertainties awaiting us.

John: I first heard about the Pedagogies of Care project when one of the people participating posted a picture of the Zoom screen with all those people in it. [LAUGHTER] And I recognized all of them, and many of them had been guests on our podcast. So, the initial image didn’t talk about what it was for, it just said a gathering of present and future authors from West Virginia University Press, and it looked like a really impressive group of people. So, we’re very much looking forward to this project. We’ll include a link to that in the show notes.

Jessamyn: They’re really some of the smartest people I’ve ever met, and definitely the best collaborators I’ve ever had. It’s a unique experience being part of that series. I’ve never had a group of scholars who’ve kind of come together and really formed a supportive and encouraging community. It’s just amazing. I’ve never experienced anything like it. And this project, I think, is a good example of how the series at West Virginia University Press edited by Jim Lange is unique to not just the scholarship of teaching and learning but to scholarship period, because I’ve been in various series and journals and stuff, but there’s never been a sense like, this is a real pedagogical community of practice where ideas are debated and shared, and each scholar is really supported and I’m really incredibly grateful and proud to be part of it.

John: And that also shows up in the Twitter conversations that take place. For those who don’t follow the authors there, we strongly encourage that.

Jessamyn: Absolutely. Yes.

Rebecca: Definitely, that’s how we found out about this project.

Jessamyn: Thank you so much for having me.

John: Thank you.

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John: If you’ve enjoyed this podcast, please subscribe and leave a review on iTunes or your favorite podcast service. To continue the conversation, join us on our Tea for Teaching Facebook page.

Rebecca: You can find show notes, transcripts and other materials on teaforteaching.com. Music by Michael Gary Brewer.

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138. Pedagogies of Care: UDL

The COVID-19 pandemic has resulted in many reflections on the future of higher education and what we value and prioritize as educators. This week we begin a series of interviews with participants in the Pedagogies of Care project. In this episode, Thomas J. Tobin joins us to discuss how the adoption of Universal Design for Learning principles can increase student motivation, engagement, and success. Tom is the author of Reach Everyone Teach Everyone: Universal Design for Learning in Higher Education and several other works related to teaching and learning. He is one of the contributors to the Pedagogies of Care project from the authors in the West Virginia University Press Teaching and Learning book series.

Show Notes

Transcript

John: The COVID-19 pandemic has resulted in many reflections on the future of higher education and what we value and prioritize as educators. This week we begin a series of interviews with participants in the Pedagogies of Care project. In this episode, we discuss how the adoption of Universal Design for Learning principles can increase student motivation, engagement, and success.

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John: Thanks for joining us for Tea for Teaching, an informal discussion of innovative and effective practices in teaching and learning.

Rebecca: This podcast series is hosted by John Kane, an economist&helliip;

John: &helliip;and Rebecca Mushtare, a graphic designer.

Rebecca: Together, we run the Center for Excellence in Learning and Teaching at the State University of New York at Oswego.

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Rebecca: Our guest today is Thomas J. Tobin. Tom is the author of Reach Everyone Teach Everyone: Universal Design for Learning in Higher Education and several other works related to teaching and learning. He is one of the contributors to the Pedagogies of Care project from the authors in the West Virginia University Press Teaching and Learning book series. Welcome, Tom.

John: Welcome, Tom.

Tom: Thanks. I’m glad to be here, and thank you for inviting me.

John: Our teas today are:

Tom: I’m drinking decaf black tea as always, nothing added, nothing, taken away.

Rebecca: Sounds perfect. I’m drinking strawberry grapefruit green tea today.

John: And I’m drinking a peppermint tea. I’ve had a lot of caffeine today, so I’m watering it down a little bit. [LAUGHTER] We’ve invited you here to talk primarily about your work with the Pedagogies of Care project as well as your work with Universal Design for Learning. Could you tell us about how this project came together?

Tom: I’m one of the authors in the West Virginia University Press series on teaching and learning and it started with an idea from Jim Lang at Assumption College. He wanted to put together a series of books that wasn’t so much “Here’s all the research and all the bona fides and all the scholarship on teaching and learning topics. He wanted books that talked directly to practitioners about what those best practices are, in a way that’s easily digestible and practical and implementable. My co-author Kirsten Behling and I, we wrote the book Reach Everyone, Teach Everyone: Universal Design for Learning in Higher Education for the series. Jim is the editor of the whole series. We’ve got lots of other folks in the series. Michelle Miller is coming up. Josh Eyler just published. Sarah Rose Cavanagh. Kevin Gannon. A lot of the people that you see on academic Twitter. The public intellectuals among us are published in this series and that’s a credit to Derek Chrisoff, the series editor. A number of us who are or will be published in that series in the future, we were part of the emergency response teams at our colleges and universities when the COVID-19 pandemic came up. And we found that whether we were reading in the Chronicle of Higher Education, Inside HigherEd, Edsurge, we were reading a lot of, “Well, this is the time when we should be evaluating online teaching because now everyone’s teaching online” or “We should be guarding the ivory tower and defending against these rings of cheating students.” And almost everyone in the series thought these are reactionary takes that are getting published out there. And it’s almost the opposite of how we would advise people to go. So a few of us got out our trusty keyboards and we wrote response articles. I responded to a couple of pieces in The Chronicle. Michelle Miller in Inside Higher Ed. Derek Bruff went over onto Edsurge. And we wrote our responses up and people said, “Oh, this is really humane. This treats students like co-learners in the process Instead of adversaries. What else do you have? Do you have more?” And the answer was, “Well, Perhaps we should have more.” And Tori Mondelli from the University of Missouri, asked, “Why not envision and help to shape what the new normal of colleges and universities and higher education could look like post pandemic, if we’re just going back to the way things were, that’s an opportunity missed.” And so we decided to put together this Pedagogies of Care collection from all of the authors and soon-to-be authors in the WVU Press series. So a lot of things went into it. So it was conversations on the POD network open discussion group topic, Josh Eyler was especially active over there, academic Twitter, Kevin Gannon, Viji Sathy, Kelly Hogan from the University of North Carolina. We’ve been voices out there that people trust. We’ve been doing the research, we’ve been listening to our colleagues. And what we’re doing with this Pedagogies of Care Collection, is we’re trying to create a unified voice for what colleges and universities could look like, with the understanding that we have a huge budget crisis, that we only have so much in terms of people, money, and time to be able to implement things. So this isn’t really a rose-colored glasses utopian vision. But it’s a practical look at what we can actually accomplish if we’re working together, thinking together, and thinking in terms of student success.

John: In terms of the contributions, I understand it’s going to be a mix of different types of inputs. Could you tell us a little bit about that?

Tom: Of course. As the Universal Design for Learning thinker among the group, we’ve got a few of us who are also fans of that idea, the initial prompt to respond to the COVID-19 pandemic wasn’t “Please write an essay,” although I totally wrote an essay, but it was “Please respond in the way that you feel represents your ideas best.” And so for example, Cyndi Kernahan and Kevin Gannon decided that they wanted to, even though they wrote two different books, they wanted to get together and create a video podcast. For example, Sarah Rose Cavanagh decided that she wanted to put together an audio podcast along with a bunch of reference resources and handouts that people could take away. Jessamyn Neuhaus, the author of Geeky Pedagogy, she decided that she wanted to do a video log of different pieces of advice that she had collected and created. And a lot of folks went in lots of different creative ways. So the prompt was: respond how you like, and we got a really varied bunch of contributions from everybody. And we’re in the process of editing that right now as we’re recording this interview, and we hope that that’ll be coming out soon.

Rebecca: Sounds like a very caring way to address everybody’s needs during COVID-19, including all the authors’. [LAUGHTER]

Tom: Well, absolutely. And the flexibility is almost the key here is that we’re trying to model, in our advice, the kinds of strategies that we’re asking people to adopt, and really the overarching idea is that students are coming to us from lots of varied circumstances. One of the things that the pandemic has done for everyone is shown that everybody has barriers to learning. And whether those barriers have to do with disability, whether those barriers just have to do with time&helliip; people are working, they have family responsibilities, their kids are home from school and they’re taking care of them. All different kinds of barriers. And if there are ways that we can address those barriers, help to minimize them, help to lower them, and help to reach out to our students as human beings first, that’s going to actually make our lives as instructors and support staffers, smoother, easier, and it’s going to mean that we’re not as bureaucratic about things as we might have been previously. We’d thought about a number of different titles for the collection, you know, “The road back from COVID-19,” and we didn’t really want to focus everything on the virus. We wanted to focus on the interpersonal dynamics, on the interactions, on the caring that we saw people engaging in, that emotional and affective labor that really marks the best teachers and instructors. And so I think it was Tori Mondelli who came up with the title of Pedagogies of Care, because that was the thread that ran through all of our approaches to this collection and to how we wanted to work with our colleagues at our individual institutions.

Rebecca: One of the things that I’ve appreciated about the conversations I’ve observed on Twitter and other spaces is how much the focus has been on humans: students as humans, faculty as humans, and that faculty and staff have barriers just like students do. And that’s something that hasn’t really been highlighted in the past in a lot of conversation about disability or universal design or any of these things that tend to be very student driven. And so it’s nice that the conversation has actually widened to be more inclusive.

Tom: Yeah, and this is the myth of the faculty super person, right? The students can have all these challenges but faculty members have got it together, right? We are super and awesome and always good and always on and always perfect, which is baloney. We’re human beings as well. And it’s actually how I got started in the field. Dial back 23 years, it’s 1997, and I’m at a two-year college in Pennsylvania. I’m a 27 year old kid with just about almost have my doctorate. And I’m tasked with creating online courses for this community college. I help them adopt Blackboard version one. That’s how long ago that was. Your listeners can’t see me, but all this gray hair, I earned it. And one of my business faculty members came to me, Marty, and he says, “I would like to teach online, not because I think it’s the next world beating thing or the thing that’s the best for me. But I see the handwriting on the wall. We’re moving in this direction. And I want to know how to do it.” And I said, “Sure, I’ll help you.” The only problem, Marty in his 40s, had gone blind due to complications from undiagnosed and so untreated diabetes. Now that meant that he didn’t, and I’ll put air quotes here, he didn’t know how to be a blind person. He didn’t walk with a cane. He didn’t touch type&helliip; couldn’t read Braille. And so I said, “Oh, the literature will save me.” And I went back to the literature and there was no literature. And so, by good grace and good luck, I got connected with Norm Coombs at Rochester Institute of Technology. Norm is a faculty member who has been blind since birth. He was a great big advocate for the rights of faculty members and instructors who have disabilities. And his advice was essentially “Good luck, kid.” But along the way, he also turned me on to a lot of different ways that I could help Marty, and we did actually get him to teach his business courses online. This is in the days before JAWS and screen readers, and we ended up getting some graduate students from a local university and using them as Marty’s eyes and ears. He memorized what the Blackboard interface, the LMS interface, looked like. And when his students would send him things or put discussion messages on the posts, the graduate students would read them out loud and Marty would say, “Here’s my feedback. Here’s the grade,” and the graduate students would put those things in there. It was wildly successful for about the three semesters before we realized we were violating FERPA privacy laws about eight different ways and we had to stop. It was that failure, though, that really caused me&helliip; and to your point, Rebecca&helliip; it caused me to look around and start seeing people who we weren’t serving well, or maybe not at all. People with those military deployments, those weird work shifts, the family responsibilities, the people who weren’t even in our classrooms because they couldn’t get there. And if I had my way I would teach all of my courses face to face. But that means that I’m leaving out a big number of people whom we could otherwise be serving well, and so I’ve been an advocate for using technology to lower barriers for years and years and years. So, thank you for letting me take off on a little bit of a side note there, but it’s actually the absence of scholarship and research about instructors who have various barriers. And it’s not just disability barriers. It’s instructors who are single parents, folks who are the adjuncts among us, contingent faculty members who are trying to put a life together by moving from among four or five different institutions. These are all barriers that we should be talking more about and surfacing. And that kind of advocating on behalf of, and trying to bring visibility to, a lot of people who aren’t really visible right now, that’s one of those driving impetus behind the Pedagogies of Care collection.

John: The timing of this seems very appropriate because as you suggested before, many of these barriers became much more visible both in faculties own lives and also being on a college campus makes it easier for those barriers to be invisible, that we don’t observe different socioeconomic differences in quite the same way because we’re in the same environment. Students on college campuses at least appear to have equal access to technology through computer labs and college provided WiFi. But there’s a lot of hidden barriers there, as you’ve talked about in many different ways, but I think now is a really good time to be providing these resources because people are thinking about them in ways that many faculty have been able to avoid.

Tom: You bring up a good point because it’s really easy to sort of hide inside the ivory tower, because you see students only in controlled circumstances. And with the pandemic, now everybody’s teaching remotely using Zoom and other remote instruction tools like that. And when you start seeing into students’ living rooms, and seeing how other people live, it’s kind of eye opening in a literal sense. And it also means that we’re at a moment where people are going in one of two different directions that I’m seeing. They’re either going in the direction of compassion, and understanding, you know, that my students are human beings just like I am and our goal for this course is to get them from “I don’t know yet” to “now I know.” But the other direction is also pretty prevalent where you’ve got instructors saying “Now is the time where I really need to tighten up and get hard and maintain my standards, because I’m in a situation that’s way beyond my control and unlike something that I’ve ever seen before,” and both of those are very natural reactions to a situation where you’re in unfamiliar territory. So, in this Pedagogies of Care collection, one of the aims of all of it is to help to show that that road of compassion is one that actually solves more problems for us as instructors. One of the biggest challenges that we’ve had as instructional designers and public thinkers for years is that we have the data to show that the best way to ensure academic integrity is actually to build a culture of academic honesty in your class, not setting up panoptical surveillance of your students and assuming that they’re cheating. But why do people still use those other methods of surveillance? Because there’s the promise of, there’s the illusion of, control. There’s the illusion of “I’ve got this all set,” and you’ve both been teaching for a while and so have I. If I go back to when I was first an instructor, I was the worst professor in the world because I had a legal pad filled with reminders to myself: “tell this story,” “make sure they understand this concept,” “do these things.” And I was so focused on the content itself, that I forgot to actually interact with my students. [LAUGHTER] It was just a big lecture, it was a bunch of information presentation. And I can’t tell you how many of the same questions that we all struggled with, when online teaching was brand new back in 1997 and 98. they’re coming right back up again, from people who didn’t think they had to pay attention to technology-mediated instruction, and now everyone must. So that’s one of the things that we want to address in the collection as well. So, I appreciate where you’re going with your thinking process there.

Rebecca: Can you talk a little bit about UDL and what it is, and how faculty might start thinking about universal design for learning, moving into the fall?

Tom: Yeah, absolutely. There’s four different ways that I talk about UDL a lot, and one of them is the least helpful for most instructors. And that’s the neuroscience behind it. When we learn anything, and it sticks, we have to activate three different chemical pathways in our brains. So there’s the acetylcholine uptake pathway through the hippocampus, there’s the norepinephrine cycle through the frontal cortex. And then we have to stimulate the amygdala in order to reduce fear response and actually put things into long-term memory. If you go around telling people that their eyes glaze over or they run away, so I usually don’t start there. What I usually do is, the folks at CAST, C_A_S_T, the Center for Advanced Specialized Technology in Boston, they are the neuroscientists who figured out in the early 1990s that those three brain networks correspond to: the how, the why, and the what of learning. So they figured out that if you design learning interactions, to give people a “Why,” “Why am I learning this,” right? So if a pipe underneath your sink breaks at eight o’clock at night, it’s just around dinnertime, and there’s water gushing out, what’s the first thing you need to do? You need to turn off the water. If you don’t know where that shutoff valve is, you have to figure that out. Most people these days, they would turn on their phones if they don’t know, and they say “Where’s the shutoff valve?” Usually under a sink. But having that “why,” having a reason to learn something is the reason that we stay engaged. And if you can give people more than one way to stay engaged, that’s what the folks in CAST talk about multiple means of engagement, then having the choice that leads everybody to the same goal means that people feel that they can have a measure of control, have a measure of agency in their learning. So that’s one of the three principles. The next one is the “what” of learning. You need to have some content to learn, some information. And so if you’re teaching a microbiology course and you’re talking about the cellular energy transfer process, you might be talking about meiosis and mitosis. Well, people have to be able to experience what that looks like, or see a description of how that process works in meiosis and mitosis and the difference between the two of them. So, you have to have multiple ways of taking in the information. So, perhaps that microbiology Professor might have a video animation that the textbook publisher provided, and might also have a text-based description of each of those processes as well. So, students can use one, both, or make a choice about where they’re going to get the information and how. So, that’s multiple means of representing information. And the third part of universal design for learning, and this is the part that no one’s using yet, and it’s most powerful, is multiple means of action and expression. When we learn anything, we have to have a way to show what we know with which we are comfortable. And the way that we’ve been failing folks, that we’ve been letting them down, is asking everybody to demonstrate their skills in exactly the same way. Mark in the bubble sheets on this final examination. Write out your thoughts on the exam and tell us what you know, when a demonstration might be something that would be equally valid to show that someone has internalized the concepts for your course, but is not necessarily a written format. So, we’ve got multiple means of staying engaged, multiple means of representing information, and multiple means of action and expression – that’s allowing students to write out the traditional three-page essay, or it’s allowing students the choice to take out their phones and take the selfie camera and put it to good use and narrate what they would have said in an essay as though they were doing a news report. So long as you can grade both of those according to the same criteria, you have the same learning objectives, the same demonstration of skills, then give students the choices there. So, those three principles: multiple means of engagement, multiple means of representing information, multiple means of action and expression come together into universal design for learning. And you know what? That was a long explanation. And people’s eyes… well, they still kind of glaze over when you talk like that. So I and Kirsten, in the book, try to simplify it even further. And at its root… this isn’t the whole thing, but it’s a wonderful place to start&helliip; Universal Design for Learning is really just “plus one” thinking. Think about all the interactions that your students have. The interactions that they have with the materials, yes, but also the interactions that they have with one another, that they have with you as the instructor, with support staffers at your college or your university, and with the wider world when you ask them to go out and talk to people in the field. All those interactions. If there’s one way for it to happen now, make one more way. And that is a very UDL approach to things and then you can start getting into the details of the three different principles and how to apply them. But that’s a quick overview of UDL. And what I love about universal design for learning is that it is a mindset. It’s a framework. It’s not a set of practices that you do, it’s a way of thinking about the interactions that you create. So if you’re a fan of active learning, or the flipped classroom model, or any other specific way of teaching, you don’t have to change what you do, or how you do it. You just have to think in terms of being more inclusive and doing that “plus one” thinking.

Rebecca: How common are these UDL practices in higher education right now?

Tom: Ah, not common enough. The data that we have suggests that it’s about 10% of college courses that actually use any kind of inclusive design methods, including UDL. And we would love for that number to be higher. Because Universal Design for Learning&helliip; Yes, it does require work up front… it’s work that pays you back, many, many fold. So, when we’re thinking about Universal Design for Learning, that’s actually the hardest part of the conversation to have with a lot of college and university instructors. Because they say “Do I have to do absolutely everything and set everything up ahead of time?” And the answer is largely “Yes, there is work involved.” And once you design those choices for your students, you can start in three different ways. One: where are the pinch points in your course? Where do you… that microbiology professor&helliip; where do your students always get the concept of mitosis and meiosis confused and they send you the same email 700 times every time you teach the course? That’s a wonderful place to start doing some plus one thinking. Where do your students get things wrong on tests and quizzes, everybody, and you end up having to reteach, again&helliip; a good place to start doing some choices, or to give them information in more than one format to help reduce that reteaching load. And where do your students say, “Hey, Professor John, Professor Rebecca, that was a great lecture, but I still don’t get it.” And when they’re confused, that’s another good place to give them more options for engagement, more options for how they take in information. And if people start there, it doesn’t have to be “Oh, I have 30 half-minute videos in my course. And now I have to caption all of them.” It’s just looking for those pinch points, starting small and starting in the places where you already have identified things aren’t going the way that you wanted them to go. So, how common is UDL in higher education? Ah, right about 10% adoption right now. That number is climbing. It was a buzzword in higher ed, maybe a couple years ago, 2015, 2016. And I’d like to advocate that it not be a buzzword. It’s not like, you know, “my President went away to some leadership conference, and every year that person comes back with a new thing that we’re all going to try, and UDL was one of those new things.” [LAUGHTER] Instead, I’d like to say that Universal Design for Learning is one of those toolkit issues that everybody should have in their panoply of strategies that they’re going to use when they’re designing and when they’re teaching, because it helps with persistence, retention, and satisfaction for our students. Students who have choices and feel that their instructor is helping them to move through their own education with a sense of agency. We’ve got 35 years of data that show that students who have that feeling, they stick around better, so more students who are there on day one are there to take the exam. They retain better. More students who are with us this semester will come back next semester, and they’re more satisfied with their experience, they’re more likely to tell their friends, “Hey, come to this college or this university.” So, the idea of how common is UDL? We haven’t had as much of a head start, as the folks in K-12 have, it’s only really been a big thing in higher education for the past four or five years. But, we’re getting there. So I’m happy to be an evangelist for it. And I’m really grateful to see how people are applying it in small ways and then moving from those small beginnings into larger and larger iterations as word spreads. You’d be surprised, you’d be absolutely surprised. One person in a faculty meeting says, “Hey, you know, I made this one change. And now I don’t have to reteach the hard concept in our field every semester.” And then that person just sits back and is quiet. And everyone else in the faculty meeting goes, “What did you do? How can we get in on that? Help us, please.” And then UDL takes root. So, there are some good things coming out of it.

Rebecca: Tom, what do you think the biggest barrier is for faculty to get started with UDL?

Tom: The biggest barrier is really the investment of time and effort, as well as misunderstandings about what it is. So imagine for a minute&helliip; I’ll ask you and John a quick question. You both teach at SUNY Oswego. When was the last time that you had an accommodation paperwork from a student with a disability barrier?

John: I get them every semester.

Rebecca: I get them less often.

Tom: Ok.

Rebecca: But, I also teach in the arts.

John: I usually teach three to four hundred students at a time. [LAUGHTER]

Tom: Ah yes, but you’re both familiar with that paperwork, right?

Rebecca: Definitely.

John: Yes.

Tom: So, it’s usually “give this student extra time on a test” or “set up some individual accommodation for the student” that is different from how you treat all the other students. Because our disability services areas are often understaffed and overworked, that Disability Services paperwork often comes to you like in week two of the semester. And it’s almost always a surprise, right? And you think, “you know, I did all of my prep for this course. And now here’s this paperwork that says, I have to do all this extra work just for this one student.” Now, I’ll be charitable, I don’t think either of you, or any of your listeners hold that kind of mindset. But there’s a lot of people who say, “You know what? I’m mad about this. Is this student faking a disability? Is this a real thing?” I hear these kinds of questions from people and it kind of breaks my heart because the answer is these students are struggling and they’re trying to get a level playing field and they’re doing their best to be good students in your class. And that mindset of “Well, this accommodation paperwork is just a thorn in my side or it’s extra work,” that’s what people think about when we all say, accessibility. So, if I come to you and I say Universal Design for Learning, it’s easy to make the mental mistake of thinking, “Oh, that must be about students with disabilities and that accessibility paperwork, that’s a bunch of work” and it makes me kind of frustrated, and the emotions that come up for a lot of people are negative ones. Now Universal Design for Learning has nothing to do with accommodations, individually. It really has nothing to do with Disability Services. It’s all about constructing interactions so that we are reducing the effort and work that’s needed to engage in the conversation in the first place for students. Universal Design for Learning has the good benefit of reducing the need for individual accommodations. Fewer of your students will need that piece of paper to come to you and say treat me differently. It doesn’t mean we’ll ever get rid of the need for those accommodations, but it does help to reduce them quite significantly. Because, if you’re giving people information in more than one way, if you’re helping them stay engaged in more than one way, and you’re giving them options for how they demonstrate their skills in more than one way, then, by definition, fewer people are going to have to say, “You know what? I can’t write that essay because I have a physical disability barrier, or I can’t do this project because I have this time crunch and I have personal family care obligations, so please treat me differently.” But that’s the biggest barrier is people mistake UDL with disability accommodations. And so when I talk about Universal Design for Learning, I actually don’t&helliip; I know there’s lots of people listening, but don’t hate me on this one&helliip; I don’t talk about people with disability, not first, and not only. What I talk about is mobile devices. Absolutely everybody in college and university has a smartphone, just about. Now granted, there are lots of people who don’t, but the latest Pew Research and Pearson Research surveys show that between 90 and 95% of college and university students have smartphones. Does that mean that they all prefer to work on their smartphones? No. Katie Linder at Kansas State University now, when she was with Oregon State University, they did a huge nationwide survey in the United States and Canada, and found that by and large college students prefer to learn using their laptops or desktop devices. But, oftentimes they don’t have those or they don’t have access to those. So, they’re trying to learn using their mobile devices. With the COVID-19 pandemic, everybody got thrown into that same situation where everybody needed to be remote. And it was “Let’s be remote students with whatever devices and whatever connectivity we have at the moment.” So, the challenge there is with Universal Design for Learning, when I talk about students and their mobile devices everybody understands that, everybody knows how students are tied to their mobile devices. And it applies to everybody in the course. it’s not “Oh, this is just for those students over there, that small percentage of our population with disability barriers.” No, Universal Design for Learning is design that helps absolutely everyone in the class to lower access barriers, rather than just accessibility barriers. And in fact, I chop the end of the word off when I’m talking to people. I seldom talk about “accessibility” anymore, and talk just in terms of “access.” And that is what helps to address that main barrier, Rebecca, that you talked about.

John: For someone who wants to get started, what would be a relatively easy way of providing the thing that’s missing most, the multiple means of expression?

Tom: So, for example, when we talk about multiple means of action and expression, this can be as easy as helping people with drafting content. So, if I’m teaching a chemistry lab, and I would like for my students to understand how to mix reagents safely, I might create a video that shows how to mix these two chemicals together in order to create a component for a chemical experiment, and if my students are remote or they’re at home, they might not be able to do that process themselves. But, I still want to know that they know the process well. And in a single-stream course, I would say, “Please write up five paragraphs where you go through the five steps of this process and send it to me, and I’ll grade it based on how well you’re following the safety protocol and how you’re well you understand the process of mixing reagents.” In UDL, a plus one way to do that is to use the same criteria, you still want to see those five steps. But you might ask your students to take the choice: write it out in a word processing document, or do an audio podcast where you walk people through the process and describe all the steps of the process in that audio file. You’ll notice two things in that sort of first way of doing multiple means of expression. First, we’re using the same grading criteria or the same learning objectives for the activities. So that the instructor can give a grade or give feedback in the same way regardless of how the students choose to perform that activity. Second, and this is the fun part, the students still get to demonstrate their knowledge, but they choose how they do it. And both of the choices lead them to the same goal. You’re not giving choice just for the sake of choice, but the choice actually helps students to demonstrate needed knowledge or information so that they can move on to whatever is next. I teach English Composition courses. And it’s really difficult to ask students to demonstrate APA format in any way other than doing a word processed file. I cannot tell whether someone has Times New Roman 12 point font, double-spaced one-inch margins, all those things, unless there’s a word processed document. For those of you who really didn’t like English composition, I’m very sorry if that was just traumatic for you. [LAUGHTER] But, in that case, the format is the requirement. So I don’t give my students a choice. I say “On your final essay, you have to demonstrate that you know APA format by writing it correctly in APA.” Does that mean that my students don’t have any choices as they’re writing? No. When they’re drafting, when I’m not concerned about their APA format, but I am concerned about them being able to structure things with a thesis statement, giving details, evidence and examples, following a rhetorical mode. In those instances&helliip; writing instructors don’t hate me here&helliip;I don’t care whether they write that in a word processed format. What I care about is “Can they state a thesis statement? Can they demonstrate those details, evidence, and examples?” So, I give my students the choice between writing it in Microsoft Word or turning on the camera on their phone and just talking to me about how they want to compose a particular paragraph or a section of their writing. All the while knowing that the final product does have to be a word processed document. So, multiple means of action and expression can be something small, it can be a draft. But, wherever you have an opportunity to give students those options and choices that all lead to the same outcome, and you can grade them the same way, do so. Your students are going to feel like they have more of a choice. Like they have more control, like they have more agency in your class. They’re likely to stick with you better. And it’s an engagement strategy, par excellence. So, thanks for the question. It’s a really good one.

John: I’ve been teaching at this program for middle school and high school students at Duke for about 30 some years now. Unfortunately, I’m not doing it this summer. I used to have a final project, a capstone project at the end of the course, it was basically a college-level course in micro and macro economics. I had them do a policy debate at the end. And then after reading a little bit about Universal Design, I gave them a choice and said “Here are some options, but basically you can find whatever way works for you. If you want to write a song, you can do that. If you want to make a video. you can do that.” I even threw in the option, since at the time I had just seen some of the YouTube videos on dance your PhD, I said if you want to do an interpretive dance illustrating the concept, you can do it. But these are the things you need to achieve. And it was so much more fun.

Tom: They lit right up, didn’t they?

John: They did. And the quality of the work and their engagement was so dramatically higher. And it was so much more fun for me too to watch what they were doing. The additional creativity that that unleashed was really amazing.

Tom: But, and that’s actually one of the joys of Universal Design for Learning when it’s done well, is that you can start with that plus one mentality. And that’s actually speaking from a position of control, where I don’t want to give people lots of lots of choices, because then I’ve got to grade lots and lots of things. And so starting out small with that plus one mentality is a way to dip your toe into the water of Universal Design for Learning. But really, the goal of UDL is to create expert learners rather than expert students. We in the K-12 and higher education system have so structured things that we have created students who know how to take a test, rather than students who know how to do an inquiry and how to explore and learn on their own. The goal for Universal Design for Learning is creating those expert learning strategies. And think about it. John, what’s the hobby that you’ve enjoyed over your lifetime?

John: Music, I suppose, is probably the longest one.

Tom: What instruments do you play?

John: Mostly keyboard but also bass and guitar. At one point, I played drums back in high school.

Tom: Oh, fantastic. Rebecca, how about you?

Rebecca: I embroider.

Tom: Ooh, embroidery. So, hand eye coordination, those skills, that takes a lot of concentration and effort. That’s awesome. And when you were learning those hobbies, who graded you? What tests did you have to take to prove that you could move from one level to the next?

Rebecca: Nobody.

Tom: Nobody, right? And if someone tried to do it, you’d laugh at them. Because when you’re into something because you’re engaged with it, when you’re into something because you have a choice or you get to go and have some control or agency over it, it becomes rewarding. It becomes, dare I say it, fun, sometimes. And I don’t mean to say that every single college course that people take should be an exercise in fun. It should, though, offer a way for people to catch fire, to light up, to understand, to bring a little bit of themselves into the scholarship, and the research, and the curiosity that they’re expressing. And that’s what Universal Design for Learning is really about. And it actually brings me back into the Pedagogies of Care collection. The academic climate that we envision in the Pedagogies of Care collection is one that is more open, more equitable, and more just. It reaches more people who want to learn. It provides them with choices, voices, and agency in how they take a path through our colleges and universities. Now, at the same time, we’re all helping to keep the lights on at our individual institutions. We’re now in a time of catastrophic budget shortfalls. We need collectively to be thinking about the best ways that we should be serving students, to bring them in and keep them coming back. One of the things that we haven’t been able to really figure out in higher education is something called the freshmen cliff. And I imagine that some of your listeners are familiar with it. But what it means is, if at my university, if we bring in 2000 freshmen, we’re probably only going to get about 1400 of them back as sophomores. The number one reason why those 600 students dropped out among them, it’s financial, and we really can’t touch that with our instruction. But the number two reason is time. And we can definitely touch that with our instruction, with our design, with the way that we teach our courses. We can help students to manage and juggle among lots of competing priorities. School is usually down toward the bottom of the list if caring for your family, going to work, and putting food on the table are top of the list. And that freshmen cliff&helliip; If we can keep more of those students who are freshmen to become sophomores, that actually costs us less in terms of dollars, in terms of resources, in terms of time, in terms of people. For every $10 that we spend bringing a freshmen into our institutions, we usually only spend about $2 on upkeep and maintenance supporting that student in the next years. But every time a student drops out, and we have to go find another one, that’s another 10 bucks. So in terms of just keeping the lights on, being sensitive to our budget crises, that Universal Design for Learning helps more of our students, and all of the caring ideas in the Pedagogies of Care collection help more of our students stick with us, feel valued, and move through their education with us in a way that they feel they have some control and agency. And of course, Universal Design for Learning helps us to address exactly that. It’s a tool that helps us reach more broadly, teach more inclusively, increase students’ persistence, retention, and satisfaction. We’ve got 30 years of data to show that engaged and active students who feel that they have choices and a say in their programs of study, stick with us in higher numbers. So, it’s not just that we have our rose-colored glasses on. I’m talking to you: Presidents, Provosts, Chancellors right now, these are mission-critical efforts. While our collection speaks most directly to individual instructors and designers, the issues for which we advocate are those ones at the C-suite level. We’re trying to create a new normal at colleges and universities in order to find and serve new populations of students and then keep them with us better than we’ve done in the past.

John: We always end with the question, what’s next?

Tom: So the what’s next for me is I’m doing research on a book that addresses a problem that I’ve seen in terms of quality and it gets a little bit outside of my usual wheelhouse. We’ve all been to academic conferences where somebody who is talking to us about the latest way of keeping students engaged is standing there reading from a script and using a bunch of bullet points on a PowerPoint slide and reading them directly to us verbatim. Oh, my goodness, if I have to sit through one more of those. But that frustration is what is causing my new research in what are the real bare bones of how to give a good presentation? How do you present information? And it’s not just for people at conferences, it’s for instructors in the classroom. It’s for people who are doing research and grants. It’s for presidents, Provost, and Deans who need to share information with the people who are under their direct reports. So, I’m working on that book and it’s been lots and lots of fun doing the research. I’ve taken a bunch of photographs at conferences over the past couple of years here. And if you see me taking a photograph of your slides, it means one of two things: you are a rock star, or goodness, you need help. And it’s gonna be a fun book, I’ve been repurposing a lot of these things. I’ve been reading up on the literature of how to present information. And you can tell I’m an advocate for it. I did a little stint of radio voiceover when I lived in Chicago and really just fell in love with it. And I’m a big believer in communicating information in a simple way, that then helps people to get fired up and want to learn more about the details and the complexities behind it. So, I’m really grateful to be here on the Tea for Teaching podcast. And I hope that your listeners have enjoyed it. If you’d like to reach out to me, my website is just my name, ThomasJTobin.com. And I’d be happy to talk with you about whatever we’ve talked about here on the podcast or any other technology mediated teaching issues. So, thank you again for having me on.

John: Thank you. This has been fascinating, and we’ve long had you on a list of guests that we wanted to invite and this provided a nice convenient reason.

Tom: Splendid, awesome deal.

Rebecca: Yeah, we’re looking forward to seeing the Pedagogies of Care when it comes out.

Tom: We’re hoping that this will come out close to when the collection comes out as well.

Rebecca: Excellent. Thanks so much.

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John: If you’ve enjoyed this podcast, please subscribe and leave a review on iTunes or your favorite podcast service. To continue the conversation, join us on our Tea for Teaching Facebook page.

Rebecca: You can find show notes, transcripts and other materials on teaforteaching.com. Music by Michael Gary Brewer. Editing assistance provided by Brittany Jones and Savannah Norton.

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136. Learning Networks

Students in many classes work in isolation to create written assignments that are shared only with their professor. Unless they’ve kept a copy of this work, it disappears once their course ends. In this episode, Gardner Campbell joins us to discuss how student motivation, engagement, and learning might change if students instead become active contributors to public knowledge sharing networks.  Gardner is an Associate Professor of English at Virginia Commonwealth University. Gardner  has long been a leader in the use of open pedagogy projects.

Show Notes

Transcript

John: Students in many classes work in isolation to create written assignments that are shared only with their professor. Unless they’ve kept a copy of this work, it disappears once their course ends. In this episode, we examine how student motivation, engagement, and learning might change if students instead become active contributors to public knowledge sharing networks.

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John: Thanks for joining us for Tea for Teaching, an informal discussion of innovative and effective practices in teaching and learning.

Rebecca: This podcast series is hosted by John Kane, an economist…

John: …and Rebecca Mushtare, a graphic designer.

Rebecca: Together, we run the Center for Excellence in Learning and Teaching at the State University of New York at Oswego.

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John: Our guest today is Dr. Gardner Campbell. Gardner is an Associate Professor of English at Virginia Commonwealth University. Gardner has long been a leader in the use of open pedagogy projects, and we’ll be talking about that and a few other things today. Welcome, Gardner.

Gardner: Thanks, John. Thanks, Rebecca. It’s great to be here.

John: It’s good to talk to you again. You were on our campus when I first took over as the teaching center director here, you lead a symposium and then a workshop for faculty on web 2.0 tools about 12 years ago, I think it was.

Gardner: It’s hard to believe it was that long ago, but I remember my time on the campus very fondly and had a great time. So, if 12 years ago that would put it what ‘08? Yeah, that’s interesting. Wow, that doesn’t seem like that long ago.

Rebecca: Today’s teas are.

John: Are you drinking tea?

Gardner: I am not. Should I be drinking tea?

John: Well, it’s the title of the podcast… So, Rebecca makes us do that.

Gardner: Am I underdressed? Oh dear. No, I’m actually not drinking anything, though I see that it’s soon going to be five o’clock. So, that could change.

John: I’m drinking honey green iced tea today.

Gardner: Oh, nice.

John: Most of my tees are up at the office in a safe, secure location. [LAUGHTER]

Gardner: John’s tea is at an undisclosed location somewhere in a bunker underneath the White House.

Rebecca: Luckily, I have a nice stockpile. Today I have glazed lemon loaf.

Gardner: Hmm, interesting. What is a lemon loaf?

Rebecca: I think it’s like breakfast bread that you might have at like a Starbucks or something. And it does smell a lot like it… it doesn’t taste a lot like it. but it smells a lot like it.

John: So, are there crumbs in it or something? [LAUGHTER]

Rebecca: No, but it smells like crumbs.

Gardner: See, we’re getting virtual already. I’m all about it. Let’s get to metaphor and I’ll be right at home.

John: We’ve invited you here to talk a little bit about some of the open pedagogy projects you’ve done with your students. Could you tell us a little bit about how you got started with these projects?

Gardner: Well, a long long time ago, I got very interested in the capacity for network communications to kind of erase the compartmentalization of learning on a college campus or in a college community generally… the idea that well, you went to this class from 9:30 to 10:45, you went on Tuesdays and Thursdays, you went to this class from 1:00 to 2:00 Monday, Wednesday, Friday… things never really connected. You never had a sense that it was something more than just one thing after another. And to my way of thinking it had become increasingly difficult, even in the 1990s, to get to this idea of the life of the mind, which sounds kind of highfalutin, but really, for me, it means that you’re never not thinking about things. And you’re always kind of putting things through the tumble in your head to figure out “Huh, well, I learned this in my economics class, and I learned this my Milton class, but Milton was in the government. And so he was familiar with some of the stuff that was going on with finance, and he actually wrote about currency at one point in Paradise Lost.” Those things need to connect, it seems to me, especially in a liberal arts education setting, so one of the things I always felt like I was fighting was the walls of the classroom, including the temporal walls when you were in a particular place for a particular time. When I saw the birth of high-speed internet connectivity in the mid 90s, at Mary Washington, where I was at the time, I saw an opportunity to try to get students interested in various kinds of asynchronous communication that would keep the thread going, would keep the conversation going, would keep that life of the mind present to them in a way. And the first thing I used was email and had it backed up on a listserv server. Back in those days, students would get their first email accounts when they came to campus. And now they don’t have email accounts, because that’s for old people. It’s taken about 25 years to make that change, which is pretty rapid. But, what I found was there was an interesting way, that even though that wasn’t what I would later do with big open project, there was a way in which I was finding what they call a third space, like a coffee house, or a cafe or a diner or a place that wasn’t a formal institutional place and it wasn’t just a home place. But, it was this third space where people were informal, but they also had an idea that they were with other people and they couldn’t just slouch around in their jammies and slippers, they really did need to metaphorically kind of be present in a social setting, but it wasn’t a formal or scripted setting. So I got really interested in that. And then when the web came along, just about a year or so after I started the stuff with email… it was already there, but we were really getting into it in a big way at Mary Washington… I saw an opportunity for students to build things that would be out in the open, that would give them the opportunity to create something that would last beyond just the semester, and that would have an audience besides just the professor or even each other in the class, and that that would present certain interesting challenges to students. That is, they would have to do something that would represent their own growing expertise, but would also be potentially of interest to someone who hadn’t been at the class. When I first started doing that with a first year writing class, and it’s the kind of long tail effect about two years after the first time I did that with a partner in crime named Bill Kemp, who passed away recently, but was a really close colleague and a wonderful mentor and friend at Mary Washington. There was a moment when I got an email (because we had asked that people contact either me or Bill, not the student directly because we were trying to protect the students contact information and privacy) and a student from Africa, wrote in and said, “I just read what one of your students wrote about Tupac Shakur, and he speaks for me, would you please just let him know?” Now, I didn’t have WordPress, I didn’t have any way for people to leave comments on these web publications, but as soon as I got in touch with the fellow who had written that essay, he was just flabbergasted: “You’re kidding me? Something I did for a first-year writing class has now touched somebody halfway around the world two years later.” And I said, “Yeah, that’s part of what the promise of the web is, that these things that we do for ourselves in particular contexts, will find affinity groups, will find people we had not anticipated, making use of what we’ve created and learning with us in ways that we hadn’t anticipated.” So, those two things together: the way in which the class could be in communication with itself without simply being in the same physical space, and know themselves as a learning community; and then this other idea that by being open and sharing what we have done with the world, we could have these unanticipated, these serendipitous, encounters with the way in which this work might matter outside of a school setting, those two things really did, I think, lead to everything I was trying to do with open pedagogy from thereafter. And then you’ve already mentioned the advent of web 2.0. And that was the next big turning point for me, when it suddenly became clear to me that, for very little money, I could set up my own domain, I could set up my own blog, I could run all sorts of discussion forums on my own domain, which I continue to do, that that would be an opportunity for me to kind of set up shop on the web in a way that would be persistent and would make my work more visible. And then I said, “Well, now, hmmm… what if I ask my staff to do that? And hmmm… what if I asked my students to do that and what if I did AAC&U projects using that idea of the open platform and opportunities for connection that had not been anticipated or scripted, but would arrive serendipitously with some intentionality as we reached out to our various networks. I just got completely hooked on that. And I guess the high point of all of that, for me was a moment in 2015, in which I was still on senior staff, I was a Vice Provost at VCU at the time, and there was a lot of conversation about what were we going to do with the World Championship bicycle race that was going to be coming to Richmond, and of course, “What are we gonna do with it? We’re gonna watch it. Are you kidding? This is once in a lifetime.” But the concern was that because the bicycle race would be going around the main Arts and Sciences Campus, that we wouldn’t be able to get faculty in regularly or efficiently. We wouldn’t be able to ensure people could leave at a particular time. And so we couldn’t even be sure the dining services would be able to stay open. We’ll just have to send everybody home. But, there were a number of us who said “Hmm, why would we send people home when part of the way that we recruit them to VCU is to promise them Richmond and the urban setting, and here’s a once in a lifetime opportunity.” So, to make a long story short, there was a project that I was very privileged to lead. But I had some really great collaborators who came up with really wonderful ideas and fed into the project people from the community engagement Vice Provost Office, people from communications, people from web services, just, you know, the Dean’s office, etc. And we had a curricular event during that week, in which we offered about 26 different courses, one credit each, at a special price that would have a kind of in place component related to the bicycle race, but would be conducted primarily online or in perhaps smaller groups that wouldn’t be at any risk of not having facilities they would need during that time, and first-year students would be able to stay on campus, and that was called the Great VCU bike race book. The promise was that what students did would all be syndicated upwards into WordPress sites. These 26 classes were massively across the disciplines, everything from the psychology or in the motivation of exercise to gender and bicycling to bicycling and film to the physics of bicycling. And the student works syndicated up into the WordPress sites would then be curated by the faculty, and would then become a permanent part of the scholarly depository in the library, which made students go “Wait a minute, really, I’m going to be doing something that will be permanently stored in the library as part of the scholarly activity at VCU.” And the answer was “yes.” And while we want you to be very aware of the potential for copyright violation and be a good copyright citizen, when we talk to you about fair use, we’re also talking to you about fair use of your products, the things that you are making that reflect the work you are doing. And everyone I guess, except 2 of the 350 students or so who signed up gave their permission, and their work is now in the scholarly depository at VCU. Jimmy Ghapery, who’s in charge of the digital part of the library’s operations, was good enough to work with me, work with the academic learning transformation laboratory to digitize these student websites and to make them part of the permanent cultural record that was documented during this event at VCU. That was massively open. But it was interesting. I, of course, tracked the MOOC mania very carefully when it was coming out 2011… 2012 all the predictions about “Well, soon we’ll have 10 universities, and they’ll simply offer 10 million courses and it will all scale up and all the rest of that,” I was highly skeptical, though I recognize there’s a little bit of a conflict of interest since I make my livelihood this way. But, what I’ve been working at is not so much these massively open online designs, though I remain interested in them. I think there is some value there. But what happens if you scale up smaller learning communities into larger networks, that is to say you can actually have… wait for it… a network of networks, like the internet On the internet, we’re not all logging into one gigantic computer that AT&T operates on our behalf. There was a time when that was the model that people had in their minds. What we have instead are all these individual computers, these personal computers, that can hook up freely with either other computers in a smaller network, or do things that then become amplified up through greater and greater networks through the web. And that’s really, for me, been the focus of most of my work in open pedagogy. It’s been trying to figure out ways to generate healthy, medium-sized networks and then network the networks. I’ve had some success with that, and at the same time, I can’t tell you that people know more about the web now than they knew in the 2000s, they probably know a little bit less, the smartphone has made a huge difference along those lines, and not just in a good way. I mean, I love my smartphone. But, there’s been a way in which we’ve all kind of retreated into this closed system, and one that’s built on apps and I think that some of the deep knowledge of the way the web operations has eroded over time. But I’m still in there and still getting my students to blog and putting them onto old school PHP, BB forums, because they still have more functionality than anything that the learning management systems have provided. And I guess that’s my story. And I’m sticking to it.

Rebecca: You’ve talked a lot about the scope and some of the possibilities of networks to connect and people to connect from different communities and around the world. Can you talk a little bit about some of the learning gains the students get from working on these larger scale projects?

Gardner: Yeah, it’s an interesting question. I think the first thing that students get is a kind of ambient awareness of what out there in the environment they could connect to. So, for example, when my students are blogging on WordPress, the first thing they start to figure out is, “oh, I can embed a video,” “oh, well, if I can embed a video or whatever, I could make a video” or” Oh, I wonder if I could put screenshots in here to illustrate the kinds of things I’m talking about.” Now, these are things that students typically are pretty capable of doing. It is true that students are not necessarily very sophisticated about the web. I think URLs puzzle a lot of my students, they don’t understand how they’re constructed or what they signify. But they’re doing screenshots all the time. They use their smartphones, that stuff is built in, their tablets have screenshots built in. Well, what if you use the thing that you’re on a day-to-day basis to communicate with your friends, and you use it to illustrate a point you’re making? Could you do that, and typically, that kind of thing starts to happen pretty organically. There’ll be a student in the class who either gets it very quickly or has already done something in multiple modalities, maybe in a composition class or something like that. And they’ll break the ice. And then this ambient awareness starts to emerge as, what I think of it as an enormous learning game. What could I bring to bear on this thing I’m writing that would make it more persuasive, that would illustrate it in a more interesting way, and that by doing so, would draw me into the project in a more interesting way. So, the first learning gain, I think, is that ambient awareness… just what is possible, and I’m an academic, so I do a lot of stuff with academic writing… scholarly publishing. I think it’s fair to say that you don’t always get an enormous amount of ambient awareness of how you connect to the wider world in the scholarly literature. It’s in some ways, I guess, it has a different purpose. But that’s what students are told to do: go get peer-reviewed articles. Nothing wrong with that… a lot that’s good about that. But the other side of that is students get locked into a kind of an imitation rhetoric, that is to say they’re trying to do the thing that the professor seems to recognize as a thing that can be done and the examples of that are in the scholarly articles, and they miss out on some of the ways that they could begin to experiment with multiple modalities and kind of rethink even what an argumentative paper might be. So that’s one of the things I think is a gain. The other gain is when they begin to realize that there are other people in the environment doing similar work and they have an opportunity to connect. Now this is where the school begins to acquire a much bigger role in the student’s life than just the set of classes they’re taking, they start to become aware in a deeper way of what it means to be spending time in a learning community that it’s not simply going from door number one to door number two, that you’re in an environment and that the environment is kind of greater than sum of its parts. This happened just in a blog post that the student published in my senior seminar just today, the senior seminar is on a filmmaker and a writer named Errol Morris. And one of the things that the student began to do was to be curious to see if there were any traces of her classmates in other classes working on Errol Morris. Now, already, this is an interesting kind of ambient awareness that takes the knowledge of other communication channels and the experience of other communication channels, and you get the feeling that “I wonder if anybody is out there in another network.” Typically, learning management systems shut down the network of a class at the end of the semester, because they’re not even thinking of a class as a network and they’re thinking of the learning management system as a kind of a document delivery platform. But,as it happens, this student was in a communications class that used Slack. So she’s using WordPress, as well as we’re doing a Wikipedia project in the senior seminar that kind of goes along with the research project they’re doing for the seminar. And we’ve been spending a lot of time in these other platforms like Zoom, making these kinds of connections and bringing the buffet of what’s available in. So, she went to her Slack channel, which had preserved the chit chat from her class and saw that there was somebody in there this semester, who was also working on Errol Morris. And she thought, “Well, now, that’s interesting.” And then she continued to do this exploration. And she said that the thing she found was that there were more people at VCU working on Errol Morris than she had ever dreamed, and that it was a real surprise because she had never heard of Errol Morris until she came into the senior seminar. And this is a sophisticated student. This is someone who’s not just keeping blinders on and not aware of anything thing that’s going on in the world. But, nobody knows everything. She took the senior seminar and now she’s kind of finding out, “Huh, this is kind of all over the place, including in various places in school itself.” And I think without an open pedagogical approach, in this case, it’s the Wikipedia project and blogging that my students are doing, there’s a way in which it just never rises into their consciousness to even ask the question::are there other people around me doing this?” And of course, if those other channels don’t exist, if everything is locked away in an LMS, it wouldn’t matter if you did ask the question. Which brings me to a part of the question that you’ve asked that I think is also very important, it informed a lot of my work when I was doing this as an administrator for about 13 years. I always knew that the more of my colleagues who were adopting aspects of this approach… and not everything has to be open, closed things need to be a part of what we’re doing… there needs to be a sweet spot between the things that what’s said in the senior seminar stays in the senior seminar and what you’re able to do as a more public self, those are useful skills. But I always thought the more my colleagues who began to adopt these approaches, it wasn’t just about the increased value of the pedagogy in their classrooms, which I firmly believe would happen, but the more open classes we have the more chances for these classes to discover each other. And again, it’s this idea that each class has a network, but then the networks start to network. And the big learning gain, if you’re able to do that is that you’re able to start to understand how connections scale in the world. And I think it makes you a better citizen in a democracy. I think it makes you more effective as a professional, really any activity that you’re in, you start to understand how smaller units like families exist within a community; how communities exist within larger units, like states; how states exist within larger units, like nations; and so forth. So, those are just a few of the learning gains that happened and then maybe two years later someone reads your blog and they say “Wow, you speak for me” and you get a nice little surprise as a comment on something you’ve written.

John: Going back to Rebecca’s question a little bit. I remember when you were here and you gave a keynote address at our teaching symposium, one of the things you mentioned was that students had been writing on a blog, and they continued writing even after the class ended. And that was something I think that people still talk about, how these open pedagogy projects if they get them started, and they continue to provide students with motivation that they might not typically have in their regular assignments.

Gardner: Oh, that’s right. David Wiley, who’s been working with open education for decades now has this great phrase for the opposite of what you’re talking about. He calls them disposable assignments. And I think what you’re saying is absolutely right. The things that students contribute to the world through open pedagogical practices and putting their artifacts up where other people can see them helps students understand that the work they’re doing is not disposable. It’s something that not only can persist but can be the first stage in an expanding kind of public presence as a writer, as a thinker, and as a student. This is a particular challenge… and first of all, I should say that there are not many students who will be motivated to keep on with this in any kind of formal way after the class is done, but some of them are, and if you get any of them, I think that’s a great advantage. But, even for the students who don’t go on as bloggers, or don’t go on to doing podcasts, or whatever. the seed is planted, there’s a way in which sometimes these things may take 10 or even 20 years, and then suddenly, the student will be in a particular context again, and go, “Ah, oh, that’s interesting,” and something will come out of that. It’s just the way it is with any kind of teaching. You can see certain things happening right away. Other things, you just hope you can live long enough to see the day when suddenly there’s an idea and it comes back at you. You recognize it’s what a student has built out that started at a particular moment back in the day, but yeah, I think disposable assignments… it just gets back to this thing that john Dewey said he said, you know, “education is not preparation for life, Education is the process of living.” And there’s a corollary to that, which is hard for my students to understand. But I think it’s valuable. When I tell them blog, they say, “Well, what am I going to blog about?” And I say, “Well, you must tell the story of your learning.” And for a number of them, this is the first time they thought of their learning as a kind of a narrative, that this is a set of experiences, they are living through a set of cognitive events that make a difference in the way they’re going to be approaching the world afterwards. And so you might as well keep a diary, and you’re not going to be wrong. It’s your story. It’s your learning. But it does mean that you think about your learning in a different way,

John: Which builds in a nice metacognitive component where students can learn more by reflecting on what they’ve learned. And that’s something I think you’ve written about a little bit in some of your writings recently.

Gardner: I have tried to do that. I’ve tried to emphasize that when students understand that this metacognition, which for me, of course, I’m always doing that, but for many students either they’ve never thought that that is something they need to do with school, because school for them has just been a series of tasks, or they think of their own metacognitive ideas out in the wild as somehow not being worth other people’s time. And lately I’ve been doing some work with memoirists and one of them is Patricia Hampl. And she has this really great way of talking about her own reluctance to write a memoir at first because she thought it was the most narcissistic thing you could possibly do. And then found out, as I think many of us do, over the course of our lives, that if you write something honest and searching about your own experience, people will connect with that… the first person is a way to get to the first person plural. And it’s kind of a mystery in a way how that works. But I want my students to have that idea. And there have been so many times when students have essentially said to me, “Well, who cares what I think about something,” and I say, “Well, it is true, you’re not an expert. It is true that we got plenty of opinions floating around. In the world, and maybe we don’t need another op ed, but nobody else is going to be able to tell the story of your learning. And if you tell the story of your learning, you’re also telling it to yourself.” And that kind of metacognition expands in all sorts of directions. And when it happens, it’s pretty extraordinary. It’s a wonderful thing to see.

Rebecca: So one of the things that I hear coming up and all the learning that we’re talking about is moving beyond being consumers of tech and consumers of knowledge to creators, and being scholars and students thinking of themselves as scholars, which I think is really interesting because it gives them agency in a way that they might not understand that they have agency. And so when they see themselves as agents, in communities, there’s a lot of power there. And maybe they’re not always able to act on that power initially, but I think that’s what you’re pointing out, Garfner is like, later on, down the road, they realize that they have that power and that they are able to act on that agency… that maybe they didn’t choose to act on earlier. And so I think that’s really powerful and not seeing school as a silo, but part of this bigger part of their lives. And that this agency crosses between a lot of different domains that they exist in.

Gardner: I think that’s exactly right and very well put. It also has the bonus that they begin to understand some deep truths about the scholarly life, which are, for me, that scholarship is about creation. It’s about a certain kind of rigor and responsibility with regard to the material you’re working with. And it’s also about a conversation. So, for many of them, and I’ve seen this happen with the Wikipedia assignment very recently in a poetry class, and I’ve seen it happen with blogging a good deal, for them books on the shelf in the library, or even more so the e-stuff that they get through JSTOR or whatever, it just all looks, again, to use your word, like silos, like these bound volumes, these discrete units. What they can’t imagine is that when you walk into a library, either physically or when you’re surrounded by these electronic resources online, what you’re hearing is a conversation, what you’re hearing our voices over many years, and within each of those articles within each of those books, there’s a network of all the things that the author has brought to bear on his or her argument. And once you kind of get away from this idea that books are inert, articles are just book reports that these things are simply there, like pebbles, or like little capsules. And you start to think, no, this is a kind of time lapse photograph of a flower blooming. This is something that has a rich temporal dimension. And then to the next part of your point, I can be one of those voices too. I need to be a responsible voice. I can’t just run into the conversation and blurt out whatever’s on the top of my head. That’s kind of a rude way to get into a conversation, and nobody’s likely to listen to you. They’ll just be annoyed. But you may come in and find that you have something to say that is rich, that’s authentic, and may surprise the other people in the conversation. This is something that I learned a long time ago from one of the scholars in residence at Baylor University, that if people are sufficiently observant and responsible and responsive to their environment, there’s always a chance that they’re going to see something nobody else has ever seen. And I really do try very hard to work that into my own pedagogy. And if I’m working on, I don’t know, Citizen Kane, a movie I’ve seen 60 times, I always try to tell my students the story of moments when students saw things that I had never seen, because you just need to be alert, you need to be awake. And so that agency that you’re discussing, which is a sense of responsibility, but also a sense of why it’s worth discovering your agency, I just think that’s so crucial. And it can be very, very difficult to convey that in a way that gets those students in the sweet spot where they’re not just kind of popping off without thinking at all, but they’re also not clamming up because what can they offer? They’re not the expert. There’s that middle ground. And in some ways, the open pedagogical framework, that third space idea is the ideal place for them to start spreading their wings and finding that agency.

John: You mentioned that you’ve used blogging for quite a while and you’ve been having students do some wikipedia assignments. And also I believe you have your students work with hypothes.is as well. Could you tell us a little bit about the details of how all these things fit together in your courses?

Gardner: Happy to do that. I know there are a lot of moving parts and some of my students are not happy with all the moving parts, I think because they like the regimented approach. I think we’ve all found that if we try to do some things that are a little more open, or a little more freewheeling, that often students will resist that because that’s not the way they’ve been managing their presence or their activity within school. But, for the students who thrive, here’s what I hope it offers. I always describe this in terms of zooming out and zooming in, or sometimes the microcosm and the macrocosm. And I actually use those as kind of tropes as I’m talking about it with students. There’s no great mystery there. I’m just trying to give them a framework for thinking about it. The blog, it seems to me, is a place for synthesis. It’s a place to take a step back as you tell the story of your learning. You’re making In these connections. You’re knitting things together. You’re trying to make something larger out of more discrete encounters, let’s say with a text, but with hypothes.is, which is a platform for online annotation, now you’re zooming in. Now you’re doing close reading in a social reading environment, in which, in my case, it’s usually a PDF, but it can also be a web page, all the students are reading the same thing and they are highlighting places that strike them as puzzling or interesting or insightful. I actually asked them to use those words as tags, and they highlight those bits. And then in the margin, they leave a comment, they leave a note or they respond to another comment or another note. And hypothes.is, as a platform, has been super because it starts to encourage students to read things more carefully, read things more closely, and to consider again, how the shape of an argument can unfold because they’ll leave a comment at the beginning or a question in the beginning, and then by the end, they see the authors anticipated that question or maybe has complicated that observation even more, and they also become, and this is a great bonus for me as an English professor, they become very attuned to ways in which writers can word things in insightful or beautiful ways. And the tags I’m talking about in the hypothesis environment have to do with making students aware of what Paul Silvia calls knowledge emotions, which he categorizes as confusion, awe, surprise, and interest generally (that also includes curiosity), and for Sylvia, it’s all about balancing certainty and uncertainty in a framework that encourages students to respond but not simply to sum things up… to respond in a way that would record at a particular moment, a cognitive and affective response without simply delivering a summary judgment with a bow on it, which we know can happen. You can think that your whole job as a student is to deliver a set of pat conclusions, but hypothes.is, and using these knowledge emotion tags of “interesting” or “puzzling” or “insightful,” that encourages something that’s a little more open ended and also very attentive to the particulars of a text, it tends to work against paraphrasing. And then often what I’ll do is I’ll say, “Okay, folks, now I want you to blog about your experience of using hypothes.is.” And then they begin to back up again, and synthesize some of the more granular and specific things they were doing with a particular text, also with the dimension of how the interaction with students went, their classmates. So the zooming out, the zooming in, and then connecting that to the work with Wikipedia, you’ve got opportunities to do very granular work with particular facts, with particular sources, to step back a little bit and start to think about the information design of the Wikipedia page. And then to learn how to interact with the other Wikipedia editors in the wild and interesting world of the culture of Wikipedia. Michael Nielsen says “my favorite thing about Wikipedia,” he says “it’s not an encyclopedia, it’s a city whose main export to the world is an encyclopedia.” And in his book on network science, he talks about ways in which the culture of Wikipedia manifests itself throughout Wikipedia. And by the time we are moving in that direction, ideally, if the hypothes.is work and the blogging work have achieved that kind of synergy, students are going to be ready for the detailed work and the cultural work and the synthesis work that comes with contributing to a big public resource like Wikipedia. In that effort. I have, of course, enormous partnership help from various organizations: hypothes.is, the learning resources there, the way they have set up Jeremy Dean as a Director of Education who was able to work with individual faculty and with students to help them make the most of this platform and then Wikipedia opened up to me by means of an organization called Wiki Education, which is a fantastic group of folks, may they live forever. They are devoted to setting up environments in which faculty can very easily, and in ways that are very straightforward with the students, set up a series of training encounters for the students… ways in which the students are able to think at a much deeper level about how to be a responsible contributor to Wikipedia, can begin to grapple with issues of copyright, issues of how do you deal with sensitive things like health pages, or pages describing mental illness. Now, my students aren’t doing a lot with that, but those training opportunities are there for people who are running a class in biology or running a class in psychology and they want to contribute to these articles. And it’s a way to, again, to emphasize to students that we have this enormous privilege of being in this very high-level learning community. Let’s give back. This is a kind of experiential learning in which we’re actually contributing what we have been able to be in contact with and to learn in ways that will benefit the world. And that’s no idle promise either. There’s ample documentation of all of these communities for whom Wikipedia is a primary means of learning about the world and, I would add, a primary means of learning about the dangers and the promise of the internet. I think that my students work in blogging in hypothes.is And in Wikipedia, in particular, make them into better digital citizens, people who understand, I think, at much greater depth, what they can contribute, and what kinds of privileges and pitfalls accompany these platforms. So, ideally, what I’m describing is a kind of synergy. I always want these positive feedback loops in which what you do in one environment makes your work stronger, richer, and brings you more surprises with connections when you move into another environment or when you’re working at a big level what happens when you start to work at a more focused and granular level. This is all interactive. It’s another network and my hope is that it creates a network inside students’ heads. At its best, I think, the kind of, I guess, open ecology and the hypothes.is tends to be open, that tends to be in a small, closed group for the classroom. But what they do there, they can bring in weblinks, they can bring in things from the outside. But my hope is that that kind of ecology begins to create, again, the sense of possibility within the students and they begin to see that, really any class, if you look at it’s design carefully, if it’s been put together thoughtfully doing things that should be mutually reinforcing, and not just one thing after another,

John: What do you do with those students who are reluctant to have their work shared publicly, at least under their name? How do you address the students who prefer to keep their work private?

Gardner: Well, the first thing is, they don’t have to do it under their name. One of the nice things about the platform that we’re using, which is WordPress multisite platform, and I’ve done this on my own web-hosted accounts, but we have the big one at school called Ram Pages, they can choose a pseudonym, so they can be pseudonymous to each other. They can be pseudonymous to the world and I talked to them a great deal about the difference between personal and private. I say, you know, you want a good sense of who you are as a person out there. It’s part of your voice and you need to know how to do that in a public setting. But, at the same time, you don’t want to disclose private details. You really don’t want to do that. Because it’s unpredictable how that will promulgate once it’s out on the web. I think the idea that, you know, once you publish something to a blog, it’s there forever, it’s part of your permanent record, is a little overblown. There is that security through obscurity, you’re not going to be found right away. There’s a little bit of space there. That happened to me once. A student blogged about using a roommate’s key to get into the room. And of course, that was an honor offense, you weren’t supposed to do that ,you weren’t supposed to use somebody else’s ID and I had a talk with a student I said, you need to take that blog post down because “ain’t no big thang, but you really don’t want to be talking about that stuff out on the open web.” So, there’s a way I frame it so that I try to anticipate some of the reluctance that students might have and answer questions ahead of time before they even start writing on their blogs. The other thing I do is I always, always, always talk about it in terms of how this is going to be a part of their learning. And I compare it to classes that would have a public performance aspect, a music class, or an art class or a theater class. And I’ll say now we’re doing early modern literature. It’s not necessarily a performance class, but it can have a performance aspect to it that I think is pedagogically valuable. And here is why. If you have a particular objection, then please come to me and we will talk about that. I will try to make you as comfortable as possible and give you what you need to be able to work successfully in an open medium. If at the end of the day, you just can’t bear it, then we’ll have that conversation. What’s interesting to me is, I can’t think of any student who’s ever said, “I’m just not going to do that. I am just not going to do that.” If they don’t do it, it’s usually not because they’re reluctant to put themselves out on the open web. It’s because it doesn’t fit into their normal view of schooling and they just neglect to do it. And that’s the part that always saddens me, because there really is nothing sadder than seeing a student write a tremendous blog post and you think, “Wow, this blogging thing is really bringing out a voice and agency I wouldn’t see otherwise.” But then the student just gets preoccupied or just kind of checks out a little bit and you don’t hear anything from them again. Typically, those students are not going to be attending regularly. They’re not kind of all in to the class. And it’s often been said, and I think it’s true, that one of the things about using these online means is that there’s really no back of the classroom. You’re either there or you’re not. And it’s pretty obvious whether you’re there or not. And some students are just kind of used to being on the margins and being on the periphery. And this is kind of a challenge to them not to do that and they just kind of drift. They’re not terribly interested. But, the idea that people would go, “oh my goodness, if I do this, I’m compromising my inner self and I will be haunted by this for the rest of my life.” First of all, that’s not what we do when we blog in a class. I make that very clear. And second, very few of them say anything about that even after I’ve talked about that as a common apprehension. So, I really do try to make their consent, informed consent. And so far, knock on wood, that certainly seems to have been the case. Every now and then I’ll have a student reach out to me, this happened about 10 years ago, and say, “I just want to make sure that you’ve taken my posts down.” But, that really only happened once, and that was a very special circumstance. Of course, to the best of my ability, I took it down right away. I would like the blog post to have a truly global audience, but a semester is not really a lot of time to build up any kind of a big audience, but the potential is always there. And I think that’s what excites students about work that prepares them to be citizens in a public sphere in ways that maybe they weren’t able to imagine before.

Rebecca: You’ve talked a lot about ways to frame projects like this as a faculty member to make sure that students are safe and responsible and doing what they need to do, and maybe should do, in thinking about their agency. Can we shift gears a little bit and think about what faculty might do to get started on a project and introduce these to students? Where do they start? You know, obviously, there’s the framing, which I think we’ve covered. But, what tools or techniques or kinds of projects would be a good small step in this direction to get started without going full in with three platforms?

Gardner: Well, you know, I feel like if you’re going to take the medicine take the whole dose, because then you’ll conclude, oh, penicillin doesn’t work. And how much did you take? Well, really half a tab every other day. Ah, you didn’t get it up to the therapeutic dose. But, I’ll back down from that. I actually have an answer for your excellent question. I think the first thing that would be helpful for faculty is to run a fairly unscripted, unprompted, discussion forum. And that can even be inside the learning management system. Because one of the first things that faculty need to get comfortable with in my experience is this idea that the student participation doesn’t need to be led by them. I mean, certainly in the classroom, it can be in the assignments, but if there’s a space, a little clubhouse, where students are told they need to be doing things that are interesting, substantive, and relevant to the course, but the teacher is not supplying the prompt. The teacher is not saying it’s going to be 250 words, the teacher is not doing the things that a teacher would often do to try to ensure that students would do interesting, substantive, relevant work. There’s nothing wrong with stipulating certain kinds of ways in which you imagine substantive work would be or interesting work would be and you can talk about that. And I still tell my students, this paper needs to be 10 to 12 pages long, because that’s a way of signifying how much I want them to be invested in a kind of breadth and depth as they approach the topic. But the big step is to say, here’s the forum, I want you to do work that’s interesting, substantive and relevant. I want you to post on three different days and three times a week. In other words, set up the platform so they’re not phoning it in, so that they’re not just kind of doing a big “Oh, I’ll do my three posts on Sunday night” and ”oh, now I’ve got that done.” So that there are maximum chances for the students to work in a constructive way and a couple of guardrails to try to keep them from just driving out of the lane all together. But then don’t prompt it, don’t make the topic yourself, see what happens. And sometimes, of course, you’re going to be disappointed. Other times, you’re going to be pleasantly surprised. And one of the surprises is likely to be the way in which the students who are most committed begin to serve as kind of examples and inspirations for other students, and it belongs to them. I’ve run the discussion forum in my intro film classes for a long, long time. And the platform I use is not hard. It doesn’t seem hard to me, but it’s probably not as, I guess, click here as something that Blackboard or even Canvas would have. I think it’s a lot better. But the key is really not going to be the platform right away. I think I’ve got a platform that encourages kinds of rich interaction that maybe Blackboard wouldn’t, but even if you do it on Blackboard, when the students sense that this is a place in which they are going to need to steer the conversation… within these guidelines: interesting, substantive, and relevant, I tend to use adjectives and talk about qualities in ways that don’t get reduced right away to “How long does it have to be?” and “Do you have a rubric?” Like,” Yeah, my rubric is interesting, substantive, and relevant.” And then if you have questions about those things, let’s talk about that. What does substantive mean? What do you think it means and we have a conversation. If you can habituate yourself to that, then I think you become braver about other kinds of open platforms where you are going to have to give up a little bit of control unless you want the student’s blog to be a kind of term paper published to WordPress, which is a disaster. Just don’t bother. That’s not what a blog is. WordPress can certainly be a place to share the work you do in a term project. You can put your research paper up on WordPress, but that shouldn’t be the only thing you do. There needs to be these opportunities for students to have an idea of what the fruitful directions will be, but not a script, and not a map. And when you get to be able to do those things… And I would say just start small, you know, maybe even start with two weeks in a particular discussion forum just to see what happens and then talk to your students about what happened or what didn’t happen. It becomes a way to reflect on your own instructional design and for them to start to reflect on some of their own contribution or lack of them, and then you just start to build up over time. Now, if you wanted to do something really interesting and a little braver than that, but with plenty of help, I would definitely go to Wiki Education. Wiki education will be a wonderful set of scaffolding for you and your students. It does require some commitment, it requires a little more than running a discussion forum in an unscripted mode for a couple of weeks… that you really do need to think of it as a fairly substantial component of the course, I think, because otherwise it’s just too much work for too little reward for the students. But, if you can do that, you’ll find that you’ve got an army of helpers on Wiki Education. You’ve got a liaison for the students. You’ve got a liaison for the faculty member. You’ve got a dashboard you can look at to be able to see at a glance where students are in working on their articles. You can also pitch the articles they’re working on as making substantive contributions to things that are not well represented in Wikipedia. Women computer scientists, people who are in marginalized groups of any kind… the work that they have done to contribute to any field, or information that’s really important but kind of scant on Wikipedia, having to do with any sphere of interest or something that you’re passionate about that you want to see represented more fully on Wikipedia and the scaffolding you get to help you get the community become part of through the wiki education people, which is simply wikiedu.org is just staggering to me. And did I mention it doesn’t cost anything? There’s that too. So, those are some ways I would say to get started.

Rebecca: I think one thing that’s really interesting to observe as we’ve become distributed teachers and learners with COVID-19… everybody’s remote… is how many of these informal spaces are getting formed by students and faculty alike. I’ve heard examples of students forming their own slack channels to collaborate on work unprompted and just doing that. At Oswego, we’ve had a faculty member who created an Oz hangout group on Facebook that’s actually been really active. So, beyond the formal structure that we generally have for professional development, it’s a space that people have come to and are helping each other out. So, we can observe these things and see how they naturally happen to get an idea of how we can help facilitate that to happen a little bit too.

Gardner: Well, I certainly hope so. And I have to say, though, no one would wish to live through this kind of time. No one would sign up to say, “Gee, I wonder if I could be part of a pandemic.” It is true, necessity is the mother of invention. It is true. Hello. I’m waving to the toddler in the background. And this is another thing that’s so nice about some of these moments, to connect your family and your home with your professional life in a way that everybody is just going to tolerate because my dogs barking in the background and all these things are happening. It helps us embrace the mess and maybe not have the illusion that we can walk around in our uniforms and just keep everything all pristine. So, to your point in particular, it’s always a question of whether the motivation and the sense of urgency and opportunity that you feel during a crisis can actually carry over into business as usual. And I’ve always thought that higher education is the place that is uniquely suited to being able to maintain a sense of urgency and adventure, even if the world isn’t on fire. I can’t say that always happens in higher ed.[LAUGHTER] We have our ruts too, but I remain hopeful and I think your point is exactly right.

John: We’re only in the first week of this ,we’ll be releasing as a few weeks later. But, in my own class, using Zoom for meetings, students start coming in a bit early, and they’ve been likely to stay later. And it’s broken down a lot of the barriers where students might have where they stay a little more distant. We’re seeing them in their natural habitats in their homes. There’s dogs wandering by and so forth. And there also before and after class, and sometimes during class talking about their fears and their concerns.

Gardner: It was such a poignant moment to me when I did my first Zoom session with the senior seminar, when at the end of talking about the unknown known, which was the Errol Morris movie we’re discussing that day, one of the students just said, just almost blurted it out, “I’m so glad for this contact today. You people are the first people I’ve talked to outside of my home all day.” And as the crisis wears on, it’s an opportunity as the uncertainties mount, your dad gets laid off, you find out that somebody in your family is sick, or you’re just kind of increasingly worried, the chance to be together, kind of get your mind off it by doing another kind of learning, but also at the same time to be present to each other with these intimate little portals, which work pretty well now. This is a lot better than CU-See-Me was in 1997. I can tell you that. That’s pretty rich. I think it increases that ambient awareness I was talking about, and frankly, it’s a chance to bond with each other a little more.

Rebecca: I’ve heard some really interesting examples of students from different schools trying to connect as well. I know that’s something in the design area that we’re talking about helping to facilitate a little bit through our professional organizations. Our senior design students, for example, are used to having exhibitions in galleries and can’t, because they can’t have it in physical space. So we’ve talked about ways that they might actually interact with each other and their work in a way that they wouldn’t normally.

Gardner: That’s terrific. Now, that’s magnificent. And you have the impetus to do it quickly. not let the great be the enemy of the good. And then there’s this openness to discovery. That just sounds like a great project. Are you blogging about it? Can I follow you? You’re on leave, That’s right.

Rebecca: We’re discussing how we might be able to help facilitate that to happen and provide a little structure so that the students don’t have to provide the structure, but I’m pretty confident that something will happen.

Gardner: That’s terrific. That’s wonderful.

John: We always end by asking, what’s next?

Gardner: Wow, that’s a great question. What is next? I’m not sure. I’m going to keep on keeping on. I continue to be interested in harnessing Wikipedia in ever more intense ways. I’ve use Wikipedia a long time I had been an editor inside of Wikipedia, since I don’t know, I guess I got my first account in the early 2000s, not long after it became Wikipedia. But, it’s one of those things that the farther in you go, the farther in there is to go. And you start to become aware of things that I’m always telling my students and then finding out to my own surprise, it’s true. I was watching a movie called Festival, which is a documentary about the Newport Folk Festival from I think 63 through 67, something like that, and found an artist in there, Horton Barker, I just was fascinated by a blind singer. It turns out he lived in southwest Virginia, knew something like 2000 songs, and had actually performed at the White House at one point. So, I started getting interested in that and decided I would go find more about him on Wikipedia. There was no Wikipedia article on Horton Barker, but because I had been doing this with my students, I knew a lot more about how to start an article up from nothing, what sorts of things might happen. If I didn’t pitch it the right way, it would be marked for deletion, somebody would be on me for this or that because sometimes Wikipedia are kind of persnickety about this wonderful thing that they’ve helped to create, which is perfectly understandable. And the first thing I knew I was creating this Horton Barker article, the next thing I knew, there was an article about the Library of Congress releasing all these folk song recordings in their archive. And Horton Barker was one of the people that they were mentioning, and it was a hyperlink and it linked back to the Wikipedia article I had started and while I was doing it all I met another Wikipedian named Julie Farman, who was one of the people kind of watching new articles about music. She’d never heard of Horton Barker, she gave me some encouragement for the article. and said she was going to spend the rest of her morning listening to Horton Barker, who did put out a long playing record in the early 60s. So the next thing for me is going to be, in terms of my own teaching, is going to be thinking about ways I can be a scholar-practitioner and model that more intensely for my students. They already know I’m on Twitter, they know that I have a blog. But if I ramp up my own involvement in some of these things, I’m interested in in Wikipedia, that gives me another way to create a feedback loop. So I can bring in not just what I’m seeing in articles that they’re doing, but, here’s my Horton Barker article or other things. I just made my 500th edit in Wikipedia, which is nothing, 500 just barely gets you in the door, but it felt like a lot. And so I was at 499, and I said, I’m gonna make my 500th edit in the article on John Milton. And that was my 500th edit. So, that was good. In terms of my own scholarship, I’ve got a project I’m very excited about, which has also been something I’ve worked on in a networked way, which is a book that I’m writing on the story behind Doug Englebart’s authorship of the 1962 Manifesto, which was a research report called Augmenting Human Intellect: a Conceptual Framework. And one of the things I’ve tried to do, in a networked setting, I actually had a big open project on this involving hypothes.is and video interviews over Zoom, just February, I guess about this time a year ago, to try to bring in voices from many different sectors, students, teachers, people who knew Doug and worked with him, people who have used his work in their own work in subsequent years, and try to create a network of conversations to raise awareness of this document, this 1962 monograph, really it is, that was written by an electrical engineer pretty much just off to himself the way a humanities prof would write a monograph. It represented about two year’s sabbatical that he finally had gotten funding for from the Stanford Research Institute, now SRI International and the Air Force Office of Scientific Research. So it’s a massive multidisciplinary effort, and it’s a conceptual framework that has never been as widely known as it needs to be. My thesis, one of them anyway, is that without a conceptual framework, we’re just kind of out here on the internet willy nilly, not able to fend off the problems or realize the promise in any kind of rich and ultimately beneficial way. So, let’s go back to 1962. What was this Doug Engelbart guy doing when he was doing the research in everything from linguistics to magnetic core memory that would lead to this document Augmenting Human Intellect: a Conceptual Framework. It’s really a kind of philosophy of networks, a philosophy of computing. And it turns out that there’s a very rich archive at Stanford University of rough drafts of this document, of correspondence with the people who are helping to fund his research from the Air Force Office of Scientific Research, various stages of presenting parts of the argument to various people along the way. And the early days of what would become Doug Engelbart’s Augmentation Research Center at SRI. They were the second node on the internet. UCLA was the first the Augmentation Research Center was a place out of which came the mouse, out of which came this idea of a very close coupling between the psychomotor things that the user was doing and the environment in which the user was working. There was even this idea that the operating system, which was called the online system, at the Augmentation Research Center would be a kind of a blueprint for the way in which the internet could keep on providing opportunities for people to innovate applications as they wanted. So there’s a kind of almost a worldwide web built in, even though this was the big mother of all demos that kind of showed a lot of the startling technology to the world, was 1968. So, many decades before the World Wide Web, and many years after Doug had put together really the intellectual and philosophical visionary document, this 1962 manifesto that I want to do a deep dive into to help to try to explain what I think are some of its deepest implications, to tell the story of how it came to be, and to talk about some of the things that it might have to offer for us today, as we try to think about where we’ve gotten to and maybe what direction we should go in. So, that’s my book project. And as you can tell, I’m kind of jazzed about it.

John: It sounds like a fascinating project. Well, it’s been a pleasure talking to you again, and it’s good to see you.

Gardner: Good to see you too. And thanks for a fine conversation. We have a good little network here and it’s a privilege to be part of it today. Thank you.

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John: If you’ve enjoyed this podcast, please subscribe and leave a review on iTunes or your favorite podcast service. To continue the conversation, join us on our Tea for Teaching Facebook page.

Rebecca: You can find show notes, transcripts and other materials on teaforteaching.com. Music by Michael Gary Brewer. Editing assistance provided by Brittany Jones and Savannah Norton.

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132. Pandemic Pivoting

The unexpected shift to remote instruction during the spring 2020 semester in response to a global pandemic disrupted established teaching patterns, forcing many faculty to rapidly learn new tools and techniques of engaging their students. In this episode, Dr. Betsy Barre joins us to discuss what we’ve learned from this sudden shift to remote instruction and how we can better prepare for the uncertainties of the fall semester.

Betsy is the Executive Director of the Center for Advancement of Teaching at Wake Forest University. In 2017 she won, with Justin Esarey, the Professional and Organizational Development Network in Higher Education’s Innovation Award for their Course Workload Estimator.

Show Notes

Transcript

John: The unexpected shift to remote instruction during the spring 2020 semester in response to a global pandemic disrupted established teaching patterns, forcing many faculty to rapidly learn new tools and techniques of engaging their students. In this episode, we discuss what we’ve learned from this sudden shift to remote instruction and how we can better prepare for the uncertainties of the fall semester.

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John: Thanks for joining us for Tea for Teaching, an informal discussion of innovative and effective practices in teaching and learning.

Rebecca: This podcast series is hosted by John Kane, an economist…

John: …and Rebecca Mushtare, a graphic designer.

Rebecca: Together, we run the Center for Excellence in Learning and Teaching at the State University of New York at Oswego.

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Rebecca: Our guest today is Dr. Betsy Barre, the Executive Director of the Center for Advancement of Teaching at Wake Forest University. In 2017 she won, with Justin Esarey, the Professional and Organizational Development Network in Higher Education’s Innovation Award for their Course Workload Estimator. Welcome, Betsy.

Betsy: Thanks, I’m happy to be here.

John: Today’s teas are:

Betsy: I am not having tea, but I am having a raspberry lime Spindrift. I actually would love to have tea, but I just didn’t get downstairs in time, so I have my Spindrift here.

Rebecca: That sounds good. I have an English breakfast.

John: And I have oolong tea today.

Rebecca: Oh, you’re switching it up a little.

Betsy: Sounds exciting.

John: Amazon helps. [LAUGHTER]

Rebecca: Betsy, we invited you here today to talk a little bit about the work that you’ve been doing at Wake Forest to help faculty prepare for pandemic teaching. Can you talk a little bit about what the Center for Advancement of Teaching’s approach has been and what it will look like leading into summer and fall courses?

Betsy: Sure, I can talk more about what we’ve done, sort of what we’re planning for the future is still in process, as I’m sure it is for many institutions. One of the great things about Wake Forest is that our Center for the Advancement of Teaching is not the only office that has been working with faculty and faculty development and digital technology issues, academic technology, etc. So one of the first things that we did when we knew we were transitioning to online, or transitioning to remote teaching, let’s be specific there, is that we pulled together the offices that were adjacent to our office. So we pulled together the Office of Online Education, the Office of Academic Technology, which is an Information Systems RIT wing at Wake Forest, and also we had a number of librarians who did work on digital pedagogy. So we pulled all of us together and created a kind of super team that would support faculty, and that was really helpful to do that really quickly because it expanded our reach, the numbers of folks who could work with faculty and integrated it, so faculty didn’t have to go to a million different places, there was one place that they could go. We had about 850 faculty or so that were teaching that we had to work with and there were about 10 of us on our team. So, it’s a better ratio than some schools, but it’s still a pretty not ideal ratio, and so we tried to streamline things as quickly as possible. So, like many schools, we created a keep teaching website that had resources, but we also created a blog that had daily updates. So every day, they could subscribe to an email and get it in their inbox every morning that would have daily updates, but also resources, tips, things we’d heard from faculty, etc. That turned out to be really helpful and we’re still keeping that going, and it’s been helpful as they’ve been teaching. We also, though, really wanted to encourage them to share their expertise with each other. So, that week that we had off to help our faculty prepare, we did a series of open labs, where we were there to answer questions, but they could also share with each other what they were doing. And then sort of unexpectedly, a few things that we did that have gone really well is that those of us that are on social media saw some faculty talking on Facebook about this, we thought, “Hey, let’s just create a Facebook group,” and that group has been incredibly active. We have like over 300 faculty that are in that group now and some of our professional staff and it’s been a way of communicating. We’ve tried to communicate it outside of Facebook for those who don’t like Facebook, but certainly it’s been a wonderful way of building community that I think will live on after this, and so that has been nice. And then of course, our one-on-one consultations that we’ve always done, but we set up a easier streamlined system for requesting a consultation, and it would cycle through all 10 of us and sync up with our calendars, and so we found that to be really successful, and as successful as we could be in this trying situation. Summer and fall, a much more interesting wrinkle, that we’ve been working on. Once we got faculty up and ready to go, we now could transition to thinking about how are we going to support faculty in the summer and fall. And one of the things we’ve been saying all along, many institutions have, is that what we did in the spring where we had one week to transition is not really robust online teaching. At the same time, we don’t necessarily have the staff and resources to transition all of our courses online for the summer in a robust way, but we have more than a week. So we’re trying to hit some sort of middle sweet spot where it’s not exactly what we would ideally do with online education at Wake Forest, but it’s better and more intentional and takes more time than what we did for remote teaching. So currently, we’re planning for those who have volunteered to teach in the summer to run a three-week course for them to take asynchronously online to learn more about teaching online, and then we’re also gonna offer all 10 of us to do one-on-one consultations and some minimal instructional design work with them. Fall is still up in the air and we’re not really sure what’s gonna happen with the fall, but I think we’ll probably know in the next few weeks what we’re planning.

John: It’s interesting to see how similar the approaches of various institutions have become and a lot of it, I think, is social media made it easy to share some of those thoughts. We also have a Facebook group, we’ve also done lots of meetings and we’ve had a number of people working with us from our campus technology services in providing support and workshops, and it’s been nice to see everyone come together to help so many faculty make this surprise transition that they never expected and didn’t always entirely welcome, but they’ve been really positive in terms of how people have approached it.

Betsy: I agree.

Rebecca: One of the things that I saw you guys doing that I thought was really interesting was “Ask the CAT,” can you talk a little bit about that program and how it works?

Betsy: The name of our center is the Center for the Advancement of Teaching. We still haven’t decided at Wake Forest if we want to do cat or CAT, but we often joke a cat would be funny because then we could have all these funny cat jokes associated with that. But outside of the blog, we started getting some really simple questions that we realized would be helpful for everyone to hear the answer to. And so early on, a few people asked some questions, and we said, “Can we turn this into a sort of Dear Abby letter that we can then publish responses to, really quick responses on our blog?” and they were happy to do that, and then we turned it into a formal themed series in the blog where people can submit online, ask the CAT questions, and they can do it with a pseudonym, so there’s no stupid questions, any sort of challenges they have, and it’s gone pretty well. And we hope to continue to do that because I think we’ve seen on the Facebook pages, I’m sure you all have as well, is that often there are many similar questions, and so when they see us answering another question, faculty get ideas and say, “Oh, I could do that, now that makes sense.”

Rebecca: It seems like the ability to have a little bit of anonymity there in asking the question might allow for some questions that really need to be asked actually be asked.

Betsy: Yeah, sometimes they’ll just ask a simple tech question and we try to expand it a little bit beyond that to say “Okay, that’s great. Here, I’m going to give you your answer, but before I do, let’s talk a little bit about pedagogy and how you might think about universal design,” or something unrelated to the specific tech question.

John: Rebecca mentioned that you had won an award for your work on Rice’s Course Workload Estimator, which is something we recommend to our faculty regularly and people find it really helpful. How would you recommend people interact with that tool during situations like the pandemic, especially for people who are adjusting very rapidly from one mode of instruction to another?

Betsy: Yeah, so one of the things I shared with Rebecca before we started is this actually is really great timing for you to ask about this, because Justin Esarey is the co-author, co-creator with me and I… he’s my husband actually, we did it together… one of the things we’re thinking about doing in the next couple of weeks is actually revising it in a number of ways. We’ve had a long standing interest in doing it, just haven’t had occasion to do that, and there are some changes we’re going to make that aren’t specifically about online, but one of the changes we’re hoping to do is to actually create some categories that are related to traditional online assignments. And again, these are going to be guesstimates. I always tell people, this is an estimator, it’s not perfect. It’s just our best guesses. But to create some estimates of “How long would it take to have a discussion board if they have two posts, 500 words,” sort of things that we’re used to assigning in online education to hopefully help in that regard. But one of the things that I think is a reason this estimator is important is one of the things we’ve seen, and I’m sure you all have seen as well, after about the second week of remote teaching is that some students started to complain about workload, how much work these new remote courses were. And I think part of that is because faculty were incorporating more accountability measures into their courses, so they may have been expecting that work, but never were really holding the students to account to do that work. And so now students actually have to do and show their work, and so whereas before they might have been able to just show up in a lecture, study on their own time, or not study as the case may be, not do the reading as the case may be. Now, if they’re having weekly reading reflections, they actually have to do the reading and that significantly shifts how much work they feel they have to do. So that’s putting it on the students, but it’s certainly the case, and part of the reason we made the estimator, is that as faculty, we’re not really good at estimating how much time our work takes. And that’s true in a traditional setting, it’s true for me, that’s why I created the estimator. I am a humanist, and so I assign a lot of reading and I never really knew, like, how much time it would take them to read, and so that’s what motivated me to investigate the research on that. I think it’s particularly true that we’re not good at estimating how much time things will take when it’s a new assignment or activity that we’ve never assigned, and that’s what we see in this scenario, many faculty are introducing completely new activities and assignments that they’ve never done before. And they often might think, “Oh, yeah, I should give them discussions in a discussion board,” without taking into account how much time that will take, or “Oh, I really want them to make sure that they connect with me each week, in this way,” or “I need to make sure we have these office hours and they need to watch these videos, but since they’re watching the videos, now, we can have some discussion in class because the videos are no longer part of the class time.” And so we think we’re pretty good at sort of keeping track of that, but it turns out one of the things we found with our estimator is that when we asked faculty to play around with it, that we were often very wrong. Faculty were often very wrong about even their own estimates about how much time they thought they were expecting of students. So, I think it can be a valuable check. It’s not perfect, it’s not exact, but it can be a valuable check on our intuitions about how much time we’re expecting of students, particularly with some of these unique activities that we’re asking them to do online, and I also think there’s some really creative strategies by our friends in online education to help us think about a traditional assignment and how to make it a little bit more efficient, discussion board a little bit less time intensive, that we can talk to faculty about as well.

John: With the pandemic, I would think, some of those calculations based on online classes where people intentionally were in online classes might be a somewhat different situation when people are in households where there’s more people in the room perhaps, or where they’re sharing network access, or where there’s more distractions and noise than the people who had intentionally chosen the online environment.

Betsy: Yeah, I think that’s a really thoughtful insight. Absolutely. I think we’ll hopefully get to talk about this later in our conversation today, is that there are a variety of changes that take place here that are not just about the modality, but thinking about our students’ situation, how long it takes to learn the technology if they’ve never learned it as well. Like, “How do I upload this? How do I take an exam?” And so if we give them a certain amount of time for an exam, recognizing that they didn’t choose to do it, they also don’t know the technology as well, and so how do we account for those adjustments as well, for sure.

Rebecca: Yeah, I agree. I think all of those little extra things that now students have to do, including learning the technology or just getting used to a new system or a new rhythm, they all take time. In a semester, we think that’s what the first couple of weeks of the semester are, but then like this semester, we had two sets of those.

Betsy: Absolutely. And I mean, the fact that we are still sending out posts giving suggestions, means that some faculty are still changing things, they’re still adding new things, because they want to try something new or something didn’t work, and normally, we encourage that, but in this scenario, it’s particularly challenging for our students if new things keep getting piled on over five courses or four courses that they’re taking.

Rebecca: If we’re thinking in a traditional context where there’s in class and out of class work, and now everything is remote, how do we think about dividing up that time or what kind of time they should be spending on what kind of activities?

Betsy: I think this is a really good question. And again, my colleagues in online education who think about this question a lot have more subtle distinctions to make about this, but I actually was just having a conversation last week about what accreditors require and how to think about, quote unquote, contact hours in an online environment, and incidentally, one of the things we found actually, unexpectedly with our Course Workload Estimator… again, the motivation was for me as a humanist to basically answer the faculty question of “How much reading should I assign?” was a very narrow purpose, how much reading should I assign? But what we found is that the biggest usage were people who were instructional designers in online programs, who were interested in this question of “How much time is faculty contact hours, is it actually comparable to the face-to-face courses?” So it is connected, and so I’ve been talking about this a lot, and one of the things that, at least the federal guidance suggests, is that one credit hour is about 45 hours of work for students. So over 15 weeks, one credit hour, you do two hours out of class for every hour in class over 15 weeks, and so it’s about 45 hours. They don’t really enforce it, it’s a complicated question or a comparable amount of work, but that’s an easy way of thinking about it. It’s about 45 hours of work for a single credit hour and then 15 of that is expected to be in the presence of the professor. So traditionally, that would mean 15 of that you go to class, 30 of it’s at home. That’s the traditional model that we think of, but in online, of course, it’s different because everything is at home. So one thing, you could just say, “Well, everything’s at home. So then professor never needs to be engaged,” like, you can just say, “I’m going to record all my lectures, put them all up, and then I’ll grade your exam at the end.” Of course, we know that that’s not good pedagogy, online or otherwise. And so I think the way to think about this is, of the 45 hours of work your students are doing, are at least 15 of those hours, somehow engaging with the faculty member? But that could be, for example, a discussion board where the faculty member is in the discussion board engaging and providing feedback. It could be one-on-one sessions where you work on a paper together with the student in an office hour. There are a lot of ways you can imagine faculty presence and engagement that don’t have to be “Let’s have a synchronous video conference session.” But there are some good reasons for that too, particularly in the remote environment where students want some continuity to what they’ve already done. But I think that there should be more flexibility and I think there often is in good online program about what counts as those contact hours, but without just saying, “Oh, as long as we have a video, that counts as a contact hour.”

Rebecca: Along these lines, do you have any advice about designing learning activities and assessments when we have no idea what the modality might be in the fall?

Betsy: That’s a good question. I’m sure that many other people have been asking that question, I myself am teaching this semester, so it has been interesting in helping all the faculty but also teaching myself and figuring out what’s working and what’s not. And I think Derek Bruff at Vanderbilt had a, I actually liked this language that he shared initially about creating pivotable courses. He ended up changing it, he didn’t like that one as much, but I actually like that, like your course could easily pivot. And I think for me, one of the things that I saw was that my course, even though it was a face-to-face course, heavy discussion course seminar course, I had built in already some asynchronous activity outside of class, they were already annotating the text via Hypothesis, which is a really wonderful tool for those of you that don’t know about that in the humanities or any text heavy discipline, Hypothesis is wonderful and in that sense they were already used to and had learned how to annotate their text digitally in the face-to-face course. When we transitioned, it was easy. Okay, we’re going to be doing that. And that was already built into the course. I also think getting all of our courses so far as possible into a digital environment, whether that’s an LMS, or Google or whatever you prefer, can be an easy way too, because a lot of the time we spent with faculty was just getting them to like, “Oh, how do you collect assignments? Okay, let’s get you into the LMS. Here’s how you collect assignments. Here’s a way that you can think about sending a message to students that’s not just through email.” And so at the very least, if we all get in our LMS, or another digital environment, if you don’t like the LMS, and then think of some activities and engagement that our students can engage in at home with each other, or perhaps with you that’s outside of the regularly scheduled class time, you’re already making it easier to shift. But I also think one thing, and we may come to this when we talk about grading, one thing I’ve been thinking a lot about is I had to scrap one of my activities in my course when we transitioned to remote and I’ve been thinking about the particularly challenging situation for those faculty who had a semester-long assignment. So luckily, my assignment was at the second part and so they haven’t started it yet, we can just do something else, because that would be difficult. But if you have many semester-long assignments, that disruption can be really difficult, but if you could organize your course another way to make it pivotable is to organize it in modules, like really intentionally, not just in Canvas, but actually say, “Okay, we’re going to work on this unit as a self-contained assignment that will be done in two weeks. So that way, if we have to take off in week three, you’re already finished with that assignment in that module.” And then there’s one module that’s remote and then if we come back, hey, we get to start another module that might be face-to-face, and so it gives you some flexibility. If you design your course in a more modular way to prepare for disruptions rather than thinking about it as multiple whole semester-long assignments.

Rebecca: It’s interesting that you say that, Betsy, because I’m not teaching this semester, but I’m planning for my fall class, and I teach web design primarily and I was thinking about teaching agile design. So I decided that I would teach it in an agile fashion, which is really what you’re describing. [LAUGHTER]

Betsy: Yeah, that’s smart.

Rebecca: So, I started mapping out what that would look like in these little sprints to work on a larger project, and we would do maybe two projects, one that was collaborative and one that was individual, but in sprints that would rotate between the two projects. So I’ve been mapping out what that might look like, and my real reasoning for that was, specifically if something was going to be disrupted or if it was going to be online, I thought it would be a little easier to help students through the project if it had these clear checkpoints and finishes to things before starting something new.

Betsy: One of the things that made me start thinking this way, and this goes back to the question of how we’re preparing for fall and all the scenarios that all the institutions are thinking about, Beloit college just decided that they were going to actually teach their fall semester in two seven and a half week sessions, essentially. So basically, students will take two courses for the first seven and a half weeks, and then two courses for the second seven and a half weeks. Certainly it’s a lot of work on the part of faculty to transition their 15 week course to a seven and a half week course, but it also is creative because it means that we have to start late, only two classes are disrupted rather than all four and if you have to leave in the middle, only two classes are disrupted. So, there is a way in which it allows for some flexibility. You can even be as dramatic and radical as going to a block schedule like they have at Colorado College or other schools where they have one course at a time. That would be more work for our faculty and may not work as well, but I did like the idea of thinking, “Okay, let’s just prepare for our face-to-face courses to be seven and a half weeks as an institution.” And then it’s the opportunity to experiment with that kind of pedagogy anyway, because some schools have May terms and other things. And so we are not, at Wake Forest, certainly planning that, but it is an interesting fun thought experiment to think about.

John: One issue that we’re talking about on our campus is how faculty should administer final exams, and grading and assessment, and there’s a lot of concern over people trying to give timed exams and put other limits on students. What are your thoughts on how we should deal with assessing students as we move towards the end of the semester?

Betsy: Yeah, that’s a great question. So, there are a number of issues at work here. One is the challenges the students have at home and thinking about good universal design principles of giving students as much time as possible if it’s not one of your outcomes. If doing things quickly is not one of your outcomes, that’s an important thing to think about. Often, also, what’s in the mind of people, though, is academic integrity. And so part of the concern of a number of faculty is: “Well, I’m usually proctoring it in person. So, how do I give an exam in a way where I’m not going to be there in person?” And then that raises all sorts of interesting challenges associated with technology and the privacy concerns with those online proctoring systems, and so certainly we’ve been thinking a lot about this too, and how to give advice. One of the first easy answers that anybody who’s in pedagogy is going to say, is come up with different designs for your assessments. And I think, absolutely, we should start there. I don’t need to give a timed exam in my course, there are ways I can write the question where I’m not worried about academic integrity issues. So, there are certainly ways in which that’s possible, but I do want to be mindful of my colleagues in intro languages, or my colleagues in intro math, where there are some recall outcomes that are really important for them. And so I think I always want to just be careful to not say, like, “Oh, how dare you have any recall outcomes because that’s just not good pedagogy.” I don’t think that’s necessarily true, so for those colleagues who have recall outcomes, it becomes a more interesting question. On our blog, we have a post on this that we could share, if you’re interested, where my colleague, Anita McCauley, who’s amazing, posted a flowchart of ways of thinking about, “Okay, if you have an exam, what are ways that you can think through how to do something differently?” And one of the first parts of that flowchart that I really like is, if you’ve already assessed it before, you may not need to assess it again, and so particularly for my colleagues in Spanish and other intro languages, maybe they’ve already assessed their ability to conjugate verbs. Do you need to have it on the final in a cumulative way? That was just something that often has not been on the table and talked about and I think it’s worth saying. But, beyond that, they might be somewhat different outcomes where they have to recall but then explain why the verb was conjugated in that way, and so there are ways you can see whether they know it or not, that they can’t just get on the internet. And so being mindful of the challenges there but also saying that “Let’s try as hard as we can to come up with alternative assessments.” Then the questions of how much time to give them, again, always come back to say, like, “Is speed one of your outcomes?” and almost always it’s not; almost always the reason there are timed exams is because they’re in the timeframe of the class. So there’s 75 minutes for them to sit in the class and take the exam and that’s why there’s a limit. It’s not because speed is actually an outcome. So now they actually have some more flexibility where they could give them more time and the technological tools allow them to give them more time, and you can extend it as far as you want. I will often say, instead of giving accommodations to a student to get extra time, give the whole class extra time, especially as they’re learning new technology. If folks are still committed to traditional recall exam and worried about proctoring…. we, for example, at Wake Forest,have not bought proctoring software… and we’re not using it for a variety of reasons, and so one of the things I recommend is if you absolutely are still committed to that, then you can do a synchronous session just like you would normally where they’re taking the exam, and it’s you, not some outside vendor or AI etc, as you would in the classroom.

John: I’m not sure if the problem though, is just due to recall type exams because I can speak from my own experience. Last week I gave a test which were all applications in econometrics and copies of the questions (where there were many different variants for one problem, there were seven variants), most of those problems ended up on Chegg within about 15 minutes of the release of that, and answers were posted. Many of them were really bad answers, which helped make it really easy to find these things…

Betsy: [LAUGHTER] Yes, yes.

John: …within less than an hour of the time the exam was released. So even when people are doing some problems, there are some issues, or even when they’re asked to write essays, there are people out there who are willing to provide those responses for them.

Betsy: Oh, yes. And actually, that will be true in face-to-face classes, too, if you’re not doing in class essays. That’s the one level of academic integrity that you just are never going to be able to catch if you pay somebody to write your essays for you or take your online exam. My background, incidentally, is as an ethicist, so I think a lot about questions of academic integrity. I always get mad at my students when I give this lecture like, “This is an ethics class, you need to take this seriously.” But it is true that the empirical research on student behavior in this regard is not heartening. Let’s put it that way. So I really appreciate all the literature about “We need to trust our students,” and there’s a certain framework of what happens when we come into a course where we don’t trust our students, but the empirical literature about what students admit to have done is really not heartening, and so I do think it’s okay for us to think about these questions that you’re thinking about, John, which is, “Okay, we’re creating conditions where they’re tempted,” and that’s something also we don’t want to do either is to create the conditions where students might be tempted, particularly for students who do have academic integrity, because then they’re at a disadvantage if they choose not to engage in that kind of sharing of resources. What did you do, John, how did you address this?

John: I’m just dealing with it now, I was just grading those today.

Betsy: Yeah, it’s tough.

John: So right now I’m trying to identify the students and I’ll be having conversations with them. Because there were so many varieties of questions out there, it’s going to be pretty easy to identify which student did which. One interesting thing is, someone took one of the answers and ran it through a paraphrasing tool so that the “error terms” in the equation became “blunder terms” in the equation, which was a pretty obvious paraphrase. It was interesting.

Betsy: One of the things I’ve appreciated about this moment and having conversations like you and I are having right now is that it’s encouraged some faculty to think in different ways about assessment. They have a standard way of assessing “This is the kind of thing that I’ve done for years,” and now I have to think, “Oh, what could I possibly do differently?” So one thing I just keep coming back to, when I think about my own courses… there are challenges with this… there are problems with this, because it can be stressful for students… but I think oral exams are often some of the most effective ways to see whether a student knows something is that you, face-to-face, come to my office hour, and let’s talk about it. Tell me, and I’ll ask follow-up questions. That’s a way to really tell whether a student knows something, and so you can still do that virtually. Now that takes more time, especially if you have a big class, but thinking sort of outside of the box in that way of “How can I verify?” is important. I have a couple colleagues that are ethicists too, who have devoted their life to this issue of academic integrity and it consumes them. In some ways, I understand that, because it’s a real violation of trust, and it harms other students. But at the same time, too, I worry sometimes that it becomes so consuming for us that we lose track of all the other things that we should be thinking about with teaching, and so, in this scenario, where it’s as crazy as it is, this is why I think the pass-fail designation that many of our schools have done have made things easier, because we also know empirically that students are less likely to cheat when it’s a pass-fail environment. I think the fact that many of our schools did optional pass-fail means that we’re still in this wrinkle space where many of our students still want to get the good grade, and so they’re taking it for a grade and there’s still temptations. But thinking of ways to make it less high stakes can be another way as well to reduce the likelihood of academic integrity, but it is going to be a challenge that there’s no quick and easy solution for. I don’t have your solution, John.

John: Well, I don’t either, right now.

Betsy: Maybe somebody will… that they can tell us too, who listens to this podcast.

John: One thing I am also doing is I have scaffolded assignments where they have to develop things from the very beginning up to their final projects, and there it’s much more difficult for academic integrity problems to show up because they’ve been guided and getting feedback all the way through and that tends to reduce it, but when you’re trying to test some other things that they’re not using in their projects, but might need to know in the future, there are challenges there.

Rebecca: I think another question that’s come up quite a bit is how to grade fairly just over the course of the semester, either this semester or a future semester when there might be potential for another outbreak or something, when students are not in optimal work conditions, there’s distractions, they might be sick, they might be dealing with family members who are sick. So what do we do to make sure we’re fair?

Betsy: Again, coming back to me as an ethicist, I think a lot about academic integrity, but also about grades and what it means to be fair, and there’s some people who would make the argument that there’s certain notions of fairness… that it’s impossible to grade fairly, even in normal situations, especially if we’re taking into account differences in student background, etc., that they’re always going to be disadvantaged students in our classes. And so thinking about what a grade is, is really important. And again, I’ve been heartened by the fact that these challenges have led so many of our faculty to start thinking in new ways about “What the heck is a grade and how do I want to think about my grades?” And I do think that one way of thinking about fair grades is actually not the model of “Well, we need to take account of all these challenges the students have,” one way of thinking about their grades is that all the grade is, is a measure of their performance. Now, you could say that that’s unjust for other reasons, but that it’s at least I’m treating all the students the same. So this is maybe the difference between equality and equity. So like we’re treating them all equally, that’s a measure of performance and mastery, so it’s ensuring the integrity of the grade. But what’s interesting is that most of us don’t actually grade that way. Most of us have all sorts of other things in our grading scheme that are about behavior, rather than about outcomes. So like, “You have to show up, you have to turn these in by this due date, you have to make sure you participate in class,” and I have those in my typical grading scheme as well, and those we’ll refer to as behavioral grades. And there are some educational theorists, as you two probably know, that would argue that you should never grade on behavior, you should never have behavioral grades. I think we could have a much longer discussion about this. I sort of think there are some good reasons for doing it in the context of higher ed at least. But I think in this scenario, this is if there’s any scenario and this is what I wrote about in one of our first blog posts, if there’s any scenario where that would be unfair, the kind of behavioral grading, it would be this scenario because some of our students did not choose this, they’re in different time zones, they can’t make it to our class, they have to deal with things at home. They were already in the midst of the course too, so it’s not as if we say, “Well, wait a year and come back to us when you’re ready to take the class fully,” because they were ready, and we kicked them off campus. So there is all sorts of other complications here to the traditional model of like, “Well, wait until you’re ready to take a class.” They can’t, they were already enrolled, they already paid, we’re not giving them refunds. So in this context, being as accommodating as possible, and making our courses as accessible as possible, is really important. And some people have even argued, this is why we should give them all A’s like some people have argued, not just pass-fail, but actually all A’s would be a better approach. Because to say like, “Look, you’ve done some work this semester, let’s move on and give you all A’s,” of course that creates challenges for some of our colleagues, who are going to say “What about the integrity of the grades for future courses? Is that fair to students who take it a different time and don’t get the A?” So what I have argued for, but it’s again, not a perfect solution, is really dropping any behavioral grades that you have in these scenarios, at least for this context, and then really focusing on your mastery outcomes, but also being reasonable about the number of outcomes students can master in this scenario. So I actually dropped two outcomes from my course completely, completely dropped them. Now, that’s easier for me to do in an intro religion class than it is in an intro calc class where they’re prepared for the next course. So I always want to be mindful of the differences of my colleagues in different disciplines. But, if you are able to drop outcomes, you can drop them and still be rigorous with the outcomes you still have and being a little bit more compassionate and sensitive to your students. But doing mastery based grading also can be helpful in the sense that, for me, students get multiple shots at showing mastery, and so this would be like specifications grading if you want to read more for the fall, so they have multiple opportunities to show. So, if they have a bad week or an assignment doesn’t work well, they can try again, and as long as by the end of the semester they showed mastery, that’s enough. It’s not about averaging over the course of the semester, and so I already had a mastery based grading system in my course before I began this semester, so I wasn’t recommending to people in this transition, “Oh, completely revise your grading scheme,” that would be not helpful. But if people are thinking about the fall, you know, it might be worth considering thinking about that. There are downsides to mastery based grading too, so I don’t want to act as if it’s this, like, solution to everything, but it might be worth investigating a little bit and maybe incorporating some aspects of mastery based grading into your teaching.

John: And we did have an earlier podcast episode on specifications grading with Linda Nilson.

Betsy: Oh, wonderful.

John: So we can refer people back to that in our show notes as well.

Betsy: Yeah, it’s wonderful.

John: One of the issues with equity, as you mentioned, is that that problem became, I think, much more severe when students were suddenly sent home. On campuses, at least there’s some attempt to equalize that, that everyone gets access to high- speed internet. There’s computer labs in most campuses spread out across campus, and we also don’t have as much of an issue with food insecurity, at least for our on-campus students while they’re there. Suddenly when students are sent home, all those things disappear and the issues of inequity, I think, become a whole lot more severe and it’s something, as you said, we need to be much more mindful of.

Betsy: Yeah, one of the things that I really appreciated from Tom Tobin’s book on universal design, he has a distinction. I don’t actually know if it’s his… it might be his or it might just be generally in the literature on universal design… is distinguishing between access skills and target skills that you want your students to learn versus things they have to know or be able to do to access your material. What I really appreciate, as it helps us think about something as simple as like having a good internet connection, that should not influence their grade, because it’s not one of our target skills. That’s not what we want the grade to be reflecting, whether they had good internet connection. What we want the grade to be reflecting are the target skills that we’re interested in. So I think the way to think about equity here is to focus on any place where things that are irrelevant to your course outcomes are getting in the way of students being able to learn and demonstrate their mastery. That’s where you want to be lenient, that’s where you want to come up with solutions. So for example, in my first-year writing courses in English as a second language, if the thing that you’re assessing is not grammar, if the thing you’re assessing is the way they develop their ideas, the grammar can be a barrier. So there are ways in which you don’t want to grade on that, because your target skills are really about developing ideas. And so that’s a sort of inclusive teaching practice that’s really important in this scenario. What are the things that make it difficult for the students to show up in our Zoom session? And how am I going to create alternatives for them? One thing that we have suggested to our faculty is if you’re doing Zoom sessions, of course, they should be optional. But we also suggested recording it. So the students who couldn’t be there could watch it setting aside the problems with privacy, of course. We can talk about that too. But there’s another wrinkle there too, which is that then that means some students get the interactive, quote, unquote, face-to-face engagement, but the other students only get to watch recordings the whole time. So, one of the things we’ve also said is for equity is also to think of other ways you can engage with those students who can’t come to the Zoom sessions in a way that’s asynchronous or that perhaps at a separate time without overly burdening the faculty member as well.

John: One of the things I’ve done is I’ve shared my cell phone number because all the students have cell phones. [LAUGHTER] I’ve only done that once or twice before in senior-level classes. But this time I’ve done it with all my classes. I did get a phone call coming in right at the beginning when we started recording, and I sent back a text saying I’ll contact you later. But, that has helped because some students do have issues with being able to use Zoom.

Rebecca: And there are certainly tools that you can use to allow you to provide a number that’s not your actual cell phone number that students can still use your phone or texting to communicate.

John: You could use Google phone or you…

Betsy: There’s another one, though, that I’ve used in the past maybe five or six years ago, it’s used in K through 12 environments. Oh, Remind… Remind is the one. Yeah, so I actually used that when I started to realize my students weren’t checking email anymore. I was like, “Oh, this isn’t gonna work, emails not going to work anymore. So I need to find some other way to connect.” But that’s great to be as accessible as possible to your students, but recognizing also that equity issues for us, as faculty. Some of my colleagues can do that more easily than other colleagues who have three kids at home that they’re homeschooling. And so that’s a part of the challenge of this scenario as well, it’s not just what we know is good teaching practice, but also the labor implications for faculty too… that are significant.

Rebecca: Following up on that, that’s a really important consideration is the balance of fairness between both faculty and students because it’s certainly not a situation that any of us signed up for, but we’re all trying to manage. And it’s really possible that we might be in a similar situation in the fall, maybe not exactly the same in that we’ll have a little warning, but it still could happen. So, how do we think about balancing the ability to pivot and make sure that we’re thinking about the ability of teaching remotely without getting too much burden on faculty, but still have really good learning opportunities for students?

Betsy: Yeah, that’s a great question. So I think part of it is trying to think about efficient ways of development. So I was, and you, too, may feel the same way, that that week that we had to transition, I have never seen so much learning happening in a week and so much effort and work and those of us in faculty development probably would never have dreamed. I mean, I don’t know, maybe we would have dreamed that that would happen, but it was a really remarkable thing to see that faculty teaching other faculty can accelerate this in a way that often the model of one instructional designer with one faculty member for six months, that model like that’s how much we need, well, maybe not, now. Maybe we see that if you have to get it done, we’ll get it done, and we can have one-to-many trainings, we can have faculty training each other, we can accelerate that, in some ways, I think is important. But support is also important. So, making sure that we’re supporting faculty as they’re learning what things they can do, and also what we often do in faculty development is talk about efficiencies. So, it’s not just “We’re going to give you a million new pedagogies that we know work, but we’re going to give you a pedagogy that’s actually going to save you time,” and that is really powerful with our faculty and I think we can do the same thing here. So, if we know that there’s a faculty member who has children and has had a hard time with this transition, because they can’t do synchronous Zoom sessions, maybe we talk with them about other alternatives that might be easier for them that they can prep in advance, that will make that transition easier without having to show up at a set time for those synchronous sessions with their children at home. So, it doesn’t solve it, but I do think we should work really hard to come up with the most efficient ways of making the best outcomes possible given the resources that we have. And I think adjusting resources… so we’ve talked about at Wake Forest, outside of teaching and learning, some of our staff, their jobs are no longer really needed, so let’s transition them to other places where we need support. I think you could do the same thing with faculty as well. So, maybe those who have the capability of teaching more or have taught online before, maybe they do more in the fall, but then they get a leave in the spring. There are ways in which you can move things around. Again, I’m not a Dean making these decisions, but being creative about making sure to share the load equally. One question that has come up here, which is really interesting, is that for our faculty who teach more as part of their load, in some ways, this is certainly harder on them than those who have a more balanced teaching and research pipeline, because most of the effort here is in revising courses. Of course, if you have a lab that you have to shut down, certainly that’s a lot of effort. But, making sure we’re mindful of the differential impacts of this transition on our faculty and figuring out ways, not that we’re going to pay them for it, but figuring out ways that we might be able to balance the load moving forward once things go back to quote unquote normal, if they ever do go back to normal [KNOCKING SOUND] …knock on wood here.

Rebecca: I know one thing that I’m thinking about, having small children, is that I’m thinking about all the things that require a little less cognitive load that I’m doing right now while I have a toddler at home, and then when I think I’m going to have daycare again, I’m going to take advantage and do the things that actually require a lot more cognition. And I’m planning to do those at those times, including things like recordings or things like that, that I know I might need to do just to have it in the wings just in case something happens in the fall.

Betsy: I think this is an opportunity for all of us in higher ed to think creatively about how we distribute workload and how we think about the semester and timelines. So, even before this happened, our team read the book Deep Work, and we were just talking about how to create space in our daily work to do intensive deep work, and one of the stories he tells in the book is about a faculty member who stacked his courses so that they were all in one semester. So you know, you have a two-two load or three-three load and he decided to do six in one semester, and then none in the next which normally that sounds crazy, but there’s a way in which that could be really helpful in certain contexts and I think this is an opportunity to think about that. So, those who are doing really intensive work, building online courses, maybe they do a number of them, because it scales, economies of scale, like they do a number of them in the fall and then in the spring, they don’t have to teach… you know, ways of thinking about how to balance this, and then it also would allow us as faculty developers to work with a smaller cohort of faculty, rather than having to work with every single faculty member. Now, I don’t imagine we’ll do that, but it is an opportunity to think of these creative ways of making the workload more equitable as well.

John: And faculty, as human beings, tend to keep doing things the same way as they’ve always done them until there’s some sort of disruption. This certainly has been a fairly substantial disruption, and I think a lot of people, as you said, have learned how to use new tools and at least from what I’ve been hearing, many people now having discovered using Kahoot for quizzing, for example, or using Hypothesis. I’ve been giving workshops on Hypothesis for a while on campus, but not many people adopted it. All of a sudden, I’m getting all these questions about using Hypothesis where people are using it for peer review of documents, where they’re using it in the LMS or more broadly, and I’m hoping that this will continue in the fall. What sort of reactions have you been getting from faculty who are trying some new tools?

Betsy: Yeah, I mean, there’s so many who have said, “Oh, wow, I can totally use this in my face-to-face classes,” and that’s really exciting to hear, that they’re gonna keep it, they’re gonna keep the strategies in their face-to-face courses, or if it needs to go remote, of course, as well. As well as, “Oh, now I know how to use Canvas, so I’ll actually use the gradebook.” Things that are going to be nice for our students as well. Students have been asking for to have a place where they can see all their courses together. I think there was a kind of fear about these technologies in some ways and now that they were forced to do that, “Ah, it’s not so hard.” Now some things are difficult, some things are challenging associated with developing a really well designed online course, but some of these little tools that they have to use in this environment can be helpful in what they’re traditionally doing in their face-to-face courses and I’ve seen many of them say they’re going to do that which is such a wonderful thing to hear as well as pedagogical decisions they’ve had to make about assessment, about universal design, about academic integrity, grading, all the things they’re learning there can also translate back to their courses too, even if we don’t go remote.

Rebecca: And I think all those like crossover areas are ways that faculty can be more nimble. The word pivoting has been used a lot, but I think also being nimble, “I’m using this tool or method and it works both online and in person, so it doesn’t matter which modality I’m using” is something to think about. I did want to just ask one last question related to grading and evaluation, and that’s about motivating students to achieve our learning outcomes when there are so many other things in the world right now that we might be thinking about.

Betsy: Yeah, that’s a great question. I often like to quote the former Secretary of Education that said, “There’s only three things that matter in education; motivation, motivation, and motivation.” [LAUGHTER] So motivation is super, super important when we think about how students learn. We can design the coolest evidence-informed course and design, but if students aren’t motivated, it doesn’t matter. So thinking about our student contexts, and their motivation is really central to their learning, let alone how we’re going to grade them. And so there are a number of things we know that lead to motivation. Sort of important is the students have a choice and that they have some agency or ownership over what’s happening, and so I know a lot of my colleagues at Wake Forest did this and I did as well, is when we made this transition is to ask the students, “So what’s going on with you? What’s your preferences for how we restructure the course? How would you like to learn moving forward?” and to keep being in conversation with our students. And what I did, for example is, now again, I had the flexibility to do this in a religious studies course, but I basically threw out that project at the end of my semester, and so instead had time to say, “What do you want to read about? What things about religion do you want to know about?” And so we’ve been reading about religion in violence, religion in COVID-19, just things that they’re interested in, and that has allowed me to help a little bit with motivation is to just engage with the students a little bit more, but it’s tough. Typically, I think a lot of times we think of there’s carrots and sticks related to motivation, so you can certainly use sticks if you wanted to with grades, but that often has unintended negative consequences. So the more you can do carrots, which would mean thinking about what do they want to learn. I also think that my students, at least at Wake Forest, really miss each other. It’s a really communal place and they really miss each other, so creating opportunities for them to engage with each other, even if I’m not there. There are lots of little interesting activities I’ve seen people suggest where they get together and have video chats in groups, and then record them for the professor. Creating opportunities for them to spend time with one another… They will just want to spend time with each other, whether it’s about learning or not, but if you sneak in the learning, that can be something that will motivate them too, but the reality is some of our students, there are too many other more important things on their plate and we need to acknowledge that, and so I’ve tried to make my students feel that it’s okay to say that, that I’m not disappointed in them if they don’t do as well or if they choose to take it pass-fail that like, “Look, this is just a religious studies class. It’s one class among many. There are many other more important things happening right now. Yes, we want to help you learn if you want to learn, if you want to complete the course and get the credits you get, but we all know that there are other things that are taking our attention away right now, and that’s understandable,” and being sympathetic about that, I think, can also be motivating because they’re not demoralized if they don’t do well. “That’s okay. She understands. I’ll give it a try next week.”

Rebecca: I think that humanity piece is key, both for students and for faculty, and it makes people feel like they have a sense of belonging but also that belonging is often motivating.

John: We always end with the question. What’s next? Which is a question on everyone’s mind right now.

Betsy: I think for me, and maybe this is unique to me or my colleagues who are in teaching and learning centers and in faculty development. What’s next is I want to have some time to reflect back on what I’ve learned about faculty from this transition, and what I’ve learned about faculty development from this transition, and we talked a little bit about this in our earlier conversation, but I was really struck by what I saw on that week off that we had to learn how to improve. I mean, again, I need to spend more time thinking about this and what we’ve learned, but one of the things that was really striking to me was how important having a dedicated time to talk about teaching was, like, “This is a week where you’re going to work on your classes, faculty,” and often we talk about “How do we motivate faculty to do professional development?” We think about funding, we think about course releases or making it enticing in other ways, but my hypothesis that we learned through this transition is that time and dedicated time and a sort of cultural commitment to saying we’re going to take two days to focus on our teaching. What if we did that every year, and there are some schools that have a faculty development day, but what if we took three days every year where everybody got together and talked about their teaching. And I think that’s just one example of something that I would like to reflect on, but I think there are many other things that have happened in the past three weeks that can help inform the way we think about faculty development and I’m really excited to think about that as we, as a center, think about how we work with faculty going forward.

John: Things like that Facebook group that you mentioned, and we have a similar one, has been really helpful in building more of a community than I’ve ever seen before.

Betsy: Absolutely. Yep, I completely agree.

John: Well, thank you. This has been fascinating, and we wish you luck.

Betsy: Thanks for inviting me. It was great to talk with you all.

Rebecca: Yeah. Thank you so much.

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John: If you’ve enjoyed this podcast, please subscribe and leave a review on iTunes or your favorite podcast service. To continue the conversation, join us on our Tea for Teaching Facebook page.

Rebecca: You can find show notes, transcripts and other materials on teaforteaching.com. Music by Michael Gary Brewer. Editing assistance provided by Savannah Norton.

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