332. Challenges and Opportunities

Faculty and administrators have been faced with new challenges and opportunities as higher education adapts to a rapidly changing environment. In this episode, SUNY Chancellor John B. King Jr. joins us to discuss strategies that colleges and universities can adopt to navigate a successful path forward.

After graduating from Harvard, Dr. King acquired a Master’s degree from Teacher’s College, Columbia University, and taught high school social studies. He later co-founded Roxbury Preparatory Charter School and served as a co-Director for five years. Under his leadership, students in this school attained the highest scores of any urban middle school in the state and closed the racial achievement gap. After acquiring his doctoral degree from Columbia and a law degree from Yale, he served as New York State’s Education Commissioner from 2011 to 2014. Dr. King left NY for a while to work in the Obama administration as Deputy Secretary of Education from 2015 to 2016 and joined Obama’s Cabinet as Secretary of Education from 2015 to 2016. Following his work in the Obama Administration, Dr. King continued to advocate for increased educational equity and access as President and CEO of the Education Trust.

Transcript

John: Faculty and administrators have been faced with new challenges and opportunities as higher education adapts to a rapidly changing environment. In this episode, we discuss strategies that colleges and universities can adopt to navigate a successful path forward.

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John: Thanks for joining us for Tea for Teaching, an informal discussion of innovative and effective practices in teaching and learning.

Rebecca: This podcast series is hosted by John Kane, an economist…

John: …and Rebecca Mushtare, a graphic designer…

Rebecca: …and features guests doing important research and advocacy work to make higher education more inclusive and supportive of all learners.

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John: Our guest today is the State University of New York Chancellor John B. King Jr. He has a long history of involvement with education. After graduating from Harvard, Dr. King acquired a Master’s degree from Teacher’s College, Columbia University, and taught high school social studies. He later co-founded Roxbury Preparatory Charter School and served as a co-Director for five years. Under his leadership, students in this school attained the highest scores of any urban middle school in the state and closed the racial achievement gap. After acquiring his doctoral degree from Columbia and a law degree from Yale, he served as New York State’s Education Commissioner from 2011 to 2014. Dr. King left NY for a while to work in the Obama administration as Deputy Secretary of Education from 2015 to 2016 and joined Obama’s Cabinet as Secretary of Education from 2015 to 2016. Following his work in the Obama Administration, Dr. King continued to advocate for increased educational equity and access as President and CEO of the Education Trust. Welcome, Chancellor King.

Chancellor King: Thanks so much, excited to talk with you all.

Rebecca: Today’s teas are: Chancellor King, are you drinking any tea with us today?

Chancellor King: I am, sweet ginger citrus tea. And this is part of my New Year’s resolution. I’ve always been a tea drinker, but I also am a longtime coffee drinker. [LAUGHTER] But a New Year’s resolution this year was to put the coffee aside and switch only to herbal no-caffeine tea. So that’s what I’m working on.

Rebecca: Well, I’m glad that you decided to record this podcast then as part of your New Year’s resolution.[LAUGHTER]

Chancellor King: It fits in perfectly. [LAUGHTER]

John: And following that theme. I am drinking a spearmint and peppermint blend tea, as another herbal tea.

Rebecca: I may have noted that I was trying to cut down on caffeine in an earlier podcast, but I happen to have a Scottish afternoon tea today. [LAUGHTER]

Chancellor King: No…

John: Which is a bit more caffeine than breakfast teas.

Rebecca: Yeah, my accountability isn’t working well. [LAUGHTER]

John: There’s so many things we’d like to discuss with you. But given the time limitations of the podcast, we’d like to focus on your views of the challenges and opportunities facing higher education today. What do you see as the major opportunities in higher ed today?

Chancellor King: I think higher ed is foundational to the long-term success of both our economy and our democracy. We have vital roles to play in both. Certainly, we have tremendous opportunities in the state to prepare students for success in the semiconductor industry which is rapidly growing in the state, for success in healthcare where we have tremendous needs, success in green jobs, and some of the resilience work that we’re going to need to do as a society because of climate change, tremendous opportunity to prepare students for every conceivable profession, from teachers to writers to actors to artists. And, we have a crucial role to play in the health of our democracy. We’ve got to make sure that we are preparing all of our students with a rich liberal arts education so that they can be critical thinkers, so they can be critical consumers of modern media, so that they can be discerning, so that they can make decisions as voters, as neighbors, as citizens. And we’ve got to make sure that our institutions are able to meet both of those missions across degree programs.

Rebecca: What are some of the ways that we can move forward on some of those opportunities?

Chancellor King: Well, look, we were very fortunate that last year, Governor Hochul and the legislature made such a significant investment in SUNY, $163 million, the largest operating aid increase SUNY has received in 20 plus years. It allowed us to make double digit percentage increases in state support at all of our state operated campuses as well as to invest funds in mental health services, services for students with disabilities, internships, which is critical to preparing students for those transitions to career. We were able to put $10 million towards the expansion of research, which is another critical role of the higher ed sector in the health of our society. And we’re able to dedicate consistent funds for supporting our food pantries across our institutions, because we worry about our students are struggling with food insecurity. So one way we move forward is through continuing to invest in the strength of our institutions. Another important way that we can move forward on that agenda is continuing to adapt our offerings, our programs, creating new paths for students, very excited about the Governor’s announcement around AI and the creation of Empire AI and what will be a significant investment in SUNY’s ability to prepare students for research and careers and ethical use of AI, very excited about the new Stony Brook Climate Resilience Campus, $700 million campus that will be built on Governors Island, just off the coast of Manhattan. So we’ve got to continue to evolve as we respond to the opportunities and challenges for our economy and for our democracy.

John: Speaking of challenges, what do you see as the major challenges facing higher ed today?

Chancellor King: There are, unfortunately, a number of major challenges. Many of our institutions, certainly at SUNY, but private institutions in the state, higher ed institutions across the country, have seen significant declines in enrollment. And that was all exacerbated by COVID. That said, I’m a glass half full, tea cup half full, kind of guy. [LAUGHTER] And I look at that and I say, part of what we need to do is evolve our thinking about who our students are. We’ve got to make sure that we’re reaching out to every New Yorker to let them know there’s a place at SUNY. We’ve got to do more work to make sure that we are recruiting low-income students, first-gen students, Black and Latino students, indigenous students, immigrant students, that more of our veterans know that they can come back after their service and find opportunity on our campuses, that folks who are involved in AmeriCorps service programs know that there’s a place for them at SUNY, that our working adults know that they can come back to SUNY, whether it’s one of our community colleges or one of our four-year institutions, to complete a degree that maybe they started and didn’t finish. We’ve got 2 million New Yorkers with some credits, no degree, or maybe that they’re coming to a campus for a microcredential or a certificate, but we’re gonna then help them leverage that into a degree program over time. So there’s the challenge of declining enrollment, but there’s also the opportunity. We are already seeing progress at SUNY, this is the first year in 10 years that we had an enrollment increase across all sectors. But another major challenge is the attacks that we’re seeing on academic freedom, on teaching the truth about our history, the attacks trying to undermine our ability to talk about the hard parts of our history, the times we fallen short of the promise of American democracy, slavery, the horrific treatment of Native Americans in the way land was taken from them. That’s a part of our history. It’s just the truth, and we’ve got to grapple with those hard truths. But there are folks all over the country, unfortunately, who are trying to prevent discussion of those topics, even states where they’re saying they don’t want any higher end institution to mention the word diversity or the word equity. So that I think is very dangerous, and very proud that in New York, we are standing up for those values. We’re gonna be the opposite of Florida, and we’re gonna stand up for diversity, equity, and inclusion, but I worry a lot about that attack.

John: One of the concerns that many people have are these attacks on higher ed, that are convincing more parents and many students that college is no longer needed. Because, for political reasons, perhaps, a lot of people are arguing that a college degree is no longer useful. What can we do to help push back against some of those attacks that we’re seeing nationwide?

Chancellor King: Yeah, you know, there are a few things. And certainly, we have to make the value proposition clear. It’s important that students understand and families understand that over your lifetime, if you have a bachelor’s degree, it will translate into a million dollars more of earnings. So there is this very clear value proposition. We’ve got to take on the affordability question, which a lot of families worry about. You hear so much about the student debt crisis. So we’ve got to really help folks understand how affordable SUNY is. 53% of our students across our institutions go tuition free because of the Pell program and the New York state tuition assistance program as well as the Excelsior program. And our tuition, as you know, just over $7,000, is significantly less than many of our peer institutions in neighboring states. It really is possible to get an incredibly high quality education affordably at SUNY, and we have to make sure that parents and students understand that. We’ve also got to, I think, go back to first principles around what is the purpose and the vision of higher education. The fact of the matter is, you look at almost every indicator, life expectancy, health outcomes, you name it, they’re better for folks who have higher education. And what we’re aspiring to, is to say come to our institutions for an education that will help you lead a healthier, more fulfilling life. I want you to come to our institution and maybe take art history, and so your life is enriched because when you travel, when you go to a new city, you go to a museum and you discover insights around art that you otherwise wouldn’t have had. That’s the part of the beauty of higher education. So we’ve got to make the value proposition argument, the dollars and cents argument, but I don’t want us to forget about also making the richness quality of education argument as well.

Rebecca: As we think about broader access, and our student bodies becoming increasingly diverse in a variety of ways, we do see a number of historically minoritized students having lower retention and DFW rates. What can educational institutions do to reduce some of these equity gaps in degree attainment and not just starting?

Chancellor King: So important, and at the Education Trust, this was really a major area of focus for us, trying to make the case that institutions have a responsibility to not only recruit first-year students, but to provide the supports necessary for students to complete and go on to success after graduation. One of the things we’re working on at SUNY, as I think you know, because Oswego’s very much part of this, we are replicating across 25 of our campuses a program called ASAP for community colleges or ACE for our four-year institutions. And the idea behind ASAP and ACE which has been shown to be successful in doubling completion rates in randomized controlled trials, so it has a tremendous evidence base. The core strategy around ASAP and ACE is to provide supports that make it more possible for students to be successful: more intensive advising, cohort experience, help with just-in-,time financial assistance for the student who, the car breaks down and so then they can’t get to their job, they can’t get to class and for want of $250 for the auto mechanic, they end up dropping out of school. ASAP and ACE have shown that if you provide that just-in-time financial support, it can make all the difference. There’s also an effort to support transportation, so that you try to take that out of the way as an obstacle for students. And I’m very hopeful about the impact that ASAP and ACE can have across our 25 campuses. But, more broadly, there’s really a cultural commitment we have to make as a community of institutions, that we are going to be laser focused on helping our students complete with a meaningful degree or credential. And so when we see those high DFW rates in a class, we’ve got to ask, “Well, is there more we could do in terms of academic intervention? Is there more support that we can provide? Are we seeing patterns for students with disabilities where they’re not getting the accommodations they need? Are there opportunities to maybe have those classes structured differently, so that students are able to get some of the foundational support they need at the same time as they are tackling new rigorous challenges, what sometimes people will refer to as co-requisite classes that integrate the remedial work with actual credit-earning college-level work.” So we’ve got to just be disciplined about this. And we’ve got to invest in the programs that we know will make a difference. EOP has been fabulously successful in New York for decades. Again, a set of wraparound supports, a sense of community for students, and importantly, financial assistance.

John: Are there any specific types of interventions in the classroom that seem to be particularly effective in terms of reducing some of the equity gaps by race, by first-gen status, and by Pell eligibility.

Chancellor King: It certainly varies by discipline, but a couple observations, one is relationship building is critically important. Students need to know that you care, and they need to know that they can come for help. When I was teaching at University of Maryland College Park before I came to SUNY, one of the things I would do every year on my syllabus, I would include basically a basic needs statement to say, here’s where you can go on campus if you are struggling with food insecurity, or housing insecurity, or if you need additional academic support, or you need additional mental health support. And here’s my contact information and my TAs contact information, and I want you to reach out if you need help in these areas outside of our class. Of course reach out if you need help with the work in our class, but if you need help in these other areas, please let us know. And just that step of communicating to students, here’s where the resources are and I want you to reach out for help, can be quite powerful. So relationships are critical. A second one I would point out is, again, it varies by discipline, but opportunities for students to do projects, hands-on learning, we’ve seen oftentimes that when classes are only lectures and exams, that students may not get as engaged. And it may not be as accessible to students as it could be. It takes more time. It’s more complicated to design courses that build in project-based or experiential learning. But we certainly need to be thoughtful about that, as we design courses.

Rebecca: I love the examples that you’re sharing because they really underscore that sense of belonging a student might gain and really feel seen, acknowledging that, you know, students may be housing insecure means you belong here, we know that you might be housing insecure.

Chancellor King: That’s right. That’s exactly right.

John: One of the things that’s had a pretty profound impact on higher ed, or at least it’s raised a lot of questions in higher ed, is the rapid development of AI tools ever since the introduction of ChatGPT last year. And we’re seeing new tools coming out almost every week or modifications on the existing tools. How do you see this affecting how we teach students and how students learn? And how can we prepare students better for a world in which they’ll be working with AI tools that’ll be increasingly better developed.

Chancellor King: It’s a fascinating set of questions. And this, I think, is going to be an important area of discussion for faculties across all of our SUNY institutions for many years to come. I’m very excited that the governor committed to the Empire AI initiative, because that will invest real resources in our institutions to do some of the research to unlock the potential power of AI to advance the public good. You think about some of the opportunities where AI could help with medical diagnosis and the development of treatment plans in medicine… early days, but we see some opportunities there. We’ve got an NSF grant at UB, University at Buffalo, to focus on the use of AI as a tool for improving instruction for students with disabilities, and there’s tremendous potential there. We know that AI can be leveraged for advances in manufacturing and robotics, so tremendous opportunities to leverage AI. There are also tremendous risks. We have a set of scholars at UB as well, who are working on the issue of deep fakes, and the risks that deep fakes pose to our democracy and the good functioning of our society. We have a faculty member at UAlbany, who is a philosophy professor whose focus through the early part of his career was on trust between people, and now he is writing about and studying trust between people and machines, as we think about how AI is reshaping elements of our society. So lots of opportunity here for us on the research side, and also some very real implications for thinking about teaching and learning. Some hopeful things like how can AI be used to power personalized tutoring for students who may be struggling? How can AI be used to create adaptive learning experiences where the level of challenges match to how students are responding to questions, but also, I think, a very real fear. Will students be doing their own work? Or will they be using chatGPT to write their paper? And so it’s going to challenge us to think differently about the kinds of assignments we give and where students take those assignments. So lots of questions that I think all of our faculty have to begin to think about, but we can’t pretend it’s not happening, that it’s not changing how students approach their work. And so we’ve got to be responsive.

John: I’m going to put in a plug for an event that SUNY will be sponsoring. There’s going to be an AI symposium taking place in Buffalo on May 21st. We’re working on a schedule for that, and we will include a link to any information about that in the show notes for anyone who might be interested in joining a discussion with many people from around SUNY about the implications of AI.

Chancellor King: There’s so much excitement around this. We had an AI task force this past semester that is now ongoing, and we had probably 80 faculty members across SUNY institutions participating in that and that was thinking about lots of different questions about the implications of AI. But I think this is a great chance for us to deepen collaboration across the SUNY system.

Rebecca: You really highlighted a wide range of both opportunities and challenges that institutions face as a whole. How do faculty see themselves in moving forward in facing some of the challenges in helping students achieve meaningful credentials or really meet meeting some of the demands of our very near future.

Chancellor King: The faculty are the heart and soul of SUNY. I visited all 64 campuses, as I mentioned, last year. I’m about halfway through visiting them all again. And I’m just continually inspired by the work I see happening across our campuses, just faculty members who are inspiring students, who are equipping students with critical skills that will help them in their professions and in their lives. So I’m very grateful for that. A couple of places where I think there are some real leadership opportunities, one is for faculty to play a role in supporting our recruitment efforts to make sure that when students of color, low-income students, first-gen students, are coming to campus, they are hearing a clear message from faculty that they are wanted. One of the worries I have about the Supreme Court decision last year ending race-conscious admissions, is that it sent a message to black, Latino, Indigenous students, you are not welcome in higher education. And we want to send the opposite message, we want to say there’s a place for every New Yorker at SUNY. Our classrooms are stronger when our student body is diverse; our faculties are stronger when they’re diverse; our research is better when diverse researchers are engaged in solving problems together. So recruitment is one opportunity. Second opportunity, I think, is to continually ask how do we evolve our instruction and our course content to align with our evolving students in our evolving society? Now, we’re always going to want students to engage with the great conversation about what is the good life, we’re always gonna read Plato and Aristotle. But at the same time, we got to think about how are the questions we’re asking maybe different given what our students face today. So I think about when I was at one of our campuses, speaking with a botany professor, who was saying that he’d really never had full enrollment in his course, he always had empty seats. But this past year, he was teaching a course in the horticulture of cannabis and waitlists. And it wasn’t to say that every student in that class is going to get a job in the cannabis industry, though certainly the cannabis industry is going to grow in New York. But that course will be a gateway to getting excited about agriculture and an interest in careers in agriculture, which are plentiful as a whole generation of folks in the agriculture industry retire. We have lots of need for folks with expertise in agriculture, sustainable agriculture, in particular. So maybe being in that course on the horticulture of cannabis will bring them into this new field. So it’s not that he’s teaching something entirely different, it’s kind of tapping into the intersection of his discipline and what students are curious about. Similarly, you think about health care, and the challenges we have in the healthcare sector, students are really interested in learning about racial health disparities, and understanding how we’re going to tackle those. And I’m not saying diverse students are interested in those questions, because they see the horrific maternal health disparities by race that we have, and they want to make it better. So we should talk about that in our nursing classes, in our public health classes, in our medical schools. So this evolution of our teaching and our content to meet the moment, I think, is hugely important. And then I would add, we are stronger together. And so collaboration across disciplines, collaboration across institutions, strengthening transfer pathways, for example. 80% of the students who start community college, say they want to earn a bachelor’s degree, but less than 20%, do. We can do better, we have to do better. And so those partnerships, not only institutional partnerships, so that credits transfer and those things, but also faculty collaboration. What do we advise students about which courses to take if they’re interested in a particular degree when they come to the four-year institution? How do we improve advising at the two-year institution? Those kinds of things are an important place where faculty can engage.

John: As you mentioned, SUNY has done quite a bit of work in easing transfer credit across institutions, between community colleges and four-year colleges. But we have those really poor success rates for students who plan to go on for a bachelor’s. Are there any other strategies that could be used to help ease that transition from community college into four-year programs?

Chancellor King: Absolutely. You know, we have a transfer task force with folks from across our two- and four-year institutions working on this set of questions. Some of the things that we’re seeing that are promising around the country: advising… crucial, particularly as you’re picking classes, as you’re thinking about your major and how it will translate into what you want to ultimately do in your career, improving advising at the community college level, particularly if, and we have some folks who are using transformation funds, some of the funding we got last year from Governor Hochul and the legislature to do this, particularly if you can get the four-year institution to either place their staff as the advisors on a two-year campus, or to work in very close partnership with the advisors on the two-year campus to help ease that navigation. Another issue is what I might describe as friction reduction. One of the things we started this past year, which we will continue to grow is a SUNY match process where we reach out directly to students in our two-year programs and saying, “You are directly admitted to these four-year institutions based on your academic record at the two-year institution,” because for a lot of students, especially first-gen students, it’s that feeling of “Well, college, it it really for me, is a four-year institution really for me, am I ready for a four-year institution.” But it can be transformative to get that letter, that personalized letter that says there is a place for you at the four-year institution. And then look, there’s lowering financial barriers. That’s critical. One of the things I’m excited about that the governor announced in her State of the State and included in her budget is Universal FAFSA, making sure that students complete the Free Application for Federal Student Aid, because that’s how they know what resources are available to them. And some of our community college students, unfortunately, they don’t realize the aid they could have and so they’re struggling to afford the two-year institution and making the choice not to pursue a four-year degree because they don’t know the Pell dollars, the TAP dollars that could be there for them. That’s why we need them to do the FAFSA. Last year in New York, students left $200 million in federal aid unclaimed because of not completing the FAFSA. And so Governor Hochul wants to require K-12 to work with us in higher ed, to make sure that every student either completes the FAFSA, completes the DREAM Act application if they’re undocumented, or they and their family would complete a waiver that says “I realize there are billions of dollars available for post-secondary education, and I don’t want any. I’m not gonna fill out the form.” But at least we’ll know that every student and family understood the options available to them.

Rebecca: Sounds like some really great opportunities. I’m watching our time and knowing that we’re nearing our end of our time. But I’m really curious, before we get to our last question, what you’re most excited about working on in the next year?

Chancellor King: I love that question. I’ll tell you one of the things that I’m very passionate about. I first worked on when I was at the U.S. Education Department, President Obama had an initiative called My Brother’s Keeper, which was about trying to improve outcomes for boys and young men of color. And as part of that initiative, I was very involved in kind of leading the agency work on that initiative when I was Deputy Secretary then continued that as Secretary. And one of the initiatives that we launched was something called Second Chance Pell. And the history there is that in 94 in the crime bill, there are many problematic provisions, but one that was especially dumb was a provision that banned access to Pell grants for folks who are incarcerated. Now, of course, the evidence is any educational experience while incarcerated reduces the likelihood of recidivism. And completing a degree while incarcerated dramatically reduces the likelihood of returning to prison. So shamefully, this was part of the tough on crime punishment first kind of focus of the mid 90s. They banned access to Pell Grants, as a result programs in prisons all over the country closed. Some remained open through philanthropy, but many many closed. We wanted to change that, and so we used our experimental authority under the Higher Education Act to create a pilot program called Second Chance Pell that would allow, at that time, 65 colleges and universities to use Pell grants with students who are incarcerated. We launched that while I was Secretary. And then, when I was at Ed Trust, a coalition of civil rights groups, criminal justice reform organizations, education equity focused organizations worked together to get folks to visit those programs, members of Congress, Governors to highlight the incredible stories of the students who graduated from higher ed in prison programs. And we were able to persuade Congress to change the law and restore Pell access generally. So today, Pell Grants are available for incarcerated students. SUNY is already the largest provider of higher education in the state’s prisons with over 700 students, but we are trying to grow that effort. I want there to be a higher education program in every correctional facility in New York State. I want to make sure that we grow the number of bachelor’s programs. We have a lot of associate’s degree programs, but I want to make sure that students have the opportunity to go on to their bachelor’s degree. I was at graduation last week, mid-State Correctional Facility, five students graduating from Herkimer Community College. It was so beautiful and inspiring to see the transformative power of education, to hear students talk about how the access to higher education had changed them, changed their lives, changed their prospects for when they come home, but changed them as people. The faculty members were crying, the family members were crying, the folks in the correctional facility were so excited for the students who were graduating. It was truly, truly inspiring. So I’m very excited about that work. I’m looking forward to growing that work. But then more broadly, I’m excited that SUNY is on the move. SUNY is delivering high quality, affordable public higher education, driving economic opportunity for New York State. We are working to improve recruitment, retention, and completion. We are advancing diversity, equity, and inclusion. We are doing the things that we ought to be to better serve New Yorkers. So I’m super excited about our work together.

John: Those are really important programs. And we’re so glad to hear all of this. We always end with the question: “What’s next?” I know you’ve already addressed a lot of this, but there’s so much more.

Chancellor King: Well, you know, we try to organize our work around the aspiration that SUNY has to be the best public statewide system of higher education in the United States. And we’re the largest comprehensive system, but it’s very important that we work to be the best system. To me that means we’ve got to deliver on student success. We’ve got to deliver on research and scholarship, the Governor’s asked us to double research and scholarship across the system. We’ve got to deliver on diversity, equity, and inclusion, that means diversity of our students, our faculty, our leadership, across our institutions. It means implementing the diversity, equity and inclusion, general education requirement, which is really nation leading to say every student is going to be exposed to diversity, equity, inclusion content across all of our institutions. And we’ve got to deliver on economic development and upward mobility, which has been the SUNY tradition for 75 years. So I organize how I think about the work. And certainly our board is organizing its work around those four pillars in order to achieve that goal of being the best statewide public higher education system. In the short term, we got a state budget that hopefully will be enacted on April1. So we got a lot of work to do to make sure we are making the case for investment in SUNY and helping people to see there’s a nine to one return on each state dollar invested in SUNY in terms of the economic impact. We need legislators to know that and we need to work with them to make sure that they are investing in the great work that our faculty are doing.

Rebecca: Well thank you so much for your insight on the current state of higher ed and all the opportunities that we have to improve our society.

Chancellor King: Thank you. Thanks for the opportunity to join you and thanks for fostering dialogue on important issues.

John: And thank you for giving up your time so generously and all the work that you’ve done and are continuing to do.

Chancellor King: Thanks so much.

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John: If you’ve enjoyed this podcast, please subscribe and leave a review on iTunes or your favorite podcast service. To continue the conversation, join us on our Tea for Teaching Facebook page.

Rebecca: You can find show notes, transcripts and other materials on teaforteaching.com. Music by Michael Gary Brewer.

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325. Looking Forward to 2024

As we enter this spring semester, we take a break from our usual format to discuss what we are looking forward to in 2024.

Show Notes

Transcript

Rebecca: As we enter this spring semester, we thought we’d take a break from our usual format to discuss what we’re looking forward to in 2024.

[MUSIC]

John: Thanks for joining us for Tea for Teaching, an informal discussion of innovative and effective practices in teaching and learning.

Rebecca: This podcast series is hosted by John Kane, an economist

John: …and Rebecca Mushtare, a graphic designer…

Rebecca: …and features guests doing important research and advocacy work to make higher education more inclusive and supportive of all learners.

[MUSIC]

John: So what tea are you drinking now, Rebecca?

Rebecca: I’m drinking Ceylon tea.

John: And I have ginger peach black tea from the Republic of Tea.

Rebecca: So it’s a new year, John, and we’re gonna have a nice positive episode. So what are you grateful for?

John: I’m grateful that we survived another year. I’m grateful for the continued return to face-to-face instruction and a continuing return to a more normal classroom environment and college environment after all the disruptions from COVID that lasted for a while. And I’m also grateful for the initiatives that we’re using on our campus, and most campuses, to provide more focus on equity and trying to reduce some of the equity gaps that we’ve been seeing. And I’m seeing a general interest in that across a wide range of faculty and the administration. And we’re just in the process of running some workshops, and we’re getting some really good attendance at workshops that focus on techniques that faculty can use to improve equity and reduce some of those gaps. And I’m looking forward to seeing continued expansion of more equitable practices. And also, we’ve had quite a few people trying to implement the TILT approach that Mary-Ann Winklemes has talked about on a past podcast episode, and we’re hoping that that, combined with the increased structure that many people are trying to use in their classes, will help provide all students with more equitable outcomes.

Rebecca: I’m really glad that you have brought up equity, John, because I was just reflecting on a couple meetings that I was in just this week, and thinking about how equity oriented many of our colleagues are. And it’s really exciting to see them really advocating for policies, instructional practices, and many other things that are really equity oriented, and thinking about inclusion, and access, and all the things that you and I have talked about for a long time and have cared about and tried to implement in our classes. I’m also really grateful for, and I know you are too, for the many guests that we’ve had who’ve shared their expertise with us and with our audience. When we do these weekly episodes, it’s so great to have the opportunity to talk to such experts, to learn from them, to stay fresh with what’s going on, and to be able to share it with everyone else. It’s an experience that I didn’t know that I wanted, and I’m glad that we get to continue doing it.

John: And one other thing I’m grateful for from last fall is I attended my first POD conference, and I got to meet dozens of guests that we’ve talked to before. And we’ve talked to them, we’ve seen them on camera, but it was so nice to meet them and talk to them in more detail and in more depth in person.

Rebecca: I felt that way when I went to EDUCAUSE for the first time this year and connected with a number of colleagues focused on accessibility and growing that network and really connecting beyond just names and emails and other ways that we’ve communicated.

John: What are some of the major things you’re watching in the higher ed landscape? We’ve seen a lot of changes going on in the last few years, what are things that you’re going to be focusing more of your attention on in the next year?

Rebecca: I know that some of the things that we’re working on in grad studies and that I’m personally really involved in are kind of some increased accessibility resources for our colleagues at Oswego as well as SUNY. I’m looking forward to building out some of those resources, sharing those resources, and wrapping up a couple of research projects related to accessibility and getting to share those out. And I’m really excited that the higher ed landscape generally is having a lot more focus in this space because students with disabilities have been often overlooked in our diversity, equity, and inclusion initiatives. And there definitely is a push to be a little more inclusive, and to have that population represented in these efforts and initiatives. We’re also really focused on ideas of belonging for a wide range of students, thinking about how do we get our online students connected to each other and to the larger population of students and to see them as members of our community, extending some of those features and opportunities for international students and really thinking about what some of their needs are to be successful at our institution, especially with our kind of rural location, and what can make things really excited. So I’m really looking forward to finding ways to support our students not just in the courses that I’m teaching or in my instructional role, but also in policies and procedures that we’re implementing at the institution,in grad studies, but more broadly as well. How about you?

John: One of the things that I’m really following closely is the development of AI. This came about a little over a year ago and it’s been a really disruptive influence. It offers a lot of tremendous possibilities, but it also provides some challenges to traditional assessment, particularly in asynchronous online courses. So I’m looking forward to continued development, it seems like there’s new tools coming out almost every week. And it offers some really nice capabilities to narrow some of the equity gaps that we have by providing low-cost assistance for students who may not have come into our institutions quite as well prepared. It offers a possibility of students doing a little bit more retrieval practice for those classes where instructors are not providing those opportunities. It offers students who, again have a somewhat weaker background, to take more complex readings that they may have been assigned and simplifying it and creating a more accessible format to help students get up to the level they need in their classes. And so it provides tools that can help students improve their writing, and so forth. The challenge, of course, is that it can also be used as a substitute for learning in some classes unless assignments are designed in a way, and assessment techniques are designed in a way, that reduces the likelihood of that and that’s one of the things we’ll be working on a lot this year, ways of coming up with more authentic assessment and ways of providing more intrinsic motivation for the work that students are doing, so that students can see the value of the learning rather than focusing entirely on grades. And one of the things we’re doing is we have a reading group coming up early this semester on Grading for Growth by Robert Talbert and David Clark. And we’re, in general, encouraging faculty to at least consider the adoption of alternative grading systems, which shift the focus away from students trying to maximize grades to maximizing their learning. And there’s a wide variety of tools that could be used for that, ranging from mastery learning quizzing systems, which many faculty have already been doing through specifications grading, contract grading, labor-based grading, and also ungrading.

Rebecca: Yeah, it’s really exciting that we’re going to focus on that semester, something that I’ve been interested in for a long time and have been using in my classes as well. I’m glad you mentioned AI, there’s certainly a lot of promise, and I’ve been really excited by how many faculty, staff, administrators who’ve actually really been engaged in the conversation around AI. I think sometimes there are new innovations and things and people kind of brush it aside and don’t always think it applies to them or isn’t relevant to them. But I think this is something that’s relevant to everybody. And most people are seeing that and engaging in the conversation, struggling in the conversation, but at least we’re doing that in community. And I think there’s some power in that as we think through policy, in assignments and all the things that we need to think about to provide an enriching experience for our students, but also engage and use the tools and the power that they offer.

John: One other thing I’m following is the development of a wide variety of new edtech tools. We saw an explosive growth in the development of tools and expansion of their capabilities in response to the COVID pandemic, but that growth and expansion hasn’t dropped. And we’re seeing more and more tools that have often been designed based on research about how students learn. And I think we’re going to see expanded use of many of these tools in the coming year.

Rebecca: And I think a lot of faculty got used to experimenting with these tools during remote education and are continuing to use them in physical and virtual classrooms, which I think is really exciting, maybe even more exciting to me was attending big conferences like Middle States and actually having a presenter use some of these edtech tools as part of a plenary. So rather than having more of a lecture style session, it was more of an interactive session, which doesn’t always happen at conferences of such scale, or these more leadership conferences. So it’s exciting to see that we’re modeling some of these practices at the highest level so that the wide variety of individuals involved in higher ed are experiencing learning and engaging with these kinds of tools. Along the same lines, I’m also excited that many of these tools are starting to actually attend to accessibility, in part because higher ed institutions are really pushing back to third-party providers and requesting them provide information about accessibility, and even refusing to adopt tools if they aren’t meeting basic accessibility principles, which I think is really excited and really important.

John: And I saw something very similar both at the POD conference where you might expect to see people creating more interactive workshops, but I’ve also been seeing it in the workshops that we’ve had in the last couple of weeks here. We have a record number of faculty presenting in workshops, they’re using polling, they’re using tools like Mentimeter and they’re doing many more interactive activities than in past years. If we go back a few years, many of the sessions that were presented were essentially straight walkthroughs through PowerPoint slideshows with not a lot of interaction with the participants. And our workshops here have been both in person and remote over zoom. And people have been working really effectively to bring all the participants into the discussion and into the activities, regardless of whether they are in person in the room or remote. And it’s been nice to see that. Much of that I think did grow out of the experiences of COVID, and people just getting more comfortable trying new tools.

Rebecca: Come to find out, practice helps us learn things.

John: Also, our campus enabled the AI Companion in Zoom, which will provide meeting summaries for people who arrive late or people who come in at the end of a discussion. And I think that’s going to offer some nice opportunities for people who may have missed part of the discussion early on in a session, or in a workshop, or in a meeting, because so many of our meetings now take place over Zoom.

Rebecca: And there’s lots to be watching that are also highly concerning, but John and I resolved that we weren’t going to focus on those today.

John: So this will be a relatively short episode. [LAUGHTER]

Rebecca: So continuing on this theme of gratefulness and positivity, John, what are you looking forward to trying this year, or focusing on in your own work this year, or committing to this year?

John: One thing, and this partly follows up a couple of podcasts we’ve had in the last year or so. In our campus, many departments are working to build in some of the NACE competencies into their classroom. And there’s some really significant advantages for that. If it’s done well, it will help students recognize the intrinsic value of the things they’re learning in class and recognize that these are skills that they’re going to need later, which again, helps provide much more motivation for students to learn than if they just see a series of activities that instructors ask them to do, and they don’t see the value of that. So by making the connections between what we’re doing in the classroom in terms of the development of critical thinking skills, teamwork, and all those other NACE competencies, it offers some really serious benefits for students and for faculty. Because if students are more engaged in the activities and understand the purpose of them, I think they’re going to be much more likely to focus on the learning rather than again, trying just to get the highest grade. And that’s also very consistent with the TILT approach that we mentioned earlier. If students understand why you’re doing things, they’re going to receive the techniques and engage in them more productively than if they didn’t see the value of those tasks.

Rebecca: Yeah, I’m glad that you mentioned TILT as well. We mentioned it earlier, but I was just remembering that one of the things I wanted to mention while we were talking today is a commitment to thinking about TILT, not just in a classroom context, but all the other places that touch a student experience. So thinking about policies and procedures and ways that we can use a TILT approach to really improve transparency and clarity for our students and provide some equity and access by doing so. The other thing that I’m committed to trying to do is get back to more play, we’ve had some episodes on Tea for Teaching focused on play. And they always get me really excited about some of the things that I’ve done in the past in some of my classes and that I’ve done with some of my colleagues… and that the burden of transitioning during COVID to remote learning, some of these things have taken time and maybe attention away from play. And I’m hoping to take some time in 2024 to put some more attention back on being a little more playful.

John: So, you think education could be fun?

Rebecca: Maybe.

John: Okay. [LAUGHTER]

Rebecca: I’ve moved to doing some exercises and activities again a little more recently that get to some of these more playful ways of creating and making and thinking through complex problems. And every time I do that the students appreciate it. I have more fun, they have more fun, and I think a lot more learning gets done.

John: Since we want to focus on the positive, we’ll leave challenges for future episodes.

Rebecca: We’ve got all of 2024 to do that, John.

John: And we really appreciate, as Rebecca said, all of the wonderful guests that we’ve had since the beginning of this podcast, and we appreciate our audience too. So thank you for hanging in there with us.

Rebecca: Have a great 2024.

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John: If you’ve enjoyed this podcast, please subscribe and leave a review on iTunes or your favorite podcast service. To continue the conversation, join us on our Tea for Teaching Facebook page.

Rebecca: You can find show notes, transcripts and other materials on teaforteaching.com. Music by Michael Gary Brewer.

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324. Unmaking the Grade

A growing number of faculty have been experimenting with ungrading. In this episode, Emily Pitts Donahoe joins us to discuss her ungrading approach and the documentation of this process on her blog. Emily is the Associate Director of Instructional Support at the Center for Excellence in Teaching and Learning and Lecturer in the Department of Writing and Rhetoric at the University of Mississippi.

Show Notes

Transcript

John: A growing number of faculty have been experimenting with ungrading. In this episode, we discuss one instructor’s ungrading approach and her documentation of the process.

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John: Thanks for joining us for Tea for Teaching, an informal discussion of innovative and effective practices in teaching and learning.

Rebecca: This podcast series is hosted by John Kane, an economist…

John: …and Rebecca Mushtare, a graphic designer…

Rebecca: …and features guests doing important research and advocacy work to make higher education more inclusive and supportive of all learners.

[MUSIC]

Rebecca: Our guest today is Emily Pitts Donahoe. Emily is the Associate Director of Instructional Support at the Center for Excellence in Teaching and Learning and Lecturer in the Department of Writing and Rhetoric at the University of Mississippi. She experimented with ungrading and chronicled her experiences in her Unmaking the Grade blog. Welcome, Emily.

Emily: Thanks. I’m really excited to be here.

John: We’re very pleased to be talking to you. We talked recently at the POD conference, and I’m looking forward to this additional conversation.

Emily: Yes, where I got this lovely tea for teaching mug from John, which I’m so excited about and drinking from right now.

John: And since this is only audio, Emily was holding the mug [LAUGHTER]…

Emily: I’m showing it off.

John: So our teas today are:… Emily, are you drinking tea in that mug?

Emily: I am. [LAUGHTER] I am drinking tea out of my tea for teaching mug. I’m a big tea drinker. And so today I’m drinking my favorite tea, which is a strong black tea called Scottish morn. And I got this tea from a tea shop called Apothica in Niles, Michigan, which I used to go to when I lived in South Bend, so highly recommended if you’re in that area.

Rebecca: Sounds wonderful. I was ready for you to say that you had coffee or something in the tea for teaching mug so it’d be completely blasphemous… [LAUGHTER]

Emily: Never.

Rebecca: …because coffee is one of the most frequent flavors. [LAUGHTER] Emily, you’re doing it right. [LAUGHTER] I have blue sapphire tea today.

John: And I have Irish Breakfast tea today.

Rebecca: So, we invited you here today, Emily, to discuss your experiences with ungrading. Your blog is based on your spring 2023 course experiences but your ungrading experience predates this course. Can you tell us a little bit about your initial experience with ungrading?

Emily: Sure. So I have a background in Writing and Rhetoric and English literature, and so a lot of what we do in Writing and Rhetoric, I think, is already pretty aligned with some ungrading goals and practices. So in my courses, students have always had the opportunity to revise their work based on feedback, and include it in a final portfolio, and most of their grade is based on their revised work. So it’s not just that they get graded and then that’s the end of it, they always have a chance to improve based on feedback. The first time that I stopped putting letter grades and percentages on student work was in spring of 2022, when I was teaching a general education literature course at Notre Dame, and so the course was on pre-modern and early modern literature, but with a focus on how the texts that we were studying might help us examine or wrangle with some of the questions that we’re preoccupied with as a culture and society today, and thinking about how those texts might relate to student lives. So it was a course for kind of all levels and all majors, which I think made it a good course to experiment with. So I had first-year students all the way up through senior-level students from engineering and business and English and psychology and all kinds of different majors. So like all teaching experiments, I think there were definitely some kinks to work out after that first course; they never go exactly right the first time. [LAUGHTER] But I would say that, overall, it was a huge success. And that’s not because I did it perfectly, or even because I did it particularly well, but because I think ungrading really helped some of my students move beyond this idea of the school as a points game, to help find their interest and their motivations to study the material that we were studying for their own purposes, and to focus on developing the skills and knowledge that they wanted to develop rather than on attaining a specific grade.

John: And the second time you did this, you created a blog describing the process. What prompted you to create the blog?

Emily: So, I was inspired by a post written by Robert Talbert, who’s the co-author of a recent book, Grading for Growth, which I really highly recommend on alternative grading, and he and David Clark, his co author, also had a blog and substack newsletter on Grading for Growth. And so in December of 2022, Robert posted a stop, start, continue for the ungrading community. And if you’re not familiar with stop, start, continue, it’s an evaluation exercise used for mid-semester reflection, very often in classrooms where the instructor or another facilitator will ask students: “What kinds of teaching practices or classroom practices would you like to stop, start, or continue in the class?” And so Robert’s post was a stop, start, continue for the ungrading community. And one of the things that he recommended that the ungrading community start doing was getting into the weeds and writing in detail about the daily experiences and specifics of upgrading, so: what we’re doing, what kind of successes we’re having, what challenges we’re encountering, how we’re adjusting in real time, and he recommended keeping this as the kind of blog or like a captain’s log of weekly reflections. So when I read his post, I thought, “Well, I could do that. It didn’t sound that hard, and it sounded like a lot of fun.” So that was what prompted me to start writing weekly reflections to share some of the methods that I was using, successes and challenges that I had, and even some of my doubts or misgivings about some of the things that I was doing in the class.

John: And just as an aside, we were so impressed by Grading for Growth, that we’ll be using it in the spring reading group here, both at SUNY Oswego and at Plattsburgh with Jessmyn Neuhaus. So we’re very much looking forward to that. And Robert and David will be giving a keynote address at the start of our workshop series in just a few weeks in early January. So we’re very interested in doing more of this on our campus as well.

Rebecca: Can you talk a little bit about your decision to delay posting the blog until after the semester ended?

Emily: Sure. So the selfish reason is that it’s supposed to be an unfiltered look at the ungraded classroom. And part of me thought, what if I messed this up so badly that I’ll be embarrassed to talk about it. So it was partly that, but I would say the more important reason is that I thought it might be weird for students if I was talking in public about what was happening in the classroom in real time. And I was concerned that it would damage the relationship of trust that I wanted to build with my students if they knew that I was reporting on our conversations to a larger audience about the class. So I offered to hold things for that reason. But the other thing that I wanted to do was make it clear to students that I was writing these reflections that might later be published, and then to get their input on them. So some of what I shared on the blog, I didn’t really want to share without getting students consent to do that. But I also wanted to get their input on some of the things that I was talking about. So I believe really strongly in taking a students as partners approach to higher education and learning experiences. And I try to employ that in my educational development work in the classroom. So that means bringing students into conversations about teaching and learning and asking for their experiences and their expertise as students really and then using that to inform our practice. So delaying the posting allowed me also to get some input from students and to be able to share some of their thoughts and opinions on the blog whenever I could.

John: In reading through your blog, your spring 2023 class seemed really interesting. Could you describe that for our listeners?

Emily: Yeah. So this is the second course in our sequence of first-year writing courses here at the University of Mississippi, but it’s a little bit different. So for the second course in the sequence, students have the opportunity to take either Writing 102 or Liberal Arts 102, and I was teaching Liberal Arts 102. And so the goals of each course are really the same. But Liberal 102, as we call it, is conducted within the context of a research area in a specific discipline. So that means that it can have a very specific theme. So some of my really excellent colleagues in the department and in other departments have taught courses like writing about true crime, or the rhetoric of sports, or I believe there’s a course on fashion. So because one of my areas of expertise is teaching and learning, the course that I taught was called Examining Higher Ed Teaching and Learning in a College Classroom. And so I think this is a great course for first-year students as they’re entering this next phase of their education to reflect on where they’ve been and where they want to go. And so what we did was looked at questions like: What’s the purpose of a college education? Why are we all here? What kind of benefits does it provide to individuals or to society? What kind of collective benefits does it provide? And then how are those benefits enacted or engendered in the classroom. And so we explored a lot of debates around higher ed in the US and students have an opportunity to reflect on and draw on their own experiences as students and their expertise as students, and then integrate that with larger areas of research on education or current events in education. And then they communicated their ideas about education to audiences outside of our classroom. And so it was really, I think, an ideal course for ungrading because we could talk about grades, not only as a matter of course policy, but also as a core subject matter. So in the beginning of the semester, we read Alfie Kohn’s piece “The Case Against Grades” and talked about it both as a way to introduce the course grading system and as a kind of larger prompt for reflection about grades as an issue of concern in higher education right now.

John: And it sounds like a great opportunity to have students reflect on what you’re doing as you’re doing it. How did students respond to this?

Emily: So I think every time I’ve ungraded a class now, and I’m currently on my third ungraded class, students have responded a little bit differently every time and of course, every individual student is also different. I think there are three broad categories of response that I see. One is just enthusiasm; some students are really excited about ungrading, and usually that’s students who feel that, for one reason or another, their grades in the past haven’t been representative of their learning or who feel that some of their creativity or their risk taking has been stifled by their desire to get a good grade. So I wouldn’t say this is a lot of students, this is probably a smaller group of students, but some students are really excited about it. I would say another group of students are really hesitant because ungrading is a big unknown for them, especially for students who are dead set on getting that “A” grade. It can be really nerve racking not to know kind of where you’re at in the middle of the semester. When I get negative feedback on ungrading, it’s almost always students who say,”This is really interesting, but I never know where I’m at.” And so they’re really concerned about how they’re going to measure their progress. But they’re not thinking about their progress in learning, they’re thinking about their progress toward a specific grade, which is really understandable because grades are important. And so that’s also a smaller group of students. But I would say, by far, the biggest reaction I get from students is something like cautious optimism. So I always start ungraded courses with a conversation about grades and learning, and I ask students to share with me their experiences of grades and share with each other. And very often, they have a lot of negative experiences to share, and sometimes positive experiences as well. But we talk about the relationship between grades and motivation and grades and learning and they have a chance to reflect on that. And so I use these conversations as a jumping off point to explain why I use the system that I do and how I think it will benefit them as learners. And I think students find it really helpful to be able to talk about their experiences with grading openly and to be heard by a teacher. And I think that that alone makes them more willing to buy into the system. So once it’s explained fully, and once students start to see the potential benefits, I would say that most of them are cautiously optimistic.

Rebecca: I think that largely aligns with my experiences and explorations when ungrading as well. In your class, you included five different assessments and opportunities for revision. Can you talk about and describe these assessments?

Emily: Sure. So the first thing that students had the opportunity to do were weekly writing practice assignments. So these are what you might think of as formative assessments, they’re preparation for class discussion and major assignments that mostly involve reading or short writing prompts. And these students weren’t able to revise, they either kind of did it or they didn’t. But then students had an opportunity to do more longer major assignments, which are more typical assessments for the writing class, a series of papers and a multimodal kind of project or two, with an imagined audience kind of outside our classroom. And so these students could revise up to three times if they wanted to do that. And so I had to, for this class, adjust a little bit and do slightly fewer assignments than I might have done in a traditionally graded class, because the expectation is that students would be doing more intense work on each assignment in their revision. I also asked students to do self assessments periodically throughout the semester. So students would answer a series of questions about their progress toward the learning goals, about their goals for the remainder of the semester. And they would also propose a current grade for themselves based on evidence that they provided. And this is a similar activity to what we did at the end of the semester to determine their course grades. They were also assessed on their final portfolio, which had revised versions of their major assignments. So their work… basically as good as they could make it… their best version of their major assignments, plus another final self assessment of their work in the class. And then they were also assessed on class engagement, so their class attendance, their preparation for and participation in class discussion, the timeliness of their work, their support for the learning community and fellow students and things like that.

Rebecca: Can you talk a little bit about how you provided your feedback on those assessments?

Emily: Sure. So for the writing practice assignments, usually I just wrote a sentence or two in response to students work to let them know if they were on the right track, or they may be needed to adjust slightly as they prepare for their major assignments. For the major assignments, I did do a lot of longer written feedback, and a lot of this looked like feedback that I would give in a traditionally graded class. But I think it was a little bit more oriented toward future growth, rather than reflecting on past work. It was giving them a lot of direction on how they might want to revise to make their work better in the future, not just for future papers, but for this particular paper. And with that feedback, I also gave them a rubric, where I marked kind of where I thought they were at along the specific assessment categories and criteria that we were using for that assignment. So for example, we might have a category for audience and purpose. Students could see whether I think their work on that category was still developing, whether it was at the level of proficient or whether it reached the level of excellent, so I had these different categories and these different kind of progress metrics, where I would indicate this is a skill that I think you’re still working on, or this is a skill that you’re doing really well in. And I also provided feedback to students through our individual conferences. So we met once at midterm, I met with each individual student, and then once at the end of the semester, to have a face-to-face conversation about how students were doing and if they needed to make any adjustments to reach their goals for the rest of the semester. And I didn’t give any feedback through letter grades or points. Those are not really great forms of feedback. They don’t actually give us a lot of information about our progress. So most of the feedback that I provided was kind of qualitative feedback.

Rebecca: You just talked a little bit about rubrics as part of a feedback that we were providing students, can you talk a little bit about how those rubrics were developed?

Emily: Yeah, so I’ve tried several different methods of creating rubrics. And one of the things that I like to do is co-create them with students or get students input on rubrics. And I attempted to co-create rubrics with students in two different classes and have done it a few times. And sometimes it’s a huge success, and sometimes it really does not work very well at all. And in my spring class, it didn’t work very well at all. [LAUGHTER] So basically, what I’ve done previously is ask students what they think makes a good argument or a good piece of public writing, or whatever it is that we’re working on. Or I ask them what kinds of things they believe their writing should be assessed on, and how we would determine whether or not their writing is successful. And then we have a conversation about that. I make notes on the board as we’re talking. And then I go away and distill those notes down into a rubric with about five categories in which student work is assessed. And then there’s the three metrics, so developing, proficient, and excellent. And sometimes this works really well. But in my spring class, I think the students were really at a loss when I asked them about assessment, and even when I asked them what good writing looks like. And I think that’s because that no one has ever asked them to think about that before. They’re used to being told what their work should look like by someone else, and then trying to conform their work to those expectations, or to someone else’s standards. And obviously, we need to have standards and expectations for student work. But one of the things that that does is get the students only thinking about what the teacher wants and not what they want. They’re not thinking about what they want their work to look like, or what their standards are or what they’re trying to accomplish. And so I think, ultimately, if we’re preparing students for the real world, whatever that is, this is what we want them to be able to do, not just to blindly follow somebody else’s standards, but to create and work independently in a self motivated way, and then assess their work independently. So I think we have to kind of start with baby steps in that process. So in the spring course, the rubric activity really turned into a conversation about how students have been assessed in the past and why they’ve been assessed that way. So when I ask them about their experiences, how their writing had been assessed, they would say things like, we were graded on the word count, or we were graded on whether or not we included two sources in every paragraph. And then we use that as a jumping off point to talk about the principle behind those what they viewed as arbitrary rules. And so if your teacher is concerned about word count, it’s because they want you to make a substantive argument. And what does a substantive argument look like? If your teacher is concerned about including sources, it’s because they want you to make an argument based on strong evidence. And so what would strong evidence look like? And so we use that conversation to think about the assessment criteria for their college level work, and how that might be similar or different from what they experienced in the past. So in that way, I do think that conversation was helpful. And I do think based on my few experiences, that it helps to have students extrapolate criteria from some examples, rather than from thin air, kind of as I was asking them to do, but either way, having a transparent conversation about what students are being assessed on and why and a purpose behind the criteria is key to their success.

John: In one of your blog posts, you describe some of the writing assignments that you used in your class, and they seem quite interesting. Could you describe some of the writing prompts that you gave to students?

Emily: Yes, I was really excited about some of the assignments that I developed for this class. And I think I’m going to keep using them or versions of them in future classes. So for this class, I had a menu of assignment options. So the students could, for each major assignment, choose the kinds of projects that they found most compelling, or they would really draw on your strengths. And I thought this was important, partially because we were working some with generative AI in the class. And I’m sure everyone is aware by now some very serious data privacy concerns, ethical concerns around the use of generative AI. So I didn’t want to mandate that students work with AI if they didn’t want to, and some really didn’t want to. So I tried to offer them several options. And I was really happy about some of the options that I came up with. So obviously, one of the things that I was thinking about going into this semester was how to deal with generative AI and I have a lot of thoughts about that. But one big way to think about how to discourage inappropriate use of AI or encourage appropriate use of it is to think really carefully about assignment design. So one of the things that I did to help students navigate AI was lean into some multimodal work, think about argumentation in media other than writing or that kind of worked alongside writing. So we didn’t abandon writing entirely, but I did include a photo essay as one possible assignment in a menu of options. And for this course, I asked students to take a look at a book of photographs by Cassandra Horii and Martin Springborg that’s called What Teaching Looks Like. It’s a really, really cool book with candid photos of college teaching. And so we use this book to talk about visual rhetoric and also to use the photos as a launchpad for this discussion about college teaching practices and students’ experiences in the classroom. And so the assignment that students did based on their work with this book was to create their own photo essay called “What Learning Looks Like.” So instead of what teaching looks like, what learning looks like, with a specific audience and purpose in mind. So that was one of the assignments that I liked. Another one that I thought was really promising was something called “share your story,” which asks students to tell a personal narrative about their educational experience, and then connect that to a larger issue of concern or a body of research in higher education. So of course, this is not totally AI proof. ChatGPT can make up a story, but it can’t tell my students’ own stories. And I think most of us really like to tell our stories to other people. So I think that provided a little more motivation for students to do their own work. And then the last assignment that I really liked was an assignment that actually asked students to work with ChatGPT. So they created a prompt based on a template that I provided for an argumentative piece that they then fed to ChatGPT, so they gave ChatGBT the prompt. And then they took the ChatGPT output and critiqued it. So they annotated it, noting what pieces they thought were strong, whether or not the piece had weaknesses, and what those weaknesses were, where it might need revision or overhaul. And then they had to totally rewrite the piece that ChatGPT produced and make it their own. So they had to do a substantial revision. And then they had to annotate their own work and tell me why they made the revision decisions that they did. And so I want to clarify that I do think it’s important that students learn to generate first drafts on their own, because drafting is an essential part of the writing process, and it’s where a lot of the thinking happens. But I like this assignment as just one assignment in the sequence, because it does help students learn about generative AI and develop some AI literacy. And it also helps students get over that terror of the blank page. So a lot of students procrastinate because they don’t know how to get started. They’ll open their laptop to begin a paper and stare at the blank screen. And I find it really difficult to get over that first hump of starting work, and just close their laptop and go away and try it again later, usually the night before it’s due. So I think starting in this way, with a ChatGPT prompt and an essay gives them a jumping off point, and it’s an easy way to help them start building the confidence they need to do their own first draft.

John: We should mention that we did talk to the authors of What Teaching Looks Like, and we’ll include a link to that discussion in the show notes. One of the things you described in your blog is that having this ungraded environment encourages students to be perhaps a little more open and honest with their instructors, but that could lead to some challenges in terms of additional emotional labor. Could you describe the challenges that you faced in this class with that?

Emily: I think one of the big themes in the spring class in particular was that I asked students to share with the class and for audiences beyond the class about their previous experiences in school, or their current experiences, and I think this also happens in a lot of ungraded classes. One common method of introducing an unfamiliar grading system is getting students to think about their previous experiences with grades. And so one thing that happened in this particular class is that students’ related a lot of past educational trauma to me, and usually that involves bad experiences with previous teachers. And I’m really glad that they were able to speak honestly about that sort of thing. And I think it helped them to have a teacher take them seriously when they related those stories. At the same time, it was pretty difficult to navigate those conversations, because I was managing their emotions, my emotions, and also doing that when sometimes I only knew one side of the story. And so that was a little bit difficult. Another thing is that students in this class didn’t seem to feel that their grade depended on telling me what I wanted to hear. So I think they were a lot more honest about their views than in other courses that I’ve taught. So in my traditionally graded classes, or I think, in any class where students are discussing hot button issues, they tend to think that they’ll be graded more harshly if they express views that the instructor disagrees with. So very often, I think, they try to say what they think you want to hear rather than what they really think. And that didn’t seem to happen as much in my spring course. I had several students endorse viewpoints that I definitely disagreed with whether they knew that or not. And I think that’s good, because students have to sort through their own views and values. But it also required me to do a lot of thinking about how I would approach and address students not just whose views I disagreed with, but whose expression of those views might be damaging to others or to themselves. And so, we need to do some work around community building and relationship building in the class. And then of course, when you build relationships with trust with students, they’re more likely to tell you about the personal problems that they’re facing, whether that’s their mental or physical health or their personal relationships or family emergencies or grieving. And it’s really just a lot. And I do sometimes lay awake at night worried about my students. And there’s a lot of care work happens, I think, in all classes and also especially ungraded classes. And so there’s a lot of work in referring students to other resources and helping them navigate campus resources, and also just a lot of kind of management of your own emotional state [LAUGHTER] that has to happen. So I did want to be honest on the blog about some of the emotional toll of the work of teaching in general and of ungrading too.

Rebecca: You’ve described the care work, you’ve described individual conferences with students, you’ve described students’ anxiety over not knowing where they are sometimes and allowing substantial revision. Can you talk a little bit about how all of those things play into workload and how you’ve managed things?

Emily: Yes, this is a good question. And I feel like I have a very complicated answer to whether or not ungrading has increased my workload, because I get asked this question a lot. In my traditionally graded classes, giving all that feedback felt like a waste of time for a few reasons. First, because I had the sense that students weren’t really reading the feedback. So we know from research that when students receive a letter grade and also feedback on their work, they tend to see the grade and then ignore the feedback, or at least receive the feedback as a justification for a grade, rather than something that’s going to help them improve their work in the future. So I also spend a lot of time in traditionally graded classes worrying about how students would receive my feedback if they got a low grade on their paper. So how could I write feedback that would be appropriately honest, but also appropriately encouraging, so that students didn’t just see a C-minus or a D on their paper, and then give up and throw it in the trash. So I don’t really worry about those things since I’ve adopted ungrading. I provide feedback honestly, and with the mindset of a coach rather than a judge. And I provide it with at least some confidence that students will read it and use it. So they have plenty of opportunity to revise. And in fact, their ultimate achievement of the course is measured by their growth in specific areas and their demonstration of learning that arises from taking a piece of writing from not so good to much better. And so the expectation is that what they turn in the first time is not their best work and they’ll only get to their best work after they incorporate feedback. So I do spend a lot of time responding to student work now that I’m ungrading. But the process is more efficient because it accomplishes my goals rather than wasting my time. And it’s more enjoyable, because it causes me less angst. So I guess it is more work to provide feedback, but it’s also more efficient and enjoyable work. I think I feel kind of the same way about individual conferences with students, that it does take quite a bit of time to do those and it would be, I want to acknowledge, so much more difficult, it may be impossible to do if I was teaching more classes and more students. I’m very lucky that I teach small class sizes. And because I work in educational developments and work in a teaching center for most of the time, I only teach one course at a time. So I think there are ways to do this with larger courses, but I’m very fortunate in my course to be able to conference individually with each student twice in the semester. And those conferences are incredibly time consuming, and they can be really draining, but they are also really joyful. And I think it’s really important that students are able to have those one-on-one conversations with me. And they are much more, I think, effective in accomplishing a lot of the goals that I have for student learning than just simply doing written feedback or peer review or things like that. Having that face-to-face time to give students some individual attention is a really both enjoyable and effective part of the learning process.

John: A question that often comes up from people who have not tried ungrading is how well do students’ perceptions of their learning align with your perceptions of the learning when you do have to assign those midterm or final grades in the class?

Emily: Yeah, this is a really good question. And I would say I’ve had to do a little bit of work on my process to make sure that our expectations are aligning well. Sometimes, there are cases where students don’t automatically start off knowing what I expect from their work and what good work looks like, even when I thought that I was clear about that. So that is an issue that I’m working on. I would say for the majority of students, they do understand what good work looks like. And when they’re asked to provide evidence for their course grade, most of the time they know what good evidence looks like and are able to demonstrate to me in really, sometimes ways that I hadn’t anticipated, that they really had learned in the class and progressed and improved their work. For those students who struggle, and I think it’s more frequent for first-year students to struggle with this than more advanced students, for students who do struggle, I think it is important to be able to show them models of student work early in the semester so that they can get a sense of what a successful assignment looks like or what’s kind of level of expectations we have for what student work counts as really excellent work. So that’s been really helpful. And I’ve also made some changes to my class this semester to help clarify for students a little bit what kind of evidence might be good evidence for specific grade proposals in the course. So if they are really shooting for an A or B in the course, what kinds of actions or behaviors or demonstrations of quality work do they need to be able to show in order to attain that grade?

Rebecca: I know one of the things that I struggled with in some of the classes where I’ve done ungrading is that sometimes the midterm conference feels like it comes too late. So I experimented, I think once with like a one-third, two-thirds, three thirds approach, but then that was so much more conferencing.

Emily: Yeah.

Rebecca: So I’m curious about your timing and how the midterm time works in the classes that you’ve been teaching.

Emily: Yeah, I think that’s where the self-assessment assignments come in. So I do think midterm is quite late for students to be getting the first level of feedback. And so I have students do a self-assessment form, I guess, a quarter way into the semester. So we start that process really early of having them look back at the work that they’ve done, and propose a grade for themselves based on that work. And when they do those self assessments, I don’t conference with students every time they do a self assessment, but I do look at where their grade proposals are. And I’m able to say if our expectations are very, very different, or assessments of that students work is very, very different, I’m able to reach out and say, “Hey, I don’t think we’re aligned here, and here’s why.” And being able to intervene early on that I think is really important.

John: We’re recording this near the end of the fall semester of 2023. And you’re currently teaching another ungraded class, could you tell us a little bit about what types of changes you made from the spring class to the fall class?

Emily: Sure, there are a few changes that I’ve made, because there were some things that I think did not go very well in the spring and I wanted to try to improve that. So what didn’t go well was that I had a real problem with attendance, there were quite a few students who struggled with their attendance, especially in the latter half of the semester, and quite a few students who struggled to submit their work on time kind of throughout the semester. And that made it difficult for me, but I think more importantly, it made it really difficult for the students who once they missed an assignment, they found it really difficult to get back on track. So my challenge is really to figure out how to motivate students to attend class regularly and submit work on time without penalizing them for absences or late work or without a kind of point system to encourage them to show up to class and to submit their work on time. So that was one thing I wanted to address. And then the other thing is that students’ anxiety about not knowing where they stand in the midst of the semester at any given point. So what I developed to address all of those challenges was a course progress tracker. And so this is a document, a pretty comprehensive document, inspired by David Clark’s Grading for Growth post about grade trackers that I read during the summer while I was designing this course. And so the document is really a series of tracking worksheets in three different categories. So the first category is readings and assignments, students can see each week at a glance what work they have to complete, and then they can check off boxes as they complete that work, and then note, if there are assignments they’re submitting late, they can record those late submissions. There’s a category for attendance and engagement where students can check off the classes that they attend, and then make notes about their in or out of class engagement during each week of the semester. And then there’s a section… the most important section… for learning and growth where students can remind themselves of what the course goals are, and then track their progress along those goals, so they can see and make notes about where they’re still developing, where they’re doing excellent work, and how they’re improving their writing as the semester goes along. So, so far, it’s been going really well. And I’ve had fewer challenges with attendance and late work this semester than last semester, though, I can’t say to what extent that’s just a result of a different population of students or the fact that it’s fall instead of spring. So I will add that caveat, but I have surveyed students about their use of the progress tracker last week, and I’m really looking forward to diving into that next week. So the last thing that I think the progress tracker does, which I didn’t totally intend, but which has been really excellent, is that I think it helps students a lot with their self-assessment work, which they also struggled with, to some extent last semester, or I should say, maybe I struggled to teach really well. So I had a realization at the end of last semester, that when I sat down to think about a student’s work over the course of this semester, I was really thinking about three things. And so the first thing is quantity. How much work did students do? How much labor did they put in? How many assignments did they submit at a satisfactory level? How many class days did they attend? How much time did they spend on their major assignments? So that was one category. The second was quality. So how good was the work that they were doing according to the standards that we laid out? Was it still kind of developing work? Or was it excellent work? And then the third thing was growth. So how and how much did student work improve over the course of this semester? And can they demonstrate that they’ve gained knowledge and skills that they didn’t have before? Or can they demonstrate that they’re better off from having taken the course. And so while we’ve had conversations about those things in the spring, I never articulated to myself or to my students, that particular model; I never kind of said it in quite this way. So the last section of the progress tracker includes a guide to determining final letter grades for students. And it gives them space to think about quantity, quality and growth, and how that might contribute to the grade that they propose for themselves, if they’re interested in the specific letter grade. And it gives them a sense of what kinds of evidence they could provide if they want to show good evidence for a specific letter grade. So you can provide good evidence for an A if your work rises to the level of excellent on multiple assessment categories. Or if you attended class every time that you were able and submitted the vast majority of your writing practice assignments. So all of these things are good pieces of evidence if you want to propose an A grade for yourself. So there’s some flexibility there, I don’t prescribe exactly what students have to do for a specific grade, but I do make suggestions and say, here’s a guideline for you. If you’re confused about what kinds of work you need to be doing, or what you need to do to demonstrate that you’ve attained a certain letter grade, you can take a look at this guide, and learn a little bit more about what the expectations are. Currently, it’s just something for the students to use for themselves. I have provided time in class for students to fill out sections of it, because I think that if I did not ask them to do it in class, they might struggle to keep up with it outside of class. But I think maybe in the future, I will consider asking them to keep up with it. And then periodically checking in on those progress trackers throughout the semester so that I can intervene early, if there are any issues and maybe leave comments on the documents to let students know if I think they’re struggling in a specific area, or if they’re doing really well in a specific area. I am playing around with that idea for my next version of the class.

John: So we always end with the question: “What’s next?”

Emily: So this spring, I won’t be teaching an undergraduate course, but I will be working with graduate students who are preparing to teach their own Writing and Rhetoric courses. And I’m really looking forward to talking with them about teaching. And I’ll also be continuing to write about ungrading on the blog. So specifically, I’m hoping to share a bit more about what I learned from my experiences this semester. And I’ve been collecting data from my current students about their use of the progress tracker, about their use of AI in their writing this semester, and about their feelings and impressions of ungrading. And what I’m planning to do throughout the spring is share some of those student thoughts with the readers of the blog, and I’m really excited to be able to share students’ ideas about ungrading and other topics as well.

Rebecca: Sounds great. We’ll look forward to reading that for sure.

John: Thank you, Emily. It’s great talking to you and we look forward to future conversations.

Emily: Thanks, this has been fantastic.

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John: If you’ve enjoyed this podcast, please subscribe and leave a review on iTunes or your favorite podcast service. To continue the conversation, join us on our Tea for Teaching Facebook page.

Rebecca: You can find show notes, transcripts and other materials on teaforteaching.com. Music by Michael Gary Brewer.

Ganesh: Editing assistance by Ganesh.

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315. Unessays

An unessay assignment provides students an opportunity to demonstrate their learning in innovative and creative ways. In this episode, Jessamyn Neuhaus and Maggie Schmuhl join us to discuss how they have employed unessay assignments in their courses.

Jessamyn is the Director of the SUNY Plattsburgh Center for Teaching Excellence and a Professor in the History Department at SUNY Plattsburgh. She is the author of Geeky Pedagogy: a Guide for Intellectuals, Introverts, and Nerds Who Want to be Effective Teachers. She is the editor of Picture a Professor: Interrupting Biases about Faculty and Increasing Student Learning. Maggie is an Associate Professor of Criminal Justice and the Associate Director of the Center for Excellence in Learning and Teaching at SUNY-Oswego.

Show Notes

  • Neuhaus, J. (2019). Geeky Pedagogy: A guide for intellectuals, introverts, and nerds who want to be effective teachers. Morgantown, WV, USA: West Virginia University Press.
  • Neuhaus, J. (2022). Picture a Professor: Interrupting Biases about Faculty and Increasing Student Learning. West Virginia University Press.
  • Neuhaus, J. (editor) (2022). Using the Unessay to Teach History. Teaching History: A Journal of Methods. Vol. 47. No. 1.
  • Cavanagh, S. R. (2023). Mind over Monsters: Supporting Youth Mental Health with Compassionate Challenge. Beacon Press.
  • Jessamyn’s American Promise Unessay Assignment
  • Pittman, Chavella (2022). “Strategizing for Success: Women Faculty of Color Navigating Teaching Inequities in Higher Ed” in Picture a Professor: Interrupting Biases about Faculty and Increasing Student Learning. Ed. by Jessamyn Neuhaus. West Virginia University Press.
  • Pittman, Chavella (2023). Navigating Teaching Inequities. Tea for Teaching Podcast. Episode 291. May 31.
  • POD Network Conference
  • Teaching, Engaging, and Thriving in Higher Education Series. University of Oklahoma Press.
  • American Historical Association Annual Meetings

Transcript

John: An unessay assignment provides students an opportunity to demonstrate their learning in innovative and creative ways. In this episode, we explore ways in which different faculty have employed unessay assignments in their courses

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John: Thanks for joining us for Tea for Teaching, an informal discussion of innovative and effective practices in teaching and learning.

Rebecca: This podcast series is hosted by John Kane, an economist…

John: …and Rebecca Mushtare, a graphic designer…

Rebecca: …and features guests doing important research and advocacy work to make higher education more inclusive and supportive of all learners.

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Rebecca: Our guests today are Jessamyn Neuhaus and Maggie Schmuhl. Jessamyn is the Director of the SUNY Plattsburgh Center for Teaching Excellence and a Professor in the History Department at SUNY Plattsburgh. She is the author of Geeky Pedagogy: a Guide for Intellectuals, Introverts, and Nerds Who Want to be Effective Teachers. She is the editor of Picture a Professor: Interrupting Biases about Faculty and Increasing Student Learning. Maggie is an Associate Professor of Criminal Justice and the Associate Director of the Center for Excellence in Learning and Teaching at SUNY-Oswego. Welcome back, Jessamyn and Maggie.

Maggie: Hello.

Jessamyn: Hi. Thanks for having me.

Maggie: Good to be here.

John: Our teas today are:… Jessamyn, are you drinking any tea?

Jessamyn: I am. In preparation for this very question, I’m drinking a wild sweet orange.

Maggie: Oooh.

Rebecca: Sounds nice.

Maggie: That sounds very fall. I am drinking a bread pudding tea. It’s a black tea from a little tea shop in Sacketts Harbor.

Rebecca: That’s a first on our podcast for sure.

Maggie: I think it’s called Tea Thyme, the little shop. It’s quite lovely.

Rebecca: Nice. I have Irish breakfast this morning. So we’ve invited you both here today to discuss unessay assignments. Could you tell us a bit about what an essay is?

Maggie: I guess I’ll say an unessay is anything but an essay. Jessamyn probably has some more nuance? [LAUGHTER]

Jessamyn: Not really, that is the basic premise. In classes where you might traditionally ask students to show their learning via a standard essay, either like the five-paragraph essay or a research paper, an unessay project asks students to demonstrate their learning, increased understanding, via any other kind of format.

Rebecca: Jessamyn, can you tell us a little bit about why you decided to use unessays in your class?

Jessamyn: Sure. And this also relates to… I know, we were maybe going to talk about what was appealing for historians, in particular, about the unessay. And some points for history professors generally and me, what attracted us to considering using the unessay. A couple of things about our discipline: first, that the unessay, it’s a good way for students to explore some key historical thinking skills in different new ways for them, so things like citation, research, and historiography. So trying to understand what other historians have written and argued about the past. There’s also been a pretty significant sort of public history turn in the world at large, like trying to better understand different audiences for historical research. Some other more general reasons were issues of equity and inclusion, especially around Universal Design for Learning, trying to offer students some options as a way to increase their learning, increase engagement. And the final thing I’ll say, just for me personally, is that I wanted to make assessment and grading a more joyful and happy part of my teaching life. It had really started to drag me down. And I didn’t want to approach assessing student learning as a soul sucking slog, not just for personal reasons, but also that it was interfering with my ability to accurately assess. If I was absolutely dreading reading a stack of essays, then something was amiss, and I wasn’t going to be able to, in my view, really accurately assess what has this student achieved.

Rebecca: About you, Maggie?

Maggie: I think really a lot of what Jessamyn said echoes in the reasons I decided to incorporate the unessay in my classroom. I was actually inspired by a talk that Jessamyn gave to our faculty, I guess it was over a year ago now, about the unessay and I immediately thought of my senior seminar class. So in criminal justice, in our department particularly, it was common for students to write a 20- or 30-page long research paper, and they dreaded it. It was a source of anxiety for students. It was something in the end that I’m not entirely certain they felt proud of. They just were trying really hard to get the A in the class, to make it perfect, to spend lots of late nights trying to perfect this project and I don’t think it brought about the kind of learning gains that I was hoping to see with my students, it seemed like there was a lot of going through the motions. And the unessay just gave us an opportunity to really turn that on its head and give some of that autonomy back to students and some of that creativity back to learning.

Rebecca: I’m loving these themes of joy, creativity…

John: …which are not terms we often associate with either writing papers as students or with grading them as faculty, and Jessamyn, you were the editor of a fall 2022 issue of Teaching History that focused on unessays. Could you tell us a little bit about ways in which you and other historians have been using them in your classes… some examples of ways in which students have demonstrated their knowledge?

Jessamyn: Sure, and I’ll just give a little promo here, Teaching History: A Journal of Methods is an open access journal. So you can just Google Teaching History: A Journal of Methods, and it’ll take you to the open access platform. It’s hosted by Ball State University. And so that issue is still totally available for anyone interested in reading it. I would say, like some specific projects that were explored in that issue, there was an article about using maps as historical documents, there were a number of projects that were exploring how to present history and historical thinking in a public history setting. So along the lines of museum exhibits, and especially in a digital format, the upsurge in digital humanities is something several of the authors were looking at. And then there’s a whole range of examples that were discussed in the two interviews I did for everything from board games, to graphic novels, to quilt, to the annotated recipes. All those were discussed in that issue.

Rebecca: What are some specific projects, Jessamyn, that you’ve done in your classes,

Jessamyn: A couple that have come up that I used… it’s interesting… Maggie used the unessay with her senior students. And I have helped students in the history department here, they also have to do a major research project. And I’ve been the advisor on a number of non-traditional projects is what I called them at the time, and now would say unessay. So at the senior levels, students did major research projects, like a fictional interview with a historical figure, historical fiction would be another example. I’ve had a couple of students do online exhibits and one person do an in-person exhibit. But I also use the unessay assignment in my intro level class, which is a basic history survey class. And those projects ranged from again, the board game, I had a number of posters, I had one student who was a trained professional baker do a set of cookies with icing, comparing different protest movements, the Bonus Army March in the 1930s with the more recent climate change activism. And one of my very favorites was a video recording that a student did, showing step by step how she made a family recipe. And since the theme of the class was the American Promise, and the way that throughout our history, as a nation, we’ve struggled to achieve the ideals of equality and liberty for all. And we get closer and we fall short. And her recipe was from her family’s background from India. And she took us step by step through it. She had music playing and was describing the importance of this particular dish in her own family history. The unessay was encouraging them to see their location in the American Promise. And it really struck me, in my previous life as a historian of food and food waste. So that was interesting. But most striking to me was, this was a student who had been very, very quiet in class. I felt like I didn’t know her very well. She was doing great work, but she was sort of on the edge of things it seemed like, and with this unessay, it completely changed my perception of her. I felt like I got to know her so much better and so did the other students as well. Having students share their unessays is an important part of the work and It really changed just the whole classroom dynamic in that way. So that was really notable.

Maggie: Nice.

John: Maggie, what are some of the projects that your students have done as unessay assignments?

Maggie: Yeah, so I mentioned before that I assigned the unessay for my senior seminar class. So it’s a sort of capstone project. And there were some really awesome projects that came out of this and I probably don’t have time to talk about all of them. So cut me off at some point when I’ve been going on for too long. But I had a student who wanted to be a elementary school teacher, and had gone through our program and decided that being a practitioner in the field of criminal justice was not exactly where they wanted to be. And so his project was to create lesson plans for second graders to communicate some of the harms of incarceration and how it affects youth when their parents or caregivers are incarcerated. And so it was a really wonderful project, all the students had worksheets, kind of like you can think about having when you were in second grade, and little matching puzzles and games, and it was a really cool experience. And for him getting interested in a master’s of education program, it was a way that he could then take that project and show to his grad school applications and advisors, like, “Hey, this is something that I’m really passionate about. I’ve been working towards this. And yeah, it was a lot of fun.” We had a good time, even some spelling words thrown in there. [LAUGHTER] It was great. Another student project was a choose your own adventure story. There’s various examples of this. But in my youth, it was the Goosebumps choose your own adventure where you read to a certain part in the story, and then it gives you the option of what you want your protagonist to choose. And then you have to flip to a different area of the book and see the fate of that character. And so the students started a really great project, unfortunately, didn’t get to finish it for various reasons, but started a really great project about reentry. And so the main character was someone who was being released from prison and had to navigate all of the barriers and circumstances around reentry that made it difficult for him to assimilate back into society. So that was a big fan favorite amongst the class. They really enjoyed that. Of course, we also had some board games, one in particular, was a monopoly game that examines varying socioeconomic status, and how that influences someone’s path through the criminal justice system. So the players started off with different amounts of money. And as they would pull community cards and have to purchase property and such, they would be challenged to need to pay a particular court fine, and how that would set them back from being able to find a job. It was a very well thought out game of Monopoly. But the goal to show and highlight the inequalities related to income and how that affects criminal justice processing. I could probably keep going, but it really gave a lot of opportunities for students to combine what they were interested in. There was a student who had run their own podcast for a period of time. So she conducted a podcast series on Amber Alerts and their effectiveness. And it was something that when she had been traveling down to Texas, and had received a number of Amber Alerts in the short time that she was there, she was like, “Are these things really working? And how can I explore that through a medium that she was already quite drawn to?”

Rebecca: Unessays always sound like so much fun?

Maggie: Yeah. And they’re fun for us. I know Jessamyn touched on that, too. It’s a whole different experience as someone assessing the work that they’re doing when you know that they’re passionate about it. And it gets me excited about assessment, which I don’t think is something we can typically say.

Rebecca: There’s not a big line of faculty raising flags saying assessment is fun.

Maggie: Right. [LAUGHTER]

Jessamyn: I also wanted to follow up on a point Maggie’s touched on a couple times about student autonomy and agency. I think for both our student populations, this is a really key academic, professional, and personal skill that many of our students need to build, that they arrive to college with a sense of themselves as very passive recipients of education and have not had the opportunity to really see themselves as producers of knowledge. as having agency in academic settings. So for me, one of the great glories of the unessay, is that it’s starting point really is, what do you want to do? What do you want to do to demonstrate that you understand this topic, and for a lot of students, it’s scary at first. A few might think that you’re trying to trick them. And I know this was something we did want to talk about. It does require, on our part, a fair amount of structuring and transparency and communication with students, maybe even especially the highest achieving students. One of my favorite students of all time went on to become a high school social studies teacher. And she did a fantastic job in the intro class with the unessay and then told me like a year later, “You know, I hated that assignment when I did it.” And it was because she was very, very nervous. She was a straight A student who was really nervous about doing something different. But she said, “Now, it’s my favorite, looking back.” So providing that structure and support and transparency, a lot of careful thought on the front end.

John: And one of the things we’ve been talking about in one of our reading groups, Mind over Monsters this semester, at both of our institutions, is the importance of autonomy, in terms of increasing student motivation and giving them more sense of control. It sounds like it’s really helpful in motivating students.

Jessamyn: Yeah, I think so. In both of our disciplines, criminal justice and history, there is a major learning curve to helping students see themselves as having agency in this particular discipline, especially the way they may have interacted with it before. And for me, coming from a lot of their previous experiences with history has been learning what happened and not actually doing history or thinking about those processes and the unessay could really help them move towards that particular desirable learning outcome.

Rebecca: I think one of the challenges that faculty who have been engaged in unessays before see before they enter in is the complexity of having students doing many different kinds of things at one time and managing those projects and also assessing those projects. Can you talk a little bit about how you help provide that structure for yourselves and for students?

Maggie: Yeah, so for my criminal justice class, I spent a lot of time the summer before I implemented this project, creating very detailed instructions and expectations. Jessamyn, I went to your website, and I use some of the self assessment tools, and I adapted them for my class as well. It was a very mindful process to think about how to give students the structure they need to feel confident in their ability to carry out this project, but also give them enough flexibility and creativity to take this project where they want it to be. I also spend a lot of time reading about different alternative grading practices to also incorporate in this, so I use kind of a combination of ungrading and specifications grading as well to help students assess their work. And I met with students quite often throughout the semester, particularly we had a midterm and a final exam meeting where we talked about the strengths of their projects, where they needed to go and what areas they needed to work on, whether it was engaging more deeply in the research and how to communicate that effectively in their projects. It was a lot of work for the faculty, but it was worth it in my opinion. It wasn’t so onerous and it wasn’t boring. It was exciting to meet with students, even if it meant spending my entire midterm week in the office with the students. It was almost every minute of my day for an entire week doing this, but it was, I think, a unique opportunity for making those connections with my students.

Jessamyn: I have been lucky. I have a relatively light teaching load and small classes. So that did make a difference in how I thought about structuring and implementing the unessay. There would be challenges on a larger scale. I would also say that there’s components of the unessay, that it’s not just do anything you want, and then nothing, and then in the end they turn in something. No, there’s stages and components like usually a proposal process and I also was able to meet with students. You could meet with students in small groups as well, if it’s a larger size class to go over the proposals, and many unessay assignments also do have a written component like a bibliography, an intro. At the midterm and end there could be a reflective assignment or sort of summary of work achieved. I did co-create with students the assessment guidelines for their projects. So taking the autonomy and agency a step further, I didn’t leave it totally up to them, we worked together on it, but asked them, “So this is your idea, this is the project you have in mind. How will it show these important skills? How will it show that you’ve met these course learning objectives?” And we work together on it. And that part is always great for me, I just really enjoy trying to de-center myself a little bit as the instructor which again, is something I can do from a place of certain privileges. I have tenure, I’m white, I’m cisgendered. But trying to enlist students as partners more, decentering myself a little bit, and asking them to reflect on what would show that you have achieved this learning outcome with this unessay assignment. A nice bonus is always students, at least one student, will say this is so hard, teaching must be really, really hard. [LAUGHTER] So bringing them in on that assessment process can help them even reflect on what does grading and assessment mean? What would show me that you’ve successfully achieved this learning, this desirable outcome?

John: Do either of you use rubrics for the unessay assignments?

Jessamyn: Well, when I co-created assessment guidelines with students, some of them used a rubric form. A lot of my students found rubrics helpful for things like deadlines. And I did set deadlines for certain benchmarks. And that was something that was easy to map out and help them structure their work time and stay on track as well.

Maggie: Yeah, I created a checklist with that self assessment that was on Jessamyn’s website, geekypedagogy.com. I did have students go through that and rate themselves, and then we got together in a meeting to discuss where we felt the accuracy of each of those points. But I think it gave them some comfort in saying, “Okay, I know I did multiple revisions of this, and I incorporated all of the feedback I was given. And here’s the changes I’ve made, or here’s the areas that I think I probably could have done better, or I could have focused my time a little bit better in this way.” And it just gave them, I think, a nice guideline to be able to talk about the strengths and areas of improvement for their project.

Jessamyn: I’ve used rubrics before, when I was co-creating the assessments. That’s fine with me, if that’s what they want to use. I will say that this part of it, while being very cognizant, like I said, of my own privileges and positionality and aware of that, your teaching context can really shape what kinds of assessments you can implement, for sure. But I also think that it’s at least worth considering the idea of our academic egos and our investment in our discipline and expertise. And what the unessay may challenge us to do is let go of the thing we know how to do absolutely better than anything in the world. So as a historian, a trained historian, I know how to assess student writing better than any other task I do as a teacher. I know so much about it. And it’s easy for me to do, not joyful, [LAUGHTER] but not difficult. It doesn’t push me to think about anything outside my comfort zone. And when I assign an unessay, I have to let go of that and think about things differently. And again, keeping in mind that I know bandwidth is limited, the incredible pressure on a lot of people in the pandemic pivot and for all various reasons, our limited energy, it might be too big an ask, too big a lift. But I would encourage listeners, if it’s possible, to consider maybe it’s not about me. [LAUGHTER] It’s not about us, and what makes us most comfortable as the person with the PhD in the room. That being a little uncertain. how can I assess did students meet this learning outcome with a quilt, with a board game, with a podcast, that it’s okay for us to feel a little bit discomforted. That’s about maybe getting out of the students way a little bit.

Rebecca: When I hear folks talk about unessays, both of you as well as others that I’ve heard talk about unessays, I see a big emphasis on process and the behaviors of a discipline, rather than necessarily the outcomes of something. So often in a research paper, we might assess on some of the polish of something like that, rather than really seeing always the process that goes into the thinking. But I feel like a lot of times with these projects, you end up knowing a lot more about a student’s thinking, because you’re talking with them about their projects in an ongoing way. Can you talk a little bit about that process piece with unessays?

Jessamyn: Well, one thing that jumped into my mind, Rebecca, when you were asking your question is writing a thesis statement for a research paper. Now, this happens to be something I’m incredibly good at helping students do, crafting their thesis statement. But, just like you described, it’s often so much about the academic writing skill that I’m helping them with, and when they have to write a thesis statement for the research paper they’re working on, that’s a great skill to have, if you’re going to be an academic. If you are engaging in scholarly writing, you have to know how to do that. And for a few students, that’s important. And that’s not like written communication skill. I’m talking about the highly academic scholarly skill of summarizing the argument you’re about to make in a paper. So for students who want to go on to be graduate students, I’m all in. We’re going to sit and we’re gonna go through this word by ever loving word to figure out the best way to state your argument. For a lot of my students, though, is that the best investment of their time, and the best way I can help them? There might be other ways to, just like you said, have them articulate and demonstrate their thinking, which, and I’ll just throw it out here in the age of generative AI and ChatGPT, this is at the heart of how we help students navigate is their original ideas really matter, their ideas, and their thinking matters. So if I can support a student being able to demonstrate their thinking and ideas in a way that matters to them, that they feel articulate doing, then, mission accomplished. That’s what I want. That’s what I want for students.

Maggie: Yeah, and I would say that, in my class, the 20- to 30-page research paper does serve students who are going to go on to graduate school. But like said, I don’t know if that is the best way to help them make the connection between what we’re doing in the classroom to what they are going to be doing on a regular basis in their various careers that they find themselves in. I wanted to make this project less about a means to an end for them, I wanted them to really think about how they start with an idea and how if they spend enough time thinking about that idea, and really focusing on how to communicate that expertise that they gained throughout the research on this idea, that they can create something that they’re proud of and they are hopefully less focused on the grade at the end of the semester and more focused on “Okay, I was actually able to start in one place, develop that project, develop this in a way that I can now go to my future employer or in an interview and say that I’ve developed these skills along the way that are mine and mine alone. They’re not ones that have been imposed on me by an instructor.”

John: We have increasingly diverse student bodies in terms of their prior preparation. Some have come through and had lots of practice writing throughout their high school careers and have developed those skills, others haven’t had as much preparation in writing. And we have lots of courses, though, that give them that but writing skills are not always one of the most important learning objectives for many of our classes. And it seems to me that perhaps using unessays can help provide a more equal playing field for students who may not have as strong of writing skills, but might be fairly comfortable creating videos or might be able to engage in some other creative activity that can demonstrate what they learned much more effectively than if they were constrained to having to do it in a written format.

Maggie: Well, I would say that was my experience for sure. I had a group of students make a series of TikTok videos and so they were quite excited about their ability to use something that they are on almost every day, if not every hour of their day, to use that as a platform to communicate the time topics that they were most interested in. And so it did mean that I had to learn a little bit about TikTok, I had to create a profile so I could follow my students and be able to see the videos that they had created. There’s an up voting system, too, I had to navigate [LAUGHTER] but yeah, in terms of equity, it does give students the ability to make decisions about how to present information in ways that they’re comfortable, but still challenging. I think that no matter what mediums students picked, it was challenging regardless. So it didn’t feel like students were just picking something that “Oh, well, I do this all the time.” It really was a strong motivator. And I think in a lot of the conversations we’ve been having in our reading groups about how to channel anxiety about something into a more direct way to accomplish a challenging task. I think it gave even students who are perhaps underprepared for academic writing, or find a lot of anxiety around that to shift their focus away from what they envision that they struggle with to then start in a place of, “Oh, I know I can do this, and I can communicate it in this way.” So I think it gave them some of that confidence back, that perhaps they find disappears when we impose a pretty lengthy paper or academic medium on them.

Jessamyn: There’s two aspects of the unessay and equity minded teaching I’ve been thinking of. One is the universal design for learning concept of providing some choice. It doesn’t have to be unlimited, it doesn’t have to be infinite choice. But providing some choice does increase accessibility. The second kind of key equity minded principle I have in mind with the unessay is that we should not be grading and assessing people’s life circumstances, we are grading and assessing their learning and their ability to show that they have reached certain benchmarks and outcomes. Just to put it in here as a caveat, I do think all kinds of writing is very, very important. Writing skills are very, very important. And a lot of the unessay assignment as I use it does include some clear written communication, because that is a skill we need in this world of ours. So the equity piece comes in though, that if I’m going to be assigning a grade assessing student writing, then it’s on me as the instructor to teach that and create the conditions in the classroom, the practice and the feedback, and more practice and making mistakes, and more feedback to do that writing piece. And if I’m taking into account the wide variety of academic backgrounds, what needs to happen in the course, for students to be able to demonstrate their learning accurately via a written essay, that’s a lot of writing work that I’m going to be doing to provide that equitable classroom. So the unessay as an option, that’s something a lot of people do offer the unessay as an option alongside a traditional essay option, the unessay as an option could increase equity in that way. I think it does convey the idea that our diversity is an academic asset. That all said, it’s interesting that the unessay could also exacerbate inequities without structure, without support. Students who have had very rich and varied past educational experiences may leap at the opportunity and see it just solely in terms of its benefits. Other students with less of that in their background might be extremely nervous about it as a whole new frontier for them. So without some structure, transparency, without all that prep work, Maggie, that you were describing, it could actually exacerbate some of those inequities.

John: And I think the scaffolding that you both described is really important in relieving some of that uncertainty, because I know some students when I’ve given similar types of assignments are really anxious about it and letting them do it a little step at a time and master that step seems to help relieve the pressure on them by just reducing the uncertainty.

Maggie: I know one of the things I incorporated in the project, and I think Jessamyn did this as well, that I gave students unlimited rewrites on any of the written work. So I did have a bibliography and I did have a proposal and a sort of artist’s statement reflection at the end of it. I think, again, I took that from geerkypedagogy[.com] and I gave students the opportunity to just keep rewriting and rewriting. And yes, it was a bit more work on my end. But it was so refreshing that students were actually taking my feedback into their work and they were making improvements. I think that whenever I’ve done drafts in the past, they might go through and make just the easy corrections and leave some of the harder things aside. But in this project, because we started a lot of those elements very early in the semester, we spend weeks and weeks just revising. And it really did give students, I think, a opportunity to make sure they fully were understanding and achieving those outcomes.

Jessamyn: Yeah, that point Maggie about your feedback actually being read and applied is so important for students and for faculty. It’s discouraging and disheartening to provide students a ton of feedback and then feel like it hasn’t been read. It’s up to us, though, to provide the opportunity for students to apply the feedback. If it can’t be applied, it’s very difficult to take it seriously [LAUGHTER] and to see it as meaningful and relevant. And I think another aspect of what you are describing that listeners might be interested in… if we haven’t totally convinced you yet [LAUGHTER] to use the unessay… is that it does get students’ attention, it cuts through the static. We get into a routine we’re just trying to get through, check that box for students who are overworked, overloaded, for whatever reason. I really feel like it kind of cuts through a fog that many of us, students and faculty, are in just by asking us to do something a little bit different.

Rebecca: Sometimes in those cases, and you guys have alluded to this before, that doing something different if they’ve not done it before, is risky and scary. And so all that scaffolding that you’ve built described as so important for students to be able to take that first risk and maybe take other academic risks in the future.

Jessamyn: Yeah, we can’t underestimate the impact of our traditional grading systems and traditional school systems where the stakes are sky high. You can’t overestimate them, financial aid, everything, is so tied to a student’s GPA, their families support, staying in school is often tied to GPA, their own sense of their selves as students, who they are, is defined by the grade they get. So asking them to, Rebecca, like you said, consider the process, not the end point. It is a big ask. So we can’t expect instant student buy-in, that they will immediately jump on board and with ease and joy, even if we are feeling that way about it.

John: So it sounds like it’s been a lot more fun, even though it may sometimes take more work for both of you. How have students responded? You’ve mentioned a little bit about student responses. But how do students generally respond at the end of the semester? Is it something that they find to be equally joyful?

Maggie: Jessamyn touched on this, but there was a bit of student buy-in that I had to get. And there were a couple of students who still wanted to write a traditional research paper. But in the end, they did a podcast element as well with it. So it was the sort of combination of the two, but it was the first time I had ever implemented an unessay in my classes. So I didn’t have a lot of student examples to show them. But I did spend a lot of time creating my own examples of what an unessay would look like. And I think for each of those scaffolded assignments I created a bibliography and a presentation and I tried to create an unessay myself so that they could see what it would look like. I think that gave them a little more confidence in knowing what was expected of them. But really, it took a lot of conversations with students on why I was doing this, what I thought the importance of shifting away from a traditional research paper, what gains they were going to have from that, and every student, at least to my knowledge, really enjoyed the process and much preferred the unessay over their 20- to 30-page research papers.

Jessamyn: The student resistance you just mentioned, Maggie, reminds me that I mentioned teaching context before, but it is important to underscore that any non-traditional teaching and learning practice and assessment, you can expect greater student resistance or reluctance when you quote unquote don’t look like a professor. So when you don’t fulfill the stereotype of what a professor looks like, if you’re navigating any kinds of intersectional biases, you may have to take into account the student resistance component and student biases. It’s a point that Chavella Pittman has emphasized for like an ungraded practice, that it’s very important to take those considerations into account. I will add that the biggest benefit besides my own grading joy is what I see… it’s extremely hard to measure… I couldn’t put it on my end-of-the-year file assessments of my own teaching, but students gain confidence, students gain some agency, some autonomy. I can see it in how they talk about it. If you can have a showcase or a gallery walk, you can see that they are proud of what they have achieved. When we’re doing senior presentations, that’s always very clear, like students’ sense of accomplishment is very notable. And it’s not that that doesn’t happen with the research papers. Well, it can, but the range of students who express and demonstrate to me that they’ve gained some confidence in themselves as students, as thinkers, as knowledge generators, as producers, it’s really heartening.

Rebecca: So we always wrap up by asking what’s next? Jessamyn, you want to go first?

Jessamyn: I’m headed to the POD Network Conference. I’m gonna do a session, with Chavella Pittman and Thomas Tobin, on faculty development that acknowledges teaching inequities. And I am working on a book on teaching and learning when things go wrong in the college classroom, and I just recently signed a contract for that book with the new series at University of Oklahoma press called Teaching, Engaging, and Thriving in Higher Education.

John: Maggie and I will both be at POD and will try to get to your session. And we’re looking forward to that book.

Maggie: I suppose what’s next for me feels like such a loaded question right now because I’m anticipating applying for a sabbatical. And so I’ve been really ruminating on this question of what is next for me. I’m entering into a mid-career stage, and so I feel like my answer is “I’m not quite sure yet.” But as far as the unessay goes, I do plan on bringing the unessay to my courses next semester. I’m teaching two elective courses on death penalty, and women and crime. And I think really any course, but particularly these courses, would be well suited for an unessay project.

Jessamyn: That reminds me, I am lucky enough, I’m going to be going to the American Historical Association Conference this spring and doing a workshop on the unessay, so any historians listening, I hope I see you there.

John: And we will include links to Teaching History, to that specific volume, as well as to the other resources that have been mentioned here. So check the show notes to find more of those resources. And thank you both for joining us again.

Maggie: Thank you so much.

Jessamyn: Thank you.

Rebecca: It’s always wonderful to talk to both of you

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John: If you’ve enjoyed this podcast, please subscribe and leave a review on iTunes or your favorite podcast service. To continue the conversation, join us on our Tea for Teaching Facebook page.

Rebecca: You can find show notes, transcripts and other materials on teaforteaching.com. Music by Michael Gary Brewer.

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313. Supporting Neurodiverse Students and Faculty

Many discussions of inclusive teaching practices ignore the role of neurodiversity in higher ed. In this episode, Liz Norell joins us to discuss strategies that faculty and institutions can use to create a welcoming environment for neurodivergent students and faculty. Liz is a political scientist and the Associate Director of Instructional Support at the University of Mississippi’s Center for Excellence in Teaching and Learning.

Show Notes

Transcript

John: Many discussions of inclusive teaching practices ignore the role of neurodiversity in higher ed. In this episode, we discuss strategies that faculty and institutions can use to create a welcoming environment for neurodivergent students and faculty.

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John: Thanks for joining us for Tea for Teaching, an informal discussion of innovative and effective practices in teaching and learning.

Rebecca: This podcast series is hosted by John Kane, an economist…

John: …and Rebecca Mushtare, a graphic designer…

Rebecca: …and features guests doing important research and advocacy work to make higher education more inclusive and supportive of all learners.

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John: Our guest today is Liz Norell. Liz is a political scientist and the Associate Director of Instructional Support at the University of Mississippi’s Center for Excellence in Teaching and Learning. Welcome back, Liz.

Liz: Thank you. I’m happy to be here.

Rebecca: Today’s teas are:… Liz, are you drinking tea?

Liz: I am not. I am drinking some vitamin water, tropical mango flavor.

Rebecca: So there’s some stuff mixed with water. That’s tea, right?

Liz: Yes, sure.

John: And I am drinking Prince of Wales tea today.

Rebecca: Oh, I like that one. John. Haven’t had that in a while. And I have Awake today. It’s Monday… [LAUGHTER] when we’re recording.

Liz: That feels fair.

John: But it’s getting really boring. [LAUGHTER]

Rebecca: I know. [LAUGHTER]

John: We’ve invited you here today to discuss issues related to neurodiversity in higher education. Before we start, though, could you define neurodiversity? And how is this different from neurodivergence?

Liz: Sure. So I think these two terms get kind of conflated with one another a lot. And so I tried to be really explicit in talking about neurodiversity versus neurodivergence. And there are a lot of different perspectives on these two terms, and some of the baggage that they carry with them. But when I think about neurodiversity, I just think about a diversity of brains. And so any group that has more than one person is going to be neurodiverse. We all have different brains. But neurodivergence is a brain that works differently than how we typically think of brains working. And there are lots of diagnoses that get put under the umbrella of neurodivergent. Some of the most common ones are autism, ADHD, there’s Tourette’s. There’s lots of other ones, dyslexia, dyspraxia, OCD sometimes gets lumped in there, bipolar disorder will get lumped in there. So neurodivergence is just a brain that works differently than the way we typically think of brains working.

Rebecca: If we’re thinking about college student populations, and I know that this is partially a guess, because we don’t actually know, but how many do we think are neurodivergent?

Liz: The estimates that I’ve seen have been around like one in six, maybe, but I think that it’s probably closer to 30, or 35%, honestly. I think a third is probably a reasonably good estimate. It’s a large number. And I will say that a lot of those students either may not know that they have some sort of neurodivergence, or they may not ever tell us that they have a neurodivergence and we’ll talk more about that a little bit later, I think.

John: What proportion of neurodivergent students have accommodations through campus disability services?

Liz: Who knows? If we don’t know the denominator, it’s hard to know what proportion of people would be registering with accommodations. But I think there are certainly a lot more students who are registering with disability services with an official diagnosis, but there are some barriers to that. And the first one is that it’s really expensive and time consuming to get a diagnosis. So I should say, and I should start pretty early in our conversation by saying that I recently went through the diagnosis process to get a diagnosis of autism at age 45. And it took me a year from reaching out until I had the diagnosis. And I was able to navigate that, because I have some experience interacting with medical teams. I had good insurance, but it still took me a year to get an appointment, and to get the diagnosis. And so there are a lot of students who may not have the tools or the time or the resources to go through that, even if they suspect it. And I went 44 years of my life without even suspecting that I might be neurodivergent. I think there are a lot of barriers to that. And then once you have the diagnosis, it can be very intimidating to disclose that, to go through the campus accommodation process takes so much time and advocacy. And that comes from a population that’s already taxed in terms of their bandwidth and their resources and their just ability to get these things done. So I don’t think that thinking about the numbers of people who seek accommodations is even close to representing the population of students who might have these conditions.

John: It would seem that there’s a bit of an equity issue here in that students from wealthier households, students from continuing generation households, are much more likely to have the resources to go through the process of having the need for accommodations being documented.

Liz: That’s right. And I think this gets into some of the language around neurodivergent versus the neurotypical. A lot of people who are neurodivergent, who have some sort of condition or way of thinking or way of operating have been socialized to think that there’s something wrong with them, this kind of medical model of disability, instead of the more like social model of this is a socially constructed difference. And so to seek out a diagnosis requires a kind of self containment, I think, to recognize that this is not something wrong with me. A lot of people who have a neurodivergent brain probably feel like they should be able to act like a neurotypical person. So they don’t want accommodations because they feel like that is somehow making them less than their neurotypical students. And it’s this medical model that has infused so much of our talk about disability, and especially pernicious here where we know that there are real struggles that students have when they have these neurodivergent brains, that we are just not accommodating well in the classroom.

Rebecca: I do want to mention at this juncture, that we do have an Episode 221 – Disability in Higher Education with Kat Macfarlane that really talks in detail about the accommodation process. And so that’s a really great place to learn more about that process in high detail that was kind of the subject of most of that episode. Most of our college faculty generally haven’t been trained to address issues of neurodiversity. Can you talk about some of the common challenges our neurodivergent students face in classrooms?

Liz: Yes. And it’s absolutely the case that we have not been trained in this. And I think also many of my faculty colleagues, past and present, have this idea that an accommodation is somehow like special treatment that’s making a class easier for students, when we should, John, as you mentioned, be thinking about this as an equity issue. So accommodations are meant to provide equal opportunity for success. And if you’re bringing some of these conditions into the classroom, you’re already operating at a deficit. So what are those? Well, it can be things like being really easily overloaded by sensory information. So we see this a lot with autism and ADHD, where, as someone who now understands herself to be autistic, I think about this phrase, “the lights are too loud,” like, it just feels very harsh. And when people are talking over each other, I get very flooded very quickly. This has been the case my whole life. If there are unfamiliar foods or drinks, that can be really overloading and so background noise, people who are close to each other, uncomfortable seating, these are all things that can show up in our classrooms that can cause someone with a neurodivergent brain to go into a kind of overload. And that, of course, reduces their ability to pay attention and to learn and to retain information. Unclear communication is a huge challenge for people with neurodivergent brains, because it’s often the case that there’s some sort of like inability to recognize sarcasm, or the ability to get some nonverbal communication. Oftentimes, people with neurodivergent brains will interpret everything very literally. And so they miss out on some of the nuance. And for me, it’s been this like obsession with choosing the just right word, because I need it to be precise. And I can get really fixated on that sometimes, in a way that feels very pedantic. But that is really just me very much trying to communicate clearly. When there’s unclear terminology–write professionally, or be collegial, or work well with others–like I don’t know what any of that means. I have no idea. And there’s an assumption that there’s some shared social norms that may not be as visible to people with a neurodivergent brain. There’s a lot of, of course, well documented social aspects to neurodivergence. So just like not really knowing how to work with others in an effective way, or feeling like that sense of, I’m different. I’m broken, I’m not as good as… that I mentioned earlier, can carry over into social dynamics. And then the last one that I think is really important for us to think about in terms of higher ed is executive function. So executive function is that ability to kind of be a taskmaster of your own attention and brain. And so things like prioritizing work, time management, how to take notes, how to make decisions, how to cope with the ups and downs of life, due dates, all of those things like managing systems is really hard when you have a neurodivergent brain. And we often assume that our students have those skills. And so we don’t scaffold them. We don’t help them. We don’t point them to resources, and that can be really hard. So those are just like four big clusters: sensory overload, communication, social interaction, and executive function.

John: How can faculty anticipate or design with neurodivergence in mind, particularly when many students with disabilities choose not to self identify?

Liz: Just being aware of these things that I’ve just mentioned, is hugely helpful. And I think the hard work is really just awareness. So for example, I have heard lots of my colleagues and myself at earlier points in my career, lament about students who are distracted by their cell phones or their laptops, who seemed to need to go to the bathroom three times during a 50-minute class, or who otherwise seemed to be just kind of like disconnected from class. We see that as a sign of disrespect and as of not paying attention. But a neurodivergent brain often really struggles to sit still and make visual contact with another person or object. And so it’s often the case that our neurodivergent students can learn better if they are doing something, the more physical, the better. So for some of my students, it’s things like knitting in class or coloring or doodling. This is actually not them disengaging or not paying attention. It’s them doing something that allows them to focus their attention on what you’re saying. So I like to think about performance of attention, what we often think of as paying attention. So if a neurodivergent student is going to perform attention, they’re probably not actually listening to anything you’re saying, because they’re using all of their brainpower to do the things that you think mean they’re paying attention. With that said, this sort of notion that we have to reorient our thinking about what students are doing and what that means in terms of their engagement with us, I think being really clear about scaffolding what tasks are needed, providing clear deadlines. So Karen Costa, who is just brilliant, talks a lot about ADHD, and she is a person with ADHD. And she talks about the need for more structure, not less, that flexibility can be useful, but you need a lot of structure. And for people with neurodivergent brains, it can be really helpful to have lots of small deadlines that are low stakes with some grace around them, but like clear structure is really important… messaging to students, like, here’s how you do this class. So if that’s working in a group that’s giving specific roles, and asking the students to decide who’s going to be the note taker, and who’s going to be the recorder, and who’s going to be the crazy idea person, and who’s going to be the let’s bring it back to the text person. So just kind of delineating some specific roles, communicating clearly and in multiple modalities. So especially if you’re doing a lot of audio lecturing, or giving up directions, making sure that those are also available in writing. So students can come back to them later when they know that you said something, but they don’t remember what. And then just being really aware of that sensory environment in which you’re learning. So if that’s in a physical classroom, thinking about ways to give students permission to make themselves comfortable, if that’s getting up and walking around a little bit, and just sort of saying, like, I know that that helps some of you concentrate, fine with me if you do that. Telling them that they can get up and leave the room for a couple of minutes if they need a break. If they want to bring in things to play with, color or fidget, create whatever, that’s fine too. A lot of my students like to just sit on the floor. I mean, that sounds like a disaster for me and my middle-aged body, but when you’re 18, it’s like easy to get up off the floor, and so if you want to sit on the floor, sit on the floor, it’s cool, if that helps you be more comfortable. So I think it’s awareness and then just messaging to students that they can do what they need to do. And I just want to say one more thing about this. And that is, even if you are not neurodivergent, even if you are what people define as neurotypical, you can talk about students you’ve had, people you know, friends, family members, colleagues, you know people who are neurodivergent, talk about some of the ways that they have given themselves permission to make their environments work for them. So that you’re messaging to students that you understand and that you support those kinds of self-advocacy efforts. So you don’t have to do all of that on the first day of school, [LAUGHTER], first day of class. It’s a lot, but I often include something on my syllabus that says you may have accommodations or you may not, but if there’s something that I can do to make this class easier for you to participate in meaningfully and be successful in, according to your own goals, then I will do it, as long as it’s something within my power to do. So. You don’t need formal accommodations to ask me to do something to help you.

Rebecca: One of the things that I heard you mention and often come up a lot in inclusive pedagogy and other spaces is the idea of scaffolding. Here, again, we have this assumption that everybody knows exactly what that is all the time. But part of that is really about helping students understand their priorities, perhaps within a class, and also how to manage their time related to certain kinds of tasks. Can you talk a little bit about that component of scaffolding and what that might actually look like in practice?

Liz: Yeah, it’s hard for me to tease that out without thinking about lots of other things too. Because, we, as faculty, are coming into the classroom with certain ideas about what should be important, and what students should want to do in order to be successful, whatever that means. And I have really had to learn over my teaching career to check myself on that, because my priorities are not the same as my students. I remember once I was grading a student’s final exam they had done, it was very, very early in my teaching career, I’m embarrassed to even say what they had done for their final, but it was it was multiple choice and I was grading it by hand, and I told them, they could just stick around. I would grade it real quick, and then give them their final grade, because I had done everything else before then. And I looked at the student who had come to class every day and had really meaningfully participated and said, “Your final grade as a C,” and I was so apologetic, like, “Oh my gosh, I’m sorry. “And this student was like, “YES! I PASSED!” And it was a real moment for me of just like saying, “Okay, you cannot put your own values and goals onto students, because that was literally the student’s dream–was to get a C and not have to take the class again,” I think when we’re talking about students, it’s really having that very frank conversation, like, some of you are here because you are being required to take this class, and I know it wasn’t your choice, and I’m going to try to make it as the least awful it can be for you. And I’m going to ask you to try to invest at least enough time to give it a fair shot. But I don’t expect that everybody has the same goals and so let’s take a moment and reflect on what success for you looks like. And then what do you need to do over the course of the next 15 weeks, or whatever it might be, in order to make that goal. And so we sort of assume that our students’ goals are to get a good grade and to move on to whatever the next thing is. But maybe it’s not, maybe they’re just taking the class for fun, maybe they don’t care about the grade. Maybe they’re an adult learner who has a curiosity about something. After I graduated undergrad, I took an ethics class online–this was like 2001 or 2002 maybe, so it was very early days of online teaching and learning. And I took it through the community college just because I had never taken it, and I thought it might be interesting. It really wasn’t interesting for me. So I just like stopped paying attention. But I did not consider that a failure. Like I got a little bit of information. I also took a macroeconomics class, because I had never taken a macro class; I had taken micro. And it was all online, and I did all the work, but I didn’t turn in any assignments because I just didn’t care about those. I just wanted to learn it. So, I think having these conversations can be really helpful in students figuring out what it is that they want to get out of a class

John: Going to that point you made about structure. This is something we’re seeing an awful lot… certainly in the work on inclusive teaching, in Viji Sathy and Kelly Hogan’s book, as well as the work of Mary-Ann Winkelmes on transparency and learning and teaching. There seems to be a convergence that by providing students with structure and support, it can do a lot, it can benefit pretty much all students. In past discussions, when we spoke to those authors, much of the focus was on the benefits to first-gen students and to students who were historically minoritized. But it’s kind of nice to know that the same inclusive teaching strategies also addresses issues of neurodivergence.

Liz: I had an experience at my last job, where I just kept asking my dean, “Give me a set of rules and I will follow them.” And she would say, “Well, just use your best professional judgment.” And I don’t know what that means. I think people with certain kinds of neurodivergence just want you to tell them what to do and they will do it. Give me a set of very clear expectations, and I will meet them and this can work for everyone… just like clarity. And it doesn’t have to be punitive. I’m very fond of Cate Denial’s Pedagogy of Kindness. And this notion that like it should be kind, which can be as Sarah Rose Cavanagh says like a warm demander. I want you to have expectations of me, I want to know that you care about me. But just be really clear, because clarity is kind. And yes, it helps with all of those things. So the first generation students, the historically minoritized, the neurodivergent, lots of different kinds of people are benefited by this. And even the third generation middle class neurotypical student, also [LAUGHTER] benefits from clarity.

Rebecca: Imagine that, not spending all of our cognitive energy trying to figure out what people want.

Liz: Exactly. {LAUGHTER]

Rebecca: What are some of the challenges that neurodivergent faculty face in their careers? We’ve talked a lot about students, but we also know that faculty also exist.

Liz: We do. And we’re not all like cut from the same cookie cutter. I can tell you, just from my own experiences, that higher ed can be really hostile to those who are neurodivergent. I’ve had really great experiences, and I’ve had some really challenging ones. I think that it’s helpful when we’re aware of these things for students, because we often have the most power over their educational experience. But we also share power with our colleagues. And so knowing what some of these things are can help us understand the behaviors of our colleagues that we might have been inclined to read as subversive, or unprofessional, or lacking in collegiality. Those words get used a lot, for a lot of different kinds of identities and traits. Neurodivergence is certainly one of them. So as a woman who’s neurodivergent, that intersectionality means that I’m always on the lookout for that kind of language of like unprofessional and not collegial and you’re being difficult in some way. Well, or maybe I just don’t understand what it is that you’re asking of me. I also think we need to be really careful when we think about this idea of fit. So especially in hiring, we are looking for someone who will fit. But fit often means like me. And it can be very exclusionary to people who have some sort of neurodivergence, because they may not act the way that you do. But that’s actually a strength, I think. When you look at the different kinds of neurodivergent conditions, ADHD brains are so good at hyperfocus. They just don’t always do a good job of like, understanding time, right, there’s a kind of time blindness. But they’re so good at that. And autistic brains are so excited about the things that they’re excited about. And that energy is so captivating. And so these are not weaknesses, these are strengths that can really help us appreciate things in our work that we wouldn’t if we didn’t have those around. So when thinking about working with colleagues, all of the things that I said before, sensory overwhelm, communication, social interactions, and kind of executive function, we should be thinking about those things with our colleagues as well. So when I design a workshop, for example, in our Center for Excellence in Teaching and Learning, I’m thinking about, “Okay, how do I create a space where the chairs could be moved away from the rest of the group so that people can have a little bit of space and kind of get away from that? Can I dim the lights a little? Can I ask, make sure everybody’s using a microphone, but also let people know that if they want to put in their loop earplugs, as I do, you can do that to kind of limit some background noise. Can I make sure that everything I say is also written down somewhere so that people have something to refer to later? Can I talk about my own experiences in a way that normalizes other people doing the same?” All of those things can be used to make the environment more inviting for our colleagues. The last thing I want to say is that it is so exhausting, as a person with a disability of any kind to constantly having to advocating for yourself. So the more that non-disabled people can lend their support and their voices to advocating for easier pathways to accessibility, the less you’re taxing your disabled colleagues. So thinking about what can I do, that if I did it, would make it easier for a disabled colleague to come behind me and ask for the same?

John: Near the end of the summer you posted on the social media site formerly known as Twitter, something about a podcast and puzzles set of workshops. Have you started that? And could you talk a little bit about that?

Liz: Yes, so I’m really excited about this. And a lot of people who are not at the University of Mississippi are also excited about it. And I’m just trying to get the people on campus excited about it. So the idea here is that, and this was specifically created as a neurodivergent-friendly space. So faculty and staff can come to our center for an hour every other week. So this Wednesday will be our next one. And we play a pedagogy podcast. So we played an episode of this podcast, and we do a puzzle or some other kind of individual or parallel play is what it’s called. So I’m working on a puzzle. It’s in the next room, and I’m not done with it. And it’s driving me crazy, because I don’t like unfinished puzzles. But I have committed to not working on it, except when everybody else is here. But it’s a Funko Pop puzzle of Ted Lasso, so it’s really fun. And we’ve had two of these now, and it’s a small but mighty group who are into this, but the lights are low, it’s indirect, diffuse lighting, there’s lots of different kinds of seating, and one person comes and colors, a couple of people have come and done puzzles. But the idea is that it’s just a way to get together in a social space without the social expectation of small talk. So you can just come and show up and listen to a podcast and leave. If you want to stay and talk you can, you don’t have to, I am hoping that this becomes a movement of podcasts and puzzles. And I’m going to stick with it as long as it takes for me to make it so here, but we have probably like five or six people who have come to one of them. And I hope many more who will as it continues to spread. It’s kind of hard to describe in a website or an email, but I think once people come they see the brilliance of this… I say with all possible modesty. [LAUGHTER]

John: Have people actually finished a puzzle during the course of one of these meetings?

Liz: This Wednesday will be our third meeting. So I think the Funko Pop Ted Lasso crossover puzzle will finish this week, I hope. It’s going to drive me absolutely batty if it doesn’t, and then we’ll move on to another one.

Rebecca: That sounds like a lot of fun.

Liz: It is. And it’s a good way to kind of model why I think so many of our neurodivergent students would really thrive at a kind of way of learning that’s very different than what we’re used to in higher ed. And that’s probably why it’s hard for people to imagine why we’re doing this or what it looks like. But we have writing groups where people come into our room and do their own writing. And just that body doubling of having someone else there, while I’m trying to do something is enormously helpful. And so in this case, like I took two things that I love, that I never make time for because I feel guilty about all the other things I should be doing. So puzzles and listening to podcasts about teaching, and I just put them together. And I hope that more people will see ways to create these spaces that are perhaps a bit unconventional to higher ed. But that can open our imagination to the ways that we can model learning in different ways than the more traditional models that we’re used to seeing.

Rebecca: I like the analogy with the writing group, in that it’s really holding people accountable to do a particular thing, which is to attend to teaching in a different way, by listening to a podcast as opposed to a different kind of workshop or something and allowing them to do something with their hands.

Liz: I also have this very large bucket of fidget toys that I take to every workshop. And I say just borrow a fidget and just play with it and see how that changes your experience of the workshop. And if you find it to be soothing, imagine what normalizing this in your classes might do for your students. So my colleague who’s just a couple of doors down I have one of these little like pop balls that make like these really satisfying noises. And the first time I brought this to a workshop, she said, “Is that the sound I’ve been hearing?” I just play with it all the time.

John: Do you have any other advice for faculty and campuses who wish to better address neurodiversity?

Liz: There’s this phrase in the autism world and the disability world and I’ve been hearing it more and more and it is, “Nothing for us, without us.” And so I can tell you my perspective as someone who is neurodivergent, there’s so much expertise on your campus, and you should talk to those people. So that might be in the disabilities support services area. It might be students in your class, but just like have these conversations and find out, what can I do from my position, whatever it might be, that can make this place more welcoming to people who are neurodivergent? And I think when you’re asking that question, just like with anything else that we might be doing, then people are going to assume good intent. And they’re also going to be much more forgiving, if you make a stumble of some kind, whatever that might be. I don’t know. And so just talk to people, ask them. I feel like this is the most obvious advice that we give as faculty developers, but it’s ask your students, just ask them, they just want to be asked. And so if I was to give any advice that would be that just ask your students: “What can I do that would make this easier for you?”

Rebecca: I know, one thing that we talk a lot about on our campus is that access is really the doorway to belonging. If you don’t have access…

Liz: Yes.

Rebecca: …you’re not going to feel like you belong.

Liz: Just to know that someone is thinking about what you might need is enough to make them feel like they’re included, and that you’re listening when they tell you what they need, would be helpful.

Rebecca: So we always wrap up by asking: “What’s next?”

Liz: I have so many writing projects that I’m just sort of getting started with. So I just recently finished a manuscript on my book, The Present Professor, that I mentioned the last time we talked. And so that’s going through the publishing process and will eventually go out in the world, I assume, knock on wood. So I’m filling my time while I wait for progress there on, it seems like, about a dozen other writing projects, all of which are just kind of me thinking. I’ve been really interested lately in talking about the role of learning outcomes, and what we decide rises to the importance of a learning outcome. And if I may say this one controversial thing that I just keep saying to everyone I know, I don’t think you as a student should be able to fail a class for doing something or failing to do something that is not a learning outcome of the course. So if turning in something two days late means that I fail the assignment, then shouldn’t that be a learning outcome, timeliness? I don’t know. It just feels to me like, if we’re going to assess learning, then we should be assessing learning, and not all the other things that are performance of learning. So I’ve been thinking a lot about that and a whole bunch of other things. That’s what’s next, something, many things.

John: We had a similar conversation with Kevin Gannon, not too long ago who talked about…

Liz: …performative hardassery…

John: That was the technical term…

Rebecca: [LAUGHING]

John: …but it was…

Liz: Yes

John: …in terms of rigor, who distinguished between cognitive rigor and logistical rigor.

John: Well, thank you. It’s great talking to you and we look forward to more conversations in the future. And when your book gets closer to coming out, we’d be very happy to have you back on to talk about that as well as any other topic that comes up in between now and then.

Liz: Absolutely. I so appreciate the work you guys do, and I’m grateful and honored to be a part of it.

Rebecca: It was great talking to you. Thank you

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John: If you’ve enjoyed this podcast, please subscribe and leave a review on iTunes or your favorite podcast service. To continue the conversation, join us on our Tea for Teaching Facebook page.

Rebecca: You can find show notes, transcripts and other materials on teaforteaching.com. Music by Michael Gary Brewer.

Ganesh: Editing assistance by Ganesh.

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312. Alice: Finding Wonderland

Many of our disciplines are unfamiliar to students until their first encounter in an introductory course. In this episode, Rameen Mohammadi joins us to discuss his first-year course that introduces students to computer science using an approachable hands-on experience.

Show Notes

Transcript

John: Many of our disciplines are unfamiliar to students until their first encounter in an introductory course. In this episode, we look at a first-year course that introduces students to computer science using an approachable hands-on experience.

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John: Thanks for joining us for Tea for Teaching, an informal discussion of innovative and effective practices in teaching and learning.

Rebecca: This podcast series is hosted by John Kane, an economist…

John: …and Rebecca Mushtare, a graphic designer…

Rebecca: …and features guests doing important research and advocacy work to make higher education more inclusive and supportive of all learners.

[MUSIC]

Rebecca: Our guest today is Rameen Mohammadi. Rameen is the Associate Provost at SUNY Oswego and an Associate Professor of Computer Science. Welcome, Rameen.

Rameen: Thank you. Thank you both.

John: It’s good to have you here. Today, for the first time ever, we’re all drinking the same tea, which is Chimps tea, a black tea with honey flavor, fig, and thyme. And this is a gift from one of our listeners. Miriam in France. Thank you, Myriam.

Rebecca: Yeah, so far. It’s really tasty.

Rameen: Yeah, really excellent tea. We love it.

Rebecca: So we invited you here today, Rameen, to discuss your First-Year Seminar course that combines animation and storytelling using the Alice 3 programming environment. Before we discuss that, though, could you provide an overview of the goal of first-year seminar courses at Oswego?

Rameen: This is not a standard first-year seminar. First-year seminar courses are designed to extend orientation, familiarize students with resources, and things like that. Our perspective about this type of course, which we call signature courses at SUNY Oswego, is that you are welcoming students to the intellectual community that we have. So as first-year students we desire a number of outcomes to be met by these courses, one of them is critical thinking, they have to have a significant critical thinking component. Also, these courses need to have both writing and oral communication embedded in them. And one of my favorites is that they have to enhance the cultural competency of our students, we’re a very diverse student body, there’s quite a bit of opportunity to make sure students experience other perspectives. And I think courses of this type really need to address that. Our provost, Scott Furlong, brought the idea to us even during his interview at SUNY Oswego, about what they had called, at his previous institution, passion courses. Now, as I said, we call them signature courses here. But those of us who love our discipline certainly can understand when somebody uses the term passion. So what makes you excited about your discipline? That’s what the course should help students experience.

John: So, you’re using the Alice 3 programming environment. Could you talk a little bit about the types of things that students are going to be doing in the class?

Rameen: So Alice 3 is a VR programming environment. So what you do is you build a scene, you can bring avatars of various types, could be people, could be aliens, could be dogs, into a scene, and you have props, trees, mountains, buildings, that you could bring into a scene, and then you learn to program something. So they can talk to each other, they can move from point A to point B. And it actually turns out, they’re able to, and they will be, writing reactive programming, which typically is what we do when we design games. So the user acts in some way, and then you program the reaction in the VR world in that context, or things run into each other. And obviously, when you’re designing games cars, or other things may run into each other, and you have the ability to detect that and actually act on that. But at this point, they are already running about a month ahead of where I thought they could be in just about a month of the semester. So I’m really hoping we can get that far.

Rebecca: Can you talk a little bit about why you chose the Alice platform, and what you were really hoping to foster with students.

Rameen: So, just a bit of background about Alice, Alice is supported by researchers in Carnegie Mellon. I think Randy Paudsch, when he was at University of Virginia, is really the person that began the innovation with Alice. And he thern moved to Carnegie Mellon. Many people in computer science would know who he is because of his work in VR, but what he should universally be known for is The Last Lecture, which is a pretty amazing hour plus lecture he gave before he died from cancer. But that group has been working on Alice for a very, very long time, and of course, has had new actors along the way. Don Slater is one of the people that has been part of that group for a long time, and he’s very much involved and was at the time when I met him very much involved in advanced placement. And that’s something I’ve been involved in for a long time, advanced placement for computer science. So one of the things we do in AP readings, we have people do professional development activities, and he gave a talk about Alice and this is a long time ago. But when I first listened to him talk about it, and he showed the features of the system, I really didn’t have a place for it in anything I taught at the time. So it has been brewing in the back of my head as a thing to build a course around for a long time, but really couldn’t have done it until the opportunity came along to build a signature course.

John: For those students who do go on to computer science. It seems like a really nice way of introducing the concept of object oriented programming. Does it work in that way?

Rameen: So the thing to understand about object orientation is that most of us who are software engineers by discipline, database types, we are very comfortable thinking of a student information being an object and the fact that we have a container of student objects and so on. But it turns out that’s not necessarily as comfortable for students as it is for those of us who do this for a living. But when you say, here’s an avatar, and you put this on the screen, and you could tell it to go from point A to point B, that seems like a very natural idea to students, and the fact that this particular avatar, so suppose it’s a bird, has wings, and opposed to a person who has legs, you don’t have to explain that. It’s a concept as inherent in being a human being and 18,19 years old. So some aspects of object orientation that often is difficult for students that are really obvious in this context. So any object like an avatar of a person, dog, cat, whatever, they can all be moved from point A to point B. So they share a set of expectations and attributes. They have a location in a 3D world, and you can move them from A to B, piece of cake, they understand. But then you say, “Well, this one is a bird, it has wings.” So the fact that you can spread the wings or fold the wings would be a characteristic that exists only because of it’s a bird. So inheritance, which is a concept that we like to teach in computer science is just built into the way the system behaves. And no student will say, “Well, what do you mean, a bird can spread this way or fold its wing.” People just naturally know what it all means. And believe me, it’s not always natural, in some of the other things we try to do with students to teach these topics. So it does lend itself extremely well, in understanding that objects have attributes, they have functionality, and it’s all there on the screen, and they can see it.

Rebecca: I think Alice is really nice, because it is so visual. And so you get those immediate, “I can see the thing I did,” whereas I remember when I started learning some code, I was building a database for car parts, and it was completely abstract. And I cared nothing about car parts.

Rameen: Yeah.

Rebecca: So it didn’t make it that accessible to me.

Rameen: It’s not, exactly, then the other aspect of it that I think we need to think about, about the platform, is that you don’t write a single line of code, you generate 1000s and 1000s of lines of code, but you don’t write any. So if you have a particular avatar as the object that you’re processing at the time, in building your code on the screen, you could just drag and drop functionality it has into your code. If you need to loop and repeat steps, you drop a loop into your code and then put the steps you want to repeat inside that loop. So all the typical barriers a student had with syntax or various languages, whether it was Java, Python, C++ kind of wash away, because you don’t really have to know syntax at all you, need to know “what are you trying to do?” and what will enable you to do it, and then you can execute that. So far, clearly, that’s not a problem for them. Here is the screen, this part of it is dedicated to X, that part of it is dedicated to Y and they’ve been able to handle it probably from week one. So all the standard things that tend to take a long time, don’t take any time. And besides doing 3D graphics, if you are a computer science person, in my mind, is super senior level type of activity. You got to teach them an awful lot about data structures and other event handling elements that they must learn because that is what we all had to learn. But guess what, you can learn it with Alice in short order. And this is the course is proving that you can.

John: Now one of the challenges that I could imagine you might have as that students come in with different levels of prior knowledge or interest or engagement with computer science. Some students may have not written a single line of code in any language, while others may also be taking other CS courses at the same time, or have some prior programming experience. How do you address the differences in background?

Rameen: So my sample case here is small, I only have 17 students, but this is not a computer science required course. So this is one that has art students in it, it has biology students, and and it does have a few computer science students and then maybe this one with an AP computer science background from high school, and none of them are doing any better than these other kids. So I guess the point is, it levels the playing field in a pretty significant way. If you can think a thought you can probably write code in Alice. And I’m finding it quite interesting, since I’m not preparing them for another course… not only this course doesn’t have a prerequisite, it’s not a prerequisite for anything else. So the way I designed the course going into it, I went into it with thinking, okay, so if storytelling and writing a really cool story within groups is the best I can get out of them, great. If I can get them to a point where they can write new functionality for objects, and I can help them write reactive programming so they react to the mouse click or collisions of objects and so on, maybe I’m dreaming, but that would be fantastic. At this point, I’m pretty certain I can get him there without other stuff. But that was kind of the key coming into the course, I walked in with a mindset of being flexible, that if they are struggling, I’m not going to keep pushing it like I would typically do in a CS course, which is partly why you would also lose students, but at least in my experience with these kids, and I can’t say until I teach it again (and hopefully I can) whether it will be the way it works is that you show them how to do something, and then they go to work, and they start doing it and then they make mistakes, and we all do, and then you give them a little bit of a hint about potentially maybe a different technique they could have used to accomplish the same task. I’m just going to give you an example. So you want the bird to go from point A to point B, so it’s on the ground, needs to go up on top of the tree. So Alice lets you put a marker where you want it to go on the tree, because you can’t go to the tree, you’re going on a branch of a tree. So you need to know how to put a marker there. So you put a marker there. And then it just goes from point A to point B, it goes from the ground to the top of the tree, then you say “Wait a minute, that’s really not the way birds fly.” So now you got to figure out, well, how am I going to flap his wings to go from point A to point B, to go from the ground to the branch on that tree? So it turns out and I’ve come up with a solution to this myself, obviously, you can’t really teach these things if you haven’t thought about how you could possibly solve them. And one of my students, after like three weeks of instruction, she figured out how to do what we call in Alice a “do together.” So as it’s moving from point A to point B, the step that is happening at the same time is the flapping event of spreading and folding the bird’s wing and she made it very clear that the bird was flying [LAUGHTER] from the ground to the tree with no interruption. Then we need to talk about well, do they really need their legs hanging out as they’re flying? I don’t know much about birds, but I think they fold their legs back. So now we have to learn how to address some kind of a functionality that is about a part of the body of the bird. So this is the way the learning is happening in the course, kind of naturally, you’re trying to make a realistic action on the screen in the animation. Well, how are we going to do that? Well, we have to now address the joints like the hip joint or the knee joint or the ankle joint to make that much more natural in the way it works. And there’s no persuasion here, the student is trying to make an interesting thing. And then I’m there to help them figure out how do you make that much more realistic.

Rebecca: What I really love about these courses, and in what you’re describing with Alice, as someone who’s also taught code to students, particularly ones that are not in computer science, is that they’re thinking like a computer scientist, and you’re really getting them completely within the discipline, you’re hooking them right in because they’re leading with their curiosity. They’re not satisfied with the way something looks, so they’re digging in and digging in and digging in. And unlike our traditional way of structuring curriculum, where we think this is the foundational information, and this is the next thing we build on, it almost turns it totally on its head [LAUGHTER], and does it like backwards from what we traditionally do. And it’s really fun.

Rameen: Well, I think the students are at the center of that type of a decision, that for years, you see human beings that probably could do this kind of work, but shortly after they try and they get errors after errors after errors, they say, “Hey, listen, this is great that there are geeks like you would like to do this kind of thing. It’s not for me,” and they walk away from the discipline, even though they could have had great contributions in computer science. So for me if some of these concepts are introduced this way, where syntax and semantics, which is typically what slows people down when they first begin, even the systems we use… like how do you type your program? And how do you run your program? …there’s a whole bunch of instruction around how do you do anything. You just go to alice.org, you download Alice 3, but once you do, it’s here you go, you click here, and then you set up your scene; you click here, you begin writing code. Well, how you write code? Well, the object is on the left side, you drag the command from the left to the right, how far do you want it to go? Well, you gotta choose a certain distance that it needs to travel… really, really easy for students to take to right away. And I just had no idea what I should expect. You watch a lot of YouTube videos. I mean, I certainly do when I was preparing this course, of all these different people, young and old, building things and being proud of what they had built. And I thought, if I could bring that to a course for our first-year students, that would be really, really awesome. And I think that’s what has happened.

John: You mentioned that the students are able to interact. Are they all in one virtual shared space for the class? Or do they have to invite the other students into the spaces that they’ve developed?

Rameen: So this is a really good question, John. So when I imagined how the course was going to work, I had to think of a number of things. One, I asked our technology people to install Alice on all lab computers because I can’t assume or assert that every single student that will take a course like this will necessarily have the equipment that could enable them to run it. Even the Mac kids who had trouble at first installing the thing, and I needed people to help them to get it installed, even they could continue to work because we had the software on our machines. The type of collaboration that I advocate for in class is a little untraditional. At least I think you could argue that it may be. So like the other day, I gave them a 10-question quiz. So they answer the 10-question quiz. And then I said, “Find a couple of other people and persuade them why your answers are correct and their answer is wrong.” So now the whole room starts talking about the quiz. I don’t know if they’ve ever had an experience where somebody says, “This is not cheating, what I’m asking you to do.” Who gives a quiz that says, talk to everybody else to see what they answered for the quiz.

REBECCA; John does. [LAUGHTER]

Rameen: And that’s not surprising, but in my mind, is it about the learning process? Or is it about assessing or giving a grade? This is a very low-stake experience. So why exactly would I care if you talk to someone else about it? So why not persuade someone else that your answer is right? That’s a very different tactic than to say, “Do you know the answer? And are you right or wrong?” Persuading someone requires talking to them, requires thinking for yourself, first of all. Well, why is this answer right? And then opposite of that, you hear the explanation. Are you persuaded that what they said is accurate? Or do you think they’re wrong? In which case now you’re giving them back a different perspective, and then they change their answer. And of course, you could change your answer for the wrong reason. That’s just one example. I really want them to collaborate and work with each other. And every time somebody does something interesting, like the young woman who built the code that I had not been able to myself, having the birds fly from point A to point B, looking very natural. I had her come to the front of the room, plug in with a connector that is in the room and show everybody how she wrote her code. And we’ve done that at least a dozen times so far, where people just come up, plug their computer and show everybody their code. So we often are worried about students cheating and using other people’s work. And if it is about collaborative learning, then you really have to cultivate the idea that, you know, that was a really good idea, maybe I can do that. And I think hopefully, the course will continue to behave that way where I’m confident everybody’s learning from it. That’s the concern that I’m the only one who knows something, whoever I am as a student, and everybody’s just copying me or whatever. That is not my experience so far in this course. They’re just trying to do it better, and if you have a better idea, maybe I can take that and move with it. Then maybe I’ll make it a better idea. And you see that also with students. One of them figures out how to make somebody walk more naturally, and then the other one even enhances that, even makes it even more realistic in the way you would walk. And that’s kind of what I like to see happen and is actually happening.

Rebecca: So how are students responding? Are you cultivating a whole new crop of computer scientists?

Rameen: So, this is an interesting question. I am wondering, those who are not computer science students, whether or not they decide that this may be something for them. But I’m also… with Rebecca here, is good to bring this up… they might become interested in interaction design as a discipline to pursue and become passionate about. Those of us who do this kind of work for a living and have done it for 40 years or whatever, the engagement aspect is the critical aspect. If they are really invested in the learning process, they can overcome an awful lot of barriers, that frankly, I cannot persuade you to put the time in, if you’re persuaded that you could do something a little bit better, then I’m done. As a teacher, I’ve set up the environment in the way it should be where you are driving the learning process yourself as a student, and they look like that’s what you’re doing at this point. And we’re only within a month into the course and they are behaving that way. Now whether or not they will continue to take more computer science courses, and get a degree in computer science. I’m not really sure, but, hopefully, if they do interaction design, there’ll be better interaction design students, because some of the structures that they have to learn here would definitely benefit them in that curriculum too.

Rebecca: Yeah. When can I come recruit?

Rameen: Anytime. I’ve already had Office of Learning Services. That was one of the things I wanted to point out, that I’ve had Office of Learning Services, they came and they talked about the learning process. And besides what they have done for me and talking about the learning process, and it’s all research-based discussions, which is really critical for students to hear things that actually do work, and we can prove they can work. I talk about the learning process on a regular basis with them. And I’m very interested in them understanding why we’re doing anything that we’re doing. I mean, they may be used to somebody standing in front of them talking for an hour and I just don’t do that. I may talk for 10 minutes and then have them work on stuff and then as we see gaps in what they understand then I talk for 10 more minutes, maybe. I try not to talk a whole lot. I want them to be working. So the time I’ve spent is on building what they are supposed to do to learn, not so much talking to them on a regular basis during the 55 minutes that the class goes on. Unfortunately, I’m not quite sure that that’s the experience they’ll have in other courses that they take, because to me, there is a freedom embedded in the way the course is designed that is hard to replicate if you have to cover from A to Z of some topic. You get to “H” and people are having trouble, well, you just keep going. Well, I don’t if everybody has the luxury to say, well, maybe we need to pause longer because we can’t get past this point. I mean, what’s the point? We get past this point, you’ll never catch up to where the end is. So I am hoping some of them will decide to be CS majors as a result, but I’m more interested in seeing how they will do if they take more CS courses. I mean, if they take a CS 1 course, are they going to do better than a typical person taking a CS 1 course if they move on and take data structures and other courses we require? Will it come to them easier? I think it’s a really interesting question. And I think there’s a lot of research that advocates for the fact that they will do better, but I like to see it firsthand.

John: One of the things I believe was mentioned in the title of the course was storytelling, what types of storytelling takes place in the class? Is it the design of the scenes or is there some other type of communication going on?

Rameen: So the way you do animation, in general… and I probably should back up and say I spent about an ungodly amount of hours trying to learn how to do this, but I went about it backwards because I went after event-driven programming and interesting things that I knew Alice could do to write games. But then you step back from it and say, well, students can’t start there. I mean, that’s just not a good place. So then you look at the alice.org website, which gives you tremendous amount of resources and say, “Oh, designing scenes happens to be the first thing they teach you to do. Oh, maybe I should learn how to design a scene.” So you put the pieces that you want in your story on the screen, and if you don’t want them to appear, you could make them invisible. But the way Alice works, you have to put all the components in on the front end. It’s a little different than the way we do object-oriented programming. When we do object-oriented programming, you create things when you need them, you don’t think about setting up the scene on the front end. So that took a little getting used to, but that’s what you do. And then the characters you put on the screen can move, they can talk, they can fly, they can do whatever you need them to do. And my biggest interest was storytelling, when I was conceiving of the course was that I really want students, especially those from other cultures, other backgrounds, to tell their story, find a way to tell their story. And this is probably going to be starting as a group project for my students in a few weeks. And we’ll see how that actually goes. And obviously it has to have a beginning and middle and an end for it to be an actual story. But I’m just excited to see what they will actually decide to do and how they actually do it. Along the way, though, they’re going to need some tools. And that’s kind of what my contribution will be in making sure that they can tell the story the way they want.

John: It sounds as if developing this course required you to learn quite a few new things that were outside your normal teaching experiences. Do you have any advice for faculty who are working on the development of similar courses?

Rameen: So for those out there who teach for a living, the opportunity to build something from the ground up, especially something that frankly, when I first thought of it, I thought it’d be a lot easier than it turned out, because there was so much that I didn’t know how to do, but when you don’t know something you don’t necessarily know that you don’t know something. People who were doing it and I was watching them do it made it look very easy to me. But once I began to do it, I discovered how much work there was to come to a point that actually orchestrates a course, I mean something that is meaningful, and has a clear direction to it. So if you have that opportunity, even after 40 years of teaching, to start over in some ways and build something that you feel not particularly comfortable about, I really highly recommend people do that. Because that is what your students are experiencing every single day when they are trying to learn this stuff that you know so well. So having a little bit of a taste of what it takes to learn something you know very little about, I think is critical. So my message to the faculty who are listening, is that if that opportunity arises, by all means, take it.,

Rebecca: You certainly get a lot more empathy for what it feels like to not be an expert, when you’re learning something brand new again.

Rameen: Well, that’s the thing about most of the things we do. I’ve been programming for 50 years. So it’s one of those things where you’re completely in tune with the idea of: understand the problem, solve the problem, whatever. But where should the camera be in a 3D world in order for it to point at the person talking just the right way? I had to figure that out. It didn’t come naturally to me. The first bunch of programs I wrote the camera was always in the same spot and then I began learning that “Oh I have control over where this camera goes. [LAUGHTER] So maybe it needs to be somewhere else when this person is talking versus this other one.” That’s been a lot of fun to get a sensibility back into the system here that this stuff is not as obvious as it may seem.

John: We always end with the question: “What’s next?”

Rameen: So I certainly would like to teach the course more, and I also want to do some presentations with the faculty in computer science, and if there is interest in graphic design faculty to do some for them, too, because I think the platform is extremely powerful. It doesn’t cost anything, the resources that exist have been getting developed for a very long time and they’re pretty mature. And again, back to no cost. We all know how much books cost. You really don’t need one, you just use the exercises that they give you at the Carnegie Mellon site for Alice and go with it. So I really want to advocate for faculty to consider using it beyond just this first-year signature course.

John: Well, thank you. This sounds like a really interesting project that can really engage students.

Rebecca: Yeah, it sounds like a lot of fun. I can’t wait to come visit.

Rameen: Yeah. Thank you both. Really, this was fun. Thanks for the tea also.

John: Well, we have Myriam to thank for that.

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John: If you’ve enjoyed this podcast, please subscribe and leave a review on iTunes or your favorite podcast service. To continue the conversation, join us on our Tea for Teaching Facebook page.

Rebecca: You can find show notes, transcripts and other materials on teaforteaching.com. Music by Michael Gary Brewer.

Ganesh: Editing assistance by Ganesh.

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301. A Return to Rigor?

Some faculty have advocated a return to “rigor” to address perceptions of growing student disengagement in our classes. In this episode, Kevin Gannon joins us to discuss an alternative approach that provides students with cognitive challenges in a supportive environment. Kevin is a history professor and the Director of the Center for the Advancement of Faculty Excellence at Queen’s University of Charlotte. He is also the author of Radical Hope: a Teaching Manifesto, which is available from West Virginia University Press.

Show Notes

  • Gannon, Kevin (2020). Radical Hope: A Teaching Manifesto. Morgantown: West Virginia University Press.
  • Gannon, Kevin (2023). “Why Calls for a ‘Return to Rigor’ Are Wrong.” The Chronicle of Higher Education. May 22.
  • Imad, M. (2022). Trauma‐informed education for wholeness: Strategies for faculty & advisors. New Directions for Student Services, 2022(177), 39-47.
  • Freire, P. (1970). Pedagogy of the oppressed, New York (Herder & Herder) 1970.
  • Boucher, Ellen (2016). “It’s Time to Ditch Our Deadlines.” The Chronicle of Higher Education, August 22.
  • Vygotskii L.S. (1984). “Problemy detskoi (vozrastnoi psikhologii).” In Sobranie sochinenii v 6-ti tomakh, vol. 4, pp. 243–432. Moscow: Pedagogika
  • Cavanagh, S. R. (2023). Mind over Monsters: Supporting Youth Mental Health with Compassionate Challenge. Beacon Press.
  • Jack, Jordynn and Viji Sathy (2021). “It’s Time to Cancel the Word ‘Rigor.’” The Chronicle of Higher Education. September 24.

Show Transcript

John: Some faculty have advocated a return to “rigor” to address perceptions of growing student disengagement in our classes. In this episode, we discuss an alternative approach that provides students with cognitive challenges in a supportive environment.

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John: Thanks for joining us for Tea for Teaching, an informal discussion of innovative and effective practices in teaching and learning.

Rebecca: This podcast series is hosted by John Kane, an economist….

John: ….and Rebecca Mushtare, a graphic designer….

Rebecca: ….and features guests doing important research and advocacy work to make higher education more inclusive and supportive of all learners.

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John: Our guest today is Kevin Gannon. Kevin is a history professor and the Director of the Center for the Advancement of Faculty Excellence at Queen’s University of Charlotte. He is also the author of Radical Hope: a Teaching Manifesto, which is available from West Virginia University Press. Welcome back, Kevin.

Kevin: Thanks. Great to be back with you all.

Rebecca: Today’s teas are:…. Kevin, are you drinking tea?

Kevin: I am drinking Cheerwine because I’m in North Carolina now. And this is how we roll in this state. And it’s so damn hot outside, a hot beverage is the most unappetizing suggestion right now.

Rebecca: All right, we’ll let it slide. [LAUGHTER]

John: I would have been tempted to have Cheerwine because it does have that whole North Carolina flavor, which I had never heard of until I came down here, the first time in 1987. But it’s incredibly popular.

Rebecca: What is it?

Kevin: It’s a cherry soda, basically. You got to be ready for sugar. You got to get your pancreas in shape and then prepare to go, but it’s quite tasty.

John: It’s a very inexpensive and popular cherry soda.

Rebecca: Interesting. It sounds like medicine.

John: No, it’s more sugary than medicinal.

Rebecca: Okay.

John: …but Duke, some time before last year, removed all of the soda from the vending machines and every place where they serve beverages on campus. You only have choices of healthy drinks: water, fruit juices, iced tea, they have of course, because it is North Carolina.

Rebecca: Is it sweet tea then?

John: It is not sweet tea, it is unsweetened tea. So I have a Tea Forte black currant tea that came down with me in my new Duke University mug.

Rebecca: And I have an Irish Breakfast tea because it’s 90 degrees outside and I have a hot tea because… I don’t know why. [LAUGHTER]

John: And I would not be drinking tea if I were not sitting in a very nicely air conditioned classroom here at Duke. So we’ve invited you here today to discuss your May 22 Chronicle article where you address the arguments that some people have raised advocating a return to rigor as a solution to what seems to have been a substantial reduction in student engagement Since the start of the pandemic. What do you think is the source of the disengagement that faculty have been perceiving?

Kevin: Well, I think there’s a lot that goes into it. But I will say that I think it’s important for us to remember that there’s: A) no one cause or explanation for it, which leads to B) there’s no one solution that’s going to fix it all. And we know this, I think, but in the day-to-day practice or dealing with this room full of disengaged students, it’s hard to remember that sometimes. And so I think the root cause of this disengagement comes from the fact that we went through and are still dealing with the effects of rolling trauma on a global scale. And we can talk about trauma-informed pedagogy all we want, but it’s not going to erase the fact that trauma happened and for some of our students, and for some of us, continues to happen as well. And of course, what we saw as a result of that was the pandemic laid bare so many of the other things that were already in place that were unsustainable, and didn’t let us hide from those things anymore. So whether we’re talking about the so-called racial reckoning of the summer of 2020, or we’re talking about the ways in which people from different socio-economic groups experienced the pandemic and or healthcare as a result of that. And we’re in an age now of sort of creeping authoritarianism, pseudo-fascism, whatever you want to call it. I don’t think anybody could realistically expect folks to bring all of their cognitive energies to bear in a classroom with all of this going on in the background. It’s like trying to read a book while you’re in the spin cycle of a washing machine. There’s no way. And I think we can talk about creating spaces that are sanctuaries from that, but I don’t think that we alone can solve all of the things that are leading to disengagement. In fact, disengagement, the diversion of cognitive bandwidth, defense mechanisms, these are all things that are actually, I would argue, fairly healthy responses to everything that we’re seeing around us. And we need to have the sort of empathy and understanding of what many of our students and ourselves are going through to allow space for that to happen.

Rebecca: Yeah, sometimes it feels like there’s a request to just snap out of it.

Kevin: Right. One of the refrains I’ve had over and over is we’re not going to pedagogy our way out of like systemic collapse. And so I think Mays Imad actually put it very well, when she talks about learning as a sanctuary. Our classes can be a sanctuary from this, and that’s important. And we should be doing that work and we should be providing those spaces and curating those spaces and nurturing those spaces for ourselves and for our students, but to put all the pressure upon educators to get students “reconnected,” despite everything else that’s happening around us, I just think it’s unrealistic, and it sets us up for failure. And the same is true, I would argue, for K to 12. Teachers, during the pandemic, educators were expected to sort of fill in the gaps of all of the missing social services over and above “just education.” And I think that when we talk about this disconnection, there’s a danger of us moving into that space where we’re being expected to solve systemic problems, when we are not in a position where we’re able to do so. And in fact, we are suffering from the effects of those problems, in many ways the same as our students.

John: And at the same time, I know our campus at least, and I think, throughout the US, we’ve seen an increase in the diversity of our student bodies. There’s many more first-generation students coming into our classes, there’s many students from historically minoritized groups who simply were not generally attending, and those students often come in with less knowledge of, as you note in your article, the hidden curriculum of education. We have to help them learn that curriculum. And that brings us to that whole question of the push to rigor. In the article, you describe two approaches to adding more rigor, one is adding more logistic rigor, and the other is adding more cognitive rigor to classes. Could you talk a little bit about those?

Kevin: Sure. And so when we think about this idea of rigor in the way that we normally talk about as faculty members, I do think that there are these sorts of two camps that rigor falls into, I don’t think that we… and I’m speaking broadly here, and certainly implicating myself, in some of this… I don’t think we always do a great job specifying which one or the other we’re referring to. So it’s very easy for me as a faculty member to say, “I’m making a very rigorous class.” And maybe all of that is one type of this rigor as opposed to a balance. And so I think when we look at rigor, what it basically boils down to is there’s sort of two broad ways in which a course could be challenging, it could be difficult. One of those is what we talk about as faculty as the good stuff and what I call cognitive rigor, complex thinking, higher order thinking, the ability to critically interrogate information, the ability to step outside of one’s own perspective, all of the things that we know higher education should be doing. And then there’s the other kind. There’s, for lack of a better term, I call logistical rigor. And that’s where you see things like inflexible policies, volume of work, not necessarily difficult work, but so much of it that the sheer volume in itself is what makes the difficulty exist for students. The classic story, I keep saying it’s apocryphal, but when I tell this story at various workshops I do at other campuses, people always swear it happened to them. So I think it is real. But the apocryphal story of the big lecture class where the professor strolls out of the first day and says, “Look to your left, look to your right, only two of the three of you will be here by the end of the semester,” like that’s that sort of logistical rigor that I think we see a lot. The problem is, as I note in the article, we often mistake one for the other. We often say that our classes are rigorous. And we think in our faculty braids that they’re cognitively rigorous, but the way our students are experiencing them is actually through logistical rigor. And so if you look at some of the research, and I linked some of it in the article, what really surprised me as I dove into this, were the vastly different perceptions that students and faculty had about a rigorous class. There was an article that listed the top 10 features of a rigorous class according to students. The top five of those were what I would call logistical rigor, the number of pages that were assigned to be written during the semester, the reading load, the pace of the scale of work, none of the good cognitive rigor stuff came in until the bottom five on that student list, and the numbers there were significantly lower. And this is just one study, but there’s a pattern across when we look at student perceptions of rigorous courses, of difficult courses, it’s a pretty clear thread that students are experiencing difficulty as logistical rigor. And so when we as faculty say, “Well, we’re really after these cognitively rigorous courses and that’s what it’s all about.” Well, that’s not what our students are seeing, which leads me to wonder if that’s really what we’re doing. And my suspicion is, is that no, that we’re often creating these logistically rigorous course spaces, and thinking that it’s cognitively rigorous, and of course, those are two very different things.

Rebecca: Well, and I think sometimes that code word of rigor, and I intentionally use the word code here is that it’s often used to weed certain students out and then we wonder why particular disciplines aren’t diverse or don’t have new faces as a part of the fields and disciplines, as if having structure or support or scaffolding is somehow the antithesis of rigor.

Kevin: Right. And this is really the crux of it, and of course, everybody’s brains will first go to STEM courses because STEM fields have really been struggling with this. But as a humanities guy, there are humanities fields, including some sub-fields in my own discipline of history. I would argue philosophy wrestles with this as well, where rigor in this logistical sense is exactly as you put it, the sort of weeding out, its code for “Some of y’all should be here, and some of y’all shouldn’t, and by the end of the semester, we’re going to have that sorted.” And of course, is that what we want to be doing? Is this how we reproduce our disciplines? If your answer to that is “yes,” I would argue that you’re probably in the wrong line of work. So we need to be thinking, what is it that we’re actually doing? There’s a difference between saying “our uses of rigor are counterproductive” and “we should dumb everything down.” Those are two separate things and that’s not what I’m saying. But our uses of rigor are doing the very things that you point out, Rebecca, that we’re putting barriers in front of students, we’re closing off pathways and opportunities for them to engage in our discipline. And given this moment of where we’re at in higher education right now, I think that’s a horrible, horrible strategy. Rigor, it has become such a loaded concept, because it has become this stand in for weeding out or culling or all these other awful metaphors that we use in higher ed to talk about kind of thinning the herd, so to speak, and that language matters.

John: When you were talking about the difference in faculty and student perceptions of making courses more rigorous. It reminds me of the discussion that we often see about active learnin. When faculty are surveyed in terms of the extent to which they use active learning activities in the class and the proportion of time that they lecture. When students are surveyed on the same questions, we get a remarkably different picture, suggesting that faculty are doing a lot more lecturing, and a lot less active learning than they believe that they are. And it might be nice if we could get a little bit more dialogue going back and forth between students and faculty and getting perhaps more student feedback in general. But it does suggest that we’re seeing a disconnect between what students observe and what faculty think they’re doing in their classes.

Kevin: Right. And a lot of times will be talked about, “Well, I do X in my class,” like I know in my own case, there are a lot of occasions where what I say I’m doing is actually more aspirational than actual. I would love to be doing these things. And on a good day, these things are happening. And maybe they’re working. And I get that. There are some days in some classes where the stuff that we know is most effective and most desirable, just doesn’t work the way that we would hope or the way that we would want. But that doesn’t mean that we stop trying. I think there are plenty of opportunities in place for us to have that sort of dialogue you’re talking about with students to see: are the actual experiences of my students aligned with what I think they are? And this is why we do assessment. This is why we do, at least in a perfect world, student ratings of instruction, if this course was designed to get you from point A to point B, and I want to say that you got to point B, I need to be able to prove that. And I need to be able to describe what that experience was like for you as students. And so how do I bring student voice into this. So you could do informal midterm feedback, you cn do weekly reflection papers, you could do check ins with students. The faculty development world has, I’ve seen it referred to as the small group instructional diagnosis, which is a unwieldy term for a kind of guided reflective discussion for midterm feedback and input from students about how a course is going. I think there’s a lot of tools already there that, working together…. and this is the other hard part….working as colleagues, working outside of my old office and department, and with my faculty development people or with other academic support, can I bring these folks into the process where they could work with my students as well, and help me gather that data? Am I doing, in actuality, what I say that I’m doing? What is my students’ experience of this course? And is that in alignment with what I have designed the course to be?

Rebecca: We all hit barriers like time and things that cause us to slip into old habits occasionally. So those aspirational moves certainly occur for all of us. But I also think that that transparency piece about like, “Why are we doing this active learning thing?” or “Why are we slipping into this old habit that’s maybe not the most ideal?” …can actually be really healthy, because then students can also share that and have that dialogue going back and forth so that they know where they’re at in something and vice versa, like we know where we’re at in terms of the classroom.

Kevin: Well, and it’s an excellent model, too. I think modeling transparency with our students in any way that we can about the course design, about the content, about the ways in which we might be collectively engaging with that. All of that is to the good. We want students to understand that learning doesn’t just happen by accident. We want them to get into this place where they’re thinking metacognitively, and to me really the only effective way to do that is to have this sort of radical ethic of transparency. If a student says “Why are we doing x in this course?” If my syllabus has, here’s all the stuff that we’re going to do this semester, and I can’t come up with a good answer to that, that’s a problem. And so this helps, as you suggest, keep us in this place where we’re ensuring that what we’re doing is in alignment with our goals and our values as disciplinarians, in other words, as members of our discipline, as well as effective instructors and human beings. Does this stuff align with what my professed core values as an academic and as an educator are. The only way we’re able to do that, I think, is to be in this place of transparency to model what that looks like for our students.

John: One issue where the logistical question comes up is that during the pandemic, a lot of faculty relaxed deadlines, and sometimes dropped deadlines entirely. And that certainly provided students with the flexibility they needed. But one concern is that some students would end up getting further and further behind in the course. And there’s a lot of research that suggests that without some structure in terms of deadlines, and getting things done in reasonable periods, the quality of student learning tends to deteriorate. What sort of policies might give students some flexibility, but still make sure that they’re progressing through the course, so they can keep up with other activities that they’re supposed to be doing as the course progresses.

Kevin: And so this is the key issue. And so I think it’s important to establish that, when I suggest that rigor, at least as we sort of traditionally used it is actually failing us, is getting in the way of actual learning, I am not suggesting removing structure from a course. And I wish I could remember which of his writings it’s from but there’s this piece of one of the Paulo Freire books or essays that I’ve read, where he talks about what we would call learner-centered instruction. And he basically says if we’re in a rowboat, and I teach you to swim by throwing you overboard, that’s learner centered, but that’s not necessarily helping you learn how to swim in that moment. And his point is structure is a necessary part of what he would call a liberating pedagogy, that it’s not just throw people in and say, “Okay, go learn, you are the agents here.” And so I think it’s important to realize that you can do this work well and meaningfully only if there is a structure in place, but it has to be a structure that’s explicit, that’s decipherable for students. Back to your notion of the hidden curriculum, if it’s hidden, [LAUGHTER] and the students are running up against these sort of invisible barriers without being able to name what they are, that’s a problem. But if there’s structure in the course, where students are able to see “here’s what I’m accountable to, and here’s how I’m accountable to other students in the class,” then you’re in a place where you could do what we might call that desirable level of difficulty. And so I think there are ways to bring in structure and maybe more structure than what we had during the pandemic. Getting through what we got through was a victory in and of itself, and whatever we had to do to do it, we got through it at least relatively unscathed as higher education. I think that’s a really important win to acknowledge. But it doesn’t mean that we have to go all the way back the other way now. And so I’m a big fan of the sort of nuts and bolts level of policies that build in flexibility, but don’t get rid of structure entirely. And so Ellen Boucher wrote a great piece in The Chronicle back in 2016, and had the headline, “It’s Time to Ditch our Deadlines,” which is unfortunate, because that’s actually not what she argues. She advocates for a two-day grace period, no questions asked, for her students. And if you needed more time than that, then you had to have a conference with her and come up with a plan, like “Okay, I can’t get this paper to you on the due date. I’m going to take the two days.” While I need more than the two days we’re going to have a conference and as the instructor, I’m going to work with you and say “Here’s the game plan. Here’s your next step. Here’s what you’re going to be accountable for and when you’re going to be accountable for.” So I’m doing extensions, but I’m not just saying turn it in whenever. I’m not leaving students to figure out “Okay, what are my next steps? What are my next actions?” Because in the case of deadlines, we know that when students are failing to meet deadlines, as you mentioned, this stuff just snowballs, and it becomes worse, and then they just ghost us, because the whole thing has become so overwhelming that the avoidance reflex kicks in. And so something like Boucher suggests where right off the bat, here’s a two-day policy, if you need it, just tell me you’re taking it, I don’t need to hear about whatever stomach ailment you had, or I don’t need the graphic email describing your symptoms. Just tell me you’re taking the two days if you need more than that we got to talk first. And so that’s an example of a policy that has a structure there but still it explicitly packages in that type of flexibility. And I think that’s a good model for where we need to be, understanding that for different students life is happening in different ways. And yet, there’s still we can’t just say “Okay, turn things in whenever,” because as most of us design courses, stuff builds on each other, right? That’s the whole point of scaffolding and getting rid of deadlines entirely or not having that sort of structured accountability in place does prevent the type of things from happening that should be happening. And so I think finding ways to preserve structure but flexibility within that structure, which, I get is… as I listen to myself say that, part of me goes, “Well, that’s a really just kind of wishy-washy answer.” But I do think, in this case, that moderating it, there was a reason we got rid of so much structure during the pandemic, with this recognition that it was absolutely necessary for the way that everybody’s lives were unfolding and happening. That didn’t go away, like people’s lives still unfold and happen in very complex ways. And that’s true for our students and us. So we can’t just say, “Oh, we’re going to swing all the way back, 180 degrees to the other side, and have deadlines by God.” I just think that’s an incredibly counterproductive thing. And I think that the folks who have been trying that are the ones who’ve been seeing a lot of resistance, and not a lot of success in terms of their students meeting those things. And that’s where we hear some of this frustration that’s coming out in the discourse.

Rebecca: I think the other thing that sometimes rubs up a lot against rigor is this idea of relationships between students and other students and students and faculty in the classroom and that sense of belonging… somehow these are like diametrically opposed. It’s not like rigors over here and belonging is over here, and they can’t possibly happen in the same place.

Kevin: Yeah, and doesn’t that speak to what we’ve seen with the sort of debate such as it is over active learning? The conversation starts from an erroneous proposition that you could either do active learning or you could have a “real class,” like you could do this namby pamby arts and humanities, sit in a circle and sing Kumbaya and braid each other’s hair kind of stuff or you could do real learning and manly-man stuff. And I’m exaggerating, actually only slightly. [LAUGHTER] A lot of times the conversation about rigor and challenge starts from this erroneous sense of mutual exclusivity, that you can have a compassionate flexible pedagogy or you could be rigorous, but you cannot do both. When it actuality it’s and you have to have one to have the other. You cannot have a challenging learning experience where your students can actually meet those challenges if you don’t have a compassionate empathetic pedagogical space, because the whole point about rising to challenges is you can’t do it by yourself. This is what the Vygotski talks about the zone of proximal development, learning is social, you need other people around you, you need an instructor, you need classmates. Well, why is that? It’s because we help each other when it comes to the point of really challenging and pushing ourselves cognitively to get to that achievement of that goal, that desirably difficult goal. We cannot do that if students don’t feel that they belong in that space. We cannot ask students to take intellectual risks or to try something that they have never tried before, if they’re at a place where they don’t feel secure in doing so. Because we wouldn’t ask that of ourselves either, if we’re being honest. And so rather than posit: “you could be rigorous or you could be flexible and compassionate,” it’s “you can be flexible and compassionate and then you can be challenging.”

John: At Oswego this fall we’re going to be using for one of our reading groups, Sarah Rose Cavanagh’s book that you reference here, her newest book, which is Mind over Monsters, and you cite that basically as suggesting the importance of bringing both of those things together. And it’s an excellent book, by the way, which I would recommend to anyone interested in addressing some of these questions.

Kevin: Absolutely. It’s a brilliant book. And I think it’s a vital intervention in this very conversation that we’re having.

John: A term that you use in the book, which was a technical term I hadn’t quite seen used in this context, was that many faculty when they tried to introduce rigor, essentially are adding more “hard-assery”, I think was term that you uses rather than actually more cognitive challenge. Why is that happening? Why do people do this?,

Kevin: Yeah, and the phrase I use is performative hard-assery. [LAUGHTER]

John: Oh that;s right. Sorry, I forgot. [LAUGHTER]

Kevin: Well, I’m glad that that resonated, because I’m really proud of that phrase. But I really do think that that is where a lot of the rigor conversation is. My classes are hard, my students write, they read a bunch, they do all these things. And it’s like, “Do they? and what is the result of them doing those things?” It comes back to the student perception of rigor as the more pages I decide to read and write, students don’t talk about what they learned, and they talk about what they had to do. They don’t talk about what they became. They don’t talk about how it made them feel. They don’t talk about how they changed. They just talk about things they have to do. And I think that that’s a really important distinction when we think about the student experience in all of this. And I think it’s very easy for us to say, “Well, I’m doing my job because I’m assigning my students a ton of work, and it’s hard and I grade hard.” And again, I’m not saying we shouldn’t be challenging. I think we should absolutely be challenging. But how are we structuring those challenges? Am I giving my students a challenge just sheerly through volume. Is my class just kind of a death march through this enormous swamp land of content that’s just going past them a mile a minute, or Is it challenging in the sense that they are taking the time to be deliberative thinkers, to be critical consumers of information, because those two things look a lot different. And again, especially coming at this sort of not quite post-pandemic stage that we’re at, is a very real desire to bring some structure back, but thinking about bringing that structure back in terms of just assigning more stuff, because from our own graduate school experience, that’s how we structured our very lives. And so if we think about structure, and again, I’m saying we very intentionally here, that’s the first place our mind goes to. And so I brought back structure, because I’ve assigned a whole bunch more work. And now I also get to complain about how students aren’t doing the work, because I’ve built in this sort of self-fulfilling prophecy, it makes me feel good, it makes me feel like I’m “doing my job,” but am I? Are students learning? Is this advancing learning, because chances are, it’s probably not,

Rebecca: As you’re describing these two scenarios, the marching through the marsh, for example, I’m thinking of the really long checklist that accompanies it. And then in this other environment, this luxurious amount of time to contemplate something and wrestle with something and think through it, and how there needs to be space around that sometimes, to really have the time to process and understand what it is that we’re trying to grapple with.

Kevin: On a micro level, we think about this as instructors all the time, when we think about trying to foster an effective discussion in class. We know that asking a good question is the essential piece of having a good discussion. If I ask a complex question that requires a fair amount of cognitive heavy lifting, I need to give my students time, I can’t expect my students to answer it right off the bat. If it’s a good question, there’s going to be some silence afterwards, as students think about and chew on it a little bit before they decide how they want to respond. And it’s true on a course level too. Are we providing space for our students to do this work, to do this processing? Or is it just more, more, more, more, more, faster, faster, faster, faster, in the name of rigor, in the name of structure, in the name of challenging, but it’s really kind of the cognitive equivalent of trying to drink from a fire hose, like what’s really happening there?

Rebecca: Sometimes not much. [LAUGHTER]

Kevin: I have actually stood in front of a fire hose, not willingly, but I’ve been hit by a fire hose. And I can tell you, it’s not pleasant, it hurts and you’re really wet and miserable afterwards. And I would argue that those are not the things [LAUGHTER] we want associated with learning spaces. And yet, this is, a lot of times, where we, and again, speaking broadly, where we kind of lay it…this sort of, we’re gonna fire hose everything out, and it’s up to the student. And I’m exaggerating slightly for effect, but again, not very much.

John: If the solution to the student disengagement is not dumping more work on students and having more students fail along the way, as many people seem to see it, what can we do to get students a bit more engaged with the class? Because that’s been a complaint. I’ve heard from a lot of people at many institutions in the last year or so.

Kevin: So I think there’s two things I would use to answer that question. And the first I would say, engagement’s not going to be 100% all the time. And if we are thinking that it was somehow that way, magically, before COVID, we’re deluding ourselves. And so we have to give ourselves permission to fall short in that category, not every student is going to be engaged in everything at every time, no matter what we try to do, because that’s the world we live in, that surrounds the spaces we’re in. And so let’s be realistic in what it is that we’re after, how do we engage students in a meaningful and at least most of the time kind of way? And that’s where I think we can do a lot. And so there’s a couple approaches that I think hold a lot of promise. One is we do have to be challenging, we do have to provide challenge, people like to meet challenges. If students think they know something already, they’re going to hear it and “Oh, I already know this, I’m already checking out.” So we have to put in this level of difficulty, of mystery, of complexity, but we have to provide support in helping them meet those sorts of challenges. And we have to be clear and transparent about how we’re providing that support. The idea of a safety net under the trapeze artists, the trapeze artists who’s doing incredibly complex and really, really difficult things that they’ve practiced a lot to do, but they’ve had a net underneath them, just in case it didn’t go well. And at a much lower risk sort of way, that’s what we’re doing. I’m asking you to do difficult things, things that you have probably not been asked to do before. You may fall short of the goal, but that’s okay, because here’s the supports underneath you. This is a space where it’s okay for that to happen. And so depending on the type of class and the discipline you’re in, that might look a little different. But when people talk about desirable difficulties, in other words, challenges that people can actually meet, even if it takes a lot of effort, but there is a solution. And again, I reference Vygotsky’s zone of proximal development, a lot in this. It takes a while to get there, but you get there and that’s what the important part is. So how do we create teaching and learning spaces where the challenge is centered, but the ways in which students are being supported in meeting those challenges are also at the center. Right now we’re very good at centering challenges. I would argue we’re less proficient at centering those other things. And so how do we support students in meeting those challenges of what should be a demanding education? And so Cavanaugh calls it, in her book compassionate challenge. I suggest in the article that the question we should have as our litmus test is: does this advance learning? Does this thing I’m doing advance learning in the sense of what are the goals? What are the outcomes that we’ve established for the course? Those sort of transformations, those promises, to use Ken Bain’s words, that we’ve made to students? Are we getting there? Do you know how we’re getting there? Are you able to assess as a learner yourself what’s working in getting you there? Those are the sorts of things that need to be at the center of the teaching and learning experience. And if we’re just doing challenge for challenges sake, or that sort of performative hard-assery shtick, our students are not going to be interested in having that conversation with us or with themselves even, about what’s working for them in terms of the strategies they’re adopting, and the things that they’re doing to meet the challenges that they’re faced with on our course.

Rebecca: Thinking about procrastination in relationship to what we’ve been talking about. And sometimes procrastination reads as lack of motivation, or a lack of engagement. And sometimes the reason for the procrastination is that there isn’t the deadline, or there isn’t the structure or there isn’t the milestones to move you along. How do you see the relationship of procrastination to rigor and this idea of engagement?

Kevin: That’s a great question. Because I think if we err too much on the side of the so-called logistical rigor, or it’s like just really hard, inflexible policies and strict deadlines and this high volume of stuff, we’re actually creating the circumstances that procrastination will become an epidemic among students, because what we’re giving is an unrealistic amount of work to do in the time that’s allotted. And it’s very easy to get from there to just sheer avoidance, I can’t do this, I don’t see a tangible way through this, I cannot see myself getting through this gauntlet. So eff it, basically, is how that works. And so I’m going to do other things, whether I’m doing this consciously, or subconsciously, or some mixture of both. That’s like the perfect storm. When it’s all extrinsic motivation and when it’s all insurmountable barriers, at least from the perspective of the student, that’s like the perfect storm for avoidance. And I’m someone who personally struggles with this all the time. My avoidance reflex is keenly developed over the 50 years of my life. [LAUGHTER] And I do not do well with unstructured time. And so getting back to this question of how do we find that balance, I think structure is important, not an overwhelming or a suffocating amount of structure. But there needs to be something in place to help our students fit themselves and their work and their lives into the framework of the course. We need to be able to give them the tools to do that without pre-determining every outcome or stifling every option. But I think thinking about what are the causes of procrastination, what are the effects of procrastination, because one of the things that when folks talk about student disconnection is this phenomenon that we’re seeing more and more of students just kind of ghosting, just dropping out, like they were in class for six weeks, and now they’re gone. And I think a lot of that is things have built up to the point where they seem so overwhelming that there’s no realistic solution in place. And a lot of that is exacerbated by that cycle of procrastination. And so by the time we get to the point where the student is feeling so overwhelmed that they just want to leave everything, which they do, it’s way too late. So we have to be intervening in the earlier part of that process where it’s procrastination that is creating the conditions that this sort of overwhelming volume is going to grow out of a little bit down the road if we’re not able to intervene. So I think thinking about procrastination is the way you frame it in these very explicit and sort of fraught of mind terms is a really important part of all of this.

John: Since I’m at Duke, I’ll mention a study that Dan Ariely had done a while back where he worked with one of his colleagues at MIT at the time, and they were giving students writing assignments where they had to write three papers over the course of the semester. In one class, they had fixed deadlines for submitting these papers that were evenly spaced. In the other section of the course, they were given the option of setting their own deadlines, which could be at any time during the semester. If they chose, they could set them all at the end of the term. And what happened was that students who had either fixed deadlines or who set the deadlines evenly over time ended up performing better than the students who chose to put the deadlines at the end. And I should also note, there was a one-percentage point penalty for each day they were late. So it was a small penalty, but it was a non-trivial penalty. So the logical thing is to put all the deadlines at the end and then try to get them done evenly. But the people who had deadlines later did the work later and did lower quality work. So those deadlines can be important as long as there’s some sort of incentive structure with it. And I think that has helped encourage me to not drop deadlines entirely. Usually I allow some scores to be dropped or allow some deadlines to be flexible, but warn students that if they don’t meet the deadlines they’re going to have trouble with these in-class activities that are going to be done based on the things they were supposed to have done before they come to class. But it’s a challenge. And I haven’t found a good balance

Kevin: That speaks to exactly the type of balance that we’ve been talking about. We don’t have to choose between strict, rigid, inflexible deadlines, or no deadlines, or complete student set deadlines, like the Elen Boucher piece that I referenced earlier. Here’s the structure, here are the deadlines. And then here’s the wiggle room that comes along with them. And so your desire to sort of have the deadlines but to balance them with flexibility in your classes, and to have students understand, this is why you need to have these things completed, or at least aiming for this particular juncture, because you’re going to need it in the next phase of the course, etc. This is all part of what we talked about supporting students to meet these challenges, this is the type of support. Support could be encouraged through our course design, as well as the actions that we’re taking on a day-to-day basis. And so again, I want to be really clear that I think rigor as we’re using it kind of higher education wide, has outlived its usefulness as a word. It has too much baggage, it has been wielded in exclusionary, inequitable, and sometimes very horrible ways. But that doesn’t mean that we don’t talk about challenge. And so I think like Cavanaugh does, and like a lot of other folks who have landed on this idea of thinking about ways that we can challenge our students. And the way to do so is to create structured environments where the structure facilitates rather than suffocate students as they endeavor to meet those challenges.

John: And at our teaching center, we’ve given hundreds of workshops over the years, but never once have we advocated rigor, or even used the term rigor in our framework we always refer to challenge and the benefits of that. And you cited a Chronicle article that was the basis of a podcast episode with Sathy and Jack. And we’ll include a link to that in the show notes.

Kevin: The headline was, “It’s Time to Cancel the Word ‘Rigor’” and playing on everybody’s sort of obsession with the boogeyman of cancel culture. And I think that that got in the way a little bit of folks engaging with the very real truth of the article was that, as Rebecca alluded to earlier, rigor has been wielded rather than used it’s been wielded like a cudgel, it’s been a barrier, it’s been exclusionary. And when we talk about rigor now, I think everything has a history, this is my own discipline talking here, I don’t think rigor with the amount of baggage it’s carrying, I just don’t think it can be constructively used when we’re talking about challenging students. And because students have experienced rigor, defined that way and referred to with that word, to the point where there’s that kind of baggage with it too where it’s sort of the pedagogical equivalent of hazing, as opposed to anything else. It helps us as educators ask ourselves, are my challenges cognitive or just logistical? Are my challenges supported for students? Or am I just sort of asking them to close their eyes and jump off the cliff and trust that no bad things are happening. And it helps me as an instructor hold myself accountable to ensure that again, I’m not doing the things that I would rather avoid and that I am doing the things that I tell students I’m doing to help support their learning. In the tradition of first-year student essays everywhere, look at the Webster’s definition of rigor, it talks about things like extreme inflexibility and rigidity. There are connotations, you know, rigor is for corpses. So I think that it’s a concept that has no usefulness for the questions that we’re trying to answer and the knots that we’re trying to untie at this particular moment in higher ed.

Rebecca: There’s a lot to think about. Thanks. [LAUGHTER] So we always wrap up by asking what’s next?

Kevin: Well, right now, I’ve actually thinking a lot about the course spaces in which some of these things that we’ve talked about play out all the time, and that’s the intro or survey courses. And I think the project that’s kicking around in my head right now, and I’m getting dangerously close to actually starting to write stuff, is thinking or rethinking the intro/survey course, sort of a critical interrogation. What are they supposed to be? What are they actually functioning as in reality? How large is the gap between those two things? And what are some ways in which people are creatively answering some of the problems that the survey course presents in terms of not just teaching but designing effective spaces as well as some of this comes out of my own field in history. We’re wrestling with again this death march through content. World history in two semesters, Plato to NATO in an academic year. Is that really what we’re after here? Or should we be doing something else? And so from my own discipline, I’ve developed an interest in thinking about this and thinking about the ways in which other fields and disciplines are wrestling with similar types of questions, which of course, then leads to the larger question of what is the point of these things? And are we doing the things that we say these courses should be doing? Because of that, thinking a lot about not just teaching and learning, but about first-year student success, about things like just and inclusive teaching, things like student-centered pedagogy, a lot of really interesting and fun things that are kind of swirling around. So the short answer, rather than that very long-winded one is I’ve researching survey and intro courses to see if there’s better ways that we might be doing it.

Rebecca: Sounds like a great project. Maybe you need a deadline so you get started on it. [LAUGHTER]

Kevin: Let’s not get carried away because I am going to take that two-day grace period, I can tell you that right now.

John: Well, thank you. It’s always great talking to you.

Kevin: Well, thanks for having me back. It’s a real treat to be with you two again.

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John: If you’ve enjoyed this podcast, please subscribe and leave a review on iTunes or your favorite podcast service. To continue the conversation, join us on our Tea for Teaching Facebook page.

Rebecca: You can find show notes, transcripts and other materials on teaforteaching.com. Music by Michael Gary Brewer.

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300. Episode 300 Reflection

This is episode 300 of the Tea for Teaching podcast. Whether you are a new listener or have been with us for all 300 episodes, we are very grateful that you’ve joined us on our podcasting journey. In this episode, we celebrate this milestone by reflecting on what we’ve learned and how the podcast has evolved.

Show Notes

Transcript

John: This is episode 300 of the Tea for Teaching podcast. Whether you are a new listener or have been with us for all 300 episodes, we are very grateful that you’ve joined us on our podcasting journey. In this episode, we celebrate this milestone by reflecting on what we’ve learned and how the podcast has evolved.

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John: Thanks for joining us for Tea for Teaching, an informal discussion of innovative and effective practices in teaching and learning.

Rebecca: This podcast series is hosted by John Kane, an economist…

John: …and Rebecca Mushtare, a graphic designer…

Rebecca: …and features guests doing important research and advocacy work to make higher education more inclusive and supportive of all learners.

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Rebecca: Now that we’ve reached Episode 300, we thought we’d take the opportunity to reflect on some of the changes that we’ve seen in higher education since we launched the podcast in 2017.

John: Today’s teas are:…

Rebecca: I have Blue Sapphire.

John: I heard you just stocked up on a trip to your favorite tea store.

Rebecca: Yes, I was really excited to stock up on my favorite and I have a couple new ones too. So maybe in some upcoming episodes, we can try those out.

John: And I have Bing Cherry Black tea from Harry and David’s which is made by the Republic of Tea. When we first got started on the podcast, much of the focus was on specific teaching practices and techniques and interesting projects. Most of our guests were people that we knew or guests who were within our professional networks.

Rebecca: in the spring of 2020, as we know, [LAUGHTER] the focus shifted to the challenges associated with remote and online teaching, and the challenges facing remote learners and instructors.

John: As we became accustomed to pandemic teaching, we focused a bit more on faculty concerns as we transitioned into the transformed higher ed landscape. Historically, higher ed had been designed to serve the elites of society, and while higher ed gradually became more open and students have become much more diverse, many residual practices have worked against serving the students that we have. During the pandemic, faculty became much more aware of the inequities facing our students as well as faculty and staff.

Rebecca: Yeah, so one of the things that we’ve been talking about quite a bit is this more holistic focus on the needs of our students and faculty as humans, and really generating and creating a much more inclusive higher ed environment. How do you see that moving forward, John?

John: One of the things we’ve talked about is addressing the needs caused by the increased demands on time for faculty, staff, and students. As we developed new teaching techniques and tried to build more structure into our courses, it put much more demands on faculty in terms of redesigning their courses, in terms of paying more attention to the needs of students, and providing students with more feedback. And that has led to issues with burnout, which we’ve addressed in a number of podcasts.

Rebecca: And you’ve never experienced that, have you, John?

John: The day is not over yet. [LAUGHTER]

Rebecca: Well, how do we think about supporting faculty as we move forward with all these demands on their time in trying to prevent burnout? We’ve talked about this in a couple of episodes, but as we enjoy summer and have a little bit of more downtime for some of us… maybe not you, John… and move into the fall, what are some things that we need to be thinking about for our own classes to prevent burnout?

John: One of the things that we’re trying to be careful with when we recommend new teaching techniques to faculty at the teaching center here, is that they change approaches gradually, that small changes, incremental changes, are much easier to accommodate than the type of rapid changes that people had to do when they first moved into remote teaching. And so I think we have to be careful in making sure that we maintain a balance and we don’t burn out ourselves, because we’re not going to be very effective in supporting our students if we’re struggling to get through each day ourselves.

Rebecca: Yeah, we need to be present, just like we want our students to be able to be present and have the supports around them to be present in their learning. I think one thing that we’re also talking about in grad studies in our office is really this increased stress on faculty, and how do we support faculty, but also how do we support graduate student populations through things like accountability groups, or ways where there’s another human for accountability, but also for support, and not necessarily a mentor model, where there’s a power dynamic, but really a peer-to-peer approach to connect people together.

John: And we’re running two reading groups this fall to address some of these needs. One of the reading groups is on Sarah Rose Cavanagh’s new book, Mind over Monsters. And the other one is the second edition of Jim Lang’s Small Teaching. We had done that a few years ago, but we’ve had a lot of new faculty since then. And while we try to reach as many faculty as we can in our workshops, there’s a lot of faculty who are still teaching in pretty much the same way as faculty were teaching a century or so ago. And we’re hoping that by encouraging small modifications in teaching approaches, it might encourage more faculty to participate in introducing active learning activities and evidence-based teaching approaches.

Rebecca: It’s really easy to slip back into past practices when we’re tired [LAUGHTER] and overworked. And it’s not surprising that people have kind of slipped back into assignments and stuff that they’re really familiar with to reduce the cognitive load around new stuff and the many stressors around. So having that added support to help faculty re-engage with some of those ideas is, I think, a really great idea at this juncture. And I love that Mind over Monsters is one of the reading groups as well, because mental health is such an increasing concern, not just for students, but also for faculty and staff.

John: And we’re very much looking forward to both of these reading groups. Among the things we’ve talked about more frequently since the start of the pandemic are the challenges faced by underrepresented and contingent faculty.

Rebecca: I think when we’re introducing new techniques, and we’re thinking about supporting students around mental health, or we’re thinking about evidence-based practices and engaging in active learning, we need to remember that contingent faculty or underrepresented faculty have different barriers or different obstacles in implementing these things… or even more pushback from students and implementing some of these techniques. So we really need to be cognizant of supporting each other and realizing that we don’t all have the same kind of supports in place. I think some populations of faculty are just overly criticized. And when they try something new, it’s not accepted in the same way that a more dominant group’s adoption of those same techniques might be.

John: And that’s true both by students as well as by their faculty peers. And one of the things that’s come up in many of the podcasts we’ve discussed are the biases in both student and faculty evaluation of teaching.

Rebecca: Yeah. One of the things that I think is on the minds of our faculty too, is, as we’ve seen increased diversity of our students, we’ve seen diversity in levels of preparation. And I think those inequities have always been there. But again, maybe it’s more visible now than it had been in the past. How do we work through that in our classrooms, especially in these more introductory classes as students transition into college?

John: Well, I think those inequities have always been there, but they certainly grew with remote teaching, because our students face very unequal resources in their school districts and in their households. And when people are physically in the classroom, they’re at least exposed to the same infrastructure within their institutions. But when students were taking classes from home, as we talked about in many, many episodes, during a pandemic, they had very unequal network access, they had very unequal computing facilities, they may have been sharing a computer with multiple family members, they may have been forced to work. And as a result, the inequities in prior education and prior learning became much more dramatic during the period of remote teaching. And that disproportionately affected students from low-income households and low-income school districts. And what we have to do is provide resources, I think, for all students to be successful. And while we always should have been teaching, or providing resources and support, for all students, those needs have become much greater now, because while we are bringing in a much more diverse student body, we’re also losing students who come in with less preparation at some of the highest rates we’ve ever seen before. And we have to make sure that we’re providing the students that we accept with the support they need to be successful. And there’s lots of ways of doing it, you can build in some additional resources, you can connect to YouTube videos, and such things and provide support to students, you can use mastery learning quiz systems, and many other techniques. But we have to work towards having more faculty building that in because while many faculty are doing these types of things, and trying to build more support and more structure into their classes, it’s not a universal phenomenon.

Rebecca: And maybe even acknowledging that some students in the class are quite literally working harder to get to the same level.

John: The last few years when I’ve been teaching my large intro class, that’s something I’ve mentioned explicitly. I said, everyone here has all the resources they need to be successful. But if you had taken an AP introductory microeconomics course, or something close to that, you’re not going to have to work as hard to attain mastery of many of the concepts. If you have not been exposed to these things, or if your background in working with math and using graphs is not as strong, you’re going to have to work a bit harder. And that’s not a message that a lot of students appreciate hearing. But if we want to get all of our students to the same level at the end, the students who do come in with a weaker background need additional support to get there. And using tutoring when available, encouraging students to come in and talk to their professors and use office hours, all of those things can help but we’ve got a ways to go. What are some of the things you do to try to provide support for the increasingly diverse student body?

Rebecca: Yeah, I think the reality is that what we give each student isn’t the same, because what they come in with is not the same. So I often am trying to assess where students are and then pushing them right at that moment where they’re at, rather than expecting everyone to be at the same point. And I can do that a little more efficiently in a small class than you can in a bigger class. But I think we need to use those smaller classroom spaces to be able to do that so that everyone feels challenged, but also has what they need.

John: My introductory course is a prerequisite for all upper-level economics classes, and most of my students will be moving on to upper-level classes, so they have to reach at least a minimum level of proficiency in the discipline in order to be successful in their future classes. In other classes, instructors can be more flexible, and just try to get the most learning gains in their students, no matter what their starting points were. In my introductory class, at least, I have to pretty much take the students where they are, and try to get them all to the same place, while making sure that they’re all challenged. And that’s a very challenging goal to reach.

Rebecca: …and the difference between teaching those introductory classes versus higher level classes within a discipline, for sure, I think one of the most efficient things we can do is making sure that all students know the most effective ways to learn, because they don’t necessarily know those things coming into college, or even into graduate school. What we need to just remember is learning isn’t something that we just magically know how to do, we need to learn strategies and techniques that are effective.

John: We’ve had a number of guests over the last year or two who’ve talked about books that they’ve provided, or resources they’ve created to help students be more successful. Because one of the things that’s been pretty obvious for quite a while is that the study techniques and the learning strategies that students use are not generally consistent with what evidence suggests is most effective. And as a result, students are not using their time as efficiently as they can, by engaging in strategies that they perceive as being useful, that really result in very little increase in long-term recall… strategies such as highlighting, repeated rereading, and so forth. And one of the things that might be helpful is if we all could shift students a little bit in the direction of using evidence-based learning strategies, and some of that could take place through course design, by building infrastructures that incentivize the use of these techniques.

Rebecca: Yeah, and I think the moment that students realize that they don’t have the most efficient way, or the moment that a student begins to struggle is different, depending on some of that background, that they have. Students that come in well prepared may have never really struggled in high school, and maybe eventually, maybe even in the first year of college, you don’t struggle, but maybe it hits a little later on in their education, maybe not until graduate school. And then other students might struggle the second they get to college, because there’s not as much structure in place as there was in high school. So I think we need to be underscoring these techniques at all levels, and not just in their first year.

John: And one other thing that’s been discussed in many podcast episodes, is the importance of making the hidden curriculum of higher ed transparent to students, so that we don’t expect students to know what a syllabus is or how it could be used, that we shouldn’t expect students to know what is expected on a term paper in a class without making those expectations explicit and transparent to students. Because in general, we see a lot of students coming in, and they see it as a game where they’re trying to guess at what instructors are asking. And many of those guesses, especially for students who have not been in college prep classes before, are wrong. And they wasted a lot of time and effort that could have been spent more productively developing their understanding of the subject matter.

Rebecca: And the reality is that there’s differences between disciplines and between courses. And so the more we can be explicit about expectations within our own discipline, and within our own courses, and beyond the classroom experience of higher ed, because there’s expectations in other spaces as well, like student clubs, athletics, and all of the rest of the co-curricular activities that support student learning are incredibly important. And those are also not obvious.

John: One of the things that we’ve talked about much more on the podcast, and higher ed in general has been addressing much more extensively since the pandemic, is alternative grading approaches. Because traditional grading approaches and traditional course structures generally incentivize students to cram and to focus on maximizing their grades, rather than maximizing learning, so that if we really want students to shift to evidence based learning strategies, it would be really helpful if we could shift students emphasis away from grades and faculty emphasis away from high-stakes assessed activity and shift it more to activities that result in deeper learning, more long-term learning. And we’ve talked to many guests who have shifted to using strategy such as specifications grading, mastery learning systems, portfolio assessments, and ungraving, which has become one of the most talked about topics in higher ed in the last few years.

Rebecca: Yeah. And I think one of the things that comes up in a lot of those conversations is concerns over students just wanting the right answer and not learning and not critically thinking about the subject matter and the knowing of why and how, and doing analysis. And I think every instructor [LAUGHTER] has a desire for some of those kinds of conversations to come out in their classes, rather than just regurgitation of things that they’ve said in class.

John: Part of the issue is that when we get students in college, they’ve already had 13 years of experience in K through 12, where grades were the primary area of focus. And as a result, it’s hard to shift that focus from grades to learning. Besides alternative grading, we might use some other strategies such as encouraging students to be more reflective on their work, to spend some time in reflection-based activities and metacognitive development type activities.

Rebecca: Yeah, I know, this is a space where I was maybe a little hesitant at first thinking like, “Oh, these are just quick assignments that have no meaning,” but quickly realizing actually the value in really good well designed reflective activities that challenge students to think through how and why they learned something and what it is that they actually got out of an activity. And I’m often very surprised about how much learning occurs that is not visible, despite the fact that I teach studio classes, so I’m with my students much more than the average instructor. So I actually do observe a lot of learning. But in the reflection activities, I’m hearing a lot about how students are spending their time or things that they really struggled with and worked through that I wasn’t aware of. It also helps me understand where they’re not aware [LAUGHTER] of their own learning, or where they’re using strategies that aren’t as effective and helps with interventions. I know you’ve done a lot around metacognition, especially in your lower-level classes, but also in your upper classes.

John: In at least a couple of my courses. I’ve been using the metacognitive cafe discussion forum, which was actually the topic of our second podcast, Judie Littlejohn and I jointly developed this quite a few years back. And it’s been remarkably effective. It’s basically a low-stakes discussion forum that I’m using in my online classes, where students will reflect on their learning and share their learning strategies and will also read a bit about retrieval practice and spaced practice and the benefits of sleep in learning. And every time I do it, even though it’s only a trivial portion of the grade, it’s 5% of their total grade for participating in that activity, the students report that it was the most valuable learning experience they had in the class. A large proportion of the students at the end of the terms say they wish that they had learned these things back in elementary school, that they had been using practices that were not efficient and they didn’t realize that because they’ve never been taught how to learn. And it’s something that students have found really valuable. And the other nice thing about it is because, in this particular case, it’s done in a discussion forum, it helps them build community and helps them get to know each other, because they’ll often talk about the challenges they face. In online classes, many of the students have families where they’re taking care of young children, they may be working different shifts, they may be faced with other challenges that normally wouldn’t come up in a content discussion forum in an online class. But when they share that, and they share those challenges, and they share their career expectations, and they talk about how what they’re learning might be useful in their expected careers, besides the sense of connection, it also helps students see the relevance of what they’re doing and sharing that with other students helps build a little bit more intrinsic motivation in learning.

Rebecca: It also seems like there’s a bit of an immediacy in that context as well, because the information can immediately be put into action in a real lived experience and not something that may feel abstract, which sometimes happens within a discipline when it feels like maybe it’s not a thing I’m going to do anytime soon, professionally. So I think this really highlights the reason why we need to help students hook into everything that we’re doing to make it feel like they have a personal, professional, or educational connection to their own goals.

John: One of the topics that I use in each class where I’ve done this, at a point where students face the first really challenging material in the class, is just asking them to discuss how they deal with challenges. They share useful strategies, but one of the main benefits of that is it normalizes the sense of struggle, that when students are struggling with concepts, they often feel that they’re alone on this, but when they hear that other people are struggling with exactly the same issues and exactly the same concepts, it normalizes it, and again, it helps them understand that challenge is an important part of learning, which is not the message that they’ve generally received throughout their prior educational experience before coming to college.

Rebecca: It seems to me like this is the same reason why our reading groups work so well for faculty development as well is this connection among peers, but also that the challenges we experience are not in isolation. [LAUGHTER]

John: One of the things I’ve always enjoyed about the reading group is when people will come up with a technique or describe something they’ve done in class and people in completely different disciplines who might never have considered that will make connections and see how they could do something similar in their classes. That understanding that we’re all facing the same challenges makes it much easier to deal with some of the day-to-day stresses that we might have in our classrooms.

Rebecca: I know that one of the things that has come up in our reading groups, and also in our conversations about the future of higher ed and where we’re going to be going over the next few years is student engagement, and then specifically, the role of AI tools like ChatGPT [LAUGHTER] in the conversation. So if students don’t feel motivated, and they’re relying heavily on these tools, how do we get students to re-engage with the idea of learning?

John: Well, going back even just a little before the introduction of ChatGPT, which kind of hit higher ed by storm in late November of 2022, we did see a dramatic increase in the use of sites such as chegg.com, and various other sites out there, where the use of those tools became normalized a little bit, which made it much more challenging to give online assessments. And I think that’s where most people are concerned right now about things like ChatGPT, because with other places, you could at least locate where answers were coming from. And you could address that with the students and attribute it to the specific sites where they got their answers, which was, again, a bit of a challenge. But ChatGPT is raising some challenges for assessment that are going to be difficult to deal with, because it’s much more difficult to determine who is the author of specific items submitted online for assessment. And a lot of people are struggling with that right now. I know I’ve been struggling with it. In my spring 2023 online class, the quality of student writing on essays improved fairly dramatically over the course of the semester. And that seemed to correlate with the spread of the use of ChatGPT a bit. AI tools are really powerful, and they can be really useful. And they have a lot of potential value in education and in providing support for personal and work productivity. Right now, I think, more people are focused on the challenges, but we’re going to have to start thinking about ways in which we can productively integrate this and prepare students for a world in which the availability of AI tools will be ubiquitous.

Rebecca: And you teach in some really challenging contexts, really large classes in person, a number of online sections, and I know ChatGPT is keeping you up at night. What are some things that you’re thinking about… maybe haven’t resolved… but that you’re really thinking about redesigning or rethinking or retooling in the fall to just respond to the moment that we are currently living in.

John: As of 2020, I had shifted all the quizzing to online quizzes and tests and midterm exams and so forth. I’m seriously thinking about in my large face-to-face class, moving back to at least in in-class midterm and an in-class final exam. I really appreciated the fact that I could let students do it at their own pace, and that it took some of the anxiety and stress away when students did not have this two-hour time limit to complete an exam in the classroom. But with the size of the class, a large proportion of the testing is done with multiple choice exams, or algorithmic questions, and those are types of things that ChatGPT answers really, really well. Not too long ago, someone posted that ChatGPT 4 received a score of a 99th percentile on the Test of Understanding in College Economics (the microeconomics version of that), and those are the same types of questions that I’d be giving students on these quizzes. And while I had 1000s of questions that I had created that students were selecting from, all of those questions now are vulnerable to the use of AI tools, which makes it much more difficult to assess in that large class. Right now, the only thing I’ve really thought about doing differently in my large class is moving back to at least a couple of in-class exams. Now some of the things I was doing, such as polling questions embedded in the class activities and working on problems in class, where students submit that in real time, are generally much less subject to that type of issue. I know there are tools where students can scan the questions and so forth, they get responses back a bit more quickly, but it wouldn’t be as easy for them to do in real time when they’re in a polling environment. One of the main benefits of that is when I use polling, it was always tied with peer-to-peer discussions. And those peer-to-peer discussions is where most of the learning actually occurred from those in-class problem-solving exercises. For my online class, I’m not sure what I’m going to do. One thing I have done in the past is I’ve had students do podcast projects. And again, it’s pretty easy for chat GPT to generate scripts, but these projects are pretty heavily scaffolded. Students submit a proposal and they go through a number of steps to get there. And projects that are scaffolded like that, are probably a little bit less sensitive to the use of AI tools to generate the entire project. What are you thinking about in terms of your classes, or in terms of the graduate program?

Rebecca: I think we’ve talked a lot about the concern over the validity of our assessments and wanting there to be accuracy, not just for our sakes, but for students’ stakes in the value of their degrees moving forward. Part of it, I think, is really engaging in conversations around ethics around these tools, and not necessarily discouraging the use of the tools entirely, or banning the tools. I think that just motivates people to want to use them more, but rather to use them in ways that are productive, or interesting, but are also well documented… [LAUGHTER] like students are disclosing what they’re doing. And we can analyze the use of the tools in particular ways because maybe it could save time in particular places and not take away from certain kinds of learning, as long as we keep the learning objectives [LAUGHTER] up front. And then we assess when we’re using particular tools to determine whether or not it’s taking away from the learning. But I think these are hard conversations to have, and certainly not things that I want to be policing.

John: And I’d much rather not be policing these things. Sometimes students haven’t given me much choice in that. One example that I’ve seen recently is students submitting exam responses that asked him to analyze recent data, where the response said something to the effect: “as an AI tool, I do not have access to this data.” And when a student submits work like that, it’s pretty clear that they haven’t even read the essay responses they’re submitting on that graded assessment activity. And we want to make sure that students do actually interact and engage with their learning materials. Perhaps we can also design assessments that are not as vulnerable to AI-generated text. This semester, with my online classes, one thing I have shifted to, instead of having them discuss general debates or issues in economics, I have them focus on interpreting videos online, for example, where economists are debating certain topics, or doing readings that are not in the training database for ChatGPT, which means it’s much harder for AI tools to generate responses when they don’t have access to the underlying content that’s the focus of the assessment activity.

Rebecca: Would hyperlocal situations or examples also be a strategy because there’d be less widely available information on something like that.

John: Definitely. Information on the local community or the campus community or other local things, information that would just not be part of the training database is a good place in which we can ask students to connect the materials their learning to real-world events so that you maintain that sense of relevance while ensuring that the students are actively engaging with the work themselves rather than using a tool.

Rebecca: One of the things that I’ve used historically in my design classes, and it’s a little easier again, because I teach studio classes and see students more often so I tend to have a hunch as to what they’re working on, because I’m seeing them working on things, is really documenting process and not just using language, but showing through a video and showing steps along the way that might not be as easy to capture as an end product using an AI tool.

John: In general, open pedagogy projects, too, could be less vulnerable to having work being done entirely by AI tools. So videos would be an example, wikis perhaps might be.

Rebecca: I think that things that combine text and image are more challenging to have an AI tool create, at this moment.

John: That may very well change…

Rebecca: …by the time this episode comes out. [LAUGHTER] I think one of the things that I’m hearing us say actually, is that a lot of the strategies to reduce intellectual integrity or academic integrity issues around ChatGPT are also the things that are more likely to engage students and foster their learning anyways because they’re more authentic assessments, they’re probably more project based, they’re probably more long term with milestones along the way. And these are things that students often deeply engage in. And I think when they can connect to their local community, whether that’s the campus or the community that campus is situated in, or even their own hometown, in different ways around the discipline, those are all ways that students get a hunger to want to learn more.

John: And going back to our earlier discussion of the importance of shifting students’ focus from grades to learning, students are using tools like ChatGPT to raise their grades, even though they recognize it does not support their learning. If we can shift students’ focus to recognize the value of learning as improving skills that they’re going to need later in life, that should reduce the incentive for students to use shortcuts to avoid learning material.

Rebecca: If we’re not just looking for the right answer, but the journey to an answer, and even if it’s an incorrect answer, being able to understand why it’s not correct, and allowing that to be the learning is a really different way than our education has historically worked. The future of higher ed seems really stressful, John. [LAUGHTER]

John: It does, but it always has. That’s nothing new. But certainly the last few years have seen a lot of rapid change that… I hate to use the word unprecedented… but that have been relatively unprecedented.

Rebecca: And I think it really does speak to this need to connect with other colleagues, where we can share some of the challenges that we’re facing and brainstorm together to improve our teaching, but also to improve the level of stress we’re experiencing. [LAUGHTER]

John: One of the other things that we’ve talked about, especially within the last year or so is growing faculty concerns over student engagement. When students first came back to the classroom, there was a lot of excitement about being back. But since then, faculty generally seem to be noting that the level of engagement of students has shifted or has changed somewhat. More students are not completing assignments. Students in some classes have been disappearing from class as the semester progresses. And there’s a lot of concern that students are not as fully engaged with their coursework as they had been prior to the pandemic. So Rebecca, how are we going to solve this?

Rebecca: That’s a good question, John. I think one of the things that this aligns with is the higher incidences of loneliness, and mental health. And so finding ways to connect students to each other, and establishing those peer networks, I think, is one of the most important things that we can do in our classes. And it’s something that I’ve maybe always done in some way. But I’m being much more intentional about moving forward, because I’m feeling like even if students are in the same room, they’re still feeling really isolated. And so we have to be intentional about creating those opportunities for students to experience connection and feeling like they want to show up for each other and for themselves,

John: …using more group activities in class where the work of each student depends on the contribution of the other members does help create that sort of pressure on students to be there for their peers, to be there for the rest of their team. And that could be very useful.

Rebecca: Yeah. And I think the key to that, though, is not just assuming that students know how to interact with one another, or how to depend on one another in a team context, but really scaffolding those learning opportunities that really start with making connections and establishing relationships, because it’s the relationship that’s going to cause the pressure to show up for someone. And I think when we’re seeing high incidence of like ghosting, for example, it’s because the individuals don’t feel connected to the people that they’re ghosting.

John: And there have been a lot of studies done recently that show the importance of a sense of belonging in student persistence. So helping students form those connections is really important, because we have so many students who go to college, build up a huge volume of debt, and then disappear without getting the degree which does serve as a signal that they’ve actually accomplished something as a result of their education. And they end up with more financial struggles than they would have had had they not started. So we do want to help students form those connections for their own sakes, for their own future success. And one of the books we used in a past reading group was Relationship-Rich Education by Leo Lambert and Peter Felton. And that summarizes a lot of the research on the importance of building community and building connections, and also provides some really nice examples of ways in which institutions can transform to help facilitate those connections.

Rebecca: As instructors, we have a lot of power in that space to help students feel a sense of belonging. We can do really simple things to make someone feel seen and if they feel seen, they’re more likely to feel like they belong. So personalized messages, getting to know your students a little bit, being approachable, calling students by name, all of those things help students feel like they’re a part of a particular community. There’s so much to still learn and to come together around. And so I know that we’re looking forward to having many more guests and many more conversations to help work through many of the questions and concerns and things that we’ve raised today and have been raised by our colleagues. Now, John, we always wrap up by asking what’s next?

John: Well, what’s next for me is I’m heading down to North Carolina to teach at Duke again next week. And I’m looking forward to this. And this time, I’m going to try avoiding getting run over by a car. So I can actually teach my classes down there and spend some time away from the hospital this summer,

Rebecca: #life_goals. [LAUGHTER]

John: Small goals are sometimes more achievable. And Rebecca, what’s next for you?

Rebecca: This summer, I’m looking forward to doing some more work on our graduate student online orientation, which we put together as we transition to our new course management system in the fall and also working with some colleagues on an accessibility online module.

John: And we’re looking forward to talking to more of our wonderful guests. I’ve really enjoyed the experience of interacting with so many great people doing some really good research and doing such good work in higher ed.

Rebecca: We’re grateful for all of our guests and all of our listeners. So thanks for listening

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John: If you’ve enjoyed this podcast, please subscribe and leave a review on iTunes or your favorite podcast service. To continue the conversation, join us on our Tea for Teaching Facebook page.

Rebecca: You can find show notes, transcripts and other materials on teaforteaching.com. Music by Michael Gary Brewer.

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294. The Allure of Play

Student learning is enhanced when active learning activities are used in instruction. In this episode, Victoria Mondelli and Joe Bisz join us to discuss how principles of game design can be used to create engaging active learning experiences. Tori is the Founding Director of the University of Missouri’s Teaching for Learning Center and is an Assistant Teaching Professor in the Department of Educational Leadership and Policy Analysis. She had previously served at the teaching centers at Mercy College and at the CUNY Borough of Manhattan Community College. Joe Bisz is a learning games designer and Full Professor of English at CUNY Borough of Manhattan Community College. Victoria and Joe are co-authors of The Educator’s Guide to Designing Games and Creative Active-Learning Exercises: The Allure of Play, which was published in March this year by Teachers College Press at Columbia University.

Show Notes

Transcript

John: Student learning is enhanced when active learning activities are used in instruction. In this episode, we discuss how principles of game design can be used to create engaging active learning experiences.

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John: Thanks for joining us for Tea for Teaching, an informal discussion of innovative and effective practices in teaching and learning.

Rebecca: This podcast series is hosted by John Kane, an economist…

John: …and Rebecca Mushtare, a graphic designer…

Rebecca: …and features guests doing important research and advocacy work to make higher education more inclusive and supportive of all learners.

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John: Our guests today are Victoria Mondelli and Joe Bisz. Tori is the Founding Director of the University of Missouri’s Teaching for Learning Center and is an Assistant Teaching Professor in the Department of Educational Leadership and Policy Analysis. She had previously served at the teaching centers at Mercy College and at the CUNY Borough of Manhattan Community College. Joe Bisz is a learning games designer and Full Professor of English at CUNY Borough of Manhattan Community College. Victoria and Joe are co-authors of The Educator’s Guide to Designing Games and Creative Active-Learning Exercises: The Allure of Play, which was published in March this year by Teachers College Press at Columbia University. Welcome Tori and Joe.

Joe: Hi.

Tori: Hi.

Joe: Thanks for having us.

Rebecca: Today’s teas are:… Joe, are you drinking tea?

Joe: Oh, yes, classic chamomile.

Rebecca: …in a mug that looks handmade?

Joe: It looks handmade. But that’s just to make people think I have other skills as well. [LAUGHTER]

Rebecca: How about you, Tori?

Tori: Today I have a Starbucks espresso and cream in a fancy, fancy glass because it’s so special to be with you today.

Rebecca: She has upped to a stemmed glass. [LAUGHTER] How about you, John?

John: I am drinking a peppermint and spearmint tea in a Tea for Teaching mug.

Rebecca: That’s good. I have a cacao tea.

Tori: Very nice.

Rebecca: Cacao tea… the cocoa plant. And so it’s actually made from the plant rather than with tea leaves. So it’s not chocolate flavored. Made from the cacao plant. It’s very tasty.

John:I heard cat cow?

Rebecca: Cacao.

John: Well, I was thinking of the animals.

Tori: I was thinking of the yoga pose.

John: That’s right.

Tori: Cat cow. [LAUGHTER]

John: We’ve invited you here today to discuss your book, The Educators Guide to Designing Games and Creative Active Learning Exercises. What are the advantages of using playful activities in learning?

Joe: Well, I think I can take this start. Basically the foremost advantage of being playful is that your exercise can recapture the ageless allure of learning. As children,the first way that we all learn was by probing our environment, playing with it, inventing mock scenarios and then changing up the rules. As adults, I think that in our rush to instruct, our exercises can often become top down, and we can miss opportunities to inspire wonder.

Tori: Yeah, and I’d like to add, that’s why Joe and I really wanted our book to show teachers how to build their own creative active learning exercises to be easily appliable. We mostly come at it from a non-digital aspect. So we are recommending using basic materials, paper, cards, tricky questions, puzzles, point systems and role plays as some of our most common tactics.

Rebecca: Although, lucky for us, there’s plenty of digital technology that can make all those things happen in other environments too.

Tori: Exactly, and the book does have that. We have different sections of the book “design online,” and so recommending those tools as well.

Joe: Low-key though, low hyphen key.

Rebecca: So we know that students play games for hours, often weeks, months, and engage in things for long periods of time as they master new games and get engaged with their friends. What are some principles of game design that we can use to create and maintain student engagement in our classes?

Joe: This actually began some of our early research before the book, thinking in this direction. When designers make mainstream video games, or even elaborate board games, escape rooms, or interactive installations in museums, whether for children or adults, there’s often a lot of difficult content that needs to be taught. So as you mentioned, the designers rely on tried and true principles of interactive design to make these experiences feel engaging. In fact, there’s been a lot of work by other researchers in the past 20 years, exploring variations of these principles, and suggesting that we teachers can learn from these principles. But most of the focus was on proving the research rather than articulating how to apply these principles in a practical manner. This led to our own research collaboration, and eventually our very successful and hands-on professional development workshops. They use our methods.

Tori: So we have several sets of principles in the book, and I think this will be a perfect opportunity to tell you about our engagement principle. And we have five of those. The first one we call “narrative and fantasy,” the basic idea being that people need to hear stories that give context to what they’re facing in their own lives. The next one is “networked or sensory environment,” the idea that people thrive when they’re communicating in social groups using digital smart tools and multimedia. The next one, we would call “fast or random access,”
many people like processing information non-linearly and even simultaneously. Next is a classic one, “challenge,” people really want to challenge them feels achievable and personal. And the last one is also sort of a classic, I’d say, and that’s “rewards,” what we call “frequent rewards” or “feedback,” that we really as human beings crave feedback on our choices, even if that feedback is abstract, like .4 miles or something along those lines.

Rebecca: Can you share a couple of examples of what those engagement principles look like in the classroom?

Tori: Yes, Joe, do you think now’s a good time to talk about the simple mechanics?

Joe: Yeah, I think so. And this is basically a way that learning activities can be, as we could use the word converted, or transformed into some kind of playful activity. So there’s a spectrum, we think, to making an exercise more playful, or engaging. Of course, the first step is to just have it be active, have the learner actually be doing something other than just listening, the next step is to add a fun element. These are elements which researchers have shown add engagement or playfulness, we’ve classified some of these into what we call the five simple mechanics. And let’s see if we can explain them using audio only. So make the pace of your exercise a little bit random, or a little bit rapid. That’s two of the simple mechanics, rapid or random, or you can make its goal involve some kind of reward, such as points, badges, or some kind of rivalry, a little bit of competition, or students cooperating against a challenge, which still has competition, or some kind of roles. And we define roles pretty broadly, it could involve themes that have concentrated moments of emotions like feelings of suspense, it could be playing a historical, or fictional character, or just the students being on teams, and each student has a particular responsibility. So if just a part of it has one of these simple mechanics, not the whole thing, then you’re already on your way to creating something playful, so at least those moments would be playful.

Rebecca: So you’ve mentioned the five simple mechanics, can you give an example of what that looks like? So you’ve provided a frame, provided some playful things that we can think about, what would an activity maybe look like using something like that?

Tori: So one of the games that I like to play in the Teaching for Learning Center with faculty, and then what usually happens is they figure out ways to use it in their classroom, is a game that Joe designed a few years ago, we call it icebreaker bingo. So you can imagine a bingo card where there are prompts on each of the squares. And when people come in the room, and they’ve never met each other before, but there’s a common thread, those prompts will relate to that thread. And you circulate around the room and you go up to different people, you obviously introduce your name and other important details, and then you get right to it. You can ask them up to two of the prompts. And if they are true for them, they sign their initial, and then keep moving through the room. So the first person to get five across or five down or five of a kind, we have categories would shout “bingo.” They can think about the simple mechanics at play in that wonderful icebreaker certainly is random. Usually people don’t come up with a strategy for it, they just go up to random people and ask random prompts. And then they also can kind of get into the role of being an interviewer and selecting different prompts based on the ones that they like. The rewards is really strong in that particular icebreaker because there’s that joyous moment of explaining bingo, and then we’ll usually have a prize. And the rival factor is very heavy in icebreaker bingo. So that’s one that has a lot of these engagement principles, and is very popular with faculty and students alike, and can be just for general getting to know each other, but also could be used a little bit as a kind of quizzing mechanism as well.

Joe: And I like that Tori gave an example of what we would call basically a more full fledged game. But our listeners can also think about the simple mechanics as just little sprinkles onto something. So for example, for random, we have something that we named monkey wrench challenges, where you have any kind of standard activity with the students that are working on something. But then you make a point of changing things by calling out a sudden challenge that requires the students to alter their approach. So maybe it’s a new perspective by which they’re looking at the material and other concepts and kind of new information that they have to find. And even though you’ve planned it out, probably, unless you have a deck of these things that you’re drawing from, it’ll have a nice taste of random and nonlinear and break the order that students were doing something and therefore, for reasons known to these researchers, feel somewhat pleasing.

John: Can any active learning activity be converted into a more playful structure.

Joe: I think so because if we look at it as a spectrum, moving from active learning to adding a little bit of play, even if the rest of your exercises is exactly as you’ve already designed it, then anything can be converted. It’s just a question of whether one, after analyzing the need for what you’re trying to achieve, whether it needs it. The longer you have an activity that goes on that you might consider or your students might consider to be passive, we would argue the more the need for some element of it to change the pace, or to change the goal, so that it could feel a little bit more playful.

Tori: And Joe, in our decade plus time of doing this work, have you ever had an occasion where somebody came to you for advice on making a learning activity more playful or gameful where you’ve had to turn them away? I could say I have not, we always find something.

Joe: No, definitely not. Especially if they’re already crossed the chasm, and they’re actually interested in making a more playful,

Rebecca: …perhaps the very first step, right? So you note in your book that learning activities might be focused on skill and drill, or focus more on deep learning. Can you talk a little bit about how we can do a playful activity or a game for each of those different kinds of learning?

Tori: Yes, definitely. And if you’ll let me just kind of explain a little bit on how we classify skill and drill versus going more towards deep learning. So skill and drill, what we’re really talking about here are sort of facts, factual, and foundational knowledge that’s needed either in a discipline or sort of a general education curriculum. And so it’s really things that people need to commit to memory, just basic ease and facility with those facts or figures, that kind of thing. And then when we’re talking about deep learning, we start to move into the ability to, for those who love Bloom’s Taxonomy, is like moving into manipulating information using higher order thinking, but to do that in a way that really will be long lasting, because even over time that certain things can evaporate. That’s just human memory. So when we talk about games for deeper learning, it’s not enough to use the engagement principles and the simple mechanics. And there are ways of structuring it so that we get students to grapple more deeply with content and do things with content. So we’re delighted to bring the complex mechanic to people and readers with the ALLURE method. Joe, do you want to talk about that?

Joe: Yeah. So it’s perhaps a little unexpected in our book, because a lot of people who are talking about games are focusing on the engagement element. And immediately, we do talk about that. But we’re actually firm believers that, in addition to being engaging, well designed games and playful activities, can carry, as Tori was saying, deep learning principles taken from the cognitive sciences. So before the book, I started doing some research on ways that faculty were already approaching learning activities in the classroom. And I came up with a classification system that Tori also expanded on with me for the purpose of the book. And we looked at how these things could carry some of what we call deep learning principles, such as identity situated meanings, and the ability to pass information to students through cycles of expertise, so that the students slowly becomes a master and then is challenged by new information. We call these the complex mechanics, and to them will instantly be very familiar, I think, to most of our audience. One of them is called “trivia questions.” It’s pretty much the most common type of playful activity that educators use in the classroom. Another one is called “simulations,” which is also very common, especially at the high school level. And that can involve debates and roleplays, which in our opinion, are an example type simulation, also arguments. Very complex mechanics, we call “cut ups,” basically about sequencing puzzles, reordering information, mixing it up, and having to put it back together. Other ones would involve classification type exercises, such as sorting or matching. So these are already hard-core activities that are done sometimes in the classroom. But we’ve linked them to some of these deep learning principles and have explained how these teachers want to design something but they don’t want to reinvent the wheel, they could just look at one of these nine complex mechanics and they’re sort of gameful approaches, creating something. We also have deduction exercises, common to scavenger hunts, brainstorming, which is definitely playful and feel like a kind of game and interpretive exercises such as improv. I was just at conference a few days ago, called Playful Learning and improv was everywhere. It was the heart with all these teachers just talking about and it was so interesting to see all these examples of playful improv in order to illuminate the concept.

John: In your title, you have the ALLURE of play, but ALLURE is used there not just as part of the title, but it’s also an acronym. Could you tell our listeners what the acronym stands for?

Tori: Yes, A – ask where to apply the play. L- list the mental moves. Second L – link the mental moves to the play. U – understand how the learning principles operate. R – run the activity game. And E – evaluate the learner experience. So that spells ALLURE, and that’s our six-step method, the backward design guide. And we’re so happy that it worked out because we just love the word “allure.”

Rebecca: Can you walk us through those steps in how a faculty member might approach their class and designing an activity?

Tori: The first step really, an educator wants to ask themselves or work with a small group to really inquire in their own curriculum about where, to use a business term, where would the return on investment be for your student learning? Joe and I are believers that if it isn’t broke, don’t fix it. [LAUGHTER] So where are students struggling? Have you taught this class before? Is there a bottleneck in learning? Is there something that’s holding them back from the learning? And we think game-based learning is the ultimate in active learning pedagogy, as really, really strong to help students through and be successful. We advise educators to look at the curriculum and go where the student learning is being held up for some reason. Maybe there’s a student learning bottleneck, because cognitively it’s a difficult concept. Or maybe there’s an affective blockage. So Joe and I are strong proponents of game-based learning as the best active learning strategy. And so we think that you can go to your toughest student learning challenges and apply game-based learning there. So that’s what we’re really asking in step one is, where do you think you’ll have the most bang for your buck? Because game-based learning does take a good amount of talent and time put into it. So making judicious decisions. Is there a place where students are bored? Is there a place where just, semester after semester, you lose half the class, and to go ahead and apply your energies there. The next step, list the mental moves, really gets at when you have a student learning outcome that you’re working with for students in a class, oftentimes, that’s written in a way that is a little obtuse, you have to break it down to really get at what the student is actually doing mentally, what are the mental acrobatics that are going on there? So this is where we will say, “Let’s get granular. What are we really talking about? What are the mental moves?” Joe and I are both very inspired by the decoding the discipline scholarly community, and they have had, for decades, really strong practices in faculty working together, two faculty from different disciplines to help each other break down what the expert is really doing. And so the first couple of steps of the ALLURE method are really picking up on that tradition of where do you want this learning game to be successful in your curriculum? And then what is really going on at a minute level, the kinds of thinking steps, the kinds of mental moves that students need practice with. And then the third, I like to think of link the mental moves to the play… it really is the magic of the whole ALLURE method. Because when Joe developed the complex mechanics, he categorized them according to Bloom’s Taxonomy level. Now, what this does is it really takes a lot of guesswork out for educators who want to apply the method. Now all of a sudden, they can drill down on nine of the complex mechanics and say, “Well, I want the complex mechanics that are really going to help my students. say with analysis.” And then that gives them a subset of choices, that they can choose the complex mechanic that foster more analysis and build that in as the game play, so students are really practicing analysis, getting feedback on that analysis. And it’s really quite time efficient, thanks to that categorization.

Joe: So Tori just reviewed the first three steps: ask, list, and link. The last three steps are understand, run, and evaluate. So as soon as the teacher has finished thinking about what are the actual steps the students are doing, and connecting it to one or more of the complex mechanics, this is the moment when we ask them to brainstorm roughly what their playful activity will look like. So in the book, they take 20 minutes, putting together some ideas, making connections, then they have some tea, take time off and we move on. So this is all about the end of link moving into understand how the learning principles operate. Within understand how the learning principle operate, they then do a debrief and they’re examining what they came up with. And they’re comparing it to all the mechanics and principles that we’ve been teaching them so far in the book, not because their activity needs to have all of these things, that they’re looking for. have perhaps missed opportunities, or things that can be refined, or mechanics that they were working on, but perhaps didn’t come across as thoroughly as possible. We call these checklists. And they’re just going through and reevaluating their approach, and then tweak it one more time. In the next step, we have run the activity game. So ideally, the teacher would talk to either some play testers or some fellow colleagues in their discipline, and talk to them about what they’ve come up with, one more last chance for feedback. And then they would present it in the classroom to their students. And we have different methods for collecting student feedback and taking notes on what they’re saying. We realized pretty early on in our own workshops, that a lot of teachers are actually just uncertain how to even run an activity game in a classroom, much less one that they’ve designed. There’s so many facilitation issues to think about. So within our step, run the activity game, we also walk teachers through thinking about common facilitation issues that will come up such as: Do I have the right kinds of desks to hold these games or activities? Do I need a projection screen? How many teams are there going to be? Should students be in teams. In all these concerns, they can think about them ahead of time and have a good strike plan. After the activity game is run, we go to the last step, evaluate, evaluate the learner experience. And we have different rubrics and ways that the teacher can think about how successful was the students’ experience of this? And how might the activity game be iterated upon and changed for next time? Because we all know, we slowly work on our exercises, and we make them better year after year, till perhaps we get tired of them, or we put them aside for a while.

John: When you present this material, I imagine there’s some faculty who are resistant to the whole concept of building play into classroom instruction. How do you address that with faculty?

Tori: I never force it on them. We start with: “What brings you in today?” And we talk about we sort of have a co inquiry process of like, “What’s going well, what’s not going so well?” And then wel don’t always bring the play or the games at first. It seems like mostly when I advertise a game-based learning community of practice or a workshop, you’re sort of already getting people that are open to it. But I can tell a nice anecdote about working with the political science department. I started working with them about four years ago, just on a course redesign because their student success, or the grades, were not where they needed to be… a large enrollment course. And so we just started working together to boost student attendance, students really weren’t coming to class as they should be, and to boost presumably student learning, but they really had some assessments that I thought could be improved upon. So I was even questioning how much learning are we really evaluating here. So we began and worked with each other for a couple of years, just doing classic active learning redesign, before I even broached the subject with them about playing games. And what brought that about was an internal grant for $100,000 became available to do innovative creative teaching and learning. And so when I pitched that idea to them, I think our relationship and my credibility with them, that we’re not just adding bells and whistles, we’re really talking about some proper teaching and learning principles to not only boost engagement, but to deepen learning. And it’s been a wonderful project. And we have new board games and card games, we’re going to have our first video game. We’re working with Adroit Studios, our gaming lab on campus. And so they are very, very pleased and had never really been in game-based learning before.

Joe: And adding to what Tori’s saying, I think often the teachers just want to see like a little hook, a very quick understanding of what they could do to be playful. And then from there, they start getting other ideas. So we often lead with talking about simple mechanics. So we might say, well, for example, you make something a little bit more rapid, maybe you’re giving a certain amount of time for students to answer the question, not like a test question that’s worth something, but during an activity just to make it a little bit more playful, 10 seconds to think about something. Or taking another aspect of the rapid simple mechanic, one might have a very long activity that students have to do. There’s been research showing that if you can chunk that activity into shorter segments, perhaps that are assigned a certain amount of time, not really above timers, but just to get through all of them the day, students can more easily see the discrete tasks and operations you’re supposed to be performing in each of those segments. Make something a little bit more random. We mentioned earlier about the monkey wrench challenge, and try to use a little bit of roles in what you’re discussing. Roles are linked to narrative, and it really does help to give a theme or some kind of narrative directivity. For example, for discussing an essay, or a textbook entry, or any concept, tell a quick story that illustrates some of the concepts from that reading. Or ask the class to actually help you write a short creative introduction to the boring essay that everyone had to read or that you’re reading in class, and to use a narrative hook in that short introduction. So now we’re using the power of analogy and of fiction, well, not really fiction, but sort of narrative to help students see sort of a more macro way of tying concepts together before doing a deep dive. So these are all little ways to think how to quickly and briefly be playful.

Rebecca: I hear both of you describing some really interesting things in the classroom. But I also know that faculty can be really anxious about trying something new, or trying to make something happen. And as exciting as it can be, taking that first step can be scary. You’ve mentioned some of the simple mechanics and I heard you say something about low stakes and the way that you’re applying about points and not being a big test or a test question. Can you talk about the little ways to get started?

Tori: My favorite way to introduce faculty to this whole new world is to invite them to play a game Joe made years back called: “What’s your game plan?” And this is a wonderful card game in a team. And it’s cooperative play. And it’s a brainstorming game. It has been just a joy bringing faculty together where they can be playful together, and see what they come up with. It uses a lot of the simple mechanics, so it’s a great way to introduce them to the simple mechanics. And they can either bring a lesson objective that they have, or Joe’s deck has some common lesson outcomes. So it really takes the edge off. And they can just relax in what Joe and I like to call the sandbox, and just say: “Be creative.” …give them permission to play themselves. And that is one of my go to. I mean, there’s not a semester that goes by that I don’t lean on What’s your game plan? So grateful to Joe for making that. And then I guess we could also say: “Well, let’s start at the beginning with the ALLURE method.” Step A: ask where to apply the play and once you have that student learning bottleneck that you want to look at, maybe you’re not ready for the complex mechanics, but you can think about two or three of the simple mechanics that you can add to an existing activity you have for to convert even maybe a lecture or a mini lecture into something a little bit more playful, where the students are interacting with you in some way.

Rebecca: So I’m always curious to ask what’s your favorite, or one of your favorites… because we obviously can’t have favorites… your favorite game or playful activity you’ve seen implemented in the classroom.

Joe: I talk about this example a lot, my heart goes there immediately. One of the complex mechanics I was talking about, I said something about one called cut ups, which comes from sequencing ideas together. And I was trying to think about how to use this in the writing classroom since I’m an English professor. I was getting a little bit stuck looking at it on the level of just words, like cutting up a sentence, at the level of the word… reordering it. This is really only teaching grammar and I wanted something a little bit more sophisticated that was about reading and writing. And about this time, one of my colleagues, Julie Cassidy, without us really even having a conversation told me that she’d come up with something. She showed it to me. And basically, she had taken, I think it was a four paragraph essay, that was published about crab fishing. So we have something that’s explaining a procedure, how to do something, to cut up this essay on the level of the sentence. So, there are like 25 sentences, carefully inserted in an envelope so they don’t all get lost. And then we had a low-level writing classroom where the students were very weak. She brought it in, in groups of five, dropped an envelope in front of them, said, “Okay, put it in order.” She’s describing this to me, and I’m very excited. So I did the same thing about a week later. And it was incredible just to see their faces so utterly focused on the task in front of them. And one of them would like, move their hand forward to move a piece of paper with a little bit of timidity, but with deep interest, and then the other one would gently touch your hand and say, “No, no, it goes over there.” Then like “ah,” [LAUGHTER] and they’re like stroking their chin and moving. And this went on for like 12 Intense minutes before the groups had basically all solved the order for a possible order that made sense of the essay. So of course, they’re looking at transitions, their reading for sense, so there’s close reading here, they’re thinking of ways that information can be ordered for their own writing. And then a great way to follow up an exercise like this is to ask students to write their own mini essay. It’s teaching some kind of procedure, like creating a recipe. So this was a great example because it goes beyond just a quick moment of play into something that’s a longer activity and where you can really see the deep learning happening with the students. That’s one of my favorite examples.

Tori: And I have one also that’s quite well known for deep learning, and that is the whole suite of games called Reacting to the Past. So I’ve had the honor of attending and playing a lot of these games, and they are deeply immersive role-playing games. Most of my experience is with history games, but they’re all across the curriculum, even in some of the sciences now. And here I just marveled at the amount of hard work that students will do in order to play their characters really well and meet their objective. So, the writing of speeches and other kinds of rhetoric and communication, the behind the scenes faction politicking, they’re willing to do, the, I would say, transcendence of one’s own identity to kind of widen perspective of other that goes on in these games. Kudos to Mark Carnes and all of the reacting creators and trainers around the country and around the world who are doing such great work with that. At the University of Missouri, we have recently made a game that’s akin to Reacting in the sense that it’s a role playing game. But it’s more of a card game than a reacting game, and it teaches students about bureaucracies, and how frustrating bureaucracies can be, but that hiring more people isn’t always the right scenario. So it takes the role-playing mechanic and then we throw in unexpected stress bombs, we’ll call it, of the government goes on furlough, all of the workers have to cease what they’re doing for 20 minutes or something like that. And it just has all of these likely events or unlikely events that can happen. And the students are really in their roles to solve a problem. So we’ll take things from current events, like recent scandals or problems and have the students work through that. And then there’s a peer review piece of it, where they’re actually scoring each other’s solutions. And that’s been really wonderful to help the faculty create, and we’ve been play testing it and we’re really excited to bring it to a live real class in the fall.

Rebecca: That sounds really exciting.

Tori: Thank you. Yes.

Rebecca: So we always wrap up by asking what’s next?

Tori: Well, Joe, and I do a lot of professional development events, we are often going to conferences. I’m really excited coming up soon, I’m gonna get to take ALLURE abroad. I have a trip to Thailand to Prince of Songkla University to present there. And then I’m going to Germany in the fall for the Decoding the Disciplines conference. Joe, I know you’re always doing lots of things, if memory serves, you’re going to Gen Con, this summer to do a lot of workshops.

Joe: Yep. So for any teachers listening who will have a strong interest also in playing tabletop games, there’s a conference, a convention called G-E-N C-O-N, Gen Con. And they have a pre-day, an earlier day, which is all about using learning games and thinking about games of education. And I’ll be running at least four or five workshops there, just for all you applying the ideas behind learning games.

Tori: And we always love for people to get in contact with us. You can reach us through AllureOfPlay.com, our website. We have a growing contact list that we’d like to keep people apprised of our different online workshops and in-person opportunities. And there’s a lot more on that website.

Joe: Yeah, we’ve even …was it two years ago, Tori? …there’s a whole section on our website about using playful activities online. So on your discussion board, your Zoom class, we made a video that walks teachers through thinking about these ideas, also how to design in the lowest easy possible for the online space, basically through using PowerPoint, and creating little things students can manipulate and using your class should that be of interest to you, and also a lot of other free resources and activities and games that you can download.

John: We’ll share a link to that in the show notes file that will accompany this episode.

Rebecca: Well thank you so much, Tori, and Joe for sharing ALLURE with us.

Tori: Thank you, so great to be with you

Joe: Thank you very much.

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John: If you’ve enjoyed this podcast, please subscribe and leave a review on iTunes or your favorite podcast service. To continue the conversation, join us on our Tea for Teaching Facebook page.

Rebecca: You can find show notes, transcripts and other materials on teaforteaching.com. Music by Michael Gary Brewer.

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292. From Suarez’s Basement

Students often do not see themselves as having the potential to become the experts that will define their field. In this episode, Francisco Suarez joins us to discuss his podcast project which is designed to supplement class activities and to connect students with professionals. Francisco is an Assistant Professor of Communication Studies at SUNY Oswego and as the host of From Suarez’s Basement, a video podcast that was a recipient of the 2021 Communicator Award of Excellence by the Academy of Interactive and Visual Arts.

Show Notes

Transcript

Rebecca: Students often do not see themselves as having the potential to become the experts that will define their field. In this episode, we discuss a podcast project designed to supplement class activities and to connect students with professionals.

[MUSIC]

John: Thanks for joining us for Tea for Teaching, an informal discussion of innovative and effective practices in teaching and learning.

Rebecca: This podcast series is hosted by John Kane, an economist…

John: …and Rebecca Mushtare, a graphic designer…

Rebecca: …and features guests doing important research and advocacy work to make higher education more inclusive and supportive of all learners.

[MUSIC]

John: Our guest today is Francisco Suarez. Francisco is an Assistant Professor of Communication Studies at SUNY Oswego and as the host of From Suarez’s Basement, a video podcast that was a recipient of the 2021 Communicator Award of Excellence by the Academy of Interactive and Visual Arts. Welcome, Francisco.

Francisco: Thank you for having me. This is awesome. I’m glad to be here.

Rebecca: Today’s teas are: … Francisco are you drinking tea?

Francisco: I’m drinking a delicious tea, it’s an imaginary tea. [LAUGHTER] I have this beautiful tea cup that I’m opening right now… sorry for the sound… that say Tea for Teaching, which is the name of the podcast. And yeah, having a delicious hot tea. [LAUGHTER]

John: And I am drinking a cranberry blood orange black tea from the Republic of Tea.

Rebecca: Oh, that sounds nice. I don’t think I’ve had that one. John,

John: We have plenty of it.

Rebecca: I’m sure I could stop buy and get some.

Francisco: How about you?

Rebecca: I have just an English breakfast today. I think. No. Yes. It’s been a long day already. Yeah, I think it’s Awake tea which, I think, it is English breakfast. It has a name called Awake, but it is technically an English breakfast tea. That was way more information than anybody needs.

John: We’ve invited you here to discuss your video podcast. Could you tell us a little bit about the focus of the podcast?

Francisco: Sure. First, thank you for having me. It’s always good to be between friends nd this is a very cozy environment actually. I have to say we’re having tea. Well, From Suarez’s Basement, you can imagine, [LAUGHTER] it was created in the basement of my house during the pandemic, I was trying to find something to do to don’t go crazy or make my family more crazy than we already were stuck at home and to put my creativity to work. So I decided to start a podcast that has to do with experts in the communication media and the arts, visual storytelling in specific because that’s what I love. And the idea was to create bridges between experts in those fields, and the audience, which is very much concentrating students and faculty. That doesn’t mean that the podcasts doesn’t have a general audience. So I started in the basement of my house, very small, like everything that we started with a small idea, and having grow very much, which I love it. And again, we have conversation with those experts that are working behind some of your favorite TV shows, or films, produced shows, artists, musicians, you name it, anybody who can bring me a good conversation, that’s where I’m interested in. You can sometimes have guests like me talk a lot or guests that don’t talk a lot… nothing… zero. But that’s how we start.

Rebecca: You mentioned that you started it during the pandemic to keep those around you from going crazy and yourself…

Francisco: Ah yes.

Rebecca: …not to go crazy. But clearly you had some other motivations…

FRANCSICO: Yes.

Rebecca: …probably around students and things. Can you talk a little bit about that?

Francisco: Yeah, of course, the part ofnot going crazy is the joke part. The serious part about the podcast is that I believe very much in the interaction of my students with the professionals in the field. I’m in love with education, I’m in love with the process of mentoring the students. So to give this opportunity to students to have conversation with cinematographers and set design, costume design, you name it, was always the intention, to create this connection between the students and those experts. Because you know, the funny part… we all are professors here… a lot of our students in those chairs, and they never realize that that person that you admire so much was once sitting in that chair, too. They see us so far away. It’s like, “Oh, my God, I’m going to talk to the set designer of Bridgerton.” It’s like, “Wow, this is amazing,” like, “but this person was you in some point in life.” So if we can create that connection, I think, that’s what is the beauty of the podcast is to see the students realizing that that person or the other end is no much different than you. So the motivation is to really keep my students engaged and optimistic about the future, especially when the pandemic hit, I think, we all were not very optimistic. But students in general were like, “Okay, what is a career’s going to be? Where I’m going to find a job?” So I say, if these people that are actually working in this industry can give some kind of wisdom to the students, I think they will feel a little more better, then things will get better. So that’s how we start but again, little by little it grows. So it’s all about education, connection, networking, and created a sense of belonging to industry. That’s what I like.

Rebecca:I know one of the things that John and I experienced when we started this podcast is we started with some of our local colleagues and started branching out and then we were continuously surprised by how many people would agree to come on to share their experience and expertise. And you’ve had some really wonderful guests on your podcast. Can you talk a little bit about what that experience has been like?

Francisco: Yeah, it has been fantastic. I cannot say who is coming in season five, but now I’m just recording season five, and have this amazing conversation with a Grammy Award winning singer, and I’m like I cannot believe I’m talking to this person. But not only that is a conversation that makes it so special, truly, truly special. So how that happened is like everything right? It’s true. When I started my first guest, and all my guests are important, but what I’m saying were people that I knew: friends, professors from here, from SUNY Oswego, until I start getting the point where my first big guess was the production designer for Game of Thrones. She’s not only produced Game of Thrones, and a lot of other TV shows and movies, so she was a big deal. And because of her, then other people start following her. I think, and this is important, because the podcasts have an educational component to it, that makes a big difference. When I send the emails to the managers or the agents of these experts, I’m always very clear this is not about just gossiping. I don’t want to know if you broke up with your boyfriend, or whatever. This is about, I wanted to understand that this is an educational tool. And I think that educational component have allowed these very prestigious guests to say, “You know what, I can take 20, 25 minutes of my time, and be sure that I can contribute to the education of the listeners of the podcast. So little by little have been growing and as soon as you get kind of a big one then other ones start following. But like I say, for me, the titles, if you want to call it titles, or awards are not necessarily the attractive aspect. Is this guest someone who’s going to give me a good conversation, and that I’m going to learn something new from it. So you can have Oscar winners and Grammy winners and Emmy winners and all these stuff, but in fact, I’m not going to say who, but I was very excited about this guest, I was like, “Oh my god, this is awesome.” Oh my, it was so difficult [LAUGHTER]… dry, dry, like yes or no answers. In fact, at some point, I was doubting to air the podcast, because it really wasn’t too much there. But again, I say, “Well, it’s a big name like it will bring other people into the equation.” So I did air it, you can guess. What I’m saying is that you never know what you’re going to get. But the process of getting these prestige experts are getting easier because of the educational component of the podcast, and because now the list is getting better and better.

John: One of the things we found following up on this was that we had a few big guests as you did that brought in a much larger audience, but one thing that really amazed us was how many people would agree. I found it much more difficult to get some of our own faculty and the people we know to join than people we’ve never met. That surprised me quite a bit in terms of how many people agreed to be on it. Do you get a lot of positive responses?

Francisco: Yes and no. I sent around 20 email, from those 20 emails, I get around three. So that’s the average more or less. It takes me 20 emails to get three of the possible guests. And then it’s a back and forth between agent, a manager, and then time commitment. So it’s difficult in that sense. But I get around three from 20 emails that I send. And then from people that are my friends, and now that the podcast is growing, the other ones are like “I can be in your podcast, like I would love to talk about this and that. I found people from the UK that are big, big, big in their field, I just interviewed the director of Ted Lasso, which is one of my favorite shows right now. He’s from Ireland, actually, the sweetest guy ever. And he was so humble, so easy to talk. So for some reason, some people from the UK seems to be very approachable in compare with maybe some people here in the US where it’s like, “Oh, he doesn’t have the time or she doesn’t have the time or they don’t have the time,” like “email us in three months.” And I do. In three months I’m going to be emailing you. It’s cool to see students like “How professor? How? You say “because I told you nothing is impossible.” Like that is the point. If you ask this question to yourself, and I say this to a lot of my students that want advice, “What do I have to lose?” And the answer is probably nothing. I don’t understand why you will not do it. So I don’t have nothing to lose to send an email to Tom Hanks. What is I can’t get? No he’s too busy. Which probably he is. But you will be surprised. Maybe the guy is like, “Well, yeah, sure I come 20 minutes to talk to this crazy Latino guy.” I don’t know, but I don’t have nothing to lose. Right? And that is the beauty of it, when students see reflecting themselves into the process, that issue is not much that you can lose.

Rebecca: How have you used your podcast in teaching and within your department?

Francisco: The teaching aspect is that if you go to the website, which is fsbasement.com, we have there a tab that is called teaching resources. What I do is I record both, I record video and I record audio, in the two formats. Those videos are being used already by faculty members not only in my department, but outside of SUNY Oswego, which is also very excited when I get an email from a professor from NYU, or from USA, or any other university to say, “Hey, you know, I’m loving what you’re doing, I got to show your podcast about production design or set design in my Set Design class, because the amount of knowledge studies combined in those 30 minutes is amazing. It really is.” My goal is hopefully to write a book, not necessarily about podcasting, but about the knowledge absorbed to those… we are now season five, so we’re going to have already like sixty episodes already produced. But I ask, for example, one of the questions I asked to the guests, that is a common question is about perseverance and rejection. And it’s so good to hear so many different guests talking about how to deal with rejection, and what it means to persevere in an industry that you most have that in you. So is a lot of knowledge there that for me, I want to be sure that the podcast doesn’t end just with the first air of the podcast. So professors of any university can go to the website, go into the tab of teaching resources, and they can found by category… if you teach cinematography is a bunch of videos there with cinematography; if you teach set design, there’s a bunch of video of set design. So it allows easy access to these interviews that are more or less a short masterclass, I think is great.

John: Do you use assignments with your classes based on the podcast? And if so, what types of learning activities do you use?

Francisco: And in fact, if you go to that tab, not only i give you the video, but I give you already what you can do in your class. So it’s basically you go there, and you have a whole day of lecture where you can watch the video and then you say, “Okay, you can do these activities based in what the video is about it.” So if you go there, you not only have the video, but you have activities or questions related to the video. You can do kind of a short quiz of okay, what do you learn through these videos? So the questions that are already there. The actual episodes have the questions that we did in the episode. So if you are a professor and you’re looking for a specific question about how to build a set in the desert, you probably will find it there. And you just can use that piece of information for it. So each of the episodes have an assignment, put it that way. It is a lot of work, because we need to pull apart the episode and be sure that what is here, where were the questions, what kind of assignments we can do is some bit of work, but I love it. That’s exactly what the podcast is about.

Rebecca: Well with all those nice assets that you have going with the podcast, I imagine that’s why you’ve decided to do seasons…[LAUGHTER] to help manage that a little bit.

Francisco: Here’s the thing. The market is telling you, I want my podcast delivery very much at the same day, same time, with this timing periods. Our podcast is bi-weekly. So is every two weeks that come out. But having seasons allow me to say okay, we need to get a break. Normally the break is during the semester, because I’m too busy with other stuff. And then I use summer and part of the fall semester to do everything I have to do with production, post-production, and then I accumulate, let’s say around 12 episodes. I try of course, as information is no by any specific time. So we don’t talk about things that happen necessarily in a specific week or month or things like that. So I can air an episode six months later if I want. But yeah, I like it. I like to talk like you can see. [LAUGHTER] So it’s perfect for me. [LAUGHTER]

John: We’re still on our first season….

Rebecca: Yeah.

John: …and a very, very long season. We did have a break last summer, literally actually, when a car ran over my leg and broke it. So we took four weeks off for that.

Rebecca: ….first four weeks ever, John.

John: …the only time we’ve ever missed publishing an episode. It’s nice to be back on track. At times a break would be appealing…

Rebecca: Yeah.

John: …but it’s still fun, so we’re still doing it.

Rebecca: There was a design education podcast that I listen to a lot that, it wasn’t video, but it has a similar kind of feel to your podcasts that I used to use all the time when I was teaching our capstone class. And I’d pull out like portfolio ideas and application ideas and like collate little snippets from various things and students really responded to of hearing someone else say the same things that I would have said anyways.

Francisco: That is always the case, right? It’s crazy. It is. it is. Listen, is no easy job. But for me the hard part is not the production process, is more the breaking noise process. Because of digital era, we are very lucky to be sitting here and having a great conversation and for me podcasts is the new mass communication, a way for people to be able to express themselves. I always say it’s not about quantity. It’s about quality. He doesn’t matter if you have 200 listeners to 2000. As long as 200 listeners come to you every week, that’s what you’re looking for. But the issue is, because of the digital era, there’s so much noise out there, unbelievable amount of noise. So I think I spend more time sometimes not even producing and getting the guests and all this stuff, is how I’m guarantee these awesome interviews I have with any of my guests can reach where I want you to reach. So the whole TikTok, on Instagram, and is quite a lot. Because again, there’s a lot of noise out there. So you need to figure out what is the best way to reach your audience, for sure.

John: You talked a little bit about how these podcasts can be used in classes, how have students responded in your classes to the podcast.

Francisco: Very good, I think very good for two reasons. First, because again, the main goal of the podcast is to create a bridge between the experts and the students. And the actual episode brings so much knowledge to the students. But I do see it’s something very special when students see his own professor struggling with a project and putting the time and the effort in that project. It’s almost like I’m walking the walk, I think it’s how you say here, right?

Rebecca: Um hm.

Francisco: I think that creates a student sense of okay, this guy is also trying to get to a goal to a specific dream that I have. So I think that create a very interesting relationship with your students. I don’t talk about how you do your podcast in the sense of my own experience, but not only the sense of what the theoretical aspect, or academic aspect of the podcast is, but by my own experience. So that creates a different type of relationship with your students. But they have been reacting very well. I put them… I don’t overdo it, because I feel also like, “Okay, this guy is like so full of himself. Now, he wanted me to watch every single episode.” But when it’s an episode for example, in my screenwriting class there’s two episodes there that for me are gold. One is with the writer of Only Murders in the Building, he’s a-co creator and writer of it. And he explained very interestingly, how to write for a crime show and how it works. And then the other one was, he’s a creator and writer of Inside Number 9, which is a British show. She’s fantastic and he had been the reason for so many years. And he gave a lot of good, good information about character development, what it means to develop your character first before you develop your plot. So I use those episodes as an amazing way for them to be able to get that information from these experts. So then I test them the next day, they have like a short quiz about it, just to be sure that they really watch or listen to the podcast. So they have been reacting quite well. One of the assignments I’m doing in my screenwriting class is that they need to write an episode of Inside Number 9, based on what they learned from the actual creator of the show. And that worked really, really well. It’s very interesting to see what they write. The whole premise of the show is episodical, so it means each episode is a different story. So they don’t match. But one of the things about the show is that it always takes place in one specific location. So there is no switching location. So it can be Inside Number 9 can be inside warehouse number nine, or inside aeroplane number nine. So all the plots take place inside that space, and that’s very difficult to do. [LAUGHTER] And they are brilliant. The stories are fantastic, so I 100% recommend that. What are you watching these days?

Rebecca: I don’t want much watch TV. [LAUGHTER] Not a good conversation. I don’t watch much TV. [LAUGHTER]

John: I don’t either, but Only Murders in the Building was a really good show.

deal.

Francisco: It was amazing.

John: I’m looking forward to the third season.

Francisco: Yeah, I’m very looking forward to it too. It’s very well written.

John: Meryl Streep is going to be on the third season.

Francisco: Yeah.

Rebecca: If the target audience isn’t like five year olds. I’m not watching it, you know. [LAUGHTER]

John: It might work very well work, hough, because you’ve got Steve Martin there and you have….

Francisco: Martin Short. Yes, yes, and Selena Gomez, which has been a revelation to me how good of an actor she is. But also love to see her interacting with these more mature actors. And it’s a great, great show. I am a TV junker because, well, first, that’s what I teach. [LAUGHTER] But I watch from reality TV to, you name it. And the beauty of it is that streaming media have allowed openness of storytelling that we didn’t have before. Maybe a little oversaturated at this point, but it still, I think, is in for our students here how at SUNY-Oswego or any students who want to pursue storytelling it’s a fantastic time because 20 years ago, maybe, the hallway was very narrow. You go to NBC, CBS, the regular networks. Now it’s like hunting season all these…Apple TV and Hulu are looking for new content and that allow our students who want to pursue that to have a better opportunity to tell the stories that we didn’t have before.

Rebecca: It’s certainly an exciting time to be in that field.

Francisco: It is, it is. I watch a lot of things and sometimes, I’m amazed. So much like washing many films, the production value. Well, Game of Thrones is a good example of a brilliant production design where I always say, in order for you to have a good visual storytelling, you need three aspects: good writing, good acting, and good production value. If one of those three aspects are no present fully in their full potential, you lost me as an audience. So writing, I started watching shows where something’s like, “Man, this is bad writing,” like the way their characters are talking feel very cheesy. Then acting, well, we know what acting does, right? You can really have a beautiful script. But if I don’t believe that you are rocking hard, oh, I’m out. And then production design, I’d say, “Well, if the dragon doesn’t like a dragon, I’m out.” So it’s the combination of those three things. And I think what I tried to teach in my classes is that… depends on the class, right? …if you are in the screenwriting class, you are concentrated in the screenwriting aspect, but if you are in the video production, isn’t only about how to frame, isn’t only about how to shoot, it’s the production value. And I love when students get out of their dorms because I say “I don’t want to see the lake, please don’t show me the lake, I see the lake too many times at this point and try to film your stuff outside your dorm room, so you feel real.” So of course, they need to work harder. And they need to go to downtown to a diner and ask for permission to record a dating scene in the diner and I say, “Well, that makes a huge difference.” It’s not the same to record a dating scene in Lake Effect Cafe here on campus grounds, going to an actual diner create a different reality. So anyway, that’s my approach. But that’s what I love so much watching TV to actually peek in those things.

Rebecca: Yeah, I can imagine students really digging the idea of getting to hear from a writer or a producer or a set designer, and then doing a project based on what they’re saying. Because it does provide that frame for something that feels real…

Francisco: Yes.

Rebecca: …and not forced, which I think a lot of students struggle with.

Francisco: Yeah, the other thing that I think is important is that I try to have co-hosts in the show. And I invite students to be part of the co-hosting, because they bring a completely different perspective. I could have my very fancy intelligent questions, I guess, but the students really have all the questions… actually sometimes surprised me. it’s like, “Wow, this is such a good question.” So bringing students is really important for me to have those co-hosts. And the beauty of it is, I do have three examples at this point, of students who have been co-hosting my shows, and these three students are now working for the guests, because that relationship is established because the guest was so impressed so impressed with the questions and the maturity of the co-host. I love it when someone says “Professor Suarez, you’re not going to believe it, I’m going to do an internship with blah, blah, blah. And then they call me and say “By the way, I’m actually not working full time as an editor. I have a student who’s doing a first set design called a set design assistant for some shows in NBC. But that bridge was because of the podcast. And that’s what it’s all about. In the website actually is the final tab of the website is something called mentoring program where students can sign up… somebody who is looking for a mentor. But also my guests can sign as a mentoree, so they can actually dedicate 40 minutes of a student meeting with some of these students. So it’s all about creating this community. And you’re a good example, the podcast is just a tip of the iceberg. It’s just a sense of communication. But it’s about creating a community of people who love education, who are in education and academia. And so I think that sense of community is very important for me.

John: We always end with the question, what’s next?

Francisco: What is next? That is a great question. I want to find other platforms to distribution of the podcast. That is very important to me. So more people that I can reach the better. I think that’s a goal we all podcasts have. Not for the sense of the quantity again is for the sense of the quality. Now, From Suarez’s Basement is a PBS WCNY radio station, which is great because it’s giving a huge platform of people listening to it. Of course, it’s in their regular Apple podcasts and Spotify, and those kind of regular things. But I would like to see if I can get all the kind of distribution, especially the visual aspect of it, to see if we can put those videos to work in another way. But more than that, my aspirations is to be persistent, to keep going. I think that is important. I think that this project, in the specific, are teaching me that if you put in the hard work and you keep going, it get back to you. And I think students in this day, or this generation in general, we are living in a time where immediate gratification is all about you post something, and you get 200 likes in two seconds. So they feel like, “Oh, if I don’t get 200 likes, or if I don’t get 200 followers, or I’m going to drop this, this doesn’t work.” And then I’m saying, “Oh, actually, that’s not how it works.” When you say what is next is to remind myself that this is a long trip. And I’m willing to go into that trip and see what cool things come on my way, awards or new guests or being here with you guys. But, what I what is next? I’m not sure. Hopefully, again, reach more audience and the podcast is used more and more by other universities. And the book, I want to write a book, again, not necessarily about how to podcast. There’s so many books already out there about podcasting and what kind of equipment do you need. I want a book that brings the experience of these experts into a text that, if you read it, you can learn very much from these interviews, for sure.

Rebecca: Well, thanks so much for sharing this great project with us.

Francisco: No, thank you for having me. This is fantastic. And I’m loving my imaginary tea here. [LAUGHTER]

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John: If you’ve enjoyed this podcast, please subscribe and leave a review on iTunes or your favorite podcast service. To continue the conversation, join us on our Tea for Teaching Facebook page.

Rebecca: You can find show notes, transcripts and other materials on teaforteaching.com. Music by Michael Gary Brewer.

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