247. Picture a Professor

What does a professor look like? In popular culture the professor is white and male—a sage on the stage. In this episode Jessamyn Neuhaus joins us to discuss the role context, employment status, and embodied identity play in our teaching realities and experiences.

Show Notes

  • Neuhaus, J. (2019). Geeky Pedagogy: A Guide for Intellectuals, Introverts, and Nerds Who Want to Be Effective Teachers. West Virginia University Press.
  • Neuhaus, Jessamyn (forthcoming, 2022). Picture a Professor: Interrupting Biases about Faculty and Increasing Student Learning. West Virginia University Press.
  • Harlow, R. (2003). ” Race doesn’t matter, but…”: The effect of race on professors’ experiences and emotion management in the undergraduate college classroom. Social psychology quarterly, 348-363.
  • Garcia, Nichole M. (2018). “You Don’t Look Like a Professor.” Diverse Education. March 29.
  • Jessamyn Neuhaus twitter: https://twitter.com/GeekyPedagogy
  • Pittman, C., & Tobin, T. J. (2022). “Academe Has a Lot to Learn About How Inclusive Teaching Affects Instructors.The Chronicle of Higher Education. February 7.
  • Mejia, Donna (2021).  Explaining Fumble Forward. YouTube video/ April 19
  • Pictureaprofessor.com
  • Hogan, Kelly A. and Viji Sathy (2022). Inclusive Teaching: Strategies for Promoting Equity in the College Classroom. West Virginia University Press.

Transcript

Rebecca: What does a professor look like? In popular culture the professor is white and male—a sage on the stage. In this episode we discuss the role context, employment status, and embodied identity play in our teaching realities and experiences.

[MUSIC]

John: Thanks for joining us for Tea for Teaching, an informal discussion of innovative and effective practices in teaching and learning.

Rebecca: This podcast series is hosted by John Kane, an economist&hellip

John: &hellipand Rebecca Mushtare, a graphic designer&hellip

Rebecca: &hellipand features guests doing important research and advocacy work to make higher education more inclusive and supportive of all learners.

[MUSIC]

John: Our guest today is Jessamyn Neuhaus. Jessamyn is the director of the SUNY Plattsburgh Center for Teaching Excellence and a Professor in the History Department at SUNY Plattsburgh. She specializes in the study of pop culture, gender studies, and teaching and learning. Jessamyn is also a recipient of the State University of New York’s Chancellor’s Award for Teaching Excellence, and the editor of Teaching History: a Journal of Methods. She’s the author of Geeky Pedagogy: a Guide for Intellectuals, Introverts, and Nerds Who Want to be Effective Teachers. And Jessamyn is the editor of Picture a Professor: Interrupting Biases about Faculty and Increasing Student Learning, which will be released by West Virginia University Press this fall. Welcome back, Jessamyn.

Jessamyn: Thank you. I’m so happy to be here.

Rebecca: Today’s teas are&hellip Jessamyn, are you drinking tea?

Jessamyn: I’m drinking coffee. I need to mainline that caffeine as much as possible. And I’m drinking Green Mountain Coffee Island Coconut,

John: &hellipand I am drinking English breakfast tea this morning.

Rebecca: Ah, we match today, John. [LAUGHTER] But mine’s decaf.

John: Since we’re recording five podcasts today, I have six cups of tea in various thermoses here with me, because I’m not going to be leaving this room for quite a while. We’ve invited you here today to discuss Picture a Professor. Could you tell us a little bit about the origin of this project?

Jessamyn: Sure, I’d be glad to. I think it really started when I was doing the research for Geeky Pedagogy. And the first chapter in Geeky Pedagogy is about awareness. And it has four kinds of realities that all instructors need to be aware of and cultivate awareness of: identity matters, learning is hard, who our students are, and who we are. And when I was researching that chapter, I read a 2003 article by Roxana Harlow, a psychologist, it’s a 2003 article in Social Psychology Quarterly. And she used the phrase “disparate teaching realities.” And that really stuck with me because of the way it foregrounded: this is a reality&hellip that people’s teaching context shapes their labor as an educator, and that they are not equal, that they are disparate, they’re not the same, that we do not have the same kind of teaching workload, depending on all kinds of circumstances in our individual contexts. Employment status really matters. Embodied identity really matters. Department culture, student population and discipline, all those things really matter. I think too, one of the origins of this project was my background in popular culture, and studying popular culture, and the way that the primary representation of college professors in popular culture is very, very limited. And also, not coincidentally, kind of opposite of myself, the professor we see most of the time in movies and television is the white guy. And he is usually, if he’s being depicted as a good educator, he’s super dynamic and performative. And students are sitting entranced as he lectures and they magically learn, just because he’s such a wonderful classroom performer. So as an introvert, and someone who’s never going to be a kind of super dynamic, high energy, always entertaining performer, that stereotype was lodged in my head, and writing Geeky Pedagogy was a way that I was trying to address and dismantle that super professor stereotype. So as my scholarship of teaching and learning continued, I increasingly became aware of all the intersecting aspects of our identity that might play a role in our teaching work.

Rebecca: Can you talk a little bit about the title: Picture a Professor?

Jessamyn: Sure, an early version of this project, a working title or phrase that kept coming up was “you don’t look like a professor.” Hearing that phrase is a common experience, as explained very well in an article in Diverse Education by Nicole Margarita Garcia. She wrote an article by that same name, “You Don’t Look Like a Professor” and she points out, very compellingly, that no matter what the intention of that statement, the result is the negation of one’s expertise and authority. It’s an undermining of the knowledge and abilities that someone has in their role as an educator. Again, it’s not necessarily the intention of the random stranger or the student or the colleague who says, “You don’t look like a professor.” That might not be their intention, but that is the function. You don’t look like a professor, so someone else does. But as the collection started to come together, and I was working with the authors, and I was talking to the contributors about a title, it started to take, I guess, what I would think of as a more positive direction. So at first, the whole collection acknowledges that reality, that those stereotypes are there, and that that disempowering and disrespectful response happens. But then what? What are you going to do with that? How are we going to respond to that? And every contributor to this volume, while acknowledging that reality, also believes in the ability of students and our world to rethink and remake that stereotype&hellip to challenge it and to re-imagine it&hellip remake the role of the professor, even more than just diversifying the image that might be on our TV screens or movie screens. These authors are arguing for really reimagining our roles and redistributing power. They believe in the transformative power of education. So, Picture a Professor really is the nod to the strategies that are being explored in this volume, and that we can, collectively in higher education and as a culture and society, we can picture a professor as anybody, in any body, moving past the gendered and racialized and other kinds of embodied aspects of that stereotype to reimagine what’s possible.

John: You collected a very interesting and diverse group of authors in this collection. How did you find all these authors? How did you select them?

Jessamyn: I put out a call for papers on Twitter. And that really was probably the most important way. I also utilized some of my own networking and connections to reach out to potential contributors. But a big percentage of the people in this selection found me and found the call for papers through my Twitter account. And I think we may have talked before about this, I was really late to social media. Twitter was my first foray in 2019. Because I had just written Geeky Pedagogy and so wanted people to read it, that I was willing to do the unthinkable, [LAUGHTER] which was go on social media to try to get people connected with that book. But it turned out, to my surprise, that it’s been a really great way to connect with a lot of different people in academia and higher education in a way that hasn’t been possible for me working at a small, rural, very isolated, really small state university, and also just being kind of naturally adverse to conferencing and networking anyway. Twitter’s really been my most important personal pedagogical learning network since 2019, and of course, the pandemic just upped that a thousandfold. When I was even more isolated here in Plattsburgh, New York, it was a way to connect with all kinds of people that I wouldn’t just happen to meet otherwise. And that helped me get a lot of interest in the book. I had way more submissions than I had room for. And that was not easy. I’ve been on the receiving end of that email saying, “I’m sorry, this isn’t going to be&hellip” &hellipmany, many times. So I knew exactly how discouraging that could be. So it was a good problem to have, but that was a process, letting people know that there wasn’t gonna be room in the volume for their piece. So I had the luxury of really choosing a highly diverse group of authors and I mean, diverse, not just in issues of identity, but in academic disciplines, in stages of their career. This volume has authors in all stages of their careers, and geographically, so I guess I’m really proud of that.

Rebecca: I love that. In some ways, this book may function as a really key piece of activism so that when they pick it up, and it says picture this is a professor&hellip Like, we have a whole new version. You kind of describe that a bit when you’re talking about the title. But I love that when you open the volume, it’s everything counter to this stereotype. Can you talk a little bit about what you’re hoping that this project will achieve?

Jessamyn: Especially since the pandemic, there has been increasing awareness and attention paid to what many people are terming: the need to humanize higher education&hellip which always begs the question: ”what were we doing before that?” [LAUGHTER] But that recognition of students’ diverse experiences and the really pressing vital need for inclusive teaching practices, recognizing students as individuals in unique life circumstances, framing diversity as an educational asset and increasing our pedagogical practices that maximize opportunities for everybody to succeed, and which I 100% agree with. But also, in addition, as human beings, because students are people and human beings just like us. As human beings, students bring expectations, assumptions, and stereotypes about college teaching and academic expertise into the classroom. If we’re going to talk about: “We need to humanize higher education,” that also includes recognizing and dealing with the human, gendered, racialized, and more, stereotypes about what college teaching and learning looks like. So for example, a recent Chronicle of Higher Education, co-authored with one of the contributors to Picture a Professor, Dr. Chavella Pitman and Dr. Thomas Tobin&hellip they recently published an article that got a lot of buzz&hellip very rightly so&hellip in the Chronicle of Higher Education about, “Hey, if you are going to recommend inclusive teaching practices, keep in mind that embodied identity matters and teaching context matters, and how any one person might implement a teaching strategy really can be influenced by their employment status, their gender presentation, their ethnic, racial identity, their speaking voice, their discipline, their department culture.” That was a gap that I saw in the scholarship of teaching and learning and teaching advice, generally&hellip otherwise, very, very excellent advice and evidence based practices that failed to adequately acknowledge and recognize that our individual teaching context also matters. That was part of Geeky Pedagogy, too, that being an introvert, being not necessarily socially skilled, plays a role in how I’m going to do some of the things that, yes, the evidence shows this is something an effective instructor and educator does. So what does that mean for me, though? How can I make it work for me in my teaching content? So my hope for the Picture a Professor project&hellip what I hope it can do&hellip first, is empower and inspire college educators who recognize their own experiences in navigating student preconceptions and biases, and stereotypes about expertise and authority. But I also hope, and it’s certainly intended to help all readers recognize those systemic inequities in college teaching and how that shapes what can happen in individual classrooms and at the same time, gather strategies for their own classrooms as well, things that you can do right now. And this was something James Lang recommended the first time around in Geeky Pedagogy, and I resisted. But this time, I was like, “Yes, that’s a good idea.” [LAUGHTER] He recommended that each chapter have a bullet point list of teaching takeaways and Picture a Professor does that. And those teaching takeaways are insights and actionable strategies that will help anyone teach more effectively with the caveat that of course your individual context matters, and you will have to adapt and shift and change and some things may work better than others. That would go against the whole premise of the book to say everything works for everyone all the time. There’s nothing like that with college teaching. There’s no magic elixir you can swallow and then magically, this will work for everyone, every student all the time. That’s not how teaching and learning works. But those teaching takeaways really are thought provoking and insightful and should inspire anyone reading to think about how it might be adapted and used in their own classroom.

John: English breakfast tea though, is is a very nice magic elixir, but it may not solve all those problems.

Jessamyn: Caffeine is the magic elixir, yes.

John: &hellipwhich has long been used in higher ed.

Jessamyn: Yes.

John: Your book is divided into four parts: the first day, making connections, anti-racist pedagogies, and teaching with our whole selves. Could you tell us a bit about some of the topics that are addressed in each section?

Jessamyn: Yes, absolutely. Each section offers specific actionable strategies related to that title of the section. So the first section about the first day is all about the vital central importance of the first class meeting. And that’s a great way to start the collection because it takes this truth from the scholarship of teaching and learning, which is that the first day, really the first five minutes, of an in-person class and the first time a student logs into an online class. In some ways, those are the most important five minutes of the entire term. Because first impressions matter so, so much, and it’s so, so vital for students to be engaged right away. In addition, though, the first day takes on even increased importance when an instructor is navigating student expectations and presumptions and assumptions and stereotypes about “what a professor looks like,” or how a college class works. So the strategies that are explored in this section, they all take that foundational good teaching, effective teaching practice, plan extremely carefully for your first day, your first few minutes. And then, in addition to having a fantastic first day, here are ways to interrupt those biases to acknowledge and work with and help students overcome those stereotypes using things that we know work. So active learning, very careful preparation, going to your classroom and scoping it out if it’s in person before the first day so you’re very familiar with the physical space. Engaging students immediately with the content, which has this two-pronged effect. So one, you get students engaged right away&hellip it demonstrates that you care about their learning, you love the content, and you’re going to get them engaged, which is of course helpful for their learning. Also, it demonstrates your expertise, your knowledge, and it gets students right away from the first day knowing I know what I am talking about, and I love this subject, and I’m going to get you to engage with it as well. So that’s some strategies from the first day. Part two, making connections, similarly takes concepts that the scholarship of teaching and learning has shown are vital to student learning: building trust and building rapport with students and the authors take those strategies, explore for how to do them while also contending with student assumptions and expectations. So they look at things like encouraging student metacognition, collaborative rubrics, co-creating a grading rubric with students, and experiential learning&hellip all evidence-based effective teaching practices, and the authors build on those to show, and also these are ways to help students picture you as the professor. Part three digs into some specific anti-racist teaching strategies as ways we can increase student learning and at the same time, challenge stereotypes or de-center a certain limited depiction of professors from the student and instructor standpoint. So like I was saying about the purpose of the selection, humanizing higher education, anti-racist teaching strategies are important for creating inclusive classrooms for our students. They are also important for helping to chip away at the disparate teaching realities that instructors face as well. So that section it was important to me to include that for those reasons. Part four, teaching with our whole selves, gives specific teaching strategies for disrupting bias that students may bring into the classroom, while paying close attention to helping instructors be successful professionally in the classroom helping students learn. So there’s some reflective aspects to those essays, instructors reflecting on the ways they’ve been able to use classroom practices like picking a bias index, for example, in the discipline or creating classroom communities where fumbling forward&hellip that’s Donna Meija’s phrase&hellip fumbling forward is normalized as we struggled to learn, or like Dr. Pitman’s final chapter on the review process and the ways that women faculty of color can proactively get a wide range of feedback about their teaching, and include documentation and evidence from the scholarship about the different biases that women faculty of color face&hellip how to include that in your review process, working towards professional success.

Rebecca: So everyone wants to know, when exactly can we get this book?

Jessamyn: The release date that West Virginia University Press is saying is November of 2022. I’m hopeful it might be out a little bit sooner. And you can also see a lot more information about each author and a detailed table of contents at our book website, pictureaprofessor&hellip all one word&hellip pictureaprofessor.com.

John: And we will be interviewing a few of the authors in there. So there’ll be a little bit of a teaser for some of that information coming up over the next several months.

Rebecca: I know I’m really excited to read it when it comes out.

John: I’ve had it on preorder since I saw you tweet about it.

Jessamyn: And I couldn’t be happier that it’s coming out close to Viji Sathy’s and Kelly Hogan’s book: Inclusive Teaching. That book is going to be a real game changer on inclusive teaching practices to build inclusivity in the classroom. So I think the West Virginia University Press series is really addressing significant major issues and gaps in the scholarship right now.

John: It’s a wonderful series. And I think we’ve interviewed most of the authors now, actually, and we’re looking forward to seeing more coming through. And we did have a chance to meet Viji Sathy and Kelly Hogan just a couple of weeks ago here at the SUNY CIT conference. And it was really nice to see them in person after reading their articles and interviewing them on the podcast a few times.

Rebecca: So we always wrap up by asking what’s next, Jessamyn?

Jessamyn: Well, in the immediate future, there is a bonus chapter to Picture a Professor that I promised in the introduction that I wrote. I don’t actually have a chapter in the book, besides the introduction, and that was because I got so many outstanding contributions and proposals that I took out my chapter to leave more room for other people to be published. So I promised in the introduction to include my bonus chapter, which is going to be on student course evaluations and how that intersects with these stereotypes about being a professor. It’s an issue that a number of the authors mention and discuss, but not as the sole focus. So that’s the bonus chapter that will need to be done by November so I need to get going on that. [LAUGHTER]

John: So will there be a Picture More Professors coming out?

Jessamyn: I certainly hope so.

John: Well, thank you. It’s always great talking to you.

Jessamyn: Thank you for having me. I love Tea for Teaching. Everybody should listen to it all the time.

Rebecca: And we can’t wait to read the book.

Jessamyn: Thank you

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John: If you’ve enjoyed this podcast, please subscribe and leave a review on iTunes or your favorite podcast service. To continue the conversation, join us on our Tea for Teaching Facebook page.

Rebecca: You can find show notes, transcripts and other materials on teaforteaching.com. Music by Michael Gary Brewer.

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231. Include Instructors in Inclusive Instruction

Educational developers often recommend teaching practices that assume instructors are in a position in which they can cede some of their authority to students in order to increase student agency and motivation. Not all instructors, though, are in this privileged position. In this episode, Chavella Pittman and Thomas J. Tobin examine strategies to adopt practices that are inclusive of our colleagues as well as our students.

Chavella is a Professor of Sociology at Dominican University, the founder of Effective and Efficient Faculty, and is the host of the Teaching in Color podcast. She has written extensively about issues of race and gender in higher education in scholarly and general interest publications. Tom is a founding member of the Center for Teaching, Learning, & Mentoring at the University of Wisconsin-Madison, and the author of Reach Everyone, Teach Everyone: Universal Design for Learning in Higher Education and several other works related to teaching and learning.

Show Notes

Transcript

John: Educational developers often recommend teaching practices that assume instructors are in a position in which they can cede some of their authority to students in order to increase student agency and motivation. Not all instructors, though, are in this privileged position. In this episode, we examine strategies that are inclusive of our colleagues as well as our students.

[MUSIC]

John: Thanks for joining us for Tea for Teaching, an informal discussion of innovative and effective practices in teaching and learning.

Rebecca: This podcast series is hosted by John Kane, an economist…

John: …and Rebecca Mushtare, a graphic designer…

Rebecca: …and features guests doing important research and advocacy work to make higher education more inclusive and supportive of all learners.

[MUSIC]

John: Our guests today are Chavella Pittman and Thomas J. Tobin. Chavella is a Professor of Sociology at Dominican University, the founder of Effective and Efficient Faculty, and is a host of the Teaching in Color podcast. She has written extensively about issues of race and gender in higher education in both scholarly and general interest publications. Tom is a founding member of the Center for Teaching and Learning and Mentoring at the University of Wisconsin – Madison and the author of Reach Everyone, Teach Everyone: Universal Design for Learning in Higher Education, and several other works related to teaching and learning. Welcome back, Chavella and Tom. It’s great to have you back on the podcast again.

Tom: Thank you much, John. Glad to be here.

Chavella: Yeah, thanks so much for having me again.

Rebecca: Today’s teas are… Tom, are you drinking tea?

Tom: I am not a tea person. Although I did just restock my cabinet from black tea to green tea. So, we’ll see how that affects my ability to write and function throughout the day. I’m drinking distilled water today. [LAUGHTER]

Rebecca: A good choice for the body for sure. How about you Chavella?

Chavella: I am drinking water with electrolytes. I participated in a bottle share this weekend. And because I’ve been running a lot more this winter, I can get a little sensitive to dehydration. So, I’m drinking water with electrolytes. [LAUGHTER]

Rebecca: I think a first on the podcast. [LAUGHTER] John, how about you?

John: I am drinking ginger peach black tea.

Rebecca: And I have Golden Monkey today.

John: Back to an old favorite.

Rebecca: It is, it is. I don’t always have it in stock.

John: Advocates of inclusive teaching often encourage faculty to share their power and authority with the students. But you both wrote a February 7, 2022 article in The Chronicle noting that this does not work as well for all faculty. Could you share this argument with our listeners and tell us a little bit about how this article came about?

Chavella: As many things, it came about as a result of my frustration, if I’m gonna be honest, which I always seem to be. On a fairly regular basis, I see folks putting forth ideas like you should do this, you should use that. But it’s often attached with some elements of, for example, during a pandemic, people saying… If you’re still having deadlines for students, then therefore basically you don’t care for students, or you’re like an evil person. And seeing people make these individual level attributes that ignore the structural context of teaching was getting really frustrating for me. And I was having a conversation about it with some folks and Tom was one of those folks. And I said, “I have to write about this, and who’s interested in writing with me about this?” But the general argument is, absolutely, that a lot of times, people perceive teaching as individual choices, and therefore they’re making individual level attributions, not realizing that these aren’t just individual level choices. What we can and can’t do, how students respond to the various things we do, are very much so in the context of our social statuses and identities.

Tom: Absolutely. And as Chavella has said, I stepped in to work on this with Chavella, because… two different sides of the same coin for me. I have been an advocate for universal design for learning for a very long time, trying to lower barriers for our students. At the same time, I was one of the people Chavella was a little mad at, in that my research was moving in the direction of how does Universal Design for Learning underpin all of our other diversity, equity, inclusion, social justice efforts on our higher education campuses? And I was at the same time also advocating for, “Hey, all instructors, please share your power with your students, please be vulnerable,” all that kind of thing. And I was doing that in a blanket way. So the conversation that we were all having when Chevella said, “You know, not everybody can do that.” That was a moment where I came up short. And I thought, I haven’t even really examined this aspect of inclusive teaching. So it turned out to be a really good platform and conversation. When Chavella and I were first having one-to-one conversations about what do we want to actually say, it struck me …and listeners, you might remember the old Highlights magazine for children. And there was always the Goofus and Gallant segment in that magazine. Goofus was the young man who could never do anything right. And Gallant was the one who always did things perfectly and had perfect manners and it was meant to teach children how to do and be in a socially acceptable way. This is kind of the ninja-level Goofus and Gallant article from me and Chavella. I’m playing the role of Goofus. I am the person over 50, white, cisgender, heterosexual male with gray hair. I tick a bunch of boxes for unexamined privilege. And we wanted to contrast that unthinking and unexamined exercise of privilege with the experiences of women instructors, instructors of color, people who are in other precarious places like part-time instructors, and talk about how what is simple and easy for me becomes dangerous, challenging, or a bridge too far for other instructors.

Chavella: I was gonna say thanks, Tom, for admitting that you were in the group of folks that I was frustrated with. I wasn’t gonna out you, but… [LAUGHTER] It’s that level of reflectivity and that level of honesty and the willingness to look at yourself that I’m super grateful for and that we’re trying to encourage people to do, is to actually pause and ask yourself these sorts of questions.

Rebecca: I think it’s really important that we stop and reflect about these sorts of ideas when we’re really in the business of trying to advocate for students. If we want student success, we need our whole community to be successful and included. One of the topics that you brought up in your article was about flexibility in the classroom, specifically around deadlines. But I was curious about whether or not other conversations around flexibility came up as, Tom and Chavella, as you were talking with each other about this article. A lot of things that we see around inclusive practices include things like giving students agency around the format of their projects, or assignments, and other things like this.

Tom: When we were drafting the article—of course, the article can be only so long for The Chronicle—the very first example that came to my mind was, Rebecca, you’re talking about being flexible with formats and giving people choices about how they show what they know and take in information. That’s Universal Design for Learning. That’s one of my areas of expertise. It was one of the first things that occurred to me. And I thought, “You know, we’re not really this kind of reflective with UDL.” It’s kind of ironic, too, because even teaching approaches that center and address learning variability tend also to frame instructors as a homogeneous bloc, who uniformly have status and power that they’re able to transfer to learners. For example, UDL began as a way for K-12 teachers to lower barriers for students with disabilities. Now, because UDL began in an environment in which adults are teaching children, that power, respect, and status dynamic, they’re simply assumed to be tilted heavily toward the teachers regardless of their other identity characteristics or intersectionality. So when UDL began to be adopted beyond the special education curriculum, and in higher education settings, those assumptions about instructor authority went largely unexamined. And so our colleague, Jay Dolmage, suggests that UDL should encompass both learner and instructor variability. And he calls this the intersectional theory of Universal Design for Learning. And so classroom and teaching authority means that students recognize you, the instructor, as having the right and duty to ask them to participate in learning activities and to manage a classroom that’s conducive for learning. The challenge there is that students can perceive, in higher education, that they have greater power than their instructors because of the instructors’ institutional and structural identities, things like age, race, gender, employment status, ability profile, and you name it. So that give and take, that being reflective about who has the authority and power to share and give up extends to lots of other types of flexibility.

Chavella: You’re right, Rebecca, that is absolutely something that we discussed. And the piece that he shared, we had lots of conversations about that. And even just beyond the statuses, or related to the statuses, even assumptions about what technology faculty have access to. I talk about this all the time, the fact that people assume that because I’m faculty, I have access to all sorts of technology, I have access to all sorts of wireless internet connectivity. But I happen to live in a community of people that look like me, which means that our infrastructure isn’t the same, right? So I’m supposed to be having all this variability for students that I may not even have myself. So lots of assumptions layered into what faculty have, even as it relates to UDL.

Tom: And that’s something that Derrick Bell calls “interest convergence.” We tend, if we’re in a dominant culture group, we tend not to say, “Oh, yeah, we should be concerned about our colleagues who are having a more challenging time of things,” unless and until it affects us, right? This is the, “not in my backyard,” or, “I’ll wait until it affects somebody in my family,” kind of thinking. And that interest convergence can really get in our way, because we just assume, “Oh, if it doesn’t affect me, it must not affect many folks.” When the reality of intersectional thinking is that it affects everybody. And it’s useful, not from just a social justice perspective, to take a step back and think about how all of the instructors at an institution are situated to be able to do the work that we’re asking them to do in a safe and effective way. But it’s also a bottom-line business continuation conversation. This has to do with… Are your instructors going to want to come back and teach another semester if they’re contingent? Are your instructors eyeing the door? as Lee Bessette said in another forum. Are they looking to skip to another institution or find another place that gives them a little bit more psychological safety or a little bit more explicit support. So it’s not just the social justice aspect of things, but it’s also the keeping the lights on and making sure that you have talented people working with your students, consideration here as well.

Chavella: It absolutely is a retention issue. Part of what makes this particular issue frustrating for me is because it’s not like faculty with marginalized statuses haven’t been saying this all along. We’ve been saying that all along, “I can do that thing in terms of ability, but it’s going to have different consequences for me, or it’s going to play out different, or it’s going to take more energy for me, or I’m going to get more pushback from it.” So we’ve been saying that consistently. It’s just that the mainstream communicating about the scholarship of teaching and learning hasn’t been echoing that, hearing that, reflecting that. So it very much so becomes a retention issue when you situate it such that you have to do these things or you’re not a good teacher. And then people are having all the push back and sort of emotional energy. And I got a lot of responses after this piece came out from faculty with diverse and marginalized statuses saying, “Thank you,” like, “Basically, I’ve been yelling into a vacuum about this, and no one has heard me.” So for sure, definitely a retention issue.

Rebecca: I know we often don’t hear about a lot of examples of how marginalized faculty are impacted, in part because they feel like they have to be silent about it because they are unsafe, maybe they won’t get tenure and promotion, maybe they won’t get renewed. Do you have any examples that you collected related to UDL that you might be able to share that weren’t included in the article? Because I know that’s the section that got cut.

Tom: And I’m actually looking at the draft where we have those selections here. And with regard to Universal Design for Learning, the challenge that we found was the classroom dynamic shift, where Universal Design for Learning is asking at its core for the instructor to create various paths for the students to be able to move through the instructional space. That’s not actually all that controversial, and it doesn’t open up a lot of risk for folks with marginalized statuses. Where we get into the challenge is at the more approaching-expert level of universal design for learning. We want to move our students from being expert students, the people who know how to cram and know how to study for a test and can tell me back the things that I told them in the classroom. And the risk becomes we’re trying to create expert learners. We want students who can create new information, encounter new situations and apply what they know, and be open and more vulnerable with us. And that requires that openness and vulnerability from us as instructors as well. Part of the challenge with that is, if there’s not a lot of implicit or unearned respect and trust, then you have to establish what that trust looks like. And for folks who have fewer trust resources to be able to build from, that becomes tricky. So I’d love to pick Chavella’s brain here, too. And we’ve got a couple more examples in the kit as well.

Chavella: Yeah, I was gonna say that that beginner part, I think there are challenges for faculty with marginalized statuses. The idea of sort of opening up different paths, the issue becomes… and again, when you think about the scholarship of teaching and learning in general, you’re going to have moments of like, “Oh, yeah, that makes perfect sense.” We know from the Scholarship of Teaching and Learning, that when you do things that are innovative, or non-traditional, that you can get a bit of student resistance. So UDL requires you to do things that are innovative and non-traditional. So even if it’s just how students submit work, whether they’re doing in writing, or whether they’re doing an audio file, or doing some sort of visual presentation, those actually all open up paths to resistance for faculty with marginalized statuses, just by the virtue of the fact that they’re doing something different. Those things get rewarded for faculty that have dominant statuses, they’re seen as experts. Now we’re questioned, our expertise becomes questioned: “Why is she doing it? That’s strange. I don’t understand that. I’m confused by that.” So I would say that all sorts of teaching choices require students to actually view you as an expert. And if you have some statuses that are marginalized in society, those are all things that students will use to decide that you’re not credible. But we know that those are the practices that are supposed to be done. We know those are the ones that are good for learning. It’s just a matter of who’s doing it that makes it a little bit more challenging.

John: What are some ways in which we can make it safer for faculty to experiment with some new techniques? Or what are some ways that faculty who are in a marginalized position can address some of these challenges? Or might, in some cases, it be better to not try and to use teaching techniques that work best for them in their environments?

Chavella: I would say probably a little bit of mix and match. I’m always like, “There’s no silver bullet.” I wish there were. “There’s no magic wand,” I say that all the time. But it’s probably a little bit of mix and match. Like, if you have your energy, you’re trying to get your scholarship together, maybe not doing things you know students are going to resist, it doesn’t mean that traditional practices don’t work, you can do the traditional stuff. But that might not be the right timing for you. But at the end of the day… I was getting ready to say it doesn’t have anything to do with the marginalized faculty. And part of what I mean is, it’s not their responsibility. The institution should be making changes, the institution should have chances where you can try something innovative and your course evaluations don’t matter. The institution should have an understanding of the ways in which bias gets involved in your student rating, so whether it’s because it’s innovative or you have a marginalized status. I think that a lot of the folks that do this work and our own colleagues need to understand that the way you do things might be different from someone else, and then not to shame, or guilt, or assume that the other person’s way of doing it is less valid or less excellent when it comes to teaching. So all of the sort of, like, needing to be done parts are things that need to be done on the part of the powerful and of the institutions. But I absolutely tell diverse faculty to be intentional and be thoughtful about what they’re doing and what the consequences are going to be for them. And just be very aware that they might get a different outcome, and it might require different resources for them.

Tom: And the flip side of that is also true, that there’s a whole bunch of “don’t do” things that seem kind of intuitive to a department chair, or a dean, or a provost. Because when we hear, “Oh, well, we have to make safer spaces for people with intersectional identities, marginalized identities. And we have to empower them from an institutional perspective.” The first reaction from a lot of folks, especially if they are from dominant-culture backgrounds themselves, is to start looking for the people in their institution who fit the definition… “I’m going to go ask my black colleagues how to work with them.” And the chances are that most of your colleagues, your women colleagues, if you’re a man, your black colleagues, if you’re a white person, they don’t know any more than you do how to do this well. One of the things that I really benefited from is Chavella, this is her research area, she is a trained facilitator. Bring in people with expertise to help you and your institution to come up with policy, practice, and models that suit. Too often we just turn to one another and say, “Well, what should we do?” And that sort of uninformed guessing isn’t helpful and can actually perpetuate harmful situations.

Chavella: Absolutely. One of the other things we talked about as having some frustration is people identifying this as a gap. Like Tom said, this is my area of expertise: the intersection of structural oppression and the scholarship of teaching and learning. But some people will see this gap and be like, “Oh, all of a sudden I see my privilege now.” And then they rush to fill the gap. No, no. No, no, no, no, no. You don’t have the expertise for that, you don’t understand that. So the people with the dominant statuses, that rush to suck up all the air in the room because they see the new shiny thing that they want to pursue. First of all, a lot of times they’re sharing misinformation or things that are misguided, that are actually going to be more harmful for the group that they purport to help. But they’re also silencing the people who actually already have this expertise. So there are a lot of faculty developers and folks that do Scholarship of Teaching and Learning who have some expertise, who look like me, who are people of color, LGBTQ folks, but a lot of us are being drowned out. So that definitely falls in the category of “don’t,” which is, don’t center yourself by trying to fill the gap and sucking up all the air in the room. [LAUGHTER] Look around and actually identify who those folks are and work with them.

Tom: Yeah, am I allowed to say that most people doing land acknowledgments now aren’t actually working with their First Nations colleagues to make things better? That’s kind of what we wanted to do in the article, was to not call people out for doing things poorly or not doing things at all. What we wanted to do was to say, “Here are ways to think about and act that move you away from performative work into intentional allyship. What actions are you actually taking, so that you are using the privilege that you’ve got, even if you aren’t from a dominant perspective? What actions are you taking that help your colleagues? What actions are you actually taking?” And in the article we talk about how I started, when I first got my PhD I thought, ‘Oh, yeah, I’m going to be the cool professor, and have my students call me Tom.’ And I didn’t realize at that point that me having them call me by my first name meant that some of my women colleagues who were insisting on being called “Dr. So-and-so,” then that was, “Well, why are you being so formal about it when Dr. Tobin says, ‘Call him Tom’?” And I came to realize pretty quickly that they didn’t have that assumed authority. And so if I said, “Please call me Dr. Tobin,” and we were all Dr. So-and-so in the department, that made for a more level playing field. And it also meant that I was showing respect for my colleagues, even in my own classroom, because I was explaining why I was asking for that formal, “please call me Dr.,” as well.

Chavella: And that’s such a good example. And in the research that I do, where I’m collecting stories and information from faculty with marginalized statuses, that happens to be one of the things that comes up all the time. And I know that people think that the titles are a small thing, but they’re not. And so in the article, one of the things that I’m always, when I’m trying to describe to other people, or make it clear to them that there is an intersection between structural oppression and the Scholarship of Teaching and Learning, is I’m always talking about this idea of a force field. So all those things make it clear that there is teaching authority, professional authority, that there’s some expertise involved. And a lot of times privileged faculty don’t realize, that force field just automatically exists for them, it doesn’t exist for other folks. So having your title is a marker that sort of provides a force field for faculty with marginalized statuses, so that they can do the work that they need to do. They don’t have to worry about people testing the fence, trying to get over the fence, trying to ignore the fence. So very much so, people think that that’s a small thing to be called by your professional title. But it is a reminder to students, and then they behave accordingly, if they’re referring to you by your title. And again, it just gives you the space to be able to do your work when you’re a faculty member with a marginalized status.

Rebecca: One of the things that has come to mind as we’ve been talking today is how often narratives around almost the same circumstance can be different at various tables. And that one way perhaps, to show some allyship is to make that visible in conversations when it occurs. So if there’s an evaluative conversation, for example, around promotion or tenure, and something comes up about teaching, and it’s maybe a different narrative around some of the same techniques, because maybe the teaching evaluations come back negative because they often do. That conversation is different, we can point out, “Hey, this is actually a good practice. And that the research says that these evaluations are often not accurate.” And to try to point to the fact that these narratives are inconsistent. It happens so often, and we observe this all the time. And often people don’t speak up.

Chavella: No, they don’t at all. [LAUGHTER] There are a couple things going on at once. One is people see teaching as this very private activity. So very few people talk about their teaching in general. And then a lot of the folks that are doing the evaluative pieces don’t really actually know anything about the scholarship of teaching and learning. [LAUGHTER] If we’re being honest. They just know what’s normative. So I work with campuses doing all this stuff. I train people how to do inclusive teaching, and how to do the reflective pieces around identifying your own privilege and making it clear about their teaching choices. But I also work with institutions about how they evaluate, and really making it plain to them, how what they’re doing are the most common practices, and then put them in conversation with the best practices. And those are usually opposite. So a lot of the people that are doing the evaluative pieces, absolutely. They don’t know anything about the scholarship of teaching and learning. So the more of us who know, engage in those conversations and have those narratives, I think it could make a huge difference. Absolutely.

Tom: And back to the idea that the changes we want to see are structural and institutional ones. When Jean Mandernach and Ann Taylor and I were doing the research for our book, Evaluating Online Teaching, from back in 2015, we couldn’t include a lot of the horror stories that we heard about how institutions would often hire adjuncts to come back the next term or move people forward on the promotion and tenure line, based only on student ratings of teaching. And so there was that one signal that, as Chavella has mentioned, we know is imperfect and riddled with student bias. And we also know that student ratings of teaching—you notice I never say evaluations, because our students are not qualified to evaluate us—they can share what their experiences were like. And we have to look at those experiences through the lens of what are the biases that they are expressing through that rating system. So when we have just the one signal that we’re making an employment-based decision on, that’s where that bias really creeps in. The other side of that is also true, that when we’re asking peers, or our department chairs, or our Deans to do observations of our teaching, unless there’s a structure in place that asks for very specific teaching behaviors to be observed and then evaluated, then we’re going to bring our own unexamined and unintentional biases, and some intentional ones too, into that process as well. So in the book on evaluating online teaching, we tried to be very clear that even someone who’s never taught online before, can still give a meaningful and legally defensible assessment of our teaching, so long as they understand what they’re looking for, and what we count as teaching behaviors, versus what’s just bias from the face-to-face classroom. And we talked about things like voice tone, pacing, eye contact, use of humor, all those kinds of things that even in the face-to-face classroom, we might be using as proxies for observable teaching behaviors, because we don’t know what those are, or we haven’t done the research or read the research about Scholarship of Teaching and Learning, like we’re coming back to over and over in this conversation. Move that into the conversation about all of your instructors coming from various types of backgrounds, level of preparation, and level of implicit authority that is granted to them by students, dnd you come up with a very similar argument. The challenge for us as administrators, is to be very clear about what we are assessing and measuring when we think about the assessment of teaching quality,

Chavella: Obviously, I cosign all of that. [LAUGHTER] I cosign all of that. I feel like I’m always sort of on a rooftop yelling all of those things over and over again.

John: One of the things we’ve observed at the teaching center is we have a wide variety of young faculty in many departments who are trying to do new things. But their pushback is coming from other people in the departments. Our administration is, in general, quite good at recognizing some of these challenges, but that doesn’t always translate down to the senior faculty in departments. And I think Rebecca and I, at various times, have both had to urge some caution to faculty in trying to get some support for the things they do and some buy-in. What are some ways we could address that issue at the departmental level?

Tom: One thing that we mentioned in the article, and it’s a shameless theft of mine from a colleague at Westmoreland County Community College in western Pennsylvania. He called it the get-out-of-jail free card after the card in Monopoly that allows you to pass through the game more quickly. What we recognized was that our contingent and adjunct instructors who are just coming back from semester to semester, as well as our people who are on the tenure line but not yet tenured, often felt that they had to be very conservative, not take very many risks. And they wanted to do innovative teaching practices, felt perhaps not comfortable doing them as much, or as soon as they wished to do so. So the get-out-of-jail free card, we call that a provost’s letter. We asked our provost to be willing to write a letter that went into somebody’s promotion and tenure packet, or went into somebody’s employment history packet for the adjunct folks, that allowed people to collect, but not have count, the student ratings, any peer observations, anything that was formatively or summatively evaluative of their teaching, for one particular semester, or one particular class where they wanted to do something experimental or take a risk. That provost’s letter, you could apply to do it once every… in our case it was three years when I was in Chicago. And that provost letter changed the academic tenor of the conversation, because people felt that they could take a risk every now and then. And we started to see more people, not only just the faculty members and instructors who were newer to the field, but also those who had been there for a while. It wasn’t so much a case of, “Oh, these new people that are showing me up or they’re taking risks that I would never take.” We saw some of our more seasoned faculty members start saying, “Oh, well, if they can do that, and it actually lowers barriers, not only for the students, but also for me, then I want in on that as well.” And so that was one concrete thing that we’d encourage your listeners, get with your faculty senate, get with your administration, and see if there are ways that you can provide little islands of safety or security for people to do things that might be risky for them in their current roles or in their current progression.

Chavella: I’m thinking about it because I deal with this all the time… the, “What can you do?” Because as we mentioned earlier, I see this ugly endpoint of this. So I see the faculty with marginalized statuses who are about to not be renewed, because they have taken a chance, regardless of whether or not what they did was effective or not, the colleagues are the ones that are gunning for them. Your teaching content is different than what they want. They take offense to that. You’re not lecturing the way that they might do it, like you’re doing something a little bit more active. So they’re gunning for you. And what I would say departments could do that would link back to what Tom was saying a second ago, is you have to have an ally in your department that’s gonna do what I refer to as these collaborative teaching observations, where the person is observing your effectiveness versus judging whether or not you teach exactly like them or not, because that’s a lot of what the review is. So any shift that you can do in a department to get them to realize the evaluation isn’t a matter of… Am I a clone of you or not? And are you actually achieving the things that you have set out to do? Would be an improvement. And honestly, I’m thinking if you even ask the department to ask that question in their evaluation processes, I feel like that might be the punch in the gut that would make them realize, “O-M-G, all we are doing is reproducing ourselves.” I think it would produce a movement that would benefit everybody, not just faculty of marginalized statuses, but any and everybody who’s trying to do great teaching and do a little innovating here and there.

Tom: And that circles us around to one other practical thing that you can do at the department or institutional level. And that is provide anonymity. Get an external group to your institution, bring in an outside consultant, bring in people from another university, and have them offer everybody at your institution, or everybody in your department, an anonymous way to provide feedback about their feelings of safety and their feelings of power in the classroom. You will get an earful. Especially if there’s no way that that information could possibly pass its way back to the department chair’s ear with a name attached to it, you’ll get a much better sense of the comfort and the privilege that people feel that they’re exercising, and the threats, we heard Chavella talk about the force field that many people experience and how it malfunctions a lot. You’ll get a better sense of what your baseline is. And you can start having open and honest conversations. We started this conversation by saying this is an issue that not a lot of people talk about because either A, they don’t feel like they have the power and standing to do so safely. Or conversely, if you’re from a dominant-culture identity, you don’t want to dive in on a conversation like this because you’re afraid that you’re going to say something wrong, you’re going to offend somebody. Here’s the newsflash: You’re going to get it wrong, you’re going to offend a couple of people. It’s still worth having the conversation. And as long as everybody is practicing from a space of goodwill, having that conversation and seeing it as a necessary step toward better diversity, equity, inclusion, and social justice, that’s what we want people to be able to do.

Chavella: And actually, I’ll take what he just said a little bit further, in terms of asking the question of, Is it safe or not? I would say just assume it isn’t. I feel like as academics, we want to do all the climate surveys and the folks that are privileged sort of know in their heart, ‘Oh, nothing bad is going to come out of that.’ Nope, you’re going to find out stuff that you probably aren’t going to want to accept. So in a lot of ways, yes, that’s important to do to get the specific examples from your campus in your department. But in a lot of ways, I say skip that step altogether. Assume that folks do not feel safe. Read the literature, because they’re those of us who write these things. We’re on the margins, right? We’re on the margins in our institutions, we’re on the margins in terms of writing. Read what we’re writing and assume that is going on on your campus and start coming up with solutions for what you see in the literature. So don’t wait until you can identify validated results on whether or not you have that problem or not, just assume that problem is at play and get the solutions going.

Rebecca: Yes, yes, yes. Sign me up. [LAUGHTER]

Chavella: Yes. [LAUGHTER]

John: While I don’t think this would eliminate the problem of bias in student ratings, might it be useful if departments at least reconsidered the questions in their student ratings so that they actually focused on teaching techniques that are demonstrated to be successful? So that at least it would more closely proxy what we’d like. Students may not be able to evaluate how well an instructor is doing something, but perhaps questions such as… Does the instructor provide you with feedback on your work? Are you allowed opportunities for revision? Are you given opportunities to express yourself in multiple ways? To perhaps address some of these issues where we’d like to see faculty moving, and perhaps to overcome some of the resistance. Because if all faculty knew they might be evaluated in sending it relates to effective teaching practices, maybe that could move the needle a little bit.

Chavella: I’m always sort of a one foot in and one foot out on this. I’m like, “Ah, we kind of know they’re broken.” So I’m not sure if that’s really where I want people to expend their energy. I want people to expend their energy fleshing out that image of people’s effective teaching, so it’s not just the student perspective. I don’t know if I would encourage people to do that. And I’m not sure how much you can actually improve the questions. Because even the examples that you just gave, some basic psychology research shows that cross-racial interaction people misattribute. So you’re like, “Oh, did they give opportunities for feedback?” Well, the feedback that students might want from a woman will look very different than the feedback they want from a man. You see what I’m saying? So, like, a male faculty member could give two sentences of feedback. And the students are like, “Great! I got feedback from whoever.” But then when a woman does it, if it’s a woman of color, there’s two sentences, all of a sudden, they expected more so to them that’s not feedback. So even the questions that people come up with to avoid bias at the end of the day, we’re all human, we’re going to see each other through these gender, race, social class lens. So yes, so I agree, I think it should be much more about student learning. But I definitely think that we should expand whose voices are included, in addition to what we’re looking at when it comes to teaching effectiveness.

Tom: Indeed, and don’t even get me started on student ratings. We’ve been yelling at the top of our lungs for the past 42 years, that we know how to do psychometrically valid student writing instruments. And then every college and university says, “Oh, we’re going to do our own.” And so the challenge is we’ve had organizations like the Idea Center that’s now part of a larger corporate entity, they’ve been doing the research on what are questions that students can use for ratings that are as neutral, and single barreled, and psychometrically valid as possible. So I’ll second what Chavella is saying here, and let’s go beyond just the student ratings. We, ideally, would train all of our instructors, to understand psychology, to understand statistics, to understand the Scholarship of Teaching and Learning, all those things. But what we hire people for is they’re good chemists, they’re good art historians. So we don’t have enough time, people, money, or effort to be able to bring everybody up to expertise in all of these areas. What I’d much rather see is I’d much rather have three or four big ideas that everybody gets behind, and then they figure out how they’re going to do so in their own circumstances. Rather than trying to make everybody feel like they missed the boat, and they didn’t get training, and therefore, they’re at a beginner level in something. We’ve got experts in our campuses and around us, who can help us with the framing of these kinds of conversations, especially when they’re difficult, perhaps especially because they’re difficult. We should not ourselves need to feel like we need to become miniature overnight experts in how to have conversations about intersectional identity, or race, or gender in the classroom, in order to be able to take some actions that help to support our colleagues, create community, and find good ways to enact policies and practices that enshrine those things in the life of our colleges and universities. Alright, I’ll get off my soapbox now. You get the idea.

John: It’s a good soapbox to be on, though.

Rebecca: I really appreciated thinking about the systemic issues that we need to address and thinking through the institutional and departmental level challenges that we need to get on board with and address. But I don’t want to lose sight of some of the really practical reflection points that were in the article.

Chavella: You know what, though? I was going to say, they’re not disconnected. But I think that people think that because it’s a structural thing, it means we can’t tackle it, it’s going to take like one year of faculty senate meetings and changes the handbook. It doesn’t require that at all. And so I think those structural things are very much still connected to really practical pieces… easy, actionable… you could do it tomorrow, or at least by the end of the week. [LAUGHTER] I know that’s true, because this is what I teach campuses how to do.

Rebecca: That’s a really good point. Chavella, for sure. As I was reading the article, I was reading the student incivility section and just starting to think about the kinds of practices we often recommend around establishing belonging and community and wondering “Hmm, what kind of privilege do I bring to that space?” And so that was a moment of deep self reflection for me that went beyond just the incivility piece, but the sense of belonging that we had been heavily advocating for, especially throughout the pandemic, but obviously before that as well.

Chavella: Honestly, even just hearing you say that means that the article did its work, because that’s the question we want people to ask all the time. I don’t think we want people to ask if or when does my privilege come into play? But assume that it does and figure out: “How does it come into play?” …and then make some adjustments. So what did you come up with? Like I want to know, when you think about the things that you do, like what did you come up with in terms of like how my privilege play into how you do sense of belonging? I don’t mean to put you on the spot, I’m sorry. [LAUGHTER]

Rebecca: Yeah, I’m not sure if I’ve come up with adjustments yet to be honest, I’ve started thinking about the kinds of activities that I do, the ways that I try to include multiple voices, but also the access to the technology I have to be able to do that. The fact that the institution has given me the ability to teach online synchronously during this time, because of my own disability status. I think about how that might change in person, and what kinds of things that I might do differently. And even the kinds of questions that I’m asking, and whether or not other folks would be able to ask the same kinds of questions. I have a lot of technical skill, I teach web design, I have a lot of technical skill. And there’s a lot of privilege just from that position [LAUGHTER] that I bring to my teaching space that many other faculty don’t have. So I’m often very aware that the kinds of things I do are not necessarily things that other people can replicate in other scenarios. They’re really based on the very specific contexts I’m teaching in, my own position in that context and my own expertise in particular areas. But I also know the kinds of things that I shy away from as a female instructor. [LAUGHTER]

Chavella: Right? Exactly. My brain got stuck at what you said at the beginning of it. So even if we think of this as an illustration, just talking about the pandemic, and sense of belonging, a lot of our faculty with marginalized statuses either structurally or institutionally, right, people who are contingent, or folks of color, women, that did not have options about whether or not they could be online or not. And could you imagine being from a community that’s disproportionately affected by the outcomes of COVID-19 in a classroom, with students where you don’t have a lot of power, and then trying to establish a sense of belonging… the actual physical distance that’s required to keep you, your family, and your folks safe. Imagine that being interpreted by students as you having distance, on top of the fact that you’re different from them, they’re already going to perceive distance, regardless of whether that’s there or not. That’s like basic psychology research. So I got stuck there. So I think you’re absolutely right. These are the questions we want people to be asking of themselves, and making adjustments to make sure that not only might your privilege be affecting how you make students belong, but also your colleagues who might be different from you, because then it becomes: “Well, professor so and so does XYZ.” So it’s about being really mindful of what you’re doing, and how that might make your colleagues be perceived as well.

Rebecca: Yeah, definitely. There’s been so many situations where I have definitely acknowledged my privilege. During the pandemic I have stable internet, I have technology, but I’m able to use my camera, I’m not in a situation where it’s unsafe for me to use my camera and my microphone, and all of these sorts of things, and how many other faculty who might be more contingent than myself have had a much more difficult time across many institutions and trying to speak up to get them some of the support that is necessary so that they could function safely. But, also just recognizing that I can’t really imagine what it would be like not to have the privilege that I have. And that’s an important thing to, I think, acknowledge. It’s difficult to imagine that.

Chavella: Yeah, and another thing popped into my mind, this is what popped in my mind immediately before I asked you a question. So sorry about turning it back on you. The idea of a sense of belonging in the classroom, and one of the inclusive teaching practices I teach folks how to do is to have an inclusive teaching statement. But even if people don’t do that, let’s not even talk about that. Let’s just talk about regular scholarship of teaching and learning. And the whole idea that you’re supposed to have guidelines for how you interact in the classroom for the students. Even that… I think that a lot of our faculty with privileged statuses don’t do that, or my version of don’t do that. The way that people do that people say, “Oh, follow the golden rule, or in this classroom, we’re going to treat each other with respect and with civility.” They’re super vague and they’re vacuous. And when you’re a person with a privileged status it means something completely different for you. And when you’re having students who also have privileged statuses, that all means something very different for you. I think, all practices from the rooter to the tooter, essentially, people should be thinking about them in the context of their privileges, but a sense of belonging is absolutely one of them.

Rebecca: We always wrap up by asking, what’s next?

Tom: I’m thinking about what I’d love your listeners to do next… it is first to do a little listening. Find a way to ask your students, ask your colleagues, ask your administration, questions about how people are supported in the teaching that they do. And then a second action that follows along from that is to determine what kind of action you can take in order to either exercise your own privilege in concert with and communication with other folks, or to find allies who can help you to make an argument for making positive change. So those would be the two things I’d love people to take away from our conversation today.

Chavella: And I would cosign that again. [LAUGHTER] But the “listen” piece, in particular, I would say if by the end of the week, you could find an article or two to read, if you could check out a podcast episode or so… like my podcast is simple and easy to hear about some of these issues. But there are people that are writing about these items. Just learning a little bit about these things on your own and figuring out how you can make slight changes to your practices would make a huge difference. And obviously, I have a book that’s going to be coming out that’s all about all of this, sometime in the near future.

Rebecca: Well, we can’t wait to have you back to talk about it.

Chavella: Yes, I’m looking forward to it. Lots of laughing… that is serious topics sometimes, but I do lots of laughing. [LAUGHTER]

John: Well, thank you. It’s great talking to both of you again, and I think this will cause a lot of people to reflect on their practices and think about how they can be a little bit more inclusive of their fellow faculty members.

Tom: I hope so. Thanks for having us on.

Chavella: Yeah. Thank you so much, y’all. Have a good one.

Rebecca: You too. Thank you.

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John: If you’ve enjoyed this podcast, please subscribe and leave a review on iTunes or your favorite podcast service. To continue the conversation, join us on our Tea for Teaching Facebook page.

Rebecca: You can find show notes, transcripts and other materials on teaforteaching.com. Music by Michael Gary Brewer.

John: Editing assistance provided by Anna Croyle, Annalyn Smith, and Joshua Vega.

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229. Inclusive History

Most history textbooks provide a narrative that is filtered through the lens of the dominant culture. In this episode, Vanessa Holden joins us to discuss how the study of history can be enriched by including a wider variety of voices and perspectives in historical narratives and in our classrooms. Vanessa has a dual appointment in both the Department of History and the program in African American and Africana Studies at the University of Kentucky. Her research focuses on African American women in slavery in the antebellum South, the history of resistance and rebellion, gender history, and the history of sex and sexuality. Vanessa is the author of many scholarly publications, including the recently published Surviving Southampton: African American Women and Resistance in Nat Turner’s Community. During the 2021 academic year, she was selected to be the inaugural Distinguished Visiting Scholar at SUNY Buffalo’s Center for Diversity Innovation.

Show Notes

Transcript

John: Most history textbooks provide a narrative that is filtered through the lens of the dominant culture. In this episode, we explore how the study of history can be enriched by including a wider variety of voices and perspectives in historical narratives and in our classrooms.

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John: Thanks for joining us for Tea for Teaching, an informal discussion of innovative and effective practices in teaching and learning.

Rebecca: This podcast series is hosted by John Kane, an economist…

John: …and Rebecca Mushtare, a graphic designer…

Rebecca: …and features guests doing important research and advocacy work to make higher education more inclusive and supportive of all learners.

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John: Our guest today is Vanessa Holden. She has a dual appointment in both the Department of History and the program in African American and Africana Studies at the University of Kentucky. Her research focuses on African American women in slavery in the antebellum South. Her areas of interest are the history of resistance and rebellion, gender history, and the history of sex and sexuality. Vanessa is the author of many scholarly publications, including the recently published Surviving Southampton: African American Women and Resistance in Nat Turner’s Community. During the 2021 academic year, she was selected to be the inaugural distinguished visiting scholar at SUNY Buffalo’s Center for Diversity Innovation. Welcome, Vanessa.

Vanessa: Hi, happy to be here.

Rebecca: Today’s teas are… Vanessa, are you drinking tea?

Vanessa: I’m not. I’m drinking water. I’m a coffee person, I’m sorry.

Rebecca: So you got the water, you got the coffee, all right, all right. As John always says, that’s our most favorite tea on the podcast. [LAUGHTER] How about you, John?

John: I’m drinking iced tea today for a change. Because it’s such a nice, warm, wintry day here with a blizzard going on outside.

Rebecca: Hey! It’s in the 30s, it’s a heat wave.

Vanessa: Oh, that’s like beach weather in Oswego.

Rebecca: Totally.

Vanessa: Yeah.

Rebecca: And I’m drinking cinnamon spice black tea today.

Vanessa: Ooh!

Rebecca: It’s very warming, kind of the opposite of John’s situation.

John: So we’ve invited you here today primarily to discuss your work on inclusive teaching. But first, could you tell us a little bit about Surviving Southampton and the research that you’ve been doing that led up to this book?

Vanessa: Sure. So Surviving Southampton is about America’s most famous slave rebellion, what historians often call Nat Turner’s Rebellion, but I’m really keen to assert should be called the Southampton Rebellion. Mostly because that’s what the people who lived there and lived through it called it. And that’s mostly what it was referred to until historians got a hold of it in the 20th century. And what I do for an event that’s been written about, almost since it happened is I actually just asked the question: How were women and children involved in this really important moment of violent resistance? And of course, when I started to look for women in the archive, I was led to a number of other communities of people in Southampton County who’ve been mentioned, but largely understudied and not looked at. So I do have a chapter that specifically deals with enslaved women. But I also look at free people of color in the county—Southampton County, Virginia had the third highest population of free people of color at the time in Virginia. I look at children and children’s involvement and resistance. And I really center survival not just as endurance. We use the word survivor to mean somebody who endured a natural disaster, a crisis, a tragedy, but it’s also a word we use for the bereaved. So if you’ve read a death announcement, or see a notice on Twitter, it sometimes will list who the deceased is survived by. So I also take time to look at the ways that African Americans were rebuilding systems of resistance, even as trials were happening for rebels, really violent backlash to the rebellion was happening. So even in the midst of really the most oppressive moments of the slave regime, black people were strategizing about how to continue to resist slavery. And really, women are at the center of that labor of survival.

Rebecca: These narratives are often not discussed, especially K12 but also at the college level. How do we start bringing these voices in more? Obviously, your book is helping with this, but how else can we start doing this?

Vanessa: Yeah, I am a very public-facing scholar. I work a lot with public history projects and community groups, and have a real heart for working alongside K-12 teachers. I’m convinced that they’re all geniuses, that they take on mammoth feats every single day in the classroom. And really through my work with the digital humanities project Freedom on the Move, which is based at Cornell right now, but we have a team of scholars who are at universities all over the country. The project’s main goal is to find and digitize every extent runaway slave ad. Right now we’ve got about 44 or so thousand ads in the digitized archive, and a little over 10,000 have been fully transcribed. But through that project, I’ve had the opportunity to work with teaching hard histories and work with focus groups of K-12 teachers, and really hear how impactful dealing with these particular sources can be for K-12 students. That learning about the history of slavery from the point of view of people who were resisting slavery, reading thick descriptions of folks who were fleeing to find family members or striking out for freedom really transforms the way that students are able to access what is and should be a very difficult, painful history. And also thinking about really age-appropriate ways to approach that history, that often students can find people their age who are listed as fleeing from slavery. And that really helps them think through, at an age-appropriate way, the real injustice of slavery and the dehumanizing nature of enslavement while acknowledging moments of resistance and, really, triumph of humanity. So I think some key ways that I’ve seen educators who work with K-12 students bring this history to them is highlighting the ways that people their age experience these difficult histories, and giving them a chance to work with primary sources, to go to the documents, work with them to get through some of the stilted 19th century language to get at experience that hasn’t been interpreted for them that they can really exercise their interpretive skills to understand better.

Rebecca: I love the hook of finding a way to connect. And doing that through finding people of the same age is such a great idea.

John: Have you or this project done any work in having some of the students do some of those transcriptions?

Vanessa: So yes, and that has been a key part of one of the branches of developing the project, is thinking through the accessibility of our crowdsourcing platform. So right now, Freedom on the Move is a crowdsourced database, anybody can log in to freedomonthemove.org, create an account and begin transcribing, or pulling information out of the ads—what data scientists would call coding data, but what historians would call really mining sources for information. And we’ve run into a couple of interesting things working with educators, because the team initially was only researchers. And we sort of imagined that there would be classroom applications. And we’ve really learned from this misstep of not having educators involved from the very beginning. Because, of course, the things that researchers care about are not the things that are most useful in the classroom. And the transcription platform is built for an educated adult public, you don’t have to be a specialist to do the transcription by any means. But there’s a real difference in what, say, sixth graders can read and understand and transcribe, and what someone who is an adult can read and transcribe and understand. One thing that we were pushed to do actually was, and this really was an educator critique, was create a glossary. Because, of course, these documents from the late 18th through the 19th century include racial terms. And we have advertisements in the archive from Spanish speaking areas, from French speaking areas, from English speaking areas. And these racial terms are archaic. They’re considered offensive and racist now, and also students have little or no familiarity with them. And so one of the ways that we had to really provide educators with a tool they could point to, to help students understand this language, understand its context, understand why we don’t use it now, involved us going back and doing the work of writing out a glossary of terms with, really, annotations for how to best understand why enslavers are using the language that they’re using. To get students and user participants to critique the documents, read the documents with a critical eye that these are things produced by enslavers about enslaved people, it’s not the way they maybe would’ve described themselves. So finding both subtle and overt ways to cue in participants, and also teach critical skills, interpretive skills at the same time. So there’s a lot of intellectual work that goes into these sorts of projects. But ultimately, I think it helps students really engage with the sources in really fruitful ways. And we’ve had educators take this in all sorts of directions, to creative lessons, to lessons where students are writing bound poems using the ads and really attending to the emotional affect of this material. Instead of shying away from the fact that this is difficult, leaning in and saying, “Yeah, it should be difficult. And let’s actually do the care work of processing what’s difficult.”

John: Many textbooks, though, do not take this approach, where they leave those voices entirely out. What sort of harm is done to students, when there are these glaring omissions in history?

Vanessa: You know, there’s like a whole series of podcasts you all could do on the textbook industry, and how textbooks happen, and what is and isn’t allowed. And of course, we’re living in a contemporary moment where what reading materials are provided to, particularly K-12 students, where they’re being deeply scrutinized. There are a new wave of bans on materials. And interestingly, a lot of those revolve around the language of discomfort. And I think often the way that issues like racism, sexism, ableism, classism can be approached is with the language of emotion and feelings. So particularly very young people, it’s explained to them, “Oh we don’t use these words that are racist, because they’ll hurt someone’s feelings.” And sure, yes, feelings are a part of that. But the other reason we don’t use these racist terms, it’s not just that it might hurt someone’s feelings, it’s that those terms dehumanize someone. And when that happens, that opens the door for very real violence, and very real physically, financially, materially detrimental consequences. The first step actually is that language, but it’s the steps that follow that language that are the issue. And so I think sometimes, because so much can get wrapped up in only dealing with the first piece, when it comes to feelings, the other pieces get maligned. So then it becomes about well, nobody should ever feel bad ever. And a lot of times that I’ve talked to my own students who often, even at the college level, they’re encountering these sources for the very first time, they’re encountering an in-depth discussion of American slavery for the very first time, some of them have never really heard in any detail the types of violence that were involved in American slavery, that just are omitted, they sort of know slavery was bad and that’s where the lesson stopped. I give them a moment to pause before we really get into the semester and I just acknowledge that this is really difficult material to read and to process. That they’re going to learn about things that they haven’t learned about before, and they’re going to have a feeling about it. And then I say that that’s actually pretty great, because that actually just means they’re human. They shouldn’t learn about the Middle Passage or slave auctions or physical violence, and just be sort of okay with it, or have no emotional response to that. Then in those moments when they’re having an emotional response, that’s just a moment where they are being empathetic human beings. So at those moments where a student learns something that makes them uncomfortable, learns something that ignites an emotional response. It could be sadness, it could be anger, it could be disbelief, it could be a little bit of denial, it could be a whole range of things. That’s actually a moment to pause and acknowledge your own moment of really human empathy, your moment of discomfort. And then to push forward that, “Oh, this is the place where I actually should be paying attention. That, here’s the point at which I’m learning things I didn’t know before. Here’s the point at which I haven’t experienced that before.” I also like to do an exercise that involves watching an episode of Colonial House. Are you both familiar with the series from PBS?

John: I am not.

Rebecca: No.

Vanessa: It’s an early reality television series where they get people to agree, I don’t know how they get them to agree to this, but they get them to agree to live using only materials and technology for a particular historical period for a summer. And then they film them and find out what happens if a bunch of modern people go pretend it’s the 1630s. So there’s this great episode of Colonial House where the overwhelmingly white participants are upset because churning butter is really hard and the corn isn’t coming in. And it turns out building a colony in 1630s Massachusetts isn’t so great, and it’s pretty smelly, and difficult or whatever. And then some Wampanoag people who are descendants of the original inhabitants of the Cape in Massachusetts show up in their traditional clothing. And their point of view of this experiment is very different than the participants. The participants are there thinking they’re doing this educational thing with their kids, even though it’s hard, they have a really positive perspective about what they’re doing. And when the Wampanoag show up, some of them are moved to tears, the way that they’re viewing this little re-enactment experiment is deeply emotional, and deeply hurtful. And they make the point to the participants, you know, “You’re out here playing, but you’re re-enacting this moment, this kind of point of no return for people like us where we were about to lose our homelands, we were about to lose everything.” So I have students engage with a form they’re really familiar with, reality television, before they’re engaging with each other around these topics. And we kind of talk through how this is an iconic period in American history, the Colonial Period. And Americans throw around that word “colonial” like it’s a type of architecture or a type of clothing. Americans don’t really think about it as a system of oppression, even though a key moment of our history is throwing off colonial rule. And we talk about it, it’s the exact same experience. The people who are playing colonists aren’t there with evil intentions, they think this is like a summer learning thing. And they’re confronted with a community of people who can look at the exact same thing, and say, “No, this is actually really harmful. And here are all these things you haven’t thought about at all.” And it creates a really helpful moment because, of course, in an African American history course we’re going to talk about the American Revolution, we’re going to talk about the American Civil War, we’re going to to talk about westward expansion, we’re going to to talk about all sorts of moments that they probably have watched movies about, they’ve maybe read really celebratory accounts of, or just accounts that are just like, “Well, that was just meant to happen, that people moved westward, that just happened. And moving on.” That doesn’t account for other people’s experiences. So it gives them a moment to look around the room and say, “Oh, I might be sitting next to someone for whom a moment in American history that I’ve always thought was celebratory for them is actually a horrible thing to remember. And it involves all these other dimensions that they just have never been asked to think about before.” And so give students a moment because, of course, some of the people on the show get really defensive. And so rather than have them start to learn difficult things and get defensive with each other, they can actually talk about these people on the TV. So we get a lot of that out of the way before we get to, “Okay, now you’re reading a slave narrative, and you’re learning really horrible things. And you see some place names you recognize, when you get into it.” Now, we have this common text to come back to and say, “Oh, there are different ways to remember this. There are different perspectives about what exactly happened. And the version I learned has particular consequences.”

Rebecca: I really love the idea of having something to try on that conversation without it feeling like it’s actually a conversation about you. It’s safe to have a conversation about something that’s not you, like the TV show, as a way to work through those ideas, and deal with some of those emotions that you were talking about that certainly come up that make you be defensive about certain topics, potentially. I love that you have that grounding and shared moment with each other. I’m sure it actually helps make everything else be far more productive during the semester.

Vanessa: I mean, there’s a great moment where one of the participants says, “Oh, I never thought that I was being an imperialist.” And then inevitably a student of mine will say, “The name of the show is Colonial House. [LAUGHTER] Like, what did you think?” So then he kind of really gets it like, “Oh, you’re using these terms to describe, I don’t know, buckle shoes and funny hats and architecture, but you’re not thinking about, ‘Oh, I’ve re-enacting a process of incurring on other people’s lineage.’ Like, that’s what I’m re-enacting.” It’s not just churning butter. It is a lot of butter turning, but it’s not just that. [LAUGHTER]

John: I also really like that approach of letting people look at it through this third-party lens. We’ve talked about that in some other situations, where that’s really effective when their own personal emotions and feelings are not put at stake in the same way. But I imagine some difficult conversations will come up during your class. How do you help prep students to deal with those issues when someone is offended by something that someone else says because they weren’t considering other perspectives?

Vanessa: I try to… and this is some work that I do in the first few weeks before students, I think, are even really aware, because the first few weeks of class are all about setting the stage, not just material that they need to know, but also practices that I want them to engage in throughout the semester. So I begin to set up early a culture of common texts for the class. So that first documentary clip screening that I show, it becomes a common text. It’s the first day of classes, sometimes they think, ‘This is just a throwaway exercise,’ or ‘Dr. Holden is just trying to engage us or whatever.’ But I start to build into this culture of, we have common texts in this course that we go back to. Part of learning in my field, at least historical methodology, is work with historical sources. So I begin to build piece by piece that in this class, it’s less about you talking about your own opinions about things, and more about us discussing common sources and common texts. So I’ve had, of course, a number of situations. Sometimes it’s students speaking without thinking. Sometimes they are in the middle of having an emotional response to something, dnd so what comes out of their mouth hasn’t taken into account all the other things we’ve read. Sometimes though, I’ve actually had a couple situations a lot earlier in my career, where students are just trying to test me or test my knowledge or see if they can knock me off kilter a little bit by saying something just outrageous just to see if I’m going to take the bait or engage. And typically what I do is turn the whole class back to the common texts. So I had a student once make a really disparaging comment about a group of Thai immigrants who were actually being forced to do unfree labor in Hawaii on pineapple plantations, because we were talking about contemporary cases of unfree labor and slavery. And the student just off the cuff said, “Well, these people aren’t Americans, why should we even care about them?” Which immediately resulted in gasps for the rest of the class. And so I said, “Well, let’s answer that question. Okay, this half of the class go back to this document, this piece of the class go to this document, and this piece of the class go to this document, let’s interrogate this. A: Why aren’t these people Americans? How is it that people who are not Americans are ending up in this labor situation? B: What is the landowner getting from this? And C: What connections can we make? Why should we care?” And this took the wind out of this particular student’s sails, because I think they really hoped I was going to really go in and yell at them or say something out of pocket. And instead, it was up to their classmates. And what came out of that, A: Really made clear that the class as a whole was not going to accept this. And B: Got students back into the documents in a way that felt way more immediate, I think, than it would have if they felt like, “Oh, clearly everybody in class with us agrees that this is horrible.” And it also set up some expectations for appropriate ways to handle disagreements in class. I do that a lot. Teaching the American Civil War here in Kentucky is always interesting, because the Commonwealth did not secede from the Union. But it’s a very contentious topic. And what folks often know is what family members have told them or things they read themselves in historical fiction or more pop historical texts. And seeing the primary documents for the first time can be kind of startling with just how explicitly racist people of the 19th century really were. And so I found myself in a number of situations making clear, we’ve got to go back to the sources. And I’ll say this, my subject position in the classroom is something that I have to be very aware of, as a woman, as a person of color. Sometimes students expect somebody like me at the front of an African American history course or an African American studies course. But when I’ve taught broad U.S. courses, I’m not who they think is going to teach them American history. And it would be silly for me to not be aware of that. But oftentimes, that means my pedagogical practice has to be really transparent, I have to be really clear. This is what I’m asking you to read, this is why I’m asking you to read it, and this is what outcome I expect for there to be. And some students are surprised that I’m that transparent about pedagogical practice. But in a time and place where student evaluations are as biased as the research tells us, I think it’s really, really important.

John: This might be a good place to transition into a discussion of inclusive teaching practices. And one aspect of that might be that sort of transparency about what you’re doing in class and why you’re doing it. Could you talk a little bit about your philosophy of teaching and how you go about creating an inclusive environment in your classroom? Some of that has come through already, but what are some other specific steps you might take?

Vanessa: Sure, I approach my classrooms as a collaborative space. Of course, there’s a power differential, and my job as a professor is different than students’ jobs as students. But I find that, actually, the more transparency, the better. So clearly laying out expectations, but also being really clear about what my expectations for myself are. So students are often surprised that I’m pretty upfront, “Here are the ways that I am available to you. And here are the ways that I can help you outside of those hours I’m not available to you.” Modeling healthy boundaries around what is my obligation to this course, allows them the leeway to say, “Oh, one of the things I need to do is set up what my boundaries are around my coursework.” [LAUGHTER] I’m very clear. I don’t expect that you are only thinking about my class all the time. So you should just know that that’s not an expectation I have for myself. So let’s talk about the times when I am thinking about this course. Beyond that, I offer them as expansive a menu as possible of inclusivity policies. And I think when students think about accommodation in class, they often think only of visible disability and that’s it. And so in my syllabi, in my first day of class presentation, I make super clear that anybody can be eligible for accommodation, and the ways to go about advocating for that for themselves, that there are processes involved. So I mention everything from care responsibilities, I have a number of students who are parents, I mention military service, I have a number of students who are in ROTC, or they’re in the National Guard. I talk to athletes in my classes. I talk to students who may be figuring out for the first time that they have learning needs that are now becoming apparent in their first year of college, they just, it hasn’t been diagnosed, it hasn’t been looked into, tested, treated, all those things, and then give them all the resources I possibly can to access those services. And I’ll say that it actually lends itself to really good classroom management, because it opens the door for students to talk to me early and often. I can’t tell you how many times I have students who are parents that are surprised that I note care responsibilities, particularly for young children. And I just say, “Look, as your professor, obviously I can’t help you with the direct physical care of your children. But when a two year old has an ear infection, they have an ear infection. So here are ways you can get in touch with me, here’s how we work on how your assignments work. This is something you can bring up to me as a mitigating circumstance for assignments.” I also bring a sense of, and this is where common texts come in too, that nobody’s joining the course because they know everything that we’re going to cover already. That everybody is at a space of learning and a space of growth. That this classroom is an opportunity to ask questions, it’s an opportunity to sometimes get things wrong, it’s an opportunity to be called in about various prejudices you’ve never really interrogated before. And to really set up the expectation that what’s important is not that you know all the right things to say every single time. But what’s important is that you’re open to learning, and that you’re open to understanding. And I think that setting up that environment as collaborative is really important. That it’s as much about the questions that they ask as the lecture terms that I talk about. To really be clear that students have agency in their own learning process. And some catch on, and some lean in and some don’t, that’s just the nature of classrooms. But affording them that agency then has resulted in some really fascinating takes on the material I have to cover.

Rebecca: So one of the things that you’re describing, Vanessa, is in your classes, students are doing history, right? [LAUGHTER]

Vanessa: Yeah.

Rebecca: No matter who they are, they’re doing the practice of history, because they’re looking at primary documents and things. But we also know that there are students who may not come to a particular class or a discipline because they don’t see themselves represented or people like them representing the field. How do we help to bring students in through the door, and also keep them there, so that we do have a wider perspective in each of our disciplines?

Vanessa: I feel like I’m really fortunate because I end up with, at least in my African American history courses, I end up with a pretty self-selecting population. So, typically, I end up with students who already have some subject interest in African American history. So they’re not particularly surprised, for example, that we’re going to talk about slavery at some point. In my general American courses, then that can be a little hit or miss. But in my AFAM courses, students tend to, like I said, expect somebody who looks like me at the front of the classroom, expect to talk about these issues. Something that I find is that students often arrive on campus with a pretty limited view of what’s available on university campuses. There are some majors that have professions directly related to them. So they know if I go pre-med, then I’m going to become a doctor. That’s a thing. I know what that is. If I major in history, there’s less of a clear, professional path. And that’s true with a lot of the majors that are available on university campuses. And we know from this side of the desk, like, “Oh, no, there are all these applications for all these different types of inquiry. They’re all these different ways to think about the world.” But students often are just trying to figure it out. And I just find a lot that students don’t realize what can be known, if that makes sense. They’ve taken history courses, because they have to in high school. They can be pretty cursory. And that’s not the fault of educators, it’s often the fault of a whole other set of mitigating things like standardized testing schedules and what textbooks are available and these sorts of things. I know I was told frequently growing up that the kinds of things I was interested in in U.S. history, just couldn’t know them. They just weren’t knowable. There were no sources for that. So I think sometimes when I go to these major fairs, or I’m trying to reach students at our black students center and say, “You know, you could take whole courses on this.” Some of it is just about showing up in spaces where students are already, being visible on campus. I’ve gotten more interest in my classes just walking through the classroom building and having students say, “Wait a second, who are you and what do you teach? I didn’t even know that there were black professors in the history department.” Meanwhile, we have like eight tenured black professors in our history department. So not just assuming that students know what’s available to them. I also think there’s something to be said for university advising. This is different at every institution, but the sorts of courses that advisors are slotting students into sometimes has way more to do with whatever the core curriculum demands. So for example, now that my African American History course to 1865 is part of our core curriculum, I know that that’s going to get that course in front of the eyes of way more students, and students who would have self-selected into the course, had it been part of that core. And so I also think that there’s something to be said for really solid intro course teaching, because that’s the place where you can really capture students’ interest and give them a sense of what’s available to them.

Rebecca: It’s also the place where we often rely on part-time faculty, it’s a different experience, often at the first year, not always, but that happens more often than not that introductory classes may be taught by faculty who aren’t there all the time, or who are new to the field. And not that that’s a bad thing, necessarily, but it’s not always engaging students with the people they might be working with as they go through all four years.

Vanessa: Well and I think students have really very real and understandable considerations. I know at my institution, a lot of our students, they’re very career minded. We have a number of students who come from economically disadvantaged backgrounds, they do not have the extra funds to just play around in elective courses, they’ve got to get things done. I get it, I understand. I’m not going to disparage them for that. That makes a lot of sense. So sometimes the kind of exploratory moment of, “Well, who’s in what department? Do I see myself in this? Is there a way that I can learn the histories that apply to me?” That’s not the priority. And I get it. I think, as a faculty member, and I’ve talked to my colleagues about this too, what we want to pivot and do, really, with real intention is find ways for us to serve students better with the kinds of offerings we make. And that has meant actually putting in the time and the paperwork to make sure that our courses fulfill particular requirements. We’re in our first couple of years of having an African American Africana studies major at U.K. We had a minor for a while, and now we have the critical mass of black faculty to really provide an Africana course progression in the history department. And so these things really do matter. And I think as faculty, that’s also something to think about when we’re advocating. I’ve seen, I don’t know how many job ads for scholars of color, for research areas around minoritized people, and that’s fine. But it really does take more than one person to step in. To really serve a student population, you really have to have a whole constellation of folks. And so tackling issues of diversity and inclusion on this side of the desk are super essential to tackling those issues for our students.

Rebecca: So I’ll be your next student, I’m going to sign up. This sounds like a really good course to take. [LAUGHTER] I’ll be moving.

John: I was thinking throughout this that Vanessa and I worked at the Duke University Talent Identification Program for several years, and I never got a chance to sit in on any of her classes. And I was just thinking, I wish I could do that now.

Vanessa: Oh, man, I was a baby. He met me when I was a rising junior in college.

John: At first, but I think you also did it into graduate school, didn’t you?

Vanessa: Oh yeah, yeah and I did teach some of my own courses, which was a lot of fun. It’s always fun in the humanities, because it’s this area that I found students, particularly students who are slotted into the gifted track, they end up doing STEM things, sometimes the social sciences, sometimes, but they found the humanities challenging in ways I don’t think they expected because you can’t evaluate them in the same way. And they were just so much fun. So much fun to work with.

John: Now, you went to SUNY Buffalo in 2020, as this visiting scholar. It may not have been the greatest time to be able to do as much outreach and meet quite as many people. Could you talk a little bit about your experience at the start of this pandemic?

Vanessa: Sure. So a couple interesting things that were just happenstance because, of course, we couldn’t have possibly seen any of those coming, except for in a broad sense that like pandemics are possible. But what that would even look like most people didn’t really think about. So two things. So in 2018, I agreed to develop an online course for African American Studies, as a part of a graduate certificate program in diversity and inclusion. It’s an accelerated course that runs for eight weeks. And it’s exclusively online and asynchronous. And so back in 2018, I said, “Oh, yeah, yeah, I would do that.” I developed it over the summer of 2019. And then ran it for the very first time spring semester 2020. And ironically, it wrapped up right at spring break, just in time for everything to shut down. And then the other course I had was full of senior seminar papers that now they couldn’t leave their houses, let alone go to archives, it was a complete mess. So I have this completely online course. I did all of this work, thinking through asynchronous pedagogy and thinking through… How would I cover an intro to African American studies that quickly? How do I make sure that the rigor is at a graduate level, but also accessible to undergraduates? And I put in all this time and work. And now for the first time since then, I’m actually going to teach that course the second half of this semester. But I’ll be interested to see for students what the differences are, because initially with the course, actually, the learning curve for students was pretty steep. I think there’s an assumption that students, at least before this pandemic, there is this assumption that students just are born with devices in their hand, and they just automatically know how to use whatever random teaching platform exists. Honestly, this move to more online teaching, or even platforms like Blackboard or Canvas. What you make available on those platforms, there’s a whole sharp learning curve for students, they don’t necessarily know the functionality of the Canvas website, and they don’t know where to find things. And you really have to teach them to use the course, if that makes sense. And so I’ll be interested to see if there’s any difference now that the students that I’ll most likely have in this course will have had, at least part of their education has happened online, remotely during the pandemic. I’ll be interested to see if they’re more adept at it, or if it feels too demanding, because it’s assuming conditions of a different time and place. So we’ll see. It’s designed to be really, really flexible, because it was designed for people who this is the one thing that they’re doing this semester towards their certificate, and they might have a full time job or whatever. The other thing about the start of this pandemic is in 2019, I got invited to apply for this program at Buffalo. I moved to the University of Kentucky from another institution. So even though I was going up for tenure, I wasn’t eligible for sabbatical yet. So I knew that if I wanted some time away, I had to go find the funds somewhere else. So this was a great opportunity. Looked like a great time to get involved in a different intellectual community. And I knew western New York was gorgeous. And it was like, “Yeah, this will be wonderful.” And then the pandemic happened. [LAUGHTER] So I moved up to Buffalo and I spent time in Buffalo and came back and forth to Kentucky. It’s actually only eight hours by car between the two places. You know this but Buffalo’s about as far west as you could get without being in Canada. And yeah, Buffalo is such a cool city. And I got to experience none of that. [LAUGHTER]

Vanessa: I did eat wings while I was there, and they are better. They’re different there than they are other places. And I had a lot of great colleagues. But there just wasn’t the opportunity for the kinds of collegial bonding or collaboration. My cohort was wonderful. And I was putting the finishing edits on my book. It was really good for me to have that time out of the classroom, sort of dodged dealing with early pandemic stuff. I will also say that New York’s approach to the pandemic, very different than Kentucky’s. Initially in Kentucky, we had a lot of really common sense measures around safety in the pandemic. And that eroded pretty quickly in ways that New York was way more cautious. City of Buffalo was way more cautious, for example I had to quarantine for 14 days every time I left the state and came back and I experienced two different types of availability of testing. In Kentucky we had really good testing really quickly. Experiencing the pandemic and two very different states was a little bit of reality whiplash. I felt like I was beaming down to a new planet each time I would go from place to place. And then I experienced that again, just this fall, I gave a talk at my graduate alma mater at Rutgers and I got off the plane in New Jersey, it was like I was on a different timeline where the pandemic was still happening, versus Kentucky where very few people wear masks in public and mandates are few and far between. So it’s been a wild ride. It was a really weird time to have a fellowship like that. I think I still got quite a bit out of it. And I enjoyed my time up in Buffalo. I really wish that it had been a non-pandemic time. And I did get to go to Rochester and see Susan B. Anthony’s house and Frederick Douglass’s grave. So I felt like I got to have my one big field trip, but I’d have been doing a lot more field tripping had I been there any other time.

Rebecca: Definitely a weird time to be doing things. [LAUGHTER]

Vanessa: Yeah, just figuring out travel in general. We had pretty early access to vaccines in Lexington, and so I was vaccinated relatively early, but New York did not. So I would go from an area where the city has really high vaccination rates to then New York where they just were not available yet.

John: Interesting times.

Rebecca: Yeah, definitely.

Vanessa: I told my students sort of jokingly, “History is way more fun to study than to live through.” [LAUGHTER] We’re all ready for some precedented times. It turns out, yeah, living through a historic global pandemic, not fun, not a fun time. And they all chuckled. That’s why I always sort of scratch my head when people find out I’m a historian and they ask me, “Oh, well, what time period do you want to live in?” And I’m like, “Oh, yeah, no I’m good. We’ve got enough going on right here. Yeah, I’m good.”

Rebecca: Well, we always wrap up by asking, What’s next?

Vanessa: So it is been since the 1930s, that we’ve had a synthetic work about slavery in Kentucky. And so currently, I’m the Director of the newly started Central Kentucky Slavery Initiative. It’s a project to both tell the black history of our university from its founding in 1865 to present, and a multipronged research initiative to study slavery in the bluegrass. So we’re working on a history of African Americans in Bourbon with one of our partners right now. We’re working to make some public documents more accessible to community members. In collaboration with and partnership with our local county clerk’s office. We have a number of research projects going on African American contributions to the University of Kentucky. And my hope is to take really the broad range of research that’s happening across a project right now, and do a project on slavery in Kentucky. It’s famous for being one of the hubs of the internal slave trade, but the depth of knowledge about that sort of stops there. So I’m going to do work where I’m at and delve into this archive. I’m a Virginia specialist, and when I got here I was bowled over by the amount of material that still exists here. In Virginia there are a lot of burnt counties, because lots of cities were burnt to the ground in the American Civil War. But this place didn’t secede, so they have all of their documents. And I think it’s really powerful, particularly for descendant communities, to have a lot of what they often already know from oral histories and community historical memory, acknowledged, preserved, and presented in accessible ways. Not just for researchers, but for community members, for communities that have their roots here, but have moved on to other parts of the country. So yeah, I’m Kentucky focused and the Bourbon project doesn’t hurt. I’ll say that’s one of the perks of living here.

Rebecca: Sounds like a great project and a really worthwhile endeavor and a good way for us to be thinking about the different spaces we live in, and the records that are kept, and what’s here and what’s not.

Vanessa: Yeah, I try to keep things as local as possible wherever I’m teaching. Because if students can recognize street names, or they recognize names from buildings in the work that we’re doing, it just makes it feel so much more present.

John: Well, thank you. It’s great talking to you again, and I really enjoyed reading your book Surviving Southampton.

Vanessa: Thank you. Thank you.

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John: If you’ve enjoyed this podcast, please subscribe and leave a review on iTunes or your favorite podcast service. To continue the conversation, join us on our Tea for Teaching Facebook page.

Rebecca: You can find show notes, transcripts and other materials on teaforteaching.com. Music by Michael Gary Brewer.

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John: Editing assistance provided by Anna Croyle, Annalyn Smith, and Joshua Vega.

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226. Rooted Jazz Dance

Our disciplinary practices have histories that are important to acknowledge and share with our students. In this episode Lindsay Guarino, Carlos Jones, and Wendy Oliver join us to discuss jazz dance, its roots, and how instructors can decolonize the curriculum.

Lindsay is an Associate Professor of Dance and Chair of the Department of Music, Theatre and Dance at Salve Regina University. Carlos Jones is a Professor of Musical Theater and Dance and Associate Dean of the School of Arts and Sciences at the State University of New York College at Buffalo. He is also a performer and choreographer whose works have appeared on television, film, and regional theater. Wendy Oliver is a Professor of Dance and Chair of the Department of Theatre, Dance and Film at Providence College. Lindsey, Carlos, and Wendy are co-editors of Rooted Jazz Dance: Africanist Aesthetics and Equity in the Twenty-First Century.

Shownotes

Transcript

John: Our disciplinary practices have histories that are important to acknowledge and share with our students. In this episode we discuss jazz dance, its roots, and how instructors can decolonize the curriculum.

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John: Thanks for joining us for Tea for Teaching, an informal discussion of innovative and effective practices in teaching and learning.

Rebecca: This podcast series is hosted by John Kane, an economist…

John: …and Rebecca Mushtare, a graphic designer…

Rebecca: …and features guests doing important research and advocacy work to make higher education more inclusive and supportive of all learners..

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Rebecca: Our guests today are Lindsay Guarino, Carlos Jones, and Wendy Oliver. Lindsay is an Associate Professor of Dance and Chair of the Department of Music, Theatre and Dance at Salve Regina University. Carlos Jones is a Professor of Musical Theater and Dance and Associate Dean of the School of Arts and Sciences at the State University of New York College at Buffalo. He is also a performer and choreographer whose works have appeared on television, film, and regional theater. Wendy Oliver is a Professor of Dance and Chair of the Department of Theatre, Dance and Film at Providence College. Lindsey, Carlos, and Wendy are co-editors of Rooted Jazz Dance: Africanist Aesthetics and Equity in the Twenty-First Century. Welcome Lindsay, Carlos, and Wendy.

Lindsay: Thank you.

Wendy: Thank you.

Carlos: Hello.

John: Our teas today are… Carlos, are you drinking tea?

Carlos: I am, I’m drinking chamomile.

John: Very nice.

Rebecca: Nice and relaxing.

Carlos: Yes.

John: Lindsay?

Lindsay: I have a big tall glass of ice water. Exciting. [LAUGHTER]

Rebecca: But energizing.

Lindsay: Yes, it is. Refreshing.

John: A nice ice water on a nice cold wintry day here in upstate New York.

Lindsay: Yeah, right? [LAUGHTER] It’s cold here too in Rhode Island.

John: And Wendy?

Wendy: I’m typically drinking jasmine tea.

Lindsay: [LAUGHTER] How appropriate.

Rebecca: Typically? Hmm.

John: Typically… but today?

Wendy: Meaning my cup is empty.

Rebecca: Oh, no, that’s so sad. [LAUGHTER] And I have English breakfast tea.

John: And I am drinking, and I think a first, the same as you: English breakfast tea.

Rebecca: John and I never drink the same kind of tea.

John: It’s a matter of principle. But this time we didn’t have a chance to coordinate that. [LAUGHTER]

Rebecca: Yeah, we’re not in the same place. So we’ve invited you here today to discuss your new book, Rooted Jazz Dance: Africanist Aesthetics and Equity in the Twenty-First Century. Can you tell us a little bit about how this project came about?

Lindsay: Wendy and I co-edited another textbook called Jazz Dance: A History of the Roots and Branches that was published in 2014, and Carlos was a contributing author to that book. That particular book really positioned jazz within its roots. We went to great lengths to study the history of jazz from its roots in West Africa, and then looking at the continuum and the things that impacted the continuum. The conversations that emerged from that book were readily acknowledging the roots of jazz. Many people previous to that time weren’t necessarily saying the roots of jazz were West African. They maybe had that knowledge, but it was just not central to their teaching, or to the discourse in general. The conversations really shifted to look at: “Okay, now we know that the roots are here. We know that this is because of enslavement that we got jazz to this place, that it’s embedded in our American culture, but what do we do with that as practitioners? As teachers? As educators? How can we make sense of that in the classroom? And how can we have the tools? Especially, I myself, as a white person, how do I do that responsibly?” So I remember distinctly Wendy and I having a conversation, we went out and had coffee and lunch, and I pitched her this idea for a new book, and in that conversation, we were like, “We need Carlos to do this with us, or else this book can’t happen,” and I think Wendy emailed Carlos, and Carlos was like, “Yeah, I’m in,” and the idea was born, it was that simple.

Carlos: Yup.

Lindsay: Am I missing anything there, Wendy?

Wendy: I think that was a great summary.

Carlos: And I said, “Yes!” And off we ran.

John: So how did you select the contributors for this project?

Wendy: Well, many ways. I think we started by inviting people from our first book, who are all jazz experts, to submit an abstract for this book. We knew that this book was going to have a different frame of reference. So we weren’t automatically going to keep the same authors, but we invited them to give us their ideas. Then we were in the midst of making an outline for the book because we didn’t want to just have an anthology of random articles about jazz dance. We wanted to have it make sense and have a particular pattern that led somewhere, that had a logical progression, and we did that. I think we must have revised our outline about 10 times at least, right?

Carlos: [CHUCKLE] Yeah.

Wendy: What we did was we looked at the abstracts we had and then if they didn’t all match up with our outline, we posted a call for authors on several websites where professional dancers congregate, and we were able to find people that way.

Rebecca: Can you talk a little bit about how their traditional approach to teaching jazz might mislead students about the origins of jazz dance and why this book is so important?

Carlos: Well I think that most of us have learned jazz dance, either through, initially a studio system, meaning private studios, you know, go to class, take your children to class. Then moving through the academic system, higher education, particularly if we are getting degrees and moving forward. And what has been traditionally or typically taught throughout all the years, is a version of jazz dance that did not embrace, or incorporate or use rooted material. And if it was, it wasn’t specifically identified. That has been the really, by and large, the large expanse of that. Even, I would say, to what most people see presented either in television, film, on stage, what you would see has no real connection to the roots of where it began. So, that teaching of that jazz dance, many of us have experienced that. It’s not until you have these personal investigations, as we’ve done, to really go back and go, “where does this come from and how did we get here?” …do you then start to unearth all of that that’s happening. Now, that’s not to say that rooted jazz dance wasn’t going on, but it hasn’t necessarily been mainstream, or given the platform or the space to be seen and carried and moved forward. And there are many layers to how that has happened. I would say that is how the traditional approach to teaching it has happened in our country since, I’m going to say, you know, the mid-20th century, when it began to be popular and began to be used as a commodity that shifted it and changed. So there was a split in who owned it and who moved it forward. The voices that carried it forward or have the means, capacity, power, etc, to move it forward, moved it forward without acknowledgement of those people that were the innovators in the beginning, which were primarily African American people and it was rooted in African aesthetics. So that is the training and the teaching that has happened throughout.

Wendy: Also in higher education, the dance departments were predominantly oriented around modern dance in the early part of the 20th century and jazz dance wasn’t really part of the curriculum at all. So it was pretty much ignored in colleges and universities for a long time. When it did become more popular in higher education, probably in the late 70s or so, I think the kinds of jazz dance that were being taught were mainly from a white perspective, rather than a black perspective and the majority of people teaching in higher education (not only in that time but also today) are still white. So that really skewed the presentation of the material.

Lindsay: Also adding on to that, one thing that is worth noting is when you look at jazz music, where that’s situated within academia, jazz dance never found its grounding in the same way. So jazz music has been part of institutions for decades now. There’s festivals, there’s conferences, there’s journals, there’s all this energy around jazz. It also goes without being said that it is also moving towards whiteness. The very act of putting jazz music in the academy stripped jazz music from its black American culture, and from a place where it’s social and communal. And although there have been movements in a direction that is honoring the black American roots within music, a lot of the jazz music programs in academia are more white than black. When we look across the whole spectrum, we have jazz music, which has been growing and increasing in stature over the years. For some reason, jazz dance never found its foothold. It just became marginalized over time, and we make that very direct connection in the book to racism. Jazz reflects racism in America.

John: For our listeners who are not as familiar with the history of jazz dance, could you provide a little bit more information about where jazz dance got its start?

Carlos: Ok. Wooh, this is so dense. So in the interest of time, I’m going to try to move through this very quickly. There’s no doubt that enslavement, and the movement of Africa migrating to the country, came in contact with other cultures, and that is the birth of jazz. That happened because of exchange of ideas and so forth. You really can connect it back to early spirituals, because of all that communal, and work within the family unit and the soul and the spirit, and joy. And then connect it into early forms of entertainment in terms of minstrelsy, and Ragtime involved and moving forward. As it evolved, and we get to what we know is jazz, true jazz, which is coming into the early 20th century. And we have that explosion, and you get to the 20s, and Harlem Renaissance and all this stuff. It is amalgamation of all those experiences up to that point. So that jazz, that movement that occurred and that happened, speaks specifically about jazz movement, dance, comes out of that. It’s birthed out of that experience of African Americans who are having the opportunity coming off of the late 1800s, and so forth, and have an opportunity as we move into the 20th century to explore and be and have a culture that is vibrant. Their communities where now they’re growing in education, and they’re having all these experiences. So they have these places where they dance, and they can go and be free, and be in their own environment, which many of us have heard about… those nightclubs, and the Savoy ballroom, all of that jazz stuff happens there. And that’s when the innovation aligns with the music and it goes, and we build these steps which we call rooted, that are happening, swing, lindy, etc, going that way. What happens is, as our country begins to love it, and it’s massive, and everybody’s enjoying it, and there’s opportunity to make it into a commodity to sell and be commercial. And we put it into platforms, as I spoke before, television, film, musical theater at that time. And then there became a few people that decided it needed codification: to teach it, and train it and move it forward. As they did that, they began infusing Eurocentric forms: ballet, etc, and so forth. That primary space of that, and I’m talking about jazz dance, again, the movement, actually factors it, that’s what we call the continuum now, because we live on a continuum of the jazz dance and what it looks like… fractures it and begins to have all of these offshoots of what people call styles of jazz, as it fits that venue. Musical theater, jazz, commercial jazz, club jazz, these things are happening as people start infusing other things on top of it. That’s what gets translated forward, and we started teaching it in studios and we started teaching it in different ways, but what gets left behind in that process, are those rooted African-American and Africanist aesthetics. That gets left behind in favor of these other things, which seem to be, for lack of a better term, more refined. And so we move that technique out, and now we’re seeing something that looks more akin to ballet, or modern, or other things, and it gets commercialized and moved into other forms. And also, our music changes. So we’re going into the late 20th century, and our music changes, and jazz music goes one way, and as we electrify a little bit more, and rock and roll, and soul and all that comes in. So jazz in a social form, jazz dance, as we sell it, in our commodity, follows that path. It leaves jazz music and follows that other path. So what you see today is that… stuff that was created, so that we fit in Broadway musicals on a Broadway stage. That does not necessarily mean it held on to the roots, or something that is in a commercial, or something that you see on TV, or even on the concert stage. So that’s a real quick sort of pathway. Again, it’s more detailed, and we have this jazz tree in the book that you can look at that really talks about all that. It really illustrates how it fractures out.

John: And there happens to be an excellent book on that coming out very shortly. [LAUGHTER]

Carlos: Right, exactly.

Lindsay: I was going to add, Carlos, the tree is such a helpful analogy for someone that isn’t familiar with jazz because the tree shows the roots in West Africa, but then the influences that come in later are European. But then there’s also all of this movement because of the Diaspora, the way that the enslaved were bought and sold across continents and through the Caribbean, into South America, into the southern part of North America. Then from there, the very core, the trunk of the tree, all the way from the roots till today is still situated in blackness. And as you get into the branches, that’s where we see these European cultural ideologies that are really centering other forms and decentering the black American roots.

Carlos: And that’s really important to really note what Lindsay just said because what happens is, and this cycles back to the question you just said earlier, where we have been giving tribute or homage or paying close attention to are the branches, versus the trunk and the core.

Wendy: And in that image of the tree, we also included dance forms like tap and hip hop, which aren’t exactly the same as jazz, but they come from the same roots and the same trunk of the tree.

Carlos: Correct. In fact, early tappers were called jazz dancers, because they danced to jazz music. They just had rhythm on their feet.

Lindsay: Those histories are one and the same. And I think what’s also interesting for us is the way that we carry this type of embodied history in us. And as we’ve made our own efforts to decolonize the knowledge that we hold in our bodies, that’s equally as important as discussing the history and the theories and all of the things. So how can we dismantle these ideologies? How can we interrupt the conventions that reflect something other than what the rooted core of that idea is, what the essence is? And I know for myself, when I was working on our first book, I really started questioning… oh, this thing that I’m teaching in the studio is really centering white American ideology. And I had to strip away a lot of the layers because I knew it was there, I was taught all of these things. It just wasn’t at the center, it wasn’t at the forefront of my practice. And so I think that those are the conversations that we keep having are, “How do you get to the essence?” And that’s also, I think, where the elusive, transformative, transcendent power of jazz is. So the closer we get to that, I mean, that’s the juicy part.

Rebecca: The tree image is really useful for people outside of the discipline, as was a personal story that was shared on a recent podcast episode of Rough Translation by LaTasha Barnes in an episode titled “May We Have This Dance?” where she talks about exploring the Lindy Hop that she had learned in her family. She’s a professional dancer, and then traveled to Sweden to learn Lindy Hop. And she was kind of like, “Why am I doing this?” And so hearing that story not too long ago, and then hearing your description of the branch really brings that all to life in an interesting way.

Carlos: I think I would say too that, by the way LaTasha is also a contributing author in the Rooted Jazz Dance book, but that was so poignant for me, because I think that is the experience of many people, particularly African Americans, because you would think that we would understand and be perpetuating moving forward the experience and the rootness of our ancestors. And that maybe my fellow authors who are white, had different experience in, as Lindsay said, decolonizing their body and their training experience. But that’s not the case. I had to do the same thing too, because what I was taught as I moved through, was through the lens of whiteness, and that’s all I knew. And so I knew that it existed like LaTasha did, and I had that experience in my family, but it was something over there. That wasn’t what I needed in academia. And that wasn’t what I was asked to bring forth in academia. So it was like learning a whole new language and leaving a part of me out. And It wasn’t till then I went back in to re-investigate, when I finally really went back and invited it back into my life, went, “Oh, that’s what I was missing. I left a part of me away.” So I think that that is very much all of our experiences, regardless of cultural background.

Lindsay: And the irony with that, is that there is this dance form that’s an indigenous American language here, and yet, it’s been marginalized in a way that, we’re placing value on a form that’s coming from a different country. We have this form that, like Carlos is explaining, that’s rooted here, it’s rooted in our very American experience, and yet, we value other things.

John: How does this affect the students who are learning dance? You’ve talked about this a little bit, Carlos, but in general, what’s the impact of having this misappropriation of the roots of jazz dance on the students who are studying it?

Carlos: Well, I think the impact, depending on where you look at it, first of all, the art form continues to move forward without all the information. And so you get more, more, more, more of those branches and black fracturing out. So that’s one of the impacts. I think, for the student, although they may not know this, they have missing information. And we want students in education, regardless of your field, regardless of your subject, to have inquisitive minds, and think and ask questions and have full information, not a single information. And I think that, in line with how we’re looking at education across the board, about decolonizing classrooms, having inclusive practices in our teaching, gives us more information, even to students where the information may not be the primary culture. If you’re always only studying about you, then you are sort of myopic in your space. So I think that’s what it does with jazz dance. And I think they lack richness, and what they can then produce and teach and move forward because again, they only have part of the information. So I think that’s some of it.

Wendy: I think this relates to the topic of whitewashing, where you get incomplete information. But it’s not just that the information isn’t complete, but the power structure is such that all of the glory and credit goes to white people for making an art form that really began with African American culture. So the problem isn’t just missing information, it’s how the imbalance of power and how some people got credit for something that was perhaps not only inappropriate, but it was misleading in a very negative way. And now we’re having to correct the problem. So I think it was harmful to our dance community to not have these things out there on the table, because now we’re having to go back and say, “Uh! We got that one wrong, we got that one wrong,” and make amends to the best that we can. But the problem is that jazz dance has kind of run away in a certain direction. If you look online under the term jazz dance, you’re probably not going to see a lot about the Africanist aesthetic, unfortunately. So the preponderance of dancers believe that jazz looks a certain way, and that way is more balletic, more white. And that’s a problem because what those dancers are doing is something interesting, something that could be very artistically valid, but it’s not really what jazz is or was.

Lindsay: One of the things I think students struggle with, there’s that initial, like, they’ve been deprived of knowledge. They come into higher ed and all of a sudden they’re learning things that they had never been taught before, and they didn’t realize the things that they didn’t know. So oftentimes that’s met with just shock and some anger even, but after that, for me and my teaching, sometimes it gets a little bit messy. For some students, they really take ownership of that and run with it and they want to be responsible, and also innovative, recognize that jazz isn’t this thing that happened in the past, and to do it today we need to be anchored in this era, we can move it forward and still be responsible. And this is resistance that… I don’t know if resistance is the right word, but we’ve encountered this even within our jazz community of dance educators, where there’s the questions that come up about, “Well, maybe I shouldn’t be doing this form. What is my role? If I’m not African American how do I engage with this art form that wasn’t mine to begin with? Where does ownership lie? What does it mean today, to not be black and to participate in this?” So it’s prime time to have this conversation. It’s not only relevant, it’s necessary, and I think it’s ultimately where we need to go as educators to be more inclusive in our spaces and recognize the needs of our students.

Rebecca: One of the things that was really standing out is something that Carlos said earlier about the personal, cultural, and familial experience of feeling other, like outside of. And maybe a need to help students recognize that their personal experience is valid and an important part of how they interpret and understand what they’re learning and that it belongs in the academy. It’s not that it doesn’t belong here, but historically, in many fields, like we’ve said, your personal experience is not relevant to this ivory tower in some ways. And something that, Lindsay, you’re saying that is resonating with me is also thinking about what it means to be a steward of a particular kind of cultural form. I’m a visual artist, so many of the things that you’re talking about resonate with me in a similar way, it’s just a visual form that I tend to work in.

Wendy: I’ve just been reading a book about culturally relevant teaching in dance. It’s Nyama’s book, McCarthy-Brown, and there’s a whole section on, for instance, how to teach ballet in a culturally relevant way. It’s a white art form, but maybe your students are predominantly non white. What do you do with that? How do you make it relevant? And a lot of what she has to say about that whole project, and not just in ballet, but in all dance forms, it’s really about getting to know your students and understanding where they’re coming from culturally and allowing that to be part of the curriculum in some way, shape, or form. So I think for jazz, for some people, there may have been black vernacular dance in their growing up. And for others, it’ll be something they’re not at all familiar with. So it could be an interesting exchange amongst students and with the teacher’s guidance.

Lindsay: Rebecca, I was just going to say to that point you made, you had alluded previously to the LaTasha Barnes NPR podcast. And she used that term, “cultural surrogate,” and I just thought that that was so perfect for what we do, especially as a white person, you’re carrying this form with respect and honoring the tradition, but knowing that, for me, these aren’t my elders, my ancestors, and recognizing what the role of my ancestors possibly was.

John: This discussion seems to be part of a broader issue in which we see a lot of whitewashing of much of the curriculum in all academic disciplines, where the focus tends to be on the supremacy of Western cultural traditions, Western Europe, and so forth. Should people in all disciplines focus on decolonizing the curriculum within their disciplines?

Wendy: Sure. Well, there’s so many diversity, equity, and inclusion efforts right now, on campuses across the country, that I believe that administrators in higher education, even college presidents, have finally realized that we cannot move forward in the 21st century without doing that, exactly what you said. We need to do that across the college and across the curriculum. And I think colleges are taking this on, but it’s an extremely slow process, unfortunately, because it takes time to create new courses, get them through all the proper channels and approved, and then find appropriate people to teach them, and so forth. Plus, there’s the whole business of changing people’s minds about what the curriculum should be, because they’re so attached to… Oh, teaching all about the Greeks and the Romans and the beginnings of Western civilization, and, “If I have to teach about something else, some other continents, that gives me less time to do the things that I am familiar with,” and so forth. So I think people are having a hard time making the shift, and it’s probably not going to happen within the next five years, but it’ll happen over time.

Carlos: Yeah, I think that it is important that we look at it across all disciplines. I’m not so utopian in my thinking that it’s going to happen overnight. I do think it’s going to take time, but I also want to encourage people that I think that small things can happen soon, quickly, and you can make those efforts which can make a world of difference. And also, I like to look at the positive side of things, and as you can introduce something, I think people have a fear of it changing, or we’re not going to do it in its pure form. And I think you can support what needs to happen within that discipline, but have different viewpoints on it. And what I think that does is, it empowers people to take ownership with their own self within the space, which then helps them feel that there is a place for them, and then they have a better educational experience. I’m talking from the student point of view right now, “I’m engaged, I am important, I do matter. This is important and so I can be successful.” And I also think this is important to understand that because we see things from different perspectives, it doesn’t mean the object changes, and I think, Rebecca… artists, we look at it, we see different things, and I think that that happens, whether it’s English or math or science, whatever. We can see something happen from different perspectives, which is undoubtedly colored by our background and our culture and stuff. And it’s still what it is, we just see it from a different thing, and how do we articulate that and come up with the same message, but we all have a different sort of way of saying it. So I think that’s also what we have to realize… is when we are talking about being inclusive in our teaching and moving beyond that and decolonizing, we’re not saying, “Change it.” It’s how you recognize that people have different views of how they see it and experience it.

John: It’s enriching it, not limiting it.

Carlos: Exactly, exactly. Yeah. And how fun is that when you talk to someone and they say, “Well, I saw this,” and you go, “Oh, I never saw that.” Now you have two or three more ways of looking at it, and it’s still the same thing.

Rebecca: Carlos, you mentioned small things we can do. Can you give some examples of small things we can do within the classes that we’re in control of?

Carlos: Absolutely. I think, well, to go back to what I just said, in terms of how you talk about what you experience. We have had a tendency to say, “Okay, you’re going to answer it, and you’re going to answer it, and you’re going to do it in this way.” But maybe I am from a culture that we have a real, real, real big oral tradition. And so we’re very skilled at telling information or talking about what we experienced, or what is happening, or working through the process, because we always do that. So we can get to those finer details, through language, or through talking about it, as opposed to writing it down. There are different ways that cultures experience moving information forward. So you can make an exercise where you change up how we do it, and that will undoubtedly diversify, decolonize. Maybe it’s the music, maybe you’re doing it in music, or maybe you do it in art. I know that the African American culture likes singing and rhymes. That’s where the jazz comes from. So why not add that? Or allow someone to do that as they answer your question. Very simple. Something like that.

Rebecca: Lindsay or Wendy, did you have other examples of ways to improve the inclusivity of the classroom?

Lindsay: I would just say, representation matters. Look at the sources that you use. Are you using readings from mostly white scholars? What video clips are you showing? What information, what source material are you giving your students? Are you actually representing the students that are in your class? Do they see themselves in the work? And then I think that we also have to take responsibility ourselves, like… What is your positionality in relationship to the work that you’re teaching? What is your identity? And how can you be aware of your own identity in relationship to all the students in the room. I would also just add reach into the community and have the conversation. So I think that within our book, we have this community where we’re having these conversations around this work, but at my institution, I’m part of other cohorts where we’re talking about race, and teaching, and how we can be more inclusive and more anti-racist. And this work doesn’t have to happen on your own, it doesn’t have to happen in a silo, the action is more real, and you can be held accountable if you’re doing it within community.

Wendy: Just as an example, I’m teaching a section of a course which is beginning ballet, and I’m having students read three articles and write a paper on the articles. I was looking for articles that would talk about ballet in different cultures, and also with people who aren’t white. So I found something on the Final Bow For Yellowface, which is an organization that was created a while back, and it’s been working against stereotyping agents in ballet, particularly in the Nutcracker. And then there’s an article on a Latina dancer, who’s dancing in this country with a ballet company. And then a woman named Chyrstyn Fentroy, who was a black ballerina who wrote about her experiences in a top ballet company and how she was experiencing whiteness in that company. And all of these articles are just a way to say to students without even having to say anything… Look, a lot of different people do ballet. Ballet may have been a white form when it started, it is not anymore exclusively a white form. Here are some examples of people who have succeeded, and although there are still issues and problems within the world of ballet, it is much more open than it used to be. I mean, people do it all over the world. It can look different depending on who’s making the ballets and who’s dancing them. So there’s room for a lot of different kinds of people within even the supposedly whitest of dance forms, I think. And then with other dance forms, you can certainly do the same thing, just find ways of representing, as Lindsay said, who’s in your class, looking for ways to make sure that people know that their culture is represented in this art form.

Lindsay: And I would just add without making assumptions about people’s identities, I think it’s important to talk about their identities, and that’s something that I think maybe comes more naturally for those of us in the arts, where there’s a lot of self reflection and conversation that happens. But I think it’s really important from the beginning of this semester to talk about identity culture, and then not have to make assumptions about anyone in the room.

Rebecca: I found that one of the most interesting responses I had from students by providing different material for them to digest related to design was an article that had them look at the idea that some fonts and typefaces misappropriate other cultures. Their minds were blown.

Wendy: Oooh!

Rebecca: And they continuously over the semester kept bringing this up, like, they had never thought about that. It’s interesting how one very short article [LAUGHTER] can have such a big impact on the way students see something.

John: This book project came together during the neverending pandemic that we’re working through now. Could you tell us a little bit about what it was like putting this together and working on this during the global pandemic?

Wendy: Kind of like what we’re doing right now.

Carlos: Yeah.

Wendy: We all got on Zoom and talked. And then we went to a couple of conferences before Zoom, where we got to meet with people in person, but a lot of it was done on Zoom.

Carlos: Lots of phone calls.

Wendy: [LAUGHTER] Yeah.

Carlos: Lots of phone calls, and late night questions, and sending things back and forth as you edit, and you look at it. Yeah, a lot of that.

Lindsay: Also just the way that the pandemic, especially that March of 2020, to June, July of that year, how it forced us into isolation, but I think it also kept us connected. And it forced us to really deepen the work that we were doing, I can see the way it comes through in the pages. I’m not sure what the book would have been if we weren’t doing it in a pandemic. So I think that there are some aspects of it that allowed us to take really full and complete ownership of what we were doing. And, like I said, build within community because no one wanted to be alone during that time period and this was a way for us to stay connected.

Wendy: Also the killing of George Floyd was big. That really impacted our discussions as well.

Lindsay: Mmhmm.

Carlos: Yeah, I would say I think that some of the racial, civil unrest was actually a focusing thing because we began looking at the chapters and what people were trying to contribute, and it was a barometer for staying on task, like, “Well, no, that deviates out, this is where we need to be, because this is what we have to answer, and if we don’t answer that, we can’t move it forward.”

Lindsay: It really did crystallize some things though. I remember, Carlos, being on the phone with you one day, when we were having that conversation about how people were talking about the roots of jazz. And everyone says the roots are West African and European, right? And I remember us having that conversation where, “We’re not talking about the African American component. How can we be saying this?” That became a through line in the book, Carlos, right? And Carlos really pulled that apart for me and opened this whole channel where we were like, “We’re not talking about those 400 years in between 1619 and the jazz era, and that’s where the jazz happened.” So I think for us, it really did crystallize a lot of things and gave us permission to talk more openly about them.

Carlos: So I think that’s what the pandemic did for that. And as a side note, to bounce off of that, what I think is important to say is, that’s very important, because it’s very easy to be idealistic. It’s lofty to say, “It came from Africa,” or, “It came from Europe,” and have these places which are really wonderful, rich spaces for information, and we know that things came to this experiment we call America, United States. But what we often don’t talk about is what happened in that time, because it’s painful. But we have to talk about it because out of all of that pain was so many wonderful things that happened, so many wonderful things that happened. Jazz dance is one of them.

Rebecca: So we always wrap up by asking the very loaded question… What’s next?

Carlos: I think what we are excited about, and Wendy and Lindsay please jump in if I’m missing something, is moving this information forward. So immediately, the book is being released. How do we move forward? How do we have conversations like this? How do we keep having people have it and take it and move it forward? I think people are excited about getting into the curriculum and the class. So I think that that’s what’s immediately next… Can we keep this energy moving and having these greater, deeper conversations?

Wendy: I’d love to go to conferences with the three of us and present on the book. It’s not just about our work, I mean, a lot of other people wrote for the book, and I think there are a lot of good ideas in the book. Some of it has practical applications and could be used in the classroom, some of it’s more theoretical. And the idea is that if enough people in higher education and elsewhere begin to grasp these ideas, and get an idea of how to implement them themselves, that we could change the way jazz dance is approached across the country. I mean, that’s a pretty big ambitious goal.[LAUGHTER] I’d love to see us at least instigate that concept, so that eventually, everybody understands that the roots of jazz dance are West African, and that it developed because of a particular situation in our country. So eventually, hopefully, it will be taught in a fuller, more complete way.

Lindsay: There’s a part of jazz that is so personal, and this is actually something that came up in the book, where I remember at one point us feeling like some of the chapters just weren’t hitting home. And we were trying to guide the authors, and then we realized that there were just some places that people needed to talk in the first person. It’s not like our traditional scholarship, where we’re always distancing ourselves or looking at it from a distance, it really does need to come from that place of who you are, how you feel, all of those things coming together. And so I guess my hope is that, moving forward, people will take that ownership as an individual to go in the studio, and to figure out what jazz is, what rooted jazz is, in their own body, in their practice, but then also bring it back to the community. Because as much as jazz is about individuality, it’s also about community. So how do we bring that back together, and grow as a community with some shared values and shared understanding?

Carlos: I think that even cycles back to an earlier question you had, when you were talking about how we decolonize or be more inclusive. And traditional scholarship and those working in diasporic art forms or diasporic information, Africana Studies or philosophy or whatever, the scholarship hasn’t been viewed in the same light as something else because it is different, the viewpoint is different. As Lindsay said, it’s personal, it’s about that journey, because, talking about jazz dance, that is the birth of it. It was about how we experienced it as a community, and how you shared that information when you hit that dance floor at any of the clubs, ballrooms, Savoy, whatever. How you shared that, and what information and electricity happened there, that is the essence of it, it is so deeply personal. And so to stand out and look at it from way at a distance isn’t true to the essence of what it is.

Lindsay: And one more thing that we didn’t really discuss that I think is important off of Carlos’s last point, is the way that we really do call for people to explore the jazz music continuum. It’s so vast, it’s so relevant today. There’s just an endless wealth of music that you can look to for inspiration. And jazz dance comes from jazz music. I will say in my own practice, when I was dancing to pop music, it was easy to take it in a direction that wasn’t jazz, but when you turn on jazz music, there’s something else that comes from there that will keep you tethered to that essence. So in that similar call, we hope that people will take that step back into the studio and look at their practices. I hope that we return to just celebrating the music that gave birth to the form.

Rebecca: Thank you so much for sharing some of the history of jazz and your stories around the book. I know there’s a lot of valuable information within our conversation for people across a wide variety of disciplines.

Wendy: Thank you for having us.

Carlos: Thank you very much. This has been a joy

Lindsay: Thanks for the invitation.

John: Well thank you. It’s great talking to you.

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John: If you’ve enjoyed this podcast, please subscribe and leave a review on iTunes or your favorite podcast service. To continue the conversation, join us on our Tea for Teaching Facebook page.

Rebecca: You can find show notes, transcripts and other materials on teaforteaching.com. Music by Michael Gary Brewer.

John: Editing assistance provided by Anna Croyle, Annalyn Smith, and Joshua Vega.

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212. Faculty Mindset

Research on the impact of mindset has often centered on the mindset of the student. In this episode, Elizabeth Canning joins us to discuss the impact that faculty mindset has on student achievement. Elizabeth is an Assistant Professor in the Department of Psychology at Washington State University. Her research focuses on how to create equitable and inclusive instructional environments.

Shownotes

Transcript

John: Research on the impact of mindset has often centered on the mindset of the student. In this episode, we discuss the impact faculty mindset has on student achievement.

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John: Thanks for joining us for Tea for Teaching, an informal discussion of innovative and effective practices in teaching and learning.

Rebecca: This podcast series is hosted by John Kane, an economist…

John: …and Rebecca Mushtare, a graphic designer…

Rebecca: …and features guests doing important research and advocacy work to make higher education more inclusive and supportive of all learners..

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John: Our guest today is Elizabeth Canning. Elizabeth is an Assistant Professor in the Department of Psychology at Washington State University. Her research focuses on how to create equitable and inclusive instructional environments. Welcome, Elizabeth.

Elizabeth: Thank you.

Rebecca: Today’s teas are… Elizabeth, are you drinking tea?

Elizabeth: I’m drinking water today.

Rebecca: Alright, still a good choice. The base of tea, of course.

Elizabeth: Yeah. [LAUGHTER]

John: And I have a restricted set of tea because I brought most of my tea back up to the office, but I’ve been sent home with COVID. So I do have a ginger peach black tea still here though.

Rebecca: That sounds like a pretty standard fare.

John: It is.

Rebecca: I made it out to that tea shop I’ve discovered. And so I have a new one called Yunnan Jig…

Elizabeth: Ooh!

Rebecca: …and it’s a golden-tipped black tea.

Elizabeth: That sounds delicious.

Rebecca: It is very delicious.

Elizabeth: Exotic teas.

John: We’ve invited you here today to talk about your 2019 study that examined the effect of instructor mindset on racial achievement gaps in STEM disciplines. Could you tell us a little bit about this study?

Elizabeth: Yeah. So this study was a study that we did while I was a postdoc at Indiana. It was in collaboration with Dr. Mary Murphy, Katie Muenks, and Dorraine Green. We were really interested in instructor beliefs about intelligence… so whether they believe that intelligence is something that is innate, something that you’re just born with, you can’t change it very much, we call that a fixed mindset. And what we also call a growth mindset is this belief that intelligence can grow over time and change with effort, strategies, help-seeking, things like that. And we were interested in whether instructors’ beliefs about intelligence then predicted the experiences that students have in their classes, and then how well they do in their classes. So we sent a survey out to the whole university, and we didn’t expect a whole lot of responses because faculty are busy and all of that. But we actually got a lot of responses. We had 150 STEM faculty respond to our survey. And so with that, we were able to link their survey responses to the grades in their courses over a two-year period. And we ended up with this fantastic rich data set that we were able to look at students’ grades in their courses.

Rebecca: How prevalent was the fixed mindset amongst the faculty that you surveyed?

Elizabeth: Yeah. So it was pretty normally distributed, shockingly so I think. A lot of people think that fixed mindsets might be more rare. Other people think fixed mindset might be extremely prevalent, but it was pretty normally distributed. It’s a continuous scale so if you graph it, it’s a pretty normal curve. So we’ve got the most people in the middle. And then we’ve got some people at each extreme. But what’s interesting when you look at it, though, is especially on this scale, most people, they won’t go extreme, like the very, very tip of the fixed mindset scale. But they’ll do the next level over. It’s like, “I’m not gonna be that person, but I’ll be right next to it.” So it’s interesting to think about that when you think about the profession of being an instructor, and part of your job is to educate people. But yet we’re finding a significant amount of people have this mindset that intelligence or abilities can’t change.

Rebecca: So you talked about it being a normal distribution, was there any variation amongst race or gender, ethnicity, age, or STEM discipline?

Elizabeth: Yeah. So we get that question a lot. Like, can we predict who it is that has the fixed mindset? Well, this is the only table I’ve ever published that had every single line in it non-significant. [LAUGHTER] So we tested pretty much everything in our data set—whether mindset differed by gender, by faculty race, by age, by teaching experience, tenure status, anything that we had in our data set—and we found no differences by mindset. So it seems like having a fixed mindset or having a growth mindset is prevalent among all faculty regardless of these characteristics. We also looked within departments because a lot of people want to think that it’s, “Oh, it’s those economists or…” [LAUGHTER] looking at you, John. Or, “It’s those computer scientists, or the physicists, or the mathematicians.” But we didn’t find any differences by discipline. So faculty in any kind of discipline can endorse a fixed mindset or a growth mindset. And this suggests that these mindsets are not going to resolve itself on its own. Like if this was a generational thing, then we would expect it to resolve over time, or we could go into a specific discipline and educate faculty, but it seems to be pretty widespread, regardless of these characteristics.

John: That was one of the most surprising things in your study, to me. I was expecting that this would vary, particularly with age, but also perhaps with gender as well. And I was thinking that maybe this would be better over time. One of my favorite quotes from Paul Samuelson, an economist who died a while back, was, “funeral by funeral, the science makes progress,” and I was kind of hoping that that might occur with growth mindsets here, too. But it doesn’t look like that’s going to happen.

Rebecca: So we’re left with saying, “Great…” [LAUGHTER]

John: When you were looking at the effect of instructor mindset on student grades, were you also controlling for the characteristics of the students as well?

Elizabeth: Yes. So we controlled for a number of things in our analyses, we wanted to put anything in the model that might predict student performance. So we controlled for whether the student was the first in their family to go to college, their first-generation status. We controlled for their prior achievement level, so their prior GPA before they enrolled in that class. We also controlled for a number of course characteristics. So whether the course was, at this university, a 100 level, 200, 300. So, like, an entry-level class versus more of an upper-division class or upper-level class. We controlled for a number of faculty characteristics as well, like whether they were tenured, their age, how long they had been teaching. And so all of that was in the model to control for those variations in terms of what predicts their grades. Because a number of things we know predict grades, like class size. If it’s a bigger class versus a smaller class, we know that’s a pretty robust finding. And so we controlled for that in all of the analyses.

John: What was the overall effect, controlling for all the other student and instructor characteristics, of instructor mindset on student grades?

Elizabeth: So students, on average, received a higher grade in faculty’s classes where they endorsed more of a growth mindset. And this was, again, controlling for all of those things, regardless of student characteristics, class characteristics, and faculty characteristics. We also looked at this by student race, so we found an interaction with student race. So it’s not just that everybody on average is receiving or earning higher grades in the growth-mindset courses. This is particularly true for students with racial- ethnic minority status. So Black, Hispanic, Native American students performed better in the courses that had faculty who endorsed more of a growth mindset. When we look at the achievement gap between White and Asian students compared to Black, Hispanic, and Native American students, we see that this racial achievement gap is twice as large when the faculty endorsed more of a fixed mindset, compared to when they endorsed more of a growth mindset.

Rebecca: Can we talk a little bit about differences in assessments or the way that courses are structured between the fixed-mindset faculty courses versus the growth-mindset courses, because I think your paper talked a little bit about that as well, right, Elizabeth?

Elizabeth: We couldn’t dig into the specifics of it just because of the scale of this project, but we’ve done a lot of follow-up to see: What is it that faculty are doing in these classes? Because students are obviously picking up on it. It’s not just the belief that you hold near and dear to your heart, this is something that is being communicated to students in some way. And what we know from our other research is that it’s communicated in a lot of ways depending on the instructor, depending on the class. So it can be communicated in your course policies, like how you design your syllabus, how many assessments you give in your class. So, fixed-mindset professors are more likely to have a midterm and a final, and that’s your only opportunity to display your abilities in that class. Whereas the growth-mindset professors are more likely to have weekly quizzes where you can improve over time and see that improvement over time. And mistakes are less deadly in those classes, so to speak. So it’s in the way they design their courses, but it’s also in subtle ways. So what they say in class, how they talk to students who are struggling in their office hours, it’s in their attitude, it’s in a lot of different behavior. And students are pretty perceptive, they can pick up on it pretty quickly.

John: So we can significantly reduce racial achievement gaps if instructors have growth mindsets. Is instructor mindset something that’s changeable?

Elizabeth: Yeah, I think so. We know a lot from trying to change students’ mindset beliefs, it’s actually pretty malleable. You can teach people the science behind how our abilities grow over time, the changes that occur in your brain in terms of neuroplasticity, and faculty are pretty receptive to that. Most faculty want to do things that are going to benefit their students, most faculty want to be good instructors. And so it might just be finding ways to communicate that. In some of our research, we’ve found a disconnect between what faculty think their mindset is and how they’re communicating that, to what students are actually perceiving. And so it might just be communication, making sure that you’re very explicit about what you believe in your class, standing up on the first day and saying, “Here’s what I believe about abilities and intelligence, you don’t have to be, quote-unquote, ‘smart’ to do well in this class. Here are other ways to do well in this class, like learning and improving and using different strategies and things like that.” We also know that there are very critical times where these messages matter more. So there are times during the semester where students are searching for information about their abilities. So when you hand back that first exam grade, or that first assessment that you give in your class, that’s the perfect time to communicate your mindset beliefs, particularly if they’re a growth mindset. Because students are searching, “What does this mean? Does this mean that I’m good at this? Does this mean that I’m not good at this? Am I going to do well, should I drop this course?” It’s a time of uncertainty for students. And so, for faculty to communicate those beliefs during that critical time, it can set forth sort of the snowball effect for how they should view their learning and improvement throughout the semester. There’s a number of ways that faculty can do this in their classes. But back to your original question about, “Can we change faculties’ mindset?” I think so. I think there’s a lot of literature suggesting that we can do that.

Rebecca: And there’s been a lot of money pumped into making these STEM pipelines in the first place. We want them to be effective. So investing in this education around mindset and learning might be a really good use of funds.

Elizabeth: Yeah, one of the things that I think was really shocking about this paper is the faculty that reported their mindset beliefs, there were 150 of them. But when you look at all of the students that they touch, over a two-year period, how many people they teach, it becomes a really big number pretty quickly. So in this sample it was around 15,000 students that these 150 faculty taught over a two-year period. And so, instead of intervening with 15,000 students, you might intervene with 150 people and see similar or maybe even greater effect.

Rebecca: I know from our experience, John, with working with faculty around mindset and around helping students learn how they learn, that faculty who demonstrate a growth mindset are often very willing to share what they’ve learned about learning with their students. And so having an intervention with 150 people then reaches many of those students, because that information ends up being communicated out in a more distributed way.

John: One thing I’m wondering is whether you can separate out, in these results, the impacts of the way in which people teach from the messaging that’s coming up indirectly in other ways? It strikes me that that may not be possible, in that the instructors with a growth mindset provide lots of opportunities for students to make mistakes and learn from those mistakes, while those who have a fixed mindset are more likely just, as you said, to use a small number of exams as high-stakes assessments. Is it possible that some of the effect is just from better teaching practices and using more evidence-based teaching approaches that give students these opportunities for more retrieval practice, more spaced practice, and so forth?

Elizabeth: I think that’s very possible. However, we’ve done some follow-up research where we randomized faculty messages within one course. So it’s the same professor, it’s the same structure, some students are getting growth-mindset messages from that instructor, some students are just getting control messages, and we’re seeing really great effects at that level. And so it has to be more than just the way their course is structured. It’s more about the messages that they’re giving students and how to frame mistakes, how to frame ability. We’re providing it at a specific time like I mentioned earlier, and so it’s probably a combination of both. But with this new experimental evidence at the student level, or at the classroom level, we’re seeing that it’s more than just their teaching ability, or the way that their course is structured.

John: What you just described reminds me of a podcast we had done a while back with Angela Bauer at High Point University in Episode 49. In that episode, she talked about trying to reduce some of the achievement gap in their introductory biology classes. And they first introduced some active-learning activities, but there was still a non-trivial achievement gap remaining. So they introduced some growth mindset messaging, and that seemed to remove the remaining racial achievement gaps. So that provides a little bit further evidence that growth mindset messaging can play a significant role in helping to reduce these achievement gaps.

Rebecca: One thing that’s really powerful about that idea, though, is that it may not really take a lot to make a change.

Elizabeth: Yeah.

Rebecca: It doesn’t really seem like that much of a financial investment, or even a time investment to make a difference, or at least chip away at the problem a little.

Elizabeth: I think that’s what makes this so appealing to people is because it’s subtle, and it’s also something that can be done pretty easily. So you’re not changing the curriculum, you’re not flipping your classroom that requires extra work and time. Faculty are already overloaded with the expectations of what they’re supposed to be doing with teaching in terms of all their other responsibilities. We have implemented mindset messages at a pretty really basic level. So putting messages in a syllabus, putting messages in an email, maybe a couple videos in the class, for instance. And that’s really it. As long as it’s done in a way where it’s at a critical time, it’s more meaningful for students, and it’s done sincerely, then it’s not a whole lot of extra work.

John: From a faculty member’s side though, for those who may have a fixed mindset who believe that students’ ability is fixed, a conversion to a growth mindset may very well, and that’s consistent with your results, change the way in which they structure their courses. Because if you believe that students can learn by making mistakes and practice, you’re probably going to redesign your courses to build more of that in and that’s, again, very consistent with what you found. And it will be a bit more work typically for instructors unless they can do it in a way in which there’s some degree of automation.

Elizabeth: Yeah, I think there’s a lot of discussion around rigor, and if you have a growth mindset that it means you’re too soft, and you’re not having a difficult class. So it brings up all these questions about course difficulty and rigor. And I think our perspective and some of the follow-up work that we’ve done in this paper, and in other papers, that the perspective of what is difficult or what is rigorous really depends on who you ask. So if you ask a faculty member how difficult their class is, or what it means to have a difficult class, that’s going to vary quite dramatically from the students’ perspective. So what we’ve seen is that students actually find the growth-mindset professors to be a little bit more difficult or challenging than the fixed-mindset professors, and it’s for that very reason that they have more work to do in the class. [LAUGHTER] They have to make improvements, and they have to redo assignments, and the workload is maybe even a little bit higher, versus a fixed mindset class that might have a midterm or a final, there’s less, quote-unquote, “work” to do in that class. And so it really is in the eye of the beholder what class is difficult and what that means in terms of student achievement.

Rebecca: There’s a difference in regular accountability…

Elizabeth: Yeah. [LAUGHTER]

Rebecca: …and therefore feels like a lot more work when you’re being held accountable on a regular basis. [LAUGHTER]

Elizabeth: Yeah, I’ve done some follow-up work, because a lot of people will also think that it just comes down to being nice. If you’re nice and warm and friendly, then people are going to do well in your class, and if you’re not, then people will not do well in your class. And so I’ve done an experiment where we have manipulated that. There’s a laboratory study that we’ve done, where we manipulate whether the message is a fixed-mindset or a growth-mindset message. And then we manipulate whether that message is delivered in a way that’s warm and friendly and positive, versus cold and unfriendly. So this results in four different ways of messaging. The best is always going to be sort of this warm, friendly growth mindset, and the worst is always going to be the cold, unfriendly fixed-mindset. But what’s really interesting is what happens to the two in the middle. If you have the growth mindset but you’re cold and unapproachable, versus a fixed mindset and warm and approachable, How do those two shake out? And what we’re finding is that, very consistently, it’s the mindset message that matters more than the warmth or approachability. So they do interact, of course, it’s good to be warm and friendly. But the message itself also matters. So we can tease these things apart. They are different things, and they have different effects.

John: Since we’ve got you here, we were looking through some of your other research, and you’ve done a number of studies that have looked at the impact of utility-value interventions. Could you talk about what those are, and what you’ve found involving those?

Elizabeth: Yeah. So a lot of the research I’ve done on utility-value interventions was conducted in collaboration with Dr. Judy Harackiewicz at Wisconsin, Madison. And so, utility-value intervention is an intervention that’s directed at students. The way that we implement it is we have students write a short essay. They pick a topic that they’ve covered in class, and they write about how that topic is useful or relevant to them personally. And the way that we’ve done this, we’ve had them do it a couple different times throughout the semester. So they’re reflecting on what they’re learning and they’re connecting it to their own personal goals, their life, and it makes the material that they’re learning more relevant to them. And what we’ve found is that this intervention is particularly beneficial for underrepresented racial minority students who are also the first in their family to go to college. So this group is doubly disadvantaged, they’re disadvantaged due to race, they’re also disadvantaged due to social class. These students have the largest achievement gap in most STEM courses, and they really connect with this intervention. What we found in this research, these students have a particular motivation for going into science. They want to give back to their communities, they want to help their friends and family out after they’re done with college. They have specific goals that may not be met in science courses, or may not have this direct connection to what they’re learning in science. And so, by providing them with this opportunity to reflect on that and connect the material to those goals, we’re seeing that they make marked improvement in terms of their grades in the class. Whenever you do an intervention where you have students write something, and you get really rich data because you can look at what they’re writing about. So we analyzed over 1,000 different essays that these students wrote and we said, “What are they writing about?” We ran them through the linguistic analysis, and they’re really connecting it to those goals. These students are more engaged in the assignment, they’re writing longer essays, they’re more specific in their writing. And that then contributes to learning more in the class, which results in higher grades.

Rebecca: Sounds like, again, a very easy intervention to make or to build into classes. I know that I’ve been doing more of that in the classes that I’m teaching and seeing really good results and having really great conversations as a result with students as well.

Elizabeth: Yeah, I think there’s a difference between simplicity and ease of this type of intervention, because it does require the students to put in some effort, they have to write an essay. It also requires some grading on the part of the instructor if that’s not already in your class. So it is a little bit extra, quote-unquote, “work”. But I think it can be done in automated ways to benefit students.

John: And in these studies, you’ve also looked at the effect of student-identified value versus when it’s communicated from the instructor instead. Could you talk a little bit about the relative impact of directly-communicated utility-value interventions from the instructor or those that come from the students?

Elizabeth: Yeah. So from a really practical perspective, we wanted to know, “Do students have to write the essay? [LAUGHTER] Do we have to grade all these essays? Or can we just stand up in front of the students and sort of give them this information, kind of summarize how what they’re learning is relevant to a number of domains?” Because that would ultimately, in a practical sense, take less time. So we did an experiment where we manipulated this, and what we found is that students benefit the most when they get both. So they have a little bit of scaffolding from the faculty member, where they’re given some ideas of how the information might be relevant or useful to them. And then they write about it in their own words and get really into specifics. So a professor can stand up there and say a bunch of ways that it might be relevant, but every student is unique, every student has different goals, every student has different interests. And so, it really needs to be personalized to them. And the process of putting it in your own words and reflecting on it is also useful, right? That’s part of the learning process. You get into the specifics of it and write about it. So, we ended up concluding that it’s both. There’s some scaffolding involved from the faculty member, but then the students really need to generate something for themselves too.

John: I think you also looked at this in terms of the differential effect in two-year and four-year institutions, and you found somewhat different results between a community college and a four-year institution. Could you talk a little bit about that difference?

Elizabeth: Yeah. So a lot of this research has been done, or the data have been collected from four-year institutions, particularly four-year research-intensive institutions. And so, I wanted to see how this could translate to other types of colleges, particularly in the two-year context, because a lot of first-generation students go to two-year colleges. That’s a gateway to a lot of different career paths. And so what we did is we went around to a whole bunch of different two-year colleges, we connected with the instructors there, we tried to tailor it for their students and their context. But ultimately, what we found is that there needed to be a lot more scaffolding in terms of the writing process. So because the intervention was done with students at four-year colleges, we kind of made assumptions about how ready students were to think about utility and think about relevance. And a writing intervention in those contexts just wasn’t appropriate. So we didn’t find the same findings, we actually found that the control essays were more beneficial than the utility-value condition, in these interventions that control is summarizing course material. And that was actually really beneficial for students in this context because they weren’t already doing that in these courses. Whereas in the four-year college, that was sort of the status quo, and they were able to take that next step to make that course material relevant to them. So in working with their instructors, what we concluded is that you can do this intervention in a different way. It doesn’t necessarily have to be writing. It could be done in small group discussions, it can be done in presentations, it can be done in a lot of different formats that might not present a barrier of writing ability or writing practice. A lot of students in two-year colleges take concurrent writing courses in addition to their science courses. And so removing that barrier of writing, I think, would have been necessary in that context.

Rebecca: It’s a nice helpful reminder, I think, for faculty to be thinking about ways to have reflective practice that doesn’t always involve a lot of reading too. [LAUGHTER] Like, if we’re doing presentations, or if we’re reflecting in a video, or reflecting in conversation. These are all other places that provide some variety, too, so that we’re not always grading the same things or having to intake the same kinds of information. That can also be overwhelming to faculty too. So mixing it up is helpful I think. [LAUGHTER]

Elizabeth: Yeah, I think it also speaks to, you know, one-size-fits-all interventions just are not appropriate. So we publish these papers and we say, “Wait, we found these really amazing findings.” But that’s in one context, maybe with one instructor, maybe at one institution, and every student body is different, every class is different. And so, you really need to figure out the needs of your students and meet them where they are, and also take a step back and look at the purpose of the intervention. Maybe it can be implemented differently. Maybe if you take the philosophy of it and customize it for your context, that’s going to be the more appropriate approach.

John: We always end with the question, “What’s next?”

Elizabeth: Well, right now I’m still working on mindset messages. We just got word that we might potentially be getting a nice grant to look at this. And so what we’re going to be looking at is growth-mindset interventions directed at students crossed with growth mindset messages from faculty. The idea is that when you try to get students to believe in a growth mindset, it’s going to be most effective when the environment is supportive of that message so that it’s supported by the faculty member in that class. So we’re going to be looking at that over the next few years in a bunch of different contexts, in a bunch of different institutions.

Rebecca: Sounds like more beneficial, useful, and exciting information.

John: And again, as Rebecca had said earlier, these are really relatively simple and easy-to-use interventions that I think could be much more widely adopted. Well, thank you.

Elizabeth: Yes, thank you for having me. It was great to talk with you.

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John: If you’ve enjoyed this podcast, please subscribe and leave a review on iTunes or your favorite podcast service. To continue the conversation, join us on our Tea for Teaching Facebook page.

Rebecca: You can find show notes, transcripts and other materials on teaforteaching.com. Music by Michael Gary Brewer. Editing assistance provided by Anna Croyle.

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211. What Inclusive Instructors Do

Our students bring a rich diversity in their life experiences, skills, and prior knowledge to our classrooms. In this episode, Tracie Marcella Addy, Derek Dube, Khadijah A. Mitchell, and Mallory E. SoRelle join us to discuss how we can create inclusive classroom communities in which student diversity is treated as an asset and where all students feel a sense of belonging. Tracie, Derek, Khadijah, and Mallory are the authors of What Inclusive Do: Principles and Practices for Excellence in College Teaching.

Shownotes

Transcript

John: Our students bring a rich diversity in their life experiences, skills, and prior knowledge to our classrooms. In this episode, we discuss how we can create inclusive classroom communities in which student diversity is treated as an asset and where all students feel a sense of belonging.

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John: Thanks for joining us for Tea for Teaching, an informal discussion of innovative and effective practices in teaching and learning.

Rebecca: This podcast series is hosted by John Kane, an economist…

John: …and Rebecca Mushtare, a graphic designer…

Rebecca: …and features guests doing important research and advocacy work to make higher education more inclusive and supportive of all learners..

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John: Our guests today are the authors of What Inclusive Instructors Do: Principles and Practices for Excellence in College Teaching. Could you each introduce yourselves to our listeners?

Tracie: Absolutely, my name is Tracie Addy and I’m the Associate Dean of Teaching and Learning at Lafayette College in Easton, Pennsylvania.

Derek: Hello, I’m Derek Dube. I’m an Associate Professor of Biology and the Director for the Center for Student Research and Creative Activity at the University of St. Joseph in Connecticut.

Mallory: I’m Mallory SoRelle, and I’m an Assistant Professor of Public Policy at the Sanford School of Public Policy at Duke University.

Khadijah: Hello, my name is Khadijah Mitchell. I am the Peter d’Aubermont Scholar of Health and Life Sciences and Assistant Professor of Biology at Lafayette College.

Rebecca: Today’s teas are… Tracie, are you drinking any tea today?

Tracie: Yes, I’m actually drinking Twinings peppermint tea. I like peppermint.

Rebecca: Yum!

Derek: Today I am just drinking your standard run-of-the-mill tap water.

Rebecca: Always a good option.

Mallory: I’ve got some green tea with lemongrass and mint today because I needed a little kick of caffeine

Rebecca: A mint team around here.

Khadijah: Well, I really don’t need to be drinking caffeine. [LAUGHTER] So I am drinking AHA sparkling water. It’s orange and grapefruit.

John: And I am drinking Twinings mixed berry black tea, because I need a bigger kick of caffeine.

Rebecca: I got here late and didn’t have time to make tea, and it’s really hot, and so I have a glass of water. And this is the first time I’ve ever not had tea for Tea for Teaching. But this is a very inclusive crowd, so I know it’s going to be okay.

John: Could you tell us a little bit about the origin of this book project?

Tracie: Yes, I can share about that. So, we were very interested in a lot of different research questions around inclusive teaching, for example: What predicts whether instructors adopt inclusive teaching? What are the barriers that they face? As well as, what can we do to kind of move this forward at institutions? So initially, we were very kind of research-minded, and we noticed that there were other questions that we could explore. Also, in our study, that I know later one of my co-authors will talk about in more depth. And those questions were, “What do inclusive instructors do?” So we ended up collecting a lot of really interesting information about the practices of inclusive instructors. And so that led us to think… Wow, wouldn’t it be wonderful to put this all together into a beautiful story that included the voices of instructors, that included instructors across disciplines, across institution types, across ranks, etc., and put it together in a guide that would really be practical, that would help instructors really think about inclusive teaching in a very practical way? So that essentially initiated this project. And I invited my co-authors who are joining today to partake with me in this project to write the book, and I thought of each of them for very specific reasons. And I value, very much so, their contributions and what they did around inclusion. And we kind of put it all together, and we worked together on this great work. Now, this is also coupled with more studies, some of which have been published as well, that kind of get into this big picture, thinking about inclusive teaching, thinking about… What do we do? How do we do it? And then even further, How do we actually enact it? What are the barriers we face? And how do we overcome or address those barriers?

Rebecca: Can you talk a little bit about what inclusive teaching is, and why it’s important, to kick off our conversation today?

Tracie: Yes and I think it’s so important to define our terms here so that everybody starts off on the same page. So when we talk about inclusive teaching, and especially in the book What Inclusive Instructors Do, we’re talking about teaching that is creating a classroom environment that’s welcoming, so students feel a sense of belonging to the actual classroom setting. And we’re also talking about, that it’s equitable, and it’s thinking about the diversity of learners, and it’s very responsive to that diversity in the classroom. So we’re kind of joining here, this idea of belonging, as well as this idea of equity together, and all the practices, which are many, that we can actually use in our classrooms to be inclusive. And with regards to, “Why is it important?”… inclusive teaching has always been important. Inclusive teaching is excellence in teaching. We publish this book now, but this has historically always been a critical area to think about in teaching and learning. And some of the reasons why… well first, there’s a history of exclusion at institutions of higher education, some are able to be educated and have these experiences, and some are not. And there’s also a lot of good research around thinking about that and belonging. There’s clear research that ties belonging to academic achievement, it ties it to wellbeing for students, and many other important things that we know are really important for students’ success in college. Also, we teach diverse students in many of our institutions. So it really behooves us to really think about that and that diversity. And so it’s important now, it’s always been important. I know, with all of the things happening in our nation, there have been more calls and more attention towards inclusion and equity. But I will say, as I’ve said already, that it’s always been important to actually have environments in our classrooms that students feel as if they belong. We know that that’s a place where students can feel excluded.

John: You also conducted a survey of faculty about inclusive teaching practices. Could you tell us a little bit about the survey that you used?

Derek: Sure. So I’m happy to share a bit about that. Now, as Tracie had mentioned, there’s four of us that worked as co-authors on this book, and we all have different experiences, and backgrounds, and expertises, and roles at our institution. But we didn’t want this book to be just our voices and our four experiences, we wanted it to be much more than that. So with that in mind, we dove into the literature around inclusive teaching—what’s published, what’s the research out there—but really to figure out what’s going on right now and what are inclusive instructors doing, we wanted to have as broad a swath as possible. So working together we created a national survey on inclusive teaching, an inclusive teaching questionnaire, and we shared this both directly to various institutions of various different rank and style, master’s institutions, doctoral institutions, community college liberal arts institutions. We also connected with listservs, and social media, and directly with instructors as ways to share this out. This survey was given for about a month to two months in early 2019. And in the end, we ended up having about 566 participants that had started the survey, over 300 of which reached the end of the survey, and over 200 of which responded to all of the questions that we asked. And it was really interesting, because when we looked at the demographics and the backgrounds of those who responded, we saw a wide range of individuals from different types of institutions, male and female, various backgrounds, various disciplines, whether they were tenure track or not, and also the fields that they worked in. So we really felt like we got a good feel of a variety of different instructors being able to speak to what inclusive teaching means to them, what they’re doing, and how they see it at their institution. Also, geographically, we had respondents from the northeast, from the southeast, from the northwest, from the southwest, and everywhere in between, which was really nice to see as well. So when we did this survey, as Tracie mentioned, we had a few different things that we wanted to know some of them were… What are instructive pedagogies? What are inclusive instructors doing right now? But also, What are barriers they’re facing? What experiences for training have they had? How confident do they feel in their own ability to teach in equitable and inclusive ways? So all of these things were pieces of information that we were able to get from this broader swath and bring in and really pull in and really allow, in a lot of ways, those voices to be the voice of the book.

John: So a very inclusive approach to developing a book on inclusive teaching.

Derek: That was the idea, yeah.

Rebecca: In your first chapter of the book, you suggest that faculty should treat student diversity as an asset rather than employing deficit models that we definitely have experienced in our own educations and perhaps in our institutions. Can you describe ways that faculty can convey this message to students through their instructional practices and actually take advantage of these assets?

Mallory: Sure thing, that’s a great question. So, the idea that we should approach differences in background, experience, personality, skill sets, as an asset to the learning environment, something that improves the learning environment instead of a challenge to be overcome or an obstacle we have to deal with, was one of the most, I think, significant themes that comes out both in the scholarship around inclusive teaching, but also in the words of the folks in our survey. And a lot of examples came out in people’s responses about how they go about doing this in practice. And that begins with course design and syllabus with things like incorporating diverse perspectives in the material you’re assigning in class to demonstrate the value of these different perspectives. It comes from incorporating welcoming statements in a syllabus that explicitly state the value of multiple perspectives in the classroom and devising participatory strategies that are designed to bring those out. It also includes trying to build assignments that take an asset-based approach. I’ll give you an example of one, in a group project where you ask students to identify some of their different strengths: Are you good at researching? Are you good at writing? Are you good at editing? Are you good at presenting? And putting groups together that assemble students who identified different strengths and having them talk about those. The idea that not all students have to be good at every one thing, that we all bring these different strengths to the table. And one of the things that I think is really important for this asset-based approach is knowing something about what those assets are in your classroom. And that requires knowing something about who is in your classroom. So one of the things we also talk about in the book that I think is a good tool for helping to treat diversity as an asset set in the classroom is what we call a “Who’s in Class?” form, which is a form that can be given anonymously to students at the beginning of the semester, to just help and identify what are some of the social identities in the classroom, some of the skills people bring to the classroom, some of the different perspectives that students are bringing to the classroom, to give instructors more of a sense of what that diversity is, and how that can be used over the course of the semester to really improve the learning experience for everyone.

Rebecca: So I’m curious, with a survey like that to learn who’s in the classroom, are those results something that we should be sharing out to students and having a conversation about?

Mallory: Yeah, so I’ll take that and also open it up to Tracie, because she’s done a lot of work in the development of this form. I think the goal is to distribute this, allow anyone who wants to participate anonymously to participate, and then, yes, to share back the aggregate takeaways to the class, because it lets other students know who else is in this class with them. And particularly, I think, for students who might feel like there’s something they’re bringing to the table that maybe they don’t know other students are also bringing to the table. It’s a way of saying, like, “Look, there are lots of folks who are both like you and lots of folks who are not like you. And that’s going to be something that’s going to help us throughout the class this semester.”

Tracie: And I guess I’ll piggyback on that a bit. And I will say, you definitely can share it with your class. I think the important thing is letting your students also know that in aggregate, we will be sharing this. And also, if there’s certain things on there that really does it make sense to share with everybody? …having that discretion too. Because students will share lots of different things on that form, and some of it can be used to introduce this conversation, like Mallory said, and to really think about the diversity of the class. And I know also Khadijah has done things of that nature, she’s actually used the form in her class and done things like that, and has had a lot of positive feedback from students, with that regard. Derek might have done too, I’m not sure, but… [LAUGHTER] I know Khadijah has voiced that to me as well. So I think it’s a good opportunity to really think about who’s in class and a safer way for students… students will often feel more comfortable sharing in that type of format than just asking them without that kind of anonymity tied to it.

Derek: And I can actually just chime in a little bit here too. One of the ideas that Mallory brought up, and then Tracie added to, was getting to know your students. It’s really hard to teach your students in a meaningful and inclusive way if you don’t know who your students are. So finding ways to do that, especially early on in a course—really early, the earlier the better—was really important to us. And that’s where the “Who’s in Class?” form was born. It was born as a way to instead of waiting for, “Okay, I’m going to meet and learn my students throughout the semester, maybe get to know them more at the end with evaluations and things like that,” …what can we do right away? And because the students may not necessarily know us right away, or what our intentions are, we thought that the “Who’s in Class?” form could be most powerful as an anonymous and aggregated way of collecting data. Where students could feel safe, that their privacy was protected, that they could share that information that they wanted the instructor to know, but maybe didn’t want them to know about them in specific. So that’s why we moved that way. Now, in thinking about getting to know your students and being able to really, in a directed way, be inclusive and equitable and support different students with different needs, we do believe that moving from anonymous to a more non-anonymous way of getting that information can be important in a lot of situations. But we think that it’s best when it’s student-directed, when the students decide that they’re comfortable to share that information with the instructor, that’s the time when it’s most likely most appropriate. The “Who’s in Class?” form can be a way to ease into sharing information in a safe way. And then you come, you talk to your class about, “Why did we do the ‘Who’s in Class?’ form? What did we learn in aggregate?” And then you open up and say, “I’m here to extend these conversations, to continue these discussions. I have office hours that are open that you’re welcome to come to and talk to me if there’s any specific thing here that you want me to know that directly relates to you.” I know that Khadijah, at least, has, in some of her courses, used situations where there’s essentially mandatory office hours, I think right in the beginning, like little meet-and-greets where it’s only 5 minutes or 10 minutes, but you’re going to come in and you’re going to meet and you’re going to have an opportunity to talk. And you can share what you want to during that time, but you’re going to get that face-to-face time. And maybe she can talk about that more in a moment or two. But other things that I’ve done, if you have large classes where maybe there’s not a ton of time to have individual meetings with every student, in a lot of my classes, one of the first assignments is an online discussion board using our learning management system, which in my case is Blackboard, where students make a post about themselves and some information about not only them academically, but also their hobbies or interests. They post a picture either of themselves or something that represents themselves. And then there’s an opportunity and encouragement for students to reply in meaningful ways to each other, to get to know each other, because it’s not just about the instructor knowing who’s in the class, but it’s about the class knowing who’s in the class too, for it to be the most positive experience. So that’s been really beneficial. And I as an instructor then take time, and I can do it at nine o’clock after my kids are in bed, to make sure that I respond to each student in a meaningful way and try and make connections where I can, “Oh, you like science fiction, well I’m currently reading this series, we should talk about that sometime,” or things along that line. So I think that starting in a safe, anonymous way like the “Who’s in Class?” form can be a great way to get that ball rolling and, if the students feel comfortable and feel like it would be meaningful, allow them to break that anonymity border by offering opportunity.

John: We’ve been running a reading group along with SUNY Plattsburgh, and this was a topic that was discussed really extensively in one of our meetings, where there was pretty much a consensus that there’s a purpose for both an anonymous form to let people express things that they might not be comfortable revealing, but then also giving students the opportunity to share either with just the instructor, perhaps through meetings, or if it’s a larger class, a discussion forum, or Flipgrid, or VoiceThread, or some other way where they can share their identities with other people. And I think the consensus was, there’s a good purpose for each of these, and some combination might be really helpful.

Khadijah: One thing I just want to add on to what everyone is saying is that the “Who’s in Class?” form has been transformative for my classroom spaces. And I know Derek brought up something about large class size and thinking about large classes, it even can help with that. But I think we also need to think about the other end of the bell curve, very small classes, because even though someone may be not identified, there’s some aspects of their identity that could then disclose who they are. So I think that we also need to be mindful of that. For example, clearly there are visible aspects of our identity that would be able to disclose what a particular student was in a small setting, that would not be as much of an issue with a large setting. But I do think that there is so much power in that. And speaking to what Derek mentioned about the essential office hours, so for every class that I teach, I do use the “Who’s in Class?” form and these essential office hours. And even though the “Who’s in Class?” form is anonymous, people do share with me during these essential office hours, and it really fosters a greater classroom environment in that way.

Rebecca: I love the name essential office hours, I love the emphasis on the “essential.”

Tracie: Absolutely. And I was going to share that the development of the “Who’s in Class?” form was with collaboration with students too. So I asked a number of students about this form, as we were going through the process of creating it, from questions like, “Are these questions that we should ask? How should we implement it or administer this? Would they answer these questions?” And so that was also very helpful. But I will say that working with a number of instructors on the “Who’s in Class?” form in my center, there are a number that actually do have a separate form as well that’s course specific, that’s not anonymous, they add additional questions on that. And then we have all these wonderful variations that, like Khadijah said, the essential office hours and other ways to get to know students, which I think, John, well you mentioned, I think is obviously fabulous. There’s all these different avenues for students to be able to share aspects of themselves with not only the instructor, but as Derek mentioned, with the class. What a wonderful thing that is for building a more inclusive classroom.

John: Once you have this data on who’s in your class, how can you use that to convince students that the diversity of the class is actually an asset to the class? What sort of methods could you use to help convey that message? In particular, how can you avoid issues such as stereotype threat?

Khadijah: Well, I can speak to the first part of your question, John, I think about: what can you do with this data? So I actually summarize the data, and we have a little PowerPoint presentation, and I share that back out to the class so that we appreciate this diversity. I also then go tweak and tailor my classroom to the students that are in the room. So if there are particular issues that may be salient to that group and that population, then we address that as a learning community together. Thinking about stereotype threat, so this is really important, particularly in the discipline that I’m in, in STEM disciplines. So when we think about stereotype threat, we normally think about negative stereotype threat. And that’s the perceived risk of confirming negative stereotypes about a particular social group that a student may be assigned. And what it leads to is this imbalance of how the student’s sense of self, which is typically positive, versus this inconsistent expectation of whatever group that they fall into. And so this is really, really pronounced when we think about various academic disciplines, and notably people who’ve done work in STEM. And what happens is this leads to worse academic performance or a threatened or less of a sense of belonging. So things like the “Who’s in Class?” form that can help with that sense of belonging. I think that there are several evidence-based approaches that we use to mitigate this impact in effect. And the first is really thinking about self-affirmation. So there are a lot of the instructors in our study, and we see the voices in the book. We talk about reinforcing the students’ feelings of integrity and self-worth and that this self-affirmation dramatically reduces the effects of negative stereotype threat. And we know that this can change achievement gaps and bolster this sense of belonging along with initiatives like using this “Who’s in Class?” form. I think one thing to keep in mind is, although we often talk about negative stereotype threat, there also is positive stereotype threat. And so, one way, as instructors, we can combat that, is thinking about the stereotype content model, because this allows for both types of stereotypes. And what happens is this model is a psychological model that’s based on perceptions of warmth and competence. And thinking about particular stereotypes as high or low warmth and competence. And, in particular, we know that inclusive instructors realize that harm can arise from either one of these and depending on visible and invisible identities. So what happens is you can use this stereotype content model across different types of courses, levels, times to acknowledge and reflect on the individual’s own stereotypes, to offer apologies for students that may have resulted in harm, and to carry out actions that would re-establish welcoming spaces. So we like to think about the stereotype content model can be coupled with these three As: acknowledge, apologize, and act. And so that would just be examining your own background and experiences, and apologizing if there’s been any type of misspoken or things that weren’t addressed, and thinking about how to act and take action in the face of some of these stereotypes.

Rebecca: So as we start thinking about some of these ideas, how do we start building these inclusive principles into our course designs? We’ve talked a little bit about the openers, considering some of these ways of acknowledging and recognizing who’s in our spaces, and who’s in our classes, and who’s in our community. But how do we make sure that we continue that thread of inclusivity throughout the entire semester?

Mallory: So I think course design is a really critical tool for inclusive teaching, and particularly the way that manifests in a syllabus. So I’m a political scientist by training, I like to think of a syllabus as a little bit of a constitution. It’s kind of the founding document of your class. It tells us what our common purpose is, it tells us who’s part of this community, it tells us how we act within that community, what we owe to one another, how we participate in that community, and really what we’re doing. And all of those are really integral questions if we’re thinking about inclusive teaching. So in the survey, I would say there are three really broad themes that came out of people’s responses to how they try and enact inclusive practices in syllabus design. And so the first one was really trying to demonstrate that everyone has a place in the field. We think back to what Tracie was saying earlier about belonging, being important, this is an obvious tie-in to that. And so perhaps the most frequent comment that got made in the survey was, probably unsurprisingly, “We should incorporate diverse perspectives on the syllabus,” and also in other course artifacts throughout the semester, but particularly on the syllabus. So that’s one way to demonstrate that everyone has a place in the field. The next big theme that came out was encouraging everyone to play a role in the learning process. And so we could think about that as another form of fostering belonging, but I would also say that’s part of the equity piece as well, providing space for everyone to be an active part of this particular learning community. And so there were a few different ways that came out in people’s responses. So one idea was encouraging everyone to play a role in the learning process by essentially just setting a tone that this will be an inclusive classroom in the syllabus language. So that could incorporate something like having a welcoming or a diversity statement directly in your syllabus. It could also just be the tone of the language you use. Is the language hierarchical? “The professor will do this and the student will do this,” or is it more inclusive? Is it, “Hey, we are doing this, [LAUGHTER] we will talk about these things, we will tackle these assignments.” Another piece of that puzzle was about setting citizenship expectations. If we want everyone to play a role in the learning process, we want to set some expectations for how we’re going to treat one another while we’re doing that. And I think a lot of syllabi are good at setting expectations for what students owe to their faculty. But, one of the things that we talked about a little bit in the chapter that addresses this is also that a syllabus is a good place to set expectations for how students treat one another, but also what faculty owe to students. And so, again, sort of leveling that playing field and establishing we are all in this community, we all play a really important role, we will all have give and take and here’s the responsibilities we have to one another. And then the third theme that came out, in thinking about inclusive course design, was essentially promoting the conditions for everyone to be successful in the course. So that really nails that equity piece. And so, one of the one of the big-picture ways that people implement this is to think about a syllabus as an opportunity to explain to students, not only what you’re doing, which I think most syllabi do a pretty good job of, but also how you can go about doing that successfully, and critically why we’re doing this. So the “what” is sort of setting clear expectations, so that everyone is on the same page about what we’re all trying to accomplish. The “how” is potentially providing resources to help students accomplish those goals. So directing them to the library, directing them to a writing center, if such a center exists. That could also include things like mental health resources to help students navigate the semester, particularly in the past two years that we’ve been having, those can be especially critical. And then also that last one, the “why,” giving a rationale. We all have reasons, hopefully we have reasons, for designing courses in the way that we do. But we often don’t explain those to students. And I think we often forget that students aren’t inside our heads and don’t really know why we’re asking them to do things in a particular way. And so part of setting the conditions for people to be successful is to explain why we’re doing the things we’re doing to students so that they can make strategic choices when they’re in our courses and are trying to be successful in those courses. And then the other really important theme that came out when thinking about promoting conditions for everyone to succeed is, perhaps unsurprisingly, trying to make sure your course design and syllabus are accessible to as many groups as possible. That’s another way that the “Who’s in Class?” form can come in really handy because there are a lot of ways in which we might try to make something accessible to one group that inadvertently becomes less accessible to another. So knowing something about who is in your class, and what some of the accommodations they might need are, can really help you make strategic choices about how to be as accessible as possible. So those were really the big-picture things that came out about how to make your course more inclusive through the design of a syllabus.

Rebecca: Mallory talked a bit about syllabus design and setting a good tone up front, and the survey does that as well. So what are some things that we can do at key touchpoints throughout the course of the semester to keep this feeling of inclusion continuing and that sense of belonging continuing throughout the semester?

Khadijah: So that’s a great question. I would say that welcoming students begins even before the course starts, even before they lay eyes on the syllabus. So I think that you can set this positive tone, you want to think about it like a greeting card, to promote belonging from the beginning. And so we talked about the “Who’s in Class?” form, but even having a video that would welcome them to the course, kind of like a trailer for your class at the beginning. There are things like the physical environment, thinking about that if you’re in person, but if you’re online, think about what are the first images that someone sees when they log on to your learning management course or the course website. Thinking about what type of activities would emphasize diversity and equity and inclusion. And that would be at the beginning, such as the “Who’s in Class?” form, but throughout the semester. And so I think that those things are carried out. Building the relationships with the students are also important throughout the semester. But at the end, I think we never think about how the students, even at the end of a course, feel welcome. It’s never too late. So even on the last day of class, you can highlight as an inclusive instructor, and we saw this throughout our work, how much you’ve learned from the students themselves and thanking them for how much that they taught the instructor. And thinking about, by having this equitable participation that Mallory brought up, that acknowledging that at the end of a course, actually affirms them in their abilities. It encourages them to see themselves as members of that community of practice, and we know this is critical for various disciplines. And wrapping up with giving students a way to reflect and give feedback on how welcome they felt in that environment. And that is really critical, that feedback that they give, for helping make future classrooms more inviting.

John: And you also advocate not just doing that at the end, but also getting feedback from students regularly throughout the semester, I believe. Could you talk a little bit about how you might do that efficiently?

Khadijah: Exactly. So, I think when we think about content, we think about formative and summative assessment. It’s the same thing with the sense of belonging. So you can do a mid-semester check-in. That could be a formal survey, or it could be something as simple as, “What’s working?” I typically take a piece of paper and say, “What’s going great so far?” and “What would we like to work on as a community?” And so that gives equal onus in the shared space in the classroom. But it lets the students know that I’m hearing them and that they belong and what they’re saying is important.

Rebecca: That mid-semester check-in often times well with thinking about advisement and registration for next semester too. So I could imagine really reinforcing a sense of belonging before the continuity of the next semester, or thinking or planning for the future can actually be really useful. And it’s not something I had thought about before, but when you were talking about the end-of-the-semester sense of belonging, our advisement time is coming up right now and registration. So I’m thinking that right now is a really good time to just reinforce and underscore these ideas to make students feel like they really do belong in the spaces that they want to occupy.

John: One of the things we really appreciated in your book was the use of reflection questions. This is something that is really rare in books directed at professional development for faculty. And it probably shouldn’t be, because we all know the benefits of reflection. Could you talk a little bit about the importance of reflection in learning, both for students and for faculty?

Tracie: Yeah, I think that’s a great question and I’m very happy that you appreciated that. We were thinking very intentionally as we were thinking about designing the book in that phase. And you can kind of see there’s like a part one, a part two, a part three, and then these reflection questions embedded throughout, and then also in aggregate at the end of the book too. And so, in general, as you mentioned, reflection is so critical. We know in the science of learning that we need to take these points in time and moments to really think about our learning, to really make sense of it, and see that meaning that we’re making of it, and that we have or are growing. And so, in our book, we thought, it’s so important, this material, that we want you to think about it further. And, as an educational developer myself, I was thinking about all the people also reading the book, and I was like, “Oh, if we were in a setting, like a workshop or something like that, I could ask these questions. Like what would I ask for application or reflection?” And I’d want to have that. And thinking about the book, and talking with my co-authors about thinking about these reflection questions, it was kind of similar where it’s like “Let’s add these in, so that there are these opportunities to actually engage in that process.” With inclusive teaching in general, there’s so many things to think about, to think about how we do it, what we do. And we gave so much information that it was so important, I think, to process it and to allow time points for stopping to actually start to think about it further. The other thing that we thought about in terms of the reflection questions is that we know that, in our bigger study, we found that there are lots of barriers that instructors described to inclusive teaching. One of them was resources, another was discussions, and whatnot. And so, by embedding these reflection questions, it also has easier access if there is a discussion—or a book club, or reading, or opportunities—to actually take this book information and bring it back and talk about it in a community at their institution, whatever that might look like. And so that’s another reason we did include them too. And I think we later decided to include the aggregate too, but I think that was also helpful. And then also just being able to pick through those which you probably want to emphasize more and have that option to do so. Some might resonate more with some than others. So all of that to say that, that’s why we put it in there and I agree that I think it’s a really good thing in books to include that. Especially these types of books we’re really reflecting and we’re really thinking about intentional teaching, in this case inclusive and equitable teaching.

John: So you started writing this before the pandemic and then while you were writing this there was this global pandemic that popped up and it was a period in which there was also a great deal of social stress. How do you think this might influence the willingness of faculty to focus more on the importance of inclusive teaching?

Tracie: So for me, inclusive teaching has always been important as I’ve mentioned earlier. So the fact that all these things happened were just that they were made more public and people became more aware. And now people are trying to change these things a little bit more than the past. So I will say what it did do was really made me think what a timely book… [LAUGHTER] to actually be at this point in time. I think it was a great opportunity. And I think it’s really useful, and we hear that, that it’s been really helpful for many institutions during this time, especially with this increased focus on it, on thinking about these issues as well. I will say that we wrote most of the book, I think a big majority of it, before it happened and then there’s a whole process that happens in making a book so there’s some time. So we did later try to tie in more of the recent things that had occurred a little bit later. But the beauty of it is, it all kind of fit naturally in there anyway. It’s not like we had to majorly revise the book, we just had to address the issues that were facing our nations. So I think, overall, it’s just a timely book. And this has always been important, and we really do need to talk about it, and this increased that ability for us to do that.

Derek: Yeah and I’ll just add, along with increased appetite for tools to help around these ideas of inclusion and equity, there still weren’t so many of those tools out there. So it worked well that we felt that we could provide one of these tools, that we had been working on it, that it was really ready to go out there as this appetite increased. And, specifically related to the pandemic, so one of the the effects of the pandemic on higher education was it forced a lot of institutions and a lot of courses to move to either hybrid or online pedagogies. And interestingly, this was something that we had been considering all along in terms of some of the chapters we were writing and thinking about welcoming classrooms, but also pedagogical means and ways to work, both in and on the ground and in online settings. So as we saw this starting to happen, we did go through and make sure… Are we talking about things and making sure that it’s understood that many of these are applicable, whether you’re in-person or online? And if you are in an online setting, how can they be used in that way as well?

Mallory: Yeah, I would echo, I think Tracie’s exactly right: structural inequalities in academia and society are not new. And I think for a group of four people who are writing a book on inclusive teaching, they’re already thinking about a lot of these. So what was new was maybe the attention of universities, who maybe were not paying attention, were forced to start paying attention, which I think is a good thing. But one of the other things that I think made me reflect a lot on the value of this book, that came out of the pandemic was, in the shift to online learning—as an instructor who was frantically trying to move all of their classes online with a week’s notice over spring break—was how much I valued being able to learn from my colleagues, and troubleshoot things, and benefit from other people’s expertise. And that’s a lot of what we’re doing in this book by drawing on this survey and not just saying, “Well, here’s what the scholarship tells us inclusive teaching looks like.” But saying, “This is what inclusive teaching looks like by people who are in the classroom doing this work, whether they’re formally trained to do it or not.” I think the value of that became even clearer to me, as I was trying to do the same thing with my colleagues on a daily basis. Learn from other people’s expertise as we were trying to navigate this really challenging situation.

Khadijah: So for me, a lot of what my co-authors have said really resonates. I think that I always thought about inclusive teaching before we had such social challenges that have been more pronounced in the media. I think two things stuck out to me as we wrote this book. One of the parts of the book, we talk about what happens when your classroom is disrupted. And I think it’s interesting, we tend to think about internal things that disrupt, so the students or the instructor, but a part of it was what happens with things outside, so these social conditions disrupt our learning. And so, the fact that the book addressed that when so many things were going on, it kind of was a how-to and it gave practical tools, of models and activities that you can do to navigate that. And I think what’s really resonated is that these things that we talked about in the book transcend transient social things. So like Tracie mentioned, something can happen in the future and this book would still be relevant in the way that we think about inclusive teaching, and what would come further down the pipe. So I think that it helped me reflect on current situations, but also kind of forecasting how having these new tools, from people that we’ve learned around the country, how that would help with future application.

Rebecca: I agree, that’s one of the powerful pieces of the book, is that we know it’s going to keep being useful for folks moving forward. And I know that we’re really grateful that we were able to share that with our faculty in our reading groups this year.

John: It does seem from our discussions with faculty that people are much more open to inclusive teaching than they’ve ever been in the past because while the problems and issues have always been there, they were often hidden on campus because you didn’t see the inequity. But when we were teaching students in their own homes, we saw differences in their access to technology, to their living quarters, and other inequities. It was much harder for people to ignore that. And I think everyone came to appreciate the benefits of community and building a strong community as a result of working through the pandemic. I think everyone realized that having a productive community is an important part of our lives. And the importance of that in a classroom, I think, is much more visible to faculty than it had been for many faculty before.

Rebecca: So we always wrap up by asking, the big huge question, “What’s next?”

Derek: Well so one of the things that I’ll say, I’ll keep it short and simple. What’s next? Around the book, it’s spreading the word. It’s spreading the word of why inclusive teaching matters, why equitable teaching matters, and what tools are out there. Whether it’s our book or whether it’s some other tool, some other way to get yourself into that realm, and get some understanding and work with your colleagues and learn from the experts. However that happens, that’s great. And for me personally, it’s doing the exact same thing: constantly learning, knowing that I have room to grow, knowing that I can improve in my teaching personally and all of that, and looking externally and reflecting internally for ways to do that.

Mallory: I think, “What’s next?” is such a great question to end on. Because one of the things we focus on in the book is that inclusive teaching is an iterative process. You never reach the end of it, you never get the perfectly inclusive course. And so, “What’s next?” is always revisiting what you’re doing and trying to, both in your own courses, revise and work towards fixing the things you didn’t get right the last time and at the institutional level, trying to build more capacity for inclusive teaching and buy-in. And I think the big “What’s next?” question is: What happens as we move away from the immediacy of the pandemic? What happens when racial injustice is not the main topic of the news? Do we still have the support for inclusive teaching efforts, or does that fade into the background? So I think the “What’s next?” is making sure that the momentum that has been gained is not lost.

Tracie: Yeah, and I would agree with all of my co-authors so far. I think the institutionalization of inclusive teaching would be so wonderful as a next step. So whether it’s, like, not treating it as a fad, [LAUGHTER] but creating it as part of our cultures in our institutions. So I know, like at my institution, we’re working hard towards that in a variety of ways. For me also personally, I do a lot of work around this, and thinking about the research and whatnot. So one of my steps right now that I’m taking is really thinking about the tools that we can really think about and capture practices around inclusive teaching to have that feedback. So we have all these great strategies, but let’s talk about more tools to really get feedback on our actual teaching practices. So I am doing some research around that right now, and I do work with students, student partners, to help us really think about this thing called “inclusion” and this equity as well. And so that’s where I sit in this space. So I’m going to continue to think about tools like Who’s in Class? and then these new tools, and go from there as well.

Khadijah: So, I echo a lot of what Tracie, Derek, and Mallory said. I think for me, of personal interest, when we do a lot of the inclusive classroom teaching, it makes me think about my laboratory. It makes me think about my teaching laboratory and my research laboratories. And I think teaching and mentoring go hand-in-hand in this space. Particularly when we think about DEI and STEM. And so for me, I’m interested in: What does inclusive mentoring look like in these spaces? And what are some of those principles and practices that are translatable from what we think about in the classroom, but then also what may be distinct in the laboratory and mentoring?

John: Well we very much appreciate you joining us, it feels like we’ve been in a dialogue with you all through our semester so far through the reading group. And we very much enjoyed your book, and I hope many other people will join in reading through it and working with it. Thank you.

Tracie: Thank you.

Mallory: Yeah, thanks.

Derek: Thank you so much.

Rebecca: We look forward to seeing all your new work.

Khadijah: Thank you.

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John: If you’ve enjoyed this podcast, please subscribe and leave a review on iTunes or your favorite podcast service. To continue the conversation, join us on our Tea for Teaching Facebook page.

Rebecca: You can find show notes, transcripts and other materials on teaforteaching.com. Music by Michael Gary Brewer. Editing assistance provided by Anna Croyle.

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203. Critical Race Theory

Multiple states have introduced legislation banning the discussion of critical race theory at all levels of public education. In this episode Cyndi Kernahan and Moira Lynch join us to explore what these bills actually say, the motivations behind them, and the impact this has on teaching in higher education. Cyndi is a Psychology Professor and the Director of the Center for Excellence in Teaching and Learning at the University of Wisconsin at River Falls. She is also the author of Teaching about Race and Racism in the College Classroom: Notes from a White Professor. Moira is an Assistant Professor in the Department of Politics, Geography, and International Studies, also at the University of Wisconsin at River Falls.

Shownotes

Transcript

John: Multiple states have introduced legislation banning the discussion of critical race theory at all levels of public education. In this episode we explore what these bills actually say, the motivations behind them, and the impact that this has on teaching in higher education.

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John: Thanks for joining us for Tea for Teaching, an informal discussion of innovative and effective practices in teaching and learning.

Rebecca: This podcast series is hosted by John Kane, an economist…

John: …and Rebecca Mushtare, a graphic designer.

Rebecca: Together, we run the Center for Excellence in Learning and Teaching at the State University of New York at Oswego.

[MUSIC]

Rebecca: Our guests today are Cyndi Kernahan, and Moira Lynch. Cyndi is a Psychology Professor and the Director of the Center for Excellence in Teaching and Learning at the University of Wisconsin at River Falls. She is also the author of Teaching about Race and Racism in the College Classroom: Notes from a White Professor. Moira is an Assistant Professor in the Department of Politics, Geography, and International Studies, also at the University of Wisconsin at River Falls. Welcome Moira, and welcome back, Cyndi.

Cyndi: Thank you.

Moira: Thanks for having us.

John: Our teas today are…

Cyndi: I’m drinking blueberry green tea.

Rebecca: Oh, that sounds good!

Moira: I had English breakfast and I left it downstairs.

Rebecca: Oops. [LAUGHTER] I have Earl Grey although Moira, don’t worry, I came initially with just a cup of hot water and I was like, oops, that’s not tea.

John: And I have ginger peach green tea. Is your blueberry green tea the Tea Republic one?

Cyndi: It is, I love them so much.

John: I do too. It’s really good.

Cyndi: And I took a page from you guys. I have to say we’re opening our CTL space officially next Tuesday. We were supposed to open last year but pandemic, and I took a page from y’all: I bought a kettle and tea because you guys inspired me. {LAUGHTER] So we will have a tea maker at the UW River Falls CTL space.

Rebecca: Representing, awesome!

John: Nice! We actually, I should note, have three. We have two tea kettles and we have a Breville tea maker, which will set the temperature and the strength of the tea for each of the major types of tea.

Cyndi: Of course you do.

John: We’ve been doing this for a while now.

Rebecca: Yeah, hashtag tea nerds.

John: We’ve invited you here, to talk about a column you wrote for the Cap Times on a bill that would ban the discussion of critical race theory in K-12 and higher education in the state of Wisconsin. What has happened with this bill? Has it passed or is it still under discussion?

Moira: This is a bill that… there’s actually two parts to it… There’s a Bill 409, which is targeting universities and colleges in Wisconsin. And then there’s a Bill 411, which is targeting K through 12 schools. And it hasn’t passed. It was proposed in June, just this past June… 2021. And then they only recently had a public hearing, a pretty divisive and rancorous public hearing, on August 11th on the bill, but no, it hasn’t gone to a vote yet. So the bill, basically, is banning particular concepts from the classroom. That’s its intent, including ideas like that one race or sex is superior to another, a person is inherently racist by virtue of his or her race or sex, a person should feel guilty for past acts committed by people of his or her race or sex. And there’s a few other pieces of language, but also it includes language that schools that would engage in instruction, that aligns with these ideas, would lose 10% of their annual state funding. There’s a couple other pieces to the bills, too, that are important to mention about ideas around educators publishing their curriculum, making it public and that being monitored in some form if this bill should pass. And that would be at the college and university level, but also at the K through 12 level. It also has some language on training. So institutions that are training on diversity and inclusion, for example, would be subject to some of these same ideas about what they can and cannot talk about in their training.

Cyndi: EDUCAUSE is keeping up with this, a lot of places are keeping up with this, I think the Chronicle of Higher Ed has a map as well. And there are 12 states that have passed something like this. And they all look a little different. So, Wisconsin’s looks very similar, I should say, because there’s a strategy here, but there are 12 states who have passed things like this, and there are variations on them. There’s more that seemed to be focused on the K-12 system, but many of them are focused on higher ed as well, like Florida really stands out as being very focused on their higher education system. So you can go and look, I think the EDUCAUSE article is really good, I can send that to y’all, but it sort of shows you like the map and where each state is in terms of where these bans are at. So this is a pretty serious issue going into the Fall semester.

John: We can share a link to that in the show notes. This has been a phenomenon we’ve been seeing a lot recently. We saw it over the previous four years in the White House with many federal agencies and we’re seeing it again in lots of red states, it appears. Why is this happening?

Cyndi: Yeah, I can start. I don’t think it’s any accident that a year ago, we were still talking about… I mean we still are talking about… the protests around George Floyd and the summer that we had that was so remarkable in terms of how many people went out and protested. So I think this is a response to that. That’s what it feels like to me. And it’s an ongoing response. We see this when you look at the history of race and racism, where there’s movement and backlash, movement and backlash. Carol Anderson writes about this really well. Many people write about it well, but that book in particular, White Rage, is a great source where she talks about that sort of movement forward and the backlash, and so I think it’s part of that. I think it’s always been part of a larger political strategy too, which I know Moira can speak better to than I can around using this in terms of gaining votes. I know you can speak to that better than me.

Moira: Yeah, I would agree with Cindy, that I think there’s a lot of backlash against the Black Lives Matter movement. And a lot of times the legislation even brings that in to the conversation or you hear that at school board meetings a lot in terms of what people perceive that movement to be, and whether they see it as a threat or not. And that often goes along with what people are speaking about at school board meetings and in college university settings around this type of legislation. But it is definitely stemming from a political strategy, in the sense that a Conservative activist, Christopher Rufo, spoke on Fox News last summer, talking about critical race theory in particular and how it was kind of this insidious element or form of indoctrination that was really moving through the education system. And that got the attention of President Trump. And he wrote a new Executive Order in which you can see much of the language in the legislation across the states, as Cindy described, taking their language directly from the Trump executive order, making sure that this was prohibited as much as possible in the educational setting. Biden has since rescinded that Executive Order since coming into office. But this is definitely a strategy that Conservative activists acknowledge and others also acknowledge ahead of the 2022 elections and beyond. And so there are different folks who are… you’ll see in conservative political party members… that are making statements, people who are interested in running for president eventually, that are definitely taking a stand on this and making sure that their voice is heard on this legislation in their own state or in other spaces. And so it’s definitely kind of part and parcel of how cultural wars have played out in the past in politics in which parties use a particular cultural hot point hot button issue to rally voters and constituents toward them on a particular cause.

Rebecca: In the past year, we’ve seen many campuses really pushed towards diversity, equity and inclusion initiatives, whatever those are, and whatever those look like on a particular campus, they’re different, but there’s definitely a movement in that direction throughout higher ed. how is this impacting that movement? What are the long-term implications of this kind of legislation happening across multiple states in these moves to really have equity in higher education, and really, in K-12, too?

Cyndi: I think it complicates it, and anybody who reads the Chronicle or Inside Higher Ed on a regular basis knows that there’s always been backlash against higher ed, the idea that what we’re teaching is indoctrination or somehow wrong and brainwashing students, liberalizing students, that that idea is not new. I think what this does is it just sort of raises the stakes even more. As someone who teaches about this and works on initiatives like that on my campus level, I’m very involved in all of that work. And so it feels like we’re under even more scrutiny. So there have been incidents on this campus. For example, over the summer, there was a website that was inadvertently linked to our website, and it generated a lot of controversy on the right. And there was a lot of pushback. And so there were people calling the campus and saying, why are you linking to this website? We shouldn’t have necessarily been linking to that website, and again, it was an inadvertent mistake. But it was so clear to me over the summer, when this happened, like “Wow, people are really watching closely.” And so I think that’s part of what complicates that work is that there’s just going to be a lot of scrutiny, a lot of watching what we’re doing. And we already know, and this happens on a lot of campuses, that campus web pages are looked at closely, what instructors are teaching are looked at really closely. I thought the situation at Boise State was really instructive. If you all followed tha, where the Idaho State Legislature took funding away from Boise State and gave it to another Idaho college because allegedly there was this incident where a white student was shamed in an online class around racism. But when you actually dug into it, that student was not shamed by the instructor. There was some back and forth between the student and other students in the chat. It was a synchronous session, but the instructor actually handled it beautifully. The instructor checked in on the student to make sure they were okay. She saw that there was some conflict between students and handled it really, really well, I thought, from my read of the reporting of that. But that incident of allegedly a student being shamed was sent to a legislator who then, just based on that hearsay, said, “Okay, we’re taking $400,000 [I think it was] away from the school.” So I think the scrutiny is part of what really complicates this and makes it harder to do that work.

Moira: I think one of the problems, to your question, Rebecca, about what kind of impact too, is the critical race theory has become this catch-all term for anything that is taught in K through 12 settings or colleges and universities that’s related to race, anti-racism, systemic racism, racial injustice. I mean, the list goes on and on. And as Cyndi has said, these courses have existed for a long time. There’s a lot of work on this in different settings and different forms. So there’s a lot of confusion about what critical race theory is, and is not. And most of the laws that have been passed and that are even being considered don’t even have that term in the law, or if they do, it’s not accurately characterized. So it’s become this vessel to control how race and racism is taught in these settings. And that’s a very powerful instrument. And I want to give you an example, there’s a website called criticalrace.org in which Conservative activists are basically keeping tabs on everything that they can find that colleges and universities teach or had programming on or training related to race, anti-racism, etc. But when you go through different colleges and you look at what they take notes on, it’s not critical race theory… Is there a course? Yes or no? They actually just list anything that has race or anti-racism in it. So it could be a speaker that spoke two years ago, it could be a program for first years on anti-racism, it could be a lecture, it could be training, you can see it’s just this catch-all list that they are collecting to identify a problem. But what’s not clear is what the problem is, in terms of collecting this list of information from a college or university. It’s not clear in this website, for example, what is problematic about any of this programming or how it fits into this larger narrative of it being indoctrination.

John: Is there any evidence that critical race theory is actually being taught anywhere in the K through 12 environment?

Cyndi: Not that I know of, this is just from listening to reports about it, but it wouldn’t make sense for it to be taught in a K-12 setting. I mean, even in undergraduate classes, I’ve never formally taught critical race theory. And part of what’s confusing about it, and I do think it’s sort of useful, I guess, as a catch-all term for the folks who want to stop any discussion of racism, because it’s like this projection screen that a lot of stuff gets thrown on. I mean, really, if you look at the definition of critical race theory, part of what’s so complicated about it is it’s not one thing, it’s really a framework. So it’s a way of looking at things like laws and policies across a variety of domains: health care, education, the justice system, etc., and saying, “Let’s look at where there are racial disparities and disadvantage and let’s try to understand that.” So it’s looking at those things with a critical lens. One example I might give from work that we do is I was thinking about a financial aid policy of verification, I’m sure you all are familiar with this, that ensnares tons of students, including lots of my students, where you have to go through and provide more documentation to be able to receive your financial aid. A critical race perspective on that would say, “How is that happening? How is that disproportionately harming students of color?” …because it is, and there’s research that shows that it is. So that’s what CRT is, is it’s looking at things from a critical framework and saying, “Let’s look at it and see the ways in which racism is operating here that we might not recognize, because that’s one of the sets of assumptions is that it’s systemic, it’s not just individual.” Race is a social construction. Depending on what source you look at, there’s like five or seven different assumptions that are made within the framework of CRT. So, it really wouldn’t make sense for it to be taught to little kids. And then even at the college level, you might not necessarily teach in that way. I mean, I know most of what I spend my time teaching are really those core assumptions, which are understanding how race is a social construction and what that means. Understanding what it means that racism is systemic, and not just individual. And I think when you drill down, I’ve been thinking about this a lot, what I think people really want to ban is feelings. They want to ban people’s feelings around this. So there’s a lot of emphasis, if you listen to the way legislators talk about this, they’re very worried about white people being embarrassed or shamed. And so the idea is, let’s not teach about this in this way in which we think about it as this large encompassing framework, because there’s the assumption that that will make white students feel uncomfortable and embarrassed and ashamed to be white, when I would argue if you’re teaching well, and most people I know who teach this teach very well, that’s not a pedagogical technique that we use. We don’t want to shame people because they don’t learn in that way. And so that’s what’s, at least for me, as one who’s taught about this for so long, is so maddening. It’s like you’re mischaracterizing the way we teach and also mischaracterizing what it is that we’re teaching. It’s not critical race theory. It’s before tha,t just trying to get on the same page of what race is what racism actually is.

Rebecca: It sounds to me like many of the objectives of people who are pursuing this legislation is to just ban discussion of racism, and particular history. And I know that even when I was a student, many perspectives weren’t taught in K-12. So is it a return to a status quo of teaching a particular perspective and only offering that perspective and pushing against other perspectives being offered? Or is it something else?

Moira: I teach international relations and international relations, as a field, was silent for decades on race. So you just didn’t see people publish about it, Textbooks didn’t cover it. It’s just this gaping hole until more recently, textbooks have chapters on race and world politics or more chapters on post-colonial theory, for example. And some of that is also very American-centric. The way Americans taught it in universities was very narrow. However, in other parts of the world race was very much part and parcel of how you would learn about International Relations at the college level. And I talk about that with my students, because when we read about recent world politics, and we look at post-colonial theory, it’s incredibly helpful for them to be able to see historical patterns and systems that have shaped foreign policy decisions, that have shaped why a country’s development has stayed at a lower level as opposed to a higher level. It gives them tools to understand and make sense of some of the outcomes we see that don’t always make sense, especially in places very far from here that are very hard to understand if you have only lived United States and don’t have a lot of context for what’s happening in other parts of the world. So even just being able to explain really diverse patterns of development, conflict, stability in the African continent, is something that the colonial lens, and the colonial period helps them to grasp and make sense of particular outcomes. And we couldn’t do that unless we talked about racial oppression. We talked about colonialization and the slave trade. We couldn’t make sense of that, without that context of institutional racism. To your point about are we going backwards, in that field of international relations, I’m only recently seeing this great movement forward. And actually, textbooks are now a lot more inclusive of these histories than they used to be and so I’m very sensitive to this, because I can see it just moving away. And this omission and this silencing could really have a huge impact on an international relations course.

Cyndi: Yeah, it definitely seems like we’re just getting started and actually including other people in a lot of our curriculum. I think about psychology and the ways in which so much has been left out. And it’s just now starting to be included. So again, I think this is kind of that backlash piece that we see where finally this kind of history and work is being included. And it’s like “No, no, no, wait, wait, wait, we don’t want that.” And, you know, we’ve seen this before. The Tucson School District, they attempted to ban ethnic studies that was ultimately overturned. But it took many, many years to get that changed. So I think that’s what we’re seeing, there’s movement forward, it’s a little bit more inclusive, there’s more focus on it. And it’s interesting, because the backlash is so swift, even to just a little bit of inclusion. We still know… the Southern Poverty Law Center put out a report… I think it’s been a couple of years ago now, looking at the K-12 system showing that really slavery is not taught well, for most American students, it’s not taught particularly well. But even just a little bit of inclusion has sparked this intense backlash. And again, I keep thinking about how so much of it is focused on feelings. It’s very interesting. We don’t want anybody to feel bad. And there’s this assumption that students will feel bad if they learn, essentially, the truth about American history and American present. They just really irks me as an instructor, because that’s not what I see. Students like learning this for the most part. I mean, I have some resistance. But for the most part, students are grateful. The number one comment I always get is, “Why did no one tell me any of this?” And so what I see is that they’re grateful to learn the truth and the flaws and the messiness of our history and who we are as people. They’re grateful for that for the most part.

Rebecca: I would think the most tricky feelings are actually the ones of being betrayed or like, lied to.

Cyndi: Often, there’s a lot of guilt. I’ve talked about that a lot. There’s a lot of guilt, there’s a lot of helplessness. “How do I deal with this?” And so, you know, there’s a lot of management of those feelings. So yeah, that’s a great point.

Moira: I think, too, one of the interesting patterns that we’re seeing with these laws, and it’s the same for Wisconsin, in terms of the proposed bills, is that there isn’t data or evidence of how any of this education that they seem to be pointing to is harmful. They say it’s harmful, and the feelings are being hurt, as Cindy was saying, but we don’t have any data or evidence of harm. And even in the hearing on August 11 in Wisconsin, some of the people testifying, the senators, but also teachers, asked about that. “What is the data? What exactly do you want us to not do? What do you think is harmful?” And it’s difficult for some of the sponsors of the bill to answer that question. They actually couldn’t answer that question on August 11. And I think that’s really telling,

Cyndi: It’s often just all anecdote. It’s just like the Boise State example. It’s like, “Well, I heard someone said that there was this” …and even the thing that kicked part of this off with Christopher Rufo that Moira was referencing earlier was, I believe it was a city worker in the city of Seattle who had seen a presentation and just took a picture of the slide and send it somewhere. So it wasn’t necessarily bad feelings, it was just like, “This could make me feel bad or something,” I think. So it’s very amorphous and there’s a lot of assumptions being made that aren’t well evidenced at all for this.

Moira: And everything out of context.

Cyndi: Yes, very much so.

John: Is this related to a concern about the decline of the white majority that had controlled the narrative for so long, and perhaps a backlash to that, which is showing up in voter suppression efforts in so many other areas?

Cyndi: Yeah, I think the backlash framing is interesting. Right now I’m reading a great book. Ashley Jardina, is a political scientist who wrote the book, White Identity Politics. I’m not all the way through it. It’s really fun to read so far. But she talks a lot about that, about how there’s this salience around white identity that’s happening now, because of this demographic shift. And so that this is part of that larger thing. So there’s this sense of threat. And this is a response to that. So I think it makes our job as teachers, when we teach about this, more tricky and more challenging in some ways, but it’s of a piece with what we’ve always had to deal with. And I think a lot of the techniques for working with it are probably going to be the same. I know at the K-12 level, it’s harder for them, because they have less academic freedom. But I think at the college level, a lot of just good teaching is the way that we’re going to have to continue to work with this backlash and threat that people feel.

Moira: I would agree. And I think that you hear whiteness and white identity and white privilege more often, I think, in a positive way, in the sense that it’s not these kind of niche areas or people. The good part is that people understand that more. And they understand that white identity is constructed just as much as black identity, just as much as any other racial category, they’re all constructed. And so I think, at least in my experience, when I talk to students about that, in that way, that social construction is this very real phenomenon, not just of identities, but many things. Sovereignty is a social construction. Norms have evolved over time about what states can or cannot do. It becomes something more within their grasp to know that this is a product of social forces that have huge impacts that we take for granted, that we internalize… myself and my peers… that we can dismantle, we can challenge, we can push against in the name of justice, in the name of more equitable outcomes. And I think it’s a tool that can be harnessed in that way. And so that’s something that I think absolutely produces the backlash, to your point, because people understand it as a movement to make people feel bad about whiteness, but actually, we all have constructed identities. And so we all are grappling with the ways in which those constructions are harmful.

Cyndi: And I think that actually gives us part of the way through this as teachers, I would say, because I’ve always thought about these two, sort of broad categories for thinking about teaching about race and racism. But even more so in the face of this, like I’m thinking about them more. So, one is the focusing on that institutional layer of things. We have so much focus on: “Are you a good or a bad person? Are you racist or not?” Particularly for white students. And if we can get beyond that, and really think about, “Yes, there is this individual layer, like the attitudes you hold, the behaviors that you display, but there’s also this bigger institutional part, where, as Moira said, all of our identities are constructed, and all of us are part of these larger systems, that we didn’t really ask to be a part of.” And so in many ways, that’s very freeing and liberating for students to see that, “Oh, yeah, I’m part of this harmful system, but it’s harmful to me, too.” It’s not as harmful to white people as it is to people of color, but there’s harm for everyone. It’s not just about me, it’s about this larger system. And that helps to, I think, get students away from just sort of the feelings of it, feeling bad, feeling guilty. It’s like, “No, let’s look at this in its entirety.” So I think that’s a really important thing when we think about how to teach in the face of this larger layer of scrutiny, is that, actually, that focus on the institutional level is helpful. That’s ironic, because that’s the thing that they want to ban. But I would argue that that’s actually a useful thing if you don’t want people to feel as bad. There’s some level of feeling that’s going to be there. But getting away from that, I think, is really helpful. That, and just creating as much belonging and community in your classes… you need to, that’s the second thing. And one more, I’ll just add, I’m a white instructor, and I’m tenured and all of that… it’s much easier. I think it’s really incumbent upon all of us in higher ed to recognize that this is a lot harder for instructors of color. It always has been and this makes it even harder. And for people who are adjunct instructors, graduate students, people who are not tenured yet, this is a really important issue that I hope that colleagues and administrators are paying attention to, I really do.

Moira: I just want to add one thing about the focus on the individual. The legislation ,even an opinion from an Attorney General in Arkansas recently just lists all these things that she sees as potentially violating anti-discrimination laws. But she only uses the language of the individual, the individual will feel this, the individual will be made to… So I think that, if we just step back for a minute and think about how social studies courses are taught in the K through 12 level, and we talk about how history courses… just very broadly for a minute… history courses are taught at the college and university level, they are never about who in this room is responsible for what happened. “This historical event that we’re talking about today, are you responsible? Are your ancestors responsible?” History has always talked about painful events. History courses, or social studies courses, have always talked about painful events, painful events in our history or others’ histories. And it isn’t about your ancestors’ responsibility or individual’s responsibility in the room. We talk about different forms of oppression. Even if you just think about workers’ rights at the beginning of the 20th century, when we think about who is oppressing or who was not giving a fair treatment to people in coal mines or in factories, we don’t talk about people’s ancestors in the room when we’re talking about those oppressions. We’re talking about that as a historical event that we learn from and that we then think about systems going forward from those events, our workers rights movements, child labor laws, etc. And so I think that’s something that is worth reflecting on, that that is the norm. What Cindy is describing is the norm. And many teachers in Wisconsin also said, this is the norm in terms of how we teach history, but it’s not about individual fault or blame.

John: We’re lucky in New York state that we don’t face this issue. But what can we do as individual faculty members to help push back against this type of thing?

Cyndi: Maybe I’m naive, but I really think teaching well is really important. And a lot of what we all know, in terms of good pedagogy, being inclusive, creating as much community as possible, creating a strong sense of belonging, I think all of that is going to be useful to fight back against the sort of stereotyped ideas of what we do as college faculty, and that we’re not brainwashing, we’re not doing that, what we’re doing is trying to bring students along and help them learn, I think about that Boise State instructor who really did what you should do in a situation like that. And so doing as much of that as possible and being focused on each other and being protective, like what I said before about really thinking about who are the more marginalized instructors on my campus that are doing this work? And do people really understand how hard that is? In my department, we take it for granted that the folks who teach statistics and methods, that’s harder, and their evaluations might not look as good as the folks who are teaching other stuff, like what I teach, social psychology, or things like that, that are more “fun.” I think, as colleagues, being aware how difficult this is and how hard it is, I heard a colleague this morning, say… she teaches about racism as part of a communications course… and she said, “I’m going to be taping my lectures, and not just so students have more access, but also because I am concerned that what I say could be mischaracterized, and so I want to make sure that I have it on the record.” And that’s the thing, that if you don’t teach about this, you might not understand that people are really afraid and feeling paranoid, for good reason. Because there is, like I said, that heightened scrutiny. So I think understanding that heightened scrutiny, pushing back against as much as possible, pushing our legislators to truly understand what it is we actually do instead of what it is that they sort of think that we do, and also being involved in our local communities like the school boards and things like that, because this is, as Moira said earlier, this is strategy, and it’s happening everywhere. So my guess is even in New York State, there’s probably some school districts where this is coming up, I can’t imagine it wouldn’t be. it’s a nice big state, so I’m sure that that’s happening there. So that’s what comes to my mind.

John: Even though there hasn’t been any state legislative motions on this, we certainly have students who will share those views and who will push back. And while I don’t believe it’s happening in our institution, certainly in many institutions in New York, students have recorded portions of videos and posted them and so forth. I think that point you made about an instructor recording their classes to protect themselves is a suggestion I’ve often made to faculty, because people will sometimes say, well, what if I say something that I shouldn’t? I said, “Well, first, you probably shouldn’t be saying things that you shouldn’t.” But they’re concerned that students may take something out of context. And I said, “But if you have the video, you have the context, you’re much less likely to be protected if a student’s there with a smartphone, taking bits and pieces of what you’re saying and then perhaps editing parts of that out of context. It’s much better to have it within the setting.” I’ve actually encouraged people to record their classes to provide that sort of protection, if they’re not discussing really sensitive issues.

Rebecca: One thing that I wanted to ask a little bit about is you mentioned before about how many fields are just starting to be more inclusive in their classes. For example, in our design classes, we actually are providing more examples from different types of designers from around the world. Do you see some of this legislation and this pushback, starting to push back on some of that inclusivity or giving some instructors who are just starting to introduce some of these ideas… where maybe the topic isn’t about race and racism – that’s not the subject matter of the class – but you’re trying to be more inclusive, you’re moving in this direction. What should we be thinking about as instructors who are doing this work for the first time, or we’re just doing it more than we ever had before?

Cyndi: Yeah, I think it’s a real concern. I always make a distinction between inclusive teaching generally, which isn’t necessarily talking about racism, or systems of oppression. And there’s a lot of good work on that, I would just shout out Viji Sathi, and Kelly Hogan who I know you all have had on and they have a book coming out next year about inclusive pedagogy that I think is gonna be awesome. And so in working on those techniques, and I find a lot working with instructors that you hear a lot like, “I don’t want to talk about that, I don’t know how to talk about that, that’s going to be too controversial and I won’t be able to cover it.” So maybe don’t start there. Instead, just start with some of these inclusive teaching practices as much as possible. And then working into adding that content as much as possible. And just using as many outside resources as possible to make you feel comfortable. So, I always say, “Go look at your professional association, because they’ve thought about this, there’s going to be a diversity committee in the American Chemical Society, I think, is what it’s called, I’m probably getting that wrong. My chemistry friends will correct me, I’m sure. But there’s a diversity committee who has thought about this, like how do you increase representation. So use that and don’t try to recreate the wheel. And also make sure you just start again with those good inclusive teaching practices, which don’t necessarily require you to be talking about really controversial stuff, but allow you to still create as much equity and access. So I know the new center at Uni of River Falls, we’re going to be running some inclusive teaching workshops this year. And that’s part of why is because we want to make sure that we’re giving people the tools to be able to do that as much as possible.

Rebecca: But certainly a strategy we’re using here as well. We had Viji Saffy and Kelly Hogan here right at the start of our semester to kick off some inclusive pedagogy workshops.

Moira: Yeah, I would just add that this is in the frame of mind for inclusive teaching, but also this idea of pay attention to the different experiences in your classrooms, and also look at what kinds of voices are in your readings, who is not being heard, what perspective is not necessarily being heard here. That’s obviously an element of inclusive teaching. But I think it’s something that is easily overlooked. I’m going to speak for political science, because that’s mine, and they are terrible at this. And I’ve just been at institutions where you get a diversity assignment with your course, if you have a certain level of multiple voices and perspectives being taught on your particular international relations topic, for example. And that’s an odd system that many of us universities have, it’s this extra thing that some courses will do to include a variety of voices on the subject of foreign policy, for example, when the norm is to not do that. But if you do that, you will get a designation. And that’s my own experience in political science, I’ll only speak to that. But I think that that’s something to reflect on as a department, whatever the discipline you’re in, in terms of “What do these designations tell us if you have a system like that? What does it mean for what we’re teaching and what we’re bringing to our students in our department? And how could we do better?”

John: We always end with the question, what’s next?

Cyndi: Well, the semester is next [LAUGHTER]… the semester starting next, I’ll just say two other quick things: we’re opening our official CTL space next week, which I’m very excited about, because we have not, at UW River Falls, had a center. Well, we started in March of 2020, which is not a time you should start a center, but we did. [LAUGHTER] So we were virtual for the whole first year. And also I’m working on a research project with a colleague in our sociology department, where we’re looking at how do students learn about structural racism most effectively? And how do they learn it across different sorts of classes? So, intro level sociology versus an upper-level course like mine. So that’s what’s next for me is looking at that data and following up on that to better understand that process for students.

Moira: I’ll also say, no matter what discipline you’re in, what’s happening, this pattern and this movement that we’ve been talking about is something that is worth talking about, with young people at the college level, no matter what discipline you’re in, to kind of pose it as “What do you know? What do you understand about this? What have you heard? What questions do you have?” kind of topic, it could be an icebreaker, it could be further into the term, but just in terms of even just hearing from them about what they think about their own learning at their campus, and how this may or may not affect what they do, and put it in their hands to hear a little bit about what they think you don’t hear a lot from the students in these debates. Obviously, young people, people of elementary school age are not necessarily going to testify at a hearing. But I think that’s an important absence here is that we don’t hear from young college students necessarily all the time about what their interests are, what they understand of their experience on campus.

Rebecca: Imagine that.. asking students.

Moira: Ask the students! [LAUGHTER] That’s a great point.

Rebecca: Well, thank you so much for your insights, and food for thought as we move into the fall semester.

Moira: Yeah. Thanks for having us.

John: Thank you for joining us.

Cyndi: Thanks so much for having us!

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John: If you’ve enjoyed this podcast, please subscribe and leave a review on iTunes or your favorite podcast service. To continue the conversation, join us on our Tea for Teaching Facebook page.

Rebecca: You can find show notes, transcripts and other materials on teaforteaching.com. Music by Michael Gary Brewer.

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195. Supporting Faculty Equity

Women faculty of color experience significant workload differences in course loads, advisement, and dealing with micro and macro aggressions. In this episode, Chavella Pittman joins us to discuss specific steps that we can take to reduce barriers and move towards equity. Chavella is a Professor of Sociology at Dominican University, the founder of Effective and Efficient Faculty, and is the host of the Teaching in Color podcast. She has written extensively about issues of race and gender in higher education in scholarly and general interest publications and is widely sought after for workshops and consultation services related to diversity, equity, and inclusion issues in higher education.

Shownotes

Transcript

John: Women faculty of color experience significant workload differences in course loads, advisement, and dealing with micro- and macro-aggressions. In this episode, we discuss specific steps that we can take to reduce barriers and move towards equity.

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John: Thanks for joining us for Tea for Teaching, an informal discussion of innovative and effective practices in teaching and learning.

Rebecca: This podcast series is hosted by John Kane, an economist…

John: …and Rebecca Mushtare, a graphic designer.

Rebecca: Together, we run the Center for Excellence in Learning and Teaching at the State University of New York at Oswego.

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Rebecca: Our guest today is Chavella Pittman. Chavella is a Professor of Sociology at Dominican University, the founder of Effective and Efficient Faculty, and is the host of the Teaching in Color podcast. She has written extensively about issues of race and gender in higher education in scholarly and general interest publications, and is widely sought after for workshops and consultation services related to diversity, equity and inclusion issues in higher education. Welcome, Chavella.

Chavella: Thank you. Thnk you.

John: Our teas today are: …are you drinking tea?

Chavella: I’m not, I’m drinking water and looking forward to going to grab a craft beer in an hour or so. [LAUGHTER]

Rebecca: Of course, we’re recording early in New York.

Chavella: Well, that’s why I had to add in a few hours. [LAUGHTER]

Rebecca: I’m drinking English breakfast today.

John: I just finished a ginger peach black tea and now I’m drinking a blueberry green tea.

Chavella: Oh…

Rebecca: Cup number three, isn’t it John? …it’s pretty early.

John: It is, we had a meeting earlier where I went through two versions of ginger peach black tea.

Chavella: You’re making me want to go get my tea. I’m in the midst of camping. But I have packed with me some hibiscus leaves to make tea and some ginger tea that I picked up in Bali. So you are encouraging me to have tea after I get off.

Rebecca: I think that sounds like a great plan.

John: I drink ginger tea a lot. It’s really nice.

Rebecca: So we’ve invited you here today to discuss the challenges faced by female faculty members from minoritized populations. College faculty members are disproportionately white and, in many disciplines, disproportionately male. Can you talk a little bit about why this results in workload differences.

Chavella: The main issue is that our institutions, regardless of the composition of the student body, a lot of our institutions have made commitments to producing students that can function in a diverse society, that can make a difference in the world. But, the faculty that are particularly suited to do that, in terms of maybe their statuses, or their research, or their experiences, or their pedagogy, happen to be faculty that are from diverse backgrounds. And so, those are the folks who are doing a lot of the heavy lifting, whether it be for service, in the classrooms, in their research, etc. So it’s pretty much the commitments that our institutions are making that’s requiring additional workload for those faculty. Now, obviously, other faculty can do that work. But that hasn’t been the case. These faculty are the ones that are doing it. And they’re often hired to do it, essentially. Our institutions are saying that they can prepare well-rounded students, but they don’t have well-rounded personnel and talent to do so. And the folks that they bring in are usually taking the load of that, because the same way that our students haven’t been prepared by diverse faculty, our faculty and staff haven’t been prepared by diverse folks. So, even with the greatest of intentions, the folks that we have set forward to prepare our students in this well-rounded way, they themselves are not prepared. And they themselves don’t have those skills and abilities. So the folks that we bring in who have those mindset, those perspectives, that expertise, are overloaded, because they’re having to do that work to prepare students, but also to compensate for the fact that their peers don’t have that capacity either.

John: Does this also translate into higher advisement loads for faculty in these groups?

Chavella: Yes, absolutely. Absolutely. So when you have diverse students, odds are they’re going to flock to the people who have interests similar to theirs, that look more like them. So even if students aren’t formally assigned to you, they make their way to you. But it’s not just the diverse students, some of the majority students to see, “Wow, this faculty member is doing research that’s related to this social justice thing that I’m interested in, but none of the other faculty are doing it.” So you end up advising more students formally and informally as a result because they are drawn to those folks that have a broader perspective or have experiences that are missing from the institution. So it absolutely translates into higher advisement. I just reconnected with a student , again, a white male student, so like on top of the students of color that I had, a white male student that I advise as an undergrad,just found me and I had a Zoom meeting with him last week. And I gave him the perspective and the scholarly information that he was not getting from his other faculty. And he became very interested in a lot of these issues. So it’s not just the diverse students, the majority students are flocking to these faculty as well.

John: Might the same thing be true of white faculty and male faculty approaching people who might be able to provide support when difficult or challenging issues come up? And certainly we’ve seen a lot of difficult and challenging issues over the last few years.

Chavella: Oh, my goodness, yes, absolutely. I try to tell people like I know that their request seems like it’s always just one small request. But it’s a drop in the bucket. If you can imagine how many emails I get weekly, asking me to do those things. I don’t want to implicate my own campus. But obviously, I get them on my own campus. But I also get them from organizations, I get them from people that might know me broadly. And it’s a lot. And if you think about the fact that the majority of our women of color faculty are not tenured and at less junior ranks, like the service load that that puts on people, it takes away from their ability to do the research. But people really do get offended. So when your faculty colleagues are like, “Oh, I’m just making this one small ask,” but they don’t understand that you’ve probably gotten five or six just that week. And then, because they don’t have to do that work all the time and face the resistance and the navigation that’s required by that, they don’t realize that not only is it a time toll, it’s an energy toll, and it’s risky. So yeah, that’s exactly what I was saying about our colleagues not having the capacity for this work, but they’re coming to us to do it. And it’s a lot, it’s a lot. And it doesn’t mean that folks don’t want to be helpful, but you can’t do things for other folks to the detriment of your own career or well being. And a lot of times it’s set up that way, that expectation is set up that that’s what needs to be occurring.

John: And especially for junior faculty, it’s hard to say no, sometimes, I would imagine,

Chavella: Absolutely. It’s really hard to say no, even when I was junior, I had senior mentors that helped me navigate how to say no, and how to often say no, that didn’t sound like a no, how to say something that will make the person take the request back, or take something off my plate, or whatever it was to acknowledge that that was labor on top of other labor and the costs or consequence it might have for me, so I’m very grateful for the senior folks who did that for me. And I try to do that now for women faculty of color, for sure.

Rebecca: That reminds me of one of your episodes of your podcast that focuses a lot on the classroom and actual teaching and the labor that’s involved with that. Can you elaborate a little bit on those ideas and how the workload associated with actually being in class and teaching is something that we tend to overlook?

Chavella: Absolutely, absolutely. And I’ll forewarn anyone who listens to those is that you’re going to hear me sound frustrated, because people really do overlook that labor. What I hear most often is people say, “Oh, no one gets tenure for teaching, or no one gets denied tenure, because of teaching.” But that’s not true. It’s not true at all. And what you hear me talk about in those podcast episodes, and in some of my research, or we read other people’s research on the classrooms, is that those faculty, their navigating minefields, essentially, they’re being harassed by students, by colleagues for the content, their careers are at threat because of evaluations. They’re trying to prepare for the inappropriate resistance that they’re going to get in the classroom. And because they’re spending so much time and energy doing that, they are not able to do the research that they need to get tenured, whether it’s just the time or the emotional labor required, it just doesn’t leave space for people to get the research done. So it drives me a bit bonkers, that people really overlook how this stuff plays out in the classroom, because they think it’s not important. But the reason they think it’s not important is because they don’t experience it, and they don’t see it. And they don’t understand how much of a drain it can be and really derail people’s careers. But yes, I talk a lot about that on the podcast.

John: And you also had written a paper about classroom disruptions primarily involving white male students engaged in disruptive behavior in classrooms. Could you tell us a little bit about that?

Chavella: I think a lot of what I’m trying to do for the most part is give voice to the experiences of women faculty of color, because they are overlooked and invalidated. And it’s like missing or people try to find ways to explain it away. But honestly, there isn’t space for the voices of the experiences of women faculty of color. So that article that you’re talking about, in particular, was a research project that interviewed folk and it was about their teaching broadly. So it wasn’t even focused on the disruptions. But the pattern that became really clear was that all the women faculty of color, regardless of discipline, how much teaching experience they had, and their rank, because sometimes people say, “oh, once you’re senior, you won’t have to deal with it.” That’s not true. I’m a full professor. But guess what, I’m still black. [LAUGHTER] I’m also still a woman. And so what was found in that research was, again, across all of those differences, the women faculty of color had the same experiences with white male students in particular, over and over again. They would challenge their authority in a variety of ways. They would make them feel at threat, whether getting in their personal space, some sort of physical threat, or engage in behaviors that would make their careers seem like they were at threat. They would inappropriately challenge the legitimacy of their scholarship. Like they would say, “This is just your opinion.” It’s like, “No, this is expertise. This is scholarly expertise.” So those were just a couple of the themes that were in that data. But those things are common, and they happen on a regular basis. And that’s not acknowledged. And so that’s why I tried to do that research, and try to get it out there as much as possible, because people don’t realize that these are the dynamics that women faculty of color, a lot of them, not all of them, are dealing with in their classrooms.

Rebecca: There’s a lot of the “and” like, it’s the advisement… and the classroom… and course load [LAUGHTER]. They all really add up. Can you talk a little bit about the course load issues?

Chavella: Oh, my goodness, yes, you would think I just started researching this stuff. I’m still having visceral responses to it. When people tell you things anecdotally, sometimes people try to say like, “Oh, that’s not true.” When you look at the data, and see who’s getting the new course preps , who’s being assigned the service courses, which tend to have higher loads. Those tend to be our women faculty of color. Other folks are able to sort of choose, select, be assigned smaller courses, niche courses on their research. And that’s not happening. So for the most part, women faculty of color have higher loads. And again, to give you anecdotal, to see what that looks like, I was just talking with a black woman faculty member yesterday. And she told me that a piece of paper was passed along at a meeting, and her name was just next to three courses. And it happened to be three new course preps at the same time. And so people aren’t watching, essentially. They’re not keeping track of the assignments, they’re not ensuring that there’s parity. So she was completely frazzled, trying to get those new courses all prepped at the same time. And I think two of them were grad-level courses. So yeah, so that’s what it looks like is that when you look at the statistics nationwide of the loads for women faculty of color, they’re more likely to be assigned service courses, intro courses, and new preps. And that’s labor. It’s much easier to teach a course you’ve taught before. It’s much easier to teach a course that has 15 folk in it than one that has 50, 75, 150, essentially.

Rebecca: Beginning courses can take a lot of a toll on any faculty member when you have a lot of students who might not be interested in the subject matter. But you have that layer of extra convincing to do on top of all of this too… [LAUGHTER]

Chavella: Absolutely, absolutely, absolutely.

John: And you also have discussed some of the issues in terms of the pedagogical approaches that are used. Could you talk a little bit about some of the differences that appear there in terms of how faculty of color might teach differently in some ways than what students are used to in other classes? …or faculty are used to?

Chavella: Yeah, you’re right. Students and faculty… being used to… So, again, when you look at the research on faculty, what marginalized statuses, women faculty of color, in particular, they tend to use more… and I haven’t landed on like a particular label. Sometimes I say, innovative practices, but they’re not usually innovative. They’re just non traditional, you know what I’m saying? They don’t lecture the whole time. So that group of faculty doesn’t really stand in front of the classroom and lecture. They tend to do things that are more interactive. They tend to do things that are more participatory, whether it’s emancipatory teaching or the pedagogy of the oppressed, or whatever. I don’t advocate for or against any particular type of pedagogy, but just trying to make it plain that according to the scholarship on teaching literature, these are all the pedagogies that are transformative. These are the ones that are learning centered, and they’re doing that. And a lot of times they’re doing it intuitively, sometimes they’ve studied about it. But we know that graduate programs don’t really prepare faculty to teach. [LAUGHTER] Some of them are doing intuitively… some of them found their educational experiences lacking until they’ve read a little bit about… they’re doing it differently. But they’re engaging in all of these effective pedagogical practices that really transform students in all these different ways. And that are shown to teach them well, but they get great resistance from both students and from colleagues because they’re not used to them. So they’re doing the right thing. It’s just different, and there’s a lot of resistance to the fact that they’re doing something that’s different, even though they can usually demonstrate that the students have learned.

Rebecca: We already know there’s a lot of bias in course evaluations that students perform on courses. But when we have these other active approaches, the questions that are often on those evaluations don’t even match either.

Chavella: Exactly.

Rebecca: So it’s almost like a double whammy there.

Chavella: It is, and I’m opening up a can of worms. But the can of worms that I’m trying to not open is essentially that there’s a lot of misalignment between what our campuses say is great teaching, what’s on our course evaluation forms, and what’s actually in the Scholarship of Teaching and Learning, and what’s in a repertoire of what the people who are doing those evaluations actually know. For many of those pieces, there’s usually just a misalignment and disconnect between those pieces.

John: There was that study at Harvard done a couple years ago now, which found that students tend to find lecture much more effective, despite all the evidence that lecture is less effective than active learning techniques. So when you add in other forms of bias, that becomes fairly challenging. Anyone trying to use effective pedagogy has to make a case to students about its effectiveness. But when you add in some racial and gender bias, this problem may be a little bit worse, which may also tie into teaching evaluations, either by students or by observations from peers.

Chavella: My faculty development business is called effective and efficient faculty, because I am trying to find the easiest ways to get solutions into people’s classrooms and on the people’s campuses. I read all the literature so that people don’t have to do all that. I communicate it back to people in a way that they can learn it really quickly, but so that they can act on it. And I tell them the actionable pieces, because sometimes that becomes like a stall tactic. People are like, “Oh, I need to research and I need to read and we need to get this through committee… and our women faculty of color, don’t have time for that. So we need to get that stuff going as quickly as possible. And what you said, I mean, highlights what I was trying to say gingerly about the disconnect. All the research says that when you do something different in the classroom that students aren’t used to, your evals are going to go down. But people don’t take that into account when they’re reviewing you for tenure and promotion. Those people don’t know that research, they’re not reading it, they’re not applying it. It’s not connected. And to me, that’s what the problem is. So in terms of like, how do you address all of this, I think there are some institutional actions that people can take. And the first thing you can take is to bring the research to people. So if they’re not going to go to the research, bring the research to them. So people should be trained more on what effective pedagogy looks like. A lot of the people who are evaluating our teaching, are evaluating based on what they would do. And, eh…, that might not be right, for a range of reasons, [LAUGHTER] …might not be the right approach. It’s not grounded in research. But also we shouldn’t be evaluating people on whether or not they’re clones of us, what it is we would do, particularly if they’re people with different statuses. And I’m always trying to tell people, everybody based on their discipline, their pedagogy, their teaching style, what works for you might not work for me. And so there needs to be some flexibility. So, that’s the first thing, is that people need to be trained on what effective pedagogy is. That’s step one. The other things that can be done are, this is going back to the idea of classroom disruptions, every campus should have a classroom disruptive behavior policy, and if you don’t like the word disruptive, you don’t like the word policy, fine. It can be whatever language you like. I know that that sort of raises people’s hackles. But there’s a student code of conduct, you should be looking at it. And when it lists like, here are the things that are prohibited any place on campus, just make sure the word classroom is in there. Because sometimes people think, “Oh, that doesn’t apply to the classroom.” Hello, that’s where the work at a university occurs. Of course, it applies to the classroom. But let’s make it explicit by putting it in there. Some campuses have separate policies about classrooms, that won’t be a one-size-fits-all for faculty, because, again, people teach in different ways. What’s appropriate in one classroom might be not for another, you can yell out answers in my class, another faculty member might want you to raise your hand. But there’s a way in which you can write a policy that makes it plain that classroom management is going to occur in the classroom, and that there are going to be behaviors that will be disruptive to that classroom, and that those are not allowed, and that here are the consequences for that. And while that might make people uncomfortable, those policies already exist on our campuses, for dormitories, for public speaking events, for the dining halls, etc. And so it’s actually already normative to let students know that in order for us to sort of work and function as a community, here are the guidelines by which we should operate. And here’s what happens when you don’t abide by those guidelines. So the classrooms need to be looped into that. Student ratings, now that’s a can of worms. People will defend those things to the day that they die. I don’t get into that squirmish, that’s not the squirmish that I get into. The squirmish that I’m more interested in is I want people to read more about what the folks that make those things themselves say about their use in personnel reviews. They’re not saying they’re supposed to be used in personnel reviews. The history of those things are to give people feedback. So when you’re doing that new, innovative, fun thing, they’re meant to be a way for you to get feedback from that. They’re not meant to be evaluative and some of the items that people use, like the overall item that they actually say like “don’t use that item at al…” then people are like “that’s the best item to use.” So we need people to learn more about what student ratings say and don’t say about effective teaching and we need people to be trained, taught, learned, well versed, on what to do with the data from them. So if we’re going to use them in reviews, what is the best practice methodologically and statistically for how we use that data? So we need people to know that. And I think, just broadly, we need people to understand how to evaluate teaching for tenure and promotion. And they don’t. People might be methodologists in their discipline, and they know how to do that perfectly. None of that seems to translate to how we evaluate teaching on our campus. And again, none of these things are things that should take two years of committee work and five years of faculty governance meetings. I definitely teach people really direct simple things that they can do and shifts that they can make to get this into play. But I think those are the main magic wands, teach people about effective pedagogy, learn about student evaluations, learn how to use the data soundly, learn how to evaluate teaching, and make sure that you reward effective pedagogy. So don’t just learn about it. Don’t punish it, reward it… a novel idea. And to make sure that faculty have resources to get support off campus, because a lot of folks get relegated to the teaching center as though something’s wrong with them, like “Oh, go to the principal’s office, you got bad evals, go get fixed.” We want to make sure people have resources to go to other places where there maybe aren’t eyes. I know that teaching centers stay out of the evaluative process, but they’re overwhelmed. They’re overworked. People have put so much stuff on their plate and may not actually know some of this research, with intersections with women faculty of color, they may not have as much experience supporting women faculty of color. So you need to make sure that you give faculty resources to get the support they need off campus. So lots of magic wands.

Rebecca: So speaking of magic wands, I know you have some about workload related to advisement and course loads. Can you talk a little bit about those?

Chavella: Oh, yeah, absolutely, and these are simple. So this is actually a really good example of what I mean when I say, “Oh, even though I said a magic wand that sounds like it takes forever, that it’s really easy to resolve.” So for teaching loads, this is the magic: track them. Make an actual chart where you track people’s loads. And how many courses are service loads? What are the numbers of the loads? How many are their new preps, and you just want to keep track and make sure that there’s some equity, some equitable distribution across that, or maybe not even equitable, because if you know you’re going to give a woman a faculty of color a whole bunch of service stuff, then that means that they have a lighter load. But you need to track the load. And you need to be more mindful about the teaching assignments moving forward. So just track them. People don’t do that at all.

Rebecca: I think sometimes these things seem so obvious. But we need to say them out loud.

Chavella: Yes, absolutely. Yes, simple excel sheet, anyone can do that. They could do that today, if they wanted to.

John: And while this wouldn’t eliminate bias in evaluations, might it be worth having institutions revise their teaching evaluations, or any rubrics they use for peer evaluations, to focus a little bit more on evidence-based teaching methods in at least a general format, to nudge all faculty to move into the use of better teaching techniques, to reduce some of the disparities that are being observed there.

Chavella: Absolutely. And honestly, that’s what I teach people to do. And when you do that… obviously, bias is still going to exist for humans… but it gives you more evidence instead of just the bias, essentially. So one of the things I teach people to do is, this gets back to what you were saying, Rebecca, that someone might be using a different pedagogy, but that’s not represented on the evaluation form in any way, shape, or form. So one of the things I teach folks how to do is evaluate the faculty member on what they were trying to do, that’s usually not represented anywhere in the evaluative process. So what were they actually trying to do? How are they trying to get there? And what’s the evidence that that’s what they did? If you just start there from how you evaluate teaching and learning, because it’s an evidence-based approach, that goes a long way. So even if students are having resistance in some other way or form on evaluations, if you have some data that say I wanted to make sure that students knew how to apply a theory to something real world, and I say, “This is the strategy I use to teach students how to do it, I write about that and I explain it. And then I produce data that shows the students learned how to do that. That’s evidence versus the student rating of them having resistance to the strategy I used to teach them or their resistance to the topic. It’s a much better process.” So yes, an evidence-based process is way better than what most of our campuses are doing now, which is just looking at the evals and looking at the scores and saying, “This person is a great teacher, this person isn’t a great teacher.” But, that’s not what the evaluations are saying at all. They’re student reactions to various things about the faculty member: their course content, their personality, their pedagogy, their statuses. Students love lecture, but when you do objective measures of what they learned, they haven’t learned. Student reactions are important information, but they’re not always important information about whether or not effective teaching occurred.

Rebecca: Definitely. Learning’s hard.

Chavella: Yes.

Rebecca: I imagine that all of these things tend to show up in our student evaluations, because it’s just not always a comfortable experience. And so that tends to be reflected rather than whether or not they learned something.

Chavella: Exactly. And the research supports that.

John: In addition to in-class challenges, women faculty of color are likely to face other microaggressions from colleagues. Could you talk a little bit about that?

Chavella: Yeah, absolutely. I’ll cling pretty closely to the teaching ones, because I think they’re the ones that are overlooked. People talk about a lot of the other things that go on. Essentially, what happens is that the same way that students can be resistant, institutions want us to come in and provide these broad perspectives and these new ways of knowing and doing, but the colleagues are as resistant as the students are. So colleagues are like, “Well, why are you teaching that? You are teaching this, that means that you’re not teaching that, and that’s the canon…” like you have to teach so and so. Or if it’s like a survey course, and the person’s like, “Well, guess what… other people were around and involved in the development of this. And I’m making a point to include those voices that were omitted.” Colleagues resist that, it challenges their own preparation and expertise, and etc. So I hear that all the time, that people are like, they’re being told to not teach something, they’re being told to only lecture. So their advice for students resisting the teaching that they do that’s transformative, they say, “Well, just lecture, if you know, students don’t like that, just lecture.” So they’re effectively telling them to engage in the teaching practices that are popular, versus the ones that are effective. And so, on a regular basis, I’m hearing that a woman faculty of color is being told, “Don’t teach this particular topic, it’s not actually scholarship, don’t teach in this particular way, don’t make students call you by your title,” like, “oh, let them call you by your first name.” …just the level of, I don’t know, I wanted to say control. But that’s what it is. They’re trying to control their content, their pedagogy, their interactions with students, from their lens, not from the lens of that person with different statuses. And again, it’s not benign, this isn’t just interpersonal stuff, these are going to be the folks that are reviewing them. These are gonna be the folks that are voting on their tenure, these are going to be the folks that don’t understand that they haven’t been able to complete their book or their article because they’ve been told you have to get your course evaluations up. How the heck do you do that? Where’s the magic wand for that? That’s the magic wand I want to find. And the ones I know of are like the trickery ones, like: “give them pizza, give everyone A’s.” I’m not suggesting that at all. But these are the things that they’re being suggested to do to get their evals up. And faculty can be pretty aggressive and territorial about what’s taught in a class and how it’s taught. And that varies by disciplines, like I can think of a couple of areas of disciplines that people are very territorial, because, I think, for them, it waters it down, or it makes their stuff not seem as valid. So colleagues have been very aggressive about what women faculty of color teach and how they teach it… in their reviews, not just interpersonally, but in their reviews. And if people end up not tenured as a result, they get pushed out.

Rebecca: And then we wonder why there’s no faculty of color.

Chavella: Not only that, we wonder why there aren’t any. And then if you say, “I think teaching’s a problem, they’re like, “Oh, no, that’s not it.” It’s one of many problems, obviously, but it has to be on the list. And it usually isn’t on the list at all… just thinking of, again, of all these things that happen with colleagues around these topics. And in the water cooler talk like faculty member goes back and tells the majority member faculty member, “Well so and so’s teaching XYZ in her class ,”or “I don’t like so and so, they’re mean” or “this person doesn’t seem approachable.” The watercooler talk that gets rolled into some of the antagonistic colleagues that women faculty of color have, because students have come back and said, “Well, they’re unapproachable,” like they’re not unapproachable, you’re just not used to dealing with black women, or you’re not used to dealing with Asian- American women or your lack of experience might be causing some discomfort that may make you miss perceive that interaction. But that’s making its way back to colleagues and colleagues or passing judgment and that’s working its way into interactions versus them sort of pausing and saying “something could be going on.” But again, our colleagues aren’t used to having interactions with these statuses either, so they’re navigating at the same time the students are,

Rebecca: …which makes it very hard to mentor…

Chavella: Yes.

Rebecca: …because there’s many generations that need to undo learned behavior and learned biases and to start working on institutional and cultural change. But it takes a long time.

Chavella: Absolutely, absolutely. It doesn’t have to take a long time, you can make some small shifts in how you evaluate teaching and how you evaluate teaching what you do with student ratings, there are very small things that you can do that will make a huge difference, like you said, just looking at the dang gone teaching assignments, actually taking into account what the faculty member was trying to do when you evaluate them. People don’t do that. They’ll tell you, “Oh, that’s biased. It’s like teaching to the test.” Excuse me, how do you know if my teaching was effective if you’re not even looking at what I was trying to do?” You’re only looking at the student ratings. That doesn’t make any sense. But it’s what a lot of people do, and they stick to it, right? And that’s what we’ve always done. That’s how we evaluated so and so, so it’s not fair to change now. Well, those ways of being stuck are things that maintain inequality, essentially.

John: You’ve talked about some ways in which institutions can make changes, are there any other things that institutions can do or individual faculty and departments can do to help reduce some of these challenges?

Chavella: Well, I’ll definitely revert back to all the magic wands I said earlier, and I will get like a broken record, because I want people to start those places. And like Rebecca said, they seem so easy, but a lot of people don’t state them out loud. Not only do people not state them out loud, but when they hear that they sound easy, they don’t do them, either. They’re like, “Oh, that won’t make a difference.” I’m like, wait a minute. So I will say the same things over and over again and encourage people to do them. So, same things. So what I would love for people to do, administrators or institutions alike, pull open your student code of conduct and see if there’s anything in there explicitly about classroom behavior. I want people to do that, immediately. I would like people to look at the definition on their campus for what’s effective teaching, and then look at their student rating form and see: is there alignment? Now that doesn’t mean revise the heck out of the student rating forum to increase alignment, because the student rating forum isn’t the place for all of those evaluative things to occur, there has to be some peer evaluation involved in that, but at least looking will shake up the way people feel that the student rating form is like the beginning and the end of the evaluation for faculty. Look at your peer observation process, is that aligned with the institution’s definition of effective teaching? Do the ratings form or the observation form, take into account what the faculty member is trying to do? See, these are all very simple things that institutions can do, like how do we incorporate what the faculty member was trying to do that day into what we’re observing, into what we think the data is telling us? So these are very small shifts… and then start putting some money aside. Our women faculty of color have been beat up this past 14,15,16 months, like, the shouldering of the emotional labor of the pandemic, of folks’ heightened awareness for racial injustice. It’s been a lot of us, you know, doing a lot of that labor. And so people need to put their money where their mouths are, I’ve had a couple of kind of painful moments of women faculty of color saying that they’re suffering on their campus. They make their way to me, and an institution has said, “No, we have a teaching center.” And I’m like, “Uhhh, the teaching center isn’t equipped to do that for a range of reasons. They’re overloaded, all the teaching and learning people are like “pandemic, much?” like, “have you not noticed, our hands are full.” People really need to free up funds to help people get the support that they need for these things. So those are the things I would suggest people do as individuals. Make money available for women faculty of color, look at their classroom disruption policy, look at their student evaluations, their peer observation form, learn about the dang gone research on student rating, learn about how to evaluate teaching, and the real call to action: “Don’t take two years or one year of committee to do it, make a change that you’re going to enact in fall.” And if you need to figure out how to do that, and that seems impossible, then make your way to me, and I’ll help you figure it out.

Rebecca: I love that your approach is so actionable. I think a lot of times we spend our time in some conceptual space, spinning our wheels, not doing anything, but you’ve given us many very specific, very actionable items. So I hope our listeners will take your lead and just take those steps.

Chavella: I hope so, because I’m watching the women faculty of color that get weeded out through negative tenure promotion reviews, or renewal reviews if they’re like adjunct or something like that who leave the institution. So while people are spinning the wheel, people are suffering. So it seems like an intellectual exercise to some people. But it’s like “Hello, people’s livelihood and health are on the line.” So I don’t have the luxury of all that committee work. I’m trying to support folks now, because they needed to support yesterday, but I’m trying to help them now.

Rebecca: So we always wrap up by asking what’s next? It seems really, really, really loaded.

Chavella: Well, I’m writing a book, actually, I’m writing a book. And again, that same frustration, anger, and hope that you hear in my podcast is pretty much what the book is about. I’ve been doing this for over 20 years. And I think I thought that, at some point, institutions were going to catch up, particularly as more research has come out even when it’s not about race or gender at all, when research has come out that says these are the best pedagogies, here’s the best way to do this, that and the other I thought great people were going to start making hard left turns and do something different, or the more and more research that comes out on women faculty of color’s experiences around teaching, I thought, “Oh, great, people are going to make a turn.” They’re not. And so I’m writing a book. And the book is explicitly for women faculty of color to help them navigate the challenges that they’re most likely to face. And to do it using the scholarship of teaching and learning. And it’s very much so about helping them be their most authentic selves in the classroom and finding joy, but protecting themselves from the review process. So it’s all about retaining women faculty of color, but allowing them to also continue to teach authentically and joyfully and I’m frustrated that I even have to write the book. But I’m hopeful, because I know that I can get it into people’s hands and they can feel much more empowered until their institutions catch up, essentially. So that’s what’s next.

Rebecca: Unfortunate that it’s a needed resource.

Chavella: Yes.

Rebecca: But, glad that we have someone who can write it.

Chavella: Yes, thank you. I’m excited about it.

John: And much of what you’re advocating is just doing better at our jobs and teaching more effectively, which is something I hope we’ll all take seriously in moving forward. But progress has been slow, as you’ve noted.

Chavella: Yes, absolutely.

John: And we should note that if anyone would like to learn more about these topics you’re Teaching in Color podcast is available on all podcast platforms, and is one that people should listen to.

Chavella: Yes, it’s interesting, I hope that people will find it interesting. And I wanted to say that the podcast and the book that I’m writing, even though it’s directly for women faculty of color, I do want allies to listen, participate, and buy, because the more that they know, the more they can make some of these things normative and get some of these changes moving. So I’m very intentionally writing to women faculty of color, because they’re usually ignored and silenced. But there’s a lot there for allies to learn. So, whether they’re allies in a teaching and learning space, or ally administrators, or ally faculty, there’s a lot for them to learn from the podcast and from the book to help them support these folks to be successful.

Rebecca: Well, thank you so much for joining us today and for all the work that you do.

Chavella: Thanks so much for having me and for encouraging me to go enjoy that tea that I have.

Rebecca: There’s always time for tea.

Chavella: Yes.

John: And we hope we’ll be talking to you again in the future. Thank you.

Chavella: Absolutely. Thank you. Thank you so much.

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John: If you’ve enjoyed this podcast, please subscribe and leave a review on iTunes or your favorite podcast service. To continue the conversation, join us on our Tea for Teaching Facebook page.

Rebecca: You can find show notes, transcripts and other materials on teaforteaching.com. Music by Michael Gary Brewer.

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142. Pedagogies of Care: Equity and Inclusion

This week we continue a series of interviews with participants in the Pedagogies of Care project. In this episode, Dr. Cyndi Kernahan and Dr. Kevin Gannon join us to discuss what faculty can do to foster an inclusive and equitable class climate for all of our students.

Cyndi is a Psychology Professor and the new Director of the Center for Excellence in Teaching and Learning at the University of Wisconsin at River Falls. She is also the author of Teaching about Race and Racism in the College Class: Notes from a White Professor. Kevin is the Director of the Center for Excellence in Teaching and Learning and a Professor of History at Grandview University. He is the author of Radical Hope: a Teaching Manifesto. Cyndi and Kevin are both participants in the Pedagogies of Care project, created by authors in the West Virginia University Press series on Teaching and Learning.

Show Notes

Transcript

John: This week we continue a series of interviews with participants in the Pedagogies of Care project. In this episode, we discuss what faculty can do to foster an inclusive and equitable class climate for all of our students.

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John: Thanks for joining us for Tea for Teaching, an informal discussion of innovative and effective practices in teaching and learning.

Rebecca: This podcast series is hosted by John Kane , an economist…

John: …and Rebecca Mushtare, a graphic designer.

Rebecca: Together, we run the Center for Excellence in Learning and Teaching at the State University of New York at Oswego.

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John: Our guests today are Dr. Cyndi Kernihan and Dr. Kevin Gannon. Cyndi is a Psychology Professor and the new Director of the Center for Excellence in Teaching and Learning at the University of Wisconsin at River Falls. She is also the author of Teaching about Race and Racism in the College Class: Notes from a White Professor. Kevin is the Director of the Center for Excellence in Teaching and Learning and a Professor of History at Grandview University. He is the author of Radical Hope: a Teaching Manifesto. Cyndi and Kevin are both participants in the Pedagogies of Care project, created by authors in the West Virginia University Press series on Teaching and Learning. Welcome back, Cyndi and Kevin.

Cyndi: Thanks.

Kevin: Thank you. Great to be here.

Rebecca: Today’s teas are:

Kevin: Mine is no tea. I’m drinking Diet Pepsi in a large cup because I need my caffeine in bulk today. [LAUGHTER]

Cyndi: I came prepared, I have apricot black tea.

Rebecca: Well, that sounds good.

Cyndi: It’s very good.

John: …and I have a Tea Forte Black Currant tea.

Rebecca: I’m rocking iced tea today because it’s 90 degrees. [LAUGHTER]

John: I’ve had many iced teas already earlier today. Is it that warm? [LAUGHTER] Okay, I knew it was getting a little warmer here. We’ve invited you here to talk primarily about your contribution to the Pedagogies of Care project. Could you tell us a little bit about that?

Cyndi: Yeah, this collection was started by one of the authors in the West Virginia University Press series on Teaching and Learning in Higher Education that I know you all have had several episodes about. It’s edited by Jim Lang, there’s several contributors. And so we were all asked if we would like to contribute something that would then be provided during all of this time of pivoting to online and uncertainty as sort of a way to provide some quick educational development materials for folks.

Kevin: Yeah, the intent of it was to have it be open access, creative commons license, freely available. And in this time of pivot, there are so many resources out there about how to use this tool, how to do that tool, how to move on to Blackboard in 90 seconds or whatever that may be. But, the larger issue of “How do you do this in a way that acknowledges student needs and your own needs and how do you still keep the type of learning space that’s so important for student learning at least relatively intact, given all of the upheaval?” And that’s what I think the real strength of the collection is, this idea that we need to understand things like tools and techniques. But, we still need to be coming from a larger perspective of care, of empathy, of affirmation of the fact that our students are in just as much of uncharted territory as we are.

Rebecca: in this podcast that you share as part of this collection, and in your other work, you both focus on maintaining productive relationships in the classroom community. And although this is always important, it seems really important right now. Can you talk a little bit about some of the strategies that we can use to maintain productive classroom conversations, especially dealing with difficult issues?

Cyndi: Well, this is something I’ve thought a lot about and I know Kevin has too, because, especially right now, with all the protesting that’s happening, I know that there’s a lot of questions about how to address this or whether to address this in the classroom. So, maybe we can get at the when you should later, but I think having a good connection with your students is always really key. If you’re going to talk about difficult issues, it’s really important. I mean, that’s one of the things I’ve discovered in teaching this and one of the reasons why I want to write about it, because I feel like there wasn’t a lot of writing about the importance of having a good strong connection to your students. And part of that, I think, is about bringing an attitude of compassion as much as possible to your students and to the classroom, seeing them as people, developing a relationship with them, because then that’s going to engender the trust that you need to have those sorts of conversations. And that’s difficult to do. But it really does start on the first day with a lot of the really, I guess, sort of simple things that we think about when we think about a good classroom climate. So, introducing yourself to your students, making sure that they know who you are recognizing them as people and human beings as much as possible. There’s a lot of specific techniques that we could talk about that I have in terms of like how to do it, but I guess I would just say for now, one of the main ones that I keep coming back to is the focus on structure, so having the classroom discussions as structured as possible. There’s a lot of pieces to that. But that’s sort of the overall thing is like having a plan for how you’re going to do it, having a structure for how you’re going to do it. So that then that makes students comfortable to share things. You just sort of open things up to a broad “let’s talk about the protests, “you’re not going to get a lot of participation, because the students are not going to know what to do. They’re not going to know how to behave in that environment, and especially if you don’t have an existing relationship with them where everybody feels seen and valued, then I don’t think that’s necessarily going to work so well.

John: In both of your books, and in our past interviews with you, you talked about setting ground rules for discussions. That’s fairly easy to do and comfortable in a face-to-face environment. Will the same type of procedure work as well if people are starting classes in a remote setting?

Kevin: Yeah. And I think it becomes even more important in a remote setting. So, the things that Cyndi is talking about in terms of structure, in terms of expectations, in terms of an environment where it’s a known quantity of what the discussion is about, and what its purposes are, and have we been transparent with it… all of that is so much harder to do in an online environment (or mostly online environment), whether you’re talking synchronously or asynchronously. So, I think some of the things that are useful to do in an online environment… the discussion forums tend to be a real staple of online teaching. Discussion boards are sometimes where discussion goes to die, certainly in a learning management system. So, I think the first thing to think about is “What tools are we using to engage with students and are there ways that we can get away from just the simple discussion board? Can we do blogs? Can we do messaging apps like GroupMe, or something like that? Is there a Slack channel? Are there other sorts of interfaces where this will work for students?” I’m a big fan of the tool VoiceThread where students can record video and audio, but you need an institutional or a personal license for that, so that may not be an option for everybody. But I think the key to it is how are we building presence because in a face-to-face class, of course, there is the literal presence, the physical presence that we have with one another. In an online class, the research on it talks about… they frame it as social presence as one of the key facets of creating a community of inquiry in your online class. So, how are we building social presence, where we are real people with one another in this course? And so even if we’re discussing things asynchronously, we’re still discussing with people, not screens. And I think that’s a really important thing for us to be able to do. It takes a lot of effort, certainly in the first part of the course. One thing that I would certainly recommend instructors who are teaching remotely do is your first discussion with a class you know, a lot of times it’s an introductory post or something like that… consider having a discussion about discussions; ask your students what’s worked, what hasn’t. We all have experience with this now from the spring. So, this is a good way to kind of process some of that. What helps you learn? What helps you discuss? What gets in the way of that? What expectations do you have towards this space? How can we collaborate in setting those sorts of expectations for all of us? Those are really good ways to start in any class format. But, in an online format in particular, that’s a great way to start building that community and presence right away.

Rebecca: I’d like to circle back to the idea of structure a little bit more, because I think that a lot of faculty think they’re very structured. We all have a structure and it makes sense to us. [LAUGHTER] In a face-to-face classroom or something that’s synchronous, there’s the ability to improv. And it’s a performative kind of thing that happens that’s not as easy to do in an asynchronous environment, or just a different thing to do in an asynchronous environment. Can you talk a little bit about what you mean by structure and the kinds of things that really need to be in place?

Cyndi: Yeah, the examples that pop to my mind for structure, and I know there’s a lot that’s been written about this particularly in inclusive pedagogy too, so there’s a lot of ideas, but what I mean is that you first make sure students are looking at the content outside of the class, getting familiarity with it, writing their thoughts, either in a blog post or in comments or questions, that’s frequently what I do is have them write those first so that I can see them and that way, I have something to work with. I sort of know what they’re doing and then I have a structure when I come into the class of how I’m going to use that and they know how that’s going to be expected. So, they know I’m going to call on students based on what I’ve read. And even within that, you can also do… I know there’s a lot of good work that’s been done on something called inner teaching, and also reading group roles, where you give students very particular roles to play. And so in that way, you’re setting up the expectations of what they’ll be doing and how they can expect the class to feel every day. And so if you’ve done that, those are just a couple of ways you can do it. So the discussion comments ahead of time, or like I said, the very specific roles or posts that they make, so that then they know it’s not just going to be this open discussion, but there’s going to be that piece to it. So that’s one way in which I sort of think about structure.

Kevin: And in an online format, one of the things that might be useful to do is to think about the prompts that you use to start a discussion, sort of open-ended questions like “So. what do you think?” …you’ll get a wide variety of things, but it might not be the stuff that anyone’s looking for. It’s also worth considering what role students might be able to play in this so might students be taking a lead and be responsible for posting the prompt and sustaining the discussion for that particular week or that particular module. One of the things that’s useful to think about in that regard is working with students explicitly on like, “Hey, what makes this work? What’s a good question? What kind of questions do we really want to be asking here in terms of not just getting at particular content or answers, but in sustaining a conversation?” …and one little tweak I made, I use blogs as my principal form of discussion when I teach online, is when a student is writing their, what I call the lead author posts or the leader for that particular week, I encourage them to end their posts with a series of questions just like we might see at the end of a section in a textbook. So, we’ll have some thought questions, “What do you think about these things in your assessment? What might be the most important factor?” …etc, etc. And so they’ve written a post, they’ve started to elicit ideas, but then they’re providing that direct springboard for other students to jump into the conversation. And I found that to be a really useful way to get discussion started much more quickly in an online environment because they have that cue and that signpost, like, “Here are the specific things that I can start responding with.” And then the conversation can go from there.

Cyndi: Yeah, just one more thing, too. I was thinking like, do you do that in small groups? Because I was thinking that can be another structure piece too, especially online. I know, one of the complaints that I heard a lot in the spring was I have to read everybody’s posts, and they’re so long. And you know, I don’t know. And so it seems to me like having folks in groups, and we will certainly do that in the classroom face to face when we have them. So having those sort of breakout groups where they’re just responding to a few people seems like that might be a good structure piece to to transition to online.

Kevin: Yeah, coming from the small college environment, my classes are all 30 people or less, so it’s a little more manageable. But you’re right. In a larger group, that would be the strategy I would recommend is creating groups. And you might have those be consistent throughout the course or you might change them up. But that way, it’s not an overwhelming thing. And you’re not just clicking through discussion posts to respond because then you’re going to get the stuff that’s just sort of pro forma, almost resentful, replies. So keeping that cognitive load manageable, I think is a really important part of it.

John: You mentioned VoiceThread a few minutes ago, and I’ve used voice thread, I’m not using it right now, but I’m probably going to be switching over to Flipgrid. But one of the things that happened there is I had two discussions going each week one was done in VoiceThread one was in text. And one of the things I noticed, and students commented on this at the end of the term, too, is that when they were reading the text discussions in the other forum, they were hearing the voices of the people there. So it created much more of a sense of presence, you got more of a feel for the people, they were no longer just words on the screens, you already learned more about their personalities. And it made the discussions much more alive than the typical discussion board.

Kevin: Yeah, again, social presence, the degree to which the other people in the course are actual real human beings. And VoiceThread is a great tool for that because it adds exactly that, you hear the person, you see the person, you have that image associated in your head. We use Blackboard as our learning management system here and the threaded discussions… Instructors would come and “I just can’t sustain a discussion,” and I couldn’t and I’ve been teaching online for six, seven years now, and It finally dawned on me that if you look at the actual interface of those discussion boards, they don’t look a thing like what our students encounter when they engage online with other people. They actually look like, I’ll date myself here, but in the early 90s, when I was an undergraduate, the old BBS’s, with the sysmod and the thread, you know, that’s what a Blackboard threaded discussion looks like. That is ancient history for students, [LAUGHTER] in terms of how they’re engaging online. And so I moved to a WordPress blog, because it looks like Yelp, it looks like social media, it looks like things that they’re already used to engaging in. And so I do think one of the things we could do to create presence is add media, add video with a tool like VoiceThread. But even the interface itself is a place that looks like a place of engagement for our students. That’s a really important consideration, I think.

Rebecca: I use Slack for a similar reason, because it allows for asynchronous conversation, but it also has the ability to be immediate in a way that threaded discussions don’t feel that way. And you can @mention people… [LAUGHTER]

Kevin: Yeah.

Rebecca: …like the things that students are used to being able to do.

Kevin: Yeah I have some colleagues here who run a graduate program in athletic training and it’s cohort based. In each cohort slack is the main tool they use throughout the program. And they’ve been super successful with it.

Rebecca: I wanted to follow up a little bit on the difference between the spring and the fall in that, in the spring, many faculty were in a face-to-face environment, and they had established relationships in person with students and then moved to an online environment, which is really different than if a group needs to start online and maybe move to face to face later or maybe stay online. So, can you talk a little bit about establishing that community when it might have to start remote especially for faculty who aren’t as familiar?

Cyndi: I have less experience with that. I have not taught a ton online but I think the social presence idea is super key. I mean, in the courses that I’ve taught online, I find that to be useful. So, using as much short video and voice as much as possible so that they get a sense of who you are as a person and asking them to do things that are personal and low stakes in terms of like just getting to know you. I know sometimes when I’ve taught, like having them post pictures of their dog or cat or things like that. I have not gotten outside of the LMS as much as it sounds like Kevin, you have, but it seems like using other tools that allow for, like you said, it to look more like what they’re used to seems like it would be a useful thing. One quick thing I would add that I’ve been thinking about a lot is, again, I teach about pretty difficult topics often, particularly when I teach about race and racism. And so something I’ve been thinking about a lot is like how to create that presence when I’ve never taught that class online until this last March when I suddenly was, but I was grateful that I had those established relationships. And I think going forward one thing that I’ve been doing the last couple semesters, especially for my students of color, and especially I think, given the environment now, I always reach out to sort of let them know that while I have a lot of expertise around racism, because I’m a white person I don’t have the same sort of lived experience that they have of race and racism, and I don’t expect them to answer exactly, but I just sort of say like, “I want you to know that I recognize this,” so that you see this. And I’m thinking that that’s going to be especially important teaching in this format going forward over the next year, I’m gonna want to make sure that I’m definitely reaching out to students, particularly students of color to let them know that, because I know that that’s an important piece of making them feel a part of the community. And I’m going to be trying to develop as many other techniques as possible, because particularly in that class, and in a lot of what I teach, I think it’s just going to be super important to develop that sense of belonging and compassion. And that’s going to be harder to do, in some ways, without being able to see them so often.

Kevin: I would echo Cyndi’s emphasis on the idea of presence and ways that people can be seen for themselves and students can be seen for themselves as opposed to just sort of avatar pictures or even generic avatar images. Sean Michael Morris has a great thing that I’ve seen him write a bunch in his work on online in critical digital pedagogy where he says we need to be teaching through the screen, not to the screen, and such a simple way to put it, but I think that’s really the difference. So one practical tip on that line is video is great… short, quick, they don’t have to be super fancy produced. I record intro videos with my phone in selfie mode. And in fact, having them a little rough around the edges actually, I think, kind of helps in terms of being authentic. Someone who I think is really good at this and has a lot of good ways to get started with videos in online teaching is Mike Wesch, W.E.S.C.H. And a lot of people have heard of him. He’s been doing a lot of stuff since our online pivot. But I really like his approach to the use of videos. And I really like the way that he talks about if you haven’t done this sort of stuff before how you might get started, and what you might think about doing and de-complicating it for us. So, a Google search will bring up his website and he’s got some great resources and materials there. And I’ve spent a lot of my faculty colleagues look in there who have had questions about effective use of videos. But again, to what degree are we real people in an online learning space? Anything that we can do to raise that. And regular communication is so important too as Cyndi talks about, whether it’s with individual students or the whole class, you know, check it In emails. It requires a lot more monitoring maybe in terms of are people in the space and, not… you don’t want to turn into like a surveillance tech or anything like that. But, by the same token, it’s very easy for students to drift away in a class that’s mostly online, and we need to be really cognizant of that.

John: One of the factors there that makes a difference is economic inequalities, where students in low-income households may not have the same access to high speed WiFi, to computers, and other tools. What can we do to try to maintain an equitable and inclusive environment when students have very different resources for connecting to classes?

Cyndi: Yeah, this is so challenging. I think one thing is just to know for sure that that is a problem. And so I know a lot of us in March did little surveys to find out where the students’ at, what sort of access do they have? Are there any issues that we need to be aware of? I know on our campus, there was so much concern that students not having access wouldn’t even know because they wouldn’t be getting an email, that we sent out postcards to every student just in case, to try to make sure that we caught all of them. So, those are some things. I think also really pushing your institution as much as possible to provide resources because a lot of this, it’s so upsetting because it’s so disempowering, or at least that’s how I’ve experienced it, because I know that there are students who have very simple needs. I was talking to one student on the phone, one of my advisees, I was doing advising over the phone in March or April, and we have a fair number of rural students from Western Wisconsin, and she was talking about living in a house where there were mice that would chew through the cord so that then their WiFi, you know, they would lose it. And it’s just like, “Oh, that’s such a terrible problem that I don’t know how to fix.” Like, “I don’t know how to fix that.” And so like really pushing our institutions to provide as much as possible to those students to find out who they are, to make sure that we’re providing them with a laptop, at least something loaner, some sort of hotspot, maybe, that they can use for WiFi. I know lots of campuses did that. We tried to do that. But really pushing administration in our campuses to remember those students and to help them, because at the faculty level, it can be really difficult to solve some of those problems. I mean, sometimes you can, but it can be difficult if there are those sort of material problems.

Kevin: Yeah, at a small school like mine, it’s easier to do those sorts of things. Because most of us know the students well, and it’s easier to communicate and you know, touch base with one another. But at larger institutions, this is imperative, right? Because oftentimes, it’s going to be the faculty member who’s probably most aware of where the lack of access or spots are in our own particular course. So, what’s the communication channel to try to get those things resolved? So, every institution, their faculty need to know who do I approach to help problem solve this? What’s the protocol? How are we going to figure this out? So many institutions got access to CARES Act money, for example. So, emergency grants to students, little Chromebooks and things like that, but we can’t guide those resources efficiently if we don’t know where they need to go. So, “What’s the communication plan?” is the biggest one and then as Cyndi points out, how are we finding this from our students? So, a quick survey about, not just access, but availability, like there’s a difference between access to WiFi and ready availability of WiFi. If the public library is still closed, does this person still have access, right? [LAUGHTER] Or is it still available? So details we can get in terms of where you’re at right now? Do you have steady access to internet? What’s the connection like rate it from zero to 10, with zero being the mice have chewed the cords and 10 being I can stream three things at once, right? …and try to get as much of a sense as we can, because then that informs the choices that we make. There’s a lot of online practitioners right now who are saying in the stuff we’re designing online, make it so students can do it on a phone. And I’m a big proponent of that. If we’re going to be moving into remote instruction, this is not what most students signed up for. And so we need to make sure that they can still access. So, don’t have students uploading and downloading large video files, for example, be conscious of how we might be forcing students to use parts of their data plan. So, streaming things might work but what platform are they streaming it through? Was it something thing that has a good mobile app, for example? If you’re using Zoom, is that a good mobile app as opposed to Skype? And then reach out to your colleagues, if you’re not quite sure what the answers to those things are, because those are important considerations in those sort of routine choices we make in creating learning spaces, especially if we’re in for a remote fall.

Rebecca: I think along those same lines, and those same surveys asking about that availability in terms of caretaking jobs like actual time, because they might have signed up for a class at a specific time, but that might not actually be their availability. There’s, I think, a lot of assumptions that faculty might make that we shouldn’t be making.

Kevin: Right. I think one of the things that folks really struggled with this spring was the expectation that we could just continue classes synchronously as normal. And I think, very quickly, a lot of folks learned that that is not the case. And if we end up this fall with maybe some in person, but some online, and I think that’s the best-case scenario. For the students who are online, we can’t expect synchronous, we just can’t if they’re not on campus. So we need to be thinking really hard about what the pathways to learning are and are those equitable are those inclusive… the equivalency of an in-person versus online synchronous versus asynchronous. Those are some really important decisions that need to be made. And they need to be made from a, I think, planning for the worst as opposed to the sort of magical thinking that everything will go away. It will be normal in August because I don’t think it’s responsible for us to approach our planning that way. He said pessimistically… [LAUGHTER]

John: Realistically.

Cyndi: Yeah, realistically. Yeah, I feel like that synchronous/asynchronous is such a challenge too in terms of thinking about our own classes. I mean, it seems like, yeah, that is difficult, I think sometimes to get folks to understand from an equity perspective, that really, if you are online, even if you have to suddenly pivot to it, or you’d plan for this, but then it’s going to be mostly online, which is, like Kevin said, I think probably most likely, just really understanding and helping your colleagues to understand that that really does need to be asynchronous. And I know that’s really hard for people. I think there’s a lot of maybe grief is the right word around sort of like having to give that up. And there’s also a lot of focus on “Well, if we just get the right cameras, and if we get the right kind of technology, then somehow we can still do it synchronously.” But all of that assumes, first of all, that the students can like download or have all the bandwidth for that to be able to, like livestream that or whatever. But it also assumes that they can be available during those times. And I have a lot of fear because, just because it’s on the schedule, let’s say right now, like we’re registering new students right now, I’m doing that all day tomorrow. So, there’s this expectation that somehow they should be able to do that without really thinking through what it’s like for those students. So, I feel like that synchronous, asynchronous is a real thing that a lot of us need to focus on and help other people understand better.

Kevin: And even with the synchronous piece too, not to say we could never do synchronous stuff, but I think when we’re requiring students, if you’re needing participation, you might want to rethink that as a strategy. And then, what kind of opportunities might be available for students? Are there different windows of time where they could drop in, as opposed to only at Monday from 1:00 to 1:50 and that’s more work on the faculty side, plain and simple, but if you want to preserve that part of a course then you have to put in the extra work to make sure that it’s accessible for all your students. And I think in some cases, that’s a perfectly appropriate strategy. And for schools like mine that are doing the HyFlex model of preparation, there is a synchronous element to it. But it’s heavily modified from what our usual expectations are. So, I think we need to really think through that clearly, before we start making design choices.

John: So, the HyFlex model can be pretty challenging for faculty, because basically, you’re developing the equivalent of two courses… where you’re developing some activities that are synchronous, and then equivalent activities that are asynchronous. How are faculty reacting to that? I know we’ve done a series of workshops here, and that was not a concept that appealed to all faculty at this point, having come right off of this spring semester.

Kevin: And that’s the thing there is that sort of sticker shock to it, where you look at it, and you say, “Oh, this is a lot.” …and it is. And so what I think what administration needs to do is to acknowledge it and affirm that effort. Are there ways that you can support that faculty or even if you can’t be handing out money left and right are there ways that small stipends can be given? What kind of faculty development support are you giving faculty? How are you going to help guide and mentor them through that? I think one of the things about the HyFlex model that is appealing is one of its core principles is the idea of reusability, that there are learning activities and artifacts that could be used across these different modes. And I think that’s something that we could really take advantage of. One of the things that I think could work really well is that the students who are attending asynchronously online doing equivalent learning activities, might those activities be leading a discussion online that involves the whole class. So, the whole class is still participating, but there’s a little bit of a level up in terms of the effort and the direction that’s coming from students on the asynchronous side. So, they’re doing equivalencies, you’re still building community, you don’t have students who are in separate tracks and never meeting. The HyFlex model to me seems to be most effective when we’re able to braid these things together as much as we can. But, you’re right. It’s not like you’re designing three separate courses, but it’s certainly more than designing one course. It’s somewhere in between there. And what that means is work, plain and simple, and I think administration, the people who are cutting the checks, need to realize the scope of effort that goes into that, in particular with what we’re asking our part-time colleagues to do in terms of preparing for the fall, because I think it’s a perfectly reasonable response for an adjunct faculty member to say, at the same rate of pay as a normal semester course, that I can’t do that for this. And so what are we going to have in place, because a lot of times in institutions, it is our adjunct colleagues who are teaching our hundred-level courses or courses that really intersect with a large number of students. And if you’re not supporting adjunct faculty anyway, you’re doing it wrong. But certainly in this process of HyFlex, we really need to be paying attention and directing resources to that group in particular.

John: One of the things you mentioned is an argument I’ve tried to make to faculty here, which is to focus your time on activities that can work in any modality and have most of the graded work done asynchronously, so you don’t have to spend as much time creating completely separate assignments and then create things that support instruction in any way and then you’ll have them if things get back to normal in semester or two or three or four. And that seemed to help a little bit, but people were still not entirely convinced.

Kevin: The one thing about the HyFlex model too is if we do have to go fully remote in October or whatnot, if you’ve already created that pathway, that’s going to be a lot easier to do than it was in the spring. And I think one of the things that I really saw in the spring that kind of gladdened me was there was a lot of extending of compassionate grace to faculty and to students, that we’re all figuring this out together. I don’t think that’s going to be the same case for the fall, there is going to be this like, “Okay, y’all had some time to think about this.” If there is this sort of pivot that has to happen, hopefully, we’re a little bit better prepared. And so John, I think your ideas about the way to structure those assignments and to have them asynchronously and have those things that work across modalities. Those are some of the key strategies to that kind of preparation.

Rebecca: I think we talked a little bit earlier about the ongoing protests related to George Floyd’s death and the unrest related to that in addition to COVID-19. And so faculty are feeling concerned about that and wanting to make sure that they’re addressing all kinds of inequities, not just the ones that bubbled up from COVID-19, despite the fact that those are the same inequities that existed before COVID-19… they just became more visible. Can you talk a little bit about ways that faculty might better prepare themselves for dealing with these kinds of issues and these kinds of conversations in the fall? We’re getting a lot of questions, especially from white faculty, about not feeling prepared to address issues of racism, for example.

Cyndi: Yeah, I’ve been thinking about this a lot in terms of like, a lot of people are putting out statements, for example. So, institutions are putting out statements often coming from Chancellors and Presidents. And I’ve been thinking more about, rather than doing things like that, actually doing the work of trying to make your classes as inclusive as possible. I think sort of a cliched way to put it, but what matters is what you do, not really what you say. So, I keep thinking about a couple things. There’s like two pieces to this in my mind. There’s like the inclusive pedagogy piece of it, which is the work that may not be the talking about difficult ideas, but you’re addressing the actual inequity, right. And so really thinking about, and there’s a lot of good guides on inclusive pedagogy. I know Kevin’s written about this Viji Sathy and Kelly Hogan had a great advice guide in The Chronicle and their book will be coming out soon-ish, I think… not sure exactly when, but they have a lot of good ideas and have written a lot about it. But actually doing that work and really thinking about your class in terms of being as inclusive as possible. Because, when you’re doing that, then you are doing that equity work, whether or not you’re making a statement about it. So, that’s one thing. I think the other thing too is that if you do want to talk about it sort of being as prepared as possible, and this gets back to this idea of structure, but it really doesn’t go well. If you don’t know a lot about these issues from your discipline’s perspective, I think it’s a good idea to find out. So, let’s say you teach a course where traditionally you don’t think these issues would come up. I have a good friend who works here who’s a mathematician who talks a lot about the idea of math and white privilege, which is really a foreign concept to a lot of folks, but like he’s done the work to understand that even though it’s not his specialty area, and he talks about it in class, and it’s hugely helpful for those students. In addition, you could also just look at your field overall, in terms of, and I know, Kevin, I’ve heard you talk about this, like looking at who are your textbook authors and then just making that visible to your students like, “Here’s who these authors are. Here’s how this field has been inequitable. Here are some ways to think about this field overall and look at the resources that I’m sharing with you where I’m trying intentionally to be equitable.” So, really just doing the work less about statements and more about actually doing that work of trying to find ways to bring it in that are relevant and understanding it really well before you try to talk about it. Because when you know it, and you have a plan for how you’re going to talk about it, and a plan for helping students make sense of it, like this is why I’m talking about this, this is why this matters in this particular field, you’re going to be a lot better off than if, say, you just sort of wanted to open it up and ask people to talk about their feelings about it. You could do that. But I think you have to do that in a context where you’ve already done a lot of work to prepare them for that. So, I think it takes some effort to get ready for that but it’s certainly doable and definitely worth it because it helps those students to feel seen and to feel a part of the class in ways that they probably usually don’t.

Kevin: And in terms of the work that we need to do as faculty members as well, now is not the time, for example, to email one of your black colleagues and say, “Help me learn about anti-racist work.”

Cyndi: No, no, no.

Kevin: That’s sort of let’s put that out there. I’m a white man. For those of us who identify as white, there is an onus on us to do the sort of work to interrogate, not just inequities, but whiteness and how whiteness works at the university. And so the questions we need to be thinking about already are certainly heightened now. Does our faculty and staff at our institution, does it look like our student body? The answer to that is probably no. So, what’s being done about that? How are we addressing that as an institution? What am I doing in the classroom to promote a sense of belonging for all of my students? Belonging is key. And again, in an online or mostly online environment, it becomes even more important. How do I belong in this class as a learner? Am I seeing ways that I can personally connect with the course material the instructor, my peers in the classroom. So, how do we foster that sense of genuine belonging and welcome. That doesn’t mean that you do the equivalent of sit in a circle and sing Kumbaya for the first class. But, it does mean students are not just brains on sticks. [LAUGHTER] And students are coming to us just like as we’re coming into this work, it’s been a hell of a few years. Our bandwidth is weird, our attention spans are weird. There’s anxiety, there’s ambient stress. So, let’s recognize that and acknowledge that for our students when we think about the choices that we make when we’re designing our learning spaces. Even if we may not think our material is political, or has to do with race, the lives that our students are living are political and have to do with race, for example, and they are not coming to us from a vacuum. And I swear we didn’t pre-plan this, but I will promote Cyndi’s book in this regard. It’s been super useful. And again, for those of us who are white, I found it really helpful and thinking about the ways as a historian that I’m approaching the subject with my students, but also as a faculty developer and working with colleagues too. It’s a great book full of concrete suggestions about how to do this kind of work, especially if it’s not a type of work that you’ve been doing or felt like you’ve been asked to do before. So, that’s one good starting point.

Cyndi: Thanks!

John: And I’d like to throw in that we regularly promote both of your books with our faculty because they really do a nice job talking about creating an inclusive environment in classes, which is something we all have to worry about.

Kevin: Yeah, it’s a teaching and learning conversation. Do all our students have the equitable opportunities to accomplish the goals for the course? If I create course goals, these course outcomes, Dee Fink calls them the significant learning experience, if not all of my students have the opportunity to get the same significance in the learning experience, then that’s a problem. We are breaking promises that we made to students when we admitted them to our institution. So, yeah, it’s all of our work to do

Rebecca: To follow up on something that Kevin said about this isn’t the time to reach out to our faculty of color for advice. Instead, I’d like to recommend, if it’s a topic that you don’t have a lot of practice talking about, is to work with a few colleagues who also need to practice, and practice with each other. Open up the conversation and give yourself the opportunity to practice before you’re practicing in front of all your students.

Cyndi: And there’s so many resources like that’s one of the things in this moment. Like there’s tons of lists of books going around. Right. And really good podcasts. I mean, I certainly have no shortage of recommendations. I’m sure Kevin does, too. There’s lots of stuff out there where you don’t need to ask people individually, you can read about people’s lives, you can read about their experiences and take them seriously. And the more you do that, and the more you listen in that way, the more prepared you’re going to be. But, I love the idea of practicing too. Let’s practice talking about these awkward topics. It’s an excellent suggestion.

Rebecca: We want our students to practice, right? So, we might as well practice, too. [LAUGHTER]

John: One topic that came up in our earlier podcast with Kevin was the notion of decolonizing your syllabus and one of the issues when we address that idea with many faculty is that there may not be many voices from other groups. One of the questions that comes up often is, might it be effective just to address the systematic exclusion of those other voices in the classroom, to at least address the issue and recognize that it’s a problem.

Kevin: Yeah, absolutely. getting students to critically interrogate the silences in our disciplines at our fields, I think is really important decolonization work. And it’s an easier thing to do in a discipline like history where you can sort of trace who got to write the history when, but I think it gives us a chance to talk about what are ways of knowing what type of knowledge claims are valued? …the western emphasis on so-called rational objectivity? That’s a very culturally specific product. And so if that’s the dominant paradigm in let’s say, a math course, then what does that mean? Is that the only path? And when we think that we’re learning something that’s true with a capital T, objective with a capital O, chances are it isn’t. And if there aren’t other perspectives, then yes, absolutely, let’s have those conversations about why that’s the case. I think sometimes the silences are more powerful of a learning tool than anything else and getting students to look for those silences, to look for those spaces, and understand that they’re there, that by their absence is a really effective way to get at some of this larger work.

Cyndi: Yeah, that’s part of what I meant about bringing it into classes where you might not think it fits or whatever, because you don’t normally talk about it. But, you can look at the field in a meta way and say, like, who’s in this field and who’s not who’s being published and who’s not. And over the weekend, there was a great series of tweets, I forget the hash tag on it, but it was like, people were comparing their book advances, you guys might have seen this. And so it was like this comparison of white authors and black authors. And you know, the discrepancies were very large. And usually people don’t talk about what their book advances are. And so this might be a way let’s say, if you’re teaching literature, where you could show like here, look at this field, look at whose voices are being heard, who’s being published, in a meta way. And again, what that does, and the research is pretty clear on this, is by pointing out those discrepancies, you’re often validating the students of color in your class who know that there’s this discrimination there, but they maybe don’t have the data or the information and then by providing it, you’re validating that experience for them and helping them to feel seen and belong in the class. So yeah, that can be super useful.

Rebecca: I think it’s also sometimes faculty don’t know how to find out about other scholars in their field. And I think that at one point, I felt that way, too. I didn’t know who they were, they weren’t in my community, because I wasn’t including them in my community, right? [LAUGHTER] And my community wasn’t including, but finding a couple of voices, you only need a couple, follow them on social media, and then follow the people who respond. All of a sudden your social network and the people that you follow and the voices that you hear expand greatly, and it can really help in terms of just knowing what’s going on in a bigger picture. Something as simple as that can actually expand your knowledge really quickly.

Kevin: Yeah. What are you consuming in terms of your intellectual work? And asking yourself that question, and then what am I consuming and where am I getting it from? And what is the production of that intellectual work look like? Then making changes accordingly. As white scholars, it’s very easy for us. In fact, almost always, we default into communities of white scholars, given the structures of inequity that are in place. This isn’t something that will happen by accident. It’s the diversification of our intellectual work and our intellectual world, the consumption of knowledge and the production of knowledge. We have to make the mindful effort to do that. It’s not something that’s just going to happen because social media is a thing. It’s how we’re using these platforms and tools, it’s so important.

John: One of the things you emphasize in your Pedagogies of Care project is that it’s more important to focus on learners rather than content. Could you talk a little bit about that?

Kevin: The mantra that I always use is covering content is what instructors do, not what students do. So, if your strategy is revolving around, I’m going to cover X. Okay, great. I know what you’re gonna do in this course, but what are your students going to do? And when we think about it that way, then we start asking some of the questions that’ll lead us to, I think, more effective choices.

Cyndi: Yeah, that’s what I love so much about your book. Kevin, and what was so great about it was like, I already felt like I was focused a lot on the relationship because I don’t think a lot of learning can happen without the relationships, but your book really helps to like flip that lens to think about that piece of it… like, what are the students doing? Because if it’s just about content, it gets into that classrooms of death concept that you talk about really nicely in the first chapter. Because, yeah, it’s not there.

Kevin: Yeah. And it’s not to say that content isn’t important…

CYNDI… Oh, yeah.

Kevin: …that we should just get rid of, but everything in a balance. And right now, a lot of the classes that we teach don’t have that balance. And it comes down to what do we want our students to be able to get out of these courses? They’re not going to remember all the content within a year. So, that seems like an enormous waste of time, if that’s our exclusive focus.

Rebecca: I think one lesson that I’ve noticed faculty have taken away from this spring. And of course, I’ve been mostly an innocent bystander, because I was on sabbatical, is that faculty were slashing content as a way to pivot and recognizing that maybe all this isn’t necessary… so that you can focus on some of these bigger ideas, like the way that a discipline works, or ways that we connect or work together as scholars in a particular field.

Kevin: Yeah, and nothing exploded… [LAUGHTER]

Cyndi: Right.

Kevin: You know, the world didn;t end. Although it does seem like it did end on some days. [LAUGHTER]

Cyndi: A little bit.

Kevin: But, all of a sudden we realize what’s been possible that we had thought wasn’t the case. And I think those are really important lessons for us to take from this spring going forward.

Rebecca: I think the language that you use in your book, Kevin is about being an ally for students, can you talk a little bit more about ways that we can be better allies and what we shouldn’t be doing?

Kevin: So, I’ll use an example actually, from a conversation that probably happened in a lot of places this past spring with our online pivot, and it certainly happened at my institution, and that comes with online proctoring for exams. All of a sudden, as students are taking tests online, we need to proctor them, and if you look at the way that these proctoring services work, Shea Swauger wrote a really good critique of that in Hybrid Pedagogy several weeks ago, but this is surveillance tech. This is really kind of creepy stuff, and just objectively speaking, and it costs a lot of money for resource-poor institutions like mine, this is a significant investment if we’re going to do these things. And I think what happens as we immediately went into this place where we assumed that given any opportunity to game the system, that that’s exactly what students would do; that that would be their default reaction. I think if you look a lot of the rhetoric about, well, how do we make sure they’re not cheating? And how do we make sure that we’re fair to everybody? And how do we prevent this? And how do we prevent that? That’s an adversarial position, we’re assuming that our students are adversaries by default, and they know that. They hear us when we treat them like that. And students want the same things that we want out of our courses. They want meaningful learning, they want the course to be a good experience, they want to get something out of it, even if it’s a course they’re taking to check a box as they see it. Students want their courses to not suck, as opposed to suck, and I want my courses to not suck as opposed to suck. So, we have a confluence of goals. So, I think we need to be really careful about the narrative that we construct of students because it is very easy to default into this adversarial outlook. And as we’re really grappling with all sorts of sort of new questions and materials and tools in online teaching and learning, this is a real problem. So, we need to really think about the choices that we’re making institutionally as well as in our own class at what those choices are saying, either implicitly or explicitly, to our students.

Rebecca: The first prompt of the semester: How do we all make this not suck?

Kevin: Yeah.

John: We should have said that explicitly in that workshop we gave to faculty for the last couple of weeks. [LAUGHTER] It’s really good advice.

Kevin: I mean, I hate to use all sorts of technical language there, but sometimes you gotta chime in. [LAUGHTER]

John: We always end with the question: What’s next? …which is something we’re all thinking about these days.

Cyndi: I think two things for me. One is, like I said, I really want to make sure that I’m teaching about racism and prejudice online as strongly as possible, because that is new and I’m going to be doing that again. So, that I think is going to be one focus. The other focus is going to be the brand new Center for Excellence in Teaching and Learning that we have at River Falls, which I’m very excited about. But boy, the timing is strange. [LAUGHTER]

Rebecca: Impeccable, really.

Cyndi: It’s amazing. So, I accepted that position, like at the very end of February, beginning of March. And then of course, the world sort of changed and upended and ended and so figuring out how to help my campus instructors as much as possible. So, that’s gonna keep me busy.

Kevin: Yeah, about the same for me, we’re working a lot of intensive training this summer in particular with HyFlex course design and teaching as well as everything, sort of the nuts and bolts of here’s how to use this particular tool to the larger kind of bigger sessions on things like course design and integrated course design and things like that. So, I’m getting good at a lot of tools that I had sort of known about, but hadn’t used before, because I’m field testing a lot of things for faculty and making tutorial videos. So, that’s what’s next is the next module in this training I’m building. But also, I’m currently teaching a course on teaching African-American History online. And so that course is in a much different place now than it was even when it started earlier in the summer. It is the first time my institution has offered a course in African-American history. Our curriculum needs to be decolonized in many ways. And so what’s next for me is building on what so far has been a really, I think, kind of powerful set of experiences with the students who are enrolled in this class and thinking about how we take that work and sustain it as opposed to have it just be a summer course that goes away.

Rebecca: No shortage of big tall demands. [LAUGHTER]

Kevin: None whatsoever and it definitely keeps me off the streets and out of trouble.

John: Well, thank you both. The last time we talked to each of you things were a little more calm. I think Kevin was the last podcast we had when this was just getting underway, and before most campuses closed, and it’s nice to follow you and to see how things are going and all the great things that you’re doing and thank you for your wonderful work.

Cyndi: Thank you.

Kevin: and thanks for having us.

Rebecca: Thanks for having us.

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John: If you’ve enjoyed this podcast, please subscribe and leave a review on iTunes or your favorite podcast service. To continue the conversation, join us on our Tea for Teaching Facebook page.

Rebecca: You can find show notes, transcripts and other materials on teaforteaching.com. Music by Michael Gary Brewer.

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118. Biases in Student Evaluations of Teaching

A growing body of evidence suggests that student evaluations of teaching are subject to gender and racial bias. In this episode, Dr. Kristina Mitchell joins us to discuss her recent study that examines these issues. After six years as the Director of Online Education at Texas Tech University, Kristina now works for a science curriculum publishing company and teaches part time at San Jose State University.

Show Notes

  • Chávez, K., & Mitchell, K. M. Exploring Bias in Student Evaluations: Gender, Race, and Ethnicity. PS: Political Science & Politics, 1-5.
  • Colleen Flaherty (2018). “Arbitrating the Use of Student Evaluations of Teaching.” Inside Higher Ed. August 31, 2018.
  • Disciplinary organization statements on student evaluations
  • Peterson, D. A., Biederman, L. A., Andersen, D., Ditonto, T. M., & Roe, K. (2019). Mitigating gender bias in student evaluations of teaching. PloS one, 14(5). – A study that indicates that informing students of the bias in student evaluations mitigates the bias.

Transcript

John: A growing body of evidence suggests that student evaluations of teaching are subject to gender and racial bias. In this episode, we discuss a recent study that examines these issues.

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John: Thanks for joining us for Tea for Teaching, an informal discussion of innovative and effective practices in teaching and learning.

Rebecca: This podcast series is hosted by

John: , an economist…

John: …and Rebecca Mushtare, a graphic designer.

Rebecca: Together, we run the Center for Excellence in Learning and Teaching at the State University of New York at Oswego.

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John: Our guest today is Dr. Kristina Mitchell. After six years as the Dir ector of Online Education at Texas Tech University, Kristina now works for a science curriculum publishing company and teaches part time at San Jose State University. Welcome back, Kristina.

Kristina: Thank you.

Rebecca: Today’s teas are:

John: Diet Coke?

Kristina: Diet Dr. Pepper, actually. [LAUGHTER]

John: Oh… I’m sorry.

Rebecca: Switching it up. [LAUGHTER]

John: And mine is Prince of Wales tea.

Rebecca: I have Christmas tea today. I know, I switched it up.

John: Ok.

In one of your earlier visits to our podcast you discussed some of your earlier work on gender bias in student evaluations. We’ve invited you back today to discuss your newest study, with Kerry Chavez, entitled “Exploring Bias in Student Evaluations: Gender, Race, and Ethnicity.” Could you tell us a bit about the origin of this new study?

Kristina: Well, one of the things that seems to be inevitable when someone publishes a study on bias in student evaluation is that there’s always a reluctance to believe the results by some in the community. And most often there will be some question about what was being controlled for or how the selection was done or the sampling or the research design. So really, the first impetus was just to shore up the existing findings and continue to demonstrate the potential bias that might exist. But, in addition, there’s a real dearth of research on race in student evaluation. So, the research on gender bias and student evaluations is becoming more and more robust, but there’s not very much yet on race and ethnicity. And so we were presented with the opportunity to do… it almost presented itself as a natural experiment with 14 identical online sections of the course and with different professors in each one with different genders and races and ethnicities. So, we took it as an opportunity to shore up the gender literature and expand the race literature.

John: And so, the only difference in the course, was the welcome video, if I remember?

Kristina: That is the only difference in the course. Everything about the course: the lectures, the assignments, and even the emails that the students received when they were corresponding with the course and instructor. Those were all identical. We had a course coordinator, which was me, and I was sort of the behind-the-scenes person who was filtering through all the emails to make sure that the students were getting the same tone, the same style, everything the same about how they were interacting with their course.

John: And how long were these videos.

Kristina: The videos were up just about three minutes in length Everyone read an identical script that just told them the professor’s name and sort of had a generic message about how they were looking forward to a good semester. It was a summer course, it was just a five week course. And that was the extent of the students’ direct interaction with the professor in a way that wasn’t filtered through a course coordinator.

Rebecca: Although they all thought they were interacting with the instructor, right?

Kristina: Yes, they all were told that this instructor was theirs. And of course, the instructor was instrumental in the management of the course, we just made sure that the professor was not directly facing the students without it being filtered through a coordinator, just to make sure that each professor was responding with the same tone and the same information,

John: …which sounds like a lot of work for you.

Kristina: It was a lot of work for me. But fortunately, it really allowed us to control for literally everything. We controlled for absolutely everything that you could control for. When I was doing the research, when I was compiling all of the data, getting everything ready, I was just thinking to myself, “Surely there’s no chance that I’m going to find significance.” Like “All of this was for nothing, I’m going to either have to publish a null result that could potentially undermine other people’s research on gender and racial bias.” I just thought, “There’s absolutely no way we’ve controlled for far too much for there to ever be any bias.” So, it was just astonishing to find that even with all of that control, we still found a statistically significant difference. Even with a small sample.

Rebecca: Can you talk a little bit about how many students and sections were involved?

Kristina: So, there were 14 different sections, each with a different instructor and about 200 students per section. And the students enrolled in the sections, all at the same time, when registration opened. There wasn’t necessarily any reason to think that any particular section was characteristically different than any other section. They all kind of filled up about the same.

Rebecca: Did they know the instructor name and things ahead of time when they registered?

Kristina: They did. When they registered, they were able to see what the instructor’s name was. But considering that, once again, the eight sections at a time that would open up for registration, and these were intro classes that every student needs to take to graduate, we didn’t really think that there was any reason to believe that students would be drawn to any instructor, especially since it’s an online course.

John: When we talked about an earlier study, you mentioned that this was sort of like a jobs programs for political scientists in Texas.

Kristina: We always joke that Texas, having made it required for students to take two semesters of political science to graduate with a public university degree in Texas, we call that the Political Science Professor Full Employment Act, because it ensures that we will have many students needing to take our classes in Texas. Unfortunately, now that I’m in California, only one of those classes is required. So, it’s slightly less full employment, although, I’m still getting to teach both online and face to face here in California.

Rebecca: Was there both a qualitative and a quantitative component to the current study?

Kristina: Sp, this one, we focused primarily on the quantitative component. In our earlier study, we spent a lot of time doing text analysis of the comments that we received. In this study, we didn’t do anything quite as rigorous as a full content analysis, in particular, because the number of comments was so low. But we did review them, we looked through them, and we did code them sort of as a positive or a negative comment. And the reason that we did this is because there really shouldn’t have been any reason for any difference in comments whatsoever. Once again, other than the welcome video, students never were directly interacting with a professor in a different way. So, for example, if a student emailed a professor and the professor needed to respond, the professor would tell me as the course coordinator, the messaging that needed to go out… you know, the answer to the question that the student needed, but I would compose that in my own words. So that means that all of the responses would be filtered through the way that I would say it, as me, the course coordinator. So, there’s no difference in the kinds of interactions that students had with the content with the course or with the professor. And yet, we still found that women received negative comments, A]and men did not. One of the professors who was in the study, he was laughing and saying he was going to keep his incredibly positive review in his tenure file, because he was told he was the most intelligent, well spoken, cooperative professor that the students had ever had the chance to encounter. And once again, those were my words. I was the good one. So, the professor just was laughing and saying he was going to include that in his promotion file, even though he didn’t do anything. Whereas women, we saw comments like “She got super annoyed when people would email her” and “did not come off very approachable or helpful.” It was me, it was always me. They were both hearing my words, but because they were filtered through someone of two different genders, they perceive them differently. And that’s really consistent with the literature that shows that students expect women to behave in nurturing ways: to be caring, to be helpful and friendly, whereas they view men as competent experts in their field.

John: In terms of the magnitude of the difference, how large was the average effect of the perceived gender of the instructor?

Kristina: So, when we look at just the overall average evaluation score between men and women, we saw about a 0.2 difference. So, on a scale of five that may or may not be substantively important, and that’s a question that, of course, still remain, whether the 0.2 difference is important in a substantive way, but given that student evaluations are used in promotion,hiring, and pay grade decisions, any statistically significant difference is concerning, especially in a situation like this where we controlled for everything. When we looked at the white versus non-white difference, just looking at the overall average, we didn’t find a significant difference. Those significant differences didn’t start popping up for ethnicity, until we used an OLS regression and included final grades as a control there as well.

John: How did you measure the students’ perceptions of their instructors’ ethnicity and gender? While gender may often be correctly guessed by watching the instructor’s welcome video, ethnicity may not always be obvious. What did you do to assess this?

Kristina: Absolutely. So, it is a little bit more difficult to decide whether a student will know what ethnicity there professor is. So we did, ask both for gender and ethnicity because, of course, gender isn’t always obvious. But we decided to show pictures of the professors to a group of students who were Texas Tech students, but who were not enrolled in any of the courses. We just showed pictures of the instructors and asked the students to tell us what they perceived the person’s gender to be, and if they perceived the person to be white or non-white, and so we used a threshold of: if 60% of the students perceive the professor to be non-white, then we said, “Okay, then we’ll count this person as non-white, whether or not they identify as that or not.” For example, we had one professor in the study who is a Hispanic man, but has blond hair and blue eyes, and so none of the students accurately identified his ethnicity. So, we didn’t count him as non-white in the study because the students perceive him as being white.

John: Were the names informative in cases like that.

Kristina: In that case, the name perhaps could be informative, the very long and complicated Venezuelan name, but that might not initially look to students as a Hispanic name. So, students might see Garcia or Gomez and think Hispanic person, they might not see Sagarvazu and think Hispanic person. Other names that might give students more of a clue of non-white were our Asian facultes. Some of those names could potentially give the students a hint in advance of what ethnicity their instructor was going to be. But again, we don’t really think that students were choosing these online sections based on the professor’s name, especially because students were used to the idea of just taking introduction to political science online at Texas Tech University, and likely weren’t really thinking which Professor should I choose?

Rebecca: So given these results, which should we be doing?

Kristina: You know, I have been saying a long time that the use of student evaluations in hiring, tenure, promotion and pay decisions should just be outlawed. It’s absurd that we’re still using this. I understand that there is a need to measure teacher effectiveness, especially in terms of how students are learning. So it’s really important to try and find alternate measures of this because student evaluations of teaching are flawed for so many reasons; one being students aren’t really very good necessarily at evaluating their professor’s effectiveness as a teacher. Sometimes professors who are really challenging and perhaps really getting the most out of their students are also getting some low evaluations. But, most importantly, for employment law purposes, these are discriminatory. If women and faculty of color are being treated differently in these criteria or evaluating them differently, then we need to find a different way to evaluate them and

John: You’ve made them good cases here again, and I think this contributes to the evidence on that. What might you recommend that campuses do to provide evaluations of instruction?

Kristina: I think that’s a really great question. I think that we should start with exploring your evaluations of teaching to see if those suffer from the same biases because they may, and they might not be a better alternative. Other things that might be worth exploring are portfolio-based evaluation… so, allowing professors and teachers to tell their administration why they’re a good teacher, instead of looking for some objective measure of this, I think teachers and professors who are intentional with their practices would be able to put together a really successful portfolio that would show their administration that they are effective. There’s also some talk about using assessment-based measures, things like standardized testing or exit exams or student portfolios. Those might suffer from problems as well. And one thing that I found, especially now as people in the law profession have started reaching out to me for my insight on these kinds of cases, is that it’s really difficult to show in a court case that we should get rid of a discriminatory practice if there’s not an alternative to that practice. So, what attorneys have told me is that, “Yes, maybe they’re discriminatory, but if the university needs to measure teaching effectiveness, and we don’t have a good alternate way to do it, a court is likely to just let it stand.” So, I think it’s really important that our next move in the research agenda is to try and find out what practices might be able to measure effectiveness without suffering from the same bias.

Rebecca: I think that’s a really good point to help us understand the urgency of doing these things, and coming up with alternatives and really what the real impacts are, rather than a small difference in pay or something people might write off as being whatever. But, if things are going into lawsuits and things and then just letting it stand, even though you can demonstrate that it’s biased, then I think that makes it a little more urgent for people who might not be motivated otherwise.

John: And while a 0.2 difference may not seem like much, that’s often a good share of the range from the highest to lowest evaluations in departments. So, in terms of the rank ordering of people that can make a very significant difference in the perceived quality of their teaching,

Kristina: Especially when departments sometimes use a “Are you above the mean or are you below the mean…” 0.2 could very well kick you above or below the mean in terms of your scores, which, you know, also seems Like a really bizarre way to measure whether you’re effective… if you’re above average than you are, if you’re below average, then you’re not. I’m not really sure that that’s really an adequate way to measure anything. But, one thing that we have seen is a couple of universities move toward a different way of evaluating their teaching effectiveness. Ryerson University in Canada recently decided that student evaluations of teaching in their current form could no longer be used because of these discrimination issues. And a university in Oregon, I can’t remember if it was University of Oregon or Oregon State, but one of them has just moved to a much more open format of teaching evaluations, where students aren’t just saying 2 out of 5 or 4 out of 5. Instead, they’re asked to provide a paragraph with some insight on the effectiveness and if the questions are worded appropriately, then maybe we can see some real useful feedback, because I know I found a lot of useful feedback in my student comments. Really open-ended comments, I think, can also lead to inappropriate things like comments on appearance or comments on personality, but directed prompts… “What would you change about the workload?” …those kinds of questions… might produce some really valuable feedback.

John: If the questions are on things that are fairly objective that students are qualified to evaluate, that could be helpful.

Rebecca: Sometimes students are really insightful on those things if you’re specific and start with the evidence-based practice, and that’s not the thing that’s debatable, but how it’s implemented, or the scaffolding or the timing, those are all things that could be really helpful. And they often have good ideas about these things if you open up a dialogue with them.

Kristina: Exactly. And I think that using student evaluations in this way is helpful to those of us who teach and I think that comes back down to what is the purpose of student evaluations? Why are we doing them? If it’s to try and improve our teaching practices, then let’s use it for that purpose. Let’s ask them directed questions where they have a chance to tell us what they liked and didn’t like and then let us filter those responses to improve what we’re doing. Instead, we’ve almost turned them into this gatekeeping mechanism to keep people from getting promotions, to keep people from getting hired. And it’s especially punishing to our adjuncts. And as our adjunct professors make up a larger and larger share of the teaching force, the fact that they could be not hired again, or offered fewer classes or no classes at all just because of a 0.2 difference on their teaching evaluations. It’s really concerning.

Rebecca: It’s also in some ways, a way of advocating for making sure that we spend time in the classrooms with part-time faculty and know what is going on. Sometimes we reserve those classroom visits and informal feedback with our peers to only tenure-track faculty rather than expanding that across part time faculty as well. And I think we can all gain insight from seeing a wider range of teaching practices inside and outside our departments across full-time and part-time faculty,

Kristina: And even letting our part time faculty conduct some of these peer evaluations. Now that I’m teaching part time, I really see a difference in what it’s like to be part-time faculty. And it’s great in a lot of ways. It gives you a lot of flexibility. And it gives you a lot of time to have fun with your students. And it’s a challenge in a lot of other ways too. But I think that the lines of communication between faculty and students and between different types of faculty… we can really nail down that as the purpose of student evaluation. I think it would help a lot in making them more useful.

John: One of the approaches that some departments have started to use in terms of peer evaluations is not to leave them too open ended, but to have very structured ones. And some of them involve very structured types of observations where you just record what’s happening at fixed time intervals in terms of who is participating, what is the activity, and so forth. And that, at least in theory, should provide a more neutral measure of what’s actually taking place in the classroom, and could also provide more insight into whether evidence-based practices are being used, which could lead to more positive developments in terms of how people are teaching.

Kristina: Yeah, I think that’s really interesting. I think sometimes it can be really difficult to give or receive a truly unbiased peer evaluation because it’s really easy to start saying, “Oh, the students looked like they were having fun.” What does that mean? That’s not really objective. But I think it’s also important to recognize that a 1 to 5 scale of students saying this teacher is effective is also not objective in any way. So, the idea of there being an objective measure of teaching effectiveness, I think we should move away from that idea.

Rebecca: That’s a lot of food for thought.

Kristina: A lot of tea for thought. [LAUGHTER]

John: That’s true.

But, this is coming from more and more directions now. Several disciplinary associations have issued statements indicating that student teaching evaluations not be used as primary instruments in promotion and tenure decisions. And I think we’re going to be seeing more of that, especially as the research base grows.

Kristina: And there is some good news for the listeners who might be looking for, you know, in the meantime, what can we do about this? How can I help? One recent article, it did a sort of small pseudo-experiment, quasi-experiment, where they gave their students some information about this research before they had the students fill out their student evaluation forms. So, they just briefly told the students that sometimes their student evaluations may be biased based on race, gender, or ethnicity. And they found that it was able to mitigate some of that bias. So, in the meantime, if we’re looking for ways that we can try to address this, it’s important most especially for our allies, who are white and who are men to be advocates in this… to take the time in their classes to say there’s evidence that these evaluations may be biased in favor of a certain kind of faculty member. If we can make sure that messaging is getting out there from the right people who can help, then we can start to mitigate some of that bias.

John: We’ll share a link to that study in our show notes.

Kristina: You know, I think that of course, being a white woman myself, I am more comfortable and qualified in my sort of native talk about gender bias. Hopefully we can get more faculty members of color to join us in this research agenda because it’s meaningful for them as well, because our research is starting to show that this bias exists for them as well. And there’s simply just not enough discussion of that in the conversation. One thing that we did not publish in our study because it was just sort of a side question, but when we were asking students what their perceived gender and race of the pictures was, we threw in a question just for fun to ask them “Do you think you would have difficulty understanding this professor’s English?” because one thing that we hear so many times from our colleagues with accents, is that this comes up regularly in their evaluations. And we threw in this question and what we found is that our Asian faculty members, the students all said… I mean, not 100%, but vast majority of the students said, “Yes, I think I’ll have trouble understanding the faculty members English.” And some of our Asian faculty members speak with heavily accented English and some don’t. And interestingly, our Hispanic colleague that I mentioned earlier with blond hair and blue eyes, has a very thick Venezuelan accent and no students were concerned about being able to understand his English. So, I think these elements need to be brought into the conversation as well. And I want to see, hopefully, people that are sort of more native to that discussion, and that it might be more meaningful for them, join in to start doing this research. If there are any co-authors out there, I’m happy to start a new study.

John: The effects you found for ethnicity were relatively weak compared to the effects for gender. But, with a larger sample size, you might be able to get more robust or stronger results on that.

Kristina: Absolutely. So in our difference of means test, ethnicity didn’t come out as significant. It did come out of significant in our regression, but the substantive effect was a little lower.

John: And you were unable to do interactions because of the size of the sample, right?

Kristina: We only had one non-white woman. And so I don’t think our statistical analysis program would have been very kind to us with only one observation in our interaction term.

Rebecca: So we always wrap up, Kristina by asking, as you know, what’s next?

Kristina: That’s a great question. My current position is in K-12 science curriculum. So I still teach part time, but I’m heavily involved in the curriculum world at the K-12 level now. And one thing that’s been really different is that K-12 teaching is definitely more dominated by women than higher education is and I would love to start looking at how we can get our K-12 students to be primed to think about women and men as equal in the sciences, because thinking about their high school teachers as their teachers, and then they go to college and they see men as professors could potentially continue to exacerbate those biases. So, I’d really love to start doing some research and exploring how we can change our children’s attitudes towards women in the sciences from the ground up.

Kristina: That sounds really interesting.

John: And it’s important work and that’s an area where we certainly could see a lot of improvements.

Rebecca: Well, thank you for joining us, as always an interesting conversation and many things for us to be thinking about and taking action on.

Kristina: Thank you. Always a pleasure to join.

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John: If you’ve enjoyed this podcast, please subscribe and leave a review on iTunes or your favorite podcast service. To continue the conversation, join us on our Tea for Teaching Facebook page.

Rebecca: You can find show notes, transcripts and other materials on teaforteaching.com. Music by Michael Gary Brewer.

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