335. The Abundant University

The cost and the benefit of investing in a college education have been increasingly questioned outside of the academy. In this episode, Michael D. Smith joins us to discuss whether the traditional college model can survive in a world in which technological change has expanded the possibilities of  alternative education and credentialing mechanisms.

Michael is the J. Erik Jonnson Professor of Information Technology at Carnegie Mellon University’s Heinz College of Public Policy and Management and the author of The Abundant University: Remaking Higher Education for a Digital World. He is also a co-author of Streaming, Sharing, Stealing: Big Data and the Future of Entertainment.

Show Notes

Transcript

John: The cost and the benefit of investing in a college education have been increasingly questioned outside of the academy. In this episode, we discuss whether the traditional college model can survive in a world in which technological change has expanded the possibilities of alternative education and credentialing mechanisms.

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John: Thanks for joining us for Tea for Teaching, an informal discussion of innovative and effective practices in teaching and learning.

Rebecca: This podcast series is hosted by John Kane, an economist…

John: …and Rebecca Mushtare, a graphic designer…

Rebecca: …and features guests doing important research and advocacy work to make higher education more inclusive and supportive of all learners.

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Rebecca: Our guest today is Michael D. Smith. Michael is the J. Erik Jonnson Professor of Information Technology at Carnegie Mellon University’s Heinz College of Public Policy and Management and the author of The Abundant University: Remaking Higher Education for a Digital World. He is also a co-author of Streaming, Sharing, Stealing: Big Data and the Future of Entertainment. Welcome, Michael.

Michael: It’s great to be here, John, Rebecca. Thanks for having me so much.

John: We’re really pleased that you could join us. Today’s teas are:… Michael, are you drinking tea?

Michael: I did earlier today, my wife makes this lovely herbal tea that you put in a little strainer. So I still have that in my memory. [LAUGHTER]

Rebecca: I haven’t English breakfast. I was a little bit on the go today. [LAUGHTER]

John: An unusual circumstance that has only happened, I believe, once before… I also have English breakfast. So this is twice so far out of 330 some episodes, I think, that we’ve been drinking the same tea.

Rebecca: It’s rare. We’re not exactly the same, yeah. [LAUGHTER]

Michael: Alright, what are the odds?

John: 100% today? [LAUGHTER]

Rebecca: Yeah. [LAUGHTER] So we invited you here today, Michael,to discuss The Abundant University? You note that the current system of higher education was created in an environment in which educational institutions provided access to scarce educational resources to a privileged few and the perceived quality of colleges and universities was judged primarily by their selectivity. Can you explain the role that scarcity has long played in the structure of higher ed?

Michael: Yeah, so we created a system of higher education in a particular time and with a particular set of technologies. Specifically, you need to sit in my class, if you’re going to hear me, and I think both our expectations about privilege, and our technologies have changed in ways that mean that we desperately need to change how we deliver higher education. So one of the things I talk about in the book is just if you look at what defines power, what defines market power in the university, it comes from being able to control access to the scarce seats in your classroom, being able to control access to the scarce faculty experts, whatever the heck that means. And then being able to control access to who gets the credential, the highly valuable credential, that’s going to help you rise in the work world. I think those things are starting to change in ways that we in higher education ought to wake up to.

John: One example that you use to illustrate the issue of scarcity involves Joyce Carol Oates. Could you describe this example for our listeners?

Michael: Joyce Carol Oates is a great example. She’s an absolute rock star. She’s written 60 different novels, she’s won a National Book Award, O. Henry awards, she’s been nominated for the Pulitzer, all these wonderful things. And so you’d think we’d want to get as many students exposed to Joyce Carol Oates and her knowledge as possible. The problem is within the existing system, to get exposed to Joyce Carol Oates, you’ve got to get admitted to Princeton, which has an acceptance rate of like 4%, then you’ve got to be able to pay the tuition at Princeton, which is without aid, something like $80,000 a year. And then, even if you do those first two things, you’ve got to get up at five in the morning and stand in a long line of students to get access to one of the 10 seats in Joyce Carol Oates’s class. So we’re taking this incredibly valuable resource and we’re making it incredibly scarce. Could we do better? Well, we are in some sense, because Joyce Carol Oates has a class on the streaming service Masterclass, where for 15 bucks a month you can get access to Joyce Carol Oates’s knowledge. Now is it the same as what you get at Princeton? No, but it’s better than nothing. My daughter and I sat and took the class together, and it’s actually quite good. And that’s the contrast between scarcity and abundance I’m trying to draw out in the book. Are there ways we can use technology to make resources that used to be scarce, abundant in ways that could benefit students?

John: And that scarcity made a lot of sense when it was one lecturer sitting in a seminar room or in a lecture hall running a class and there was no way of distributing that information more widely. Things have changed a little bit since then, haven’t they?

Michael: They’ve changed a little bit and I talk about in the book, there’s something kind of odd about the way we define expertise in universities and the way we distribute that expertise. So to get tenure, I had to become the world’s recognized expert, whatever that means, in this incredibly narrow part of my discipline. So my value to the university is: I’m a specialist. And that’s great, except when I teach I teach like a generalist. I teach all these different topics where Erik Brynjolfsson is the expert or Catherine Tucker is the expert or Natalia Lavina or Ed McFowland. Wouldn’t it be cool if you could learn that topic from them? We’ve never been able to do that because it’s hard to bring them into the classroom. But now, we can create that sort of experience in ways that I think could really benefit our students. One of the examples I talked about in the book is Anita Elberse at Harvard Business School and I have both studied a particular area and we actually disagree, our conclusions disagree. When I teach it, I’m pretty sure I’m giving short shrift to Anita’s position. Wouldn’t it be cool if you could bring both of us into the classroom and I give my position she gives her position and the students decide for themselves. We’ve never been able to do that. I think we can now.

Rebecca: …really pointing to how technology is offering the opportunity for more inclusion. And that’s certainly been a topic that’s been happening throughout higher ed with Inclusive pedagogy and topics about UDL and digital accessibility and things like this. But you point to a number of structural barriers that impede this from actually happening in higher ed generally. Can you talk about these barriers and what it would take to make them go away?

Michael: Yeah, this was one of the hardest parts about writing this book is sort of taking a cold, honest look at our business model, for lack of a better word. And when I was giving this talk in front of a particular audience, and somebody said, “Mike, all the research shows…” and they were right… “all the research shows that the best way to become wealthy later in life is to get a four-year college degree from an elite school, and so we should be encouraging students to do that.” I’m like, “yes, and no, you’re absolutely right, the best way to become wealthy is to get a four-year college degree from an elite school. The problem is, the best way to get a four-year degree from an elite school is to be wealthy.” And when you add those two things together, we’ve created this terrible feedback loop that just exacerbates social inequality. Now, you might say, “Why do I say being wealthy is key to getting a four-year degree from an elite school?” And in the book, I talk a lot about some of Raj Chetty’s research, which shows that kids born in the top 1% of the income distribution have a one in four chance of getting admitted to an elite school, top 80 school, kids born in the bottom 20% of the income distribution have a one in 300 chance of getting admitted to the same elite school. And so what I say to my friends who are economists is, “Hey, I’m trained as an economist too, I believe in the efficient allocation of scarce resources. If we in higher education genuinely believe that rich kids just happen to be 77 times more likely to be capable of an elite education than the system’s working fine. But if we don’t believe that, and I don’t know anyone who does, then this is a terrible way, a terribly unjust way of allocating access to the scarce resource.” I don’t mean to pick on Princeton, but let me pick on Princeton since we talked about Joyce Carol Oates. Princeton admits more students from the top 0.1% of the income distribution… families making more than $2 million a year… than the combined number of students they admit from the bottom 20% of the income distribution… families making less than $25,000 a year. Is that because Princeton is biased against the poor? I don’t think so. I think it’s because all of our incentives encourage us to make decisions that are highly correlated with wealth. And I could expand on that if you want, but one example I think a lot about and talk in the book about is Georgia State University in 2009, made some very intentional efforts to increase access to their campus, they ended up increasing the number of Pell-eligible students that they admitted from 32% to 60%, which meant they had three times more Pell-eligible students at Georgia State University than the entire Ivy League combined. So great news for access and inclusivity. The only problem is by doing that, they dropped 30 places in the US News and World Report rankings because their SATs scores, their alumni giving, all these other things, fell. The system is rewarding us for doing things that we all know are bad for society. And so a key part of the argument of the book is we’re not going to solve this by tweaking the existing system. We’re going to solve this by creating a new system that rewards people for inclusivity and diversity.

John: As you’ve just said, part of the issue is that all of the agents there are pursuing what’s rational for them. Their parents from high-income families spend a lot of resources in preparing for that. And we’ll include a link in the show notes to an earlier podcast we issued a few weeks back where we interviewed John Friedman, who is one of Raj Chetty’s co-authors on several of those studies. So we do address some of that in that podcast, and I encourage people to go back and listen to that if you haven’t seen that. But we have a system where it’s currently self-reinforcing, that institutions are doing what’s best for them, faculty are doing what’s best for them, and parents are doing the best they can, given the constraints that they’re facing. How are we going to get past those incentives to move to a more inclusive environment, or that would reward institutions for becoming more inclusive,

Michael: It’s going to be really hard within the existing system, I think there’s two options we’ve got. One is to rely on folks like Paul LeBlanc and Raj Chetty and Zvi Galil at Georgia Tech University, people who are willing to say, I want to create this, and I’m going to do it, even though I know it’s not aligned with my self interests, and I’m going to create a online educational experience, because I’m focused on the needs of my student base, rather than what the market is telling me to do. And I think that’s possible if we rediscover our mission. And the reason I say that is because you mentioned one of my previous books, and a lot of my previous research was about the entertainment industry and how technological change affected the entertainment industry. In looking at that, what I found really interesting is the industry initially opposed technological change, because they saw it, correctly, as a threat to their business model, their way of doing business. At some point, I had this really interesting conversation with a pretty senior creative person at one of the studios. And we were sitting in the lunch room, and he sort of leaned forward and quietly, so none of his colleagues could hear, said, “Mike, a year ago, we sold my show to Netflix, I want you to look at the season of my show that Netflix just put out, and you’re gonna see that it is in every way superior to what we did on the lot. The storytelling is better, the cinematography is better, and I just can’t figure it out.” They told themselves, the technology companies are going to make stuff that’s inferior than what we do, and what they were seeing with their own eyes, and not to mention at the award shows, the technology companies were actually making great entertainment. And I think it was that realization, where they said, “You know what, you’re right. Technology is a threat to my business model. But my mission is different than my model, my mission is creating great entertainment, and getting that entertainment in front of an audience. And my mission is so important to me, that I’m willing to blow up my model to pursue it.” I think that’s exactly what we’ve seen in entertainment. What’s the parallel here? What’s our mission in higher education, friends? if our mission is helping rich kids get a leg up in the job market, everything’s working just fine. But that’s not our mission. Our mission is helping people from all socio-economic backgrounds discover their talents, develop those talents, so they can use those talents to the benefit of society. I think we’re leaving a lot of people behind. And I would love for us to get excited about that mission, so excited that we’re willing to blow up the model.

Rebecca: We’re undergoing strategic planning at our institution. We’ve been having lots of interesting conversations about many of these things, actually, some of which are really inspiring to think about, like, what is the mission? If we’re really thinking about equity-informed student success, what are those metrics? How would we need to change how we’re looking at things to even know that we’ve achieved success? And what I’m hearing you talk about is there’s the difference between the institutional change that needs to happen, and then the broader machine of higher education. But when I think about cultural change, I think about bottom up and top down change. There’s regulation kind of change, but there’s also that grassroots change. And it’s almost like many institutions need to have this discovering independently to make some of that start happening. And force, bigger systematic change.

Michael: Yeah, I think we need bottom-up change in the sense of, I’m tired of being trapped in a system that forces me to make decisions to exclude people solely because they grew up in the wrong zip code. I think the other thing we need is some top-down change. And there what I talk about in the book is, back in the early 2010s, a lot of really smart, prominent people, including Clay Christensen, who I have a world of respect for, said that in 5 to 10 years colleges are going to be in real trouble, because we have this new technology. It’s 15 years later, that hasn’t happened. So I think a lot of people sort of roll their eyes when they hear technology is going to change our business. In the book, I try to argue, respectfully that I think part of the reason Clay Christensen was wrong, is he wasn’t using the right model of disruption. So his model says this technology comes in, and it’s going to create an inferior product and the incumbents are going to ignore it. What I’m trying to argue is that MOOCs and other online learning, if you think back to those three factors I talked about earlier, scarcity in the classroom scarcity in the experts, and scarcity in the credential. What online learning so far has done is its created abundance in who can get access and abundance to the faculty. What it hasn’t changed is the credential, the credential is still scarce. If you go to a Princeton or Harvard, or let me just eat my own dog food, Carnegie Mellon, people are going to assume you’re smarter than someone who went to a different school. What if we changed the way we did credentials? What if we would change the way we did credentials from this very brand-oriented credential that we have now to something that is closer to the student’s actual capabilities, actual skills? What the heck am I talking about? So the story I’ll tell is on my whiteboard as I was writing this paper, I had “brand” circled with a big question mark next to it. If the university brand name is the brand, how do you change the value of brand names? It’s really hard. So I’m scratching my head about this. And later that day, I was buying a really expensive scanner from a manufacturer I’d never heard of before, solely because it had a 4.9 star rating on Amazon and a bunch of really positive reviews. I was like, “Oh, crap, that’s how you change brand names. You add in objective information about the quality of the product.” I’ll stay in complete strangers’ homes, because they have a good rating on Airbnb, I’ll drive home with complete strangers, because they have a good rating on Uber. We see this in all these areas of society, could we bring that into the academy so that instead of judging people based on the name of their school, we start to judge them based on their actual skills? Wouldn’t that be cool. The other thing I’ll say, just to roll this out a little bit more is one of the things I think we’ve seen in these other areas of the economy is when you didn’t have the brand name, when you were an independent hotel no one had heard of, I’m going to assume you’ve got lousy rooms, and I’m gonna stay at the Hilton instead. Once we created a way to signal your quality, all of a sudden, a whole bunch of people who didn’t have the brand name had the incentives to invest in quality. We’ve got a whole bunch of places that aren’t Hilton, who are investing a lot in creating great room experiences. What’s the parallel? If we were to open up a way for students to signal their true skills, might we create a whole bunch of incentives for students to invest in those skills in ways that they just can’t right now, because I’m going to be judged based on the brand name of my school, instead of my actual knowledge?

John: Going back to the issue of markets, currently markets encourage institutions to maintain the scarcity. But they’re also subject to the Baumol disease of increasing relative costs, which is inherent in anything where labor is a major component of the production of the service. And with rising costs, while that maintains scarcity, it also opens up the market for other alternatives that can provide credentialing as an alternative to the traditional institutions. Could you talk a little bit about the Baumol disease and also perhaps, how that might encourage institutions to start shifting to other less expensive methods of credentialing?

Michael: Let me answer the second question first, and then come back to Baumol. Can we imagine ways that we could have new ways of credentialing students, and the example I used in the book is a guy named Gilberto Titericz. He worked for the Brazilian state oil company graduated from the 12th ranked Brazilian engineering college. And it just so happened in the evening, he liked to play around with Kaggle, which is an online place where you can go and provides awards for people to solve analytics challenges. And he got good enough that he had risen to the top of the worldwide leaderboard. And all of a sudden, Silicon Valley companies were recruiting him not because of his degree, not because of his work experience, not because of the GPA, but solely because they could see an objective signal that this guy’s really smart at analytics. I told this story to a buddy of mine who works in journalism, and he said, “You know what, Mike, I won’t hire anybody unless I can see their substack. I want to see if you can write. I don’t care if you graduated from Columbia’s journalism school, I want to know whether you can write.” And I think we’re seeing a lot of areas where you can have these signals. As an economist, it warms my heart that you would bring up Baumol’s cost disease. What Baumol’s cost disease says is that if every other sector of the economy is increasing productivity and economists define productivity as output divided by input. So you’re creating more output with less input. If you’re in a sector where every other sector is increasing productivity and your productivity isn’t changing, then your costs are naturally going to go up. And that’s very consistent with what we’ve seen in higher education. We’ve seen over the last 60 years, prices in higher education have increased at four times the rate of inflation, Or said another way, if they kept pace with inflation, college would cost 25% of what it is today. How do you change that? How do you improve efficiency? Well, you got to create more output with less input. I don’t see how we do that within the bounds of the existing classroom. We might be able to do that if we intelligently adopt technology in ways that allow us to educate more students with fewer resources than what we’re using today. The problem is, that’s really scary for a lot of my colleagues, and myself, as I’m very transparent in the book that this poses a threat to me too. And I think this brings us to the point where we’ve got to figure out what’s my core value here. One of the quotes I have in the book is a colleague who, a bit tongue in cheek, and I’m going to use it with permission but without attribution, said, “You know what, Mike, the professor has to have an incentive to adopt the technology. I’m a tenured old fart, I can ride out this technological change until I retire. Technological adoption will occur one funeral at a time.” And again, I know he was being cheeky, but I think in the back of our minds, a lot of us are like, “I’m just going to try to hang on to the existing thing for as long as I can.” I’m not sure we’re going to be proud of that decision 15 years from now. Congratulations, you’ve presided over an institution that you know is leaving deserving kids behind solely because they grew up in the wrong zip code. You’ve benefited yourself, are you proud of the outcome? I don’t think we’re gonna be.

Rebecca: It’s really hard to make those choices, of course, when you’re feeling very comfortable, and those choices may make you very uncomfortable. But I think that’s just in terms of the personal impact versus that bigger social impact that I think many of us are really committed to, but then our actions don’t always follow that commitment.

Michael: Yeah. And again, I try to be transparent as possible in the book that I’m as subject to this as anyone, friends. It wasn’t until I started staring at this, that I really had this “Oh, crap” moment of “I’m doing things, we’re doing things that are contrary to our values. Maybe we need to start questioning the structure and thinking more about those values.”

Rebecca: What role do faculty have in starting to initiate these changes?

Michael: It’s a great question, I think we need to start questioning the assumptions. Here’s a good starting point for that. I was talking to another colleague about this. And what she said, and this is going to be close to a direct quote, was, she said, “We train our students to identify and dismantle unjust social structures in every aspect of society, except our own.” I would love for us to start thinking about our own unjust social structure, and how can we change it in a way that creates more justice for students who deserve it. And the only way I’ve been able to come up with ideas about how to do that is by changing the structure. I just don’t see how we do it from within the existing structure where I teach 35 students for 80 minutes at a time twice a week, blah, blah, blah. The cool thing is, I actually think we have a decent number of examples of success, success, not only in creating more equity, but also in creating a viable and sustainable system. If you look at what Paul LeBlanc is doing in Southern New Hampshire University, if you look at what Mike Crow is doing at Arizona State University, if you look at what Zvi Gali did at Georgia Tech with his online master’s in computer science program, I think they’ve all been very successful at increasing equity, and also very successful at creating a sustainable business model.

John: So what should other institutions consider doing to transform their institutions into one which is more sustainable?

Michael: This is where we get into strategy. And, again, I teach technological change and economics and strategy. I honestly think, if you’re looking at this as we want to create mass market four-year degrees, I think Southern New Hampshire and Arizona State have a big lead in the market, and it’s going to be hard to catch up to. But if you’re looking at niches, if you’re looking at specific degree programs, I still think there’s a whole bunch of opportunity out there to say: “Can I create a program that appeals to a specific market engineering, for example, that is delivered online, but it’s delivered online in a very high quality way.” And I’m going to even pause there for a second and say, delivered online is probably too strong. So in my technological change course, I bring in the head of data analytics at the University of Pittsburgh Medical Center to talk to my students about how data is changing health care. And right after the pandemic, he came in and said, “You know what, Mike, we’ve looked at our data and what we’ve discovered is that for most doctor-patient interactions, telehealth yields equivalent health outcomes as you coming into the office. There’s some things you’ve got to come into the office for, but most things, telehealth works just fine.” What’s the parallel? I think there are a lot of things we do in higher education that can be delivered perfectly well remotely. Some things need to be done in person, and I would love for us as educators to think really hard about what are the things that have to be done in person, and what are the things that can be done perfectly well online, maybe even better online? So it’s not 100% in either direction. And then I’ll have people say, well, there’s some things trying to get it more in the in person side. And the example I think of there is I talked to Ara Austin, who’s the professor at Arizona State, who teaches organic chemistry remotely. You say, “How the heck do you teach organic chemistry online? Are you mailing hydrochloric acid to students’ homes, and hoping they have a fume hood somewhere available?” And the answer is, what they did is they looked at their curriculum, and they discovered that 13 weeks of the 14-week semester can work perfectly well online. For the labs, they actually bring students on campus, and they do a one-week intensive organic chemistry lab experience, you do two labs a day for six days. And what they’ve discovered in serving the students is that the online students’ knowledge of organic chemistry is equivalent to the residential students, but they walk out with a higher identity as scientists. There’s something about doing two O-chem labs a day for six days that you walk out and say, “I’m a scientist, I can do this,” that you wouldn’t get if you did those same labs, one lab a week, over the course of a 12-week semester. I think there are a bunch of things out there where I’d love for us to get excited about saying how can we redesign the classroom in a way that might even create better educational outcomes, while also including a whole bunch of students who otherwise would have been excluded.

John: One of the challenges is that student bodies have become increasingly diverse, but instruction is often aimed at the student in the middle of the distribution. One of the things Carnegie Mellon is known for is the Open Learning Initiative and the development of adaptive learning platforms. Is that something that colleges might be able to leverage to increase the scale of classes to lower the cost per student?

Michael: Yes. And heck, yes. So let me go back to my roots studying the entertainment industry. One of the really interesting things about the rise of streaming platforms is… we’ve actually got a paper coming out showing that we’ve seen an increased diversity in casts on streaming platforms, because you’re not tied to the mass market delivery. When I teach a class, and I talk about this in the book, of 30 students, I’m pretty sure 10% of them are bored, and 10% of them are completely lost. The problem is that, in that delivery modality, I have no time for the 10%. I’m trying to keep the middle 80% of the class happy. Wouldn’t it be cool if I could identify the 10% of students who are bored and say, “Alright, let’s go on to the next topic,” and identify the 10% of the students who are lost and say, “Alright, let’s spend a little bit more time on this topic so that you get it before we go on.” We can’t do that in the traditional delivery model. But we can online. There are a lot of ways to say I’m going to personalize this in the same way that streaming platforms say I’m going to personalize what’s being shown to your preferences and needs. I think we can personalize the way the education is delivered to the preferences and needs of the individual student.

John: And I could see a system where that results in recommendations for students for their next courses. You’ve done well in this, you may want to consider these alternatives for next semester.

Michael: Yeah, I talked to a colleague in the business school who got his degree in electrical engineering. And as I was talking about this, he said, “You know what, I just saw a YouTube video and for the first time understood what a Fourier transform was, and what it was used for.” This is this key concept in electrical engineering and signals. 20 years later, he saw a video, he’s like, “Oh, that’s what it’s for. I can do it mechanically, but I never really understood.” Wouldn’t it be cool if we could have a set of different ways of explaining a concept and match the different ways of explaining to the students to what we think the student is likely to resonate with? The other way of thinking about this is students’ preferences for faculty. Here’s what I mean by that. When my daughter was president of the STEMinest club at her high school, so take feminism and combine it with STEM and you have STEMinism. And when she was going into her senior year, my STEMinest daughter wanted to take AP physics. And the high school said, you can’t take AP physics because you don’t have AP calculus, you can’t take AP Calculus, because you don’t have precalculus. And you can’t take precalculus, because we’re not offering it this summer, I’m sorry. And that didn’t really work for me and my wife. And because of the research I was doing, I knew that there’s a site called Outlier.org that delivers a whole bunch of classes, including calculus. And by the way, if you pass the class, you get credit at the University of Pittsburgh. So my going back position was, “Hey, if my daughter passes this class that gives her credit at the University of Pittsburgh, are you really telling me that’s not good enough for high school calculus?” Anyway, we won that argument. What was really interesting about the way Outlier designed her class is they had three different teachers teaching the same modules in their own voice. So Tim Chartier, a white guy like me, calculus professor at Davidson; John Urschel, African American scholar, who just finished his PhD in math at MIT, and by the way, before he started his PhD, was the starting guard for the Baltimore Ravens. So munch on that for a second; and then Hannah Fry, University College London. And they each teach the same topics in their own voice. And you, as the student, can choose which of these professors do I take? Guess which Professor my STEMinest daughter gravitated towards. She immediately gravitates towards Hannah Fry. And I mentioned this to a colleague, and what my colleague said, “Oh, Mike, there’s a bunch of research that shows that, in general, men do better than women in quant- related classes, and that difference goes away when the class is taught by a woman, and by the way, the same thing is true for underrepresented minorities. In general, lower performance, and that difference goes away when the class is taught by someone who looks like them.” Wouldn’t it be cool if we can allow students to self select into the teaching style or the background of the professor that’s most going to resonate with them? It’s really hard to do that in the traditional environment, but we can online.

Rebecca: Yeah, I think this personalization is something that I’ve also been thinking a lot about, and it’s super possible. We have the technology to do it, just our institutions aren’t keeping up. And as a designer, I am always thinking about audience. And when I’m working with my students, we’re constantly talking about how it’s impossible to design for everybody. Like there’s no such audience as everybody, [LAUGHTER] there are specific people who are in your audience, and the more specific you can get, the better you can design the experience. And that’s exactly what you’re describing.

Michael: Exactly. Yeah. And it’s gonna be really hard if we take the existing 30 person twice a week delivery model as a given. But if you relax that assumption, there’s a whole bunch of really cool things you can do.

John: Changing the focus a little bit, you talk about how faculty perceive the role that we play in preparing students for their future careers in education. But you also present some evidence on how employers and the public and students perceive the way in which we prepare students for their futures. Could you talk a little bit about that?

Michael: Yeah, there’s this huge disconnect, respectfully to my colleagues, between how we perceive ourselves and how the outside world perceives us. In 2020, I wrote a piece in The Atlantic, basically saying that higher education in 2020 looks a lot like the entertainment industry did in 2015. We are fat and happy and completely unaware that technology is about to change how we deliver our product, for lack of a better word. What was really interesting is the feedback on that piece from outside the academy was overwhelmingly positive, and frequently expressed a great deal of anger and frustration towards the institution of higher education. The feedback from within the academy was overwhelmingly negative and frequently expressed a great deal of anger and frustration towards anyone who would question the institution of higher education. Like there’s this enormous disconnect. It almost reminds me of early in the demise of the cable subscriptions. So there’s a guy named Chase Carey, he was the COO of 21st Century Fox, and in 2013, he was asked at an investor’s conference, “Are you at all worried about people canceling their cable subscriptions?” And he said, “Not at all. People will give up food and a roof over their head before they give up cable television.” And my guess is he said that because he had surveys showing that people will get behind on their mortgage and behind on the credit card payment, beforer they get behind on their cable bill. But it wasn’t because they loved cable, it was because they had no other alternatives. I think we, in higher education, look at “people keep showing up. People keep showing up and paying my high prices, they must love my product.” I think there’s another way to interpret that data and it is they have no other options than to paying us a whole bunch of money. The smart thing for us to do from the perspective of the business model is to eliminate any other options for students. But I think the right thing for us to do from the perspective of society and our own moral standards, is to want to create other ways for students to get the knowledge they need so they can just demonstrate that knowledge in the workforce. That’s the change that I think needs to happen in how we look at these things.

John: That’s a message I think that we all need to hear a bit more often, because it’s really easy to become complacent with where you are and what you’re doing and just assuming that it’s serving everyone’s needs, and we don’t want to be in the position of the cable companies or the traditional print newspapers and so forth in response to a changing environment that may make us obsolete unless we adapt.

Michael: That’s the hard part. What’s interesting to me is how hard it is for market leaders to identify and respond to change. And when I teach this in class, if you teach it really well, disruption is an incredibly depressing topic because the last slide in every good disruption story is “and the incumbent died.” Blockbuster, dead; BlackBerry, dead; Britannica, dead. And if you teach it really well, there’s some kid in the back of the class who’s gonna go: “Can you get any example of an industry that responded well to technological change?” And for a long time, I sort of mumbled that answer, but now I’m starting to say “the entertainment industry.” If you look at what Bob Iger did at Disney, he blew up their organizational structure to go after this new opportunity. I’ve got this really interesting quote of Bob Iger saying, “When I launched streaming and Disney plus, I looked at my organizational structure, and I realized that it didn’t make sense anymore.” And if you sort of dig down, every entertainment company has a president of home entertainment, president of television, president of theatrical, president of international and all those peoples’ jobs is to protect the old way of doing business. Bob Iger blew that up and created an organizational structure that looked a lot like Netflix. What’s the parallel here? I think we need to think really hard about our incentives and our organizational structure, if you will. I was talking to Zvi Galil at Georgia Tech, and what he said is, “I got the faculty to adopt this online teaching method by changing their incentives and making it in their financial interests to teach online.” I think, leaders at the top, if we want to adopt this, you’re gonna have to think really hard about what’s my existing incentives, and how can I change those incentives in a way that encourages faculty to adopt this new innovation?

Rebecca: In your book, you have an interesting story about a president who gave a talk about why it cost $60,000 to attend my university. Can you share that story with us?

Michael: Love to. I’ve given this talk at a bunch of different universities, and when you give this talk, you have these interesting side conversations with people and one of those side conversations was someone who had heard their President give a talk to a local community group titled “Why does it cost $60,000 to attend university X?” and the President said, three reasons. Number one, technology doesn’t lower my cost, it actually increases it because I still have to maintain all the big buildings and now I have to invest in new technological systems. Number two reason that it cost $60,000 to attend my university is because I got to keep up with the Joneses. If all of my competitors are building big, beautiful dorms and big, beautiful buildings, I’ve got to build those same buildings if I want to remain competitive, and the number three reason because I f’ing can, although he didn’t use f’ing, he used the actual word… because I f’ing can. And he went on to say, “Every year I raise my prices, and every year I get the same number of students, if not more.” And while he didn’t use those words, what he’s saying is, I’m not on the elastic point in the demand curve, my market is inelastic to price increases, why shouldn’t I increase my prices? And so I came home and shared this story with my wife, which I found pretty compelling. And my wife who has an MBA and a Master’s of Public Policy, she doesn’t leave me to mansplain price elasticity to her. She listens patiently and nods. And then at the end, she says, “So, let me see if I’ve got this straight.” And after 30 years of marriage, what I’ve realized is, “let me see if I’ve got this straight” is shorthand for I’m about to destroy you rhetorically. “So this university is a 501-C3 nonprofit.” “Yeah.” “So that means they’ve taken tax-exempt status from the government in exchange for an agreement to act in a way that is consistent with the public good.” “Oh… yeah.” And she said, “I’m fine if they want to behave like a profit-maximizing monopolist, just give back the tax-exempt status.” I don’t mean to pick on any university presidents. They’re doing what their incentives tell them to do. I would love for us to come back and say, “What’s my mission?” If my mission is to increase my prices, because I’m not on the elastic point of the demand curve then go for it, but give back the tax-exempt status. The tax-exempt status implies that my mission ought to be bigger than that, ought to be doing what’s right for society. And I think that’s going to require a lot of change.

Rebecca: Thank you just underscored our call to action for this episode.[LAUGHTER]

Michael: I hope so.

Rebecca: Perhaps this is a great moment then to switch to our last question, which is: “What’s next?”

Michael: What’s next?, I think what’s next Inside colleges, is for us to get more excited about our mission, and then changing our model to best support that mission. And like I said, I think that’s going to require a lot more technological adoption than what we’re seeing today. Honestly, I think what’s next outside of higher education is for employers to start to adopt more hiring practices that, frankly, de-emphasize the four-year degree in favor of emphasizing skills. “Do you have the skill? I don’t care where you got it from.” I think we’re starting to see that. And when I give this presentation, I’ve got a slide in the presentation that has a bunch of headlines from press outlets saying this or that company is de-emphasizing the four-year degree in their hiring practices. The next build of that slide is a quote from each of those articles saying, “and they’re doing it because they want a more diverse workforce. And they’ve recognized that I can’t get that diversity if I continue to rely on elite colleges.” A, I think that means employers are starting to pick up on the fact that colleges aren’t delivering the students that I want , but B, I think that ought to be a call to action for us in higher education. Because if you think about it, what it means is that the evil capitalists in the business market are further along than we are in terms of embracing diversity. Maybe now’s the time for us to try to catch up.

Rebecca: Well, thank you for such a great conversation and many things for us to be thinking about as perpetuators [LAUGHTER] of the higher ed system as it exists. So I think there’s a lot of room for us to each, individually, make small moves to start shifting things.

Michael: And I want to put a big caveat on a lot of what I’ve said here, I don’t know anybody in higher education who would say “I’m excited about excluding people,” I genuinely think we’re all on the same page. I just think we’ve gotten into this world where we assume that what we’ve always done in the past is the right thing to continue to do. And I’d like for us to question those assumptions.

John: Well, thank you. You’ve made a lot of really good arguments about the need for change. And I’m hoping that we all start thinking about ways in which we can adapt to create a more inclusive educational environment, and perhaps slow down that cost increase or find alternative routes to training our students to become productive members of society.

Michael: Thanks, John and Rebecca, it was wonderful being here with you and I really appreciate you having me on the show.

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John: If you’ve enjoyed this podcast, please subscribe and leave a review on iTunes or your favorite podcast service. To continue the conversation, join us on our Tea for Teaching Facebook page.

Rebecca: You can find show notes, transcripts and other materials on teaforteaching.com. Music by Michael Gary Brewer.

Ganesh: Editing assistance by Ganesh.

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332. Challenges and Opportunities

Faculty and administrators have been faced with new challenges and opportunities as higher education adapts to a rapidly changing environment. In this episode, SUNY Chancellor John B. King Jr. joins us to discuss strategies that colleges and universities can adopt to navigate a successful path forward.

After graduating from Harvard, Dr. King acquired a Master’s degree from Teacher’s College, Columbia University, and taught high school social studies. He later co-founded Roxbury Preparatory Charter School and served as a co-Director for five years. Under his leadership, students in this school attained the highest scores of any urban middle school in the state and closed the racial achievement gap. After acquiring his doctoral degree from Columbia and a law degree from Yale, he served as New York State’s Education Commissioner from 2011 to 2014. Dr. King left NY for a while to work in the Obama administration as Deputy Secretary of Education from 2015 to 2016 and joined Obama’s Cabinet as Secretary of Education from 2015 to 2016. Following his work in the Obama Administration, Dr. King continued to advocate for increased educational equity and access as President and CEO of the Education Trust.

Transcript

John: Faculty and administrators have been faced with new challenges and opportunities as higher education adapts to a rapidly changing environment. In this episode, we discuss strategies that colleges and universities can adopt to navigate a successful path forward.

[MUSIC]

John: Thanks for joining us for Tea for Teaching, an informal discussion of innovative and effective practices in teaching and learning.

Rebecca: This podcast series is hosted by John Kane, an economist…

John: …and Rebecca Mushtare, a graphic designer…

Rebecca: …and features guests doing important research and advocacy work to make higher education more inclusive and supportive of all learners.

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John: Our guest today is the State University of New York Chancellor John B. King Jr. He has a long history of involvement with education. After graduating from Harvard, Dr. King acquired a Master’s degree from Teacher’s College, Columbia University, and taught high school social studies. He later co-founded Roxbury Preparatory Charter School and served as a co-Director for five years. Under his leadership, students in this school attained the highest scores of any urban middle school in the state and closed the racial achievement gap. After acquiring his doctoral degree from Columbia and a law degree from Yale, he served as New York State’s Education Commissioner from 2011 to 2014. Dr. King left NY for a while to work in the Obama administration as Deputy Secretary of Education from 2015 to 2016 and joined Obama’s Cabinet as Secretary of Education from 2015 to 2016. Following his work in the Obama Administration, Dr. King continued to advocate for increased educational equity and access as President and CEO of the Education Trust. Welcome, Chancellor King.

Chancellor King: Thanks so much, excited to talk with you all.

Rebecca: Today’s teas are: Chancellor King, are you drinking any tea with us today?

Chancellor King: I am, sweet ginger citrus tea. And this is part of my New Year’s resolution. I’ve always been a tea drinker, but I also am a longtime coffee drinker. [LAUGHTER] But a New Year’s resolution this year was to put the coffee aside and switch only to herbal no-caffeine tea. So that’s what I’m working on.

Rebecca: Well, I’m glad that you decided to record this podcast then as part of your New Year’s resolution.[LAUGHTER]

Chancellor King: It fits in perfectly. [LAUGHTER]

John: And following that theme. I am drinking a spearmint and peppermint blend tea, as another herbal tea.

Rebecca: I may have noted that I was trying to cut down on caffeine in an earlier podcast, but I happen to have a Scottish afternoon tea today. [LAUGHTER]

Chancellor King: No…

John: Which is a bit more caffeine than breakfast teas.

Rebecca: Yeah, my accountability isn’t working well. [LAUGHTER]

John: There’s so many things we’d like to discuss with you. But given the time limitations of the podcast, we’d like to focus on your views of the challenges and opportunities facing higher education today. What do you see as the major opportunities in higher ed today?

Chancellor King: I think higher ed is foundational to the long-term success of both our economy and our democracy. We have vital roles to play in both. Certainly, we have tremendous opportunities in the state to prepare students for success in the semiconductor industry which is rapidly growing in the state, for success in healthcare where we have tremendous needs, success in green jobs, and some of the resilience work that we’re going to need to do as a society because of climate change, tremendous opportunity to prepare students for every conceivable profession, from teachers to writers to actors to artists. And, we have a crucial role to play in the health of our democracy. We’ve got to make sure that we are preparing all of our students with a rich liberal arts education so that they can be critical thinkers, so they can be critical consumers of modern media, so that they can be discerning, so that they can make decisions as voters, as neighbors, as citizens. And we’ve got to make sure that our institutions are able to meet both of those missions across degree programs.

Rebecca: What are some of the ways that we can move forward on some of those opportunities?

Chancellor King: Well, look, we were very fortunate that last year, Governor Hochul and the legislature made such a significant investment in SUNY, $163 million, the largest operating aid increase SUNY has received in 20 plus years. It allowed us to make double digit percentage increases in state support at all of our state operated campuses as well as to invest funds in mental health services, services for students with disabilities, internships, which is critical to preparing students for those transitions to career. We were able to put $10 million towards the expansion of research, which is another critical role of the higher ed sector in the health of our society. And we’re able to dedicate consistent funds for supporting our food pantries across our institutions, because we worry about our students are struggling with food insecurity. So one way we move forward is through continuing to invest in the strength of our institutions. Another important way that we can move forward on that agenda is continuing to adapt our offerings, our programs, creating new paths for students, very excited about the Governor’s announcement around AI and the creation of Empire AI and what will be a significant investment in SUNY’s ability to prepare students for research and careers and ethical use of AI, very excited about the new Stony Brook Climate Resilience Campus, $700 million campus that will be built on Governors Island, just off the coast of Manhattan. So we’ve got to continue to evolve as we respond to the opportunities and challenges for our economy and for our democracy.

John: Speaking of challenges, what do you see as the major challenges facing higher ed today?

Chancellor King: There are, unfortunately, a number of major challenges. Many of our institutions, certainly at SUNY, but private institutions in the state, higher ed institutions across the country, have seen significant declines in enrollment. And that was all exacerbated by COVID. That said, I’m a glass half full, tea cup half full, kind of guy. [LAUGHTER] And I look at that and I say, part of what we need to do is evolve our thinking about who our students are. We’ve got to make sure that we’re reaching out to every New Yorker to let them know there’s a place at SUNY. We’ve got to do more work to make sure that we are recruiting low-income students, first-gen students, Black and Latino students, indigenous students, immigrant students, that more of our veterans know that they can come back after their service and find opportunity on our campuses, that folks who are involved in AmeriCorps service programs know that there’s a place for them at SUNY, that our working adults know that they can come back to SUNY, whether it’s one of our community colleges or one of our four-year institutions, to complete a degree that maybe they started and didn’t finish. We’ve got 2 million New Yorkers with some credits, no degree, or maybe that they’re coming to a campus for a microcredential or a certificate, but we’re gonna then help them leverage that into a degree program over time. So there’s the challenge of declining enrollment, but there’s also the opportunity. We are already seeing progress at SUNY, this is the first year in 10 years that we had an enrollment increase across all sectors. But another major challenge is the attacks that we’re seeing on academic freedom, on teaching the truth about our history, the attacks trying to undermine our ability to talk about the hard parts of our history, the times we fallen short of the promise of American democracy, slavery, the horrific treatment of Native Americans in the way land was taken from them. That’s a part of our history. It’s just the truth, and we’ve got to grapple with those hard truths. But there are folks all over the country, unfortunately, who are trying to prevent discussion of those topics, even states where they’re saying they don’t want any higher end institution to mention the word diversity or the word equity. So that I think is very dangerous, and very proud that in New York, we are standing up for those values. We’re gonna be the opposite of Florida, and we’re gonna stand up for diversity, equity, and inclusion, but I worry a lot about that attack.

John: One of the concerns that many people have are these attacks on higher ed, that are convincing more parents and many students that college is no longer needed. Because, for political reasons, perhaps, a lot of people are arguing that a college degree is no longer useful. What can we do to help push back against some of those attacks that we’re seeing nationwide?

Chancellor King: Yeah, you know, there are a few things. And certainly, we have to make the value proposition clear. It’s important that students understand and families understand that over your lifetime, if you have a bachelor’s degree, it will translate into a million dollars more of earnings. So there is this very clear value proposition. We’ve got to take on the affordability question, which a lot of families worry about. You hear so much about the student debt crisis. So we’ve got to really help folks understand how affordable SUNY is. 53% of our students across our institutions go tuition free because of the Pell program and the New York state tuition assistance program as well as the Excelsior program. And our tuition, as you know, just over $7,000, is significantly less than many of our peer institutions in neighboring states. It really is possible to get an incredibly high quality education affordably at SUNY, and we have to make sure that parents and students understand that. We’ve also got to, I think, go back to first principles around what is the purpose and the vision of higher education. The fact of the matter is, you look at almost every indicator, life expectancy, health outcomes, you name it, they’re better for folks who have higher education. And what we’re aspiring to, is to say come to our institutions for an education that will help you lead a healthier, more fulfilling life. I want you to come to our institution and maybe take art history, and so your life is enriched because when you travel, when you go to a new city, you go to a museum and you discover insights around art that you otherwise wouldn’t have had. That’s the part of the beauty of higher education. So we’ve got to make the value proposition argument, the dollars and cents argument, but I don’t want us to forget about also making the richness quality of education argument as well.

Rebecca: As we think about broader access, and our student bodies becoming increasingly diverse in a variety of ways, we do see a number of historically minoritized students having lower retention and DFW rates. What can educational institutions do to reduce some of these equity gaps in degree attainment and not just starting?

Chancellor King: So important, and at the Education Trust, this was really a major area of focus for us, trying to make the case that institutions have a responsibility to not only recruit first-year students, but to provide the supports necessary for students to complete and go on to success after graduation. One of the things we’re working on at SUNY, as I think you know, because Oswego’s very much part of this, we are replicating across 25 of our campuses a program called ASAP for community colleges or ACE for our four-year institutions. And the idea behind ASAP and ACE which has been shown to be successful in doubling completion rates in randomized controlled trials, so it has a tremendous evidence base. The core strategy around ASAP and ACE is to provide supports that make it more possible for students to be successful: more intensive advising, cohort experience, help with just-in-,time financial assistance for the student who, the car breaks down and so then they can’t get to their job, they can’t get to class and for want of $250 for the auto mechanic, they end up dropping out of school. ASAP and ACE have shown that if you provide that just-in-time financial support, it can make all the difference. There’s also an effort to support transportation, so that you try to take that out of the way as an obstacle for students. And I’m very hopeful about the impact that ASAP and ACE can have across our 25 campuses. But, more broadly, there’s really a cultural commitment we have to make as a community of institutions, that we are going to be laser focused on helping our students complete with a meaningful degree or credential. And so when we see those high DFW rates in a class, we’ve got to ask, “Well, is there more we could do in terms of academic intervention? Is there more support that we can provide? Are we seeing patterns for students with disabilities where they’re not getting the accommodations they need? Are there opportunities to maybe have those classes structured differently, so that students are able to get some of the foundational support they need at the same time as they are tackling new rigorous challenges, what sometimes people will refer to as co-requisite classes that integrate the remedial work with actual credit-earning college-level work.” So we’ve got to just be disciplined about this. And we’ve got to invest in the programs that we know will make a difference. EOP has been fabulously successful in New York for decades. Again, a set of wraparound supports, a sense of community for students, and importantly, financial assistance.

John: Are there any specific types of interventions in the classroom that seem to be particularly effective in terms of reducing some of the equity gaps by race, by first-gen status, and by Pell eligibility.

Chancellor King: It certainly varies by discipline, but a couple observations, one is relationship building is critically important. Students need to know that you care, and they need to know that they can come for help. When I was teaching at University of Maryland College Park before I came to SUNY, one of the things I would do every year on my syllabus, I would include basically a basic needs statement to say, here’s where you can go on campus if you are struggling with food insecurity, or housing insecurity, or if you need additional academic support, or you need additional mental health support. And here’s my contact information and my TAs contact information, and I want you to reach out if you need help in these areas outside of our class. Of course reach out if you need help with the work in our class, but if you need help in these other areas, please let us know. And just that step of communicating to students, here’s where the resources are and I want you to reach out for help, can be quite powerful. So relationships are critical. A second one I would point out is, again, it varies by discipline, but opportunities for students to do projects, hands-on learning, we’ve seen oftentimes that when classes are only lectures and exams, that students may not get as engaged. And it may not be as accessible to students as it could be. It takes more time. It’s more complicated to design courses that build in project-based or experiential learning. But we certainly need to be thoughtful about that, as we design courses.

Rebecca: I love the examples that you’re sharing because they really underscore that sense of belonging a student might gain and really feel seen, acknowledging that, you know, students may be housing insecure means you belong here, we know that you might be housing insecure.

Chancellor King: That’s right. That’s exactly right.

John: One of the things that’s had a pretty profound impact on higher ed, or at least it’s raised a lot of questions in higher ed, is the rapid development of AI tools ever since the introduction of ChatGPT last year. And we’re seeing new tools coming out almost every week or modifications on the existing tools. How do you see this affecting how we teach students and how students learn? And how can we prepare students better for a world in which they’ll be working with AI tools that’ll be increasingly better developed.

Chancellor King: It’s a fascinating set of questions. And this, I think, is going to be an important area of discussion for faculties across all of our SUNY institutions for many years to come. I’m very excited that the governor committed to the Empire AI initiative, because that will invest real resources in our institutions to do some of the research to unlock the potential power of AI to advance the public good. You think about some of the opportunities where AI could help with medical diagnosis and the development of treatment plans in medicine… early days, but we see some opportunities there. We’ve got an NSF grant at UB, University at Buffalo, to focus on the use of AI as a tool for improving instruction for students with disabilities, and there’s tremendous potential there. We know that AI can be leveraged for advances in manufacturing and robotics, so tremendous opportunities to leverage AI. There are also tremendous risks. We have a set of scholars at UB as well, who are working on the issue of deep fakes, and the risks that deep fakes pose to our democracy and the good functioning of our society. We have a faculty member at UAlbany, who is a philosophy professor whose focus through the early part of his career was on trust between people, and now he is writing about and studying trust between people and machines, as we think about how AI is reshaping elements of our society. So lots of opportunity here for us on the research side, and also some very real implications for thinking about teaching and learning. Some hopeful things like how can AI be used to power personalized tutoring for students who may be struggling? How can AI be used to create adaptive learning experiences where the level of challenges match to how students are responding to questions, but also, I think, a very real fear. Will students be doing their own work? Or will they be using chatGPT to write their paper? And so it’s going to challenge us to think differently about the kinds of assignments we give and where students take those assignments. So lots of questions that I think all of our faculty have to begin to think about, but we can’t pretend it’s not happening, that it’s not changing how students approach their work. And so we’ve got to be responsive.

John: I’m going to put in a plug for an event that SUNY will be sponsoring. There’s going to be an AI symposium taking place in Buffalo on May 21st. We’re working on a schedule for that, and we will include a link to any information about that in the show notes for anyone who might be interested in joining a discussion with many people from around SUNY about the implications of AI.

Chancellor King: There’s so much excitement around this. We had an AI task force this past semester that is now ongoing, and we had probably 80 faculty members across SUNY institutions participating in that and that was thinking about lots of different questions about the implications of AI. But I think this is a great chance for us to deepen collaboration across the SUNY system.

Rebecca: You really highlighted a wide range of both opportunities and challenges that institutions face as a whole. How do faculty see themselves in moving forward in facing some of the challenges in helping students achieve meaningful credentials or really meet meeting some of the demands of our very near future.

Chancellor King: The faculty are the heart and soul of SUNY. I visited all 64 campuses, as I mentioned, last year. I’m about halfway through visiting them all again. And I’m just continually inspired by the work I see happening across our campuses, just faculty members who are inspiring students, who are equipping students with critical skills that will help them in their professions and in their lives. So I’m very grateful for that. A couple of places where I think there are some real leadership opportunities, one is for faculty to play a role in supporting our recruitment efforts to make sure that when students of color, low-income students, first-gen students, are coming to campus, they are hearing a clear message from faculty that they are wanted. One of the worries I have about the Supreme Court decision last year ending race-conscious admissions, is that it sent a message to black, Latino, Indigenous students, you are not welcome in higher education. And we want to send the opposite message, we want to say there’s a place for every New Yorker at SUNY. Our classrooms are stronger when our student body is diverse; our faculties are stronger when they’re diverse; our research is better when diverse researchers are engaged in solving problems together. So recruitment is one opportunity. Second opportunity, I think, is to continually ask how do we evolve our instruction and our course content to align with our evolving students in our evolving society? Now, we’re always going to want students to engage with the great conversation about what is the good life, we’re always gonna read Plato and Aristotle. But at the same time, we got to think about how are the questions we’re asking maybe different given what our students face today. So I think about when I was at one of our campuses, speaking with a botany professor, who was saying that he’d really never had full enrollment in his course, he always had empty seats. But this past year, he was teaching a course in the horticulture of cannabis and waitlists. And it wasn’t to say that every student in that class is going to get a job in the cannabis industry, though certainly the cannabis industry is going to grow in New York. But that course will be a gateway to getting excited about agriculture and an interest in careers in agriculture, which are plentiful as a whole generation of folks in the agriculture industry retire. We have lots of need for folks with expertise in agriculture, sustainable agriculture, in particular. So maybe being in that course on the horticulture of cannabis will bring them into this new field. So it’s not that he’s teaching something entirely different, it’s kind of tapping into the intersection of his discipline and what students are curious about. Similarly, you think about health care, and the challenges we have in the healthcare sector, students are really interested in learning about racial health disparities, and understanding how we’re going to tackle those. And I’m not saying diverse students are interested in those questions, because they see the horrific maternal health disparities by race that we have, and they want to make it better. So we should talk about that in our nursing classes, in our public health classes, in our medical schools. So this evolution of our teaching and our content to meet the moment, I think, is hugely important. And then I would add, we are stronger together. And so collaboration across disciplines, collaboration across institutions, strengthening transfer pathways, for example. 80% of the students who start community college, say they want to earn a bachelor’s degree, but less than 20%, do. We can do better, we have to do better. And so those partnerships, not only institutional partnerships, so that credits transfer and those things, but also faculty collaboration. What do we advise students about which courses to take if they’re interested in a particular degree when they come to the four-year institution? How do we improve advising at the two-year institution? Those kinds of things are an important place where faculty can engage.

John: As you mentioned, SUNY has done quite a bit of work in easing transfer credit across institutions, between community colleges and four-year colleges. But we have those really poor success rates for students who plan to go on for a bachelor’s. Are there any other strategies that could be used to help ease that transition from community college into four-year programs?

Chancellor King: Absolutely. You know, we have a transfer task force with folks from across our two- and four-year institutions working on this set of questions. Some of the things that we’re seeing that are promising around the country: advising… crucial, particularly as you’re picking classes, as you’re thinking about your major and how it will translate into what you want to ultimately do in your career, improving advising at the community college level, particularly if, and we have some folks who are using transformation funds, some of the funding we got last year from Governor Hochul and the legislature to do this, particularly if you can get the four-year institution to either place their staff as the advisors on a two-year campus, or to work in very close partnership with the advisors on the two-year campus to help ease that navigation. Another issue is what I might describe as friction reduction. One of the things we started this past year, which we will continue to grow is a SUNY match process where we reach out directly to students in our two-year programs and saying, “You are directly admitted to these four-year institutions based on your academic record at the two-year institution,” because for a lot of students, especially first-gen students, it’s that feeling of “Well, college, it it really for me, is a four-year institution really for me, am I ready for a four-year institution.” But it can be transformative to get that letter, that personalized letter that says there is a place for you at the four-year institution. And then look, there’s lowering financial barriers. That’s critical. One of the things I’m excited about that the governor announced in her State of the State and included in her budget is Universal FAFSA, making sure that students complete the Free Application for Federal Student Aid, because that’s how they know what resources are available to them. And some of our community college students, unfortunately, they don’t realize the aid they could have and so they’re struggling to afford the two-year institution and making the choice not to pursue a four-year degree because they don’t know the Pell dollars, the TAP dollars that could be there for them. That’s why we need them to do the FAFSA. Last year in New York, students left $200 million in federal aid unclaimed because of not completing the FAFSA. And so Governor Hochul wants to require K-12 to work with us in higher ed, to make sure that every student either completes the FAFSA, completes the DREAM Act application if they’re undocumented, or they and their family would complete a waiver that says “I realize there are billions of dollars available for post-secondary education, and I don’t want any. I’m not gonna fill out the form.” But at least we’ll know that every student and family understood the options available to them.

Rebecca: Sounds like some really great opportunities. I’m watching our time and knowing that we’re nearing our end of our time. But I’m really curious, before we get to our last question, what you’re most excited about working on in the next year?

Chancellor King: I love that question. I’ll tell you one of the things that I’m very passionate about. I first worked on when I was at the U.S. Education Department, President Obama had an initiative called My Brother’s Keeper, which was about trying to improve outcomes for boys and young men of color. And as part of that initiative, I was very involved in kind of leading the agency work on that initiative when I was Deputy Secretary then continued that as Secretary. And one of the initiatives that we launched was something called Second Chance Pell. And the history there is that in 94 in the crime bill, there are many problematic provisions, but one that was especially dumb was a provision that banned access to Pell grants for folks who are incarcerated. Now, of course, the evidence is any educational experience while incarcerated reduces the likelihood of recidivism. And completing a degree while incarcerated dramatically reduces the likelihood of returning to prison. So shamefully, this was part of the tough on crime punishment first kind of focus of the mid 90s. They banned access to Pell Grants, as a result programs in prisons all over the country closed. Some remained open through philanthropy, but many many closed. We wanted to change that, and so we used our experimental authority under the Higher Education Act to create a pilot program called Second Chance Pell that would allow, at that time, 65 colleges and universities to use Pell grants with students who are incarcerated. We launched that while I was Secretary. And then, when I was at Ed Trust, a coalition of civil rights groups, criminal justice reform organizations, education equity focused organizations worked together to get folks to visit those programs, members of Congress, Governors to highlight the incredible stories of the students who graduated from higher ed in prison programs. And we were able to persuade Congress to change the law and restore Pell access generally. So today, Pell Grants are available for incarcerated students. SUNY is already the largest provider of higher education in the state’s prisons with over 700 students, but we are trying to grow that effort. I want there to be a higher education program in every correctional facility in New York State. I want to make sure that we grow the number of bachelor’s programs. We have a lot of associate’s degree programs, but I want to make sure that students have the opportunity to go on to their bachelor’s degree. I was at graduation last week, mid-State Correctional Facility, five students graduating from Herkimer Community College. It was so beautiful and inspiring to see the transformative power of education, to hear students talk about how the access to higher education had changed them, changed their lives, changed their prospects for when they come home, but changed them as people. The faculty members were crying, the family members were crying, the folks in the correctional facility were so excited for the students who were graduating. It was truly, truly inspiring. So I’m very excited about that work. I’m looking forward to growing that work. But then more broadly, I’m excited that SUNY is on the move. SUNY is delivering high quality, affordable public higher education, driving economic opportunity for New York State. We are working to improve recruitment, retention, and completion. We are advancing diversity, equity, and inclusion. We are doing the things that we ought to be to better serve New Yorkers. So I’m super excited about our work together.

John: Those are really important programs. And we’re so glad to hear all of this. We always end with the question: “What’s next?” I know you’ve already addressed a lot of this, but there’s so much more.

Chancellor King: Well, you know, we try to organize our work around the aspiration that SUNY has to be the best public statewide system of higher education in the United States. And we’re the largest comprehensive system, but it’s very important that we work to be the best system. To me that means we’ve got to deliver on student success. We’ve got to deliver on research and scholarship, the Governor’s asked us to double research and scholarship across the system. We’ve got to deliver on diversity, equity, and inclusion, that means diversity of our students, our faculty, our leadership, across our institutions. It means implementing the diversity, equity and inclusion, general education requirement, which is really nation leading to say every student is going to be exposed to diversity, equity, inclusion content across all of our institutions. And we’ve got to deliver on economic development and upward mobility, which has been the SUNY tradition for 75 years. So I organize how I think about the work. And certainly our board is organizing its work around those four pillars in order to achieve that goal of being the best statewide public higher education system. In the short term, we got a state budget that hopefully will be enacted on April1. So we got a lot of work to do to make sure we are making the case for investment in SUNY and helping people to see there’s a nine to one return on each state dollar invested in SUNY in terms of the economic impact. We need legislators to know that and we need to work with them to make sure that they are investing in the great work that our faculty are doing.

Rebecca: Well thank you so much for your insight on the current state of higher ed and all the opportunities that we have to improve our society.

Chancellor King: Thank you. Thanks for the opportunity to join you and thanks for fostering dialogue on important issues.

John: And thank you for giving up your time so generously and all the work that you’ve done and are continuing to do.

Chancellor King: Thanks so much.

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John: If you’ve enjoyed this podcast, please subscribe and leave a review on iTunes or your favorite podcast service. To continue the conversation, join us on our Tea for Teaching Facebook page.

Rebecca: You can find show notes, transcripts and other materials on teaforteaching.com. Music by Michael Gary Brewer.

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329. Admission to Highly Selective Colleges

Graduates from a small number of elite private colleges account for a disproportionate share of America’s business and political leaders. In this episode, John Friedman joins us to discuss his recent study with Raj Chetty and David Deming that examines how admissions criteria at these institutions privilege students from high-income families.

John is the Briger Family Distinguished Professor of Economics and International Public Affairs at Brown University, where he is the chair of the Economics Department. He is a Research Associate at the National Bureau of Economic Research and has served in the White House as Special Assistant to the President for Economic Policy at the National Economic Council. John is also a member of the U.S. Treasury Council on Racial Equity, a co-Editor of the American Economic Review, and a founding Co-Director of Opportunity Insights.

Show Notes

Transcript

John K: Graduates from a small number of elite private colleges account for a disproportionate share of America’s business and political leaders. In this episode, we discuss a recent study that looks at how admissions criteria at these institutions privilege students from high-income families.

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John K: Thanks for joining us for Tea for Teaching, an informal discussion of innovative and effective practices in teaching and learning.

Rebecca: This podcast series is hosted by

John K:, an economist…

John K: …and Rebecca Mushtare, a graphic designer…

Rebecca: …and features guests doing important research and advocacy work to make higher education more inclusive and supportive of all learners.

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John K: Our guest today is John Friedman. John is the Briger Family Distinguished Professor of Economics and International Public Affairs at Brown University, where he is the chair of the Economics Department. He is a Research Associate at the National Bureau of Economic Research and has served in the White House as Special Assistant to the President for Economic Policy at the National Economic Council. John is also a member of the U.S. Treasury Council on Racial Equity, a co-Editor of the American Economic Review, and a founding Co-Director of Opportunity Insights. Welcome.

John F: Thank you so much for having me. It’s a pleasure to be with you.

Rebecca: Today’s teas are: … John, are you drinking any tea with us today?

John F: So, I’m a big tea drinker…

Rebecca: Yay!

John F: …but, I drink tea in the morning. And so I had a delightful Hunan tea this morning, which I will draw on the reserves of that energy throughout this conversation.

Rebecca: Well played. [LAUGHTER]

John K: And I am drinking a ginger peach black tea from the Republic of Tea. Not so fancy, but I enjoy it.

Rebecca: I have an Awake tea because I also need some energy. [LAUGHTER]

John K: We’ve invited you here today to discuss your 2023 working paper with Raj Chetty and David Deming, “Diversifying Societies leaders: The Determinants and Causal Effects of Admission to Highly Selective Private Colleges.” This paper created a big stir in higher ed and other circles as well. You note in this study that less than one half of 1% of college students attend Ivy plus institutions. While most of our listeners will be familiar with Ivy League colleges, what are the other colleges that are included in the Ivy plus designation?

John F: Thanks. And it’s helpful to clarify up front, the colleges that we’re directly studying are the eight Ivy League schools: Harvard, Yale, Princeton, Dartmouth, Brown, Columbia, Princeton, Penn, and four close peers which are Stanford, MIT, Duke, and Chicago. The important thing to know here, you’re right, that there’s a pretty small share of students, it’s not that something changes discreetly, when you move out of that group of 12 schools, and you go to another outstanding private institution like Northwestern or Johns Hopkins or something like that. We have some data, it seems like there’s some pretty similar things going on across a lot of these very highly selective private institutions. Where you do see things being quite different, where we have some data as well, is at the most elective public institutions, places like UC-Berkeley, University of Michigan, UT-Austin, places like that.

John K: You still have to draw the line somewhere when you have prestigious institutions.

John F: That’s right.

Rebecca: So you noted that these institutions enroll a small share of our students, why are they so important? Why do we need to study them?

John F: That’s right, less than 1% of college students in the country go to one of these schools. And, of course, college students themselves are just a small share of students born in any given cohort. What we found, though, was that students from these institutions are really highly over represented in leadership positions in society. You see that if you look at who’s at the top of the income distribution, or who’s a CEO of a Fortune 500 company. More than 10% of those individuals are from these Ivy plus institutions. But it even gets higher when you look at who’s in the U.S. Senate. About three-quarters of the Supreme Court justices over the past 50 years have come from the schools. And so for sure, the schools themselves are not going to be making broad scale changes in upward mobility in our society. They’re just too small. But in terms of creating both a diverse group of leaders and a broad set of pathways, where children from any background have the chance to be a Senator or Supreme Court Justice, whatever, these schools are incredibly important.

John K: One of the things that your study did is it investigated questions that couldn’t be investigated before because of the data that you were able to assemble. Could you tell us a little bit about the data set that you use?

John F: Sure, our study, like so many others, has been the beneficiary of the big data revolution. It’s affected so many aspects of society, and this is the academic part of it. We’re merging together datasets from three different places. The starting point for this paper and for many of my other research is the universe of U.S. tax and census records, which have been merged together at the US Census Bureau. And what that allows us to do is to identify individuals when they’re kids and then actually follow them through to not just project what we think their outcomes might be, but really actually observe them after they get out of college and they’ve entered the labor force. Those data are incredibly important in terms of measuring upward mobility directly. Then, on top of that, in order to study really in depth what’s going on at these institutions, we have internal admissions data from several Ivy plus colleges as well as a bunch of these most selective public universities and university systems. And we see where children are coming from, or where they grew up in the tax data, we see where they end up in the tax data, the college data are really filling in this in between, how do they go through the college application process. We both learn a lot of other information about them, like where they applied, there’s a lot of detail about the evaluations of their applications, as well as of course, whether they eventually get in and matriculate. The final data that we’re using is a set of standardized test scores from the two main testing companies: College Board that runs the SAT, and then ACT, which runs the eponymous test. And the way we use those data are to start from a baseline of academic achievement at the point when these students are applying to university. And we can talk about how that works, and of course, it’s not a perfect proxy for where students are. But when we think about the role that universities are going to be able to play, we just have to be realistic about the fact that they are starting to interact with students when they’re 17 or 18, and there’s a whole lot of inequality in our country that’s going to affect students long before that. And so we talk, of course, as a policy matter about how to deal with all that inequality. But the reality of the situation, especially at this highly selective level, there are going to be some students that just aren’t academically prepared. So that’s going to shape the set of students that these colleges can recruit or admit.

Rebecca: One of the main questions that you address in the paper is: “Do highly selective colleges amplify the persistence of privilege across generations by taking students from high income families and helping them obtain high-status. high-paying, leadership positions?” What do your results suggest?

John F: So that’s exactly the kind of broad goal of our paper, to answer that question. And I think, unfortunately, the answer is that on average, yes, they do amplify the persistence of privilege. That comes from two different parts. So first of all, the students who attend these colleges, we measure a pretty large causal effect on their outcomes, specifically in these leadership positions as adults. Of course, the students are very highly selected when they come in. And so even if the college’s weren’t doing anything, you’d expect these set of students to be doing some impressive things afterwards. But what we find when we talk about more of the details of how we do this later, there’s a very large causal effect. And so these universities, it’s not just that a large share of senators come from them, they do seem to be a very important pipeline effect, where it’s really propelling students up into these leadership positions. Now, on the admission side, who are the students that are coming into this set of institutions that are benefiting from this really positive effect? The problem here is that even relative to the distribution of test scores for high school graduating seniors, which as we talked about before, exhibit a whole amount of inequality due to differences in education and neighborhoods that different students from different backgrounds have been exposed to before they’re applying to college. Even just looking at students that have the very same test scores, high-income students are substantially more likely to be admitted to and attend these institutions, relative to lower-income students, and especially middle-income students. The gaps are largest when comparing students from very high-income families to students from middle-class, upper-middle class families.

John K: And in your study, you tie some of this selection process to athletic scholarships, to legacy students, as well as attendance at private high schools. Could you talk a little bit about how those factors influenced the decisions?

John F: Sure. So the approach that we take is a decomposition of this pipeline, we see that students are coming in with, let’s just say everybody has the same test score, a group of students at the beginning, we see that the students from high-income families are more likely to end up attending this set of schools at the end of the day, and we’re going to try to decompose where in the pipeline these disparities are emerging. And so the way we first start is actually at a somewhat higher level than you asked the question, which is just to decompose these differences between the application phase, which of the set of students with a given test score applies to these institutions, the admissions phase of those students with that given set of test scores that applied which are admitted, and then the matriculation or the yield phase of those that are admitted whose actually going to choose to come at the end of the day? And what I found interesting coming into this project is that there are many different analyses or ideas about how each of those three phases could be affecting it. There’s concerns about who has the information or the resources to apply. There’s concerns about potential biases in the admissions process from some of the factors that you mentioned, legacy preferences or private schools. And there’s a concern that maybe schools aren’t offering financial aid that’s sufficient in order for students from less affluent families to attend. In our data, we see that about two-thirds of that entire disparity is coming from the admissions part of that alone. So that’s not all of it. But I mean, just to give some numbers, there are about 250 students from the top 1% of the parental income distribution who are in an average starting first-year class, that’s about 1650 students. So right there, about 15% of the class is coming from the top 1% of families. Of those 250, we find that about 160 of them are extra in the sense that if everyone attended at the same rate, when they have the same test score, there would only be about 90 students from the top 1% of families. And so then of that 160, about 100 are coming from the fact that high-income students are more likely to be admitted. There are smaller effects coming from differences in application rates, even smaller effects coming from differences in matriculation rates. But primarily, the differences are coming through the admissions process. And even before we get into specific policies, I think that that decomposition is incredibly important, because the admissions process is the one part of this that schools entirely control themselves. If you want more people to apply to your school, that’s hard, because applications are the students’ decision, you have to go out and convince a bunch of students to apply. If you want to get more students to yield, to matriculate, you have to convince those students, it’s their decision. The choice about who to admit, it’s just the school’s choice. This is the one lever that the schools entirely control. And so the fact that most of the disparities are explained by this set of policies, on the one hand, maybe that’s a good thing that they control, and maybe can directly fix what is the source of the problem. On the other hand, it’s a little bit discouraging that it’s in the choice of these own universities that these disparities are being created, despite what are typically loudly voiced concerns for upward mobility. So it’s really the admissions process that matters. Now, we then go down to the next level. and this gets to the factors that you mentioned. Why is it that a high-income student with a 1400 test score is going to be admitted at a higher rate than a middle-income student or a low-income student with a 1400 test score. And even just to start with, in some sense, the dog that didn’t bark here, you might have thought that students with a 1400 from low-income families, they might even be more impressive that they got to that level despite facing all of these barriers, but we see that admissions rates are in fact much higher for high-income students. And we trace that back to three factors. The first and most important factor up 40% of what’s going on is the preference for legacy students. Those are students who are children of alumni of the institution. Now, legacy students affect the admissions rate of high-income individuals for two reasons. One is pretty obvious, the alumni of these institutions themselves are just much more likely to be high income. That’s kind of the generation before, we’re getting the same positive effect of attendance. But the second reason, I think, was a little bit more surprising to me. It turns out that legacy students from high-income families receive a substantially larger admissions boost, even then, legacies from lower-income families. So there’s kind of a preference for high-income students, even within the legacy pool. And you put those two things together, and that accounts for about 40% of the admissions difference. The second factor is the fact that all of these schools designate about somewhere between 12 and 15% of their class for athletic recruits. Now, there’s nothing inherent in athletics, that means that it has to be students from high-income families. And in fact, if you look at the distribution of athletic recruits at public universities, those students mirror the income distribution of most of the other students at the school, in the sense that there’s not a tilt towards high-income families. But at private institutions, the share of admitted students that are athletic recruits among high-income families is significantly higher… more like 13-14%… than It is among admitted students from low-income families where only 5 or 6% of those students are athletes. Now, why is this the case? I was an athlete in college myself, and I don’t think that it’s just because kids from higher-income families are more athletically talented. I think it has to do first with the resources that are available to these kids. Becoming a college baseball player isn’t just about having good hand-eye coordination, it’s about being able to attend clinics, being part of a travel team, there’s like a lot of stuff that goes along with being able to get to that level. And then I think the second factor is that the set of sports that are offered by many of these institutions go well beyond the canonical football, basketball, baseball, which may be a little bit more broad base, but they also include sports like water polo, or sailing or equestrian. And these are sports where I’m sure that there are examples of athletes from all across the income distribution, but think they tend to skew towards more high-income families. So athletic recruits are the second major chunk. And then the third is what my friend David Leonhardt at the New York Times likes to call private school polish. A lot of what the schools focus on in the admissions process goes beyond just how academically prepared people are, and they really like to see somebody who’s doing interesting things that could be as part of extracurriculars, that could be the way they spend their summer, could be the way that teachers write about the students or the guidance counselors write about the students. And all of this gets channeled through a student’s evaluation on non-academic factors. And what we see there is that not only are students from high-income families much more likely to get very strong non-academic ratings, that seems to flow through through things like recommendation letters that are really centered at the school level. And just more generally, you find if you compare high- and low-income students who are attending the same school, you no longer see this disparity in non academic ratings. And so our sense is that these other broader factors that kind of seep into the admissions process are accounting for the third leg of this tripod that’s giving high-income students an advantage in the admissions process.

John K: And some parents are probably sending their students to more elite private schools in the hope that that will enhance their prospects. And the schools that accept them recognize that one of the reasons students are going there is because they prepare them better for selection in a more prestigious institution.

John F: I think that’s exactly right. I think it’s not just parents and schools, the thought that colleges place a substantial weight on these non-academic factors, which then can be kind of trained for and developed over the years, I think this is really a major force that shapes the way that parents and kids and lots of organizations in society direct their resources. So let me just give you an example here. I was presenting this paper at UC Berkeley in the economics department and a friend of mine who lives in San Francisco, who’s a professor there sent me a picture of an advertisement on the side of the road, like kind of billboard on the side of the road, for a fencing academy. It’s called the Saber School. And it says “a safe, fun sport that will help: what are the things that doing saber will help?” Well, number one, it will enhance performance at work and school. Okay, that sounds plausible. Number two, it will enhance speed, coordination, and decisiveness. Number three, it will help you get accepted at top US colleges, just like right there on the billboard. And so if you want to fence as a kid, that’s totally fine, and some people are gonna really enjoy it. But the fact that colleges value this and so now all sorts of people are spending their time fencing simply because they think it will help their college application, I find that to be a little bit silly.

Rebecca: I don’t think we would have found that billboard in my neighborhood. [LAUGHTER]

John K: Although if you brought a saber to work, [LAUGHTER] you might get more attention.

John F: That raises a host of other issues. [LAUGHTER]

Rebecca: In your study, you also examined admission rates at highly selective public colleges. Do their admissions also favor students from high-income households over lowincome households when other student characteristics are held constant?

John F: Yeah, so the public most selective institutions, they provide a really interesting contrast to the private schools, and there are really two differences. The first difference is that it’s still true that students from high-income families with the same test score are more likely to be attending these places like UC Berkeley or Michigan than students from lower-income families. But it’s not the super concentration in the top 1%, the top 1% are about 20% more likely to attend, but so are the top 5% And roughly top 10%. It’s more kind of a broad top of the income distribution than kid of the uber rich that are benefiting from this. Then second, when you do the decomposition that we do at the private schools, you find that, in fact, it’s not the admissions process, the chances of admission for students with a given test score are almost identical across the income distribution, if anything slightly higher for lower-income students. The big differences come in the fraction of students who apply to these schools. You see almost all of the over attendance is explained by higher application rates of high-income students. And so that really points to a very different part of pipeline. And I think there’s a whole other set of issues that in kind of policy concerns that that brings up, just to cite some fantastic work in this space by my colleague at Harvard, Sue Dynarski, she and a number of co-authors have worked with the University of Michigan over the past 10 years, on something called the Hail scholarship. And this program is really focused on this application phase where they reach out to students who are doing very well in Michigan Public Schools, and who are not from high-income families. And they not just inform the students about the University of Michigan, but they provide a simplified form of financial aid, that’s a tiny bit more generous, but just mostly clearer, that’s basically guaranteed zero for four years. And that seems to have really large effects, big increases in the share of students who are applying who receive these types of fliers, that then carries through to those that are admitted and those that end up matriculating. And so, first of all, it’s really interesting that there are sometimes different problems at these different schools. But also, I think it’s a nice lesson that even among two different schools, which are objectively at the very top of the U.S. higher educational sector, there are really important differences in terms of how these different institutions operate, and what types of policies are going to be most appropriate for increasing diversity of students and social mobility at those places.

John K: Is the rate of return to education significantly different between the Ivy plus institutions and elite public institutions?

John F: The answer is yes. But it’s different in a very particular way. So in our data, what we find, using a bunch of different empirical approaches, is that students that attend these Ivy plus institutions are significantly more likely to be at the very top of the income distribution to attend an elite graduate school, to hold a very prestigious job. They’re much more likely to do that than students who attend the very most selective of the public institutions. Those public institutions, in turn, are significantly better at propelling students to these leadership positions than lower rated less selective public institutions. And so it is both true that those public institutions are very good, and also true that these Ivy plus schools are really quite a bit better. That’s focusing on these top end leadership positions. If you look instead at something like what’s the chance that you’ll be in the top 20% of the income distribution, so for kids in their early 30s, that’s earning more than about $60,000. So that’s a good solid, professional job, you don’t have to be a hedge fund manager, there, attending these Ivy plus schools is not really going to make that much of a difference. And the reason is that at that point in the income distribution, that’s just not what the schools are designed for. You’re quite likely to get a job that’s going to pay more than that from an Ivy League school, you’re also quite likely to get a job that pays more from that at one of these elite public institutions. There are differences in average income, but it’s really driven by this kind of a lottery ticket that you’re getting on maybe you’re going to be really just an extreme leader, again, either very top of the income distribution, very prestigious firm. So the answer is yes, these schools differ, but they primarily differ in this particular way, which is why we’ve placed the emphasis on leadership rather than just kind of broad economic security. It’s not clear that students from Ivy plus schools are just broadly more economically secure in that middle of the income distribution than those from public schools.

John K: You also examine in this paper what would be the effects if the admission process at the more elite institutions were similar to that at highly selective public institutions? What do you find there in terms of the income diversity of students in the Ivy plus institutions if those preferences were eliminated?

John F: Yeah. So we’re able to simulate, exactly as you say, what would these classes look like at least probabilistically, if the admissions office were to place less weight on some of these factors, and it makes a meaningful difference. So just to give you one statistic, currently, on average, there are a bit less than 60% of students at these schools that come from the bottom 95% of the income distribution. Those are families making less than call it $250,000 A year. If you were to get rid of all these three preferences that I’ve talked about, if you were to remove preferences for legacy students, just to be clear on what that means, we’re just going to admit them based on all the other characteristics, oftentimes they’re great students, but we’re just not going to give them an extra boost for being a legacy student. If we were to remove this seeming bias that arises in the process where higher-income students are getting stronger non-academic ratings, and if you were to not necessarily remove athletics, but just make the athletes look like all the other students, so there’s not this tilt towards high-income students among athletes, you would increase the share of students from the bottom 95%, from a bit less than 60 up to about 70%, a bit less than 70. And so what does that mean in practice, again, there are about 1600, 1650 students in the average entering first-year class, we’re talking about another 150 to 160 students from more modest backgrounds. And, of course, this is not an enormous change. But it’s on the same order, as people are talking about when we think about what’s the difference in student bodies that might come from changes in racial preferences in admissions flowing from the Supreme Court decision. It’s on a similar magnitude. We’re gonna have 100, maybe 150, fewer students of color on campus. And I think it not only affects the diversity on campus, I think it also meaningfully affects the role that these schools are playing in upward mobility, particularly to these leadership positions. You make some admittedly heroic assumptions and kind of flow things through, this type of change is going to make another two or three US senators from the middle class instead of from very high-income backgrounds. And let’s not overstate this, like it’s only two or three senators, but for a set of decisions that literally 12 People can decide to make if they want to. I think that’s pretty impressive. And that doesn’t even think about well, what if the Northwesterns and the NYUs of the world decided to make some of these changes as well. So my sense is that we’re not going to remake society by doing this, but it’s a pretty low-hanging fruit. And the thing to say is it just from a policy perspective, you can achieve the same differences in the admissions pool, either by getting rid of the preferences that are afforded to high-income students, or by introducing new preferences that benefit students from low- and middle-income families that are particularly academically strong. And what we show in the paper, we kind of calibrated, we say like, if you were to introduce a new preference, specifically designed to get exactly the same mix of students that you would get from eliminating these preferences, what you would need is a preference for low- and middle-income students that’s is weaker than the preference even that current admissions offices put in place for legacy students. So legacy students, on average, are about three or four times more likely to be admitted, you’d need really strong academic students from low- and middle-income backgrounds to be, on average, about twice as likely to be admitted. And that would be a big change. But it’s not like these are changes that go well beyond the type of preferences that are already in place in the admissions process,

Rebecca: …and seemingly pretty actionable. [LAUGHTER]

John F: Yeah, and look, I think that this is a particular moment of fluidity in higher education admissions. Because of the Supreme Court decision, people are not just reconsidering how to think about diversity. That’s kind of the direct effect. But once you open up the gearbox, I think it then becomes natural to rethink a lot of different things when it comes to admissions, both because once there’s a process, it’s easier to think about other stuff. And also because I think that having a preference for students from overwhelmingly high-income families becomes increasingly awkward when you’re no longer allowed to give preferences for students who are clearly experiencing very large disparities in the run up to college. So I think almost all colleges are really strongly considering a bunch of this stuff. Some of them are doing so in publicly announced committees. Here at Brown University, I serve on a committee, including both faculty and trustees that are thinking about a bunch of these issues. Other universities are doing it more internally, only trustees, maybe it includes students. All the universities are doing this in a different set of ways. And I wouldn’t be surprised if we see more change in the way college admissions works over the next year or two than we’ve seen in a long time. And so yeah, hard to know what will happen, but these are an incredibly important set of issues to consider and I hope we’ve been able to contribute to that debate. As an academic, all you can ask for is that people will listen, policies, it’s up to them. There’s a lot of factors that go into that go beyond the research. But we’ve been really, both in public and had a lot of conversations with university leaders about how to think about these issues. So whatever the decision is, I’m confident it will be made on the basis of what I hope is a better set of analyses and understanding for what’s going on than we had before.

John K: Before, I think everyone expected that these types of results were occurring, but I don’t think it was really clear how large the magnitude was. And your study certainly contributes to that knowledge. Having data like this, and these results, I think, will put more pressure on institutions to change than just the general suspicion that they were privileging a very elite group of students. One of the things you note in the study is that making these changes will lead to a more diverse leadership pool, but it may not have as much of an effect on intergenerational income mobility. Could you talk a little bit about that?

John F: That’s exactly right. And I think that stems from some of the themes we’ve been talking about, where the role that these schools play in intergenerational mobility to leadership positions, that’s potentially very large. But they’re just too small to play a role in addressing some of the very broad differences in equality of opportunity that we see in this country, other than through kind of the indirect channel, which is that I think when you have individuals in these leadership positions that come from a broader range of backgrounds, you’re more likely to get policy that’s made in a way that takes into account some of these effects. And so that actually leads to some of the research that we’re really now focusing on, which is that, when you think about intergenerational mobility and higher education, an initial paper that I wrote on this, decomposed the problem into what we called access, that’s who’s attending and the success, what happens to the students that attend, you need both of them to be working together to have intergenerational mobility. If either of them is absent, then you have less mobility. And what we found was that different types of institutions seem to have problems in different areas. So institutions that were highly selective, not only the Ivy plus institutions, but honestly also some of the public institutions in the country, their lack of effect on mobility, in large part, was coming from the relatively un-diverse set of students on an income dimension that were attending their school. Many of these schools, again, both public and private, the share of students come from the bottom 20% of the income distribution is really just 3 or 4%. Really not large at all. So we really wanted to separate the question for these institutions of how do you improve mobility through increasing access with the situation for what is a very different set of institutions, not just the elite public institutions, but some of the open-access institutions, the community colleges where there, not that access can’t be improved, but I think much more the problem is that, in many cases, students are attending these institutions and not being propelled upwards in the income distribution in the way that we would hope. And so that’s really now what we’re focusing on: How can we first measure, in a very broad way, what these different institutions and programs are doing in order to propel students up the income ladder, to really give them the skills, the human capital, the social capital, in order to get good paying jobs and move upwards after that in their career? And then what are the policy levers that you would pull in order to improve that? The way I like to think about this is suppose that you gave the governor of California $10 billion to improve upward mobility in education in his state. Would you want to get more people going to Cal State instead of the California Community Colleges? Is it important that you not only go to all Cal State, is it important that you go to a particular Cal State? Is it important that you have a particular program? Are some programs much more effective than others? Should we be encouraging more people to go to community colleges, even if that costs and has fewer people going to Cal State? Do we want more people to start at community colleges and transfer up to Cal State? Do we want more people to not start at community colleges, because it’s better if you start directly at Cal State? There’s all these different questions. And there’s been some great research on different aspects of it, but I think with the data that we have, we’re hoping to provide a more unifying framework to think about what are the particular places where there’s more or less success for students, again, defined as like the causal effect of attending these places. And how can we expose more students to high success environments, either by moving them around or by changing what the programs are?

John K: In your intro, we mentioned that you were a member of the U.S. Treasury Council on Racial Equity, and the Co-Director of Opportunity Insights. Could you talk a little bit about what these organizations do?

John F: So Opportunity Insights is a research and policy organization that I run jointly with my co-authors Nathan Hendren and Raj Chetty. And what we’re doing there is trying to put together a research agenda to understand upward mobility, both from an academic and a policy perspective. Research that involves this kind of big data has evolved over the last decades to almost look more like a science lab where it’s very team oriented. It’s not a professor and her keyboard or chalkboard just kind of plugging away in isolation anymore. And Opportunity Insights is a way for us to organize all of that team in terms of there are other faculty that we collaborate with, there are graduate students we collaborate with, there are research assistants we collaborate with, there are visitors at all different levels that we collaborate with. And so Opportunity Insights is really the organization through which we just do a lot of this research and try to translate it to help policymakers and whatever that means, depending on the research. The Treasury Advisory Council on Racial Equity is very, very different. Treasury is one of the largest agencies in the federal government. And it has many different policies that directly or indirectly affect racial equity in ways that are obvious or not obvious. And the purpose of this Advisory Council is to bring together people from many different aspects of society that are relevant to Treasury’s financial policymaking. So there are a couple of academics on the committee like me, but there are also people who run financial institutions, there are people who run nonprofits that deal with financial institutions, people who run non-financial institutions, more businesses. And the idea is to be a group that can both proactively offer suggestions to Treasury in terms of how they can change things either out of blue sky or on particular policies that are undergoing after policymaking, as well as a resource for them to turn to when they say look like we’re trying to figure out… an example is a lot of the focus of Treasury over the last two years has been the implementation of the IRA bill, which includes a lot of tax incentives for green investment. How can they implement all of those tax credits? How can they write all those regulations in a way that really does so to support racial equity, and to make sure that black and Hispanic and native individuals are not left behind in a way that, unfortunately, has been too often the case in our nation’s history. So that’s far from a full-time role. We meet once a quarter in public meetings and try to offer our suggestions. And even again, this suggestions span how Treasury should implement different regulations from even how Treasury can make research on racial equity more accessible, or make data more accessible to support more research so that there’s more broad knowledge when it comes time for policymaking.

Rebecca: You’re doing some really exciting and interesting things.

John F: Thank you.

Rebecca: Thanks so much for your work and sharing it with us today. But we always wrap up by asking: “What’s next?”

John F: So I talked about some of the work in the college space. But I’m trying to think about other parts of upward mobility as well, to understand how environments or policies contribute to these disparities or what policies can help alleviate them. And a big theme in some of my recent work is to try to broaden our measure of mobility to go beyond these purely economic measures. It’s a natural place to start, both because having a higher income is something that is kind of meaningfully related to the quality of one’s life and also because it’s pretty consistent data to measure income. But I think even economists will admit to you that income is not the end of it. And we’re trying to think about other ways, not only to measure people’s wellbeing thinking about health, thinking about social capital, for instance, but also to measure or folks influence on broader society. So there are positions like entrepreneurs or scientists, inventors, that if we generate more innovation in society, that’s not something that just benefits the individual inventor, it’s something that benefits society much more broadly. And so I think that’s not only very important as kind of an alternative economic outcome, but it’s important to thinking about why something like social mobility goes beyond merely thinking about well, each individual should have their fair chance of success. These are ways in which just society as a whole is better, more innovative, more engaged, when there’s more upward mobility. And in that way, I think it’s really a rising tide that can lift all boats. So that’s a little bit of what I’ve been thinking about recently.

John K: Well, thank you for taking the time to join us. We really enjoyed this conversation. And we really, as Rebecca said, appreciate all the work that you’ve been doing.

John F: Thank you so much. It’s really been a pleasure to talk with you about all this work over the last hour and I appreciate that.

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John K: If you’ve enjoyed this podcast, please subscribe and leave a review on iTunes or your favorite podcast service. To continue the conversation, join us on our Tea for Teaching Facebook page.

Rebecca: You can find show notes, transcripts and other materials on teaforteaching.com. Music by Michael Gary Brewer.

Ganesh: Editing assistance by Ganesh.

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327. Attacks on Education

In the last few years, a growing number of state and local governments have attempted to limit diversity, equity, and inclusion initiatives and to place restrictions on what students are allowed to learn. In this episode, Kevin Gannon and Cyndi Kernahan join us to discuss strategies that can be used to resist these attacks on education.

Kevin is a history professor and the Director of the Center for the Advancement of Faculty Excellence at Queen’s University of Charlotte. He is the author of Radical Hope: a Teaching Manifesto, which is available from West Virginia University Press. Kevin also appeared in 13th, the Netflix documentary on the 13th amendment. Cyndi is a Psychology Professor and the Director of the Center for Excellence in Teaching and Learning at the University of Wisconsin at River Falls. She is also the author of Teaching about Race and Racism in the College Classroom: Notes from a White Professor.

Show Notes

Transcript

John: In the last few years, a growing number of state and local governments have attempted to limit diversity, equity, and inclusion initiatives and to place restrictions on what students are allowed to learn. In this episode, we discuss strategies that can be used to resist these attacks on education.

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John: Thanks for joining us for Tea for Teaching, an informal discussion of innovative and effective practices in teaching and learning.

Rebecca: This podcast series is hosted by John Kane, an economist…

John: …and Rebecca Mushtare, a graphic designer…

Rebecca: …and features guests doing important research and advocacy work to make higher education more inclusive and supportive of all learners.

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Rebecca: Our guests today are Kevin Gannon and Cyndi Kernahan. Kevin is a history professor and the Director of the Center for the Advancement of Faculty Excellence at Queen’s University of Charlotte. He is the author of Radical Hope: a Teaching Manifesto, which is available from West Virginia University Press. Kevin also appeared in 13th, the Netflix documentary on the 13th amendment. Cyndi is a Psychology Professor and the Director of the Center for Excellence in Teaching and Learning at the University of Wisconsin at River Falls. She is also the author of Teaching about Race and Racism in the College Classroom: Notes from a White Professor. Welcome back, Kevin and Cindy.

Cyndi: Thank you.

Kevin: Thanks. Great to be here.

John: Today’s teas are:… Kevin, are you drinking tea?

Kevin: I am not drinking tea, I have moved on to cold carbonated bubbles. And I’ve got a big vat of Diet Pepsi. [LAUGHTER]

Cyndi: I love the word vat. [LAUGHTER]

John: …and Cyndi?

Cyndi: British Breakfast.

Rebecca: Perfect. I have blue sapphire today.

John: And I have some Christmas tea, left over from a reception we had in the teaching center here about a week or so ago.

Kevin: Isn’t it cold by now? [LAUGHTER]

John: It is freshly made today, but we had a lot of leftover tea from there… with a cinnamon stick sitting in it.

Kevin: Ah, very festive.

Cyndi: Fancy, yeah.

John: We’ve invited you here today to discuss the restrictions that some state legislatures have been imposing, or attempting to impose, recently on what can be discussed in college campuses. Many of these restrictions seem to be focused on imposing alternative versions of history and on banning discussions of diversity, equity, and inclusion issues. Before we discuss these, though, is this something that’s entirely new, or have we seen this at some points in the past as well, with state intervention in academic freedom and issues of what students should be allowed to learn?

Kevin: I think this has some resonances with what we’ve seen in the past. And in particular, I’m thinking of the sort of anti-PC hysteria that emerged from so-called conservative thought circles in the 1990s. And so there’s the big curriculum debate over the National History standards that occurs in the early 90s. But what we’re seeing now with the mobilization of actual state power, I think, is an important difference of degree even if it does resemble some of the same sorts of rhetorical devices and button pushing that we might have seen in the past.

Cyndi: Yeah, the 1990s are what also popped into my mind, and it seems like attacks on higher education and on education generally, they come around in different ways, and for different reasons, it’s always an institution that is under attack.

Rebecca: So critical race theory has been the focus of many attempts to limit academic discussions of this topic. Can we start first by maybe defining what that is?

Kevin: What it is or what it has been made out to be?

Rebecca: How ‘bout both?

Kevin: I’ll actually take the second part of that first. What it’s been made out to be, is the sort of malleable boogeyman concept in the hands of pretty cynical right-wing actors, like Chris Ruffo, from the Manhattan Institute, for example, is probably the most prominent of these, who have basically admitted that this has become a stand-in for all of the things that are, quote unquote, wrong with higher education. It’s a concept that in its true sort of accurate provenance comes out of the critical legal studies movement. Critical race theory starts in law schools, and moves into areas like education, and then other areas of the humanities and social sciences to talk about how what we see as racism and, in particular, racist outcomes are not the product of individual bad actors so much as they are systemic features. It’s a counterpoint to the sort of feel-good narrative of civil rights, where people might say, “Oh, things were bad, and then Martin Luther King came along and segregation ended and then now everything’s great” and critical race theory says: “Not so fast, my friends, we need to talk about structures and systems.” And because it comes out of a discipline, Legal Studies, and is a largely academic conversation in many ways, it becomes easy to paint it with this brush of critical race theory is communism, critical race theory is reverse racism, critical race theory is anti white, because it’s such an unfamiliar concept to the general reading public that it becomes a blank slate for bad actors like Ruffo and others to inscribe whatever they wish on it.

Cyndi: I think, too, it’s important to keep in mind that that word system is a word that I think about a lot because I do think that there is a divide and a difference there around the folks who really don’t want to accept the idea that racism, along with other isms, is a systemic problem. And so I do think that, in that way, it’s really interesting to watch. One of the things that really caught my attention… I’m sure you all probably are familiar with the AP African-American Studies controversy in Florida, whether or not Floridian students would be allowed to take AP African-American Studies. As I was sort of watching, and it’s continuing with the evolution of that course, as the AP sort of responded to criticism, one of the things they did… I think they’ve since reversed this… is they took the word systemic out of the course, there was a report in The Washington Post about that and I thought, that’s really interesting, because that really is a divide where you see on the right folks saying, “we don’t want to think about this or talk about this, this is not a systemic problem;” whereas that’s not the scholarly understanding. And so that, to me, has become a really telling default line. I saw it echoed across the executive order in Oklahoma that was just handed down, I think, last week or a couple of days ago. And it was very interesting, the language around, “we want to guarantee access, but not equal outcomes” is an interesting phrasing that, to me, again, signified there’s an unwillingness to think about it as a systemic thing, which is where a lot of the fight of this becomes, and Kevin’s absolutely correct, that it does become this huge catch all. And even Ruffo himself says that in the interviews I’ve read, when they think of anything sort of bad in higher ed or education, it’s going to be critical race theory.

John: One thing that’s really struck me about this is how extensive it is, reaching from the federal level to stage to even local K through 12 school districts. We even saw some board candidates locally, who were part of one of these groups trying to restrict what students are allowed to learn. How extensive is this problem?

Kevin: Very. The Chronicle of Higher Education, for example, has a DEI legislation tracker that I urge anybody listening to this to consult regularly, because it is a fairly quick moving landscape. And I think one of the dangers for those of us in higher ed is, if you live in a state, so called blue states, you can say, “Oh, well, this is a Florida problem or a Texas problem or a North Carolina problem. But it’s not. It’s a national problem. There are states that are further down that path. But this is not something that’s just going to stay over there. And because it is a movement that is national in scope, it’s funded nationally, it is heavily bankrolled, they’re using the same sort of legislative and PR templates. Those measures have been successful quicker in some places. But wherever they’re being used, they have been successful to a degree. And so I think that’s the thing to keep in mind here is that this isn’t just some sort of localized phenomenon. It is a truly nationally oriented thing that we’re wrestling with. And I think that not seeing that is to really put yourself in danger iIf you care about the fundamental values of what we’re supposed to be doing in higher ed.

Cyndi: I want to add another resource too to the Chronicle one that I like, I think, even better. It’s the CRT Forward Project from UCLA. They have a map. I like their map a lot, because you can filter between higher ed and K -12, local versus state level. My read of that most recently is that there are 10 states that have passed legislation and at the higher ed level that is restrictive around what we teach and what we can do. And then there are lots of other states that have things in the works. So it just gives you a sense of what Kevin’s saying of just how extensive this is. And I would argue further, I would add, I think another way I’ve started to really think about this, just based on what I’m reading, what I’m seeing in my own experience, is that this is so connected to the politics of austerity. And I think we don’t think about, that we don’t connect it. But a lot of the reason why these problems are cropping up, it’s also tied to the lack of funding for higher education, which makes it more difficult in multiple ways. But it weakens us politically, it weakens what we can do in the classroom. I won’t go into but there’s a whole bunch of analyses that really connect the adjunctification of our campuses to these attacks on DEI, to the cutting of DEI positions. There really are a lot of connections there that I think you’ll recognize. And that way, it makes it even more extensive, because I would argue it’s not just the laws, it’s also that cutting our funding and not allowing us to do the work that we need to do. I think it’s connected to all of this as well. It feels like a very bought this attack on higher education and education generally.

Kevin: Yerah, yhat’s a crucial point. Look at what’s happened recently in Wisconsin, where the state boards… I don’t need to tell Cyndi about any of this, because that’s her system… but, there’s a surrender in advance to the Republican-controlled state legislature sort of diktats against DEI work. You don’t need to pass laws that abolish DEI if you make funding contingent on presidents and individual institutions doing that for you. And those things work because austerity and the sort of neoliberal approach to higher ed has created an extremely resource scarce environment where those who shepherd institutions are predisposed to sort of comply in advance, as scholars of fascism warned us not to do. And if you look at the history of the austerity movement in higher education, one of the real touch points of this process is when Reagan becomes governor of California, and Reagan and the California Republicans stick it to the University of California system as a sort of revenge for the upheavals, in particular Berkeley in the 1960s. And so a state that offered free tuition for California residents, to this sort of crown jewel university system, Reagan gets rid of it, the Republicans in California get rid of that. And that becomes a blueprint for this process that Cindy’s just talked about. We’ve seen that go national, and it’s only taken a few short decades to accomplish.

Cyndi: Yeah, one last point on that, too, that your comments made me think of, Kevin, there was a paper in economics several years ago that showed that the states that have diversified the most, if they have Republican controlled legislatures, the funding in those states goes down, and it’s connected to the diversity of the institutions. So, that’s another way in which we see this connection between austerity and diversity and politics. That’s really troubling and challenging to work with. I feel like we don’t connect these things enough, but we really do need to.

Kevin: Yeah, it is no coincidence that as the proportion of faculty and students of color have increased in higher education, that funding has decreased in almost direct variation, and that is absolutely intentional.

Rebecca: So, you both talked about many contributing factors to the growth. Can you talk a little bit about why it’s happened so quickly? And maybe, [LAUGHTER] how do we make it slow down? [LAUGHTER]

Kevin: Well, higher ed doesn’t exist in a vacuum. And we’re in the middle of an authoritarian turn, to say the least, in both international and national politics. So you have a globally connected right-wing movement. And if you look at the way that fascist and authoritarian movements have developed with the late 19th, and early 20th century, higher education and the sort of intellectual landscape are fields of play for these movements to establish power. Practitioners and students in higher education have made convenient boogie men for those who aspire to building support for authoritarianism and fascism. And so what we’re seeing, I think, is this process has accelerated so much so intensely in recent years, because we have a fascist movement in this country, and it has accelerated so much and so intently in the past few years.

Cyndi: I think there are phases where we can see effective ways to push back against this. I really do. There’s not enough of them. But there are ways to get to the second part of Rebecca’s question around like, “What do we do?” I think we have no choice but to act collectively and to work to push back together. I mean, that’s why Kevin’s point about this isn’t a Florida and Texas thing. It’s not. like I said, 10 states from my count, when I was at that CRT tracking math, and it’s on a lot of other places, and through lots of actions. So the collective action that’s inspiring to me… I think a lot about the state of Ohio… they had a bill that was quite restrictive, it would have restricted what could be discussed in general education, very similar to Florida. It had a lot of restrictions around what can be taught. And there was a strong movement against it. And what was crucial, in my reading of that, was not that it was just faculty and students pushing back, which they did, there were protests. But, more importantly, there was no compliance in advance, as Kevin mentioned a minute ago. So the regents or the board, I forget what they call it in Ohio, but those presidents of those institutions, they banded together, and they sent a letter pushing back against that. And it was the university leadership, faculty, and staff and students all pushing together against that. And that bill’s effectively dead now. It did pass the Senate, but it did not pass their assembly or else it did not become law. And this year, it has not been taken back up. There was just a word on that recently. That to me is very inspiring. That tells me that you don’t have to do this, we can push back in states that have systems. Those Chancellors, those Presidents can stand together against this. They do not have to comply in advance. They don’t have to argue with folks who don’t believe in what we do. I think that we can do that by getting everybody on board with that challenge.

Kevin: And Cyndi’s point here is essential, that institutional leadership has a really crucial role to play here. And this is where we’re seeing what I would term as a failure in so much of the leadership across higher education. You know, we’ve been told for decades that the increasing salaries of upper level administrators are because we’re bringing in bold, innovative leaders who aren’t afraid to make tough choices and hard decisions. And yet we’re seeing a vast silence from most of them as this last several years has unfolded. It’s not like the leaders of Ohio State institutions are like a Marxist collective. These are university presidents. [LAUGHTER] These are not wild-eyed radicals, but they led and the results were tangible. So if you look at things like Florida or Texas, one legal test case, pushing back against these curricular mandates as a violation of speech rights, for example. What would be the result of that? What message would that said to one’s own faculty, staff, and students? But we haven’t seen that we saw the community colleges in Florida, the presidents of those institutions issue a sort of collective statement, at least most of them, where they basically said, “Okay, fine, we’ll do all these things…” again, get this sort of comply in advance, and what message does that send to the people at your institution, because clearly, what you’ve done is you’ve abandoned your mission. That mission statement on your website needs absolutely nothing if you’re not willing to defend it against strong political headwinds. And so the main obstacle to this collective action is a leadership vacuum brought about by either moral cowardice or by leaders who actually agree with what’s happening and are willing to let these things happen to their institution because they personally sympathize with them. I don’t know which one of those is worse.

Cyndi: I think, too, there’s a little bit of an assumption that while it won’t be that bad, it can’t be that bad. They won’t really do that. And we’ve seen that a lot, too, I think. And that also is a fundamental mystery.

Kevin: It will be that bad. I’m a historian, and I can give you a reasonably expert opinion that it will indeed, if you let it get that bad.

John: Could some of this be caused by perhaps the fact that we tend to see people who have more education tend to be more liberal and perhaps might be less likely to vote for Republican candidates?

Kevin: I think there is that partisan element to it. I think that’s at the root somewhat of why this trope as universities of hotbeds of leftist radicalism is so effective, which again, takes one small slice of the intellectual and political climate at a particular institution of higher education and reads it across the entire sector, as if engineering and economics departments and business schools don’t exist. But I think that partisan element, this perception that well, here are the places where all the people who vote for Democrats live and work, is an effective one. But it’s also again, if you look at who’s wielding power and making decisions at universities, these are not hotbeds of leftism, by any means. And it’s just remarkable how successful that trope has become. It’s also, I think, an effective trope because we, and higher education, ourselves… back to Cyndi’s point about the necessity of solidarity and collective action… we have not been able to tell our story as effectively as we might. I’m not intending to get into blame the victim discourse here, but I do think that there are ways that we can advocate for ourselves and what we’re doing that have been more effective than what has usually been the case.

Cyndi: Yeah, I would agree. I think related to that point, it reminds me actually, of something you talked about in Radical Hope, Kevin, around the idea of sort of accepting this framing of what we do is we’re just only about workforce development, and we’re only about developing these sort of skills. And that’s not all of what we do. And we need to be able to talk more broadly about what we do and why it matters, and why it matters for everyone.

Kevin: Yeah, one example of this disconnect, if you look at all the surveys of prospective employers, and they say, “What are the skills that you’re looking for, for college graduates that you would want to hire into your company or your firm?” They all talk about things like critical thinking, ability to work in diverse teams, understanding people with viewpoints and backgrounds who are different than your own. This is the business community basically saying here are the things that are important. While you have right-wing politicians on the other side of the coin, saying these are the very things that we want to outlaw [LAUGHTER] in higher ed. And so I think it testifies to the power of this narrative that higher education is a hotbed of sedition, when, in actuality, most of what is in the crosshairs of these legislative and political efforts are actually things that are, on the broad face of it, not controversial, and generally agreed upon by almost all of society as good things to have.

Rebecca: I think to make collective action work effectively, folks need to be somewhat on the same page. And so if people are supporters of diversity, equity, and inclusion, but aren’t aware of counter arguments against that, it might be hard to take action. Can you talk a little bit about why folks are so opposed to these efforts?

Cyndi: My read of part of it goes back to that idea of racism as a systematic problem. There’s a lot of research on K-12 education around race that shows that, particularly for white Americans, but really across races as well, you see it as sort of a fundamental misunderstanding of what racism is, how it operates, how systemic it actually is. Part of that is because we’re in the United States, which is a very individualistic place and so we tend to think in terms of those problems, even the way often that DEI is framed, it’s very individualistic. And so we don’t think of it as a broader systemic thing. And that keeps us from acting collectively as well, because we’re not really thinking about it in that terms. I see that a lot. That is my main teaching and learning goal, when I teach about racism or other systems of oppression, is just to make that shift, sort of the individual acts of meanness over to this more systemic understanding, and understanding that really the most important things like, I constantly get the question from a lot of my students: “Well, okay, so what do I do about these problems? What should I learn more about?” and then like, “If you can learn more, that’s great. Like, I want you individually to learn as much as you want. But if you really care about this, you have to think about policies and voting, and what broader policies are being enacted.” And I try to give them examples just to help them start to think more broadly about these things. And I think that disconnect is part of it. Because if you believe that it’s just individualistic, it’s just about being a good, colorblind person, which is also often tied into one’s morality, like “I’m a good person, so that’s all I need to do. I don’t necessarily need to think beyond that.” And so then it makes sense if you are told over and over again, that there are these DEIi administrators trying to force you to have particular thoughts. It kind of makes sense from that perspective that you would want those thoughts, and that you would think they were going too far on the college campuses. But if you understand instead, that it’s not about color blindness, and it is this broader systemic thing and there are broader problems of not just access but opportunity and outcome, then that changes. But until people start to understand those broader things, I think it’s always going to be a struggle.

Kevin: Yeah, I think Cyndi’s point about us living in this overwhelmingly individualist sort of society and culture is a key foundation, a key part of the answer here, because one of the things that surprises me a little bit is that arguments like the one that Heather McGee makes in her book, The Sum of Us, that those haven’t gotten more traction, where she talks about the famous anecdote she uses is during desegregation, states in the South would close their swimming pools rather than integrate them. And what happens is, all these communities now don’t have a swimming pool at all. And so part of that is to the white folks of that community, rather than the swimming pool complexes racially integrated they went without. Is that really a good outcome? Taking the moral element out of it, it’s like, here’s a public good that is no longer available for the public. And so what racism does, McGee argues, is it hurts everybody to varying degrees and in different ways, but it’s actually something that is poisonous to the very roots of any sort of people that would claim to live in community or society with one another. And I remain discouraged that that argument has not gotten more traction, because I think we need to appeal beyond this sort of sense of individualism. Like Cyndi said, like, “Well, I’m a good person, so racism doesn’t exist. These other racists are bad, but we can quote unquote, educate our way out of it, or a magical black person like Martin Luther King, Jr. will come and absolve everyone from their sins,” right? And of course, that’s not how it works. But this tide of individualism, this conditioning that we have, is so powerful that it makes systemic critiques into a sort of existential threat for folks who are not ready to make that journey, because it becomes a threat to an individual to say, if you live in a system that is fundamentally racist and inequitable, for example, if you subscribe to this sort of inherent individualism as the core of your identity, that a systemic critique says, “You live in this system, and it’s your fault, at least partially that the system is like this.” And if you can’t separate those two out, and if you can’t make those distinctions, you’re not going to have a very useful conversation about what we would term as DEI. And instead, what you get is you get anecdotes of, let’s say, unskillful students making an argument in some inelegant way that is an easy thing to lift out of context and present as here’s what DEI is, these lefty kids running amok protesting food in the dining hall at Oberlin, for example, and turning it into a kind of theater of the absurd. And so we’re swimming against such a powerful cultural tide when we try to do this work because it is asking people at least to set aside this fundamentally individual centered ethos. And that is a really heavy lift for all of us, I think.

Cyndi: Although I have some good news, if you guys want to hear it.

Rebecca: I’ll take it, I’ll take it. [LAUGHTER]

Kevin: I would love to hear good news.

Cyndi: This just comes from my own individual teaching experience, because what Kevin’s talking about is a powerful argument, the sort of Heather McGee’s and there are others too. And what I’ve started doing, and I’ve found that post-2020 It’s become a little bit easier for this to get purchase in terms of teaching. I really do think that there is a lot of hope in our teaching. One of the ways that I’ve started to help my students cross that bridge, that divide from the individualistic to systemic is to have think in terms of their own lives. And one of the most clear examples to go all the way back to like sort of where we started, it’s like they pay more for college tuition as a result, I would argue, of racism, and sometimes some forms classism, too. And there are several ways to get at this. Heather McGee, in that great book, The Sum of Us, that Kevin mentioned a minute ago, she has a whole chapter on college funding and how it’s gone down. I mentioned the economics research that shows that. So these austerity policies that are related to diversity and racism and fear, frankly, cost a lot of white students, particularly students that I work with, tend to be first generation, a little bit lower income, and I know you all do too, as well, at your institutions. Public regional institutions, and not private, we serve a lot of students who are directly affected by these austerity policies, they’re directly connected to race. So again, I mentioned Heatherr McGee. I also have another great resource that I’ve been reading, it was written by a couple of sociologists about the racial consequences of underfunding public universities, they look at two schools in the California system. You don’t have to give all of these to students. But it turns out that it’s very easy when you work with students to sort of talk about, let’s think about what systemic racism means. Here’s a way it impacts you directly. My classes are overwhelmingly white, but speaking with white students about that, and helping them connect those dots, they can do it. And part of what I think has helped us, that’s a strange way to say it, but post-2020, is that after 2020, people started using the word systemic racism a lot more like in social media. So I have more students that will come into my courses, saying that word, I don’t think they fully appreciate what it means. But it’s more of an opening. And so then we can start to think about all those ways in which it is harmful to everyone. Racism is harmful to everyone, it costs all of us more than it should in lots of ways. And not just in terms of like sort of the moralistic framing that we often use, but real material differences. So that’s one way that I found hope, I guess, it’s to go back and to think about how to teach about these issues in a way that feels good. And I think there’s a lot of things instructors can do, no matter what they teach, to sort of start to get out these issues and help students to think about it.

John: I’ve seen some similar things. And one thing I’ve noticed is that as our classrooms become more diversified, as we have more first-gen students, as we have more students from historically minoritized groups, we’re seeing people in general becoming much more aware of some of these issues. But one of the challenges, as you both have mentioned, is the issue of austerity that colleges have moved to a more contingent labor force, there’s a larger proportion of adjuncts. And while it’s important to be able to push back, many of the people doing the labor of classroom instruction are in a position where their jobs are very much at risk. And if their administration is not going to be supportive of DEI efforts, they face losing their very limited incomes that they’re receiving from these positions. Is there anything we can do to address that challenge?

Kevin: Again, I think part of the answer to this goes back to the idea of leadership of institutions. What is the mission of your university or college? What are you saying that you’re going to be doing? Why are you there? Our mission statements as institutions are promises that we make to all of the stakeholders of that community, whether they currently are part of the community or external groups in the town in which we’re situated in the area, for example, potential students and their families, we don’t put Terms and Conditions on our mission statements, we say that X University will provide a powerful educational transformative experience to all of our students. We don’t say all of our students who meet a certain income level or all of our students who come from certain demographic groups. We mean all of our students. And so if we’re going to do this mission driven work, and we’ve got study after study after study that talks about having a diverse student body and a diverse faculty and staff, not just racially and ethnically, but diversity and all of the ways that matter lead to better learning outcomes. In other words, we do this education thing better when we do it in diverse places with diverse people. And if that’s what you want, which I would argue we do, then that’s what we need to lean into. And so if you’ve got folks who are doing that work, who are not supportive, who are contingent and precarious faculty and feel that they cannot do what is, I would argue, inherently mission aligned work, that as an institution, that is a problem. And you need to do something about that. And so if you’re a department chair, how are you supporting your part-time colleagues? If you’re a professor with tenure, how are you supporting your part-time colleagues or your junior colleagues who aren’t tenured yet? How are you providing cover? How are you modeling things as a secure person in a secure position? How are you advocating in governance? How are you advocating in Provost’s Council or a senior leadership’s cabinet? How are you looking at getting rid of just semester-based contracts and moving towards annual- or several-year contracts? You can’t wipe out precarity at a single swoop. But what you can do is fix some of the sharpest edges of it, to blunt those. That’s the work in front of us in the short term. And if you’re not supporting your colleagues doing that, that none of this works… Again back to Cyndi’s central point, we either do this collectively or we don’t do it at all.

Cyndi: Yeah, I think anybody with any power in any sort of safety, and I use safety in quotes, but like anybody who can has to push back, and this pops up in really small places that you might not recognize. I was reading too about the southern accreditor, I forget what their official thing is. But you know, they’re talking about changing the accreditation, that is absolutely compliance in advance. That is the wrong way to go. Our accreditors, that’s part of what worked in Ohio, where the arguments about it were going to be out of compliance with accreditation. If the accreditors are complying in advance, and watering all this stuff down and not sticking to the mission, that’s a problem. So there are a lot of people who have a lot of power and the ability to push against this, but you have to push against it. All of us do, in all those spaces that Kevin just mentioned, because reducing the harm and softening those edges as much as we can, it’s our responsibility to do that, particularly for people who are adjuncts and semester-to-semester contracts, because that precarity is real, and it is a problem. And I’m sure you’ve all seen it, I have seen it too. And we can work with our students, because our students will work with us. They believe in these things. The ideas we have about students are so often wrong in terms of that. So working with our students and not believing in caricatures about students.

Kevin: Yeah, that’s an essential point, Cyndi, and thank you for raising that, because I think one of the things that we haven’t touched on here, but is a vital thing to bear in mind, is that these legislative efforts are profoundly anti-student. They’re not just anti-higher education, they are profoundly anti-student, anti-young person. They make the assumption that learning only happens through indoctrination. They are based on the premise that students will learn only what is sort of rammed down their throat, basically, pedagogically. They make the assumption that students cannot handle certain truths. They make the assumption that some things just aren’t worth knowing, and they take that decision process out of the students’ hands. They are profoundly anti-student. Among all of the other things they are, this is the essential truth at its core, that these laws, this legislative effort, this broader cultural political campaign is based on a profound contempt for students, for young people, and by extension their families. And so we need to understand that our students want the same thing for them that we want for our institutions. And if we’re able to see our students as allies in this and get our students to see themselves as allies in this, nobody wants a crap education. Nobody wants an indoctrination, force-fed prefabricated chunks of content. We know that doesn’t work. And so to engage the student voice in this in a systematic and supportive way, I think, is a really important part of the equation and a great untapped opportunity across our institutions. But that needs to be, I think, one of the ways in which we push back against these efforts is to really call the fact out that y’all just hate kids. Y’all hate learners, you don’t just hate schools and instructors, you hate the people that these institutions are ostensibly trying to serve. You may say that these are pro-children and pro-family, but they’re not. They hold children and students in profound contempt. And we need to hammer and hammer and hammer on that point, because that’s the reality.

Rebecca: Change is only likely to happen when the whole community’s engaged. So you’ve outlined today: administrators, faculty, staff, students, the whole community working together,

Cyndi: We have a lot more power than we do.

Kevin: Yeah. Scholars of fascism and authoritarianism will point out the fact that the one thing that successful movements of this stripe do is they get you to give up your agency and oftentimes without a fight. So that’s why complying in advance, the phrase that we’ve used several times, it’s so dangerous, because we give up our agency, we forget that we have it, and then it becomes much easier for these movements, which are not representative of the majority, not representative of our community or it’s aspirational values, but it allows them to be successful because the great majority of folks have given up agency. And so as long as we not just recognize the agency we have, but deploy it effectively, then, and only then, can we push back successfully.

John: We always end with the question: What’s next?

Cyndi: What’s next is I have a final tomorrow. So that’s probably like what’s most salient in my mind. So, you know, wrapping up this semester, but definitely more seriously, I want to think more about these questions and how to get people collectively to think about these larger points, about just what Kevin was saying about the real paternalism and contempt for students that is evident in the laws, helping students to understand what this is and why it matters for them, figuring out how to write and speak and work with people more to get people to see the power that they have. We don’t have to do this. We don’t. We can keep our education systems and classes free from this interference, and we should.

Kevin: And I think, for me, as someone who works in Educational Development at a private institution. I think that those of us who have a little more latitude, we’re not immune from any of this, but we do have some affordances that public institutions don’t. And so it’s part of my job to help my colleagues and to build a model of what this looks like to do well. What does it look like to do this work in solidarity and community? What does it look like to do meaningful, as opposed to just performative, work along equity and justice oriented teaching and learning, because it’s so much easier to advocate for these things if we could point to concrete examples of what they look like, how they can sustain themselves, and what the benefits are. And so I think as an educational developer, that’s kind of my responsibility, what I feel bound to continue. And I’m fortunate to be in an institution that values those things. And so I need to take advantage of the climate I’m in to advance that work.

Rebecca: Well, thank you so much for joining us and giving us plenty to think about and ways that we can perhaps act by modeling and coaching and working to have collective action.

John: It’s always great talking to you. Thank you again for joining us, and we’re looking forward to more conversations in the future.

Kevin: Thank you for having us.

Cyndi: Yeah, thank you.

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John: If you’ve enjoyed this podcast, please subscribe and leave a review on iTunes or your favorite podcast service. To continue the conversation, join us on our Tea for Teaching Facebook page.

Rebecca: You can find show notes, transcripts and other materials on teaforteaching.com. Music by Michael Gary Brewer.

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318. Reducing Equity Gaps

Gender and racial equity gaps exist in economics and other STEM fields. In this episode, Tisha Emerson joins us to discuss research on strategies to reduce these inequities. Tisha is the chair of the economics department and the James E. and Constance Paul Distinguished Professor at East Carolina University and is the incoming Chair of the American Economic Association’s Committee on Economic Education.

Show Notes

Transcript

John: Gender and racial equity gaps exist in economics and other STEM fields. In this episode, we discuss research on strategies to reduce these inequities.

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John: Thanks for joining us for Tea for Teaching, an informal discussion of innovative and effective practices in teaching and learning.

Rebecca: This podcast series is hosted by John Kane, an economist…

John: …and Rebecca Mushtare, a graphic designer…

Rebecca: …and features guests doing important research and advocacy work to make higher education more inclusive and supportive of all learners.

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Rebecca: Our guest today is Tisha Emerson. Tisha is the chair of the economics department and the James E. and Constance Paul Distinguished Professor at East Carolina University and is the incoming Chair of the American Economic Association’s Committee on Economic Education. Welcome, Tisha.

Tisha: Thanks for having me. I’m so glad to be here.

John: I’m very happy to be talking to you. And our teas today are:… Tisha, are you drinking any tea?

Tisha: Yes, my favorite tea, I found a couple years ago, it’s a Golden Moon brand of Tippy Earl Grey.

Rebecca: That sounds nice.

Tisha: It’s delicious.

Rebecca:I have Harvest Memories today.

John: I don’t remember that one.

Rebecca: Well, it is from my little favorite tea shop in Canandaigua, New York, and it’s autumn flavors.

John: Autumn flavor?

Rebecca: Autumn flavors.

John: Do they have leaves dumped in there?

Rebecca: I mean, it almost looks like that. [LAUGHTER]

John: Ok. [LAUGHTER] Well, that’s one way of getting rid of all the leaves that have been falling. And I have English breakfast tea today. So we’ve invited you here today to talk about some of the research you’ve done, and also your new role and your past role with the AEA’s Committee on Economic Education. One of the things that we’ve observed is that there’s some significant equity gaps in economics and in STEM disciplines in general in terms of race and gender. And in one of the studies that you’ve done with this, in a 2023 paper in the Southern Economic Journal, you and KimMarie McGoldrick examined retake behavior for students who are not successful in their initial attempt at completing an introductory microeconomics class. Could you give us just a general overview of this study?

Tisha: First, let me say that this started a long time ago. And we got access to this great data, the MIDFIELD dataset, that was actually originally funded by the NSF to study the gap in engineering education, but it’s student transcript data. So we said, well, you could use that for economics too. And we have. And so this particular study looked at almost 180,000 students who take Principles of Microeconomics for the first time. And what we ultimately wanted to do is to think about the likelihood of success, and actually more so, failure, because a lot of papers already look at success and they stop there, because you have too small of a sample, fortunately, of the failures to continue on to look at them. But when you start with 180,000, you have enough to continue. So we find, as many others do, that, of course, aptitude matters, but that, unfortunately, females tend to be much more likely to be unsuccessful in their Principles of Microeconomics class, as are underrepresented minorities, or URM. And then we follow those students and we say, okay, so if you were, in fact, unsuccessful, and we define that as a grade of a D or an F, so grades that wouldn’t really let you continue in your study of economics, or you withdraw. And we say, if you’re in that category, what do students tend to do?… or first of all, for those students that are unsuccessful, what helps predict that? So given that you are in the unsuccessful category, what is more likely to cause that? And we saw that students who were carrying more concurrent credit hours were more likely to withdraw. Which makes sense, because if you have constraints that lead you to want to be full time, if you start with 12 hours, and the course is not going well… any of them… and you were to drop, then you would not be full time anymore. And so it gives them sort of this flexibility, they have more concurrent credit hours. But we found that students who got D or Fs, given that they were unsuccessful, they tended to have taken more related courses. So things like accounting (financial accounting in particular), calculus, and macro principles. And so we didn’t actually see a lot of gender or racial differences there. But then those students who were unsuccessful (D, F, or W), on retake decisions, we found that women were much less likely to retake if they were unsuccessful. But we did find that women who were of higher aptitude, who were unsuccessful initially, they were more likely to retake. So that was a positive. And we did find that underrepresented minorities were more likely to retake the course, but then more likely to be unsuccessful again, on their second attempt. So there’s some good news, but also, a lot of not so good news.

John: So you were able to follow students over time, how long a time period was there in the data set that you were analyzing?

Tisha: We had over 20 year period of data, but that doesn’t mean we followed any particular student for that length of time. Once we saw that they were unsuccessful, we made sure that they had at least one more semester at the institution so they did in fact have a chance to choose to retake the course or not and then we gave them three years post their initial unsuccessful attempt. And if they didn’t retake it in that period, then we said they chose not to retake.

Rebecca: In a 2019 study in the Journal of Economic Education, you and KimMarie McGoldrick use the same dataset to examine the decision to switch into an out of the economic major. In this study, you find that very few students selected economics as a major when entering college and that 83% of economics majors actually selected the major after taking their first economics course. What did you find in terms of the gender and racial composition of those that selected the economic major?

Tisha: So what we found was that, for the few students who started out as economics majors, so going into their principles class they already had said they were majoring in economics, we found that females were as likely to persist or not. That’s good. And we found something similar for underrepresented minorities, that is the females and URM students who went into the principles class planning to major in economics, they were as likely to persist as not.

John: What happened to those students who were not majoring in economics.

Tisha: Well, unfortunately, females were not as likely to persist and decide to major in economics. There was a larger proportion of females who opted to remain in their original major. So, they come into the principles class, they have some major other than economics, they were much more likely to stay in their other major and not switch to economics. Men were considerably more likely to switch, on average, than females were. But on a more positive note, we did find that students from traditionally underrepresented racial and ethnic minorities and Asian students were more likely to switch to economics.

John: And one thing we should note, and you mentioned this in your study, is that because this datset was focused on engineering, the schools in this sample have relatively large engineering programs and some students switched to economics because economics was perceived as being easier than their original major. So some of this may not apply as broadly to liberal arts institutions that do not have engineering programs.

Tisha: That’s possibly true. And in fact, business majors were even more likely to switch to econ. So it was about 10% of those switching in were switching from engineering and 27% were switching from business. So at the liberal arts schools, to the extent that they don’t have business or engineering, there wouldn’t be that source of majors coming in.

Rebecca: Both of these studies are really interesting. But, how do we think about some strategies to create a more inclusive environment in economics and STEM classes? So what did these studies tell us? What should we be doing?

Tisha: Well, I don’t know that they tell us what we should be doing. They tell us that what we’re doing is not really working.

Rebecca: Fair.

Tisha: …which is unfortunate, because that’s what we’ve been doing for a really long time and we’ve been really unsuccessful at attracting women and underrepresented minorities. So there’s a new sort of strain in the literature that’s really trying to address some of this. And there’s a study, for example, by Porter and Serra, and that was published in 2020. They did a randomized control trial at Southern Methodist University, where they, just by happenstance, picked a couple of very charismatic female alums and they randomly selected which principles classes they would speak to. And this was just like a 15- or 20-minute exposure, where they talked about majoring in economics, and how that helped them in their career. And they found that this significantly increased the number of women from those courses who decided to major in economics and additionally, not necessarily just major, but take more economics courses. And I thought it was really fascinating that there was no effect on men in those treated classes, it was just the women. So that suggests possibly that there’s some room for role models. Other work that looks at role models from other directions, like some of my own work with KimMarie and John Siegfried, didn’t find any evidence that supports the idea of role models. So I think, still mixed, and the exact sort of interaction that students may or may not have with these people I think is going to be important.

John: You’ve done a number of studies on these types of issues, and one of them was looking at the effect of classroom experiments. Could you talk a little bit about what types of classroom experiments have you looked at and what’s the impact of those on students?

Tisha: Sure, I talk about that a lot, because I really love the classroom experiments. I think that they’re a great pedagogical technique. And so since your audience is more general, maybe I’ll explain just what we mean by classroom experiments. And that’s basically the idea that we’re going, in some cases, simulate markets or other decision environments for the students that will mirror the types of environments that we’re talking about in class. So for example, if we’re talking about a market, then we will have students participate in an experiment where some are buyers and some are sellers and they negotiate and trade. In my classes, we always do the experiment first, I don’t talk about any of the concepts. And then we collect the data as we’re going through the experiment on the decisions that they’re making: prices, quantities that are traded, then I’m able to talk to the students about “Well, look, this is what actually happened, this is your actual data that you generated, and now let’s talk about the theory.” And this is what the theory would predict the outcome to be. And they can see how well they match up. And they are able to discuss in class, this is why I chose to behave in this way. And they see how it fits in to the economic theory. And I did a study back in 2001, which was published in ‘04 in the Southern Economic Journal, where we were looking just at the effect of experiments and we looked to see if there was a differential gender effect. And in fact, there was. So you often see that women underperform men in these principles classes. But what the experiment did is it closed that gender performance gap. So it raised sort of everybody’s performance, but it raised the females disproportionately, so that they were closer to the same outcome as the men if they were in a classroom with experiments. So I do think that there is definitely room through pedagogy to improve women’s outcomes, and make them more attracted to economics, but also make economics more attractive to them. There’s a large literature that suggests that women are much more grade sensitive than are men, various people have gone about showing this in different ways. And if you can bring up their performance so that it’s on par with men. And it’s not really even that comparison, but you’re bringing up the females’ performance, then they’re getting better grades, and they’re going to be less likely to want to leave the study of economics.

John: And we’ll throw in a reference to an earlier podcast we did with Peter Arcidiacono, who had looked at that very impact in STEM fields in terms of the decisions of people to move from one major to another. And in particular, in that study, they found that women did better on many of the tests but still left because the grades were relatively lower than in other classes. So one issue I think might be worth addressing is the issue of grade differentials, that if we’re going to continue to assign grades that are lower than most other departments, there’s a good chance we’re going to lose majors in general, but disproportionately more female majors, based on what the research literature tells us.

Tisha: There’s this really cool study, McEwan, Rogers, and Weerapana, 2021. They’re at Wellesley, and so it’s all females, but they were trying to address grade inflation. And what that meant was, of course, there are some disciplines that have higher grades, they had to bring their average grades down, and economics is treated in the opposite direction, and that it actually drew more students into these harder grading disciplines, like economics and the other STEM fields. And so yeah, that’s certainly an issue. I don’t think we’re gonna across the board be trying to treat grade inflation. I don’t think this is published yet. But I was reading another study out of Wellesley, where they were allowing students… I think it was maybe for their gen ed classes… to take them all pass fail. And again, you saw students flowing into these harder grading disciplines.

John: I know a number of schools during a pandemic made all of their first-year classes pass fail, which is a good way of letting students get into a discipline without worrying so much about the grades so they can explore things without worrying about the impact on their GPAs. That might be another useful strategy.

Tisha: Yes, I agree, and then this is really anecdotal, but I’ve heard other people observe the same thing, that women, they’ll be in your principles class, and they’re doing well, but maybe they’re going to get a B plus. And they say, “Oh, either I’m not gonna take another economics class,” or I’ve even had students withdraw at that point, and I’m like, “but you’re getting a B plus, I don’t understand,” but they’re so sensitive to grades. And then there will be male students who are getting a C, barely, and they’ll say, “I’m going to major in economics.” and I say, “Okay, are you sure?” It’s hard to understand sometimes.

Rebecca: It’s interesting to think about withdrawal policies that have really kind of loosened up due to COVID. So our institution changed the policy more recently so that students can withdraw through the last day of classes without documentation. And so students who are doing really poorly might take that option, but as you’re discussing students with higher grades withdrawing, that sounds really concerning that policies like that could be kind of counterintuitive, or really have some other negative impacts. Classes all cost money, [LAUGHTER] and there’s financial impacts to withdrawing.

Tisha: It’s hard to really predict how this is all going to play out. And I have to say, I’ve never heard of such a generous withdrawal policy. At my previous institution, I think they could withdraw up to sort of two weeks out and not even have a W necessarily on their transcript. So this all seems like a lot. There’s a lot of moving parts. But on the positive side, so let me just say, first of all, part of me feels like it’s a little bit too generous. But part of me also thinks back to the work that KimMarie and I did. And if you don’t have that D or F, that you have to overcome, it’s a lot easier to persist, not just in your major, but towards graduation, whether you switch majors or stay. And part of me feels like that’s helpful to the student. So in some ways, I like a generous withdrawal policy, I definitely want students to know what the withdrawal policy is, what the deadlines are, so that they can make a good decision.

John: Yeah, the only concern I have with the policy is that it can lead to students making slow progress towards a degree and they could run out of funding before they complete their degrees. But on the other hand, it does provide a bit of a safety net for students who are adjusting. And as our student body has become more diverse, and we have more first-gen students, and we have more students coming from schools that did not prepare people particularly well for a college environment, it provides a safety net, which has allowed students to take some chances early on and not be harmed. And I’ve seen some students struggle in their first year or so, drop classes, and come back and be very successful, when before they might have been deterred from further study in the discipline.

Tisha: I agree, I can see that.

Rebecca: So, definitely one of the things that I’m always thinking about when students are talking about withdrawing is making sure that they know all of the ramifications. So what does it do to your GPA? What does it look like on a transcript? What are the financial implications? …so they can make a well informed decision. And depending on who they’re talking to, they are not necessarily always getting all of the information, and that can be problematic, too.

Tisha: Yes. So I think that points us to the issue of how important advising is, so that there are well informed advisors and that students have access to them, not just at the end when it’s time to register for next semester, but they have a relationship with their advisor, and feel that they can go in and ask those questions, because as John said, a lot of those students can’t go to their parents, they’re first gen, their parents don’t have advice for them. And even if your parents went to college, they don’t necessarily know all of the rules and regulations of the institution that you’re at. It’s really hard, I think, for students to have all the information that’s necessary.

John: I’ve had trouble keeping up to all the changing information [LAUGHTER] over the last few years. In terms of those requirements. You’ve done some work with cooperative learning. Could you talk a little bit about that?

Tisha: Sure. So that really came out of the fact that I had done a lot of efficacy work around classroom experiments. And KimMarie and I are really good friends. She is a cooperative learning expert. So I should say that she is the expert on CL. And she wanted to do an efficacy study, so we decided to team up and do that. So what we did is unlike a lot of some of the other work in efficacy, is that a lot of the work is comparing lecture. So you don’t do anything to this active learning technique. And with cooperative learning, the students are working on exercises. And when we talked about it, we said you know, it’s really not fair, and not even interesting to compare a student who is in a lecture-based class where they don’t get to see any of these problems to students in a cooperative learning class that are working on these problems in class in teams. So we thought a lot about the collaborative learning approach. And we’re trying to isolate what we thought could be the mechanism that might be driving different outcomes. And what we decided was we were going to compare the active team-based learning to individual learning, working on problems. So in our control, the students were exposed to the same problems, they had the same amount of time in class to work the problems as in the treatment, which was the collaborative learning. It’s just that in the treatment, they were working in teams in this think-pair-share share framework, and we didn’t find a significant difference. So at the end, we said that the cooperative component didn’t seem to be driving any difference. Although there are other people who’ve done work comparing collaborative learning to lecture based and they did find significant positive effects from cooperative learning.

John: One type of thing that I’ve done that seems to have been fairly successful is using clicker questions. Following the methodology of Eric Mazur, students are given a challenging question where typically half or so them will get it right the first time when they’re asked individually. But then they get to talk it over with the people around them, preferably someone with a different answer, they get to debate and argue it and I normally see between a 10 and 20 percentage point increase in the correct answer. And the really absurd answers tend to disappear down to about nothing. So that’s not a very formal study, but that second stage of that process where students are engaged in some peer instruction seems to have had a pretty significant impact. And I point that out to students, that when they talk to each other about it and explain it to each other, they do much better than when they’re working on their own. And I encourage them to try doing that outside of class, to work with other students, because there are a variety of studies… I haven’t seen too many in economics, but there are quite a few studies that find that that type of peer instruction, either in the classroom or outside, can be fairly effective.

Tisha: Yeah, so I’ve observed that too. I haven’t used clicker questions, but just going in and observing my colleagues when they teach, and they are using clicker questions. And I have to say, I’m stunned, because I don’t know how the right answer bubbles up as opposed to the person who had the wrong answer convincing the other of the wrong answer. I don’t know how that doesn’t happen. It’s like magic to me, almost. So part of me wants to think a bit more about what is the mechanism and how is that working? That’d be really cool to do a study on that.

Rebecca: One of the things that’s always curious to me about that particular dynamic is sometimes students discover, as they try to explain something to someone else, [LAUGHTER] that they really don’t know what they’re talking about. [LAUGHTER] They realize, huh, I can’t actually explain this concept, so maybe I’m the one that’s not correct. [LAUGHTER]

Tisha: Maybe that is what’s happening. Because everyone always says, “You have to really know your stuff to teach it,” and so if you are trying to explain it to your partner, you do have to know the material.

John: And when they’re raising objections and you don’t have a counter argument, that can help break down your misconceptions, because getting rid of those incorrect perceptions can be as important as trying to build new ones.

Tisha: Yeah, I could see that and maybe the people who are initially giving the wrong answe are just guessing. So maybe they’re not trying to explain and convince their partner of their answer, I guess. I don’t know. So maybe it’s not magic.

Rebecca: [LAUGHTER] Feels like magic.

John: It does. And it works.

Tisha: When I see it happen, it does seem like magic. In general, I think that active learning is helpful, because I think that women are going to be more interested when you show them the applications, and that when you have active learning, there’s some community building that happens. So you’re illustrating relevance, you’re building this community, giving them a sense of belonging in the classroom, which is a lot of what I think actually happens with the experiments. And then actually also with the experiments, they’re kind of discovering some of the theory for themselves, which is a growth mindset. And there is research that shows that if you can show relevance, belonging, and growth mindset, and develop these in your classroom, that students are going to do better, but that it also is more appealing to females and underrepresented minorities.

Rebecca: There’s lots of things for all of us to think about, even if we’re not necessarily in economics classrooms. Definitely good food for thought. Switching gears a little bit. Can you tell us a little bit about your work on the Committee on Economic Education?

Tisha: So I’m not officially on it at the moment, I’m the incoming chair. But I have served on it in the past. And I’ve been shadowing KimMarie McGoldrick, who is the current chair for the last year. So the committee is doing a lot of really great work. I think. When I first served on the committee, we basically just organized sessions for the American Economic Association meetings. And when I say “just” I don’t mean “just…” Compared to now, it’s just but we have, I think, seven sessions that we organize for the meetings every January. But while I was first on the committee, then chair Mike Watts, who was at Purdue, he said,”I have an idea. We should have a conference, so an all economic education conference,” and we started it while he was chair, and it’s CTREE, so the Conference on Teaching and Research in Economic Education. So the committee is in charge of that. It’s every end of May, beginning of June, depending how the calendar falls. So our next CTREE will be in Atlanta, not that far. It’s on the East Coast, maybe you can join us. And it will be May 29 through the 31st of 2024. We have many other things that we also are overseeing: an educate program, which is professional development for college faculty, and that includes two-year college faculty, in course design, different active learning pedagogies, and we talk about how to bring diversity and inclusion into the classroom. KimMarie actually started this this year, we have a newsletter called EconEdNews. And that features different pedagogies, it features the winner of the AEA Distinguished Economic Educator Award, which the committee also oversees, and some centers that we have for Econ Ed across the country… just a lot of information that’s in there, we have two issues a year. So we’ve had our first two, and our next one will come out in March of ‘24. So just a lot of great work, I think, that the committee is doing and I think really thanks to Mike who started us with our own conference. And then Sam Allgood succeeded Mike and added and then KimMarie is an overachiever. And she added a lot more in her six years as the chair.

John: And going back earlier, early surveys of economic instruction suggested that economists were using much more chalk and talk than many other disciplines were using. So these efforts have been fairly important in shifting people away from that. It’s a somewhat overdue change, but it’s nice to see that happening. And I would love to go to CTREE. But there’s two barriers that I’ve run into one is we run a series of workshops here, right around the same time, and the other is I teach at Duke in the summers. So I either am doing workshops here, or I am in North Carolina teaching econometrics now down there, so I haven’t been able to get there. I would love to go to a CTREE meeting.

Rebecca: I think I would have no clue what’s going on if I went. [LAUGHTER]

John: Oh I think you would.

Tisha: I think you would, I think you’d have a nice time. Everyone there is just so lovely and very engaged in teaching, and just really cares about the enterprise.

Rebecca: It’s nice to see education groups out of these professional organizations to really formulate communities of practice around teaching.

Tisha: Yes, I agree. I think economics, unfortunately, was late to the game. But we’re increasingly appreciating the importance and the importance not just of focusing on four-year colleges, but two-year colleges. So going back to the point of diversity, and the lack thereof in the discipline, the students in four-year colleges that I’ve worked with have predominantly still been very much what economists already looked like. And if we really want to improve the diversity in economics, I think we need to reach down to the high schools to the two-year colleges, and make economics more interesting and accessible.

Rebecca: We always wrap up by asking: “What’s next?”

Tisha: There’s lots of things. I guess, with regard to the committee, I’m hoping to just kind of not start anything new in my first term, and keep everything running as well as KimMarie has it now. But then for my own research, I am really interested now in looking at comparing pedagogies. So it’s been a lot of efficacy work looking at a particular pedagogy compared to sort of the standard chalk and talk. But now, how do they compare to each other? Is there a better pedagogy for students? And my first study, and I have the data, so I just have to start working on it will compare experiments to cooperative learning. And I told KimMarie, if experiments lose, then she won’t hear any more about this. I won’t write it up. I won’t talk about it. Because I don’t want to say that experiments lose, but no, I mean, seriously, that’s the next thing that’s first on the agenda. But also, I have a deep interest in diversity questions. KimMarie and I with Scott Simkins have a paper looking at HBCUs compared to PWIs and the study of economics there. And that was inspired by some work that showed that HBCUs contributed disproportionately to the STEM pipeline. And since economics is part of STEM, we thought, “Well, that should be true for economics as well.” So we did some work in that area. And we show that there are some positive contributions from HBCUs to the economic pipeline. But I think there’s a lot more to do there. So I would like to dig down in that. I’ve heard a lot of people at HBCUs talk about secret sauce, and I want to learn what that is. And not just at HBCUs but look at MSIs as well, more generally. And I do want to look at some questions at two-year colleges, so that’s for the next five to 10 years…

Rebecca: You’re going to be busy. [LAUGHTER]

John: For those who aren’t familiar with the terms PWI are predominantly white institutions and MSI are minority serving institutions.

Tisha: That’s correct.

John: Those terms are becoming more and more common, but just to make sure all of our listeners are familiar. Okay, well, thank you. It’s great talking to you, and it’s nice meeting you. And we will keep trying to get KimMarie McGoldrick on the podcast. I’ve been asking her for about four years. She’s been a little resistant, but we’ll see if we can get her here in the future. Well, thank you.

Tisha: Thank you so much. I hope you have a good afternoon.

[MUSIC]

John: If you’ve enjoyed this podcast, please subscribe and leave a review on iTunes or your favorite podcast service. To continue the conversation, join us on our Tea for Teaching Facebook page.

Rebecca: You can find show notes, transcripts and other materials on teaforteaching.com. Music by Michael Gary Brewer.

Ganesh: Editing assistance by Ganesh.

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279. First-Year Blues

First-year seminar classes can help ease students’ transition from high school to college. In this episode, Tim Nekritz joins us to discuss his first-year seminar class on the history of American Blues in which students explore racial and gender discrimination through the lens of music while also learning to navigate the college environment.

Tim is the Director of News and Media at SUNY Oswego, an Adjunct Professor in the Department of Communication Studies, and the developer of a first-year seminar course in American Blues.

Show Notes

Transcript

John: First-year seminar classes can help ease students’ transition from high school to college. In this episode, we discuss a first-year seminar class on the history of American Blues in which students explore racial and gender discrimination through the lens of music while also learning to navigate the college environment.

>[MUSIC]

John: Thanks for joining us for Tea for Teaching, an informal discussion of innovative and effective practices in teaching and learning.

Rebecca: This podcast series is hosted by John Kane, an economist…

John: …and Rebecca Mushtare, a graphic designer…

Rebecca: …and features guests doing important research and advocacy work to make higher education more inclusive and supportive of all learners.

>[MUSIC]

Rebecca: Our guest today is Tim Nekritz. Tim is the Director of News and Media at SUNY Oswego, an Adjunct Professor in the Department of Communication Studies, and the developer of a first-year seminar course in American Blues. Welcome, Tim.

Tim: Great to be here.

John: Our teas today are: …Tim, are you drinking tea?

Tim: Yes. And I am drinking Tea Forte blackcurrant. It’s excellent, and if John recommends a tea, you’ve got to go with it,

Rebecca: I’m drinking chai today, John.

John: Very good. There’s no jig or anything. [LAUGHTER]

Rebecca: No, there’s no Jig, nothing crazy. I was at an event and there’s limited choices on our campus event tea selection. Chai is what I chose.

John: And I have ginger peach black tea today.

Rebecca: Back to an old favorite, John.

John: We’ve invited you here today to discuss your first-year seminar course in American blues. Since it’s been a while since we discussed one of the first-year seminar courses here at SUNY Oswego, could you tell us a little bit about the objectives of the course?

Tim: Absolutely. The idea is for it to be a small class, because you really want to build a sense of cohesion there. And I saw that a lot, because students would become best friends right away, despite anything I did or not because of anything I did sometimes, but so it’s building connections with other students and instruction in the institution. It’s very much a gateway course to them being college students, to a degree. We don’t overdo that, but we try to make sure that we can work that into the curriculum wherever we can. There’s a certain amount of college preparatory experience for that, obviously, it’s not orientation, clearly it’s not orientation. For example, I brought in Tina from Excel to talk about career preparation and internships and that type of thing, brought in someone from Counseling Services Center, which I’ll talk more about later, but just try to connect them with some helpful faces and offices on campus. There’s also intercultural competence, which was a big part of this course, which I know we’re gonna discuss more later, …critical thinking skills (so introduction to what that is on the college level), and communication skills and very basic level, whether it might be their first research paper, might be their first oral presentation in college and trying to get them prepared in whatever ways we can.

John: We introduced these classes several years ago, and we had a number of people teaching in the first round of this on our podcast, but that was sometime in the before times.

Tim: Yes.

John: …so we thought it would be useful to review this just a little bit. But it’s also something that the college is expanding. The goal is within the next two years to offer one of these courses to every freshman student.

Tim: Yeah, and we work with Mallory Bower, as well as Kristin Croyle, who are excellent to work with, as far as trying to get people almost over their fears. So it’s like, put in an idea. And as opposed to just like yes/no, they might help you workshop it and there’s pr- preparations where seasoned professors like me, I’m not in the old category, apparently. And so like, “How do you develop your course? What stumbling blocks did you have? What were things that worked?” and that type of thing, which obviously varies from course to course, as we all know. But it’s good, because in a way, we’re building communities here, but we’re building communities among the people who are interested in teaching that class.

Rebecca: One of the things that’s interesting about the first-year courses that are at our school is that they’re intentionally not in the discipline and they’re often interdisciplinary. So can you talk a little bit about your course and how that fits into the bigger picture at Oswego.

Tim: Certainly, I came about designing it in a backward way, which is how I do most things, it seems like, but essentially, I really got an interest in blues and blues history fairly recently. And we got an email from someone named Roger House, Roger went to SUNY Oswego for a couple of years before transferring to another institution. And he’s now an American Studies professor at Emerson College and does a lot of stuff on blues history, cultural history, and that type of thing. And he emailed us a column that he wrote that references his time at SUNY Oswego. And then at the bottom, it said, Roger House is the author of Blue Smoke, which is a biography of Big Bill Broonzy. And at the time, I was reading anything on the blues I could get my hands on. And I read it, and I realize,d everything that he went through, he went away to World War One, and was treated great in Europe… well, relatively great for a servicemen… for someone who’s toward the bottom of the rank, but at least was treated like a human being which he wasn’t used to back home… comes back, the man he worked for, picks him up and immediately degrades him and tells him “You don’t deserve to be in that uniform.” This is a person who sat home and did nothing and he’s telling Bill who served his country, for very obvious and racist reasons, to take off his uniform and put his overalls back on. And that was a big pivotal moment. But it’s also something that resonated with a lot of people. A lot of people who went away to World War One, and then had to come back home and face the indignities of racism. And so then he was part of the great migration to Chicago and the blues scene that arose there and then he was rediscovered because he did some social commentary during the folk revival in the 1960s. I’m looking at this and it’s not dissimilar to Forrest Gump, although not as fabricated, but you’re looking at, okay, all these different parts of 20th century history, and this could be something that’s taught. So I sent an email to Mallory and said, “This is a crazy idea and I know we’re friends, but you can tell me it’s stupid if you want.” But she didn’t. She thought it was great. But part of it is you can really teach cultural history, black history, entertainment history, pop culture history, there’s so much that can be developed here. And then it seemed like the first black women to reach a mass audience were the blues queens of the 1920s, when that became big. Because they could not be heard or paid attention to elsewhere, but then suddenly, out of nowhere, Mamie Smith has a huge hit that sells all these records and record executives are like, “Oh, wait, there’s actually a market for black music” because Mamie Smith was really like the Jackie Robinson, she broke the barrier. It was in part because she had a lyricist, Perry Bradford, who sold his compositions, but because people would buy it, but nobody wanted at that point to record a black artist. And so he got Mamie Smith recorded, and then Crazy Blues became this huge hit and suddenly people realized, “Oh, well maybe this is not a bad thing.” But that being said, what happened immediately is that they started recording white women who tried to sound like black women, which of course is even worse, really. And so they were very hesitant. I was reading things that said, “Oh, and then suddenly, opportunities opened up” …and they didn’t. It wasn’t until Bessie Smith came along with Downhearted Blues in 1923. That just sold unbelievable numbers to all audiences, black, white, anybody. And the record company said, “Okay, well, I guess this is something that we can do.” But there’s so many lessons behind that, and the fact again, that the record companies held off on actually trying to make sure that black woman can be heard, which was amazing, disappointing at the same time. So that’s just one example. And then being able to teach the great migration through the Chicago blues scene. The fact that Big Bill Broonzy and Muddy Waters and all these people came from the south and collected in Chicago, or Detroit, or any city where the jobs were, but then in Chicago, all the conditions were perfect for them to start up an amazing blues scene and just to transform everything, like when Muddy Waters plugged in an electric guitar, and everyone was like blown away by that. But he had to do it, because he was playing in these loud clubs and people were just talking. So he had to electrify what he was doing. But so anyway what I started doing is looking at some of the themes and some of these decades, these eras, and that type of thing, because there’s also just such a long pre-history of African music, African inspired music. And then at one point that drums were banned on plantations because people thought they could send messages to each other, but also the way that the field hollers and the religious music, music that they did just were work songs and how that influenced what came later. The problem is, you could almost do a whole course on that. That’s really way back. That would be earlier American history, but I’d have to inform that and then talk about the fact that you had like the Ma Rainey’s of the world who were already spreading the blues before it was known as the blues. And so laying a lot of foundations with the vaudeville and tent shows, or W C. Handy, and his first blues recordings, but even some interesting things because blues was folk music for the longest time. And then W. C Handy decided to publish it, and suddenly it is no longer folk, it is now commercial. And so how that changed everything. So there’s so many interesting lessons that happen along the way.

Rebecca: So what I’m hearing, Tim, is that you’re using music to sneakily teach history.

Tim: I’m a sneak.

Rebecca: You’re so dangerous.

Tim: I know, it’s horrible.

John: There have been a number of economic articles written on the role that rural free delivery and the Sears catalog provided in the blues because it brought low cost musical instruments to places where there were just no music stores.

Tim: That’s great. I do touch on that a little bit, because, in the rural south, you can’t drive to a music store. But then suddenly, Sears made guitars and other instruments, very inexpensive. So little things I just love because I’m a big fan of James Burke. I know he spoke here a few years ago, in his Connection series and the day the universe changed, about how all these small things come together. And so that’s exactly what I like talking about. That’s a perfect example.

Rebecca: How did you get students engaged in the subject matter? What are some of the kinds of activities that you did with students?

Tim: One of the things that I did because I can’t convey the Blues as well as blues artists can, I would give them a Spotify playlist of like 15 to 20 songs and have them listen to it. The first time I taught it I couldn’t find a book and it’s like, this is easier than reading a book. And then finally, some people talked to me about “You probably should at least get a basic book.” So I have a really inexpensive one. Elijah Wald’s, Blues History, which is I think like $12. I try to be friendly on the budget. And so I would have one on Blues Queen, for example, or then in the mid-1920s, what happened is Blind Lemon Jefferson had a hit song called Black Snake Moan and Blind Lemon does not get the credit. He totally changed the industry with that. And part of that is sexism, unfortunately, because when the record companies were getting the Mamie Smith’s of the world, the Bessie Smiths, was like, “Okay, well, we need to put an orchestra behind them.” And then suddenly Blind Lemon Jefferson has a huge hit. He’s one person, that’s so much easier to pay. And if you have the Bessie Smith’s and Mamie Smith, and the Ida Cox’s, the people who were getting well established, they command more money, economics again, but you find some blind guitarists somewhere, you can pay him less than that, because unfortunately, exploitation is a big part of labor market functions or malfunctions, I guess you would say. Women really dominated the scene for the first five years and then they started going to solo male singer guitarists, or pianists, or fiddler’s, or whatever. And so then I did one about some of the early male artists, then all the Blind Willie McTell and Blind Willie Johnson, Blind Blake. But then I also talked about why that happened, because again with economics, if you’ve got nine kids, and one of them’s blind… basically, there was a sharecropper system, which was again rigged, almost indentured servitude, unfortunately… and so your kids, if you’re in the system, they all had to help you produce. So if you’ve got a child who’s blind, they can’t necessarily do that. But then, especially when Blind Lemon Jefferson started hitting some other people, it’s like a lot of them might have already had them working as buskers and that type of thing, but then the record companies of course, there’s nothing original to a record company, thought “Oh, we’re gonna assign more blind bluesman including the fact there were some who were signed who were said they were blind but weren’t.” And like all these really crazy things. So like I did that. I did one Chicago blues, and then folk blues and social blues and then the British blues boom, which was led by The Rolling Stones, among others. But there’s also a great quote from George Harrison, my favorite Beatle… everyone has a different favorite Beatle perhaps… but he has said “No Lead Belly, no Beatles,” because, again, it’s one of those weird, circuitous things, because Lead Belly, among other things, did a song called Rock Island Line, which was covered by someone named Lonnie Donegan, who actually took the Lonnie from Lonnie Johnson, who’s another great unsung hero. Rock Island Line became a huge hit in Britain and formed something called skiffle. Skiffle was like a combination of blues and folk and a couple other things. And then all these skiffle bands started forming including one called Quarrymen, which was John Lennon, Paul McCartney, and later, George Harrison. And so George Harrison nails it. And the main thing, I think, that the students notice, because I am willing to trade off extra credit for market research. So I have a five point question on the final, which is a bonus question, which is, “What’s one thing you wouldn’t have known if you took this class” and a large part it’s like they had no idea that the blues is the foundation for rock and roll, and inspired jazz, and soul, r&b, funk. And then a really cool thing is Marquel Jeffries from the Institute, who’s also a rapper. I had him come in and talk about the connections between blues and hip hop. And he did a fantastic job with that, because just as the blues has informed so many 20th century art forms, I’m glad that I can introduce that to people because, again, that is cultural appreciation. It is also cultural appropriation too, that is part of this as well.

John: And certainly there was a lot of that in the history of rock and roll.

Tim: Oh, yes, Elvis being a big one. But at the same time, that wasn’t cool, necessarily, but Elvis himself was a big fan of R&B. This is what he wanted to perform. And at one point, they tried a bunch of things, and then he started playing some really crazy R&B tune. And Sam Phillips came in the studio and said, “What the heck are you doing?” And he said, “keep doing whatever you are,” because that was everybody’s ticket to money on the money train. But part of it too, is that people like Sam Phillips knew these R&B records were selling like crazy. They needed to break into the larger and mostly white market. And so they needed a white face to market that with and that’s what they did with Elvis. So there’s a real lesson there. And then there’s so much other cultural appropriation. I know that Larry Watson, who performed very recently, he has a whole song that he did in Waterman theater called “Liar,” which is all about cultural appropriation. It was great. So obviously, it’s appreciation versus appropriation, who’s benefiting from what? The fact that Led Zeppelin then would change a few words on a bluesman’s song and then file the copyright themselves. Janis Joplin did it too. And all these people who very much took advantage of that, but then there are also a lot of people who appreciated the blues. I consider myself someone who preserves it because I like doing old blues songs… not nearly as well as they do… but I at least want people to know who some of the blues pioneers are as best I can.

John: And the Rolling Stones certainly did that and I believe they had Howlin Wolf open for them on some of their early tours.

Tim: Yeah, I showed them a great video that was one of those teenybop shows and they said they wouldn’t perform unless Howlin Wolf played and it’s just kind of hilarious because Howlin Wolf is playing, he’s doing what the Wolf does, and all the kids are bopping to it. And it’s like, “Wow, imagine if they were actually exposed to Howlin Wolf and all these other blues players that they never actually were.” So that could be like an alternative history of suddenly the radio stations that are playing Howlin Wolf might have happened, but it didn’t happen, obviously.

Rebecca: So you had students do a lot of listening and reading, what kinds of things did you do in class? I know you had some interesting projects and other learning activities.

Tim: Well, I will get back to the playlist. Basically, they would come in and the assignment would be let’s discuss at least one song on the playlist and everyone would do it… almost everyone would do it. Some of them want to talk about two or three. I’m like, hey, that’s cool, too. So like, if I’m talking about a blues gospel tune, talk about why gospel blues was a thing. I don’t even know how this existed, but when Ma Rainey’s Prove it on me Blues, from the 1920s, singing about being a lesbian, and you can’t get more marginalized in America at that time than by being a black lesbian. She’s like, “This is me, here I am.” And it almost feels like how did this happen? Because after the 20s, that disappeared for a long time, even that kind of expression. But that kind of showed, and I had people in the class who were very inspired by that, the courage that it took her to do that. And then just weird stuff like Blue Yodel Number 9, which is Jimmy Rogers with Louis Armstrong and Lil Armstrong. So it’s blues, with yodeling and old country and jazz. I read about it in a book. And I’m like, “this shouldn’t exist,” because again, we think of how much music was categorized back then. So those are great discussion exercises. But then the one really fun project I thought was I asked him to write a blues song talking about it could be their perspective or some other perspective. And so I brought in Kyle from the Counseling Center, because he’s big into expressive arts, and it’s like, “Is there anything that’s bothering you that you can sing a blues song about?” So a lot of them talked about loneliness, homesickness, missing friends and that type of thing. Some of them were really deep, and I’m like, “oh, goodness,” some of the stuff that they were writing. The first semester, there was actually a surprise attached to it, in that I had reached out to some friends. And right after Thanksgiving, we get back and we had a concert. And so my friends from a band called The Shylocks, they did two tunes. A third tune was one that was written by someone in the class. And I said, “Guess what we’re doing?” So I had a number of people there, and Kyle, a very well known blues player, Jess Novak, recorded one because she connected with one of the students in the class really well, because Jess talks about the old boys club and all the rest of that stuff. And there’s one student who talked about back home, she would get solos. People were like, “Oh, it’s because you’re a girl.” and all the rest of this stuff and be patronizing to her. But then we did research papers, and she presented on Etta James, and she’s asked if she could sing At Last. I’m like, “Are you kidding me?” And she did and I knew why she got the solos back home because she was really good. But then, to turn that around, I said, “Hey, Jess, remember that student.” And I sent Jess her thing and she performed it. And it was one of those, you could have dropped it back in the 1920s. It was that good. So I had some of them performed live, some of them recorded it as well. And it was just really cool to see because these students, some of them acted all cool, and that type of thing. But some of them were like just very emotional to see people perform a song that they wrote. I wasn’t able to do it last year… lowell, one thing, the cat was out of the bag, perhaps… but it was great because they got to use self expression, but then also see how people interpret songs. So it worked on many levels. And it was a heck of a lot of fun too.

John: When you had them write the songs, did they actually write it down in notation? Or did they sing it? Or did they write it down assuming there’d be a 12 bar pattern underneath it?

Tim: Great question. Basically, I just had them do lyrics. I am not qualified to teach composition. I can teach about writing. Last year, I don’t know what happened, but I wrote about 50 songs. I was looking into sources that talked about songwriting, like Larry Kyle spoke to the class or Jess Novak spoke to the class. I had them talk a little bit about their songwriting experience, how they wrote songs. And of course, with everything, “Well, it depends on the song.” But so I actually did try to workshop with them a little bit. And most of them didn’t really want my help. They just wanted to do it on their own. But I said they could do it in 12-bar blues, but they didn’t have to because obviously the blues has evolved, whether they want to do an ABAB rhyme scheme, or just ABCB or whatever. And honestly, I was looking for effort. Some of them were fantastic. Some of them were not anything that necessarily was going to be recorded. But the effort they put into it, especially if it came from the heart, that was more important to me, just that they learned about self expression. Some of them were already songwriters, so they had a bit of a leg up there. But at the same time, it was really an exercise that was to express themselves. And some of them did fictional stuff, and that’s great, or took something and elaborated on it, but that’s how I write songs too. So yeah, I can’t fault them for that. But so all of them are really good. I just asked them to do four stanzas. That could be four verses, three verses and a chorus, two verses a chorus and a bridge, just to show that they had invested in it. And nobody who turned in a song disappointed me or came even close to it. So I was happy how that worked out. And again, they didn’t know it was gonna be performed. And the performers, I didn’t have them say who wrote it, intentionally. But then one of the performers actually wanted to perform them live… open mics and stuff. And I asked the student’s permission, like, “Oh, totally, yeah,” and that type of thing. They didn’t want their name attached to it. So it’s just that personal to them. And again, I always say I learn just as much from the students as they learn from me. And so I learned a lot about what’s going on in their lives. And by the same time there are people who want to write songs about their blues, but some of them they didn’t necessarily want to take ownership of or let people know how they’re feeling. There’s larger reasons for that than I can fix in a class. But at the same time, I thought it was really great that they at least got that experience.

Rebecca: So I think it’s important to note, if students are writing songs, it’s a first-year class, it’s not part of the music major, there’s a lot of non majors. So students may have ended up in the class because they selected the topic, or because it fit in their schedule. So how did you handle students that were not too excited about writing a song or worried about being outed?

Tim: Yeah, a lot of it was reassurance. There were a few music majors in there. Some of them even said, Wait, I thought this was a jazz history class. I’m like, no, there’s 50 jazz history classes, there’s very few blues history classes. That’s the reason nobody knows about the blues’ role, because blues history is just not taught. A few places have programs. The University of Mississippi is a good example of that. But generally speaking, we all do jazz, because jazz is so much neater and more ornate and doesn’t involve feelings and unfortunate situations and people being murdered for cheating on their lover and whatnot. But so students took it for a variety of reasons. I think you expressed some of that, but also because Mallory is a big supporter, and so she plugged a lot of them into my class the first time around. But for a non-music major, I even said right off the bat, you don’t have to be a music major, but you have to enjoy music in some way. Like if you don’t like to listen to music, this probably is not the first-year class you should take. I talked on what I call syllabus day. I do talk about the songwriting assignment, and then sometimes a couple students might disappear. But I want them to be comfortable with the class. So I try to set the expectations early, we talk about it a lot. And before I give them the assignment, and that’s why I always ask songwriters for advice. But like I had Juliet Forshaw, who actually taught a songwriting class last semester, come and speak to my class. And it’s a trade off, I got to speak to her class. And so imposter syndrome was high. That day, despite all the songs I’ve written, I still don’t feel necessarily like one. And so she came in with her partner, Michael Judge, and so they played some Avalon songs, but also, she went deep into how she created it. And again, there might be people who write the music first, and then write the words and just like, well, that’s not necessarily going to be the case here. I told them, if they wanted to put a lead sheet and put some chords on there, that’s great. There were a couple of people who already did make music. But really, it’s not unlike writing poetry. So that was one of the analogies I used. And so some of them would come up to me with a couple ideas and said, “How do I flesh it out?” and I’d suggest a rhyme or say, “Here’s a great point, can you expound upon that?” …like every writing course I ever took. And so I was worrying that maybe I would get more resistance and more people who just didn’t want to do it, or who I would have to really work to get to do it, but then it surprised me, the day that they were due, they would show up… once in a while they’d be late or other people would send it to me via Google Drive or email and not show up that class just in case….

Rebecca: In case they had to share it out loud or something. [LAUGHTER]

Tim: I think they were afraid of that. And I told them, I’m not going to make you sing it. Of course, I didn’t tell people the first time that someone else is gonna be singing it either. But they took it in stride. And obviously the past couple years have not been the easiest time to transition into a freshman year, especially the year that people came in and they hadn’t been in in-person classes because they graduated from high school, which had been virtual since March 2020. And so I think they adjusted well to being back in class. I think they’re excited to be back in a class and in college. So I think that helped a lot. But generally speaking, they appreciated the assignment. I mean, they didn’t jump up and down and talk about how great it was. But they all put in the effort. I think that says a lot, because I remember it being really hard to be a freshman and that’s back before we had the Internet and other distractions.

John: So how many times have you offered this class now?

Tim: Two times and obviously you learn something every time you teach it, and then it’s like, I’m gonna change this next year. And then next thing you know, it’s like late August and like, “Oh, well, maybe I won’t.” But one thing I’ve been doing too is getting a variety of guest speakers and some of them are musicians. And then like I said, you’ll have people in Counseling Services Center or Tina from EXCEL or just other people who might be helpful just to come in and maybe do like a 30-minute talk. This was an election year, as many people are painfully aware. And so I had some from Vote Oswego come in and talk about that and civic engagement. And sometimes it might be just a 20 minute talk or someone coming in it might be a whole class. But in the case of someone like Kyle, he’s got a background, and he’s a blues fan, because he’s like, “Oh, my God,” when I asked him. His father took him to see Bo Diddley, and I’m like, “I’m jealous of you.” But so he had blues, introduced in his family. So he knew that, but part of it’s to hear all the services we have, which are very important for anybody to have, really, the way the mental health crisis is these days. So it’s great that he got to introduce that and also then the interactive stuff that he did… people understanding how to share how they feel, and that type of thing. So I think I was very lucky with guest speakers. And then it’s always like, “Okay, well, I’m keeping most of them if they can,” because like Marquel was an example of, I got to the 70s, 80s, the birth of rap and hip hop, and the first time around, I didn’t have the subject knowledge to do that a credible job. But then it occurred to me like, “Oh, wait, I know Marquel.” And so he did a whole bunch of research, asked me questions, and then talked about the history of hip hop, and then connected with the blues just so well, I was thrilled to have him and because guest speakers will liven up the class a little bit. And then some of them will do a session like Jess Novak did and they all connected with her immediately, and like they connect with me like that. But that’s why Jess does what she does for a living, and I do what I do for a living. But just I think trying to get some variety in the class, because part of it too, is if it’s class major specific people might be saying, “Okay, well, what can you do with this major or this class?” So I don’t think a lot of people they’re looking to become musicians… a couple of them are, but try to introduce people who can help them in other ways. The good thing for being a non-musician is that it’s, in large part, a history class. It just happens to have a really cool genre that goes with it and I get to listen to music and we have to write a song. It’s not the end of the world. They all survived and thrived with it.

Rebecca: What are some of the themes that came up in their songs? You mentioned that you got a lot of insights into what’s going on in their lives as first-year students and that might be helpful for a wider audience to be aware of.

Tim: One of them wrote a song called Lonely Man Blues that basically talked about being away from his friends, his family. One of them wrote a funny song about dealing with people at the holidays who had different belief systems than him. It was a bit of an angry song. I mean, I could see the Ramones performing the song as well as any blues band. But people would talk about that. And just homesickness. Even as bad as the pandemic has been, and having to learn from your house and that type of thing, at least that’s a familiar place. And for them, that’s really trying to figure out the comfort zone, making friends over again, because you know, social skills took a hit during the pandemic. And so some of them talked about the readjustment of that, or talked about someone who broke their heart. One person, actually wrote what sounded more like spoken word poetry, it was really long, but it was very honest. And it was a way that they expressed themselves about a relationship. So it’s something that they got out of their system. So in a way, they weren’t that different than what you see with normal blues songs, except, like I said, there was much less murder involved, thankfully. I don’t know what would happen if someone talked about murder, but it really was about feeling lonely, about missing people, about wanting more love and that type of thing. So it was, in a way, whether I expected it to or not, it hit on a lot of the themes that classic blues songs did.

John: One of the reasons for these classes is to help students connect to other students as well as to the institution. How did that work in the class? Did the students make a lot of personal connections through the activities you were doing in the class?

Tim: Absolutely. And again, I haven’t figured out how to master that yet, I would like to, but they would just make it organically. There were a couple of people who hit it off and became really good friends. I would like to say that somebody formed a blues band out of this. I don’t think that happened. But the good thing about a class like this is it’s intimate. And people do talk about things. And it’s interesting, because when Kyle was in the room, or Jess was in the room, they would talk about things they didn’t talk about in front of me because I’m their teacher, and I grade them. I had one student when Kyle was there, he said, every day, I feel like I’m going to break down crying, just because of all the stress and that type of thing that anybody goes through at that age. And so I think that they expressed these things.. kind of broke down some barriers among everybody, which I think was good. Obviously, nobody was going to become friends with each other. I took improvisational theater way back in my undergrad days. And that was great because everybody just goofs around and that type of thing. And it is to let your guard down class. And so that’s the tightest class I’ve ever seen was improv theater just because everyone’s just doing silly things. I didn’t do silly things in this, it’s unfortunate, maybe next time. But it was good because for one thing, no one studies this blues history. So they were getting a lot of information that was new to them. But then they would also talk about “Oh, I really liked this artist, this song.” And so people would be like “Oh, I love that song too.” And so there would be some side conversations… sometimes actually about the class… often about other things. But at the same time, I think people saw some commonality because they were all learning a lot of new content. But when they say, “Oh, I really love this, Ma Rainey song, Prove it on Me,” and then somebody else does, too, it’s bonding or these little moments in the things that they like or performers they’d never heard before. One of them did a paper on Blind Blake and I feel like this much qualified for the Blues Hall of Fame, just making a Blind Blake song in 2022, as it was. When they found themselves agreeing on songs, and some parts of history that make people not so happy, but at the same time, for some of them, it’s validating, knowing that these things happened. And for them to realize that this has impact on my life, still, 100 years after the blues started… obviously, racism hadn’t gone away, or sexism… and so to see these things expressed, and to connect with that, and connect with other people, because not every day, but sometimes we’d have some really, really good and honest conversations. And then people connect with each other over that. And maybe it’s not even because they agree, but they learned to respect other people’s viewpoints. And it was always a very respectful class. A couple of people even argued over whether or not things were rock and roll songs. And that was about as heated as we got. [LAUGHTER] I can tell you that much. Because when rock and roll started, the saxophone was the guitar. The guitar solo was a saxophone solo. And some people are like, :”No, that’s not rock and roll…” like, “that is rock and roll.” And so that’s what some of the arguments were. It’s like, well, though, it was kind of 12-bar blues still, there’s more R&B. An example I use is Shake, Rattle and Roll by Big Joe Turner, which was not a tune you would play around your children, I will put it that way. There were some lyrics in there that were pushing the envelope like “when you wear those dresses, the sun comes shining through. I can’t believe my eyes, all the mess belongs to you.” You couldn’t sing that easily in the early 50s. But then what happened is a white band, Bill Haley and the Comets who were very well known, covered it and took out the more offensive part of “the way when you wear those dresses, oh my, you look so nice,” which is a completely different context. There was still some sexism involved in that because there’s the 1950s, unfortunately. So what happened is that Big Joe Turner’s version became a big hit on the R&B track, Bil Haley and the Comets covered it and it became a big hit in America because they were allowed to be on all those airwaves. But just little moments like that that I was able to show or the fact that I think that Big Momma Thorton’s Hound Dog is vastly superior to Elvis Presley’s Hound Dog in every way. But I think when people get new information also, and maybe light bulbs go on over their head, that also builds a bit more of a connection too because these are things again, we don’t teach this anywhere. But it’s an important part of the cultural history and pop culture history and music history.

John: And it sounds like a lot of the intercultural competence that these classes were designed to work on was just built into the structure of the course.

Tim: Absolutely. And that’s one of the things I felt good about, because I knew that was an emphasis. And it’s like, well, this definitely has that throughout the years. For example, even though people will debate whether it’s blues, or it’s jazz, but something like Strange Fruit by Billie Holiday. That was something the fact that it talked about a lynching and all the rest of this stuff. That was something that really moved students ‘cause unfortunately, they might have textbooks and talk about it. But it’s also Billie Holiday, who has an amazing voice. And so this really translated a lot of that stuff. There are a few songs that talked about the welfare system, or Big Bill Broonzy talking about being black, brown, and white, and some of the different situations that people face there. It was just such a great way of conveying this information. And you know, they’re all amazing songs, too. So you read it in a history book, and it can be kind of removed. But when you hear someone singing about this, that becomes very immediate,

John: Strange Fruit just it’s just an amazing song.

Tim: Oh, yes.

John: How did the students react to that?

Tim: If I had to pick one song during the whole semester that got a reaction from them, it was that. They might have heard about lynching. This really painted the picture in words and in Billie Holiday’s amazing voice. So I think that was an example. But there’s also… no one talks about Bessie Smith’s Poor Man Blues, which essentially it’s about all the black soldiers who went and fought for you in Europe, and then you rich man, you don’t want anything to do with us anymore. You want us to fight your wars and that type of thing. And it’s really interesting, because there are some quote unquote, blues historians, I will call them chroniclers who had the audacity to say that the blues are not a political genre, but it’s all political. When you’re poor, when you’re dealing with all these barriers in life, that’s very political. And so it’s amazing that while these were white people from Britain, who had no real background in the country’s history, and so that’s why I wanted to get a lot of the social and protest songs because that’s a big part of the blues. I mean, again, so much of blues… you’re an economist, you know that the economy impacts every part of people’s lives… and if you’re not being paid enough, if you’re not getting employment if you’re being treated badly by the system because of systemic racism, that’s a very political thing. So I think that’s the point that they also got very much from a lot of what they saw. So it was just great to have that opportunity to show people these things. Well, when I say show people, I mean, having way more talented people than me sing about it.

Rebecca: I can imagine that a lot of students and just people in general, listen to music and don’t always pay attention to the details. So having the opportunity to slow down and actually think about the lyrics and have conversations about it and connect it to history is a really different way of experiencing music, and it, I would imagine, translate to other things they’re listening to. Did you have conversations in class about how they might have been listening to other kinds of music differently?

Tim: So many of them know Led Zeppelin and the Rolling Stones. They didn’t realize what a background in the blues, Jimi Hendrix had. Jimi Hendrix was very blues focused, even the Grateful Dead. So much of their stuff is blues. So especially when they saw this with artists that they knew, that helped make that connection a lot. Again, Eric Clapton is very much a conveyor of that, that they all know the Eric Clapton songs, but it’s like, well, that was written in the 1920s and 1930s, by someone who wasn’t Eric Clapton. But to connect all that backwards, or even the fact that to the era when I came of age, Nirvana, and their last performance on Unplugged, where they covered a Lead Belly song, Where Did You Sleep Last Night, and just how moving that was when Kurt Cobain did it in that I think his last performance ever. But then to see people make that connection. Okay, Lead Belly, and of course that was an old folk tale that he was singing, but at one point that got me into Lead Belly. And so just being able to peel back the layers and look at the history and see how that underpins the songs that they listened to. Because a lot of them do listen to what are covers of blues song. And there was a big blues revival in the 1980s, and it’s funny, because if you are a blues historian, you don’t want to admit it, but one person admitted, I hate to say this, but it was because of the Blues Brothers movie.

John: To be fair, there were so many great blues performers in the Blues Brothers movies.

Tim: Yeah, well, and the thing is, the movie company didn’t want to bring in these performers. They wanted “Oh, we have these hot young artists we want to do.” And Dan Ackroyd basically said “Hard no. I’m not doing this unless we’re allowed to bring in these performers who just didn’t get their due or just weren’t as appreciated.” And, so first of all, the music in that movie is great. It’s also very funny, but at the same time, people of a certain academic level don’t like to admit to something as base, dare I say, as the Blues Brothers movie had that impact on it. But then you had a lot of people in the 80s and 90s, like you’re seeing the Fabulous Thunderbirds having a big hit with Tough Enough, the Georgia Satellites having a really big hit with Keep Your Hands to Yourself, which was basically based in a blues structure and so much of the blues rock… the Allman Brothers, so much of what they did was the blues, and they became really big. But the unfortunate thing too, is that that had to do with suddenly becoming a white man’s genre. And generally speaking, like Robert Cray was big, but he was an exception, because by the time we get to the 1980s, most of the people who were playing blues, in large part, who were getting the air play were white men, even though it started with black women. And then also Stevie Ray Vaughan helped break it open too, and we can only wonder what happened if he hadn’t died tragically, but what he brought to the blues is just otherworldly. But he learned a lot of his stuff at the feet of Buddy Guy. Bonnie Raitt started… I think it’s a rhythm and blues foundation, where she basically knew there was all these blues performers. Larry Watson gave her a shout out recently performing on campus because she won a Grammy and is an example of somebody who actually walks the walk and talks the talk and she says, “Yeah, I was inspired by the blues, but I want to give back to the performers who didn’t have the opportunity to do that.” And the problem is like in the 1980s the blues was George Thorogood and I’m just not a fan of George Thorogood. That drove me away from blues for a long time, I think, but George Thorogood performed at Live Aid with Albert King and some blues performers, but they wouldn’t have been on the bill without George Thorogood which is morally compromising to me. But the problem was that there’s still a lot of great people out there. There’s Shamekia Copeland, who is well known. There are some rising stars still in the blues scene. Christone “Kingfish” Ingram, who is like 19 years old and talented and might be the next big thing in the blues. So there’s a lot still out there, but at the same time, that’s not the stuff that’s getting played on most radio stations.

John: Buddy Guy is still touring. It may be his last tour. I think he labeled it as his final tour, but we’ll see.

Tim: Yeah, well, I’ve seen Buddy Guy live twice. I saw him at the [NY] State Fair with BB King, and I think it was Tommy Castro and Susan Tedeschi, maybe.

John: Yeah, I was at that show. I’ve seen him at least a dozen times including twice at his club in Chicago.

Tim: Well, that’s fantastic.

John: … the old location and the new one.

Tim: Yeah, but Buddy Guy is so influential because he can do Jimi Hendrix, because Jimi Hendrix learned from him. He can do Stevie Ray Vaughan because Stevie Ray Vaughan learned from him . He did BB King… well, he and BB just did a lot of stuff together. And BB was a legend, but Buddy Guy stole that show and every show he ever performed at.

John: Yes. And I remember that show. He had just released the Riding with the King album with Eric Clapton. And he said, “Unfortunately, I’m not able to bring Eric Clapton here, but I’ll bring out the next best thing.” And I know everyone around me was hoping that Buddy Guy was going to come back on the stage, but instead it was his other guitarist who came out and performed with him….

Tim: Who was also really good.

John: …who was also really good, but he was not Buddy Guy [LAUGHTER].

Tim: Well, and what’s weird is that you’d look at it in retrospect, when Riding with the King came out with BB King and Eric Clapton, it’s easy to look at, “Oh, look at Eric Clapton doing a favor by letting BB King be on his record.” But it’s the other way around. Clapton… probably any bluesman worth anything would want to record with BB King. But the problem is with the cultural lens of me being a young, stupid, white kid it’s like, “Oh, wow, what an opportunity for BB King.” And it’s like, because Rattle and Hum introduced BB King in another context, too, because U2, they just had Joshua Tree… they could have done anything they wanted. And it’s like “We’re gonna do a movie. And we’re going to meet with some of our inspirations.” and that type of thing. And so they did a song with BB King and Bono… who is not always the most humble person, I will say. If you’re listening, Bono, I’m sorry, you’re still my hero… was just awestruck. BB King gave him a compliment, and he didn’t know how to take it, because this is BB King.

John: One thing with Buddy Guy is he sometimes will get into a mood where he’ll only do one musician for an hour or so at a time. And I was able to get tickets to his January run at Legends. And it was the only day I could make it. I was at a conference there. And it was listed as an acoustic only blues show. And after the first hour and 45 minutes, he said, “This is an acoustic blues show, so I guess I should do something acoustic.” [LAUGHTER] And he did a few songs and they went back to electric.

Tim: Well, it’s interesting because Syracuse was a big home of blues in the 1990s. Like my friend Larry Kyle said, you could get booked three or four nights a week as a blues artist in Syracuse. It’s not that way anymore, but there were a lot of really interesting acts back then. I was writing the course in 2021, and part of me is like is the ending of this going to be tragic? Is this going to be like you’re studying Latin… Womp womp, sad trombone. But then I went to the Blues Festival in Syracuse, the New York State Blues festival, it’s actually the first big festival since COVID had hit. And basically, to borrow a line from our friend Buddy Guy, I learned the blues is alive and well. It just changed a little bit like Larkin Poe, who is one of the bigger names in blues performed there, a couple of sisters, they are white. They’re supposedly related to Edgar Allan Poe in some way. And they have a lot of classic rock there, but huge crowd. Fabulous Thunderbirds performed, I thought they were not even one of the top five bands to perform. But Vanessa Collier, who is amazing… plays guitar, plays saxophone, and is just this great person. She was selling her own merch, she didn’t have to, there’s volunteers to sell your merch, but if you’re the musician selling your merch, you’re gonna do a lot better. And she stayed and signed stuff forever. And so after the start of the pandemic, just seeing a big crowd at all, just seeing how people reacted and how much people connect to that music, and then doing a little more exploration saying that, “Ah, the blues are still alive.” They’re not the blues that existed in the 1920s. To a degree things are drifting a little bit back toward women, toward black acts than they were in the 80s and the 90s. But it’s completely different. It’s so many different things. The same way the blues inspired this, people now have picked up rock and folk and even jam band and that type of thing, and brought that back… like Robert Randolph and the Family Band played. It’s very, very, very much funk that they play. But again, just mind blowingly good. So just seeing how blues has changed, or what we call the blues still exists. So finally, I’m mentally writing the last part of my class, but I wasn’t sure, up until then, whether I could tell them that the blues thrives, despite all this research I’d done on that type of thing and listened to Sirius XM Bluesville every day and knowing friends who played the blues. But to see this, see how it was received, see how many blues fans and how many new fans were won over to the blues… that made it possible for me to finish my class with my head held up high that I was not teaching a dead subject, I was teaching a subject that’s very much alive,

Rebecca: That seems like a good note, then, to wrap up with and we always end by asking what’s next?

Tim: Actually, it’s a funny question. I believe you both know a good man by the name of Jim Early, I’ve been recording with him… a record… which it sounds weird to call it that. And it’s not exactly the most bluesy record. But one of the things that this course has taught me and I tell my students all the time, you shouldn’t wait on your dreams or have someone tell you you didn’t do this. I did not grow up as a musician because we could only afford to have one of my siblings play an instrument and that wasn’t me. And so you don’t go through the system. And while you’re not a musician because you don’t know music theory and all the rest of that stuff. So it wasn’t until I got to college and joined a friend’s band and took a course in piano and composition that I’m like “you know what, maybe I am a musician or at least somewhat of a musician.” But I think so many parts of the blues is about overcoming things, and going against people who have preset notions or trying to keep you down in some way. And certainly I don’t suffer the hardships that the blues people did. But just seeing the creative expression, hearing all this music said, “You know what, I want to do music more and more in my life.” What’s next? Obviously, I look forward to teaching the class this fall, hopefully better, always want to teach better. But I try to introduce some historic research and publish in journals and journals don’t like blues history topics. Shockingly, it’s not a popular thing. I would love to do a book that looks at some of the issues I talked about, about blues women and how they started it and how they were relegated after a while. I’d love to talk to people like Shemekia Copeland, or Vanessa Collier. And there’s a lot of other artists who still cover those albums and that type of thing. I don’t know how to engineer it because so much of what I learned from this class, working with the students is so much of what people don’t know, I would love to write a book, even maybe get one journal article published, although I might have to start my own blues journal to do it. But to really get this information out where more people can get it, because people keep saying, “Oh, I’d love to take your class.” I’m like, “Well, you’re not a freshman and you’re not at SUNY Oswego.” Like maybe I’d try like an open source class or something like that, or find a way to impart these lessons to more people, because it’s certainly something that I realized, when you find knowledge gaps, it’s like, “Well, a lot more people need to know this.” And so how do I get that message out? I don’t know yet. But talk to me in a couple of years, I guess.

John: And it would be good to do some of this while you can still interview some of the people who’ve been in that for a long time,

Tim: Absolutely. Buddy Guy is really the last connection to so much of an era. But there are people out there like Bonnie Raitt would be an excellent interview, I would think. You’re right, because we are going to lose a lot of people who have a lot of knowledge.

Rebecca: Well, thanks so much, Tim.

Tim: You’re very welcome.

Rebecca: …very nice talking to you and hearing about the interesting things you’re doing.

Tim: Well, I enjoy talking about it and you all are excellent hosts, of course,

John: …and if I ever retire, my goal is to join a blues band and go on tour.

Tim: I know where you can get a good bassist.

>[MUSIC]

John: If you’ve enjoyed this podcast, please subscribe and leave a review on iTunes or your favorite podcast service. To continue the conversation, join us on our Tea for Teaching Facebook page.

Rebecca: You can find show notes, transcripts and other materials on teaforteaching.com. Music by Michael Gary Brewer.

>[MUSIC]

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271. Should I Say Yes?

Busy faculty and staff are known to get things done, resulting in additional requests to engage in service activities. In this episode, Kristin Croyle and Kendra Cadogan join us to discuss how and when to say no throughout your career trajectory.  Kristin is a psychologist and the Dean of the College of Liberal Arts and Sciences at SUNY Oswego. Kendra is the Chief Diversity and Inclusion Officer and Interim Director of the James A. Triandiflou Institute for Equity, Diversity, Inclusion, and Transformative Practice at SUNY Oswego.

Show Notes

  • Ansburg, P. I., Basham, M. E., & Gurung, R. A. (2022). Thriving in academia: Building a career at a teaching-focused institution. American Psychological Association.
  • Thriving in Adademia. Tea for Teaching podcast. Episode 252. August 31, 2022.
  • Webinar:  The Art of Saying No, National Center for Faculty Development and Diversity.
  • Monday Motivator – “Just Say No”, National Center for Faculty Development and Diversity.
  • Five Ways to Say No, Chronicle of Higher Education (August 28, 2014),Transcript.

Transcript

Rebecca: Busy faculty and staff are known to get things done, resulting in additional requests to engage in service activities. In this episode, we discuss how and when to say no throughout your career trajectory.

[MUSIC]

John: Thanks for joining us for Tea for Teaching, an informal discussion of innovative and effective practices in teaching and learning.

Rebecca: This podcast series is hosted by John Kane, an economist…

John: …and Rebecca Mushtare, a graphic designer…

Rebecca: …and features guests doing important research and advocacy work to make higher education more inclusive and supportive of all learners.

[MUSIC]

John: Our guests today are Kristin Croyle and Kendra Cadogan. Kristin is a psychologist and the Dean of the College of Liberal Arts and Sciences at SUNY Oswego. Kendra is the Chief Diversity and Inclusion Officer and Interim Director of the James A. Triandiflou Institute for Equity, Diversity, Inclusion, and Transformative Practice at SUNY Oswego. Welcome, Kendra and welcome back, Kristin.

Kristin: Thank you, John.

Kendra: Thank you so much.

Rebecca: So today’s teas are:… Kendra, are you drinking tea?

Kendra: I’m not. I’m drinking a protein shake [LAUGHTER] if that counts.

Rebecca: I think that might be the first protein shake that we’ve had. [LAUGHTER] So that’s good. Usually we get coffee, diet Coke, etc. How about you, Kristin?

Kristin: I got a tea for Christmas, an early Christmas present. It’s turmeric chamomile, And it’s very tasty.

Rebecca: Oh, that sounds tasty.

Kendra: …sounds good.

John: And I’m drinking an Irish Breakfast tea today.

Rebecca: And I have blue sapphire tea again,

Kristin: Oooh. It’s got the best name

John: …that’s getting repetitive.

Rebecca: I know. [LAUGHTER] But I only have like one more pot left. And then I’m gonna switch to something else. Because I’m running out. I think I have one pot left.

John: Maybe you can play a green sapphire or something?

Rebecca: Yeah.

John: So we’ve invited you both here today to discuss the challenges faced by those faculty and staff who made the mistake of being productive in some service role, and then continually get asked to do more. We often hear that expression, “if you’d like to have something done, ask someone who’s a busy person.” And we know both of you have experiences as volunteers to do service work, as well as in your current positions, asking other people to do some work to assist in your roles. Why do we end up with such an uneven division of service requests of faculty and staff?

Kristin: One thing I love about starting with this question, because we’re going to talk about some strategies that people can use to think about service and say no, but you didn’t ask that as the first question. What you asked was about the structure of the institution, and what makes the structure of higher ed create uneven service roles. So, without answering to start with, I’m just gonna say, I love that as an entry question, because it’s easy to talk about the difficulties people have saying no as an individual issue, but it’s an issue that people can develop individual strategies for. But it’s not an individual issue, it’s an institutional issue, it’s an academia issue, it’s a structural issue. So, good question. And I’m gonna start by saying that there is no good institutional tracking of service. I’m sure all of us on this podcast have asked people to serve. But it’s not like we’re looking at a list and saying, “Well, this person is already advising two student orgs and serving on six committees and doing all of these other things.” There’s no master list. So we can’t look and say, “Oh, it would be so much.” And, at the same time, I also realized that’s a total cop out answer, because, even though there’s no institutional lists, we also know, don’t we? Like I could ask this person who is chairing faculty assembly… you know that’s what she’s doing. I could ask this person that I’ve seen at the last 12 committee meetings that I went to, and that’s not at one committee that’s at 12 different ones. [LAUGHTER] So, on the one hand, there is no institutional tracking, but on the other hand, the frequent targets, we know who they are. So, why don’t keep asking the same people? What do you think, Kendra?

Kendra: I think that those are all great points, Kristin, and I totally agree. You mentioned the chair of the Faculty Senate, who happens to be a woman. And I think that segues into another trend that we see really well, which is that we often see women and minoritized faculty being asked to do things more frequently. I think some of that is related to just some antiquated stereotypes that we have about gender and ideas about human being nurturing, and all of those things, and maybe willing to please, or able to serve and roles that we might not traditionally ask male faculty and staff to serve in. But I think that some of it, particularly for women, and I guess for minoritized faculty, too, is about the pressures that women sometimes face in the workplace around their careers and around advancement and wanting to make sure that they’re always going above and beyond to prove themselves. And we never want to say no, because you don’t know how that will reflect on you. And you certainly don’t want to be seen as less capable or not a team player or not willing to take charge or take initiative. So all of those things in ways work against folks and I think make it easier for us to continuously burden certain people with a plethora of requests.

Rebecca: One of the things that you both highlighted a little bit is that the faculty and staff who are regularly involved, regularly volunteering, regularly providing service, become more visible in these spaces. So those are the people that you think of first because they are visible. There’s a lot of faculty and staff who may actually be great folks for particular things but they’re just not as visible as well. I’m not really sure how we raise the visibility of some of those folks too, but I think that is just something that does occur.

Kristin: And part of what you’re mentioning is also that service really is a skill, and that when people do certain things they get better and better at it. So if the Dean is looking for an interim chair from outside of the department, the list of people who has both the skill set and the temperament and proven leadership skills, that’s a shortlist; that’s a very short list. Certainly, as people serve in more challenging roles, they really do develop unique skill sets that make them more easily tapped in the future. But on the other side of it, in asking newer faculty and staff to serve, I don’t know what you do, Kindra, but I actually, in the college, I look at a list, like, here’s the entire list of faculty and staff in the college. And I look down the list to make sure that I’m not just thinking about the people that I have run into and talked to in the last few days, or that have served in a similar role in the past, so that I can think about and tap people who could potentially grow from a service opportunity. So it is both a skill set, but also an opportunity for a lot of different people.

Kendra: That’s a great strategy. Kristin. Typically I try to ask around, I ask for referrals, I ask for deans or the provost or whoever, faculty who maybe live and work in those spaces already to provide recommendations. “Hey, is there someone that you know who’s up and coming or who’s looking for more experience in this particular area that could benefit from me tapping them to do this thing?” [LAUGHTER]

Kristin: One thing we didn’t talk about specifically, is the desire to have diverse voices in many of our service opportunities, and how that is unduly burdensome for some faculty and staff.

Kendra: Yeah, that’s a great point. And I think that’s a big conversation. On one hand, of course, you want representation, representation does matter. Like we say that all the time, and I think that we really, really mean it. But then again, it’s also very easy to fall into the patterns of “these are the diverse faculty that I see or interact with regularly, or who are very active in these spaces, so I’m gonna keep tapping them for the same things.” I think part of the solution to that or a path toward a solution is to make sure that we are centering inclusivity and belonging in our institutional priorities, and really thinking about how we help others develop their DEI skill sets and elevate their DEI practice, so that they can step into those spaces and be impactful and provide leadership and guidance in the way that we heavily sometimes rely upon faculty and staff of color, in particular, a diverse faculty to provide. It’s kind of a long path toward a solution, but I think it’s one way of really beginning to eliminate that problem of constantly overburdening diverse faculty and staff with requests.

John: And part of the issue is the underrepresentation on college faculty and staff of the groups that we have been referring to… and those same faculty and staff, though, often have more demands on them from students, because while our student bodies have become much more diverse, the faculty and staff have not been, and many students will reach out to people from affinity groups that are again, often somewhat limited on many of our campuses, which puts additional burdens on those faculty and staff.

Kendra: Yes, absolutely.

Rebecca: And that service… that’s often invisible, it’s easy to count or say like, “oh, this committee, that committee,” but I think advisement and mentoring that takes a lot of time and energy, and it’s not as well documented. Clearly Kristin already [LAUGHTER] raised the flag that we don’t have a great way of tracking these things anyways, but I think that, in particular, is something hard to quantify, because it doesn’t look the same for everybody.

Kristin: Yeah, I’ve been thinking about this a lot, and I think that one of the difficulties with this is that the recipient of the service is the student, which makes it highly visible for students, and almost invisible for faculty colleagues. So if you’re advising a student organization that is really active, they may be doing amazing work, and the work that a faculty member is doing as that advisor may be the thing that makes the difference in retaining those students and mentoring them to successful careers, but their colleagues may not see any of it, because it’s happening directly with the students and their colleagues are not going to the student org meetings, because their student org meetings, not faculty organization meetings. So not only is it downplayed sometimes in tenure and promotion materials, their faculty colleagues don’t catch that it’s downplayed. If they were serving in Faculty Assembly or on the Gen Ed Committee, or the Curriculum Committee, their colleagues would say, “Wait, hey, didn’t you do all of this stuff that you didn’t talk about?” But it’s both not given as much credit as sometimes it deserves at some universities, but it also is sometimes literally not recognized because people didn’t see them do it.

Rebecca: So why do we say yes to so many things?

Kristin: Why do we? Rebecca, I feel like you should ans….. No, I’m kidding. You’re actually very good at this.

John: I’m actually asking because I need some advice here. [LAUGHTER]

Kristin: Kendra, why do you say yes?

Kendra: Oh, man, that’s a loaded question. [LAUGHTER] It’s hard to say because it’s hard to say no. It’s hard to say no sometimes. And when you feel like someone is coming to you, because there’s a need that you can fill, sometimes you can get carried away with this idea that you are the person who has to do the thing, because if you don’t do it, it can’t be done. And then there are some of the other things we’ve talked about: the pressures of our careers, wanting to be taken seriously, wanting to be credible, wanting to be able to advance. You can often feel like your path to advancement is going to be barred at some point. If you keep saying no.

Kristin: The number one reason that I say yes, is one that Kendra mentioned, it’s usually because the ask comes from people I care about in professional terms, colleagues that I respect who are doing good work. And if they say, “Can you help me with this good work?” I want to say yes to them. And they’re often asking about issues that I care about… colleagues that are doing good work on things that I think are really important… I want to say yes to that. But I also say yes, because I am interested in a lot of things. And if people say, “I’m going to work on this thing that you haven’t worked on,” sometimes that’ll be a yes, because I just want to learn about that new thing. And when I learn about new things, that is a type of personal growth for me and I get renewed from that. So saying “yes” sometimes also means that I get that personal growth boost. Or there have been times when the ask has been like “You’re the only one who can do this, can you please step up?” …and I know that faculty have that implied experience too, not always like the explicit, someone literally says, “You are the only one who can do this, can you please do this,” but sometimes it’s just implied. And it can be a strong implication like ‘In your small department, you are the only tenured faculty, how about you become chair?” So I do want to question… just push back a little bit. If you stick around in higher ed for longer than about 15 years, you’re going to start realizing there are ways to get the business done, it is almost impossible that you are truly the only way, almost… not 100%, but like 95%. Now, I don’t want anybody to think that they’re really not irreplaceable, because everybody, at least at SUNY-Oswego, I think, is irreplaceable. But do you really have to do that one thing you really don’t want to do? Isn’t there another way that the institution can find a way to get the work done? And if you think about your colleague who’s really good at saying “no,” you see how that works, that there is a way that if this really is going to push you beyond your limits, there’s a way… there’s a way.

John: So what are some good ways of saying no to those requests that push you a bit beyond your limit?

Rebecca: …or that just provide inequity?

Kendra: Well, I think it depends. One of the things that we didn’t really mention was that the flip side of always saying yes, you know, there the positive reasons that Kristin really just highlighted, but there are also some more practical reasons that aren’t always so positive, like tenure, or time spent as an institution. For newer faculty and staff, it can be really scary, or unclear even, about how much can I say “no” to? What is a directive and what is an option? And if you’re new, if you’re not, I think too a lot of times, maybe at even a public institution where you do have some backing of unions, the employment structures are a little more forgiving. In some cases, it can be really scary to say “no” as a new person, a new faculty member, a new staff member. So I think that there have to be strategies for someone tenured and who have been in a place for a long time can employ that will work really well for them, that might not work so well for someone who’s newer. And it’s important, I think, to maybe flush out what’s a good idea for someone who’s been here for a while and what’s the strategy that a newer person might employ to say no.

John: For new faculty who are struggling with all the other commitments they have to do to be successful and advancing towards tenure, what are some good strategies to say “no?”

Kristin: I think it’s a good question that speaks to learning academic culture. And even if you’ve been around a long time, you’re still learning the academic culture, because your role is always changing. It’s a strategy that an Associate Professor uses or a full professor or someone who has transitioned from faculty to staff, there are all kinds of culture change questions. How do you negotiate this new culture? And the first thing I would say is to be clear what you need to do for your job. And if that’s, “I need to make tenure, so I need to publish this much,” if that’s “I now am in a staff position and staff often have less flexibility in saying yes and no, and these are the outcomes that I need to achieve to keep my job.” So part of it is being absolutely clear. You can say yes to 50 things right now. But if you’re on tenure track, and you don’t get your publications, your master service is not going to pay off. So being very clear on what your job is. And if you don’t know, which is a real possibility sometimes, you develop your kind of committee of mentors. Who do you go to and say, “Hey, I got this really interesting request” or even like “I got a cold outreach from a publisher to write up my course as a textbook. I got a cold outreach from this person I don’t know on campus to fill a university wide-service role.”? You got to have somebody to ask So developing your committee of mentors, not one mentor, but your committee of mentors, because they’re all going to have a different view. And then you combine that with delay, especially like the sidewalk ask, you know what I’m talking about, right? Or like I caught you after this meeting, or I’m just going to do this quick ask. So the first answer is to delay. Say “that sounds like a great opportunity. Let me think about it for a day or two and look at my other commitments,” delay, then you go to your committee of mentors. And if you don’t literally have one, John, you had this great book for a new faculty reading group in the fall Thriving in Academia. And I think you also did a podcast, right?

John: We did, with all of the authors.

Kristin: So in Thriving in Academia, there’s a table, a little flowchart, a flowchart that says, with this service request, what do you think about first? And what do you think of next? So if you can’t go to your committee of mentors, you can go to these three authors, as your committee of mentors and check the flowchart. Does the flowchart say you should do it? Or does the flowchart say, Oh really, think hard about this one. This is a no. What would you add? Kendra?

Kendra: I’m just thinking about myself now. How do I usually say no? And now I’m wondering if I say no often enough? [LAUGHTER] Probably not sometimes. But when I do say no, on the rare occasion, what I try to do is also think about who I can point to, to the person asking me for whatever, to actually fulfill the request. So is there someone who’s better suited to complete this project or do this thing than I am? I think about resources. And I try to make sure that rather than just saying a flat no, and leaving someone hanging, I’m pointing them in the direction of someone who can help, someone who can fill the need and hopefully benefit from it, not just someone that I can shove the work off onto, but someone who can really fill the need, benefit from fulfilling that need, and it can be a mutually beneficial situation. I also think about just being mindful of self in those moments. So re-centering self care, we talk about self care all the time in higher ed, we write about it, we research about it, I think we’re actually really bad at it a lot of the times. You have to really center yourself. When someone is making a request, you have to think about yourself. What am I able to do? It’s like they always say on the plane, you have to put your oxygen mask on first, before you put someone else’s oxygen mask on or else both of you will be out of luck. So I think in those moments, you have to really be mindful about centering yourself and tuning in and knowing where you are: what your bandwidth is, what can you give, and is it something that you can do and still be healthy and still be whole and still be able to do all the other things that you’ve already signed up for, that you’re already responsible for? So I don’t know that those are necessarily strategies, per se, but they’re things to think about when you say no. Sometimes you just have to say no, very clearly and concisely, [LAUGHTER] you can’t do it.

Kristin: Kendra, do you have a script in mind when you say no? Like, do you have the words?

Kendra: That’s actually a really good question. I think when I do say “No,” it’s usually something very pleasant. Like, “I’m sorry, I’m not able to do that.” Sometimes I’ll literally just say, “Unfortunately, I don’t have the bandwidth, but here is someone who might help.” Or “here is another option,” maybe another way of accomplishing this task, another group of people who are already doing this work and can give you some additional assistance. So it’s usually like the nice thing that like the pleasant but clear, “No, I’m not able to do that.” And then the “but here’s how I can help you by sending you in this direction or sending you towards these resources.” That would probably be my script.

Kristin: And part of that is because I think your role is unique. And so when people are asking you, they’re really asking you. [LAUGHTER]

Kendra: Yes.

Kristin: So being able to provide another alternative, or another way that you could contribute, is a really nice option. In other choices. There could be just “That sounds like a great opportunity, but right now, unfortunately, I don’t have the time. I look forward to seeing what the results are. I look forward to seeing the report from that committee.” And no, of course, you don’t always have to provide an explanation. You can just say, “No,” you don’t have to say “I’m too busy.” You can just say no. But perhaps that person is going to be someone you’re asking to serve in the future. So it can be nice to continue to develop the relationship even if you have to say no. Something that frequently serving people sometimes forget that they can do is also think about how much time this commitment is going to take and asking for that time back. So let’s say you’re in a small department and your colleague is injured and is out for half of the semester in the course that only you can double up on. So this is one of those where you’re almost irreplaceable, there really isn’t anybody else who can step in. And you know that if you’re injured in the future, you’d really like your colleague to step up. So there’s a little bit of a social contract where you want to say yes, but that’s a significant time commitment. So what are you going to lose from spending your time on that and how can you get it back in the future? So you could ask, if the area of your rub is really financial, you can ask for extra pay, and you probably should get extra pay either way, because it is extra work. But if your area of rub is research productivity, that you’ve been really trying to write, you can say, “Well, if I’m going to do this, then I need a course release the next semester” and negotiate for the thing that you are having to sacrifice to see if you can get it back in a different way. And that is not an unusual thing. So it wouldn’t be like the weirdest thing that anyone has ever asked for, even if you’ve never thought about it before, someone else has thought of that and asked for it before. So you can always ask, what is your trade off =and how can you trade that back? If you’re a junior faculty and your chair is asking you to do something that you really don’t think you have the time to do, but you’re a little concerned about the chair ask you can say these are the things I’m doing right now, w hat would you suggest I take off my plate? How would you suggest I reorganize this? I’d love to say yes to this, but right now I don’t have the time. How would you suggest that I prioritize so that I am ready for my next tenure review? So there are ways… there are ways. But it is good to have a script in mind because we can all say “no” when we’re actually not being asked to do anything, you could just make one up right now. But if you’re in a higher pressure situation where someone you care about their opinion is making an ask right at that moment, it can be hard to come up with an answer unless you already have one in mind. So “that’s a great opportunity. Let me think about it for a couple of days.” Go ahead, use that one, just go right ahead. Even if it’s me doing the ask, you can say it right back to me, I’ll be okay with that.

Rebecca: One strategy I’ve used too is, in that delaying tactic, is always asking for clarification: what the responsibility will be, what the time commitment will be, what the meeting schedule is, so that you actually have enough information to make an informed decision. Because often the ask doesn’t come with all that information.

Kristin: And you know what happens when you ask those questions, right? The person making the ask is like, “Oh, I don’t have answers to all those. We should have goals and a timeline.” … you know, good stuff.

Rebecca: Sometimes you really want to say yes to something because it just is very appealing for whatever reason. What are some strategies so that you can say yes? We’ve mentioned negotiating for time or other resources. But the other thing that I think about is you look at all the things on your plate, and see what are some things I could roll off of, if I want to roll on to something new? Or if I want to pursue something different? What can I get rid of or step away from? Are there strategies for being able to step away from some of the things that you were committed to before that we could think about in terms of strategies for ultimately saying yes, but saying no to something else? [LAUGHTER]

Kendra: One of the things that we didn’t necessarily mention before in the saying “no,” but that applies here is this idea of acting as a consultant. So if a great opportunity comes up, and you really want to say yes to it, but you have a whole bunch of other things that you’ve already committed to, it might be a great time to reevaluate those other things and determine what are the things that I really need to put the legwork into and be boots on the ground on? And what are the things that I can provide a perspective on or give some guidance on in a more passive way, that then frees me up to maybe actually do the heavy lift for this other opportunity? That’s really great that I really want to be involved in. So I think that’s one way to move yourself closer to a yes [LAUGHTER] and an offload of some of the other things that might be standing in the way of that “yes,” Kristin, if you have any thoughts?

Kristin: Yeah, and again, thinking about I say, a five year plan… some people actually have those. I’ve never had a five year plan. But I admire people who do. But I do have my idea of my career trajectory, what I find really rewarding and what I don’t. And when I’m offered a service opportunity that aligns to the things that I find really rewarding, that it is exciting and I’ll learn something new about, and be able to contribute about things that I value, I want to say yes, even if it’s really time consuming. So yes, I look at the combination of things that I’m doing, think about how they contribute to both the things that I value and what the institution has hired me to do, because I do have a job that I have to do. And there are always ways to rollback your commitment on some. Many service opportunities require only an intermittent time commitment, you got to really hit it hard for a couple days here and then you can back off for several months, and figuring out how to fit that together. And consult, consult, consult, ask other people, I actually used the flowchart myself in the book at one point a couple months ago saying, “Oh, this looks interesting. Should I do that?” My flowchart says no. [LAUGHTER]

Rebecca: And the flowchart can’t possibly be wrong. [LAUGHTER]

John: Actually, the flowchart most often says no, because of concerns about faculty taking on too many responsibilities.

Kristin: Yes, because the first question in the flowchart is, “Do you have the time?” which leads you to “no” a lot of the time but it was also of low institutional value and not really important to me and not really important to anyone else, and I didn’t have the time and like “flowchart says, “no.” I was like, “well, probably right, [LAUGHTER] those are all good points that I should have been thinking more about.”

Kendra: Well, Kristin, I think to your point, too, about going back to your five-year plan and think about your career trajectory, and how well the things you’re involved in are serving you toward that end, it is absolutely okay to go back to previous commitments, and say “I had a wonderful time, this has been a great opportunity. I’ve learned a lot. but this doesn’t necessarily fit anymore in my larger plan. This might not be as helpful for me in my trajectory as it once was, and so I’m going to maybe end my involvement as of such and such a date.” Sometimes it helps to give folks a timeline on your end, clearing your plate for other things doesn’t mean that you have to immediately walk out the door on whatever else you had going on, right? …It’s probably not advisable, actually. But I can tell you that I’ve reached out to folks to ask them to serve on things or to participate in things that they’ve been participating on. And they’ve had really nice responses that are like “Kendra, I really appreciate this opportunity. I’ve really enjoyed the work that I’ve been doing, but I’ve taken on some new responsibilities that are more in line with some of my other interests or other needs or professional development, and so I won’t be able to participate in this anymore.” And I can’t be upset about it, it’s a lovely response. And I totally understand that folks want to develop, they have other interests, they need to be able to spend their time and spread it around sometimes and they’ve really been helpful to me in the time that they were able to engage in the thing that I needed them for. And I’m more than happy to say, “We’re going to miss you so much, you’ve been amazing, but I wish you the best of luck in this new thing that you’re really interested in. And let me know if I can be helpful to you.” Or let me know if these two different interests have any synergies or if there’s ever any way we can collaborate in the future. So it’s certainly okay to sometimes walk back from previous commitments very tactfully and very appropriately, but it can be done.

Rebecca: I think it’s also possible to say yes to just a part of something…

Kristin: Yeah.

Rebecca: …like, maybe the ask is like this big, like, it’s huge, but what they really want you for, or where you could provide the most value, is during a brainstorm session, or designing how something might be implemented, but not actually work on the implementation. So there’s a way to sometimes contribute without committing as much as the ask was originally.

John: …and defining a scope upfront.

Kristin: Yeah, that’s a great point. With all the searches that we do, I hear a lot from faculty about the incredible amount of time that goes into searches, and different ways that departments organize them that burden some people versus the others, but I think that’s a great example. If you can say, ”I’m gonna take candidates out to dinner,” which is a huge time commitment, but it’s very focused, it only happens during the visits, “I don’t have time to review all of the applicants and to serve on the committee in that sense, but I can take them all out to dinner,” there are trade offs that can work better for life in the way that your time is structured, that you can see that other people can’t see. So nobody’s going to suggest to you, how about you just do part of this, but they may be very open to that response.

Kendra: I would say in 9 times out of 10, someone’s asking you to do something and your response is, “Here’s the piece that I can do, I’m not able to provide assistance in these other areas,” that person is going to be more than happy with what you are able to contribute. So those are great points and great ways to be able to clear room to say yes.

John: What are some of the differences in the constraints of faculty and staff when they’re being asked to engage in service roles?

Kristin: I think the differences there are really baked into the differences in the roles, that faculty are expected to serve institutional priorities, but in some ways, almost work as independent contractors. It’s like ”here’s work to do, figure out how you’re going to get it all done in this amount of time, we’re going to come check on you in a year, see how you’re doing,” whereas staff are expected to stress institutional goals on a day-to-day basis. They work much tighter in teams, and their collaborative skills are usually much more highly valued. And because of that, if a faculty member says no, the expectation is well, that’s because they’re busy doing the other stuff that they’re supposed to do. We don’t even need to ask them what that is right now, because they’re hopefully writing. But if a staff member says no, in some ways, it’s weird. Staff say yes. Because so much of their work is being asked, being asked to lead, being asked to run a program, being asked to show up at 11 o’clock at night to serve a midnight breakfast… being asked, and the expected answer in many cases is yes. So being able to constrain the role and say no is often more fraught for a staff member. Kendra, what has been your experience working with staff and helping coach them to shape their time as much as they can?

Kendra: Yeah, that’s a great way to articulate the differences between faculty and staff, I think. I don’t know if faculty have performance programs.

Kristin: …not like that, not like staff do.

Kendra: Yes, exactly. Staff have sometimes very prescriptive performance programs that literally layout, area by area, theme by theme, what all of the duties and expectations are going to be. And then of course, there’s the other duties as assigned. So it can be very difficult for a staff member to say no, and it can also be very confusing, I think, in some cases for staff to understand “What are the things that I can potentially say ‘no’ to? What are the things I’m given latitude on to exercise autonomy and say, ‘No, I’m not interested in this,’ versus what are the things that are more imperative.’” When working with staff, what I try to do is be very clear with the folks I work with, with my colleagues, about what are the expectations and the needs versus the options and opportunities. So I tried to be really collaborative with colleagues and say, “Hey, there’s an opportunity that’s coming up,” or “there’s a need that needs to be filled, you have expertise you have, whatever the reason, I see you as a great fit for this.” Now, the conversation can then go one of two ways. One way, which is what I try to always have it be is, “Please let me know what you think. What are your thoughts about this opportunity? Are you interested? Is this something that you would want to do?” And that gives the staff member agency to think about what’s on the table and to make a decision about whether or not they want to be involved. The other option is to say, “This is something that needs to be done. you’re the person strategically for the job, so I really need your help in completing this.” And that’s less of an option, but at least it gives folks and understanding of like, okay, this is not necessarily optional. This is something that I need to do to be a strategic and fully collaborative member of this team. So sometimes it can be a little tricky. But I typically find that if I’m really transparent with my colleagues, and let them know, “Hey, here’s what I’m thinking about. Here’s why this makes sense. And this is either something that I’m offering to you that you have agency to say yes or no about, or this is something that is part of our strategic plan that I really need you to be responsible for. And here’s what you being responsible for it looks like.” Folks seem to deal with that really well. I think it’s much harder for staff when there aren’t clear expectations and when they’re also not given any input in decision making, when you’re just “voluntold.” …not even really voluntoldl, like literally just, “this is what you’re going to be doing.” It’s always better to include folks in the decisions that you’re making, and to provide as many opportunities for options as possible.

Kristin: Absolutely, you can see the differences in other ways too, like if a faculty member is asked to serve, usually no one is asked except the faculty member, the department chair isn’t asked, the dean isn’t asked, unless it’s someone like, “Can you think of anybody?” and then you suggest them, but usually it’s straight to the faculty member and it’s up to them to figure out whether or not they want to say no. Oftentimes, when staff are asked to serve in different roles, their supervisor is asked first, could you release them for this? Would it be okay with you if they do this? And sometimes faculty who move into administrative roles will start to experience that difference in culture in subtle ways and may not understand, like, what is happening around them? How come when I’m in this committee meeting, only the faculty say no to something. the staff say yes, or how come when I approached this person for help, I got a little cranky email from their supervisor. So it’s good to know that there’s a difference and also to respect that the two kind of different cultures, that both have a role and their pros and cons, and to know what you’re stepping into when you’re asking people to do things.

Rebecca: I think this highlights a little bit of what you were mentioning before, Kristin, about knowing what your role is or what your position is. Because sometimes staff would also have the opportunity to ask a clarifying question like, “How does this fit into my performance plan?” or “How does this help us meet the goals or initiatives that my division or my group is meant to be achieving?”

Kristin: Absolutely.

Rebecca: Because if there’s not alignment there, then that’s a pretty easy “no.”

Kristin: Absolutely. Do either of you two have strategies that have worked for you?

John: I have never been very good at these decisions. Rebecca?

John: I say no, sometimes.

Kristin: How do you do it?

Rebecca: I’ve worked really hard to make sure, and it took a long time to do this, but to align my scholarship and research and creative practice with service and my institutional responsibilities. And there’s pretty good alignment with those things at this time. And when something seems like it’s not in alignment, that’s when I have a pretty clear “no.” When it does seem aligned, that’s when I have a harder time saying “no.”

Kristin: And you don’t want to.

Rebecca: Yeah.

Kristin: That’s a great strategy. And the people I have known and worked with that say no the best, they have developed over time clear guidelines, very much like that. I worked with someone who was really good. This is something I could never do. I could never say no to a student who wanted to work with me in research. I don’t think I’ve ever said no to a student who wanted to work with me in research. I have occasionally matched them to someone who’s a better match. That’s different. But he was very good at saying no to students who wanted to work with him in research, which was like my Achilles heel, but he just had very clear guidelines: “I only work with students who are at this point, X, Y and Z,” and they were not unreasonable things. And then he would say yes to those students. And it opened up time for him to really mentor them. And I’ve been lucky to work with people like you and him. You have a way that you approach your career that you have thought about. This is where my limit is, so I can say yes to these students who want to work with me and really work with them. But I can say yes to this giant time commitment, because I know it contributes to my research and to my service,

Rebecca: I think that it can help to also just have colleagues around you who say “no.”

Kristin: Yes.

Rebecca: …and seek out that camaraderie. [LAUGHTER]

Kendra: I think that’s a great point. And it goes back to something Kristin said about when you’re that faculty member, you don’t understand the faculty staff. dynamic and you reach out to a staff member to ask for help and get a cranky letter or cranky email back from their supervisor. That does happen. But the reality is, I think we need to, again, be more supportive, particularly of newer colleagues. I’m thinking of new staff very specifically, and I’m thinking about this from the perspective of a supervisor. I think it’s really important when we’re mentoring new staff, and helping them develop professionally and think about what the next steps are for them, we also need to provide some additional support to them in helping them to say no, helping them to really prioritize and think about what serves them and what doesn’t. And one of the things that I’ve said to folks that I’ve worked with in the past is they’ll come to me and say, “Well, Kendra, someone’s asking me to do this, or this or that, and I’m not really sure that I want to do it, or I just don’t know.” So like, okay, let’s talk about how this fits into your professional trajectory. Does it makes sense for you, does it make sense in the work that you’re doing? And if the conclusion that we come to is really no, this doesn’t serve you, then by all means, feel free, if you don’t feel comfortable saying to this person, for whatever reason, no, if you’re too new to feel comfortable doing that, then by all means, I’ll be happy to reply as your supervisor and say, “This is not going to work, this doesn’t fit into whatever,” I’ll just say no for you. Or you can always feel free to say, I spoke with my supervisor, she doesn’t think it’s a great time for this, I don’t have the bandwidth. Feel free to throw me under the bus. Because I do think that part of what I have to help folks learn is, of course, how to advocate for themselves and how to be full adult professionals, but it’s also to be supportive, and to help them to kind of get their legs under them. And sometimes part of that is helping them say no.

Kristin: Awesome,

John: We always end with the question: “What’s next?”

Rebecca: Please tell us how you’re going to redo higher ed [LAUGHTER] and make this better?

Kristin: That would be awesome. And you know, the funny thing about that question is that it’s always a problem that we don’t keep track of service better. But the other side of me is like, “Oh my gosh, what a pain that would be, a huge amount of work for very little payoff.” Is there a better way to do it? So I don’t have an answer on what’s next for supporting service, except to be more proactive in my request to say this is what the commitment is, let’s talk about your current commitments and how we can shape what you’re doing to support both what you want to get done and what I’d really like to ask you to do, [LAUGHTER] not just the single ask, yeah, not just like, here’s the one thing, but instead to ask in a more comprehensive way.

Kendra: And I also don’t have any solutions for fixing higher ed, unfortunately, at this time. [LAUGHTER] But I do think that we can also make sure to just model the behaviors that we’re talking about, again, just being mindful of our own personal practices and making sure that we’re not just talking about saying no, but that we’re actually doing it for ourselves and so that the folks that we work with and work for can see what this looks like and be mindful for themselves too, about how they need to think and work through this space. I think that’s one small thing we can do.

Rebecca: Well, thank you for joining us.

Kristin: Thank you. It’s always a pleasure.

Kendra: It’s been fabulous. Thank you so much for having me.

Kristin: It’s great talking to both of you.

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John: If you’ve enjoyed this podcast, please subscribe and leave a review on iTunes or your favorite podcast service. To continue the conversation, join us on our Tea for Teaching Facebook page.

Rebecca: You can find show notes, transcripts and other materials on teaforteaching.com. Music by Michael Gary Brewer.

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267. Fumble Forward

Preconceptions and biases often interfere with productive discussions and interpersonal interactions. In this episode, Donna Mejia joins us to discuss strategies that she has developed to address these preconceptions and to humanize classroom interactions. Donna is the Chancellor’s Scholar in Residence at the Renee Crown Wellness Institute and an Associate Professor of Theatre and Dance at the University of Colorado at Boulder. She is the author of a chapter in Picture a Professor, edited by Jessamyn Neuhaus.

Show Notes

Transcript

John: Preconceptions and biases often interfere with productive discussions and interpersonal interactions. In this episode, we discuss strategies that one professor has developed to address these preconceptions and to humanize classroom interactions in her classes.

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John: Thanks for joining us for Tea for Teaching, an informal discussion of innovative and effective practices in teaching and learning.

Rebecca: This podcast series is hosted by John Kane, an economist…

John: …and Rebecca Mushtare, a graphic designer…

Rebecca: …and features guests doing important research and advocacy work to make higher education more inclusive and supportive of all learners.

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Rebecca: Our guest today is Donna Mejia. Donna is the Chancellor’s Scholar in Residence at the Renee Crown Wellness Institute and an Associate Professor of Theatre and Dance at the University of Colorado at Boulder. She is the author of a chapter in Picture a Professor, edited by Jessamyn Neuhaus. Welcome, Donna.

Donna: Thank you. Thank you very much for having me. It’s nice to be here.

John: Today’s teas are: …Are you drinking tea?

Donna: I am drinking tea. It’s quite lovely. I have a rose tea with some vanilla in it.

Rebecca: That sounds quite nice.

Donna: Yeah. What are you drinking?

Rebecca: I have… double checked the name on it this time, John, because I failed recently. This is an All India black tea blend. That’s what it’s called, it’s the official name.

Donna: That’s hardcore.

Rebecca:[LAUGHTER ] But, it’s good.

John: All India, okay…

Rebecca: [LAUGHTER] All of India, I don’t know [LAUGHTER]…

John:…[LAUGHTER] which makes it a more inclusive tea, I suppose.

Rebecca: That’s one way of looking at it, from a brand of tea that has very imperial names as well. [LAUGHTER]

John: Well, I’m speaking of imperialism, I have an Irish Breakfast tea, which may very well have come from India.

Donna: Well, there you go.

Rebecca: So we’ve invited you here today to discuss your chapter in Picture a Professor. The title of your Chapter is “The Superpowers of Visual Ambiguity: Transfiguring my Experience of Colorism and Multiheritage Identity for Educational Good.” Could you tell us a little bit about the chapter to introduce everyone to it?

Donna: Thank you, I’ll be happy to. The chapter is really about my lifelong experience as someone who is visually ambiguous to most when it comes to trying to categorize my ethnicity, and a Creole Choctaw woman with at least six bloodlines running through my veins. And I noticed that in addition to being a woman in education… in higher education, students frequently challenge the authority of women in the classroom and they test us in ways that they do not test their male professors… but I have the intersectional complexity of also being challenged as unsettling for people who didn’t know how to categorize me. They weren’t sure if I exhibit loyalty to black heritage, to white heritage, to any other part of my heritage, if they could even guess what it was. And because of that, I realized that many people had a very difficult time proceeding in personal interactions with me in the classroom, because they weren’t sure what camp I fell into. So rather than seeing me as just an educator, the cultural programming of needing to know who I was prevented them from feeling safe in my classrooms. And it was biases that they were unaware of. And so I really started working with my students to, at the outset of the course, create some pedagogical tools that would allow us all to humanize each other, and not rely on categories, and assumptions of those categories, to determine what our interactions will look like. So, I am working at a predominately white institution. And so even sometimes, the one African-American student in the classroom wouldn’t know how to position themselves to me, because they weren’t sure how black I was in my identity. And so they were afraid to sometimes bring their own lived experiences forward in our conversations. And I just felt that the ambiguity of my parents which left everybody questioning: “Who is she? What is she going to say if I really, really am honest here? Am I gonna offend her, I can’t tell.” And so I decided to have some fun with it, and try and get rid of the fear factor and make it possible for us to all humanize each other. So the chapter is the summary of about three pedagogical tools. I have many, but those were the three that I came back to over and over again, and they’re lovely in their impact, and far reaching beyond just my classrooms.

John: In the chapter, you talk about a few situations where your racial identity was challenged by others, either by black individuals or by white individuals. Could you just tell us a little bit about some of those examples of the challenges that you were faced with there.

Donna: Great question. Interestingly, I remember my first job out of college was an administrative post for a university and I was sent as a representative to recruit in African-American communities, and a parent in the audience contacted the university angry that they would send a white woman to speak to the black community, not knowing that I grew up identifying as black. I’m also Choctaw, indigenous, as a woman. And many times, the departments on the campus that I work with, just didn’t know to loop me in on announcements or events that were happening, because they had no idea that I was also an indigenous bloodline. Probably the most dramatic thing that happened was in South Africa, when a little boy who could not have been more than, say, eight years old, ran up to a car window, and started to scream at me and tell me I was a devil, and that I had no right to live and that I was the enemy of all black people and just screaming at me at a red light while sitting there waiting for the traffic light to change. And then another dramatic incident… last one… I was in Taiwan, in one of the outdoor markets and a group of Chinese women started forming a group behind me yelling at me in Chinese. And at the time, I was not fluent enough to understand what was being said, I was with a host. And I asked the host, “What’s going on?” …and she kept trying to urge me for ward: “Come on, just keep walking, just keep walking.” And I said “I think they’re yelling at me,” and so I said, “Please tell me, what are they upset about? What have I done?” She said, “They want you to remove your wig. They don’t like your fake hair.” And I said “My hair is not fake, I grew this.[LAUGHTER] This is my hair.” And when I turned to face them, and to smile and say, “Oh friends, this is my hair,” they ran up to me and began to try and pull what they thought was a wig off. And so my scalp was getting clawed at and my hair pulled, and security had to run over and escort me out of the market for my safety. So I just feel that it’s less dramatic than it used to be. I would say in recent years, it’s calmed down quite a bit as Inter-ethnic and multi-heritage unions increased around the planet and there are more folks that look like me. I’m far from the only one. I just, I think, have a bit of a neon sign because I wear my hair in its own natural texture, I don’t chemically alter it, I don’t change the color. I have blue eyes, I have honey blonde hair, and I wear it in natural dreadlocks down my back. And so many people just don’t know what to do with that. There’s just too many cultural symbols in a mashup and colliding in their consciousness that they don’t know how to configure in an understanding.

Rebecca: At the start of our conversation, you mentioned having a little fun with this idea in terms of developing pedagogical tools, and one that you’ve talked about as the assumption index. Can you talk a little bit about what this tool is and how you use it in your classes to address implicit bias?

Donna: Thank you. The assumption index is a tool that aims to get at the heart of what we presume to be true about a topic before we have even cracked the book open. So how does it interfere with our learning, we’re trying to get to the heart of that. And I developed this approach at the beginning of the class after being in the classroom and discussing African dance traditions with students. And having many of them describe Africa as a country as opposed to a continent. And realizing that there were distortions in our understandings., I had to rewind frequently, and say, “oh, let’s get back to that assumption. It’s not a country, let’s go from there.” So it really is a set of questions, it can range from 8 questions to 20. I can customize it every time I go into a different topic or a different classroom, and try to get to the heart of what we presume to be true. And so for example, in a dance class, I would say, “Who taught you that dance? How were you introduced to this particular tradition? Where’s this tradition done? Are there movements that are allowed on female bodies that may differ for male bodies? Is there a gender assignment in how the dance was performed? Where is this dance not done? What is the role of observers? Are they involved or not involved? What kinds of dance have you been told not to do?” And so people get a little closer to understanding the value system that they’re coming in with and the reference point they have for normalcy in these traditions. And so, as we start to discuss the results of their assumption index, we get to those beautiful, honest differences of how we’ve all been indoctrinated, and then that gives us a better starting point for analysis. And I feel that in all of the human sciences, a positionality statement is a requirement, is considered good methodology. In some of the hard or other natural sciences, for example, a biologist does not have to give a positionality statement before they write up the results from their laboratory. They don’t have to say, “Hi, my name is so and so. I have this many kids, I was raised in the Midwest. And here are my religious influences and my economic background.” In the human sciences, we know that we are not blank slates, all of us come in with social programming, and most of it absorbed in very subconscious and subtle ways. And so the ability to render that visible before we assume to give ourselves agency in analyzing a topic for me has become critical, very important.

John: And how does this work in terms of student reactions, has it made them more open and helped reduce some of their biases?

Donna: It has, because it has helped negate guilt. They’re able to discuss their differences with curiosity, with some humor. There’s a lot of head shaking and nodding and smiling, and sometimes people getting up and even hugging each other, saying “Oh, that happened to me too. That’s what my dad did, or that’s what my mom did.” And so there’s a little bit of commiserating, but also identifying that no one is wrong, no one is being dishonest. No one is being harmful in their intentions, that we’ve all planted our pins in different places, and then turn to look at the same issue. And so we try to take those different vantage points as a superpower. Like, “What does this look like from your vantage point and your identity and your background? How is this subject situated to your lived experience?” …and each person is allowed to give that perspective with others reserving judgment. And then we can then neutralize those assumptions and talk about it from the tradition’s own perspective. We change the agency and move it to the subject matter. And like “What’s the phenomenology of the participants in this tradition? What are they experiencing as opposed to what we are reading and projecting onto their experiences?”

John: And you mentioned how this works in the human sciences. But you also suggest in your chapter that this could be applied just as easily in a physics class, for example. Could you talk a little bit about how this might be adapted in other disciplines?

Donna: Absolutely. I think an assumption index helps us to understand the biases that exist in even the questions that occurred to us in our studies, the things that we’re willing to investigate. For example, if a physicist is part of a design team, studying an exoplanet, and looking for life on another planet, if they have a worldview, that permit intelligence in other life forms, the kind of approach they’ll have to discovering another life form may differ than if they feel that we’re just a random soup of chemical reactions that happen to be intelligent. And so neither one nor the other may be good or bad in this conversation, but for purposes of an example, it does change the kinds of considerations, thought parameters, and questions that occur to us. And so I feel that at all levels, some type of an assumption index, or some type of positionality statement would serve all knowledge generation and all shared relational analysis. I think it would just serve us to bring a more honest framework. I was just visiting yesterday with a group of climate scientists and researchers. And we were talking about the concept of positionality. It was something that was never covered in their own methodologies. And they were fascinated and hungry and excited about it, because it helped them to understand that we are not completely objective. And it takes pressure off from them, to feel as if they have to walk into a community and be all knowing when they’re conducting a study. And it’s okay to employ some intellectual humility, to build relationships, to start to welcome some participatory research so that we are informed and our assumptions of what we come in with, for example, a scientific study on climate can be much more marginal and in relationship with the communities in which the scientific study is being done. We are no longer treating people as subjects or communities or identities as subjects and instead, we are inviting them into the intellectual generation process for academia. I think that’s a problem that happened in the past that was kind of enshrined by anthropology… that people would run out to a community that they considered exotic and unfamiliar, do some films, make some observations, and then run back to academia, create these studies, show films to each other, and discuss it amongst the intellectual elite. And nowhere in there did you have the voice of the actual participants from the study. And I’ve seen so many examples of it as I research dance traditions from around the world. The documentation was done exclusively in U.S. and Eurocentric communities. And so it really helps us to relocate wonder and awe. Then they can let cultural differences be a point of fascination inform our methodologies and our analyses, rather than feeling as if we have to come in understanding and knowing everything. It’s just an outdated mode of education that is worthy of retirement.

Rebecca: I really love this strategy, because it’s not that complicated [LAUGHTER] to really put into action. And it really sets the stage for interesting conversations and in a way to enter into a topic area. So for people that are interested in trying something like this on their own… So you create an index. Do you have students complete it for homework and then you talk about it? do you do it in class? Can you talk a little bit about what the actual kind of practical nature of implementing it looks like in your class?

Donna: We do it upfront, first day in class. And then we use it as a get-to-know-you conversation afterwards. But I also teach the second tool in the kit that’s offered in Picture a Professor, and that’s called “fumble forward.” So we set some ground rules for the conversation. F umble forward is one of those tools. And it’s a social contract. When someone is about to ask a question in which they may not have the right terminology or the most up-to-date terminologies, if they haven’t located their firm opinions on something yet, or they just think that what they’re going to say has the potential to be harmful or offensive, they can preface their question or their comment by saying, “Hey, y’all, I’m about to fumble with my words.” And that’s short code for the entire community to answer back “fumble forward.” And that’s a contract that we’ve all agreed to, we know what it means. It means that for the next five minutes, we are going to reserve judgment, we are going to allow confusion, we’re going to lean in together. And that means maybe a little bit of verbal surgery and mutual exploration. And it means that we’re not going to leave the class and talk trash about that person, because they had conceded “I’m not sure how I want to say this, but I have a question. I’m trying to locate it.” And I really want students to feel that there’s a safe arena for them to experiment with not knowing. Faculty as well. I use fumble forward questions with questions raised all the time. But before we discuss the assumption index, we practice fumble forward so that as our differences start to come up in that first get-to-know-you speed dating conversation on the first day, if someone says, “Oh, I’m different from how you were raised, fumble forward,” and everyone will say, “Yes, fumble forward,” and they’ll say something like, “Yeah, I was not allowed to do that, it was against my religion.” And then we get into some really interesting exchanges. Your curiosity leads the way. And kindness has been instituted as running the space as opposed to finger pointing weirdness and eye rolling. So I really wanted to bring the curiosity back. Fumble forward allows us to do that.

Rebecca: We’ve got some tools here. We’ve got our assumption index, we’ve got fumble forward, and I believe modeling mutuality is also on the list of things. [LAUGHTER] Can you talk a little bit about that tool as well?

Donna: Yes, I have a pledge that I put on my syllabus so that students have in writing that everything I’m asking them, then I asked myself as well. I think the power differentials in the classroom need to be addressed and called out, because there’s nothing wrong with expectations that really invite improvement and strength and experimentation out of students. But I think many educators forget how intimidating those things can be if they are not articulated or elucidated clearly. They just feel like an unspoken social contract that is held over a student’s head and I wanted to get past that. So I have a syllabus pledge that basically says things such as “Your dignity is important to me, and in return, I need your courage and your open thinking and your active involvement, do we have a deal?” Or I will concede what I have learned openly and tell you what I have not yet learned. And I will give you citations and sources for everything that I do know. Because I believe that the intellectual humility has to be modeled. We don’t need more arrogant go-getters in society. We know where that has gotten this in our current state. It is much better for us to help people to understand how to build relationships, how to understand our interdependence, how to truly embrace, I think, the excitement of building one’s cultural competency in those interactions. And without that kind of practice, they’ll get out there into the world and just create the same harms and perpetuate the same weirdnesses that have us in our very polarized society. And so my effort as an educator is to say, “Choose your topic, we can talk about physics, we can talk about dance, we can talk about biology, we can talk about history, but before we talk about anything, let’s look at what we presume to be true and let’s create mutual respect in how we’re going to unfold this exchange. Those simple things have completely changed my co-working environments, my classrooms, and my family interactions. And I have had the delight of having students return from school breaks in time to say that they used fumble forward at the Thanksgiving table. That it’s that rippling, out and about, because it’s easily accessible, it makes sense and provides us an edge whenever we’re about to collapse into weirdness, like “This is about to get painful. This is about to get weird.” …and instead of panicking, backing off and shutting the room down, people are able to lean in and say, “Ah, I have tools for staying at this edge. I have tools for keeping negotiations going. I have a tool that allows me to listen well.”

Rebecca: That sounds like the toolbox that should be in every first-year seminar.[LAUGHTER]

Donna:[LAUGHTER] I hope it goes far and wide, to be honest with you.

John: Well, one thing we can say is that Jessamyn Neuhaus, the editor of the book, has picked up on this and we’ve been doing I think four maybe five reading groups with her and some of her colleagues from SUNY-Plattsburgh. And on several occasions, she has used fumble forward as a way of addressing difficult issues when people weren’t quite sure how to state something or how to raise something. And so it is spreading and it is having an impact.

Donna: I am beyond thrilled to hear that. And I get reports back all the time, surprising areas. Someone from social psychology contacted me and said, a student in my class said I’d like to share a tool I learned from a woman named Donna Mejia called fumble forward and the instructor knows me and has been well aware of the tool. And she said her heart just warmed and melted and that the whole room felt celebratory for her. So if it’s the one big idea that I was able to give the planet. Hell yeah, I think that’s worth celebrating, that we learned how to talk to each other, with more ease, a little more kindness, and with less fear. I may not be remembered as a choreographer, I may not be remembered as a writer, but if someone 300 years from now says “fumble forward,” and everyone in the room knows what it means. I have made a lasting contribution to humanity that gives me honor and pride and I can take my last breath smiling.

Rebecca: And it’s definitely worth smiling for. I really love how it’s not really simple, because none of these things are actually simple.[LAUGHTER] But it’s such an easy tool to learn. And then one of those things that clearly takes time to perfect.

Donna: It takes practice…

Rebecca:…Yeah…

Donna: …But it provides, perhaps, the foundation to be courageous in their practice. And at the heart of it, I’ve expanded fumble forward into everything from a semester-long course, to a three-day immersion workshop for industry, to K-12 educators finding out what it looks like in K-12 classrooms. It’s being expanded. So the tool leads me, I may have originated the phrase, but the tool itself is taking on a life of its own. And I’d love to see it in many communities.

John: Fumble forward is a wonderful approach when you have a group of cooperative people in the classroom who are all very open and you’ve got a nice sense of belonging. But I can imagine there would be circumstances where that may break down, where someone may come in and regularly engage in microaggressions, or explicit forms of racist behavior, for example. What happens then?

Donna: There is an issue with fumble forward that I have to emphasize in that it’s not intended to be an escape route and it’s not a foolproof tool. As you talked about things being very complex, fumble forward offers the possibility of continuing when an interaction is starting to get strange or become harmful; it finds a reset point. But I have also observed that when people feel they may be outmatched in communication skills or in an environment where they feel they are outnumbered, the folks simply don’t want to address an issue, they will avoid it, their chosen strategy is to completely avoid engagement. So fumble forward is sometimes about trying and then acknowledging that the space to continue doesn’t exist, and choosing a different part of the toolkit. So I would like to say I think communication is always about trying, about leaving the door open and ajar to a possibility. But I’ve also done quite a bit of study around harmful individuals that quite honestly may have pathological levels of communication dysfunction, or may thrive or enjoy inflicting pain, and being tormenting in the kind of words they slang around. So I think we’ve all encountered those high-conflict individuals. And so fumble forward again, is about giving them the possibility to choose differently. But if at times` they’re not willing to make that choice then a boundary is needed. And safety is more important than everything. With individuals that have significantly unseen distortions in their perceptions, or are under the undue influence of harmful ideologies, and oppressive ideologies. My experience is, as a teacher, number one to interrupt harm when it is occuring in the classroom, to hit a pause button and say, “Excuse me, I’m going to interrupt and I need for everyone to take a moment. What was just said has the potential to be incredibly harmful, if not very harmful. I’d like for everyone to take a piece of paper out and take five minutes and capture your thoughts. And then I’m going to ask if you’re willing to share that paper with me and hand it to me as you leave the classroom today. I’d like to make sure I take in everyone’s responses. And then I will address what has unfolded and we will share in our space today so we can have a strategy for figuring out how to situate it in our understanding and share with each other. And so, for example, that’s one tool that I would employ, but to not let people quite honestly enact harm on others in my presence, not on my watch. That’s different from someone saying, “I don’t understand,” or “I disagree.” To me, that is part of classroom dialogue, and has to be protected. So if someone is devaluing another, or if someone is routinely aggressive and tries to basically devalue or dismiss the lived experience or the insights of another, that’s where I would say, “Okay, tell you what, everybody, we’re going to Google this, let’s get some facts first, and then we’ll proceed. And then I want you to capture your thoughts.” I just try not to let it become a slinging mudfest, that we have tools to help people organize their thinking, sequence their thinking, prioritize their talking points, and then even move around the classroom. I think it’s helpful to resituate people from their physical locations to say, “Okay, and folks that would like to discuss this from a ‘yes’ perspective, you’re welcome to come sit over here. Let’s talk to each other for a little bit and get your talking points together. For those of you that disagree with this point, I invite you to come over here by me, and let’s go ahead and rate some talking points, and then start to facilitate exchange, as opposed to individuals feeling like they are vulnerable and on their own in those spaces, trying to navigate hatred.

Rebecca: I really appreciate that you’ve taken the time to underscore boundaries for us because [LAUGHTER] it’s so important. We can say we want to be inclusive and welcoming. But there’s boundaries to that because allowing people to say whatever they want is not actually inclusive. Despite that [LAUGHTER] sometimes that comes up in conversation. But that’s how we make it inclusive, it’s often not. So I really appreciate you talking about the boundaries, but also just walking us through some structures that we can put in place to facilitate something productive because sometimes we don’t always have those structures in our back pocket ready to go and it’s important that we remember to have those and remember what our toolkit is. And you’ve brought us a lot of great tools today.

John: And I really like also the way that you call attention to the problem right at the time, but then give everyone a chance to reflect and think about it and then come back in later, because often things like that can escalate very quickly. And it’s very easy to come up with responses that may not help build a community and may not address the problem, but it may lead to more division in the future. So, it sounds like a wonderful approach.

Donna: Thank you. It’s also hard sometimes locate articulate questions when you are triggered, if something hateful has been shared in a room on your watch, sometimes, trying to come up with a very insightful and progressively welcoming question [LAUGHTER] isn’t accessible. And so giving everyone a moment to think, to land to ground for me is important. But I also do try and say, “What questions will be asked at that situation?” So with someone who shows unbelievable biases and harmful biases in their statement, I would ask the question, “What do you presume to be true about this tradition that you’re commenting? What are your assumptions about it?” And then really take it back to what have they been taught? What are their values? What’s important to them? …and try not to have them feel like they’re under a microscope, but also to say “You put some stuff out there that will require you to be accountable for the harm that it created. So if you’re willing to take responsibility and radical ownership of your words, I also want to give you the opportunity to explain how you came to see anything you did.” And I try to facilitate that process.

Rebecca: I wish I had your class when I was a student. [LAUGHTER] Just thinking about all things that went bad as a student in different situations and how it could have been handled much better.

Donna: Me too, my classroom experiences growing up were frightening at times, unnerving, never comfortable. I can only think of maybe two teachers throughout my K-12 education that I felt I could be myself with. And one teacher in particular, I admired tremendously. And he pulled me aside one day, he called me into his office and said, “How do you do it?” I looked at him, I had no idea what he was talking about. I just said “What?” And he said, “How’d you write that paper?” And apparently, the paper that I turned in for him, he thought was way too psychologically advanced for my age. And he just presumed that I had cheated on a paper. And I had looked up to him so much. And to have him presume that I didn’t have the capacity, the cognitive capacity, to analyze like that made me realize that he’s dealing with his racism in his assumptions. And I patiently managed up and explained bullet point by bullet point, how I wrote the paper and how I proceeded in my analysis and why. And he left me alone for the rest of the class. But when I tried to get into the honors level of his subject matter, he declined to let me get into honors. And again, it was the kind of thing where I was the only black girl in the class. And those are the kinds of experiences where women or folks of color are constantly told you won’t need this information. Women don’t go into this field…or you won’t…or you’re a dancer, you won’t be writing papers the rest of your life. Those presumptions get in the way. And so I have learned to hunt them down first, so that it saves me a little bit more of my life force for other things than having to navigate them.

Rebecca: Well, I appreciate that you’re on the task of remaking our [LAUGHTER] education system…

Donna: There’s so much that’s very antiquated, and yet so much beauty that still exists. But we’re seeing that there is arguably some kind of a failure in our education system that is producing citizens who eschew critical thinking and who are susceptible to undue influence. And so I think, at the same time, we are just starting to get precision of language to be able to unpack some of the inequities in our nation, which is why critical race theory is under attack. It’s because we finally have precision tools to start to understand the legacy of colonialism that we’re living in and through and over, under, and on top of all those things. And I think our ability to exchange has to be protected. And at the same time, our sensitivity around difference has to be upgraded. And so my tools are intended to try and do both at the same time, so that they are not seen as mutually exclusive in the classroom. We don’t have to play it so safe that we can’t unpack things. And yet, we have to allow confusion and creativity to still be a part of our educational process. That’s an investment and it takes time. So I understand that these tools like, for example, taking an entire day on an assumption index out of the classroom, may seem unrealistic, but I promise that it’s an investment that saves you some knuckle headedness through the rest of the course.

Rebecca: So we always wrap up by asking this really big question which feels extra big given the conversation we’ve been having, “What’s next?” [LAUGHTER]

Donna: What’s next, the fumble forward tool is being shared nationally, internationally, with lots of speaking engagements and that’s been a joy. I am on assignment as a faculty fellow at a healing Institute, a health and wellness Institute. So I have been enjoying looking at the interdisciplinary-ness of how to bring these tools into different industries and fields of study. So what’s next for me, I’m involved with a medical study, bringing cultural dimensionality to assessment tools in interoception, which I hope will impact people who are dealing with chronic pain management, and, and cancer and a variety of things. So I’m dealing with the medical school and collaborating with Dr. Yoni Ashar, on giving cultural dimensionalization to assessment tools there. And I feel like I can look at just about anything and say, “Oh, here’s where we have some biases in this tool. And here’s where we have some possibilities to transform the tool.” And so I’m enjoying watching it expand beyond just my initial field of study. I’ve met with physicist, I’ve met with climate scientists, with law professors, I have met with the National Conference of Victim Assistance Workers and law enforcement, it goes on and on and on. And so at the moment, I’m just enjoying the growth of these conversations in the way that I always, at a soul level, hoped they would go. And beyond that, I love to see these healing initiatives root in communities. I love to see people with their identities feeling welcomed. So their whole personhood into all environments that they inhabit, and creating affirming communities for them. And I myself am playing around with integrating tools and mindfulness, I find that if I can start a classroom with a three-minute grounding practice or some mindfulness that does an awful lot for the room as well. So I’m just thinking about how to have educational arenas be humanized, and have more diplomacy. Of course, I’ve got my own fascinations and research and all that. But honestly, all of my energy is going into watching these tools grow and learning from them in watching people interacting with them. There have been some stunning remixes of the tool right back to me. For example, I had a student named Laura, instead of saying fumble forward one day, she raised her hand and before speaking on a particular question in the room, her face went flush and she paused. And the whole room was like uh oh, what’s about to happen? And instead of saying fumble forward, she said, with a very shaky voice, “I think what I’m about to say may be broken, and I’m hoping you can help me fix it.” And it just felt everyone’s heart melt across the room, because she was saying, “Oh, I know, this is messed up. I know, I’m off. But I’m lost and I need some help.” And that’s the kind of learning that shifts our entire life trajectory, not just the classroom for that day, but how we inhabit our lives, how we interact with our children, how we act with our elders, how we discuss politics, and want to see a change.

Rebecca: Well, thank you so much for sharing all of these with us. We really appreciate having the opportunity to talk to you and share all these tools with everyone.

Donna: Thank you so very much, and wishing you lots of juicy learning in your own life.

John: Thank you and we wish the same to you.

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John: If you’ve enjoyed this podcast, please subscribe and leave a review on iTunes or your favorite podcast service. To continue the conversation, join us on our Tea for Teaching Facebook page.

Rebecca: You can find show notes, transcripts and other materials on teaforteaching.com. Music by Michael Gary Brewer.

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260. Antiracist Pedagogy

Institutional statements related to diversity, equity, and inclusion are only meaningful if all practices within the institution embody these values. In this episode, Gabriela Torres joins us to discuss how we can become anti-racist educators and do the work of inclusion within our classrooms.

Gabriela is the Associate Provost for Academic Administration and Faculty Affairs and is a Professor and the William Isaac Cole Chair in Anthropology at Wheaton College. She specializes in the study of violence – particularly gender-based violence – and state formation. At Wheaton College, she teaches courses in Medical Anthropology, Global Health, Violence Against Women, and Latin America and Latinx Studies. She is also the author of a chapter in Picture a Professor, edited by Jessamyn Neuhaus.

Show Notes

  • Neuhaus, Jessamyn (2022). Picture a Professor: Interrupting Biases about Faculty and Increasing Student Learning. West Virginia University Press.
  • Gabriela Torres et. al. (2022). The Change Higher Education Needs Today. Inside Higher Ed.
  • Posse Foundation
  • Sathy, V., & Hogan, K. A. (2022). Inclusive teaching: Strategies for promoting equity in the college classroom.

Transcript

John: Institutional statements related to diversity, equity, and inclusion are only meaningful if all practices within the institution embody these values. In this episode, we examine how we can become anti-racist educators and do the work of inclusion within our classrooms.

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John: Thanks for joining us for Tea for Teaching, an informal discussion of innovative and effective practices in teaching and learning.

Rebecca: This podcast series is hosted by John Kane, an economist…

John: …and Rebecca Mushtare, a graphic designer…

Rebecca: …and features guests doing important research and advocacy work to make higher education more inclusive and supportive of all learners.

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John: Our guest today is Gabriela Torres. Gabriela is the Associate Provost for Academic Administration and Faculty Affairs and is a Professor and the William Isaac Cole Chair in Anthropology at Wheaton College. She specializes in the study of violence – particularly gender-based violence – and state formation. At Wheaton College, she teaches courses in Medical Anthropology, Global Health, Violence Against Women, and Latin America and Latinx Studies. She is also the author of a chapter in Picture a Professor, edited by Jessamyn Neuhaus. Welcome, Gabriela.

Gabriela: Thank you for having me.

Rebecca: Today’s teas are:… Gabriela, are you drinking any tea?

Gabriela: Yes, I’m drinking ginger tea.

Rebecca: Mmmm… love ginger tea. How about you, John?

John: I am drinking, on that theme, a ginger peach black tea.

Rebecca: Not on that theme, [LAUGHTER] I’m drinking a blend called eight at the fort.

John: You ate at the fort?

Rebecca: No, like, the number eight? It’s a blend.

Gabriela: What does that have?

Rebecca: I don’t know but it’s tasty. [LAUGHTER]

John: Is there some gunpowder green tea in there or something?

Rebecca: I don’t know what the eight are but it’s a good blend, it tastes yummy.

John: We’ve invited you here to discuss your chapter in Picture a Professor entitled “Beyond Making Statements: The Reflective Practice of Becoming an Anti-Racist Educator.” Could you tell us a bit about how this chapter came about?

Gabriela: Sure. This chapter came about when I was working as Director for our Center for Teaching and Learning, which is the job I did before my current job as Associate Provost. And during that work, we experienced the George Floyd murder, and our faculty were really impacted and wanted to think about how we could do something different. And what we found as CCTL directors was that there really wasn’t a lot of really basic how to… how do you go about thinking about changing your pedagogical practice, really at the level… “How do you start thinking about what teaching is about? What is the purpose of teaching? Who are you teaching for? Is it possible to have any redemptive practice in your teaching? Are there harms that we’re doing through expected notions of ‘I need the students to give me this assignment at this time, I need the students to achieve this level. This assignment, I need the students to do this, because this is the way that the expectations have been set for my discipline.’” And I think professors at our institution were thinking, “Could there be harms associated with these expectations that are taken as a fact and aren’t really questions?” So thinking about how do we start from scratch is where this chapter got started. And the idea of reflective practice being at the center came from the common readings we were doing on what does it mean to engage in anti-racist practice and that anti- racist practice really has to start with thinking within ourselves. How do the things that I do in my classroom and outside of it contribute to entrenched inequalities in higher ed, what is my responsibility in terms of changing those entrenched inequalities? And so those were all the kinds of questions that we began with.

Rebecca: If you’re going to make suggestions to faculty about getting started, about having those conversations with themselves, about what teaching is, what are some of the ways that we get started in this work?

Gabriela: I think we need to look at expectations. Who do we expect is in our classroom? And what characteristics we attribute to that person who we think is in our classroom, that generic person who we’re teaching to? So that’s one area that we really need to question and the kinds of questions we need to ask are, “Is there a gendered and race expectation for the person I assume I’m teaching in my classroom?” And, “where might those expectations have been set for me? Have I even asked myself this question?” And that’s one area of questions you can start thinking about. Another area of questions you can start thinking about is content. So where does the content in let’s say, in my case, Introduction to Anthropology, where does the content for introduction to anthropology come from? Is it a canon that you learned yourself when you were an undergrad? And that you want to make sure that students receive the same canon you did? Have you considered who is actually part of that canon? Have you thought about whether the experiences of students in your classrooms are reflected in the readings that you have? The third area, where I think we need to start asking questions, is around “What are the objectives for the classroom?” And by this, I don’t just mean learning objectives. But what are the objectives in terms of social good that we’re trying to enact in our classrooms? So we are trying to create students that are enabled to make change. And if we are trying to do that, if our objective is an objective that is about going towards a future society, then we really need to think about how we’re structuring those courses. And what does social justice in the course look like? I think it’s really easy to say to colleagues, you should have more authors of color in your syllabus, or you should make sure that you discuss underrepresented groups as part of the content. But I think that doesn’t get you to the reflection that’s really needed to think about “What is our role in higher ed in terms of the social good that higher ed is meant to have?” And actually, probably the reason why many of us got into these jobs in the first place, so that we could actually educate the next generations. And so I think thinking of anti-racism as a reflective practice gets us further than just thinking of anti-racism as a sort of simple retooling that we’re doing, really, almost for performative purposes.

Rebecca: As a designer, what you’re saying is really resonating, because it reflects some of the design framework that I’ve even been talking to my students about recently, is like, you’re probably not the audience. So who is the audience? And they’re not some imaginary fake person with a fake value system. They’re they’re real people that have real goals, and they’re definable in a way. And I’m also hearing a philosophy that I like to talk to students about, which is “do no harm.” I’m hearing like, that resonating. When I’m thinking about some of the things that you’re saying. It’s interesting that the same ideas come up in different contexts, when we’re designing different kinds of experiences, to really be considering and thinking about them as questions to reframe what we’re doing, and maybe make some things explicit. We’re talking about not just learning objectives, but I was hearing you say, well, there’s things out there hidden objectives, perhaps, that we don’t make explicit. So is making those explicit important to this process and making it explicit for students as well?

Gabriela: Yeah, because I think those hidden objectives are really in many ways, what directs how we come to organize teaching for ourselves and the meaning that it has. ‘Cause teaching, for me, is always about the relationships that we have and about how, for the instructor, for the professor, it’s about what they are giving back to the world. And when we think about teaching in that context, really we’re thinking about an identity project. And so, often, we might be engaged in an identity project in practice, that is maybe not the identity project we thought we were engaged in. So when we were working in our Center for Teaching and Learning, and we would ask colleagues to think, “Who is the expected student in your course?” … it became clear that for some colleagues, they actually had a pretty precise picture. I teach in a liberal arts college in New England. So they thought that their student was 18 to 21, that they tended to come from New England, that they tended to be middle class. And so if that’s who you’re teaching towards, then you’re probably ignoring a lot of needs, that students who don’t come from those backgrounds might be having, or you’re not even considering the learning differences that students who come from those geographic backgrounds and class backgrounds might have, because you are assuming this student who isn’t raced, who isn’t gendered, who doesn’t have their fullness. And so even if you think you’re having a redemptive project by teaching something like public health, if you haven’t really thought through your audience carefully, and if you haven’t really thought, “how do we get to the future in which we are not just addressing the needs of the suburbs,” for instance.

John: I think a lot of faculty see their audience as being people who are just like them, and the faculty tend to be very different than our students. How can faculty elicit more information about their students’ identities and their needs?

Gabriela: I think that that can be resolved in multiple different ways. So how do we engage with our students’ identities, and I think we can engage at the assignment level, so we can have assignments that are structured to actually actively engage with students’ identities. There’s a lot of research that suggests that engaging with students’ identities allows us to amplify learning in different ways. And so I think that’s a regular practice, it allows for memory retention, it allows for students to integrate learning into their life course. So engaging students with their identities in assignments is one way to do it. So an example of the way that I’ve done this in anthropology courses is, I’ve asked them to engage in participant observation in a part of their daily life. Sometimes, I’ve asked them to do that when they’ve gone back home, or sometimes I’ve asked them to remember and engage in participant observation of a remembered ritual that they participated in. And so that process of engaging students’ identities and life experiences is one way for professors to find out. It also creates a lot more interesting things to grade and read, frankly. So I think it’s an interesting practice. Another way is to actually engage students in devising parts of a curriculum with you that is based on their interests. Many colleagues at my institution also send a questionnaire to students asking them to share their interests, whether these are topical interests, or to share experiences that they think might be impactful in their classroom learning. I think another way is to ask for course material that students would like to engage in together and to ask students to present that course material. So not exactly giving up part of your syllabus, but maybe integrating different pieces of course material. And students have done that in my courses by suggesting things in forums, which then we bring into the course. So there’s different ways that you can engage with students’ identities and experiences. I think the primary way is by saying that you value those, and that you think of those as relevant to the content of the course. So I think that’s the primary way, and there are different ways to signal that which I’ve just tried to go through.

Rebecca: Sometimes, we have conversations with colleagues where they might say, “Ah, I don’t know if this is really for me, because I don’t teach in a field where talking about race or gender or other types of identity is relevant.” Can you talk a little bit about ways that we might address or approach faculty and colleagues who maybe don’t quite see anti- racist education as an approach that is relevant to them?

Gabriela: I think that’s a really interesting question. And I think, starting from the idea of inequality being fundamental to our society, and race inequality being fundamental to our society, and to the creation of knowledge writ large, I think anyone who is working in academia is working in fields that have been shaped by that inequality. So colleagues that say, who are working in STEM can think about the history of knowledge production in their disciplines, and can find those histories of race inequality. For example, in our own college, we’ve been lucky to have Howard Hughes Medical Foundation funding to rethink STEM, and our colleagues have engaged in self- reflective practice. So for instance, we had a laboratory that was named for the famous biologist, Linnaeus, it was the Linnaeus Laboratory, who also happened to be the biologist that created the framework for racialization. And when our colleagues began to look at the production of knowledge, and that something that they felt was central to their canon, but was also central to racial hierarchies, they felt, “Oh, well, perhaps the naming of this laboratory as Linnaeus Laboratory is not the intention that we had in highlighting the history of our knowledge production and making it central to this lab.” So I think it’s always part of the history of knowledge production in any discipline. I mean, certainly in design, it is. [LAUGHTER] But I think also, in my own discipline, anthropology has been very, very tied to histories of colonialism, public health has been very tied to histories of colonialism. So I think in many disciplines, it just takes but to start unraveling a little bit of threads. And I think we’re all involved. And maybe thinking that we’re not means that the reflective practice is more important to start figuring those connections for yourself.

John: And sometimes even a Google search for decolonizing and then a discipline name will turn up a lot of resources, because there’s a lot of people who’ve been working in this in pretty much all disciplines. In May, you co-authored with a couple of other people in an article called “The Change Higher Education Needs Today,” and that deals with critical race theory. Could you talk a little bit about that?

Gabriela: Sure. The essential argument of that piece that I co wrote with Melba Trevino and Irene Mata, it was that if we think of the backlash that there’s been against critical race theory, we often don’t stop to think how that backlash really impacts those who are raced in the academy and working in the academy as raced persons. We often don’t stop to think about how colleagues who are working on let’s say, Latinx literatures are impacted by the constant backlash against critical race theory. And in fact, there are colleges and universities that instead of thinking about it, have attached themselves to the bandwagon of trying to suffocate critical race theory as something that might be dangerous or problematic. And we argued that instead, actually, if higher ed is truly going to become anti-racist, we need to actively incorporate critical race theory and the persons who are de facto assumed to espouse the beliefs that critical race theory, certainly not every person of color in academe would agree with critical race theory, but they’re assumed to and so what does radical inclusion of persons of color in academe mean? It probably means an acceptance that we do need to think about those raced bodies that we work together with. So that is what we were trying to argue. And we were trying to argue that based on our experience developing a mentoring program for faculty of color in New England, and unlike colleges and universities in the south, there very few faculty of color comparatively in New England institutions. And so we’ve created an inter-institutional program to support each other in persisting and thriving.

Rebecca: Can you talk a little bit more about mentorship and its relationship to this work more broadly?

Gabriela: Yeah. So I think mentorship in terms of anti- racist approaches to supporting students is something that has been actively used. So for instance, I participated as part of the Posse Foundation’s mentoring of students in elite colleges and universities. And the idea that to create and sustain persistence of students of color, you need to have systems of support that create an environment where people are not just socially emotionally supported, but also taught the rules of the game that are often talked about as the hidden curriculum. I don’t know if you’ve talked through that concept in Tea for Teaching. So for first-gen, and for a lot of students of color, there are a lot of assumptions that let’s say, my children who have grown up in New England and have half of their friends going to college, they already know that when you go to college, you should talk to your professor or go to office hours, you should ask for a syllabus. A lot of first-gen students, a lot of students of color, don’t know those very basic,” how do I engage with?” …even knowing where the rules are located. And so mentoring for students has always been a part. It is also a part for the persistence of faculty from first-gen backgrounds and faculty who are faculty of color. And so I can give you an example of how important that process is. So it’s important for tenure and promotion. But it’s also important for how do you navigate expectations within departments. And so that is work that we’ve been very lucky to have done working as a group of institutions based out of University of Connecticut.

John: In addition to mentoring, are there any other ways that faculty can try to unhide some of that hidden curriculum?

Gabriela: I think unhiding the hidden curriculum is essential. It’s essential for students who have differences in learning, it’s essential for students who have differences of experience, I think it’s even essential for us as educators to do. I don’t think that can be done by putting everything in the syllabus. So I’ve seen colleagues try to put every single rule possible into a syllabus. An effective strategy I’ve seen used is to try to take a nugget of that hidden curriculum, and explain it to students on a regular basis. And so to set as a goal for yourself, which little nugget am I going to explain in each of my classes? So for example, you could decide to explain the structure of a scientific article, there’s always an abstract, there’s always keywords, there’s always an argument that has to be restated in a conclusion. That is a hidden set of knowledge that actually a lot of students don’t have when they first take, say, a public health class. And you could just teach students to just read as a small goal in a class, or you could teach students that they can get help from a librarian to find out how to put in the best search terms. So you could bring in a librarian into your class and have them do a little bit of show and tell of how effective knowing the right search terms can use. So integrating little tiny pieces of knowledge that you assumed that the students would have is a way to slowly get in bite size, accessible pieces into that hidden curriculum.

John: In a just-in-time format, so that when it’s relevant and salient, students are getting access to the information they need.

Gabriela: I think that’s the most effective way I’ve seen it done. I always start with the idea that the syllabus is your contract. And then we talk about what’s your contract? What does that mean? And I think that that is a really important way to also show students… so to tell students about the kinds of relationships that they were involved in. So as a cultural anthropologist, students don’t often think about the kinds of relationships they’re involved in in a course with a professor. So they might be pretty nervous with a professor, they might be pretty dismissive with a professor, but they don’t realize that when they enter into a course, they enter into an agreement to provide a certain set of things to the professor, and to have the professor provide a certain set of things to them. So just even that basic, “here’s the relationship that we’re in” [LAUGHTER] …is a really important part of what it means to make the hidden curriculum visible.

John: And I was thinking not only in terms of helping students learn how to read scientific articles, which is something they’ve never done before. The same might be true in certain types of writing assignments, where some students will come in with preparation in those areas, others won’t, and just providing the structure that Viji Sathi and Kelly Hogan often talk about to support students who haven’t had that exposure earlier can make a big difference, I think.

Gabriela: Yeah, absolutely. That is such important work in terms of how do we engage in assignments. One of the effective ways that I’ve seen as well is to, if you’re going to be using an assignment regularly, is to work with student educational partners. So our current director of our teaching and learning, Deyonne Bryant, has begun a program where we have student educational interns in some courses, where they can test assignments, where they can act as consultants with the professor. That is a really good way for professors to also engage. his is work that has been done for a really long time at Bryn Mawr, and which is also outlined in the Picture a Professor volume. And so I would suggest people have a look at that chapter as well.

Rebecca: As part of this work, institutions make all kinds of statements, we’ve got DEI statements, we’ve got strategic plans around diversity, equity, and inclusion, we’ve got social justice missions at our institutions that often feel separate from our work as teachers. And so what role do teachers have in this work or what role do our classrooms have in this work?

Gabriela: The title of the piece was really reacting to the performativity that surrounded the post George Floyd moment, where businesses and certainly higher ed institutions were making statements. [LAUGHTER] And so I think the one point that is important for me to make is I think the classroom is really a site for making good on any statement that might be made at the institutional level. And actually, the classroom has to be the site where we make good on those statements. So thinking about the work that as professors we might do in the classroom is not untied to those statements, but as actually the space in which we are able to effectively deliver on those statements. So that as faculty members we’re essential parts of any anti-racist agenda that our institution has said it holds. And then I think faculty members need to hold their institutions accountable. So if they are unable to support students, or present the curricula that they need to… so for example, they have insufficient OER materials to make the content that they’re using accessible, and they want support for their institution to develop OER materials, or need different kinds of resources in their libraries, I think that professors do need to think of their role as saying, “I’m trying to make this effective in my classroom, and we’re going to need to be resourced in this way.” So I think tying yourself to institutional aspirations that are located within those diversity and equity statements is really important.

Rebecca: So we always wrap up by asking: “What’s next?”

Gabriela: I think what’s next is why I moved to this particular role as the Associate Provost, and that is to think about the complicated nature of resourcing diversity and equity work. So diversity and equity work is often an aspiration, but not a resource one. And so thinking about what’s next for me is trying to enact that change by creating the policies, and support, and follow up that we need to truly take on the work of equity in higher ed beyond those statements. And so, I guess, in complementing the accountability that I think faculty members should hold their administrations to, I think what’s next for me is trying to be a partner in that from the administrative end.

Rebecca: …important work to be done, for sure.

John: Well, thank you for joining us. We’ve very much enjoyed talking to you and we hope we’ll be talking to you again.

Gabriela: Thank you so much. Thank you for doing this Tea for Teaching.

John: It’s been a lot of fun.

Rebecca: Yeah, thank you so much for sharing your expertise.

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John: If you’ve enjoyed this podcast, please subscribe and leave a review on iTunes or your favorite podcast service. To continue the conversation, join us on our Tea for Teaching Facebook page.

Rebecca: You can find show notes, transcripts and other materials on teaforteaching.com. Music by Michael Gary Brewer.

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254. Teaching Up

Creating an environment where members of the learning community can be taken seriously as their own authentic selves requires planning. In this episode, Celeste Atkins joins us to discuss how shifts in context, like reframing an assignment, can impact the way people engage with each other and the content.

Show Notes

Transcript

John: Creating an environment where members of the learning community can be taken seriously as their own authentic selves requires planning. In this episode we discuss how shifts in context like reframing an assignment can impact the way people engage with each other and the content.

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John: Thanks for joining us for Tea for Teaching, an informal discussion of innovative and effective practices in teaching and learning.

Rebecca: This podcast series is hosted by John Kane, an economist…

John: …and Rebecca Mushtare, a graphic designer…

Rebecca: …and features guests doing important research and advocacy work to make higher education more inclusive and supportive of all learners.

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Rebecca: Our guest today is Celeste Atkins. Celeste is a Sociologist, the Assistant Director of Faculty Mentoring Initiatives, and a Lecturer in the College of Agriculture and Life Sciences at the University of Arizona. She is also the author of a chapter in the Picture a Professor collection, edited by Jessamyn Neuhaus. Welcome, Celeste.

Celeste: Thank you.

John: Today’s teas are:… Celeste, are you drinking tea?

Celeste: I am an iced coffee person. So I actually drink Jot and I make my own vanilla lattes every day.

Rebecca: Wow, that sounds fancy.

Celeste: It’s really easy. Jot is a coffee concentrate, you use a tablespoon full of it and then I use a tablespoon full of vanilla sugar and eight ounces of milk. And it’s delicious and easy and quick.

Rebecca: and caffeinated. [LAUGHTER] I have Jasmine black tea today.

John: And I have ginger tea today.

Rebecca: The title of your chapter in Picture a Professor is “Teaching Up: Bringing my Blackness into the Classroom.” In addition to your chapter in Picture a Professor, you’ve also published other chapters that grew out of your dissertation: Teaching Up: Developing an Intersectional Andragogy. Can you tell us a bit about your dissertation research?

Celeste: Well, I have a background in sociology, but my PhD is in higher education. And so I spent close to a decade teaching at the community college level. And my dissertation grew out of my own experiences as a Black woman in a conservative Arizona town teaching about racial privilege, heterosexual privilege, and those types of things. So what I wanted to do was take an intersectional approach, because there’s literature on faculty of color, there’s literature on women, there’s literature on queer faculty, but not much takes an intersectional approach to see what we have in common and what we don’t. And so I interviewed, I believe, 18 sociology faculty from across the nation at different levels, in different types of institutions, about their experiences as part of a traditionally marginalized group teaching up, so teaching about privilege when they themselves are oppressed in some area. And so we had women, we had queer faculty, we had a couple of faculty who identified as disabled, and quite a few faculty of color.

John: On your website, you note that the chapter in Picture a Professor is based on some unexpected findings from the research in your dissertation. Could you tell us a little bit about the unexpected findings that you talked about in this chapter?

Celeste: Sure. So actually, this chapter is about the part of my dissertation that spoke the most to me, but surprised me the most, which is, when I started to look at differences intersectionally, I found that Black women, in particular, focused on bringing their authentic selves to the classroom. And for some of them it was after they got tenure, for some of them, it was after they felt they had sort of sold their soul in a way. And for me, what I found in my teaching, and why this resonated with me was: I started teaching, I got a lot of feedback, “you’re too aggressive,” “you’re too assertive,” “you’re too scary,” blah, blah, blah. And so then I tried to be like a Disney princess and be really, you know, flowers and butterflies, and very welcoming and soft, and it was fake. And my students didn’t like it, because it wasn’t me. And they could tell it wasn’t authentically me. So after a year or two of that not going well, I decided to just be me. I found a different book that was more intersectional and I started talking about what it’s like being a fluffy Black woman and how it affects how I live in the world. And I would make jokes about it, and I would address it. And then students really responded to it because it was who I am, and my authentic self. And so what these other sociology faculty were doing that’s so important, is modeling different ways of being professional. Because one of the things that’s so hard about hegemonic academia is it’s very heteronormative, it’s very white, it’s very male, it’s very middle class. And so a lot of us do a lot of code switching. And I used to joke about my best friend in college, she worked for a talent agency and I worked in HR and so we would call each other and like, “Good afternoon, may I speak with Michelle, please?” And she’d go, “Who’s calling?” And I’d go, “This is Celeste. What’s up girl? Hey, what are we gonna do this weekend?” As soon as we knew it was each other on the phone, then we would be our authentic self. And a lot of us spend time code switching. But what that does is reinforce the idea that our authentic selves is not okay in academia. And so this chapter about bringing our Blackness to the classroom is about when we show our true selves not only do we find different ways to connect to our students, but we also expand for many their ideas about what faculty are, about what professional is, about what an academic does. I can be an academic and not talk in $5 words, I can be an academic and be very gesture-y and very outspoken and out there and still do quality academic work, and in some ways, reach students that a lot of others who are so concerned at fitting in this rigid box of what is considered proper academia miss.

Rebecca: Can you talk a little bit about the kinds of classes that you teach that we can start talking about what that looks like for you and how your chapter addresses being in those classes?

Celeste: Well, I’ve gone through a lot of changes during my dissertation journey. And I actually have another chapter coming out about how I felt like I was kind of pushed out of teaching. It is very challenging to be a woman of color, the only Black woman faculty at my institution for part of my tenure, and teaching about these topics in a place that not everyone agrees with. And so I have actually transitioned out of full-time teaching, but I spent my career teaching intro to sociology, human sexuality (which is very fun), race, and gender. And now for the College of Agriculture and Life Sciences, I teach a diversity class. It’s fully online, but what I’ve done, based on what I’ve learned from my teaching experiences, is I’ve created it in a totally different way. So there’s no book, and it is the closest I could get to a series of guest lectures. So it’s based completely on YouTube videos and I give a little introductory video explaining the concepts. And then I find people who are either experts in the field, or who are personally oppressed in that way to share their stories. Because what I learned is, it’s one thing to hear about the concept, it’s another thing to humanize the people who are going through it. And so we’re actually doing some research on that to see if that approach is more effective. And so that’s currently what I’m working on.

John: And there’s a lot of research that shows the power of narrative. And when they’re personal stories, it has much more resonance with people than when they read about something in a book that seems a bit more distant. So, that sounds like a wonderful approach.

Celeste: I really found that especially when I was teaching human sexuality, I would bring in queer folks, I would bring in trans* folks, I would bring in polyamorous folks. And it went from “Ooh, that weird stuff”or “all those ‘those’ people” to “Wow, they remind me of…” and “They’re just like…,” and that I found was so important in breaking down stereotypes and really making a change.

Rebecca: You talked a little bit about negotiating your identity in the classroom at the beginning and making adjustments and not feeling authentic. How do you feel like you’ve been able to really be your authentic self [LAUGHTER] now? How are you able to arrive at that moment? And what does that look like?

Celeste: Well, when I was teaching face to face, what I would do is literally address the elephant in the room, we would do those, you know, the things that students love so much: come up and talk about yourself. But I would say “Look, I’m a big Black lady. And we’re gonna talk about stereotypes and those types of things”. But people say that I’m intimidating and people say these things, but my students who know me know that I’m here to help you. I’m not here for the money. If you knew what I made, you’d know that. And so I use a lot of humor. I make a point to break stereotypes, especially with my images. And then I make a point to be humorous about the images. So we’ll be talking about deviance, and I’ll say “So not holding a knife to a white lady’s throat is that… what kind of deviance [LAUGHTER] is that?” But I’m also very careful to never show single mothers that are Black. I’m also very careful when I do gangs. I have memes that I use and one is this white guy with a really long beard, riding a pink bike talking about biker gangs, or I have one meme of Sesame Street when I talk about gangs. And so I’m really, really careful to break stereotypes. And I also make sure that when I’m choosing my test questions, I’m choosing the ones that, again, reinforce breaking those stereotypes.

John: So you’ve talked a little bit about bringing your own identity into the classroom and how that evolved over time. How do you help students express their identities in class?

Celeste: I’m really, really careful about how I do examples. I very deliberately find diversity for my images. And again, I try to find things that people don’t think about. So when I’m doing, let’s say, relationships, I’ll show like an older lesbian couple, nobody thinks about old people still being in love [LAUGHTER] oftentimes, when you’re talking to young students. And another thing that I do is I bring in stories of my friends who are very diverse, and the people that I’ve known. And I feel like if you create a safe learning environment, and I do a lot of steps to do that in the beginning, that then students will feel safe sharing. One time, we were talking about border patrol, and we were talking about racial profiling. And I was trying to get across to one student who was either in border patrol or headed to be in border patrol that if you only focus on Latinos, then yes, you will only find drugs on Latinos. If you’re not stopping white people. If you’re not stopping Black people, then you’re not going to find drugs on them. And the argument was, “Well, it’s the cartels. And it’s this, and it’s that.” And finally, another student of mine, who is Latino, and whose father is Latino, but a border patrol officer, talked about being stopped, talked about being afraid, talked about this dynamic of “Yes, there are good officers who aren’t, and yet still, this happened to me, even though my dad is.” And so I tried to create that kind of space where students can shift each other’s ideas by sharing their own narratives.

Rebecca: You mentioned just a moment ago about setting yourself up to be able to have that space for students. Can you talk about some of the steps that you do take to create that environment?

Celeste: Yes, when I was teaching face to face, it was basically the first week, and usually these were two day a week classes, were centered upon creating a safe learning environment. So we would talk about community agreements, and then I would take it further. And I use some things that I learned at WRITCHE and don’t ask me what that acronym is for, but it was something about teaching about sexuality. And so what we did when we went to that workshop was we anonymously answered all of these questions on a survey. And so what I did was I create a survey about: Have you ever had or helped create an unwanted pregnancy? Have you ever used a food bank? Have you or anyone you know ever been to prison? Or Is anyone you know, undocumented? We lived on the border. And so what I would do is I would have my students take this, and I would go to great pains to make it truly anonymous. So I made everybody do a checkmark and not a big X and not a square, and everybody used pencil, and then we would go outside, and we would shuffle all the papers and pass them out. And then we would step in, step out to show who did it. So how many people have been part of an unwanted pregnancy? And we’d have… so I’d say then when we’re talking about reproductive rights, remember, it’s not those people, it’s people in this class. How many people have a family member who’s undocumented? Okay, when we’re talking about this, you need to keep it in mind. So it makes it really personal without outing people that, in this classroom, there are queer people. In this classroom, there are parents. In this classroom, there are people who have been to prison. And so we do that. And then I did a version of the opportunity walk. I know that there are mixed responses to the opportunity walk, but the version that I use starts with basically what we call ascribed statuses in sociology, so the things you can’t control. And so when they get to a certain point, I say “Now stop, look around, these are the things you had no control over.” And I talk about, as a Black woman, I’d be kind of back there in the back as well. And then we talk about the things that they have control over: education, those types of things, speaking up, being an ally, that’s an important one, because that starts to push you back again. And so we look at that. And we end that, and I say, “I want you to think about, again, where you were, it has nothing to do with you. So therefore, when we’re talking about privilege, it’s not about you, you didn’t tell the stork, ‘please bring me down to a rich white family,’ we have no control over any of these social categories that we’re born into. And so when we’re talking about that, then we’re trying to understand.” And then later on in class, I do another exercise called the “oops exercise,” again, talking about intersectionality. And pointing out that even if you’ve got privilege, if you’re white, male, heterosexual, well educated, at some point you were young, and therefore you were oppressed by age, and we like you enough that we want you to live long enough to be oppressed again by age, right? So even the most privileged people experience oppression in at least one category. And so those are the ways that I tried to make it a space where both we can share our own stories, and where we understand that privilege. While it’s challenging, and while we want to think the world is fair, it really isn’t. And we have to look at how we have privilege without it being a personal failing.

John: What other suggestions do you have for creating a more inclusive classroom environment where everyone is part of the class and where everyone’s voice is taken seriously and is heard by the class?

Celeste: I think it’s a balancing act. And I think it depends a lot on the identities or the perceptions of the faculty person themselves. So as a Black person, as a big Black woman, I find it necessary (and luckily, it’s part of my typical approach anyway) to use a lot of humor to make myself seem approachable. And it’s very frustrating because I used to co-teach with a guy who called himself my token old white guy, and he was an English professor. And I would say something about sociologically sound principles that are from my discipline that are scientifically proven, and students would go “well, I don’t …:.” and then he would say the same thing as a frickin English professor, and they would go “Yes, you’re right.” And it’s frustrating. But [LAUGHTER] the reality is, that’s the way it works. So sometimes I do that, sometimes I use my colleagues that way. And sometimes I’m that way, as a cisgender, straight woman, then I provide that added, “It’s not the chip on my shoulder” when I’m talking about issues affecting the queer community. So I think that’s important. I also think it’s really important to listen to your students. I have yet to find a school that has student surveys that address what I want to learn. So I create my own. And then I have students give them back, I have them give them back on the last day of school where I like to be done. So their grades are done on the last day of school. And so this won’t affect your grades. I’m going to give you your grades in a minute. And you can be completely honest, and what would make this class more comfortable for you? And I change my classes based on that feedback. And when you work for a while in one institution, then students tell them and so the feedback at my former institution, students either loved me or hated me. And the ones that loved me were like, “She’s awesome. She’s funny. She does really cool stuff. But she don’t take no crap. So don’t go in there and try to BS her and don’t be late, because she won’t take it.” And then the other ones are like, “Oh, she’s so hard.” Yeah, because I don’t take late work, because I’m trying to also prepare you for real life.

Rebecca: Can you talk a little bit about some of the ways that you design assignments to make them more personally relevant to students?

Celeste: Oh, yes. One of the things that was really interesting when I started graduate school was I started a minor in a certificate for college teaching. And I was like, “Oh, this will be an easy minor. I’ve been teaching college for quite a while now, so I’m good.” But part that really helped me was designing effective writing assignments. And I saw such a difference when I stopped having students write a paper and started having them do things like write a letter. So in my race class, I would have students, instead of writing a paper explaining to me privilege and intersectionality, I would have them write a letter explaining to someone in their lives, privilege and intersectionality. And if you looked at my website, some of my students did some amazing, amazing letters. And they were students that I wasn’t, in some cases, expecting that type of understanding. But when they’re explaining it, using their experiences is very different than how I explained it. But not only are they showing their understanding, they are teaching me other ways to reach other students. And so I found that very, very helpful. And part of what I do is I build reflection into all of my written assignments. So, what did you learn? How will it help you? Because my argument to students is that sociology is something that they can use no matter what their end goal is in life, you can always interact with people better. And so how will this help you in your civic life? So those are some of the ways that I try to make it more relevant to students.

Rebecca: It’s amazing how a small shift in the frame of a writing assignment can make all the difference, that content is really not any different. It’s just framed in a different way.

Celeste: Yeah. Because when you say it’s not a paper, and you say it’s a letter, then they start to write from their own, instead of trying to regurgitate what I said. When I say it’s a paper, they think I want to hear me, and I hear me talk enough. [LAUGHTER] So I really want them to show me their perception. So, to me, that was the most powerful change I’ve ever made.

Rebecca: Audience matters, for sure.

Celeste: Oh, yes.

John: Much of your work now is in faculty mentoring and faculty development. Could you tell us a little bit about your roles there?

Celeste: Sure. So once I started to feel that I was losing my empathy for students [LAUGHTER] and getting very frustrated in teaching… especially, it’s hard to teach online about race and hot topics, because they don’t really see you as a human being. And they feel really empowered to say things that they wouldn’t say, especially to my face, but they wouldn’t say in a class. And in a classroom setting, first of all, students will call each other out. So I don’t always have to be that person. And second of all, I can revert to: “Hello, we’re going to treat each other with respect, we agreed to this, we wrote a contract about it, we have community agreement.” It’s much more challenging to do that online. And so I began to feel like it was taking too much out of me to try to teach about these in a fully remote setting as I was during the pandemic. At the same time, I was working as a graduate assistant, paying for my tuition, and I happened to land a job in the Office of Instruction and Assessment. And I started to learn about faculty development as a career, which I really didn’t even know existed. And I began to think that is something that I can do. I’d been department chair, I’d been mentoring new faculty, I had done a lot of workshops on time management and classroom management. And so I began to shift my ideas into that was what I wanted to do. At the same time, I was working full time, working at least two jobs, because I was also a graduate assistant, sometimes three or four, and a single mom to a four year old when I started graduate school, and having some challenges with a cohort of students that were half my age who had very different ideas about social justice than I did, like we both wanted the same end result, but had very different ideas about how to go about it and was feeling very isolated and made a friend. And after a couple of years, where both of us sort of mentored each other, we both ended up in assistant director positions. And we started to think about the power of our relationship and how we could help people find that in a less organic way. Because it just happened to be magic. It just happened to be she worked in the office, she had really cool artwork, I walked in and asked about it. And when you see us together, you see this big Black lady and this little… she looks 12, but she’s not… and she’s got blue hair, and people are like, “How are y’all friends?” But at the core, we’re both about helping people. We’re both about social justice. We’re both about making the systems better. And so we bonded in a lot of ways, and we help each other in a lot of ways. And we actually complement each other in a lot of ways. For example, I hate rewriting and I would have not published all those chapters if it weren’t for the fact that she loves editing. So I would write it, she would edit it, and then I would fix it. And that’s how I got through. And we collaborated on a lot of things. And so we had been sort of building out this framework around peer mentoring, and how can we create, systemically, an environment where people could find their sort of match. And during that time, they were also, in the Office of the Provost, hearing that mentoring needed to be focused on and talking about creating a mentoring Institute. So she encouraged me to apply for this position, it’s a brand new position. And so I, in November, received this position, which is Assistant Director of Faculty Mentoring initiatives. And my main goal is to facilitate the creation of the MENTOR Institute. And I like acronyms. So MENTOR is actually an acronym for Mentorship through Effective Networks, Transformational Opportunities, and Research. And that’s really what we want to create. We want to create a place where we share social justice minded inclusive best practices about mentoring, and where both faculty and students and hopefully, eventually staff, will be able to do training and expand their knowledge and do research about mentoring best practices.

Rebecca: Sounds like a really great opportunity to start something new, but something that’s so needed in so many institutions. The mentorship piece is crucial for people, but also it’s so not facilitated. [LAUGHTER]

Celeste: Well, what we found is it’s just very different. In a huge R1 Institution, each college does things their own way. And so what we want to do is synergize and illuminate the great work that’s already been done. We have pockets of really excellent mentoring, and then to help facilitate for those who are going: “Yes, we need to institutionalize this, but we don’t know where to start.” And so it’s been really interesting. It’s been fun. It’s been a lot of work. [LAUGHTER] I’m currently working on our first workshop that’s going to premiere in fall, when everyone comes back, on mentoring practices. And I’m also conducting focus groups with graduate students to sort of understand what’s going well, and where we can fill in those gaps.

Rebecca: Sounds like really important and exciting work, but definitely work nonetheless. [LAUGHTER]

John: Do you have any other reflections on your work on the Picture a Professor project,

Celeste: I just want to say a couple of things. One is that I really hope that people will take the time to look at this book, because I think that part of what’s needed for the culture shift in academia is a shift in how we picture a professor, what a professor is. I spend a lot of time with people going, “where’s the professor?” It’s me. Hello, I’m the professor. And I also want to encourage people who are in graduate school to look for these types of publishing opportunities. I’m still working on my first sort of solo first-author publication in a peer-reviewed journal. I was part of the task force for the American Sociological Association, where we focused on contingent faculty. And as that I earned a first-author credit just because my last name starts with “A,” but I found it really challenging in any other ways to publish in peer-reviewed articles. However, I published three or four chapters of my dissertation by looking for edited anthologies that were coming out in the area that I was publishing. It’s still peer reviewed. It may not carry as much weight, but for me, it was a little bit more of a user friendly way to learn how to publish, to learn how to do rewrites, to learn how to do those multiple versions of wait a minute I thought I was done with this… [LAUGHTER] until it gets accepted, and it builds your CV. So I wish someone had told me that. I just happened to luck into it. And once I got my first chapter, then I started looking for other chapters. So that’s some advice that I wish someone had given me.

Rebecca: Well, thank you so much for all that you’ve shared with us. We always wrap up by asking, what is next?

Celeste: Well, I’m gonna be 100% honest, because I found bringing my authentic self was the only way to do it. And literally what is next for me is an epic road trip with my daughter.

Rebecca: That sounds awesome.

Celeste: She’s been a trooper for four years while I was in graduate school. She’s been a trooper for two years of a pandemic. And my little extrovert [LAUGHTER], who was stuck at home with just me and her. And I’m pretty much an introvert. So we are going to go on a road trip for two and a half weeks across seven states. And we are going to work on my bucket list, which is I want her to see all 50 states with me before she goes to college. So we’re working on breaking that down. And then professionally, it’s our first workshop. And we also facilitate faculty development communities for promotion. And we are looking into creating some sort of grad student communities in the fall as well. So, that’s what’s next for me.

Rebecca: That sounds like lots on the horizon. Have a wonderful road trip. That sounds wonderful.

John: It does. And thank you for joining us. It’s been great talking to you and we’re looking forward to sharing this episode with our listeners.

Celeste: Thank you

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John: If you’ve enjoyed this podcast, please subscribe and leave a review on iTunes or your favorite podcast service. To continue the conversation, join us on our Tea for Teaching Facebook page.

Rebecca: You can find show notes, transcripts and other materials on teaforteaching.com. Music by Michael Gary Brewer.

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