326. UDL in Action

Universal design for learning, or UDL, is a framework to help us design more equitable learning experiences. In this episode, Lillian Nave joins us to discuss how she has implemented a UDL approach in her first-year seminar course. Lillian is the Coordinator of the Center for Excellence in Teaching and Learning for Student Success at the Appalachian State University Hickory Campus and a senior lecturer in a first-year seminar course at Appalachian State University. She is also the host of the ThinkUDL podcast. She is the recipient of several teaching awards and often serves as an invited speaker on UDL issues.

Show Notes

Transcript

John: Universal design for learning, or UDL, is a framework to help us design more equitable learning experiences. In this episode, we discuss how one faculty member has implemented a UDL approach in a first-year course.

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John: Thanks for joining us for Tea for Teaching, an informal discussion of innovative and effective practices in teaching and learning.

Rebecca: This podcast series is hosted by John Kane, an economist…

John: …and Rebecca Mushtare, a graphic designer…

Rebecca: …and features guests doing important research and advocacy work to make higher education more inclusive and supportive of all learners.

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John: Our guest today is Lilian Nave. Lillian is the Coordinator of the Center for Excellence in Teaching and Learning for Student Success at the Appalachian State University Hickory Campus and a senior lecturer in a first-year seminar course at Appalachian State University. She is also the host of the ThinkUDL podcast. She is the recipient of several teaching awards and often serves as an invited speaker on UDL issues. Welcome, Lillian.

Lillian: Thank you very much. And I applaud you on all of the monikers that I currently have attached to my name that often don’t make sense. So, very good. And of course you said Appalachian in the way we say it down here in North Carolina and I don’t have to throw an apple at you. [LAUGHTER]

John: Well, I’ve heard it so many times on your podcast that I wanted to be sure we got that down.

Rebecca: Today’s teas are:… Lillian, are you drinking tea today?

Lillian: I am and I brewed it specially for our interview today, it is Bengal spice, which is a Celestial Seasoning herbal tea that is caffeine free. I went caffeine free a while ago, and it’s fantastic and I don’t have to put sugar or honey or anything in it. It has cinnamon sticks and it’s delicious and my best friend in the world got me hooked on it. And it always just makes me feel warm inside and makes me think of the lovely conversations I have with the people who I’ve drank tea with in the past. And I also have iced tea because I continuously drink iced tea and this one happens to be actually just a Crystal Light [LAUGHTER] iced tea as well.

Rebecca: And I did notice, of course, and must state that there was a Tea for Teaching mug involved.

Lillian: Yes, exactly, and I appreciate that. John saw me at a conference and I was so happy to get my Tea for teaching mug that I made sure I was drinking from it today.

John: And I am drinking a peppermint spearmint blend today… also caffeine free today.

Rebecca: I am drinking a highly caffeinated afternoon tea [LAUGHTER] to make up for everybody’s caffeine deficits.

Lillian: Well, I have plenty of chocolate throughout the day that is not caffeine free.

John: So we’ve invited you here today to discuss your work on Universal Design for Learning. We probably don’t have many listeners who aren’t familiar with UDL, but for those who are not as familiar, could you provide an overview of Universal Design for Learning.

Lillian: Of course, and I’d be glad to. Universal Design for Learning is a way of thinking, I would say, about teaching and learning that relies on three main concepts that include: engaging your students, providing accessible materials for your students, and varying the ways that your students can explain to you that they’ve learned something. And it is all based on neuroscience and also a lot of research that tells us that all of our students are different. Variability is the norm. And so we have students in higher ed that come from all different backgrounds, different cultures, different preparedness levels, different abilities and disabilities. And in order to reach all of our students, it’s important to think about that variability and universal design for learning gives us some really specific things to look out for. And three areas or categories: the engagement, the representation, and providing multiple means for those and multiple means of the student to express their knowledge. And so that’s like the general overview, but there are like so many weeds, that I can have a podcast [LAUGHTER] and talk to people about all of the different intricacies of UDL. But in general, that’s it in a nutshell.

Rebecca: I know we’ve talked about it a bit on our podcast before in terms of the difference between UDL and accessibility. But for those who haven’t heard those previous episodes, can you talk a little bit about the difference between those two ideas?

Lillian: Yes. So, accessibility is a part of Universal Design for Learning. You cannot have universal design for learning without attention to accessibility. But accessibility alone is not universal design for learning, it’s a part of it. And I like to think of UDL as like a three-legged stool. If you take out one of those legs, the stool doesn’t function anymore, it will fall over. And one of those legs is multiple means of representation. It’s typically the center column that’s purple if you look at the UDL guidelines at UDLguidelines.org. CAST puts those out. And that middle column about representation is about providing multiple forms of representation, so different texts or audio files, or making sure your font is readable too, especially for dyslexic students. So accessibility is about making sure that all students can access materials, that they have the ability to make sure they can actually get at that information. And this is less common now, but there used to be like those PDFs that a professor copied out of their book when they were a student and it has all their like markings and stuff in it. And then they would just like make a read really bad copy of it, and hand it out when everybody still used paper all the time, or maybe it’s on a screen. And those oftentimes were not accessible. And that means if a student needed a screen reader to read it, or even if they just needed to make the font bigger, they couldn’t because it wasn’t an accessible document, a screen reader couldn’t read it, meaning if a student was dyslexic or even blind, they had really no way to get at that information. So when you make your documents accessible, and you make your class accessible, you are making sure that everybody really just is on an even playing field, and they can get at that information. But in addition to accessibility, you want to make sure you’re also giving lots of opportunities for students to express what they know in different ways. And you’re also engaging with the students. And those two other things are not included in accessibility. That’s what makes up UDL.

John: How did you become interested in UDL?

Lillian: Well, I started working with our Center for Teaching and Learning in 2016 as a faculty fellow and I started doing faculty development as a one-course release for quite a while. And in doing that, we became part of a grant that was in three North Carolina institutions that was called College STAR. And STAR stands for supporting transition, access, and retention. And it was a two-pronged approach where there was a lot of student development, so tutoring centers and things like that. And then there was this other side, and that’s the part I got interested in and got pulled along with and that was supporting faculty. And to do that we used Universal Design for Learning. And I was just part of that grant. And that ended up me being the Universal Design for Learning Coordinator at Appalachian State. And I started going to different departments and introducing that at workshops and that sort of thing. So I became kind of the UDL girl or UDL lady for App state, which I think is about 2016 when that started, and then I saw it, like I’d never heard of it before, and I’d been teaching since 1997. And then I thought, oh, boy, this is really good, this makes a lot of sense. And so I started implementing it as well in all my classes.

Rebecca: So we’ve talked a little bit about UDL principles broadly. So can we dig into maybe a specific example, like your first-year seminar course? That sounds pretty interesting.

Lillian: Absolutely. So my course right now, I teach one called intercultural dialogues, and I get first-year students, and so I love it that they’re small, under 24 students. This past year, I was at our new campus in Hickory, and I only had 18 students there. And we get to work on intercultural competence, which is one of those major things that colleges want our students to know. It’s a 21st-century skill, and it is about understanding our own cultures, and then understanding that other people have different cultures. And then how can you mindfully act and interact with somebody from a different culture. And I have heard some students, at the end of the term, say “this is something everybody should know, like, this is really, really important.” They’ve seen how important it is. But at the beginning of the class, like nobody wants to be there. Nobody wants to take a first-year seminar course. They’re usually there because it’s Tuesday morning and they have an open slot. I’m in that unenviable position of teaching first-year seminar, and it’s that Gen Ed requirement that nobody wants to take. So I want to make it interesting, and I want to make it worthwhile for them, and so we learn about our own culture and then I also match students up with students abroad. We’ve worked with students in Doha, Qatar, in China, in Morocco, in Germany, Thailand, and Japan in the past year, and they work on intercultural competency skills and talk about things like power distance in the classroom, or some of the UN Sustainability Development Goals, like gender equality by 2030. And so they’ve done some things with students in China about that. So the class itself is about intercultural competence. And I have infused a bunch of UDL into this class over the years. And so it wasn’t all at once, but it took a while. And so that means I have multiple ways for the students to get at that information. So there is never just one way to do the reading. It’s either accessible or I’ve recorded a voice audio file for students. So we have a lot of commuter students at this campus, and so actually, we have zero students who live on campus in our new campus in Hickory. It is a new campus, it just started and so there are no dorms, there’s only one building and we’re all in that one building. And so students come in, they have jobs, and so UDL is very helpful for me to think about those students who have various commitments of their time. So they could listen to the audio file rather than read the book, because they’ve got a 40-minute commute to come into campus or something like that. So they’ll have an audio or video. I’ve used H5P, which is on our learning management system, which is like an interactive video, there’s VoiceThread, which is another way to be kind of interactive for students to participate. And so there’s always multiple ways for them to get at that information. And then there’s multiple ways that I ask them to tell me what they know. And they’ve done concept maps, so we have very little like, “write me a paper,” there’s very little of that my class. And that’s also a culturally competent type of teaching thing, because we often in an individuated, Western academic model, we prioritize reading and writing, reading and writing, reading and writing. That’s always what it is. And yes, we need to have very good readers and writers. But there are lots of other ways to learn and express your learning that might be more prevalent in other countries and in other cultures. And so they’ve had to draw some of their answers, they’ve had to give me a visual representation, they’ve written a poem, drawn a cartoon, and tell a story. One of their first assignments is to bring in something that expresses who they are, a cultural artifact. And then the last class that we just had recently, I asked everyone to name everybody else’s cultural artifact, so they learned about each other that way. And it was things like a keychain or one student brought in the T-top of his T-top convertible car. [LAUGHTER] Because the car was really important to get him around and all that stuff. And engagement is the last part. But it’s really the first part that gets students interested in the activities and in the learning and why they should learn. So I start off with a liquid syllabus, which is a syllabus that students can access outside of our learning management system, and they can see what we’re doing, and they get a video of me talking to them. And that’s supposed to be engaging. And then they have a lot of authentic assignments working with students overseas. And this year, because I was finally back in an actual classroom and not doing remote teaching, as I have been since 2020, I took students up to New York City. And Appalachian has this amazing loft that actually anybody can go stay at so all of your listeners could go and stay at Appalachian’s loft, and it’s very inexpensive. It’s like $70 a night per bed, and it’s these two rooms of 10 beds each. And we took students up there to actually learn a lot about culture. We went to the Tenement Museum, they looked around, and it was very cool. So experiential type of education as well. So that took like years before I got to that rendition of how I teach that course. But those are all UDL principles that guided me.

John: You mentioned collaboration with students in other countries, what types of collaborative work did those students do in your classes?

Lillian: They had specific zoom meetings that they had to do personally one on one. So one of them is that students got matched one on one with fellow students in Morocco. And they were supposed to talk about the difference in power distance in an educational setting. So power distance is the amount of power that people in a group expect and believe should be shared or held by the people in that group. So in an educational setting, if you’ve got a first-year student who comes into a large lecture hall on a college campus, there is a larger power distance for that instructor who will pretty much lecture to those students, students don’t raise their hand all that often, there’s not a lot of back and forth, there’s not a lot of flexibility, they probably don’t even know the students’ names. And so that would be an example of a larger power distance. A smaller power distance might be in a classroom, like in my classroom, I say, “You can call me by my first name, you can address me in this very informal way. We’re not going to have a lecture, we’re going to be in small groups, and then we’re going to share our ideas.” And that way, there’s a lot more voices, there’s a lot more talking. And that can happen in various times throughout the semester. I may do a lecture, I may not. And so my students were talking with students in Morocco to find out about their understanding of what power distance was. And do you call your professor Dr. Smith? Or what do you address them by? Are there rules about when you can address your professor and those sorts of things. So that was one of them. And then we worked with students in China, and this one was a series of three Zoom conversations. And all of our students had to set all these up. They were all in English because our partner students wanted to do this in English, and most of them had never spoken to a native English speaker. So this was a really good goal for them. And in China, they can’t have Zoom, not allowed. And so the students had to receive our invite from our students, and their first session was kind of an introduction: who they are, what they’re doing, for about an hour. The second was a second list of questions, which was about: Who takes care of children? Who goes to work? Who do you live with? Do you live with an extended family? Do you live with a nuclear family? And it was really about gender roles. And one of those things that’s a national cultural dimension is something called achievement versus nurturance. And that continuum has also been called in the past: masculinity versus femininity. And it’s how much a culture believes that men and women should adhere to somewhat stereotypical gender roles. So are there women CEOs, and stay-at-home dads? In some countries, that happens in some cities. That happens a lot more than in other countries. Do you put more emphasis on earning a higher wage? Or on having the flexibility to work from home? Like, where are you on that? And so the students talked about that. And then in the last session, they talked about: if you could change anything, what would you see that might improve your country from where it is now and that sort of thing. So they got to do some really authentic conversations with people around the world, and the students in China were 12 hours ahead. So my students were meeting sometimes at two in the morning, but they were up, [LAUGHTER] it didn’t matter.

Rebecca: So it sounds like there was a lot of coordination with counterparts around the world to make sure that you designed experiences for both sets of students that met, maybe not the same learning objectives, but learning objectives that were relevant for each population.

Lillian: That is exactly it. And it was my colleague in China, who said she wanted to do something about the sustainable development goals from the UN. I said, “Okay, well, let’s try and look at that.” And it worked for each one. And it is a lot of coordination for the faculty. And so I would meet with my fellow faculty member several times throughout the semester. And so we got the dates right for when we’d have Thanksgiving, nobody else had Thanksgiving break, and we have holidays, and they started a month early or a month late, and so there was a lot of coordination. And then they had to give me the list of all the students and I needed gender, too, because some students wanted to stay within their own gender, women, especially, in Morocco where some were less likely to speak to male students, who wanted to stay with female students. So we wanted to be culturally sensitive to those types of things. So there was a lot of beginning coordination to set those things up.

Rebecca: I wanted to circle back to one other thing you said too, in that you mentioned your classes developed with all these UDL principles over a significant period of time.

LILIIAN: Yes.

Rebecca: I want to know how you got started, what was the first thing you implemented? And how did that set a trajectory for the others?

Lillian: The first thing, way back when, probably 2016, 2017, like the big aha moment for me, was not doing the same thing all the time, and not having to grade everything, meaning maybe we were just going to do some honestly experimental assessments in class that were kind of fun and authentic. And I didn’t have to grade everything. And when I kind of let go of that, it opened me up to some more ideas. And then I thought, well, I don’t need them to write a paper, because I really have a specific goal in mind. And the goal doesn’t necessarily need to be a paper that then I’d have to read, [LAUGHTER] it made my life easier too. Maybe they just needed to demonstrate their understanding of these concepts. And so like one of the first things we do is draw an iceberg, and talk about how the culture that we see here, taste, feel, smell, all those five senses, that’s about 10% of what makes a culture. And when we think about culture, it’s usually just those things, it’s like, “Oh, you eat this special meal on Lunar New Year, and you have these special foods, and the kitchen always smells this way, or we dress up in cultural clothing, or whatever.” But that’s really only 10%, the tip of the iceberg. And then we have to get really deep into what our values and beliefs and assumptions we make. And that’s typically the hard part of the class. And so I just had students either draw an onion or an iceberg. And then they had to kind of point to where this was, what are your deeply held beliefs and assumptions, and that culture is so much more. And it’s a lot easier, I think, to conceptualize it as a drawing than it is to write me a paper about what your deeply held beliefs are, [LAUGHTER] and where they align with the things that I can see on the outside.

John: You mentioned that the first thing you had done was reducing grading and doing more formative assessments, which is beneficial for students too because it takes some of the pressure off and gives them the opportunity to try something, make mistakes, and learn from that without any penalty. Is that something that you’d recommend for someone who’s interested in exploring UDL, as a first step, if they’re not already doing that?

Lillian: Absolutely, I think it frees up both the student and the faculty member to kind of see what works. And so much of Universal Design for Learning is about feedback, feedback from the students. And that is a major portion of UDL. And I should have said that at the very beginning, that you really want to be figuring out what works for the students and what works for you. So I do think that’s a great way to think about it. And also, the flip side of that coin, to me as well, was whoever is doing the work is doing the learning. So if you are always lecturing to your students, it’s hard, like, you got to put together this great lecture, I always felt like I had a top hat and a cane, you know, walking into my lecture, and yadda-dat-dah, I’m gonna, like dazzle you with my art historical knowledge, and make it interesting. And I was doing a lot of work to do that. And I have slowly moved into kind of the other end of this continuum, from lecturer into facilitator. And if I can facilitate the students working together, or a lot of feedback back and forth with me or with each other, then they’re actually risking some things like “talk to your neighbor about this,” and they don’t have to raise their hand in front of the large class, they’re actually trying and risking and doing these smaller things. And that’s where I see the learning happening. If they’re just listening, that’s fine, that’s great too, but the more they can participate in their own learning, the better it is, that I’ve seen, certainly in my classes, the more they can do, the more they’re learning. But it doesn’t mean I have to evaluate every single thing that they hand in, or that they produce. And I can certainly, on the spot, kind of tweak things and say, “Okay, let’s turn it into this direction,” or something like that. But it was the: “I don’t have to grade everything they do” and “The person who’s doing the work is doing the learning.” And it was like freedom for me to try all of these things that were totally not what I had done as a student, or had valued as a student or an instructor because I was very much in that: “Alright, you’ve got a 15-page research paper, a midterm, and a final, and that’s the art history course.” And I don’t do that anymore.

Rebecca: Well, it sounds like not only is there a benefit to the faculty, in terms of workload, joy, [LAUGHTER] etc, but also an emphasis on self efficacy for students and building confidence.

Lillian: Oh, yeah. Exactly. And they’re trying things out, and they’re seeing what works. And that feedback is really important, a big part of UDL.

John: And you mentioned that it took you time to build to where your courses currently are. Is that an approach you’d also recommend to faculty who are beginning to introduce UDL principles, because it can be a lot of work completely redesigning or transforming your teaching?

Lillian: Absolutely. I don’t know if I could have done this stuff early on in my career, because I was worried about how I looked and was perceived. I was very young, and so I think I needed to feel like I was in charge. And that power sharing was too difficult for me as a young instructor. So I understand that. And now I feel much more comfortable in the classroom. And I feel that being a facilitator is really helpful for the students. And sometimes they just want to sit and listen, but that happens too. But it took a long time to get there. And the course has evolved over a long time. And you try new things. Tom Tobin and Kristen Behling talk about the plus one mentality, just trying one new thing. And that’s what happened, is when I started this course, we weren’t speaking with students in other countries. That just sort of happened when I went to a conference and made some friends in other countries and said, “Oh, I bet this would make a lot of sense to add this in.” It’d be really authentic, which is one of the engagement principles is having really authentic learning experiences. And I used to be like, “Oh, you’ve got to plan everything out, and it has to be perfect.” And now I see that I fumble through a lot of things. And every once in a while something sticks, and it’s good. It’s a practice. They say being a doctor is more of a practice. I think being a teacher is very much a practice to see what works and what worked in my class five years ago, doesn’t necessarily work now. Things that were really fun and hot at some point, you know, like making memes is pretty fun right now, but we didn’t do that 10 years ago, and we probably won’t do it in another five years, like, what did you learn? Let’s make a meme out of it. It’s evolving.

Rebecca: It’s interesting that we’re talking about a course about culture. And you’re describing how the culture of higher ed or institutions or our classrooms also evolve. And that evolution requires risk both on the part of the instructor as well as on the part of the students, and that the UDL principles are really allowing that risk to happen on both ends.

Lillian: Yes, and sometimes there are forces outside of our control that make that more difficult, and it’s not an enviable position. So things like I wish I didn’t have to grade, but we still have to have grades in the end. And so how does that fit into your course. And so I know a lot of folks are using ungrading. I know you’ve talked with Susan Blum and Josh Eyler about various different kinds of grading, which I think is like a later on kind of thing for UDL. Start with accessibility, make sure your stuff is readable and devourable by all of your students, and then start kind of playing around with it. And then maybe I think that ungrading or different kinds of grading structures might be the last step on that process. But to each their own.

John: One of the issues involving student variability is that some students might be resistant to some of the approaches that you’re using, because there have been a number of studies that show that students often prefer to be lectured at. And it seems like they’re learning more that way, despite the evidence that that’s less effective. How do you persuade students to be open to trying new approaches to learning?

Lillian: Great question, I know exactly what you’re talking about, like students, they’re like, “this is how we learn best,” and then you actually poll their knowledge. And students in an active learning situation who kind of hated it are much more knowledgeable than the students that were just in a lecture where they really liked it, because that was kind of safe. And in the last year or so I’ve heard myself saying this a lot when I do speaking, and when I’m talking to folks, is I think everybody needs to be uncomfortable in the classroom, some of the time. We don’t want the same students to be uncomfortable all of the time. So that means varying those different ways that we assess students, so it’s not the “alright, every week, you’re writing a paper,” oh, that also gets boring. But for your great writers, it’s fantastic. But are we really finding out what that student knows? Are we finding out that they’re a good writer. And so maybe that’s a poem, or maybe it’s a concept map, or there are other ways to assess that info. And so I tell my students, like, I’m really conscious about that, like, you probably aren’t going to like some of these things, but your neighbor isn’t going to like the next thing. And so having those opportunities that you have to step out of your comfort zone, to get into the learning zone, but not all the way out to that outer edge of the target, which is the panic zone. And that’s actually an intercultural competence idea that I learned in that field. When you study abroad, the only way you’re really learning is if you’re in that learning mode, like if you go to Germany, but you’re living with a bunch of Americans, and you never speak German, and you go to McDonald’s, and you’re at an English speaking school, then have you really learned much about German culture? So you should go outside of that comfort zone. Maybe you’re living with a local family, and you have to speak German, but you don’t want to go and you are in like a chaotic household and they don’t speak English, and they haven’t made sure that you have any food, and you don’t feel safe, and all the classes you are way ahead of you in your German speaking. And so you’re not learning much either, you’re kind of panicking. So it’s that learning zone we have to be in and so I think in our classrooms, we need to do that too, have multiple different ways for students to express what they know, which is one of our UDL guidelines. And I am very overt when I tell students that. And I found that with student evaluations, like I would get student evaluations where they asked like, “Did you practice critical thinking skills?” And they’d be like, “No, like, I totally didn’t at all.” [LAUGHTER] And then the next year… and I think I learned this at like an academic conference… the next year, throughout the course, I’d be like, Okay, we’re gonna do this critical thinking exercise, this thing that we’re doing right now, this is about critical thinking, you’re going to use your critical thinking skills because this thing that we’ve done, that’s a critical thinking skill. Guess what? The evaluations… way up. [LAUGHTER] Exactly like you’re pulling back the curtain and you’re saying, like, here’s actually why we’re doing it, and this is what you’re doing. And so I think explaining that is really helpful. And then the students know why they need to do something like what I’ve asked them to do, why am I writing a poem or why am I drawing an iceberg? And I think we do need to tell students that and not just have them guessing, because then they’re going to be in the panic zone and not learn so much.

Rebecca: That’s a really good point to remind students that being uncomfortable and taking risks is actually part of the learning process. Can’t remind them too much.

Lillian: Yeah, exactly. It’s necessary. And they do want to just sit and doodle. And not that doodling is bad. But they just want to sit and listen and have us do all of the work. But it’s like, I know this stuff, so why do I need to explain it? You could just watch a video of me talking. We need to get you into grappling with this and doing the stuff that I know you don’t want to do and you don’t want to be here because it’s a first-year seminar and you’re a first-year student. So my heart is with all of those folks that teach Gen Ed [LAUGHTER] to the students who don’t really want to be there.

Rebecca: Switching gears a bit now, can you talk a little bit about how you started the ThinkUDL podcast?

Lillian: Yes, it’s going back to that College STAR grant. We were getting into doing like workshops, and so I was working with other universities in North Carolina. And we had a PI, the head of it was at our East Carolina school. And I said, “Do we have any multiple ways to do this. They were doing research and then some workshops. And it just made sense to me like, we need a podcast, like this would be so off brand for UDL not to have multiple means for us to get this information out. And a podcast has the added bonus of being asynchronous, so people can listen to it whenever they want. I’ve always had transcripts, too. So if you don’t want to listen to my voice, which is totally fine, you could read the transcript and you can get that information, you can see the resources. So there are multiple ways to get it. But there was money from that original grant that sent me and my shout out to Tanner, who was my first sound engineer, and we went to a podcast convention in 2018 in the summer in Philadelphia. And seriously, I didn’t know a thing at all. I didn’t even listen to podcasts then. The only one I’d heard of was the Teaching in Higher Ed with Bonni Stachowiak, and then like, “Okay, we’re gonna try it.” And the very early episodes are, I think, awful. But luckily, Tanner kind of cleaned them up. But there was a Chris Farley on Saturday, live long, long time ago, so I’m showing my age here. But he would interview, in these sketches. He’d interview people that were amazing, like Paul McCartney from The Beatles, right? And he would just fumble the whole time. Like, “Wow, so you were in the Beatles? Wow. Yeah. That’s great. So can you tell me like, what’s it like being a Beatle?” And that’s what I felt like the whole time, [LAUGHTER] like “Wow. Okay. All right.” So it took a while. But the grant helped it and for about three or four years it was grant funded. And now I’ve turned it into its own nonprofit. And Texthelp is now a sponsor. And so they do the editing for me because the grant ended. And Tanner, he was part of that grant. So i had to kind of move on. That’s how it started.

John: So you’ve been doing this for a while now with the podcast, and we’ve been listeners since the very beginning. What do you enjoy most about podcasting?

Lillian: Well, ours came out around the same time. So the nice Tea for Teaching, right? It’s like 2018. And so I enjoy talking to people. If you’re still doing it, you have to enjoy talking to people. But that’s the best thing. I talk to people just all around the world because I do want it to have a worldwide focus. And so I have listeners, the top five are in the US, Canada, Australia, Ireland, and the UK, and so English speaking countries, yay. But you can see like, all over the world on six continents that people are listening, and I had a listener in Australia say, you know, I was walking on the beach, near my home, on the coast of Australia. And that just blows my mind that people are actually listening. But mostly it’s like, I get to just learn about new ideas all the time. And you would think UDL like it’s so focused on UDL, like, there would not be enough, like I should be done with this, but there’s so much.There are 31 of these checkpoints in Universal Design for Learning, and as you mentioned, it’s really overwhelming. Like if you were to go and just look at the guidelines, it’s like a whole bunch. And it’s like, how am I going to do that? You can’t, you can’t do it all. You can’t just redesign your course right away. And so there’s just all these little conversations I can have to help people understand what you can do. And then I get to talk to really interesting, witty, awesome, brilliant people all over the world. And that’s the best part. If I could just do that, like that was just my job, I would love that.

Rebecca: Definitely something that John and I enjoy too. It’s kind of an introvert’s dream to talk to [LAUGHTER] a lot of individuals one on one rather than having to network through a conference or something like that. It’s a good opportunity to have really in-depth conversations with folks that might not have the opportunity to have otherwise.

Lillian: Yeah, my brain is always seeking out the new. And so I love like, “Oh, that’s a neat idea.” And then I’ll send them an email, and sometimes they write back, and “oh, I really love to talk about this, it’s cool.” And so I’ll read their article or their book or whatever. And then there’s something else shiny that I get to go talk to other people about. And it’s just been helpful for folks. And honestly, I just didn’t expect there’d be listeners, and there are listeners. And so that’s just really fantastic.

John: We started out as primarily to meet our campus audience needs for commuting faculty, and so forth. And then we were amazed at how it caught on and spread. And it’s given us that opportunity that you both mentioned, to talk to some really interesting people doing some really interesting work. Before that in the teaching center, we talked to people at a workshop, and we might hear from one faculty member for three or four minutes, maybe 10 or maybe they’d come in for a consultation. But usually that was about a problem or an issue they were facing, but it just provides a wonderful chance to connect to people that we normally wouldn’t be able to talk to. And we see an interesting article, and then reading through it and getting to talk to the people doing the research in depth, it’s really a valuable experience.

Lillian: Yeah, everybody should be a podcaster just to have these conversations. You don’t even have to record them. It’s just really neat. And so it’s given me that like, “Hey, I have a podcast,” like a reason for me to be intrusive in somebody’s email. Like, I really want to talk to you about this. This is really cool. Would you talk to little old me? If so I have a podcast. [LAUGHTER]

John: And I’m amazed at the number of people who say yes.

Lillian: Absolutely, me too, like, “Wow, you’re actually going to talk to me. That’s so fantastic. I appreciate that.”

Rebecca: We’re definitely a part of a really wonderful community of practitioners.

Lillian: Yeah, it makes a very thankful and it’s so cool, because I have listened to Tea for Teaching for a long time. That’s actually my most listened to podcast for teaching and learning. I enjoy the fact that there’s two of you, and you kind of go back and forth and just interesting topics. So I’ve enjoyed yours, ever since the birth of our podcasts in 2018. They’re siblings. [LAUGHTER]

Rebecca: They are.

John: So we always end with the question. What’s next?

Lillian: I am so excited about what Appalachian State is doing. About two years ago, they bought a building in a town called Hickory, North Carolina. And our main campus is in Boone. And it’s a beautiful campus up in the mountains. And I happen to live halfway between these two cities. And so I was going up to Boone to teach and it is about 42 minutes to get up. And you have to go over the eastern Continental Divide, over the Appalachian Trail, over the Blue Ridge Parkway in order to get from my house into Boone to teach. And that’s great. And it’s the most beautiful commute I think in the world. But it also gets foggy and icy and weather and I was enjoying it, and it was where I would listen to podcasts. But Appalachian State is now the first university in the North Carolina system that now has two campuses. And so we’ve opened this campus in Hickory, it is a commuter campus, and some brave students, we have about 250 to 300 that have started this past fall of 2023. It has birthed this campus. And so I get to teach there, and I get to do some faculty development. And it’s really exciting to be on the ground floor of a new campus. And it’s the only one in the North Carolina system. We’ll have other campuses, but there’s no multi-campus university for us. It’s like being in a startup, except I don’t think I get stock options. That’s the only bad thing. [LAUGHTER] And so meeting new faculty, some faculty are teaching for the very first time. And so there’s no like institutional culture that they’re jumping into at this new campus, although we are very much a part of the Boone campus. It’s new. And there’s only a very small number of faculty there. So it’s like being at a small liberal arts college in a state system. And it’s just really cool. And I’m loving meeting the faculty there and helping with teaching and learning and UDL and all that stuff. So that’s like the next big thing is Appstate Hickory, and it’s really exciting.

Rebecca: Well, I hope you have a wonderful adventure. [LAUGHTER] It sounds like a really fun opportunity.

Lillian: Yeah, in fact, I’m in a group of faculty, we have like a community of practice, a peer mentoring circle we call it, and we’re calling ourselves the Hickory Adventurers, because like, we don’t know what’s going on, [LAUGHTER] and we’re trying to figure it out together.

John: You get to help shape what’s going on, which is a really nice place to be.

Lillian: Yeah, it’s fantastic. I’m excited. And I think I’m just that kind of person. It’s new and shiny. And I’m there.

John: I think we’re both that way a bit. And that is one of the risks of having a podcast, you get to hear about all these great things that people are doing, and there’s always a tendency to try to do many of them. And that can be a bit overwhelming, not just for us, but also for our students.

Lillian: Yes I know I have to peel it back [LAUGHTER] just a bit, don’t go overboard.

Rebecca: Well, thanks so much for joining us, Lillian. I know we’ve wanted to talk to you for a while.

Lillian: Absolutely. I’m so glad and when you contacted me, I was super excited. So thank you so much for having me on Tea for Teaching. I’m gonna show my mug that nobody can see ‘cause it’s a podcast, but I love my Tea for Teaching mug, and thank you for having me.

John: Well, thank you for joining us. It was great talking to you and we’ll look forward to more conversations in the future.

Lillian: Great.

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John: If you’ve enjoyed this podcast, please subscribe and leave a review on iTunes or your favorite podcast service. To continue the conversation, join us on our Tea for Teaching Facebook page.

Rebecca: You can find show notes, transcripts and other materials on teaforteaching.com. Music by Michael Gary Brewer.

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314. Handbook of Online Higher Ed

Since its start in the late 1990s, asynchronous online instruction has spread throughout the world and has been the subject of extensive experimentation and study. In this episode, Safary Wa-Mbaleka, Kelvin Thompson, and Leni Casimiro join us to discuss their new handbook that examines effective practices in online learning from a global perspective.

Safary is an Associate Professor of Leadership in Higher Education at Bethel University in St. Paul, Minnesota. He has authored and co-authored more than 40 scholarly journal articles and more than 20 books and book chapters. Kelvin is the Vice Provost for Online Strategy and Teaching Innovation at the University of Louisville. Kelvin developed the BlendKit Course open courseware as part of the Blended Learning Toolkit, and he co-hosts TOPcast: The Teaching Online Podcast. Leni is a Professor of Education, the Associate Dean of the AIIAS Graduate School and Chair of its Education Department and the Director of AIIAS Online, the virtual campus of the Adventist International Institute of Advanced Studies (AIIAS) in the Philippines. Kelvin, and Leni are frequent invited speakers on topics related to online instruction. They are the co-editors of The Sage Handbook of Online Higher Education.

Show Notes

Transcript

John: Since its start in the late 1990s, asynchronous online instruction has spread throughout the world and has been the subject of extensive experimentation and study. In this episode, we discuss a new handbook that examines effective practices in online learning from a global perspective.

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John: Thanks for joining us for Tea for Teaching, an informal discussion of innovative and effective practices in teaching and learning.

Rebecca: This podcast series is hosted by John Kane, an economist…

John: …and Rebecca Mushtare, a graphic designer…

Rebecca: …and features guests doing important research and advocacy work to make higher education more inclusive and supportive of all learners.

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John: Our guests today are Safary Wa-Mbaleka, Kelvin Thompson, and Leni Casimiro. Safary is an Associate Professor of Leadership in Higher Education at Bethel University in St. Paul, Minnesota. He has authored and co-authored more than 40 scholarly journal articles and more than 20 books and book chapters. Kelvin is the Vice Provost for Online Strategy and Teaching Innovation at the University of Louisville. Kelvin developed the BlendKit Course open courseware as part of the Blended Learning Toolkit, and he co-hosts TOPcast: The Teaching Online Podcast. Leni is a Professor of Education, the Associate Dean of the AIIAS Graduate School and Chair of its Education Department and the Director of AIIAS Online, the virtual campus of the Adventist International Institute of Advanced Studies (AIIAS) in the Philippines. Kelvin, and Leni are frequent invited speakers on topics related to online instruction. They are the co-editors of The Sage Handbook of Online Higher Education, which we’ll be talking about today. Welcome Safary and Leni and welcome back, Kelvin.

Safary: Thank you.

Leni: Thank you.

Kelvin: Good to be here.

Safary: A pleasure to be here.

Rebecca: Today’s teas are? Safary, are you drinking tea?

Safary: I’m having water this morning.

Rebecca: A key ingredient to tea it might add. [LAUGHTER]

Rebecca: How about you, Leni?

Leni: I used green tea, particularly this Japanese matcha. [LAUGHTER]

Rebecca: Nice. How about you, Kelvin?

Kelvin: I have deconstructed tea. That’s also called water.

Rebecca: [LAUGHTER] Popular globally.

John: And speaking of globally, Rebecca and I are both drinking Moon Bird tea, which is a gift from one of our listeners in France who sent this to us a few weeks ago. So again…

Safary: Wow.

John: …thank you, Myriam.

Rebecca: Yeah, it has a nice hint of pear and elderflower.

John: …which is also a green tea.

Rebecca: Yeah.

John: We’ve invited you here today to discuss the SAGE Handbook of Online Higher Education. Could you tell us a bit about the origin of this book project?

Safary: The origin of this project is actually something that has to do with me having worked with Kelvin several years ago at the University of Central Florida. And right after that, I decided to work in the Philippines and that’s where I met with Leni Casimiro and we worked together. And at both institutions, we were working with online education. And eventually I was transferred to work for two years in Kenya. During the COVID-19. I happened to be in Kenya, and I quickly saw the great need of people wanting to have online education. The resources went up in the place. The things were scattered all over the place. And immediately the idea came that we needed a project that captured the whole world because now this was a worldwide phenomenon, it was no longer something peculiar to Kenya or Philippines or U.S., the whole world was in need of a tool like this. And that’s how I reached out to Kelvin and to Leni.. Thankfully, they both agreed to be part of the project. And I think, from my perspective, that’s where it came from. I don’t know about them… how they think about this? [LAUGHTER]

Leni: Well, for me, it’s really a big project that we did, combining the different parts of the world. You see where Kelvin comes from, representing the West, I represent the opposite, the East. And although Safary comes from the East as well, but he can represent the African continent. And so this really makes the book a global project, really a blend of different perspectives. And so I can say that online learning is represented all over the world in this particular book. And this is indeed, a big surprise to all the readers and a big discovery for everyone.

John: Speaking of readers, what is the intended audience of this book?

Kelvin: Well, I mean, honestly, I would say anyone, anywhere, around the whole planet, who in any way touches online or digital education, should access this book. It’s great for libraries and institutions to acquire and be in their communities. It’s a big book. There’s stuff in there for everybody. So I think it’s a great resource.

Rebecca: Speaking of the size of the book, the handbook contains 50 chapters. Can you talk about how you selected those chapters?

Kelvin: I think the scope and the sequence and the layout of the chapters and the sections sources originally to Safary’s proposal with the publisher, but it was intended to be rather comprehensive with sections like fundamentals and student support and administration and instructional design, instructional delivery, regional specifics, particular regions around the world, and how online education might differ a little bit in, say, the African context versus the European context. But over time, as we were recruiting authors, and as the writing process started, you get a little bit of evolution, the sections might morph a little bit, the distinctives of a given chapter might adjust based on interest and specializations of the authors. So that’s a little bit of the insight into the evolution. But I credit Safary for the vision, which I would say, is probably about 80 plus percent of what he originally had envisioned in the layout. That’s my guess. Safary, would you agree with that?

Safary: Yeah, the thing is that, when you work on a huge book like this, especially a handbook for Sage, they want to have the complete plan when you submit your proposal. Before I can get my co-editors to agree with me, they need to have kind of ideas, okay, this is what I have in mind. So usually, when I work on a handbook like this, I come up with a rough draft. And Kelvin and Leni were very good in catching certain things that I wouldn’t have caught because of their expertise, their experience, and their regions that they represent. And so in the end, what we have here is a product of the Table of Contents was really the product of these three brains that are speaking today.

Leni: I really liked the way Safary has chosen the chapters of this book. Well, we can say that he really originated the choice of these chapters. As you can see, from the perspective of a reader, when you look at the content, you can look in the sequencing, and you will find that you are actually looking into the step-by-step development, or the step-by-step process of engaging in online education. I will say it’s almost like a manual, almost every step that you will go through in undertaking online education in your institution is covered in this book. That’s why it’s really a very important book for every school to have.

John: We had some challenges coming up with a brief intro for each of you, because each of you has done so much with online education in many different roles in many different places. But you also have an editorial board for this book, which is a little bit different than many other books that we’ve seen in terms of handbooks. What was the role of the editorial board in putting this handbook together?

Safary: Yes, we had an editorial board. When you have a project of this magnitude, it is really important to have experts from different parts, especially at the global perspective of experts, and of course, experts on the different topics that are represented in the handbook. As much as we have experience with online education, we cannot assume to know it all… areas where we definitely need help. And so we selected very well known, very well recognized experts from different parts of the world. As far as online education is concerned, all the names that are there are people who are very well respected in the field of online education within their respective countries. The role they played was, for them to be our experts in checking the accuracy and the quality and the completeness of the chapters that were submitted to us. So basically, each chapter went to two to three reviewers and the editorial board members were the primary reviewers to help us really catch everything… and the work they did, I know that some chapters had more feedback than others, but I can say that contribution they gave through their feedback was very substantive in improving this handbook. I don’t know, Leni, how you found that when you’re working with the editorial members who are assigned to you?

Leni: Yeah, actually the editors we chose, I can say they are truly excellent and helpful. During the early parts of the writing of the chapters we lead editors are having like a tug of war with the chapter authors. They tend to bargain their thoughts with us, but when the editorial board came into the picture, it gave a more balanced outlook into writing the chapters. And so we really appreciate their services. The other thing is that this editorial board members are experts in the area and so we can truly depend on them. Their feedback were truly much valued and contributed much to the excellence of the contents of this book.

Rebecca: So the handbook is divided into seven sections. Can you provide a brief overview of each of those sections to give us the lay of the land?

Leni: Oh Yeah, seven sections, it’s nice to give an overview for people to know what the book contains. First section, of course, is the fundamentals of online education. It contains the introduction to the topic of the book, online learning, and some variations in online delivery, like blended, MOOC and ERT, emergency remote teaching, we just really call it ERT, and that became popular during the pandemic. The second section, online education around the world. This section is the most colorful part of the book, at least for me. Because it tours us around the world and gives us a view of how online education grew in varied contexts like US, Canada, Europe, Asia, Latin America, Africa, Australia, and the Middle East. The third section, Online Instructional Design, this section now brings us to the T-cell of online learning, the design of online instruction with focus on how learning happens online. This is now the more serious part of the book. While we came from the most colorful, we now go to the serious part of the book. And then the fourth one, Online Instructional Delivery, this section focuses on the hammer and nail of online learning, the actual online teaching, and this is the most exciting part. Because this is now the delivery, the previous one was the most serious part, this one is the most exciting part. And then perhaps, Kelvin, can you say about the fifth section [LAUGHTER] Instructional Technology for Online Education?

Kelvin: Here’s what I would say about that, if you’ve got the most serious, you talked about the most exciting that you talked about, maybe the fifth instructional technology for online education is the most invisible, maybe that’s what it is. Nobody thinks about plumbing until it doesn’t work. [LAUGHTER]

Leni: Thank you. So that’s technology, I would say this section is essential, because you cannot teach without knowing how to use technology [LAUGHTER]. And the sixth section, Online Education Administration and Management, I would say this is the driver’s seat of online bandwagon [LAUGHTER]. Online education can never prosper without the support of the school administration. So, leading school reforms, like entering the field of online education requires certain strategies to be certain of success. Therefore, I would say this section will indeed equip the readers with those skills, perhaps Safary, can tell us what section seven is?

Safary: I would say the last section is the Customer Service, given that the students are the customers. So the customer service, how to make sure we deliver the best customer service to the online students. And so it discusses all those different aspects of how to really prepare, plan effective service to the students, because many times when people are migrating from face-to-face to online or integrating online education, they forget that online students actually need serious support. And this support definitely needs to be defined. And people who are dealing with the students need to be trained. And so the last chapter actually deals exactly with that.

Leni: For me, because I was looking at the table of contents, and I was smiling in my mind, wow, this is really neatly done. And so this works came to my mind, and I said, Oh, the seventh section, this section focuses on the heart of every online classroom, the students. And so because the students are the reason why we offer online learning, thus we ought to know how we should support them.

Rebecca: One of the things that I love about working on collaborative projects that are really big, and then you have these opportunities to reflect together, is how you summarize what you did. It’s probably really different than while you were right in the middle of it. And it’s fun watching the facial expressions and things as you guys are describing the different sections.

John: With 50 chapters, there’s a great deal of breadth and depth on these topics. In section one, though, you address two topics which are not always considered as part of traditional, at least, online education, which is the use of MOOCs and ERT, emergency remote teaching. But these have played fairly important roles. Could you talk a little bit about the role of MOOCs and Emergency Remote Teaching in the larger environment of online higher education?

Leni: As I see it, MOOC and ERT are connected to the overall theme of the book, because technically they are both delivered online. Online learning can be synchronous or asynchronous. And it’s mostly taken asynchronously while ERT is done synchronously, because it is generally a replication of the face-to-face classroom through the web. However, there are certain arguments in the field as to whether can we classify these two under online learning, because they are believed to not use the principles of effective online teaching. And they say, is their instructional design in ERT? There are more questions to raise to the point that some people believe they should not be called online learning. But for me, we have a common denominator, course delivery through the web. Maybe we can hear from my co-editors here, Kelvin and Safary, what they think about it?

Kelvin: I was thinking, John, when you asked that question, I think the combination of Emergency Remote Teaching and Massive Open Online Courses, it’s part of the popular conception of what online education is, it’s sort of like what a layperson might think, is, it’s just one big thing. So if you didn’t address Emergency Remote Teaching, Massive Open Online Courses, maybe even Blended or Hybrid learning, those mutations, it might not provide quite the same way in for the broadest possible audience. But then, once we’ve ushered you into the house, through the front door, I hope we do a good job of taking you on a more detailed guided tour through the nuances and everything that online education can be, without just being stuck at that surface level.

Safary: If I may add something to the ERT. Personally, the reason why I wanted to see this chapter there was that outside of the United States and maybe Canada, and a little bit of Latin America, when ERT came, Emergency Remote Teaching came, many people call it online education. And as we know, online education, the way we know it traditionally, is much more than translating your face-to-face class to a Zoom class or Google meet class. And let’s face it, that the word there is emergency. This was an emergency modality, which obviously emergency is never the best option, it means better than the chaos that you’re going through. And so many people who didn’t know online education, they came to believe that Emergency Remote Teaching means online education. And many people who were against online education to start with, it was like, “Okay, we have already said that this thing is really bad because it was an emergency.” So it was very important to distinguish what Emergency Remote Teaching is. And in the future, if somebody wants to use that for another calamity that happens, then they know what steps to take, but it does not replace what is known, what we define as quality online education.

Rebecca: One of the parts of your book, The second section is about online education around the world. And getting that tour around the world is not something we typically get the opportunity to have. So can you talk a little bit about what some of the global differences in how online higher education is structured and practiced across continents and regions?

Safary: This section came up as we were trying to make the book global. We really wanted to hear the voices of the people from around the world and not just the United States… the United States being the lead on online education, no question about that. We wanted to know where things are in different regions that were represented. We had to even go online to try to track people down from different countries. It was not easy finding people from certain regions where we didn’t have a network. So as a result, we’re able to bring on board chapters from different parts of the world. We had a chapter from the United States, we had a chapter from Europe, from Canada, from Asia, from Latin America, from Africa, from Australia, and from Middle East. So we were able to see what was happening in each one of them. And these chapters we had, they were kind of similar in a way where we wanted to know what is happening, what are the challenges, what are the achievements that people have in those regions, so that people from those regions who decided to do more work on online education, they have a place where they can learn of what is happening in the whole region from this book. They can have this as a reference to understand what was happening in their region. It is true that when you have one chapter, for example, I co-authored a chapter on Africa, because I was still in Africa at that time. It’s a chapter that’s covering 52 countries, you cannot really cover 52 countries, we just had to have illustration from some of African countries, because there’s no way we have data on all the 52 countries, but at least, there were some common themes that were coming up from a different African countries if I can speak from that specific region.

Leni: I can speak from the perspective of an Asian because I come from Asia. And I would say, we cannot deny that online education started in the West. But because we live in a connected world, it spread easily. Basically, I can see a lot of similarities around the world. The only differences I noticed, because your question says what are some of the global differences in how online education is structured and practiced? Now, I would say the only differences I noticed are the approaches to online learning, depending on the level of their maturity, in using this modality, and the resonance of the context they serve. Institutions that have been engaged in online learning for a long time definitely deal with issues that are different from those of newcomers, the needs of the context they serve also differ, so the strategies utilized also differ. One thing I would highlight, though, is that you can clearly see the creativity and continuity of people in different parts of the world in running online education. And we still can learn from each other. That’s why I said a while ago, the section on the global online education is really colorful.

Rebecca: One of the things that I think is really interesting about that section, is that it can also give us insight as instructors that teach a global audience about what the contexts are that students might be coming from. And that’s something that we often don’t have a little bit of insight into.

Safary: I think that is a very good point. Now that we have online education, people are teaching in many different countries. I remember just a couple of weeks ago, I was approached by one of my former students who wanted me to teach a class in the Caribbean. If things worked out for me, for that class, I would have just glanced at that chapter that covers a little bit of the Caribbean and see what I need to watch out for. So that is definitely a good point for the section on the different regions. In this handbook.

John: When online education first started, there wasn’t really that much known about what would work effectively. And as online education evolved, we saw the role of instructional design become an important part of the practice of online education. And section three deals with online instructional design. And that’s helped facilitate and inform online education, along with a lot of research that’s been done since the early stages. How have instructional design practices evolved since the early stages of online education in the latter part of last century?

Kelvin: That’s a good question. And I guess I’ve been in this field watching this first hand and touching it for about 25 years now. So I sometimes say not exactly the first floor of the building, but just one step above. And what I would say is that when I started in the late 90s, what we saw a lot was adaptation of traditional instructional systems design models and practices, that is constructs that were used quite often in corporate education. See if this takes you back to the past: CD ROM development, military learners. Those kinds of methods, practices, and models were adapted to this online context. And some of that’s constrained, like you’re making a system, like it’s a bounded system that was, quite often the context, like a CD ROM. And now you’re talking about the internet, a network open system. And I remember some of those early days, like, “Okay, what can we learn from these models? How can we adapt those?” Over time though, we learned that this is a unique context, which then began to have its own models and practices and processes and research and iterations and development. And I think of even things like much newer developments, like alongside of constructs like inclusive pedagogy, we see practices and thrusts, like inclusive design, as being a very specialized subset. So we’ve got a very robust research and professional practice literature that has grown up and these, arguably, two and a half decades of online education experience to draw upon. And I guess I’ll just say this, about that. Throughout my time in this field, what I’ve seen is that online tends to make the formerly invisible, visible; formerly implicit, explicit. And I think that evolution of instructional design and development field, it has learned from that. Online education has drawn us along in what does it mean to bring learners in from really anywhere and bring them together in a learning community, and how do we excel in that. That’s been a really rich progression over these last two and a half decades.

Safary: If I may add to that, the reason why we had this section was that many people who are new to online education, they think that online education is about uploading all the files that you have been using face to face, and then let the students read that, and that’s online education. It leads to a lot of frustration from the students because there was no instructional design for online learning. And so we needed to have a section that would guide people into that. And also for instructional designers in college and universities where they already have instructional designers. Some of them have not gotten a degree in instructional design. So they have limited knowledge. They just happen to know a little bit more than everybody else, but they don’t really have a solid foundation. And so that section helps to kind of guide people in the proper instructional design for online learning.

Rebecca: So sections four and five focus on online instructional delivery and instructional technology. These are topics that we love to talk about and have episodes of this podcast on. But given the time constraints, we probably can’t dig in fully here. But can you help us identify some of the most important changes that have occurred in how well designed online courses are taught?

Leni: That’s a nice question. Kelvin also said a while ago, he was mentioning about the early years of online instructional design, I would say, perhaps 1998 to 2000, those are the early years I’ve been involved, still in the planning stages of online delivery. Most of the online courses we developed were primarily text based, and are delivered asynchronously. That was after the military, Kelvin used, online learning, it was already in the university. Why text based? Because even our students, in the context we are serving also did not have the capability or the capacity to access videos or higher level technology tools. That’s why we designed the way they can access us. And so, yes, it was primarily text based and asynchronous. However, through the years, I would say two forces caused the major changes in the way we design online courses, first, technological developments, particularly in instructional technology. And second, changes in the needs or nature of our stakeholders, the students. Well, technological developments without a doubt have increased the repertoire of instructional media that we can use in designing truly engaging online courses. But as I’ve said earlier, technology is not the heart of online learning… it’s our students. And we saw how the nature of our online students change over time as well. While many of them were happy with plain text based asynchronous online courses during the early days, now they want more real-time meetings. And the flexibility they want is indeed tremendous, I tell you. We notice that there is a greater demand now for more flexible and personalized learning approaches. And these topics are dealt with in this handbook. I know Kelvin has written on this. And some other chapters also addressed this flexible learning, personalized learning approaches. These are now the needs and demands of the new generation of online students.

John: This is bringing me back to a time when I started back in 1997 teaching online when many of the students had 300 baud… [LAUGHTER] …or 1200 baud modems, and you couldn’t do much more than text. And I remember putting in some flash-based videos, and many students couldn’t access those because they didn’t have the download speed, especially students in more rural areas. So there was a lot of resistance to online education when it was first introduced, which is one of the reasons why I think instructional design practices became a part of early online education to help ensure the quality of that. And we do have, in most institutions a fairly elaborate process of instructional design assistance and instructional design review for online courses, which is something that’s never really happened in the same way for most face-to-face courses. Might it be time to start applying some of the techniques and practices of design that’s being used for online course delivery to in-person course delivery?

Safary: I remember about 15 years ago, I was training faculty on online teaching in the Caribbean. And I remember many of them, at the end of the training, saying, “I have improved my face-to-face teaching because of the training that I have been going through for online teaching.” So I definitely believe that if people get the proper training in online teaching, they can use that knowledge to improve face-to-face teaching. Because let’s face it, many people are teaching not because they have a degree in education, but because they have a degree in whatever field they come from, they have never learned how to teach. And so when they go through the training for online teaching, they discover a lot of principles that they should have even been using face to face. So I definitely agree with you on that one.

Kelvin: Yeah, it’s true. I say it all the time online makes the formerly implicit, explicit; formerly invisible, visible. And I think that’s why online has been a vehicle for applying thoughtful design and teaching practices and the improvement thereof. Once you sort of concretize the elements that make up an online education experience, then you can see well, how are they arrayed? Are they lined up properly? Does this cause lead to the desired effect, and you can work on improvement, no offense to anyone in this, but when we just are dealing in the ephemeral, we will walk into a space, four walls and a door, and we say words into the air, it’s much harder to see how those parts fit together or don’t. And it’s harder to be reflective. So, I think that’s the reason that online education has brought more emphasis to potential improvements, continuous improvements, and so I welcome it as a vehicle for a more thoughtful process in general. I love this elegant turn of phrase Caroline Boswell says she frames teaching as a student success intervention. Or as I put it, I’m one of those odd people who sees a connection between teaching and learning. And not everybody does.

Rebecca: You’re kind of queuing up our next question perfectly Kelvin. The final section of your book is really about student support. And our students are often distributed when we’re teaching online. So what are some of the biggest challenges in terms of supporting students that are in these online programs or online courses?

Kelvin: Yeah, I would welcome Leni’s and Safary’s viewpoint on this as well. But to me, I’ll keep it simple and say that the biggest challenge is the diversity of student profiles. The different backgrounds, the multifaceted demographics, and resource or not resource, or technological connection or not technological connection, that diversity makes it awfully hard to assure kind of an equitable experience for everyone. So that’s the gap that emerges, that student support is trying to offer… not to mention the diversity of approaches to design and development in the actual experience. But I’m curious what Leni and Safary would say to that.

Leni: I would go for the opposite, on the side of the teachers, I would say the greatest challenge in student support is personalizing your support. It’s related to your diversity. Almost every online student has her unique needs and contexts. So considering different personalities and backgrounds as well, you may be able to personalize your support. But in the name of efficiency, you’ll find yourself dehumanizing the process. What do I mean by this? Well, machines can never replace human touch. And human touch is what every online student needs.

Safary: If I may speak a little bit from experience I had in Kenya during the COVID-19, we migrated our classes to the online delivery. And I quickly realized that… and this was something that was going on in all of Africa, I know this because I was involved in different international association for online education all over the continent…. and so we were meeting and discussing some of these issues. The major challenges that were going on at that time, I don’t know about today, were dealing with infrastructure, because most universities that didn’t have online education platforms, or online education structural systems, so the technology was not in place. Many students there were not access because the internet was extremely slow, some were using loads of data to access the materials and they would run out. Some had issues with electricity. These are things we take for granted in the West. These are the not issues that we will discuss even in textbooks of online education, but they are real issues that cannot be ignored. And so that was a major challenge in supporting online students, because the infrastructure was not in place. And I think the issue is still the same. But more and more work is being done. I remember, for example, in Kenya, what the government did, they gave the free data access to all the faculty in the whole country, as long as it was used only for instructional purposes [LAUGHTER]. If you want to use it for something else, it wouldn’t work. I mean, that was quite creative, to try to help people to help education move forward, because everything was just stuck because of COVID-19.

John: Over the past year, we’ve seen a fairly explosive growth and use of generative AI large language models, including chat GPT, Claude, and a few others that have come out very recently. And that opens up a lot of interesting opportunities, but also some challenges for online education, particularly concerning the assessment of asynchronous learning. How do you see online education adapting in response to the widespread availability of tools like this, which will only become more powerful over the next few years?

Kelvin: It’s sort of the very definition and epitome of disruptive innovation or disruptive technology. And just to be clear about this, I don’t think it’s limited or focused on asynchronous online education, I think it’s everything. For me, it’s really an opportunity to address learning and assessment of learning much more meaningfully, and I’ll use one of Leni’s words, more personalized and relational. I think one of the things we’re seeing with the injection of these various forms of artificial intelligence into the learning setting is the value proposition of the human. And I think it was Cathy Davidson, years ago, from HASTAC said something like, “If we faculty can be replaced by a computer we should be.” That is, if all you’re offering is something that is easily rendered more efficient and scalable by a machine then, well, what are you doing it for? I think that the opportunity to really gauge learning, which is a very personal and a meaningful thing, we act like it’s something that’s kind of homogenized and industrialized, but learning… I don’t know what learning is, frankly, I can’t crack open a human and see what all is happening with the connections and making of meaning in all the background experiences. All I can do is get insight, but in dialogue, in the creation of artifacts I get a glimpse. If we’re product oriented, to the exclusion of the process, and to the exclusion of the human context, well, that can be certainly disrupted, maybe stolen by artificial intelligence in machines. But if we keep the emphasis on humans, on “Well, John, tell me about this…” that’s more meaningful. I learned a practice a long time ago from a faculty member that I studied under, where she adopted a practice of a learning summary. And in any course, again, that’s just one artifact, but it gives a glimpse into the articulation of what learning is really about. So I think we need to push the envelope in “What does authentic assessment mean? What does meaningful learning look like?” Now, that’s hard to do at scale. Are you going to have a personal oral defense with every student for every assignment, probably not. But if we see artifacts, and products, as breadcrumb trails leading to a destination of a more substantive dialogical process, well, then maybe that’s something. So I don’t think we know yet how this is going to play out. And I think your listeners are gonna find cold comfort from me in getting to an easy solution. But I think the future of responding to generative AI is to lean more into the human and the relational than less.

Rebecca: So we always end by asking what’s next?

Safary: Well, as far as this project is concerned, what is next really, we want to continue building a community of online higher education scholars, practitioners, so that this momentum that has been created by this book can continue, because this is one of the few maybe rare books that really have so much global contribution to online education. Many of the books that are written, they’re usually kind of regional to a specific region of the world. And so this is the first time we have a network of, I think, around 100 people who contributed to this, coming from many different countries. And I feel this has created synergy on the discussion of online education in a way that we should not let that go. So one of the things that we have been talking about is the possibility of holding a summit on online higher education in the next few months, once everybody has gotten a chance to hold a copy of this book, and to bring different experts together from different parts of the world, and try to address online education from different parts of the world, while addressing common issues such as assessment, which is one of the major controversial issues anywhere have been, everybody talks about the challenges of online assessments. So that’s things like this, and probably this artificial intelligence, which is a new thing, we may want to go deeper into that… we’re not able to dig too deep with that, although we addressed it in the book. But we didn’t go too deeply because it was still kind of new ChatGPT was just coming out when we were finishing the handbook. And so that is one of the things that we are looking into, there is another handbook in the making with SAGE that will focus specifically on instructional design in higher education. So that would be like an extension of this project. So we want to continue building on this work, because we consider it’s very important.

Leni: I’m really optimistic about the next steps on this because it’s like a seminal book that really got there’s a global perspective, as Safary says it’s not the same as the other online learning books. So we can also see a lot of developments coming up. And so I will say, this book is just step one, the next steps will really be coming up definitely, because the field is always growing. We have seen its growth, and it will still grow. And so there’s more to follow, I believe.

Rebecca: Well, thank you all for joining us. I know that our listeners will really enjoy the handbook and all that it has to offer.

John: Well, thank you, and it’s great talking to all of you and we’re looking forward to reading the book.

Safary: Thank you so much for the opportunity. Really appreciate that and wish everybody a wonderful reading experience.

Kelvin: Thanks for having us, Rebecca and John.

Leni: Thank you very much.

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John: If you’ve enjoyed this podcast, please subscribe and leave a review on iTunes or your favorite podcast service. To continue the conversation, join us on our Tea for Teaching Facebook page.

Rebecca: You can find show notes, transcripts and other materials on teaforteaching.com. Music by Michael Gary Brewer.

Ganesh: Editing assistance by Ganesh.

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305. 80 Ways to Use ChatGPT in the Classroom

Faculty discussions of ChatGPT and other AI tools often focus on how AI might interfere with learning and academic integrity. In this episode, Stan Skrabut joins us to discuss his book that explores how ChatGPT can support student learning.  Stan is the Director of Instructional Technology and Design at Dean College in Franklin, Massachusetts. He is also the author of several books related to teaching and learning. His most recent book is 80 Ways to Use ChatGPT in the Classroom.

Show Notes

Transcript

John: Faculty discussions of ChatGPT and other AI tools often focus on how AI might interfere with learning and academic integrity. In this episode, we discuss a resource that explores how ChatGPT can support student learning.

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John: Thanks for joining us for Tea for Teaching, an informal discussion of innovative and effective practices in teaching and learning.

Rebecca: This podcast series is hosted by

John: , an economist…

John: …and Rebecca Mushtare, a graphic designer…

Rebecca: …and features guests doing important research and advocacy work to make higher education more inclusive and supportive of all learners.

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John: Our guest today is Stan Skrabut. Stan is the Director of Instructional Technology and Design at Dean College in Franklin, Massachusetts. He is also the author of several books related to teaching and learning. His most recent book is 80 Ways to Use ChatGPT in the Classroom. Welcome, Stan.

Stan: Well, thank you ever so much for having me on. I have been listening to your podcast since the first episode, you guys are crushing it. I recommend it all the time to my faculty. I’m excited to be here.

John: Thank you. And we very much enjoyed your podcast while you were doing it. And I’m hoping that will resume at some point when things settle down.

Rebecca: Yeah, we’re glad to have you here.

Stan: Yeah, thanks.

John: Today’s teas are:… Stan, are you drinking any tea?

Stan: A little bit of a story. I went over to the bookstore with the intent of getting tea. They had no tea in stock. I went to the vending machine on the same floor. The vending machine was down. I went to another building. I put in money. It did not give me tea. I’m stuck with Mountain Dew. I’m sorry. [LAUGHTER]

Rebecca: Not for lack of trying. Clearly. [LAUGHTER]

Stan: I tried. I tried.

Rebecca: I have some blue sapphire tea.

John: And I have Lady Grey.

Rebecca: You haven’t drink that in a while John,

John: no. [LAUGHTER]

Rebecca: Little caffeine today huh. [LAUGHTER]

John: Yeah well i am back in the office, I’ve returned from Duke and I have more options for tea again.

Rebecca: That’s good. So Stan, we invited you here today to discuss 80 Ways to Use ChatGPT in the Classroom. What inspired you to write the book?

Stan: Well, I’m an Instructional Technologist and my responsibility is to help faculty deliver the best courses possible. And in November 2022, ChatGPT came onto the scene and in December, faculty are up in arms, “Oh, my goodness, this is going to be a way that students are going to cheat and they’ll never learn anything again.” And as an instructional technologist, I see technology as a force multiplier, as a way to help us do better things quicker, easier. And so I didn’t feel threatened by ChatGPT. I’ve been looking at the horizon reports for the last 20 years. And they said, “AI is coming. It’s coming. It’s coming. Well, it’s here.” And so it was just a matter of sitting down in January, write the book, publish it, and provided a copy to all the faculty and we just started having good conversation after that. But the effort was that we should not ban it. That was the initial reaction; that this is a tool like all the other tools that we bring into the classroom.

Rebecca: Stan, I love how you just sat down in January and just wrote a book as if it was easy peasy and no big deal. [LAUGHTER]

Stan: Sell, I will have to be honest, that I was using ChatGPT for part of the book, it was a matter of I asked ChatGPT kind of give me an outline, what would be important for faculty to know about this, so I got a very nice outline. And then it was a matter of creating prompts. And so I’d write a prompt and then I would get the response back from ChatGPT. It was a lot of back and forth with ChatGPT, and I thought ChatGPT did a wonderful job in moving this forward.

John: Most of the discussion we’ve heard related to ChatGPT is from people who are concerned about the ability to conduct online assessments in the presence of this. But one of the things I really liked about your book is that most of it focuses on productive uses by both faculty and students and classroom uses of ChatGPT because we’re not always hearing that sort of balanced discussion about this. Could you talk a little bit about some of the ways in which faculty could use ChatGPT or other AI tools to support their instruction and to help develop new classes and new curriculum?

Stan: Yeah, absolutely. I guess first of all, I would like to say that this is not going anywhere. It is going to become more pervasive in our life. Resume Builder went out and did a survey of a couple thousand new job descriptions that employers were putting out. 90% of them are asking for their employees to have AI experience. As higher education, it’s upon us to make sure that the students that are going out there to be employees know how to use this tool. With that said, there has to be a balance. In order to use the tool properly, you have to have foundational knowledge of your discipline. You have to know what you’re talking about in order to create the proper prompt, but also to assess the proper response. With ChatGPT sometimes it doesn’t get it right… just how chat GPT is built, it’s built on probabilities that these word combinations go together. So it’s not pulling full articles that you can go back and verify, kind of like the human mind has been working. We have built up knowledge all these years. My memory of what happened when I was three, four or five years old is a little fuzzy. Who said what? I’m pretty confident what was said. I’m pretty confident, but it’s still a little fuzzy. And I would need to verify that. So I see ChatGPT as an intern, everybody gets an intern, now. They do great work at all hours, but you as the supervisor still have to verify the information is correct. Back to the classroom, students can’t or should not, or regardless of who’s using it, should not just hit return on a prompt, and then rip that off and hand it in to their supervisors or instructor without verifying it, without making it better, without adding the human element to working with the machine. And that is, I think, where we can do lots of wonderful things in the classroom. You know, from the instructor side of go ahead and use this for your first draft. Now turn on the review tools that track changes and show me how you made it better, as you’re working towards your final product. Instructors can go ahead and craft an essay, craft out some supposedly accurate information from ChatGPT. tThrow it in the hands of the students and say: “Please, assess this. Is this right? Where are the policies? Where are the biases? Tell me where the gaps are. How can we make this better?” And using it to assess it.” Those are some initial ways to start asking students or using it in the class. I don’t know if I’m tapping into all the things. There’s just so many things that you could do with this thing.

John: And you address many of those things in the book. Among those things that you address was having it generate some assignments, or even at a more basic level, having it develop syllabi, or course outlines and learning objectives and so forth, for when faculty are building courses.

Stan: Oh, absolutely. We have a new dean at our School of Business. And he came over and wanted to know, “Tell me a little bit more about ChatGPT, how we can use this. They’re looking at creating a new program for the college. And it’s like, “Well, let’s just start right there.” What are the courses that you would have for this new program and provide course descriptions, titles, and descriptions? Here comes the list of 10, 12 different courses for that particular program. Okay, let’s take this program, what are the learning outcomes for this particular program? So we just copied and pasted, asked for learning outcomes, here comes the list of outcomes. Now for these different outcomes, provide learning objectives. And it starts creating learning objectives. And so you can just continue to drill down. But this moves past the blank page. Normally you’d bring in a group of faculty to work on that program, what are your ideas and send everybody off, and they would pull ideas together and you would start crafting this. This was done in 30 seconds. And now okay, here’s the starting point for your faculty. Where are the problems with this? How can we make it better? Now go. Instead of a blank page, starting with nothing? That was one example. But even for your course, using ChatGPT, having a course description, you can ask it to say, provide me a course plan for 16 weeks. What would I address in this? What would be the different activities? Describe those activities. If you want it to have the activities use transparent assignment design, it’ll craft it in that format. It knows what transparent assignment design is, and it will craft it that way. And then going back to assessment, you can build content. So looking at that OER content, open education resources, that it can get you a jumpstart on that OER content. What are gaps that I want or taking content that’s there and localizing it based on your area to say here we are in New England, Massachusetts, specifically, I need an example. Here’s the content that we’re working with. Give me an example, a case study, and it will craft a case study for you. It allows you to go from that zone of drudgery to your zone of genius very rapidly. I’ve been working on a new book, and got down to the final edits, and I was like, “Oh, I’m missing conclusions to all these different chapters.” I just fed the whole chapter in and said, “Could you craft me a conclusion to this chapter?” And it just knocked it out. I mean, I could do it. But that’s my zone of drudgery, and I’d rather be doing other things.

Rebecca: It’s interesting that a lot of faculty and chairs and administrators have been engaged in this conversation around ChatGPT quite a bit, but many of them haven’t actually tried. ChatGPT. So if you were to sit down with a faculty member who’s never tried it before, what’s the first thing you’d have them do?

Stan: This is an excellent question because I do it all the time. I have a number of faculty members that I’ve sat down, looked at their courses and say, “What is the problem that you’re working with? What do you want to do?” And that’s where we start. We say “What is the problem that you’re trying to fix?” ChatGPT version three had 45 terabytes of information it was given. They say the human brain has about 1.25 terabytes. So this is like asking thirty-some people to come sit with you to work on your problem. One class was a sports management class dealing with marketing. And they were working with Kraft enterprises that has the Patriots, and working on specific activities for their students and developing marketing plans and such. We just sat down with ChatGPT and started at a very basic level to see what we could get out of it. And the things we weren’t happy with, we just rephrased it, had it focus on those areas, and it just kept improving what we were doing. But, one of the struggles that I hear from faculty all the time, because it’s very time consuming, is creating assessments, creating multiple choice questions, true and false, fill in the blank, all these different things. ChatGPT will do this for you in seconds. You feed all the content that you want, and say, “Please craft 10 questions, give me 10 more, give me 10 more, give me 10 more. And then you go through and identify the ones you like, put them into your test bank. It really comes down to the problem that you’re trying to solve.

John: And you also know that it could be used to assist with providing students feedback on their writing.

Stan: Absolutely

John: …that you can use it to help generate that. Could you talk a little bit about that.

Stan: We’re right now working with the academic coaches. And this is one of the areas to sit down. I’m also not only the Director of Instructional Technology and Design, but also my dotted line is Director of Library. So I’m trying to help students with their research. And the writing and the research go hand in hand. So from the library side, we look at what the students are being assigned, and then sit down and just start with a couple key terms or phrases, keywords that we want and have ChatGPT to give us ideas on these different terms. And it’ll provide ten, twenty different exciting ideas to go research. Once again, getting past the blank page. It’s like “I gotta do an assignment. I don’t know what to do.” It could be in economics, I don’t know what to write about in economics, it’s like, well, here pull these two terms together, and what does it say about that?” So we start at that point. And then once you have a couple ideas that you want to work with, what are some keywords that I could go and start researching the databases with, and it will provide you these ideas. It’ll do other things, it’ll draft an outline, it’ll write the thing if you want it to, but we try to take the baby steps in getting them to go in and research but getting pointed in the right direction. On the writing side, for example, I have a class that I’m going to be teaching at the University of Wyoming to grad students. I’m going to introduce ChatGPT. It’s for program development and evaluation, and I’m going to let them use ChatGPT to help with this. One of the things that academic writers struggle with is the use of active voice. They’re great at passive, they’ve mastered that. Well, this will take what you’ve written and say, “convert this to active voice” and it will rewrite it and work on those issues. I was working with one grad student and it was after playing with ChatGPT a couple of times, she finally figured out what really was the difference and how to overcome that problem and now she is writing actively, more naturally. But she struggled with it. With ChatGPT, you can take an essay, push it up into ChatGPT and say, “How can I make this better?” And it will provide guidance on how you can make it better. You could ask it specifically, “How can I improve the grammar and spelling without changing any of the wording here.” It’ll go and check that. So for our academic coaches, because there’s high volume, this is another tool that they could use to say, “Here’s the checklist of things that we’ve identified for you to go work on right away,” not necessarily giving solutions, but giving pointers and guidance on how to move forward. So you can use it at different levels and different perspective, not where it does all the work for you but you could do it incrementally and say, “here assess this and do this.” And it will do that for you.

Rebecca: Your active and passive voice example reminds me of a conversation I had with one of our writing faculty who was talking about the labor that had been involved previously of making example essays to edit of to work on writing skills. And she just had ChatGPT write things that [LAUGHTER] are of different qualities, and to compare and also to do some editing of as a writing activity in one of her intro classes.

Stan: Absolutely. What I recommend to anyone using ChatGPT is start collecting your prompts, have a Google document or a Word document, and when you find a great prompt, squirrel it away. Some of the workshops that I’ve been giving on this, I demonstrate high-level prompts that are probably two pages long that you basically feed this basic information to ChatGPT and it talks everything about the information that you’re going to be collecting, how you want to collect it, how you want it to be outputted, what items are you going to output, and you’re basically creating this tool that you can then call up and say, for example, developing a course, that it will write the course description, give you a learning outcomes, recommended readings, activities, and agenda for a 16 week, all in one prompt. And all you do is say “this is the course I want” and let it go. It’s amazing what problems that we can build this tool just like we build spreadsheets, we build these very complex spreadsheets, to do these tasks. We can do the same with Chat GPT, we just have to figure out what the problems we’re trying to solve.

John: Our students come into our classes with very varied prior preparation. In your book, you talk about some ways in which students can use ChatGPT to help fill in some of the gaps in their prior understanding to allow them to get up to speed more quickly. Could you talk about some ways in which students can use ChatGPT as a personalized tutor,

Stan: I’m going to take you through an example that I think can be applied for students. A student comes to your class. Ideally, they’re taking notes, one of the strategies that I use is I have my notebook, I’ll open my notebook, and I’ll turn on otter.AI, which is a transcription program. And I will go over my notes, I will basically get a transcription of those notes, I can then feed that transcription into ChatGPT and say clean it up, make a good set of notes for me. And it will do that. And then I can build this document and then I can review what we did in class, build a nice clean set of notes, and have that available to me. Over a series of setw of notes, I could do the same thing by reviewing a textbook and highlight and talk about, transcribe key points of the textbook or I can cut and paste. And then I can feed that information into ChatGPT and say, “Build me a study bank that I can build a Quizlet, for example, or I need to create some flashcards on what are the key terms and definitions from this content?” Here you go. Create some flashcards from that material. It could be that no matter how great the instructor is, I still don’t get it. They introduced a term that is just mind boggling, and I still don’t get it. And so I can then ask ChatGPT to explain that at another level. They talk about non-fiction, some of the best non-fiction books or the most popular that are out there getting on the bestsellers list, they’re written at a certain grade level. And I know that I write typically higher than that grade level, I can go ask ChatGPT to rewrite it at a lower grade level. I could, as a student, ask ChatGPT, to give an explainer at a level that I do get to understand. Those are certain ways that you can do this. And you basically can build your own study guides that have questions that have examples of all the materials, so you can feed that material in and get something out, just enhance it. And I think for faculty, this is also an easy way to create good study guides, that you can get the key points and build the study guides a lot easier, just going with the blank page and trying to craft it by hand, can be very difficult. But if you already have all your material, you feed it in there, and then say here, let’s build a study guide out of this year with some parameters, definitely much more useful.

Rebecca: We’ve talked a lot about how to use ChatGPT as an individual, either as an instructor or as a student. Can you talk a little bit about ways that instructors could use ChatGPT for in class exercises or other activities?

Stan: Absolutely. And I’m sorry, some of the examples other folks have actually contributed first, and I saw him and I thought they were just brilliant, but I don’t have their names right in front of me. So I apologize ahead of time. But as an instructor, I would invite ChatGPT into the classroom as another student. We call it Chad, Chad GPT and bring Chad into the classroom. So you could have an exercise in your classroom, ask the students to get into groups, talk about an issue, and then up on the whiteboard, you start getting their input, you start listing it. And then once you’re done, you can feed Chad GPT the same prompt and get the list from Chad GPT, and then compare it to what you’ve already collected from the students, what their input has been. And from there, you can do a comparison, like “We talked about that, and that, and that, oh, this is a new one. What do you think about this?” And so you can extend the conversation by what Chad GPT has provided? …and there I go, Chad, I’ll be hooked on that for a while. But you can extend the conversation with this or if students have questions that are coming up in class, you can field that to the rest of the class, get input and then say “Okay, let’s also ask Chad, see what Chad has to say about that particular topic?” Those grouping exercise we typically do the think-pair-share exercise, well part of that is each student gets to get Chat in that group. So, each group you can have Chad come in where they have to discuss, they have to think about it first, write something down, pair, discuss it, then add ChatGPT into the mix, talk about it a little bit more, and then share with the rest of the class. Lots of different ways that you can bring this into the classroom, but I bring it right in as another student.

Rebecca: Think-pair-chat-share. [LAUGHTER]

Stan: Yep. And that’s that mine that actually somebody was clever enough, they found that. I just happen to glom on to it. But yeah, definitely a great way of using it. It’s a new tool. We’re still figuring our way, but it’s not going away.

Rebecca: So whenever we introduce new technology into our classes, people are often concerned about assessment of student work using said technologies. So what suggestions do you have to alleviate faculty worry about assessing student work in the age of ChatGPT?

Stan: Well, students have been cheating since the beginning of time. That’s just human nature. Going back to why are they cheating in the first place? In most cases, they just got too much going on, and it becomes a time issue. They’re finding the quickest way to get things done. So ensuring that assignments are authentic, that they’re real, they mean something to a student ,is certainly very important in building this. The more it’s personally tied to the student, the harder it is for ChatGPT to tap into that. ChatGPT is not connected to the internet yet. So having current information, that’s always a consideration. But I would go back to the transparent assignment design, and part of the transparent assignment design that is often overlooked is the why. Why are we doing this. If you use ChatGPT to do this, this is what you’re not going to get from the assignment. So, when building those assignments, I recommend being very explicit that yes, you can use ChatGPT to work on this assignment, or no, you cannot, but here’s why. Here’s what I’m hoping that you get out of this. Why this assignment’s important. Because otherwise, it just doesn’t matter. And then when I have an employee that just simply hits the button and gives me something from ChatGPT, I’m going to ask, “Why do I need you as an employee? Because I could do that. Where’s the human element? …bringing that human element into it, why is thisimportant?” What learning shortcut or shortcutting you’re learning, if you just rely on the tool and not grasp what the essence of this particular assignment is. But I think it goes back to writing better assignments… at least that’s my two cents on it.

Rebecca: Thankfully, we have ChatGPT for that.

John: For faculty who are concerned about these issues of academic integrity, certainly creating authentic assignments and connecting to individual students and their goals and objectives could be really effective. But it’s not clear that that will work as well when you’re dealing with, say, a large gen-ed class, for example. Are there any other suggestions you might have in getting past this?

Rebecca: John? Are you asking for a friend? [LAUGHTER]

John: [LAUGHTER] Well, I’m gonna have about 250 students in class where I had shifted all of the assessment outside of the classroom. And I am going to bring some back into the classroom in terms of a midterm and final but they’re only 10 and 15% of their grade, so much of the assessment is still going to be done online. And I am concerned about students bypassing learning and using this, because it can do pretty well on the types of questions that we often ask in introductory classes in many disciplines.

Stan: That’s a hard question, because there’s certainly tools out there that can identify where it suspects it’s been written by AI. ChatGPT is original text so you’re not dealing with plagiarism, necessarily, but you’re dealing with, it’s not yours, it’s not human written. There are tools out there, but they’re not necessarily 100% reliable. Originality.AI is a tool that I use, which is quite good, but it tends to skew, everything is written AI. TurnItIn, they’ve incorporated technologies into being able to identify AI, but it’s not reliable. This honestly comes down to really an ethics issue, that folks who do this feel comfortable in bypassing the system for the end game, which is to get a diploma. But then they go to the job and they can’t do the job. And a recent article that I read in The Wall Street Journal was a lot of concern about employees not having the skill sets that they have, and how to convince students of this, that “why are you here? What’s the whole purpose of doing this? I’m here to guide you based on my life experience on how to be successful in this particular discipline, and you don’t care about that.” That’s a hard problem to fix. So I don’t have a good answer for that. I’m always on the fence on that because it’s hurting the integrity of the institution that students can bypass, but it’s harder. Peer review is another tool, you know, to have them go assess it. They seem to be a lot harder [LAUGHTER] on each other. Yes, this is a tough one. I don’t have a good answer. Sorry.

John: I had to try again, [LAUGHTER] because I still don’t have very good answers either. But certainly, there’s a lot of things you can do. I’m using clickers.I’m having them do some small group work in class and submitting responses. And that’s still a little bit hard to use ChatGPT for just because of the the timing, but it was convenient to be able to let students work on things outside although Chegg and other places had made most of those solutions to those questions visible pretty much within hours after new sets of questions have been released. So, this perhaps just continues that trend of making online assessment tools in large classes more problematic.

Stan: Well, I mean, one of the strategies that I recommend is master quizzing. So master quizzing is building quiz that are 1000s of questions large and randomly drawn from it. And they get credit when they ace it. And then the next week, they have another one, but it’s also cumulative. So they get previous questions too. And you have to ace it to get credit. Sorry, that’s how it is, cheat all you want, but it’ll get old after a while.

John: And that is how my course is set up. And they are allowed multiple attempts at all those quizzes, and they are random drawings. And there’s some spaced practice built in too, so it’s drawing on earlier questions randomly, but, but again, pretty much as soon as you create those problems, they were very quickly showing up in the online tools in Chegg and similar places. Now, they can be answered pretty well, using ChatGPT and other similar tools. It’s an issue that we’ll have to address, and some of it is an ethics issue. And some of it is again, reminding students that they are here to develop skills, and if they don’t develop the skills, their degree is not going to be very valuable. I

Rebecca: Wonder if putting some of those like Honor Code ethics prompts at the beginning or end of blank bigger assessments would [LAUGHTER] prime their pump or just cause more ChatGPT to be used. [LAUGHTER]

John: That’s been a bit of an issue because the authors of those studies have been accused of faking the data. And those studies have not been replicated. In fact, someone was suspended at Harvard, recently, and is now engaged in a lawsuit about that very issue. So the original research that was published about having people put their names on things before beginning a test hasn’t held up very well. And the data seems to have been… at least some of it seems to have been… manipulated or fabricated. [LAUGHTER] So right now, ChatGPT allows you to do a lot of things, but they’ve been adding more and more features all the time. There’s more integrations, it’s now integrated into Bing on any platform that will run Bing. And it’s amazing how well it works, but the improvements are coming along really rapidly. Where do you see this as going?

Stan: November 2022, was ChatGPT built on GPT3 , we’re now into four. And this is only half a year later, basically, that we got into four. I mean, it’s everywhere. For example, in selling books, one of the things that you want to do is try to sell more books. So I went back to Amazon, pulled out all the reviews that I had, sent them into ChatGPT and said “Tell me what the top five issues are.” In seconds it told me it just assessed it where this would take large amount of time for me to do this and it just did it nice and neatly. Everything is going to have AI into it. Grammarly AI is being built into it. All the Microsoft products are going to have AI built in. We’re not getting away from it. We have to learn how to use this in our professions, in our disciplines. With ChatGPT4, it was said somebody had drawn a wire diagram of a website buttons and mastered and text and took a picture of it, gave it to ChatGPT4 and it wrote the code for that website. It’s gonna be exciting. Buckle up, and we had consternation about January, we’re gonna have a lot more coming up. It’s just part of what we do. We have to figure out how to stay relevant, because this is so disruptive. In the long line of technologies that has come out, this is really disruptive. We can’t fight against it, we have to figure out how to do it appropriately, how to use this tool.

Rebecca: The idea of really having to learn the tool resonates with me because this is something that we’ve talked about in my discipline for a long time, which is design. But if you don’t really learn how to use the tools well and understand how the tools work, then the tools kind of control what you do versus you controlling what you’re creating and developing. And this is really just another one of those kinds of tools.

Stan: Well, even in the design world, I’ve gone to Shutterstock. And there is something that allows you to create a design with AI. So the benefit for a designer is they have a certain language, tone, and texture. Their language is vast, and for them to craft a prompt would look entirely different from me, a snowman sticks for arms, it’d be entirely different. But getting the aspect ratio of 16 x 9, everything that you craft into this prompt and feed it in, somebody who does design and knows the language would get something then a mere mortal like me putting that information in. So for somebody who’s in economics, you have a whole language about economics. Somebody who is trying to craft a prompt related to that discipline has to know the foundationals, the language of that discipline, to even get close to being correct in what they’re gonna get back. And students have to understand this, they cannot bypass their learning because they will not have the language to use the tool effectively.

John: And emphasizing to students the role that these tools will be playing in their future careers, might remind them of the importance of mastering the craft in a way that allows them to do more than AI tools can. And at some point, though, I do wonder [LAUGHTER], at what point AI tools will be able to replace a non trivial share of our labor force.

Stan: It’ll affect the white collar force a lot quicker. And I look at it… a nice analogy for the AI was in the Marvel, you have Iron Man, Tony Stark. And it is the mashup of the human and the machine. He’s using this to allow himself to get further and faster in his design, and to do things that we hadn’t thought about before. And I see this tool, being able to do this, that we’re bringing so much information and data to this, it’s mind boggling that suddenly you see a spark of inspiration that you couldn’t get there by yourself without a lot of labor, and suddenly it’s there. And you can take that and run with it. For me. It’s tremendously exciting.

Rebecca: So we always wrap up by asking, what’s next?

Stan: Great question. Right now, I’m getting edits back from my editor for my next book, it’s Strategies for Success: Scaling your Impact as Solo Instructional Technologists and Designers. I’ve been doing this for about a quarter century and mostly as someone by myself, helping small colleges on how to do this, how do I keep my head above water and try to provide the best support possible? So sharing what I think I know .

Rebecca: Sounds like another great resource.

John: Well, thank you, Stan. It’s always great talking to you, and it’s good seeing you again.

Stan: Yeah, absolutely. And also, free book… I’mgonna give a 100, first 100 listeners, but I can go more. Yeah, so there’s a link it’s bit.ly/teaforteachinggpt . And so it’s in that set of show notes to share, but the first 100 gets a free copy of the book.

John: Thank you.

Rebecca: Thank you.

John: We’ll stop the recording. And, and we’ll put that in the show notes.

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John: If you’ve enjoyed this podcast, please subscribe and leave a review on iTunes or your favorite podcast service. To continue the conversation, join us on our Tea for Teaching Facebook page.

Rebecca: You can find show notes, transcripts and other materials on teaforteaching.com. Music by Michael Gary Brewer.

Ganesh: Editing assistance by Ganesh.

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304. ChatGPT Inspired Course Redesign

AI tools such as ChatGPT have the potential to significantly disrupt how we work and how we learn. In this episode, Don Donelson joins us to discuss a course redesign strategy that could help prepare students for a world in which AI tools will be ubiquitous. Don is a senior lecturer in the Miami Herbert Business School at the University of Miami. He is a recipient of the Spring 2016 University of Miami Excellence in Teaching Award and the Dean’s Excellence in Teaching Award from the Miami Herbert Business School.

Show Notes

Transcript/h3>

John: AI tools such as ChatGPT have the potential to significantly disrupt how we work and how we learn. In this episode, we discuss a course redesign strategy that could help prepare students for a world in which AI tools will be ubiquitous.

[MUSIC]

John: Thanks for joining us for Tea for Teaching, an informal discussion of innovative and effective practices in teaching and learning.

Rebecca: This podcast series is hosted by John Kane, an economist…

John: …and Rebecca Mushtare, a graphic designer…

Rebecca: …and features guests doing important research and advocacy work to make higher education more inclusive and supportive of all learners.

[MUSIC]

Rebecca: Our guest today is Don Donelson. Don is a senior lecturer in the Miami Herbert Business School at the University of Miami. He is a recipient of the Spring 2016 University of Miami Excellence in Teaching Award and the Dean’s Excellence in Teaching Award from the Miami Herbert Business School. Welcome back, Don.

Don: Glad to be here.

John: Today’s teas are: …Don, are you drinking tea?

Don: I am. It’s the same tea that you’re drinking, black currant, and it’s great.

Rebecca: It’s a John favorite for sure. I have a Tazo Awake tea today.

John: Does that mean you’re woke? That may be an issue down in Florida.

Don: …not in a private school.

Rebecca: It means that I couldn’t make a pot of tea. I didn’t have time. So I had to use a single tea bag. [LAUGHTER] That’s what it means.

John: And I am still using the mug from Australia that Clare McNally gave me with kangaroos all over it.

Rebecca: I like that mug.

John: I do too.

Rebecca: I look forward to seeing it in person.

John: Soon.

Rebecca: Yeah, you’ll be back soon, right? A couple weeks.. I’ve got my grad studies mug. We’ve invited you here today to discuss your plans to revise the graduate and undergraduate core courses in critical thinking and business communication at Miami Herbert. Can you tell us a little bit about this course?

Don: So this course started at the grad level, MBAs in particular, in 2008. That’s what I was hired to teach. And it grew with the program, expanding into specialized master’s programs. And then it went out into the undergrad program. And it’s a core course required for all full-time business students, undergrad and graduate. This past year, we had 46 sections of undergrad courses and 21 sections of graduate courses, about 900 students or so in total.

Rebecca: So a really small situation going on here.

Don: Oh, yeah, very small, [LAUGHTER] no problems with scaling or anything like that.

John: What was the typical focus of this course in the past before this revision that you’re working on?

Don: So the course was called “Critical Thinking and Effective Written and Oral Communication,” and it lived up to its name. It was about those three things. At the time that we started in 2008, we called them soft skills. We don’t use that phrase anymore. We like to call them fundamentals, something of the sort. We think that soft skills sends a bad message. But it’s been overhauled three times, this will be the third overhaul since. And the things that we would do in the courses, from the very beginning, the main evaluations would be based on writing memos and giving presentations

Rebecca: Which should be about the kind of communication you’d be doing in business. [LAUGHTER]

Don: Yeah, it’d be based on hypothetical cases, some non-hypothetical cases, the standard Harvard Business publishing 10, 20 page case on “How did Netflix beat Blockbuster?” or something of the sort.

Rebecca: What prompted this big overhaul?

Don: Well, the accreditation body, AACSB, required program evaluation. And it’s sometimes an annoying task that people do just to go through the motions. But what we found, the first time I went through it, was that we actually learned a lot from going through those motions. And so in my department, at least, we institutionalize curriculum audits on a semester basis. And so, in between the fall and spring semesters, we have a shorter meeting, where we kind of look at what happened in all the instructors, faculty teaching in that space in the fall, what happened and what worked, what didn’t work, and we might make some minor revisions. And then at the end of the spring semesters, we’d have a little bit of a longer meeting. And the last few of those had turned out some opportunities for change.

Rebecca: Can you talk a little bit about what some of those opportunities were?

Don: Yes. So we found that this is a challenging course to get buy-in from the students. And so we still haven’t figured out 10% of what we can figure out about teaching in this space, I’m sure. But one of the things that we’ve seen is that it is somewhat of an innovative curriculum, and one of the challenges with being innovative is students haven’t had material like that before. It’s a core course. And so students have to take it. And there’s always challenges with that. But this is a bit of a different challenge. And so I was talking with John the other day, he has some core required economics courses for business students, and some of the challenges that come with that. But this is a bit different in that those students know that economics is a field of study. And they know that people take economics courses, and there’s a textbook and critical thinking and communication. They’ve been taught kind of as separate. They’ve been add ons in other courses, not as a discrete course itself. And so we think there’s some challenges with that. And really, the challenge that we’ve seen, in addition to that, is that from the faculty view, critical thinking and communication are not separate things, they are one thing. And so critical thinking, I would call it problem solving, is really what we’re teaching. But communication is a component of that. And from the student view, we’ve had a hard time getting them to see those as integrated. And so when they do a memo, that’s an evaluation metric, they see it as: “Well, that’s just looking at the writing and not critical thinking.”

Rebecca: That’s interesting. Some of the things that we’ve done in our design courses around critical thinking and writing across the curriculum, my department, which is art and design, is doing some of those same things. We would do projects and embedded in those projects would be things like memos and other ways of communicating as a way to critically think about the decisions that our designers were making on things. But we would run up sometimes against the same kinds of challenges, like how do you really make that feel practical, that’s relevant, and then also keep it interesting. And it helped, I think, in those cases, because it was tied to a project. So is that a challenge that you face in this particular class is because there are these kind of standalone case studies, and it’s hard for students to buy in or get them into a business space?

Don: That’s one of the things actually I think that’s going to be changed is more of an arc to the course. And one of the things that I’m looking at is more integration of assignments. And so things building more towards the other assignments, and so we have skills building on top of each other. But, ideally, the assignments that they’re doing all build towards one culmination assignment, capstone type project.

Rebecca: Where does this course fit into their other required courses? Is it something that happens in the beginning? or in the middle? towards the end?

Don: So that’s partially an administrative question that is dependent on staffing. We see some students wait until the very last semester to take it, particularly the students who don’t have English as a first language, but they can start taking it as early as their sophomore year. But usually, it’s junior.

John: What’s the difference between the undergraduate and the graduate versions of the course?

Don: So the graduate versions are taken on a quarterly basis, and the undergraduates on a semester basis and so there’s more contact time in the undergraduate version of the course. They use different materials, and they’re more in depth. And so much like you would see with undergraduate economics classes, the graduate version of the economics classes might have similar titles, but go far more in depth into the material.

John: So one of the main issues is that students don’t see the critical thinking aspect of it as being important in their writing. How are you going to change your course to focus a bit more on the development of those critical thinking skills?

Don: Well, this is where I need to go back and add more to what Rebecca asked before about what prompted this because of course, ChatGPT prompted a lot of the revisions as well. And so ChatGPT, AI in general, while it’s kind of an independent axis of revision, we were thinking about some of these other problems well, before ChatGPT even became a thing that people were aware of. But they go hand in hand, really. A lot of the problem that I’ve seen with the writing assignments, and why students don’t necessarily view them as critical thinking and focus on the writing, is because there’s writing for aesthetic, and then there’s writing for substance. And if you’re teaching anything about writing, you kind of have to be teaching both. But when you’re teaching both together, the students tend to focus more on the aesthetic. And they connect it back to English composition classes that they might have taken in ninth grade or 10th grade. And those classes are certainly very important. But they’re a bit different than what we’re doing in these classes. And so I think it primes them to approach the course in a way that is not really conducive to getting what we want out of it. And so with AI, well, it remains to be seen, but it looks to me like you don’t need to be teaching the aesthetics of writing so much anymore in a class like this. And so I’m going to experiment with just not. [LAUGHTER]

Rebecca: It’s interesting, because in design classes where we were doing some similar kinds of things, aesthetics obviously always come about, because if we’re doing visual design, aesthetics are a part of that conversation. But we would have the same thing. It was like, “Well, that looks nice. That reads nice. It just doesn’t say anything.” [LAUGHTER]

Don: Right. Yeah. [LAUGHTER]

Rebecca: So it’s interesting that we bump up against these same kinds of challenges across a wide variety of disciplines. And that ChatGPT does offer some opportunity to focus on some different things.

Don: Absolutely.

Rebecca: I’m curious what exactly you’re going to focus on and how you’re gonna leverage ChatGPT in the context of this class.

Don: So I think ChatGPT is an insane, wild, amazing tool. And it’s going to only be more wild, more insane, more amazing next month, [LAUGHTER] or six months from now. But I see it really changing the way that I teach, the way I prepare for teaching. So kind of on the end of creating lesson plans and what it does for me as a teacher and the kinds of things that I can do in a class that I wouldn’t be able to do in a class before without a lot more hours in the day. And then also, from the student side, changing the way that they do assignments. They’re not going to be writing memos outside the classroom in the way that they have in business for decades and centuries. They’re going to be using ChatGPT. And so if, in this course, which is meant to be a practical course, we can’t make it practical if we’re not allowing them to use the tools that they’re not only going to be encouraged to use, they’re going to probably be required. And so if they don’t use ChatGPT in the future, they’re going to have bosses saying, “Why are you spending X amount of hours on this client memo instead of doing something else.” And so we really need to prepare them for that world. There’s been some early research and I’ll get John the citations, but we looked at research over the break between fall and spring, this past year, some preliminary research about the kinds of jobs in the way the labor market is going to be affected in the future by AI and ChatGPT and the jobs that were predicted to be the hardest hit in terms of reduced wages, and just reduced demand are jobs that involve writing and the jobs that were predicted to be the most insulated from Ai were jobs that involve problem solving and critical thinking. And so really, when you look at that research, it doesn’t even give us a choice. Even if we weren’t thinking about making some kind of revisions before, we’d probably need to just on that alone.

John: So is the focus now shifting more to the critical thinking skills and a little bit less on the basic structure of writing?

Don: Yes. And that’s really where even though the impetus for the revisions were independent, in practice, they’re not going to be that independent. And so it really dovetails nicely. And so I’ll give you an example, if a student is writing a memo, where a business is making a decision between two or three different courses of action, and one of the main criteria is the profitability of those courses of action, the structure is kind of guided by the math of profitability. So if you’re not talking about revenues, independently of talking about costs, you’re not proving profitability. And so when we talk about structure in this course, that’s really what we mean. But students very often, because of some of the things I’ve talked about previously, they’re looking at it as far as like the five-paragraph structure. And that’s not really what we mean. And so by being able to focus less on the aesthetics of writing, and more on the substance, I think we’ll be able to undo some of that priming,

Rebecca: …almost like this shift to articulating the decision making…

Don: Yes.

Rebecca: …rather than talking about writing, because articulating, it could be verbal, it could be in written language, it could be in a lot of different formats. But the point is that you thought critically about the issue, and how you made the decision. [LAUGHTER]

Don: Yes, exactly. In presentations, I’ve never had as much of the same problems as we have in the memos. Part of that, I think, it’s because of contemporaneous feedback. My students early on learned that this comment is kind of a trolling comment. And it’s not really meant as a attaboy or attagirl. But, sometimes a student will give a speech, and when they’re done, I’ll say, “I’m very impressed with your public speaking skills.” And they think, at first in the early parts of the class, that that’s a compliment. But they realize that that’s actually not a compliment. What I really mean is “No one would be buying what you’re selling, no one would be buying this stock, no one would be making a decision based on this, but you have very impressive charisma and confidence.” And that’s not really what we’re about, maybe in politics, but that’s a different question.

Rebecca: I’m curious about integrating ChatGPT as part of the process. Are you thinking about requiring students to reveal and discuss how and why they use ChatGPT in particular instances, and how they leverage the tool.

Don: So I think part of it is going to be first showing them how ChatGPT is not a critical thinking tool. And so I think it’ll be kind of walking on the escalator backwards for a bit just so that we can walk forward. It’s not going to be ChatGPT’s here, so you should use it. Go. ChatGPT is like a personal assistant, who is extremely capable and competent, but will do precisely what you tell it to do, and nothing else. The input you give it determines the quality of the output. And so if you go to ChatGPT, and you say, “I’m writing a letter of recommendation for Rebecca, and she was a great student, and she’s applying to law school period,” it’s going to give you about what you would imagine…it’s going to make up some stuff about Rebecca, it might even not get what program you’re in right. It’s not going to use the last name because I didn’t give it one. And it’s going to give you a very fluffy, perhaps disingenuous response. Now if I give ChatGPT a really robust stream of consciousness almost about Rebecca Mushtare was a student in the spring of whatever and she got this grade and she did phenomenal in these areas. And this assignment she really stood out most because of this, this, and this, it might give me a much more usable response that I can then play with. And so I think that’s going to be the first to instruct students on: what it does not do, which is critical thinking. And from there, I think they’ll have to use it however they feel comfortable. We’re still going to have some writing assignments that are scored. But what I’m hoping for is that these changes will make it so that they’re focused much more on the critical thinking parts of it. And so for some students that might look like writing a fairly complete draft on their own, and then putting it into ChatGPT and telling it to edit this for brevity and clean up grammar mistakes or do something of the sort. For some students, it might be much more of a back and forth kind of a conversation with ChatGPT, which I think a lot of students will be surprised to learn that it functions in that way. And when I find myself using it, it’s mostly as a conversation. Like, I didn’t like what you did here, cut that part out and do this again.

Rebecca: It’s funny that we don’t always think about it as a chat tool, despite the fact that chat is in its name.

Don: Yeah, exactly.

John: Before making this major change in your curriculum, have you experimented with any changes in this course recently to put more focus on critical thinking skills before introducing ChatGPT?

Don: Yes, so in some of the sections, especially at the graduate level, since we have so many different master’s programs, when I first started, it was MBA, and pretty much that’s it. Now with where the business world is going, there’s a lot more demand for specialized skill sets. And so we have, in addition to MBAs, we have a Masters of Science in Finance, a Masters of Science in Sustainable Business, so on and so forth. And each of those sections afford some opportunity to take things in a different direction, really, not even just an opportunity, but we kind of want to, to be more responsive to those fields. And so in the graduate sections, we’ve had some isolated ability to experiment with more problem-based learning, which I think ChatGPT goes really, really well with on the faculty end as far as creating problem-based learning curriculum. But we haven’t experimented with the AI component of it yet, really, because it’s so new, and it doesn’t feel like it right now…it kind of feels like it’s 20 years old, but yet haven’t used it. But it’s very new. And so I don’t know about every other institution, but we don’t move at the pace of jets when it comes to curriculum revision at the University of Miami. We move, I think, faster than probably most but still, it takes time. And so we haven’t had the opportunity to do anything with the AI yet. But we’ve revised in the past couple years to focus more on some of the problem solving in some of the graduate sections.

Rebecca: The faculty member in me heard I can use ChatGPT to help me with problem-based learning classes, and I want to know more about that.

Don: Oh, yeah. [LAUGHTER] So if you type into ChatGPT, you have to give it really, really good direction: the who, what, when, where, why…that you are a professor teaching a negotiation class. And it is a upper-level, undergraduate course. And you are going to create simulation practice for negotiation in which you play one role and the student plays the other, and you will create a scenario and interact with the student, but wait for the student’s response after each of your responses. And then at the conclusion, give the student feedback based on what you know about the science of negotiation from a management sciences perspective, as well as a legal perspective. And then you hit go, you will be blown away with what ChatGPT starts to create. And so it will give you a little blurb. A couple of weeks ago, I did something of the sort, and it said, Sally is the owner of a handmade furniture manufacturing company in North Carolina and has been contacted by so and so that owns a furniture retail store. And so and so has been impressed with Sally’s furniture and wants to arrange a distribution agreement. The meeting begins over the phone and so and so ask Sally what her goals are in this arrangement. And then that’s where I would type in and I said my goals are to reach this level of profitability and to have a productive long-term relationship with the other party, and it responded back. So it can create an entire dialogue that you can then ask afterwards, once you tweak it and say, “Well, I liked this part of it. I didn’t like this part of it, write the Python code for this, and it will write the whole Python code and allow you to turn it into a web-based interactive program. It’s really quite wild.

John: So basically, it gives every faculty member the ability to create interactive simulations for their classes, which could be done for pretty much any topic I would think.

Don: Absolutely. In the past that kind of thing was in some courses, probably a bit aspirational. It’s the kind of thing that would probably require some kind of course leave to develop it. And for faculty who become really comfortable with it, it will get to a point where it’s doable within a day or two of a lesson. And so you can on kind of miniature scale, you can do these on a daily basis, really high quality ones.

Rebecca: It sounds like something that we can use in a lot of contexts in higher ed, including if we want to do simulations for interviews for new positions or other things as well, if you’re trying to better understand how someone might approach a problem.

Don: Absolutely. I think that’s a very good application, in fact.

John: One of the things though, that I think has generated some panic for a lot of faculty is the effect that this may have on how we assess student learning. So how can faculty address issues related to the ethical use of artificial intelligence?

Don: Well, I’ve never known any faculty to ever panic over a technological innovation…sarcasm ended. So I think faculty have to assess this on their own, but also part of the community. One thing that I think’s going to be an early problem are faculty doing things in a different way, I think that’s probably unavoidable. And so I say all that as kind of a disclaimer that my approach and what I think our approach is going to be in my department, and even if the disclaimer applies to that, I don’t even know that for sure, is perhaps going to be different than others’ approach. And so since this course is supposed to be so much of a practical course, and the writing is on the wall, no pun intended, well, it’s in the AI software, I view that we really have no choice. And so there’s been a lot of commentary in The Atlantic magazine, a lot of commentary in the higher education journals. And most of that I have seen focused on this question, but using as an assumption that it’s wrong to use ChatGPT. And so the easiest way to make it not a question of cheating is to allow it to be used, and then it’s not cheating. And so that’s the direction that I’m leaning in. And I think, ultimately, for the practical tools, for the practical courses, that’s going to be the direction it goes. But again, I can’t even speak for my own department on that, because we’re so new in this.

John: And that will be an issue, I think, everywhere, as it has been in the past with things like calculators, or smartphones, or even Apple watches, I remember getting all these memos coming in from various places at one point to make sure your students are not using a smartwatch while they were taking an exam, because somehow the answers are going to miraculously appear on that tiny little screen for the test that you’re giving them.

Don: Right. And I think you can’t really separate the assessment design and the student response to the assessment in this. There are going to be some courses, I can imagine, in different disciplines, that they’re focused on more fundamental foundational skills, that it’s going to be more of a challenge for them. Well, I’m not saying that students don’t need to know and learn about the aesthetics of writing; that has to keep happening, but not in this course. And so I don’t know how the faculty in those spaces and really the 9th and 10th grade composition teachers that I talked about before, I don’t know how they deal with it, probably in person assessments, that sort of thing. But for this practical application course, I would view it really as kind of training track runners to hop on one foot. And so that wouldn’t be very practical. And so if you have a cheating or plagiarism or honor code policy that requires them to only use one foot, then it would be plagiarism for them to run on both feet. But that wouldn’t be very helpful. And so I really viewed ChatGPT as the same thing in a practical sense, if you’re plagiarism or honor, code policy defines ChatGPT as out of bounds, you’re training them to run on one foot.

Rebecca: So we’ve talked a lot about the writing component, and really building in stronger structures to focus on critical thinking. One of the other issues that you identified was that students don’t necessarily see the intrinsic value of the course or like get the buy-in. Can you talk a little bit about the ways that you’re redesigning to help with that piece of it as well?

Don: Yeah, and so certainly a lot of students do get that. But it really depends on how intrinsically motivated they are. And I think it requires faculty to kind of sell it somewhat. And so in my courses, I’ve found success with selling it in that way, which I really don’t like to do. And it’s something that a lot of faculty probably think is kind of an icky thing to do. But for instance, I will repeatedly tell students, I’m not here to make myself feel good. I’m not here to make myself feel smart by putting you all down. I’m here to help you all get jobs and to get promotions at those jobs and do well in your careers. And so I will focus a lot on kind of pointing things out as criticism that I also tell them these are not affecting your grade, however, X, Y and Z. And so little things like in a presentation if they go…you know, we have to have time limits for presentations because it’s basic math, we have X number of students, 75 minutes in a class session, we have to have time. And so when it comes to a student has five minutes and they go over, what do you do? I’m not going to take off on grades for that. But I am going to point out for a student that, in some settings, if you’re given a time limit, that’s because the CEO has another meeting five minutes after you start and you will be cut off, not because they don’t like what you’re saying not because you haven’t followed the directions, but because they’ve got somewhere else they need to go. And so a lot of the problem I think, is just students are so focused on grades, to the shock of everybody, [LAUGHTER] that when the things that you’re grading and are affecting their grades are these kind of…and aesthetic isn’t the right word, but they would view grading something like that as a bit ticky tack. And when you’re scoring things like that, it’s much harder to have a serious conversation about the nitty gritty substance, and how, if you’re trying to prove that this course of action is more profitable than the others, and you didn’t provide any support for the change in costs, you really can’t have accomplished your goal. You don’t get the same attention from the students in the same response, if you’re also talking about things like, well, “you went five and a half minutes when you only had five minutes,” or “You didn’t use 10 point font when you were told to use 10 point font and that ChatGPT, with that second example with that 10 point font, if the instructions said 10 point font and the students input the instructions it produce it in the appropriate formatting.

John: And I know in the past, when I’ve graded student papers, I, as many other people do, spend far too much time correcting grammatical errors, reminding them that there’s a difference between singular and plural or the difference between all the various homonyms out there. Might be easier for us to evaluate student work when we can actually focus on the arguments they’re making, and their ability to engage in critical thinking, rather than getting ourselves so tied up in all this minutia, which I always try to avoid doing, but when I see so many errors in student work, it’s hard not to at least correct some of it so that they could become more proficient. In the future, they may not need to have that type of correction.

Don: Yeah, John, I think you really hit the nail on the head there. You really feel like you have an obligation to correct those. And when communication or writing is one of the titular topics of the course, even more so. But I have always felt that you get diminishing returns on the things that you focus on. And every time you’re talking about grammar, you are not talking about the critical thinking, and the grammar does matter. I can tell you that I have lots of conversations with CEOs with HR directors, etc, in the ongoing effort to make sure that my curriculum is responsive to what’s happening in the market. And one thing that I consistently hear is grammatical errors, spelling errors on slides or in cover letters are catastrophic. And it’s not because they’re nitpicky, it’s because the markets are so competitive, that they get a window that’s maybe 5% or less of what someone’s actual quality as a candidate may be. And that’s just something that there’s going to be some other candidate that is just as qualified and equal in every other way that didn’t make grammatical mistakes in their PowerPoints, and so on and so forth. And so it is important, but it doesn’t matter how good your grammar is, how compelling your vocabulary is, if you are missing some of the logical components of the argument, you cannot be correct.

John: And when students get feedback, where they see dozens of comments on it, the easiest strategy is to focus on correcting those small grammatical errors that are riddled through it. You might also have told the student that they don’t have a very substantive argument. But if they’re going to make a lot of corrections, it’s easier for them to focus on correcting the grammar and ignoring the more fundamental problem.

Don: Right. The very first writing assignment I ever did as a graduate student was a 50-page memo and I got back no comments anywhere except for on the front page: “Do you talk like this?” I think probably somewhere [LAUGHTER] in between those two is ideal. But you’re exactly right, that the more that we focus on things like grammar and tense and such things, the less we can focus on the meat and the critical thinking.

Rebecca: It’s funny how that often is the level of polish would be something that goes from someone that’s got like a really high grade to like an excellent grade.

Don: Right, exactly.

Rebecca: Something that’s foundational, that’s often not how our feedback structures work. And even if we keep form and function feedback separate and even weight them very differently. It’s really easy to address the form issues, because it’s almost like a series of checkboxes and it doesn’t require a lot of thought because the critical thinking part’s the hard part. And so it’s funny that even if they’re weighted differently, and to keep the comments separately, students will always flock towards the thing that’s kind of easy to fix. I mean, who wouldn’t? Then it becomes a checklist.

Don: And that’s exactly really kind of where this boils down to me, it’s not to say that those things aren’t important. They’re still very important. But in the world in which ChatGPT is a real thing, which it now is, and will continue to be and only be more powerful than it is, the juice that we get out of spending time in class or in feedback, in office hours, whatever it may be, talking about those sorts of things, is getting much less of a return than it did before ChatGPT. I am not a walking detector of 100% perfect polish by any means. But it seems to me that the product that ChatGPT can produce, in terms of those things that you were speaking about, Rebecca, is pretty dang good and hard to distinguish for me from highly polished products. But again, where it is easy to distinguish is this is a load of crap [LAUGHTER] that is fluff and has no substance to it, but a very polished load of crap, but nonetheless…

Rebecca: It’s pretty crap. [LAUGHTER]

Don: Exactly. It’s very pretty crappy with a nice bow,

John: …which reminds me of some work that I graded just the other night, where spelling and grammatical issues have mostly disappeared in student essay responses since the advent of ChatGPT, but the substance is not always there. And there were many responses that I provided feedback on which said, “this is a really nice response, but not to the question that you were asked to address.”

Rebecca: Yeah, or you spent two paragraphs and you haven’t actually said anything yet.

John: So teaching students how to use ChatGPT or other AI tools more effectively might allow them to be more productive in their learning as well as beyond their college experience.

Don: And might allow us to make for more productive learning environments as well.

Rebecca: So we’ve talked a lot about course content, and what to maybe focus on and not focus on. One of the most important things a course has is its syllabus or course outline. Can you talk a little bit about course policies and the way that you might make change in that realm?

Don: Yeah, so I think you’re gonna have to be more detailed than you probably are used to being in terms of putting language and syllabi, very specific and upfront. And so some of the policies that I’ve seen that I’ve liked elements of and are going to end up including in the syllabi the explicit weaknesses of ChatGPT. It is not a critical thinking device, it will produce responses only as deep or as shallow as you instruct it to. You are still responsible for the critical thinking, essentially, and very explicit in terms of what’s allowed, what’s not allowed. And I think also, it would probably be a good idea for faculty to be putting in explicit language that what is allowed in this course, is not necessarily the same as what will be allowed in other courses, and it is incumbent on students to navigate those differences themselves.

Rebecca: And part of the reason why things might be different across courses is because the focus of those courses is different and really helping students understand that there’s reasons why policies might be different in other classes. It’s not necessarily arbitrary.

Don: Right, exactly.

Rebecca: So we always wrap up by asking: “What’s next?”

Don: Well, what’s next is I figure out how to do all this stuff, [LAUGHTER] and not just to talk about it.

Rebecca: …and you’re gonna send us a memo, right with that in it. [LAUGHTER]

Don: Oh yeah. Yeah, I’m happy. [LAUGHTER]

John: …or at least have ChatGPT generate a memo explaining….

Don: Exactly. So yeah, what’s next is to put this stuff into action. Of course, as I mentioned, some of the things here have already been experimented with, the non-ChatGPT parts of it at least, but really kind of integrating them and seeing if what I am imagining is what comes to fruition in terms of do these things dovetail as well as I think. I really think that they do. …that kind of pre-existing urge to go more towards the critical thinking element, and really, I think, does dovetail well with the AI, but putting it into practice, it will be over the course of probably all of next year. And so there’s going to be some experimental sections, most of the sections are probably not going to look very different than they did in the spring. And I think that’s probably a very good plan. But there’s going to be some experimenting in some of the sections at the undergraduate level, and part of a faculty learning community on problem-based learning. This course is going to be participating in that in the fall. And so a lot is going to come out of that, I think, as well.

John: Do you think there’ll be much buy in from other people teaching the course?

Don: So, students, by and large, do not like writing. Faculty, by and large, do not like grading writing. And so I don’t think this is one of those political monsters of how are we going to get this through? How are we going to make these changes work? I think there’s probably a lot of people who have nervousness about how you would make these changes. But with those two facts that I don’t think you’d get much disagreement from, I think even across disciplines, I don’t think it should be that difficult for this to be implemented

Rebecca: Well I hope you’ll join us after you’ve implemented some of the things to share some of your reflections and let us know how it went.

Don: I’m happy to.

John: Well, thank you, Don.

Don: Thank you.

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John: If you’ve enjoyed this podcast, please subscribe and leave a review on iTunes or your favorite podcast service. To continue the conversation, join us on our Tea for Teaching Facebook page.

Rebecca: You can find show notes, transcripts and other materials on teaforteaching.com. Music by Michael Gary Brewer.

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303. Higher Ed Then and Now

Teaching practices have gradually evolved as we’ve learned more about how humans learn. From one year to the next, these changes may appear small, but the cumulative effect is profound. In this episode, Todd Zakrajsek joins us to reflect back on the changes that have occurred in higher ed during our careers.

Todd is an Associate Research Professor and Associate Director of a Faculty Development Fellowship at the University of North Carolina at Chapel Hill. He is also the director of four Lilly conferences on evidence-based teaching and learning. Todd is the author of many superb books, and has published four books in the past four years. His most recent book is a fifth edition of Teaching at it’s Best, a book he co-authored with Linda Nilson.

Show Notes

  • Zakrajsek, T. and Nilson, L. B. (2023). Teaching at its best: A research-based resource for college instructors. 5th edition. Jossey-Bass.
  • Zakrajsek, T. D. (2022). The new science of learning: how to learn in harmony with your brain. Routledge.
  • Harrington, C., Bowen, J. A., & Zakrajsek, T. D. (2017). Dynamic lecturing: Research-based strategies to enhance lecture effectiveness. Routledge.
  • EdPuzzle
  • PlayPosit
  • ChatGPT
  • Wayback Machine

Transcript

John: Teaching practices have gradually evolved as we’ve learned more about how humans learn. From one year to the next, these changes may appear small, but the cumulative effect is profound. In this episode, we reflect back on the changes that have occurred in higher ed during our careers.

[MUSIC]

John: Thanks for joining us for Tea for Teaching, an informal discussion of innovative and effective practices in teaching and learning.

Rebecca: This podcast series is hosted by John Kane, an economist…

John: …and Rebecca Mushtare, a graphic designer…

Rebecca: …and features guests doing important research and advocacy work to make higher education more inclusive and supportive of all learners.

[MUSIC]

John: Our guest today is Todd Zakrajsek, and I am with Todd here in Durham, North Carolina. Todd is an Associate Research Professor and Associate Director of a Faculty Development Fellowship at the University of North Carolina at Chapel Hill. He is also the director of four Lilly conferences on evidence-based teaching and learning. Todd is the author of many superb books, and has published four books in the past four years. His most recent book is a fifth edition of Teaching at it’s Best, a book he co-authored with Linda Nilson. Welcome back, Todd.

Todd: Well, thank you, John. Well, this is exciting. And Rebecca may be a long ways away, but I have never been arm’s length from a person who interviewed me for a podcast before.

Rebecca: Isn’t that cool?

John: And we’ve really done that before either at a conference or at Oswego,

Todd: I feel very special.

Rebecca: Well, we can celebrate with our teas. So, today’s teas are:… [LAUGHTER]

Todd: I’m drinking a peach mango that I got from some teas that John brought, which are fantastic.

Rebecca: John, how about you?

John: I am drinking a Tea Forte black currant tea, which I brought from Oswego, in a new mug that was given to me by Claire McNally, when she visited this area last week.

Todd: Love Claire, she’s fantastic.

John: And it has kangaroos on it.

Todd: Yeah.

Rebecca: And I can’t see it. Let me see it, John. Oh, that’s a cool mug.

Todd: It’s a good mug. I got a mug from her university. But I didn’t realize I should have brought it. So I feel bad about that. But it is a podcast. So I didn’t think about what it would look like.

John: That’s true, we generally don’t do a lot of visuals on here.

Rebecca: And I have a blue sapphire tea in my Tea Rex mug.

Todd: Well, that’s a nice mug,

John: We’ve invited you back to talk a little bit about how some of the changes you’ve observed in college teaching across your career have impacted how you teach today. When did your work in higher ed begin?

Todd: Actually, it started when I was a graduate student. So back in 1987. So there’s no reason to try to figure out how old I am. Now I’ve basically specifically dated myself here. I started teaching, I got to teach an introduction to statistics course. And I had so much fun that I taught again the following year. And by the time I left my graduate program, I had taught more courses in that program than any other graduate student had ever taught in the psychology department there. I really loved teaching right from the beginning, when from the beginning, very concerned about student learning, and just getting rolling.

Rebecca: What was it about the teaching, Todd, that really got you hooked?

Todd: Just watching the studentsis. it’s the same thing as it is today, when you have an individual who’s struggling with something, and suddenly they get it and you realize that they may eventually get it on their own, but you realize how much you’ve helped them to move that along very quickly. And facilitating the learning process, I just really love that. That doesn’t mean I was fantastic at it. But I really did love it.

Rebecca: Sometimes the things we love the most are things that we’re not great at to start with.

Todd: That’s true.

John: My experience was similar, actually, I started in 1980, with a course where I had a fellowship, so I didn’t have to teach. But there was a sudden shortage in the department. And they asked me to fill in. And I was planning to go on into research. But it was just so much fun teaching that I’ve never stopped.

Rebecca: I taught as a graduate student too, and taught the whole time I was there. But I started a little bit later in 2003.

Todd: Alright, so that was a couple of years later.

Rebecca: Just a couple.

Todd: Yeah, I had kind of a funny start, I will mention that when I first started that after the first semester of teaching, my students got almost all As and Bs. And the department chair called me in and he said, “I’m not going to have you teach any more courses.” And I said, “why not?” And he says, “Well, you give grades away like candy, we have to have better standards than that.” And I said, “Well, how are you basing that?” And he says, “Well, you know, we looked at the grade point averages.” And I said, “Well, how about if I bring in my final exam, and just walk through it, and then you can tell me how it could change to be more rigorous.” And so it was great. I showed it to him at the beginning. And like the bottom of the first page, the students had to calculate a statistical value, then I had them explain how they came about that number. But if they had used a different test how might it been inappropriately found and what the interpretation might have been, based on the fact that they had done it wrong with a different test. I thought it was important for them to understand how these things can change. The Chair said, “I can’t believe you have your students in the first class actually talk about various tests like that.” And I said, “Yeah, I did. Then we turned the page he says “You did nonparametric tests?” I said, “Well, yeah, we did parametric tests, but then I thought they should know the equivalent.” And he said, “We never do that.” And then he turned the last page and he said “You had them do a two-way ANOVA? You’re only supposed to go through one-way ANOVA.” I said, “Yeah, but we’d finished everything and we still had a week left. And I figured I might as well introduce the next concept to them. And so I showed them how to do a two-way ANOVA and they ended up with all As and Bs. So if you could help me in how to push their grades down and give them lower grades, I’m perfectly happy to do that.” And he then set me up with two courses the next semester, but it’s that reliance on the teaching evaluations is always funny.

Rebecca: Todd, it’s just funny, as we’ve gotten to know you through the podcast [LAUGHTER] it sounds so perfect that that was your first experience. [LAUGHTER]

Todd: Yeah, I’ve lived my entire career on the edge. [LAUGHTER]

John: And those sorts of arguments are still occurring in a lot of classes today about rigor and the need to keep grades lower.

Todd: Yeah.

John: They’re less severe than they were a few years ago.

Todd: Yes, but also looking at how well a person’s teaching based on student evaluations. I mean, we should be looking at authentic assessment. Some things have changed through the years, some things have not changed through the years.

Rebecca: Well, technology is one of those things that has changed.

Todd: Woosh, yeah.

Rebecca: Can you talk a little bit about what tech was like in the classroom when you first started and how it’s evolved a bit?

Todd: Yeah, I know you have some listeners who have been teaching for a very long time. So those of you have been teaching for like 30 to 40 years, just stop and think back about what it was like when we first started. For those of you who have been teaching like Rebecca since 2003, let’s just mention that technology back then was mostly pens and chalk and chalkboards. So back then, of course, there’s technology, there’s always technology, but we were using overhead projectors. This was long before the internet came along to really be used in the classes. LCD projectors were not out yet. Canvas, Blackboard, Sakai, all those learning management systems were not around. We didn’t have any of the ways to email individuals, you couldn’t email your students back then. And there was no ChatGPT to write your papers for you.

Rebecca: But there were calculators that could do all the work for you.

Todd: Yes, but this is the cool part. Back when I started teaching statistics, I’m glad you mentioned the calculators, huge debate back then was whether or not the students should calculate the statistical values by hand using the calculator, because computers had just come onto the scene and we could punch the data into a computer and have a computer run an ANOVA for you. Should you calculate it by hand? Should you run it to the computer? And there was a huge camp that said you should do it by hand or you will never understand a statistical value. And I said, “You know, we’ve got the technology there. Why don’t we have the students use the computer to do the mundane stuff, and we’ll have more time to talk about the theoretical and the important implications.” But even back then we were having the discussions about whether to use the technology at hand or not. Oh, and by the way, we are also hanging grades on doors. So we would figure out the grades, we’d tack it to the door, and then the students who want to know what their grades were for the class would swing by and look at the door.

John: And they were sorted alphabetically, to make it easier for people to find where they were in the grade list.

Todd: Yeah, it was great. We listed them according to their social security number, [LAUGHTER] which was a little different back then. And yeah, we actually did that back then. But as John pointed out, they were listed by number so nobody knew whose number went with whom, except, surprisingly, they were alphabetical on the door. So not only could you figure out Armstrong’s exam score, you’d get Armstrong’s social security number as well. Yeah, times have changed.

John: And it was also back in the day of dittos and mineos as well, which was the only way of disseminating information on paper.

Todd: This is so much fun. We’ll get to some real meat of this thing. But that walk down memory lane has some fun stuff too. The dittos…

Rebecca: I remember dittos, just for the record, okay.

Todd: Yes. So you probably remember, if you dittoed just before class, and you handed it out in class, the students would all pull the ditto up to their face, so they could smell the ditto fluid. And they got that smell. I was running dittos one time in the graduate student office, and I noticed when I looked down because it ran out of fluid, and I had to put some more fluid in, and I looked down and I noticed that the floor was kind of eaten away by this ditto fluid. And then… this is the best part… About a month later, I was digging for something in the closet and I found extra tiles and I thought they should put these tiles down to replace the ones that are all eaten and on the side of the box it said these tiles were long lasting and durable, reinforced with asbestos. So that ditto fluid was eating through asbestos tiles. That’s some strong stuff.

John: …to make it a little bit more friable so that it would disseminate in the air nicely.

Todd: Well, there had to be something to help the faculty members who were running all their own dittos to not mind doing it, and one way of doing this is to have them use ditto fluid, because I’ll tell you, you may not have liked it when you started, but by the end, it was all right. [LAUGHTER]

Rebecca: It’s funny that we’re taking this walk down memory lane, because on our campus, I was in our historic lecture classroom today in Sheldon Hall.

John: What are some of the other changes that have occurred and how have they influenced how we teach?

Todd: Yeah, so it’s interesting, I did the walk down memory lane and we were chatting about this stuff. It’s all fun, but thinking about how the changes have taken place. I think that’s really important. So there have been massive changes. I think that we tend to forget, it’s so easy to communicate with students now. Heck, people are texting now so that you can text back and forth with students. But think about how that has transcended or gone through time. There was a time when I would have to call and leave a message for a student on an answering machine, and then they would call back and we would try to find a time that we could talk on the phone. If we wanted to have a conversation. I could either leave a note for the student or I could call and leave a message that says least come see me after class. So even having a conversation with a student was difficult, then it became easier with email because you could start emailing back and forth. And now we have Zoom. And the equity in the way that this has changed, just think about the difference of this, if I’m leaving a message for a student, they may not even have an answering machine, if they’re living off campus with limited means back then. So even getting in touch with a student would be challenging. Now I can have a Zoom conversation with a student who doesn’t have to hire a babysitter, who doesn’t have to find reliable transportation, who doesn’t have to drive across town and burn gas, and to do all of those things that it would take to have a 15-minute conversation that in the past would have been really hard, and even four or five years ago would have been challenging. The grades, why in the world would a person have to leave… and I was teaching in very northern Michigan, there were days that the wind chill was 75 degrees below zero… and students would leave their dorm rooms and walk across campus to see a grade on the door. It’s actually physically dangerous. And now we have learning management systems, we could post things for students. Interlibrary loan used to take weeks to get a document that you can now go on and get. People can lament all of these technological changes at times, but we’re actually creating more and more equity within the higher education system as we make certain things easier. Not saying that we’re anywhere near an equitable system yet, but we’re moving in a really good direction. And a lot of those changes are helping us to get there.

Rebecca: I’m thinking about all the times when I get to go to the door or meet after class, it really assumes that students are a certain kind of student, they’re full time, they have time. And our students now are working [LAUGHTER], and where they’re juggling a lot of different schedules and things.

Todd: Yeah, and I mean, we want to be careful too. And I agree with you 100%. But they were juggling back then too. But some of the things we were doing, for instance, I taught a night class. Now I would probably suggest if I was going to teach a class from 7 to 10pm that I would teach it through zoom, because there’s a lot of reasons that it’s good to do. But I had students that I noticed in class, would very quickly at the end of class would start talking to other students and I couldn’t figure out what it was doing because a lot of buzzing and stuff. And what I found was that there were certain students who were uncomfortable, and we were in a very safe campus, but they were uncomfortable walking to their car at 10 o’clock at night. So I started saying to the students, “Hey, I’m gonna park a car… and when we showed up, there were quite a few cars there… but I’ll be under the second light, I drive a little red Chevette, not a Corvette, a Chevette, but I’ll have my car there. If you want to park near me, we can walk out together.” And there were students that were not paying attention to almost any of the class because they were fearful of how they were going to get to their car safely. When you think about Zoom and stuff, it’s even safety factors, I would never have a review session now like I used to at 8 to 9 pm the night before the exam because I’m exposing people to potentially dangerous situations. Now we’d have zoom sessions. But I could tell you 40 years ago, there was no even concept of what zoom would be and how it would work. Even Star Trek didn’t have stuff like that.

John: And there was also, besides the inequity associated with people who were working, many campuses had a lot of commuting students who could not easily get back to campus for office hours. Or if they were just taking classes on Monday, Wednesday, Friday and your office hours was on a Tuesday, they’d have to come in that extra day, arranging childcare, or their work to be able to fit that into the schedule.

Todd: Yeah, it really did start to change that system. So we got a little bit more equity, and like you were saying too, the commuting students, the part-time students, the students taking distance courses. When I first started teaching, I was writing… oh my word, remember the correspondence courses? …and you mail away and get a packet of material, you take a test at a local library and, and they talk about distance education being not as good as on campus, but at least better than nothing. And now we’re finally getting to a system where we can stop assuming that those folks who are coming in for part-time courses and stuff are just getting something better than nothing. They’re actually getting something similar to full college courses, which some of those online courses are actually as good or better than college courses that are on campus. But all that’s changing with the technology. It’s crazy.

John: And there’s a lot of research that supports that in terms of the relative learning gains with online and face-to-face, as well as hybrid courses, which seemed to outperform others in a few meta studies that have been done. But those were options that just weren’t available back then. And the early online courses were often designed to be replicas of face-to-face classes, and they probably didn’t work quite as well. But we’ve learned since that, which brings us to the issue of research. During the time that you’ve been teaching, there’s been a lot of research on teaching and learning. While some of it was taking place, it wasn’t very widely disseminated to faculty.

Todd: Yeah, that is true, too. It’s so much easier to get technology out. It’s easier to gather data, it’s easier to write it up. It’s easier to edit it so all of those types of things that are happening now that couldn’t happen before. And as a result, we’re learning a lot more about how people learn, you know, the book I did on the New Science of Learning, looking at a lot of the ways that students learn. And part of it’s just the ease of getting to information. But also part of it’s just being able to investigate how people process information. I used to teach Introductory Psychology back then, we would talk about the stages of sleep. And nobody really knew, for instance, what REM sleep was about, we knew that you had to have it or else it caused some problems. Deep sleep we knew was important, we now have indications that deep sleep for consolidation is necessary for semantic memory. If your sleep is interrupted, you can get eight hours of sleep. But if you don’t get deep sleep, the information doesn’t get consolidated. Procedural memory, how to give shots and kick balls and do anything procedurally looks like it’s more solidified during REM sleep. So again, the different types of sleep are associated with us learning long term, different types of information. We never knew that before all this technology was running around. In fact, back then I gotta say, I remember from my intro psych class being told that you were born with a certain number of neurons, and as you live through life, neurons would die. And if you killed them by drinking or doing something like drugs or something, they were gone forever, and you would never get more. And if you broke a connection, it was broken forever. That’s just simply not true. But it’s what we thought back then. So technology has really allowed us to look better at how people learn, different ways of helping them to learn and different ways they can even study. By the way, before we move on, we now have this physiological demonstration that staying up all night and cramming the night before the test. Even though it gets you slightly higher grades on the test, we now know that because the information is not consolidated that it won’t be there a week later or two weeks later. So we’ve always told students, you shouldn’t do it, but now we can actually show them why it doesn’t work.

John: And the LMS itself has offered a lot of ways of giving more rapid feedback to students with some automated grading with some things to give them more low-stakes testing opportunities. And those were things that we just couldn’t easily do back when you started teaching.

Todd: No, John, that’s a really good one. And we know that one of the most consistent findings right now in all of learning and memory stuff is that the more often you do something, the easier it becomes, long-term potentiation. Which means the more frequently you retrieve information from your long-term memory, the easier it is to retrieve. And just like you’d mentioned, we can now do LMS systems that are set up so that you could do practice quizzes, you could do dozens or hundreds of practice quizzes and keep pulling that information out over and over and over again. That was just not possible before this. And so the LMS helps with that, it helps by giving feedback, really good feedback so that students know what they’re doing well, and what they’re not doing well. And it helps faculty members to design feedback specifically for certain types of projects, and so that I can more easily give more feedback without spending a lot more time on it. So LMSs have done a tremendous amount of work. And that’s not even mentioning the fact that you can have all of the LMS systems loaded with the content. So students can log in and get their information without leaving their house. If there’s fiscal challenges with your class, you can put in articles, the students may not have to buy a book, they could read the articles. And so we’ve got students who were able to come to classes because they can afford to be there. By the way, I remember being on a committee when I was a graduate student, and we were looking at financial aid and different financial systems. And I remembered asking the Chief Financial Officer, I said, “What increase in tuition does there need to be before you start to see students drop off because they can’t afford to be here?” And this was about 40 years ago, but he said $100 for a year, if they have to pay $100 this year more than last year, some students won’t come back. If we look at the price of textbooks now, textbooks can cost $400. So, a book like that is definitely going to make a difference between some students being able to take the class or not. So LMS systems make this possible.

John: And they also make it easier to share OER resources that don’t have any cost for students, or some less expensive adaptive learning platforms, giving all students that first-day access. I remember, not so long ago, when I was still using textbooks in some classes, students would wait several weeks before they got that book. And that put them at a severe disadvantage. And the people who were being put at a disadvantage. were generally the students who came in with the weakest backgrounds because they came from lower resourced school districts.

Todd: Yeah, if they had the resources, they would have the better background foundational material, but they’d be able to buy the books. And you mentioned OERs. So open educational resources are really another thing that are really valuable because back then, before the technology, you couldn’t produce something that would be readily available like throughout the world. And so this project that’s going on now where they’re doing introductory level books in all the different disciplines, you can get an OER introductory psychology textbook that students can log in and read. None of that was possible before the technology. So even the creation of OERs has changed so much.

Rebecca: Well, speaking of digital materials, libraries have changed significantly too over time from having completely physical collections and interlibrary loans and things that take a lot of time to having a lot of digital resources, which changes access to research and materials that you can populate into your classes, but also can aid students in the work that they’re doing. Can you talk a little bit about the change in libraries and how that’s impacted how you’ve taught?

Todd: Yeah, you know, libraries have been fascinating to watch over the last 40 years, because it used to be the biggest challenge librarians had before them was which books to put on the shelves because there was a finite amount of shelf space. And there were lots and lots of books. And so that was the big thing. We used to take out journals that weren’t used very much to make room for other journals. Through time, little by little, they started digitizing all that stuff. And I can remember chatting with librarians, one conversation I had was back around 2001. I said, gonna be interesting, because there’s gonna come a day where there’ll be no books in the library, and the Dean of Libraries said “Well, there’s always going to be books.” I said, “Not always, potentially.” But even if we reduce them, I said, “What is your foresight? How is the library going to change?” And so he had a couple of ideas. But what it basically boiled down to our conversation is, I always felt like a library was like the brain of the campus, it had the books, and it had all of the information that you could go and get. As the books left, and things were diversified in a way that you could find this stuff, you could get all the information right from your dorm room, or from your apartment, when the internet came along, you could get anything you needed, then the library was still a physical space that was in the middle of campus. And what it should become is a learning commons, a place where people go to share and to learn from one another. And I think that’s what’s really changed is individuals still just pile into libraries and use the space, but they use it in different ways. They go there to meet other individuals to work, which they did before. But they took away that aspect of going there for the book part. And it meant all of those shelves got emptied, and they started pushing them out. And you can go into libraries right now that have very few shelves. But they have webcams, they have smartboards, they have spaces where folks can plug in their computers and share with one another. They’ve got screens set up so that you can project and have students sitting around a table, they’ve got Google Glass set up, all of these types of things that bring students together to use technology to learn from one another.

John: And they have cafes to help support that to make it easier for people to gather.

Todd: Yeah, you could swing by and get a cup of tea.

Rebecca: It’s funny, even when I was in high school, my sister and I would rely on going to the library to have access to a computer so that we could even type of paper, because we didn’t have one at home. And that kind of place of having the technology started a long time ago, but it’s amped up quite a bit over the last 20 years.

Todd: Yeah, and I agree completely. And the computers that are there. I mean, even right now, with the books dissipating, there a’re still large numbers of computers. And oftentimes, they’ll even be an area in a library that’s carved out with really high-end computers. But it gives students an opportunity to go. We make this assumption that everybody has a computer and they don’t. But libraries give them that opportunity.

John: Yeah, for those students working on smartphones or Chromebooks, that gives them access to all the tools that students with $2000 or $3000 or $4,000 computers.

Todd: Yes, because smartphones can work for lots of things. But they’re a little tough to write a paper on

John: When I started teaching, and probably when you did too, the predominant mode of instruction, which actually still is often the predominant mode of instruction in many departments, was lecture. That’s changed quite a bit since then. Could you talk a little bit about the shift from lecture-based courses to courses that involve much more active learning activity?

Todd: Yeah, or they just involve a lot more of everything. The concept of flipped classrooms, which was almost impossible 30, 40 years ago, because you really couldn’t get the information to the students. Yes, it was kind of possible, but whoo, if it was hard now, it was really hard back then. But the ability to get information out to students that they can read it before they come to class. But coming back to the lectures… So I’m going to take this moment and those of you who know me know that I’m going to do this, is that we still have no evidence that lectures are bad, but there’s something that we need to really keep in mind. I think this is vital. I do think it’s important for us to be able to talk about buzz groups and jigsaws and fish bowls and lectures and Socratic lectures, discussion lectures, all those different methodologies out there so that we know what we’re talking about when we chat with one another. But I do think it’s time that we stop talking about lectures being more effective than one thing or fishbowls being more effective than something else and look at the components of what is valuable in a learning experience.

John: And a good reference for that is a book on Dynamic Lecturing, which you happen to be a co-author of.

Todd: That is true and in fact that there’s the Dynamic Lecturing. And then there’s a chunk in that about The New Science of Learning. And then there’s a whole chapter in that about Teaching at its Best, because that’s a good point, John, thank you.

Rebecca: It’s almost like you’re trying to slip it in everywhere you are.

Todd: Because the research… people keep talking about one methodology being better than another. Here it is, folks, you can be a hideous lecturer, you can be a phenomenal lecturer. And if you’re a hideous lecturer, you’re not going to learn anything. If you’re a phenomenal lecturer, students will learn from you but they won’t learn all the time, it depends on some student factors. I’ve actually been exposed to group work in flipped classrooms that were awful. And so that concept is we start thinking about and this is why it’s going to come back to the technology, we think about the elements that need to be there, that are necessary for learning to take place. I’m just going to do this, because it’s not the topic I’ll make it very brief, is let’s just go with three things. If you don’t have your attention, as a teacher, if my learners aren’t attending to what I’m saying, if they’re on their phone or thinking about bacon, then they can’t process what I’m presenting. And if you’re having a think-pair-share, if they’re not attending to the person they’re sitting next to, you have to have attention. Number two, they have to have some value. If I’m hearing somebody or I’m reading something, and this has no value to me, it’s really hard to get it into your long-term memory and to learn it. And number three, I have to have a clue of what’s happening, I got to understand some aspects. Now if we think about attention, value, and understanding, now we can flip back to the technology. This is why gaming works. Gaming draws the attention, it increases the value, because you want to win the game, and it has understanding. We have all played games. You open up the old board games, and now it’s digital, where you don’t have a clue what the game is. It’s like, if you advance a player four pieces and the opponent advances five pieces, you have to go back three spaces, unless it’s a Tuesday. When those instructions are that complicated, you don’t understand. So we can use technology to help with attention, we can use technology to help with the value of what’s going on. And we can use that technology to help with understanding. Those are things that were very difficult before. And they allow us to do things like a mini lecture and then shift over to an active learning exercise, and then say, take all this information and create a Zoom session tomorrow that will go over it again. So the technology has really helped us to be able to do all of these things to get at the core of learning, a topic I barely care about. [LAUGHTER]

John: That’s an important one, because people often see this as this binary issue where you lecture or you use active learning. And there are some really effective ways to combine them. And in fact, in that book on dynamic lecturing, it was suggested that lecture can be more important in introductory courses, when students don’t have as much of a knowledge base.

Todd: You’re absolutely right. Discovery learning is a really great way to learn if you’ve got a lot of time. I can just put you into a room with some other people and say, “Here’s some data, and here’s some things we need to know. Go.” And if you don’t have any foundational knowledge at all, it takes forever to figure it out, you go online, you know what to look for, I could do a five-minute lecture, and at the end of five minutes, set it up and say, “Now go and work with your neighbors. In fact, here’s what we’re going to do, we’re going to have you each work in small groups in class, I’m going to open up a Padlet. At each table, I want you to go in and add your information or put it into the column that corresponds with your group number.” As an instructor, I can watch everything develop in front of me. While I’m in the room, I can look at my laptop and see it and walk over to a table and say, “looks like you’re struggling a little bit.” I’ve lectured, I put them into small groups, I’ve had them use technology, I’ve created a little bit of competition on who can come up with what and I’ve had a way for me to monitor it and give them feedback. That is so different than what teaching used to look like. So pulling it all together, that’s what we do.

Rebecca: The tools to be able to monitor have been really helpful in my own teaching and being able to get a better pulse on what’s going on and get a nice overview and then be more targeted in how to interact with small groups rather than just kind of wandering around more aimlessly like I think I did initially. [LAUGHTER]

Todd: Yeah, and this is all going to be great until we get our cognitive load headbands that I’m waiting to be developed. So anybody who’s listening, take this idea, run with it, you can make a bazillion dollars and then take me out to dinner or something. I want a headband and the headband has a light and it measures brainwave activity. And then as I’m teaching, if you start to be a little bit like it’s a little bit too much, you’re moving out of that zone of proximal development, the light turns from green to a yellow. And then when it hits red is like when you’re trying to put together an Ikea bookcase and someone comes by and says “What do you think of this?” and you say, “Errr, I’m working on an Ikea bookcase right now.” …that shutting down with that red light. I’m telling ya, that’s going to be the technology we’ll want next.

Rebecca: It would be so helpful. [LAUGHTER]

Todd: You can actually look and see somebody else’s zones of proximal development and their cognitive load. Whoof. Which by the way, there’s a little party game that they’ll do periodically at parties. It’s like if you’re a superhero, what would you want your superpower to be? And I was in a room one time and one person said they wanted to fly and somebody else said that they wanted to be invisible, which real quickly in my head, I’m thinking, what could you possibly gain that wasn’t illegal or creepy if you’re invisible. So aside from that, transporting and everything else, and they got to me, and I said, “I want to be able to see people’s zones of proximal development. If that were my superpower, I’d be the best teacher.”

John: I bet that went over really well at those parties. [LAUGHTER]

Todd: Yeah, my friends all said “You are amazingly smart and quite insightful.” They used different words, but that’s what I heard. [LAUGHTER]

Rebecca: They didn’t start with what is that? [LAUGHTER]

Todd: As soon as I start talking, most of my friends just shake their head and drink whatever beverage they have near them. [LAUGHTER] So yeah, it’s good times, good times. They’re all impressed. They don’t say it all the time, but I know they are.

Rebecca: I think one of the things that often happens with technology is that it allows us to get things quickly and move through things quickly. But sometimes, as you just noted, learning doesn’t happen quickly.

Todd: Yeah.

Rebecca: Can you talk a little bit about speed and the difference between maybe not having all the technology and all the things really quick versus maybe now where we have it at our fingertips, but do we always want it at that speed?

Todd: So there’s another study that I’m waiting to see. This is an easy study, folks, somebody can run this one quickly. We all know that students are listening to any recorded lectures or recorded material that they have to watch, 1.7 is about the best speed that we tend to see people listening. 2.0 is a little bit fast for some folks. 1.0 is like normal speed, that’s no good, too slow. So what I’m curious about is the space between words and between sentences that our brains, because they move so fast, we can listen faster than somebody can talk. And we have all this other stuff going on is I can be thinking and processing while you’re talking to me. But if I bumped that up to one seven, I think we close the gaps. And I hear it a lot faster. But what I don’t think is happening is the cognitive processing while I’m listening. The active listening component to it. So I think technology can create concerns in those directions. And students who do try to process material too fast… we’ll wait and see.

John: And that’s especially important in flipped classrooms where students do watch these videos outside. One of the things I’ve been doing with those, though, is embedding questions in the video so they can watch them as quickly as they want. But then they get these knowledge checks every few minutes. And then if they find they’re not able to answer it, they may go back and get their attention back and watch that portion again.

Todd: Yeah, I think that’s a really good way to go. EdPuzzle’s kind of a fun technology to use. I don’t know if that’s the one you used.

John: I’m using Playposit, which is a bit more expensive, it works beautifully. I love it, they did just double the price this year, though, it was bought by a new company.

Todd: This is the tricky spot now as the prices are going up. You know, inflation is a terrible thing to waste. Anytime somebody can raise prices now it’s like, “ooh, inflation”. So you know, prices double, inflation is 8% with runaway, now it’s back down around three. But when inflation was 8%, they doubled the price and say, “Hey, we’ve got to,” but yes, it’s some of them are expensive. There’s lots of things that are less expensive. Oftentimes we pay for functionality that help us but the freemiums kind of thing. So stuff that’s inexpensive. I just wanna let everybody out there know just about anything you want to do in class or can think about doing it, there’s a way to do it for either free, or probably under $100 a year, which I know $100 can be expensive for some people, it’s about eight bucks a month. And so things like Padlet that I think might be up around 140 now, so maybe $12 a month, can change how much time you spend doing things, and how much time for students. But yeah, I love the embedded questions to help slow things down.

Rebecca: I think that the cognitive load can happen really quickly if we’re piling lots of information in but not always providing the time to process and use that information in some way in the kind of activities that you were talking about. Or knowing when everybody’s red light is going off in the class.

Todd: Or when people try to do multiple things. I mean, now you’ve got the technology around. So if students are trying to listen to an assignment while they’re texting their friend and have a TV on, I mean, we’re living in an age where there is a lot going on, and people believe they can process lots of things. Evolution doesn’t happen quite that fast. And so I think we have to be careful with that one.

John: One other thing that’s happened is back when you and I both started teaching, the only way students generally communicated their learning was either on typed pages or on handwritten notes. Now we have many more types of media that students can use. And also we’ve seen a bit of an expansion of open pedagogy. How does that help students or how does that affect student learning?

Todd: Wow, that’s really changed a lot as well. Blue Books. Remember the blue books? I think they still sell blue books in the library. They may cost more than the I think it was eight cents when I started, but the concept of writing things down, you turn them into the faculty member, the faculty member would grade them and turn them back. One of the big things that I caught years and years ago was so much wasted cognitive energy in terms of what they produced. I’d read a paper from a student and think this is amazing, and no one will ever see it. It was written for me, I graded it. And now it’s done. I think the technology has changed so many things. One of the biggest things, I would encourage all the listeners, any faculty member out there is, whenever possible, create something that will take the students’ work, the things that they’re doing, and use it to make society better. It’s not that hard. There’s assignments that you can do on Wikipedia. Anybody who wants to complain about Wikipedia, if you don’t like it, I’m gonna go back to Tim Sawyer, who is a faculty member of mine, my very first time I ever did TA work. I was complaining about some students. And he said, “You can complain three times. And after you’ve complained three times, either stop talking,” he was a little bit ruder about that, “or do something about it… just shut up or do something.” And so I complained about Wikipedia for a while, that it wasn’t all that effective. And I thought, well, if I don’t like the page on cognitive load on Wikipedia, I could give an assignment of my cognitive Psych class to go on to Wikipedia and fix it. And so you can have Wikipedia assignments, there’s so many things you could do. Here’s one for you. If you’re doing one on communication, you could have your students go and take pictures or short videos somewhere on campus of something that’s meaningful to them, and then jot down why it’s meaningful, take that compilation of stuff and send it over to the office on campus that does publicity. What better way of drawing students to campus than to have all of these students that have said, I love sitting by the pond because… and in the past, we would have had students write a paper about someplace on campus that you think is effective, put it in the blue book, we would grade it, we turn it back to the students. And that is a waste of possibilities. And so I think we do have lots of ways that we can get the students involved in helping through technology,

John: One of our colleagues in SUNY, Kathleen Gradel, had an assignment for a first-year course, where the students went out, took pictures, geocoded it and added it to a map layer that was then shared with other first-year students about useful resources on campus and their favorite spots on campus, which is another great example of that type of authentic learning.

Todd: Yes, for the authentic learning, there are just so many possibilities because of the technology. If anyone doesn’t have ideas, ask deans, ask the provost, ask the president on your campus, like what kind of information would be helpful, either for the next round of accreditation or for just helping the campus and we can design those things. Another one I did was we took students to the museum. We’d go to the museum, almost any class could kind of find some way to tie museums in, and through the museum, not only would they write stuff that the folks at the museum who did curation would help use, but also just helping the students to see how issues from the museum, how artifacts and things can be used in their own life, to better understand.

Rebecca: When I first started teaching, community-based learning was popular, in fad at the time, and I think having the experience of being a student in a class like that, but then also a faculty member teaching classes like that has really informed the kinds of projects that I do. Maybe they’re not always community-based learning, but they’re often community oriented, whether it’s the campus or even the surrounding community that the campus is situated in to help students get connected. There’s so many nonprofits that need partners and love, there’s always a project that can be done. [LAUGHTER]

Todd: There is. And I used to be a director for a service learning component of the campus. And yeah, there’s just so much out there that we can do to help others.

Rebecca: And students always had such a strong connection. And they didn’t want to fail because other people were depending on them. And so there was a real investment in the work that they did on projects like that.

Todd: I will admit that I’ve never experienced it myself. I’ve never even heard of anybody that if the students are doing some kind of authentic learning, that their authentic learning is then used to help somebody else. I have never heard students say “What a waste of time” or “I hate that class,” or “those assignments are just busy work.” They’ve never used those terms.

John: One common sort of project is to create resources that could be shared with elementary or secondary school students in the disciplines. And again, they can see the intrinsic value of that.

Todd: Yeah. Students could write short manuals on how to learn and then pass that on to the first-year students. And so upper-division students could be helping the lower-division students because not everybody can get a copy of The New Science of Learning, third edition.

John: …available from… [LAUGHTER]

Todd: Available at… used to be Stylus. Since Stylus was sold to Routledge, now it’s available at Routledge. [LAUGHTER]

Rebecca: Given the historical background that we’ve walked through today, what if we think about the future? Where do you see technological changes or learning theory changes impacting the future of higher ed?

Todd: Yeah, we’re living at an interesting time. I like to point out to folks that when you go back to Socrates, Plato kind of time there was a thought that if you wrote something down, it would weaken the mind so we shouldn’t write things down. Luckily, some individuals wrote things down or we never would have known. We’ve gone through several iterations of those kinds of things. Samuel Johnson, I believe it was, who said “With the ready availability of books, teachers are no longer needed. If you want to learn something, you could go get a book on it.” Well, that was a couple of 100 years ago. And we still have faculty members, we have students writing things down, we’re reading, I don’t imagine how you could teach without writing things down and having books. The internet came along, as we were discussing earlier, while we were teaching, we watched the internet show up. And there were people who said, “Well, with the internet, there’s going to be no need for teachers anymore, because students can get whatever they want.” I can’t imagine teaching without the internet right now. So as we’ve gone through each of these iterations, there’s been this fear that maybe we’d be supplanted by some technology followed by “I don’t know how I’d work without that,” it’s a little trickier now, because with generative AI, we’re talking about not just something being available, but actually creating something. I don’t know what that’s going to look like. But there’s some real possibilities that the generative AI ChatGPT, could do things like help students who have writer’s block, get started. And that’s an individual that maybe could produce something really cool, but just can’t get started. I didn’t publish my first book until about seven or eight years ago, because I’m one of those individuals who has a terrible time from a blank screen. I just have a terrible time with that. And so now, I don’t use ChatGPT to actually write anything significant. But I will tell you that I will use it for the first paragraph. That’s all, just one paragraph. And then I completely rewrite that. And there’s no actually trace of it. But it’s something that gets me going.

John: So can we count on more than a book a year going forward? [LAUGHTER]

Todd: No, no, no, no, you can’t. So exhausting. But the concepts that will help students that can do that, I think that’s going to be helpful for them. So there’ll be a type of student who couldn’t have produced before, but now can. We are definitely going to run into some challenges, though, with students who are going to just use generative AI and use artificial intelligence to actually create and to hand something in instead of doing the work. So I do think we’re in a challenging time right now. And I wouldn’t make light of that. There’s actually something that I find fascinating from this. Right now, more than ever before, we can actually have artificial intelligence create something for us, especially in higher education, this hasn’t been done before. The tricky thing is that we were the ones to be able to make that possible, because we learned things. If we let a machine do that work for us, we’re not going to be put into the situation or our students coming along, will not be put into a situation where they’re intelligent enough to do the things that need to be done when they need to be done. And so I do think we’re facing a real dilemma right now. If my students, for instance, always do use some artificial intelligence to create a paper and hand it in, if I can’t catch it, they may end up with an A in that portion of the class. But there’s going to come a day when they’re going to have to write something or be able to read something and tell if it’s written well. And so I’m a little bit nervous, we’re entering a phase where by bypassing some cognitive processing that needs to be done, we may be limiting what we’re able to do in the future. Wrapping this up, though, I don’t want to be the person who says if you use a calculator, you’ll never understand this statistical test. So I don’t know where the balance is. But I do think we’re going to have to have decisions coming up that we’ve never had before.

John: Generative AI is drawing on that wealth of knowledge that has been produced. And for that to continue to grow in the future, we do need to have some new materials being created. So that is an interesting challenge, unless it goes beyond unless….

Todd: …unless it creates it. So that was one I thought about, by the way, sometimes you’re sitting around just thinking about stuff and it’s interesting. I was thinking how do I acquire new information. And the way I acquire new information is I go read articles, I read books, I read a ton of stuff. And then I say I think this is valuable, I don’t think that’s valuable. And then I put it together and say here’s what I’m thinking. And now I’m looking at this generative AI who goes out and scans the environment and pulls these things and then creates something new. It doesn’t have the cognitive processing that I have at this point, but…

John: it’s in the early stages.

Todd: We have some folks who are very concerned out there, especially in European countries that are starting to put some guardrails out, because at the point that it keeps grabbing stuff, and then generating and then it grabs the stuff it generated, then it’s going to be interesting. But as of right now, I just read another article, I think it was yesterday, that they’re going out and grabbing the most popular or most frequently written things and then putting it down as if that is right.

Rebecca: The way that you might prioritize as a human with an expertise in something, is going to be really different than a system that’s prioritizing based on popularity, [LAUGHTER] or like how current something is like when it was last published. That’s a really different value system that really changes priorities.

Todd: Yeah, and I think it changes how we teach. I think the way we teach is going to fundamentally shift because we’re going to have to work with students with all these things being available and explain to them and talk to them about the learning process and the value of the learning process. And keep in mind, this isn’t just about ChatGPT writing papers, everybody’s freaked out about that right now. We shouldn’t lose sight of the fact that you could get fresh, cleanly written papers that have not been plagiarized at all, we’d be able to do that for 20 years. There are paper mills, I can either write away or contact somebody and say, “Please write me a 10 page paper on Descarte, and they would write it, I could turn that in. What actually has happened recently is that everybody can do it, even those who can’t afford to have a paper written at $10 a page or whatever it’s costing. And so equity comes back again. [LAUGHTER] Now we’re an equal opportunity cheater. So we have to be careful with that. But I think the way we teach is going to change because all that information is going to be available, kind of like the internet on hyperspeed. And then what do you do with that? It’s going to be really intriguing. I think it’s an exciting time.

Rebecca: So Todd, this episode’s gonna come out right at the beginning of this semester. So you’re saying we need to be thinking about how to change our teaching. ChatGPT’s here, what are you doing for the Fall differently?

Todd: Well, I think the biggest thing is what we were just talking about, looking more at the learning process, which has been a big thing for me for the longest time, is explaining and talking through the learning process, I can hand you all this information, but if I hand it to you, you don’t learn. In fact, one of my favorite examples came from a friend of mine, and it was the gym, if you want to get in better shape, I could pay somebody to go do sit ups for me. And then I could somehow log in the book at the gym that 100 Sit ups were done, use the passive voice there, and somebody else did them for me, I’m not going to get in better shape unless I do the situps. So I have to do the work, I have to run, lift weights, do the situps in order for me to be able to gain. We need to just turn that into a cognitive process for our students to really gain cognitively they have to do the work. And so I think more than ever, it’s how do we convince students of that? And for the faculty members who say, “Well, that’d be great, but my students just want the grade.” If that’s the case, we have a bigger problem than whether or not some technology can write a paper for them.

John: So how do we convince students that it is important for them to acquire the skills that we hope they get out of college?

Todd: I think this is probably going to come down to the community building, it’s been there forever. If you really want your students to do the work, the best thing you can do in my view, and that’s why I’m gonna say, Rebecca, I don’t think a lot for the way I teach, has changed. You build a community, you build relationships, you talk to the students about importance of things, if you’re sincere about that, and they get that then yes, there’s going to be some students that are going to mess with the system, they have always been there. But you’re also going to get a lot of students who will say, “Yeah, that’s a good point.” And then they’ll do the work. I don’t teach as many undergraduates as I used to, I’m teaching more faculty than ever because of being the faculty developer. But there were years that I would have to tell my students don’t put more time than this in on your paper, you have other classes, you need to do the work in the other classes. Because, and I’m telling you, I am very proud of this, my students would spend a ton of time on this stuff for my class, because they didn’t want to let me down. And I would say you’ve already got an A, I’m proud of what you’re doing, please go work on your other classes. That kind of scenario happens when you build community. And I’m not saying it’s easy, I would never say it’s easy. And it’s not going to happen for everybody. But it is the foundation of good teaching.

Rebecca: So we always wrap up by asking, what’s next?

Todd: There’s just so much going on right now. I think that what’s next for me is I am still in that headspace of coming kind of back from the pandemic, anybody who says, “Yeah, but the pandemic’s all over,” wait for November, we won’t know, we’re going to see. But I still think that’s next is kind of thinking about how we teach and learn in this environment. So moving in that space, it’s probably not surprising. I’m working on the next book here. One of the things I want to do now is the last couple of books that I’ve done had been pretty heavy books. And now I want to write something that’s a little bit lighter. So it’s going to be more of a quick guide with more narrative and having some fun, I love telling stories. I love having fun with people. So I’m going to try to create a book that’s kind of like a science of learning and teaching at its best but really accessible and more of a story-based kind of way of looking at things.

Rebecca: Who is your audience for that book?

Todd: Anybody who will read it? [LAUGHTER] Anytime I write anything, I have to have the audience firmly in mind and think about who am I talking to. And I really believe there is a pretty big overlap with students and faculty who don’t know specific things. And I’m not saying this in a mean way toward any of my faculty colleagues at all. But there’s a lot of people who aren’t taught about things like long-term potentiation and deep sleep in terms of semantic memory, and looking at depth of processing and those types of things. So the same type of thing we can say to a student, we know you shouldn’t cram, but here’s why you shouldn’t cram… faculty learn a lot from that as well. And so my audience for this book is going to be faculty and students, students, because I think it’ll be more fun to read about how to learn in a narrative form like that. And faculty because it’s more fun to learn when you read in that kind of a format for some people. we’ll see.

John: And if faculty design their courses to take advantage of what we know about learning, it can facilitate more learning.

Todd: Wouldn’t that be cool? We could just keep rolling, rolling. What a great amount of work. I mean, a huge amount of work that faculty do. They’re hard working folks that are just cranking away all the time. Number one, making their life a little bit easier by helping to understand things would be great. And just having a little bit more fun would be fun, would be nice way to go to0.

Rebecca: Hey, anytime you can save time, so that we can have more play in our lives is better.

Todd: Yeah, just to do whatever you want to do.

John: Yeah, ending on a note of fun is probably a great way to end this.

Rebecca: Well. It’s always great talking to you, Todd. Thanks for chatting with us and going on the Wayback Machine.

Todd: Oh, you know, I love the Wayback Machine.

Rebecca: I love it too.

Todd: For those of you who don’t know about that, you should check out the Wayback Machine

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John: If you’ve enjoyed this podcast, please subscribe and leave a review on iTunes or your favorite podcast service. To continue the conversation, join us on our Tea for Teaching Facebook page.

Rebecca: You can find show notes, transcripts and other materials on teaforteaching.com. Music by Michael Gary Brewer.

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302. Flipped Team-Based Learning

Flipped classrooms allow for class time to be used to put content into action. In this episode, Tina Abbate joins us to discuss the team-based approach that she uses in her classes to help develop the real-world skills important in her field.

Tina is a Clinical Assistant Professor at Stony Brook University’s School of Nursing. She holds a collection of credentials including a PhD, MPA, an MS, and is a registered nurse (RN). She teaches in-person and online undergraduate nursing classes at Stony Brook and conducts research on active learning strategies and the retention of information. She works as a nursing supervisor at two local hospitals.  She is the recipient of the 2023 SUNY FACT2 Award for Excellence in Instruction and was a recipient of the Stony Brook University Award for Excellence in Teaching an In-Person Course.

Show Notes

Transcript

John: Flipped classrooms allow for class time to be used to put content into action. In this episode, we look at one instructor’s team-based approach that emphasizes real-world skills important to the field.

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John: Thanks for joining us for Tea for Teaching, an informal discussion of innovative and effective practices in teaching and learning.

Rebecca: This podcast series is hosted by John Kane, an economist….

John: ….and Rebecca Mushtare, a graphic designer….

Rebecca: ….and features guests doing important research and advocacy work to make higher education more inclusive and supportive of all learners.

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Rebecca: Our guest today is Tina Abbate. Tina is a Clinical Assistant Professor at Stony Brook University’s School of Nursing. She holds a collection of credentials including a PhD, MPA, an MS, and is a registered nurse (RN). She teaches in-person and online undergraduate nursing classes at Stony Brook and conducts research on active learning strategies and the retention of information. She works as a nursing supervisor at two local hospitals. She is the recipient of the 2023 SUNY FACT2 Award for Excellence in Instruction and was a recipient of the Stony Brook University Award for Excellence in Teaching an In-Person Course. Welcome, Tina.

Tina: Thank you. Thank you so much for having me here today.

John: We’re very happy to see you again. We saw you at the SUNY Conference on Instruction and Technology (or CIT) about a month or so ago. And our teas today are:…. Tina, are you drinking tea?

Tina: I am. I am drinking a chai tea. Very good.

Rebecca: That sounds nice and warming.

Tina: Yup.

Rebecca: It’s a little chilly here, although it’s summer and it was hot yesterday. It is not hot today. [LAUGHTER]

Tina: Yes, for sure the weather has been very odd.

Rebecca: So I have my tea for teaching mug today. And in it, I think actually a mix of a couple of different black teas because I switched when I had a half a cup left. [LAUGHTER] I’m not sure what we call this today, but it’s a mix of black teas.

Tina: That sounds delicious.

John: Well, it sounds like a great tea to have while discussing blended learning.

Rebecca: A high quality blend. [LAUGHTER]

John: And we’re having a real cold spell here in Durham, North Carolina. The temperature has dropped down to 87 today, and I am drinking a tea forte black currant tea.

Rebecca: That’s a nice summer tea.

John: It is.

Rebecca: So we’ve invited you here today to discuss your use of active learning tools. But before we jump into that, we were curious about your wide range of degrees, credentials, and certifications. We didn’t even list them all. Can you share a little bit about your pathway into your current position at Stony Brook?

Tina: Sure. Well, when I went back to grad school, I certainly didn’t intend to get three graduate degrees. I had gotten into Binghamton and gotten into their BS to PhD program because I wanted to do research and my ultimate goal was to do executive leadership position at a hospital because I really enjoyed the leadership role of nursing. So just to backtrack, I graduated Binghamton University in the year 2000 and started right in the NICU (neonatal ICU) at Stony Brook and I worked as a NICU nurse for six years. And in that time, I knew that I wanted to go back to school. And like I said, I got into the BS to Ph. D. program at Binghamton. They awarded me a fellowship program. So I moved from Long Island. My daughter was one at the time. And I started my education there at Binghamton, continued it for the graduate program. And about a year into my doctoral studies they had asked if I wanted to teach clinical and I’ve taught in other capacities. I used to teach violin and piano when I was younger and I never really thought of teaching as a career goal for me. However, I was a poor graduate student, and I said, “Sure, I’ll do it.” And I had about six students in the NICU. I was teaching clinical, and, I don’t know, something came over me. I found my professional soulmate, something clicked so hard for me in that clinical that I wanted more. So I continued asking for teaching assignments. And it’s hard to articulate the feeling that you have, but I felt like I found my niche. And so I did clinical instructoring for about six years and then I moved into the classroom setting. So at that time, I still worked as a nursing supervisor, so I enjoyed the leadership role. And Binghamton started a dual master’s degree program, where you get your master’s in nursing with a concentration in whatever you wanted, I chose education. And the other part of the dual degree was a Master of Public Administration. So I was the first cohort to move through that program. So I graduated first with my Masters of Science in Nursing and my functional role was educator. Then two years later, I completed the Master of Public Administration, and then eventually the PhD. And it all just aligned so perfectly in my current career, because obviously I’m an academic at heart through and through. So those degrees have assisted me in that role. I still work in administration. I teach research, I teach leadership and management. So all of the degrees I’ve utilized and I still utilize actively every day. So this pathway was kind of carved out for me, I think, and I just feel very fortunate that I’m able to apply all of the degrees that I’ve gone for.

John: At the SUNY Conference on Instruction and Technology, you gave a presentation on how you structure your courses. And you mentioned that you were using a flipped team-based learning class structure. Can you tell us a little bit about how your classes are structured, and what a typical class day would look like in one of your classes?

Tina: Sure. So any class that I’m involved in or coordinate, the structure that I utilize is a flipped team-based learning approach. And this essentially requires students to prepare prior to coming to class. It has some benefits there, there’s flexibility, students can learn at their own pace, it really amps up the student responsibility for learning, as we know, and then it also gives us the opportunity for higher level learning because they’re interacting with the concepts outside prior to class. And the team-based part of it I like is because that increases that collaboration amongst students. We know that nursing healthcare is a team sport, so I like to engage the students in teamwork so that they can collaborate and work on their team dynamics, and their own personal team skills. So how my classes operate is, prior to each class, students complete a set of videos, and they’re interactive videos, they’re accessible videos for all types of learners, and it carries weight in their grade. So basically, in these pre-class videos, students get a little voiceover content from me about a concept, and then they get tested on it using a variety of types of questions: matching, true-false, multiple choice, hotspots, you name it. As they move through the videos, they are taking notes on a note-taking guide. So all the concepts are there for them to just follow along, take notes. So they’re seeing, hearing, they’re doing something as they move through the videos. And that note-taking guide eventually acts as a study guide for them, because they have to take a quiz every single class. So they complete these videos before class. And then I start each class with a micro-lecture review using Kahoot!, which is just a game-based learning platform. And in this micro-lecture review, I’m really drilling down to the concepts and helping these students reconcile any last residual confusion that they may have about these concepts. And then after the Kahoot!, they take a quiz. Now, since they’ve interacted with the concepts so many times prior to taking this quiz, I push the level of the questions in these quizzes. There are 15 questions and I try to push the level as high as I can. And the students are able to rise to the occasion because they are not hearing the information for the first time when they walk into class. They have a vague sense of the concepts, we nail it down, and then they take the quiz. After the quiz, the rest of class is comprised of team-based activities. And that’s how every class looks like for me.

Rebecca: Can you talk a little bit more about the embedded questions that you have in the videos and how students have responded to that aspect of a flipped classroom?

Tina: Absolutely, I use a program called Articulate 360. Articulate 360 has many different types of functions in it. But I focus more on the storyline aspect of this product, where I’m able to set up these video clips. So if you already have voice overs, you can basically chop up that voice over into different bits, put it into a story, the type of file that they reference there. And then in between each clip, you can embed any type of quiz question that you could possibly imagine. And you can set up different parameters. So for example, I like to elevate the stakes a little bit, so the students, for these pre-class videos, the grade that counts is their first pass. So it’s not like they can retake the video for a higher grade. It’s whatever they get at the end of that first pass of the video is the grade that counts. And they have two opportunities to answer each quiz question correctly. And I also embed a lot of feedback, so if they get the answer wrong, they’ll see a pop up with some review, and then if they still got it wrong, or they got it right, then there’s an explanation that pops up for the right answer. So I do survey my students in the middle of the semester using a Google form. And then at the end using the university platform, and the feedback about the videos has been very positive, they really do appreciate even though it means extra work, I’m still not giving them 20 chapters to read. I’m giving them something that passes along a bit more quickly and has a better chance of sticking in their memories. And they also appreciate the note-taking guide because it also becomes a study guide, not just for the quiz, but for the final exam at the end.

Rebecca: Like I’ve counted four or five layers of countability on that same content. [LAUGHTER]

Tina: Exactly.

Rebecca: We’ve got the note taking guide. We’ve got the embedded questions, and we’ve got the Kahoot!, and then we’ve got the quiz, and then the exam at the end.

Tina: Yeah, so it’s all about building on these concepts, having the knowledge and then being able to apply it in the classroom

John: In your presentation, you mentioned that you were de-identifying the names of students taking the Kahoot!, but maintaining a leaderboard in the classroom. Could you tell us a little bit about how that works.

Tina: So Kahoot is based on answering the questions correctly or incorrectly. And part of the score is how quickly you answer the question. So ideally, you want to answer quickly and answer the questions correctly. So at the end of the Kahoot!, they get a score. And just again, to raise the stakes, students have to hit a certain benchmark of points to receive full credit. And I try to push that benchmark a little bit, not to make it impossible, but just to make it a little bit challenging for them to give them something to work towards. So for example, in one semester, they have to reach 70,000 points to get the full credit, and then it’s prorated from there. So every time I have a class, I load the data into this program that was built by our Center for Excellence in Learning and Teaching on campus. One of the computer scientist was able to put this leaderboard, showed me how to upload the files, which are basically just CSV files. And what it does is this leaderboard shows their rank in the class, their total score, and the score for that week, so that they can monitor their progress. And everybody else is de-identified and random words, but they can see their name, and they could see their rank in the class.

John: And one of the advantages, I think, of using Kahoot! is it does provide some practice in developing automaticity. So that students can practice retrieving information quickly, which I would think would be especially important in health-care situations.

Tina: Absolutely. And I’ll have some students that come to me and they just absolutely despise Kahoot! because of the stress. And if you’ve ever taken a Kahoot!, and I have, it is stressful, you have to really think on your feet very quickly, especially since your score is based on how fast you answer the question. So what I tell them from the beginning is if you really are struggling with Kahoot!, and you don’t like Kahoot!, Kahoot is really for you, it’s meant for you, because I want you to think of a situation in a hospital setting. If a patient is deteriorating, we call something called a rapid response. And a team of people flow to the room to address whatever issue it is, perhaps the patient’s having difficulty breathing, whatever, chest pain, this now has become a very emergent situation. And in that situation, you have to be, as the primary nurse or a nurse assisting someone else, you have to have laser focus, and someone may ask you to just go get a piece of gauze. And if you’re new in the role you may be so flustered, just by getting that piece of gauze. So, this is really like a precursor to that. So I tell the students to use Kahoot! as a mechanism to help with your laser focus in situations where the outcome is dependent on what you’re doing.

Rebecca: Another thing that seems really relevant to a healthcare setting is the team-based learning aspect of your course. Can you talk a little bit about how you arrange the team-based activities and also how you set your students up for success on teams.

Tina: So with team-based learning, as we know, it’s simply a collaborative learning strategy and how the team activities look depends on the course. So I can talk to you about my research course. That happens every fall semester, and I have 160 students, this is the graduating class. These are the seniors, they’re in the last two semesters of the program. And what we do in that course is the team-based activity portion of class is working on a project. So I’ll tell you a little bit about the project which is experiential in nature. Stony Brook University is attached to Stony Brook University Hospital. So every year, I pick a unit, I meet with the manager, and they give us a clinical problem to solve. So for example, this fall the students and I will be working with the surgical ICU and the clinical topic is nurse wellbeing. So, as we know, we’re in this post-pandemic world and wellbeing has really moved to the forefront. Things like burnout, compassion fatigue is very prevalent in the healthcare environment and just globally as humans. I think we’re just a little tired of living in this fight or flight for so long. And now we’re trying to come back from this. So this fall semester, the students will be working in teams to find a solution for the surgical ICU for nurse wellbeing. So what we do is we search for articles together, and that’s how they get to their solution. We use a framework we use Melnyk’s seven steps for evidence-based practice. So in undergrad nursing, even though it’s called the nursing research course, the students are expected to utilize the research that has been done on a topic to make changes to their practice. Our expectation is not for them to actually conduct research. That’s a PhD level thing, but according to our essentials in baccalaureate nursing, that our accrediting body tells us what curriculum to teach to the students, the expectation is that they know how to read the research, how to critique it, how to appraise it, how to synthesize it, and how to use the research to develop solutions. So from there, they work in teams of eight throughout the semester, they develop their solution, they put it into a video project, the six-minute video project, and I choose the top two projects. Those top two projects then move on to the implementation phase. So then the unit will implement and evaluate the solution. And in addition to that, we put in for posters at conferences. For example, last year, we had two posters at ENRS. I was assigned the course of research, I was like, “Oh, boy, how am I going to make this interesting?” …because we know that research content can be a bit dry. So I ran the course for a couple years, and I knew that I had to do something with it. And that’s where I started moving towards this more experiential learning opportunity for the students. And so far, it’s been going really well.

Rebecca: So I heard you say something about teams of eight, and I almost maybe had a heart attack, [LAUGHTER] just thinking about how big that team is, and how to manage that. Can you talk a little bit about some of the structures you have in place to help a group that size, which is relatively large, be successful?

Tina: Sure. So teams of eight… that means I have 20 teams in total. And we’re all reviewing the same articles. So then I know the answers to all the questions. And basically, Google Drive is my answer. Every team has their own folder, within that folder are subfolders, I have them buddy up and be assigned to a certain number of articles. As a team, they have like individual and buddy responsibilities, which is clearly articulated in a contract that they review and fill out at the beginning of the semester. So they have individual responsibilities, buddy responsibilities, and they have team responsibilities. And every single class looks the same. So by the second class, they’re already into the mode. I don’t throw them any curveballs, every class structure is exactly the same, so they know what to expect. And they have appraisal forms to fill out. They have tables to fill out as a team to keep all of their literature organized. And the structure that I have in place seems to be working because there’s very little confusion now that I’ve kind of worked out all of the kinks. And I also always keep instructions projected just to make sure that they are apprised of the flow of class.

John: You mentioned Melnyk’s, seven steps of evidence-based practice. Could you give us a brief overview of that framework?

Tina: Absolutely. So there’s many evidence-based practice models out there. Stony Brook goes with Melnyk, and there are seven steps and actually I begin with step zero, step zero is igniting that spirit of inquiry. And that’s one of my main end goals of the course is for them to stay curious about how they can improve practice as a nurse for their patients. So that’s step zero. And then basically, what we do is we take the clinical problem, and then we frame it in the form of a question, a PICO question. And that helps us to find our articles. So once we find our articles, we go through the articles, we decide what we’re going to keep, what we won’t want to keep, then we start to critically appraise these articles, review them, read them, understand them, the students put that information into a literature review table, which is just the main elements of each article. After we’ve appraised all of the articles, the next step is to synthesize all of the articles. So what is the bigger picture? For that synthesis class students do complete synthesis tables. And when they create these synthesis tables, now the beginnings of their proposed solution begin to emerge. So then students put their solution together based on the synthesis table. And then the next step in this process is to implement the solution and then evaluate the solution. And of course, dissemination is always the last step.

John: You also mentioned that you use collaborative testing on exams. I’ve done this with a two-stage exam process where people take the exam individually first and then submit that but then take it again as a group. It also appears to have been and that’s been tremendously successful. It’s also appeared to have been really beneficial in terms of student learning, and it’s just so much more fun to watch the students work in groups on exams, than it is to go over the exam the next day with the whole class. That collaborative exam format has been so much much better than I ever expected it to be. Could you tell us a little bit about how you do collaborative testing on your exams?

Tina: I absolutely adore collaborative testing. If you have to assess students using exams, this is really maximizing the use of exams. So in my courses, students take collaborative exams in teams of three. And as we know, the research says that collaborative testing may decrease test-taking anxiety, the students have to take a large licensing exam at the end of the program. So it may help some of these students with that, like you said, immediate feedback on test performance, it really scales back the number of questions, I don’t even do exam reviews anymore, because the immediate feedback that they get, they’ve reconciled any confusion on the exam, that an exam review is no longer required. It increases student engagement and collaboration. I love how they, like you said, they debate, they discuss, that peer instruction. There are some people out there who can read a book and retain 100%. But generally speaking, you’ll have a better chance of retaining more information if you’re teaching someone else versus reading a book. Of course, that just varies learner to learner. So that could be really something to hone in on when it comes to collaborative testing. So, yes, the traditional way is to take the test individually, and then they take it again, in a team. And in our program, the clinical courses like medical surgical nursing, pediatrics, all of those, I would always recommend to do individual than collaborative because you really want to assess that individual on their performance and understanding of the concepts. And so I teach research, and I teach leadership and management, these are non-clinical courses, I skip the individual part, and take them right to a collaborative exam. So for example, for my research course, the students don’t know who they are paired up with, or in a team with, until about an hour before the exam. They get two articles, a quantitative article and a qualitative one. And then they have a set of questions to answer. Essentially, we’ve been preparing for this type of exam throughout the semester. So they end up doing really well. In my transitions to professional practice, where I’m teaching leadership and management, that is a traditional final exam, multiple choice, select all that apply, type of questions. And again, I actually do it on Zoom, they go into breakout rooms, they share their screen, and they take the exam, there’s a scribe who enters the answers. And also when it comes to accommodations, kind of as a side note, I’ve been able to set up strategies for individuals that do have accommodation so that they can maximize their experience as well.

John: When I first tried this, I was so excited about how the students were reacting with the collaborative exam that I took a short video clip while they were doing it and sent it to Rebecca. She was working with me in the teaching center at the time. It was just a remarkably positive experience.

Tina: Do you notice a difference like I would say an estimate of 10 points between the individual and the collaborative mean.

John: Generally, yeah. And the group one is virtually always higher than each individual score, except in one case in my class, where one student had a higher score than his group, and that’s because during the group discussions the student gave in to peer pressure within the group. I encouraged him to be more assertive when he’s confident about his answer. But that only happened with one student on one exam.

Tina: that’s pretty rare. I just love just watching them engage like that. So I’ll pop into like the breakout sessions, and they’re collaborating and negotiating and it’s just fantastic.

Rebecca: You mentioned earlier about your research class having a project coming up about well being. And I think that’s a topic that we’ve been talking a lot about in higher ed in a lot of situations. Can you talk a little bit more about that project and some of the research that’s going into it and some of the outcomes of it?

Tina: Absolutely. I mean, wellbeing is such a hot topic right now in probably every type of job you could think of. And it’s interesting wellbeing is kind of always been in the background. And I think the pandemic really shoved it into the forefront where it really should have been. That really needs to be, in my opinion, the top priority of any workplace because if your employees are well, it has a positive trickle down effect. So it has gotten to the point now where our accrediting body who tells us the essentials that we need to teach to our students, they have added a wellness component, and we’re adopting these new essentials in the next year. These are new essentials for us to follow. So it made it into the essentials, which is very telling. And now faculty are charged with teaching students, monitoring students, about their wellness and wellbeing. So this was pretty timely, because of the pandemic, the clinical topic that we’ve been doing for this EBP project has been things like compassion fatigue, burnout. And now this year, we’re doing wellbeing. Last fall, we worked with the cardiothoracic ICU. And the EBP project topic was compassion fatigue. And we wove in a lot of wellbeing into the solution, which is actually kicking off on July 1. So this year, instead of doing compassion fatigue, which has a bit of a negative connotation, let’s flip it to the positive. And like I said, we’re working with the surgical ICU, and we want to customize a wellness solution for that unit. So in the meantime, by proxy, I can teach the students about their own wellbeing and their own wellness. So I have a lot of content in there, so that they’re learning about this clinical topic to help develop a solution, but they’re also learning about it for themselves. And I do a few things with them, and definitely evolving this as we move along. And I’m lucky enough that I have the graduating class in the fall and the spring. So I move it through from the fall to the spring semester. So in addition and educating them on the different ways to promote your own wellness, we start each class with a mindfulness activity. I have a sound bowl that actually a student gifted to me, we do meditation, mindful breathing, every class is something different. This year, I’m inviting students to lead some of these sessions. So I want it to grow so that other students can participate and lead us and it’s literally three to five minutes at the beginning of every class, all lights down, devices off, phones flipped down, and we just take the time to be as present as possible. And I also help them keep an eye on their level of burnout. And I give them the professional quality of life survey at the start of every class. And halfway through, I’ll do a comparison of statistics between the different cohorts. Because I have the traditional cohort and I have the accelerated one, we look to see how our scores are doing over time, just to have that educational component to it. And then also the Insight Timer app, that’s an app that you don’t have, I would highly recommend that you download it. It has so many mindfulness type of activities that you can do. There’s a journal, you can track your progress. They have classes, and even the paid version, which is I think, maybe $60 for the year, they offer so many different bells and whistles, it’s really just a phenomenal app to use if you’re looking to promote your own wellness. So the other thing I wanted, I attended that CIT conferences, is I would love to use ChatGPT to develop a wellness assignment. So I’m still thinking about the inner machinations of how that would work. But hey, you know, if AI is here, might as well see if we can use it to promote wellbeing.

John: And it’s nice to have that focus of using ChatGPT positively because this is something that’s going to be part of students’ lives going forward, maybe not this specific tool, but AI tools are not going to disappear and using them for good would be a nice alternative for the concerns that many faculty have about the use of these tools. During your presentation at the CIT conference, you also mentioned using a variety of edtech tools. What are some of the tools that you use in your classes?

Tina: Sure. So I’ve trialed some apps here and there, I’ve used Plotagon. I used Go Animate for Schools, which is now VYOND, just for them to create case scenarios in their leadership and management class. And based on feedback, the one that they really liked is now a bit pricey. So I tried a free version of an app, and it really didn’t go well based on feedback. And that’s how it works in education. You try something out and you survey the students and if the experience over time is really not positive, you need to move on to something else. But things that really have stuck is I told you about Kahoot! and Articulate 360. How I communicate with the students. I use GroupMe. I prefer to communicate with them using that application over Brightspace or traditional email. They join via QR code and I have them all in one group chat and I can post quickly. They could send me direct messages, they could post questions in our group chat. And it just seems to really streamline communication because we’re all competing for their cerebral real estate, they have a lot going on, a lot of deadlines, so I find that this GroupMe app is really helpful. And I also try not to spam them with too many messages, thoug. It really seems to work. And then again, Google Drive, I can’t even begin Google Drive for everything, whether I want to survey them or whatever it is, Google Drive has it for us.

Rebecca: So speaking of Google, [LAUGHTER] you mentioned earlier using a Google form for a mid-semester evaluation. Can you talk a little bit more about that, and how you’ve used that to make adjustments in your class for the latter half of the semester?

Tina: Sure. So a Google Form is a pretty nice way to just give a quick survey to your students, I do that in the middle of the semester. And I have to tell you, that’s where I get my best data, because they are in the throes of it. And my response rate is typically over 90%, as compared to at the end, where they’re kind of just fizzling out, tired, maybe a bit over it, generally speaking. So I don’t get the response rate in the final that I do in the mid semester, when I analyze it, very short, a couple Likert questions: What do you like? What don’t you like? …and if there’s enough of a theme in the qualitative questions, or in the Likert scales, I’m able to make changes prior to them departing from me, instead of waiting for the next cohort to come in. For example, some things that came up was: “It can be a bit loud in the classroom.” So I’ve done something to control the volume in there, because it’s a very active classroom, or we feel like we’re sitting around too long during the TBL activities. So now I have a mechanism for them to let me know when they’re done with their activities, so that they’re not sitting around waiting. So those types of things. If they say, “let’s skip the final exam,” then that’s not anything that I can honor. But I’ve gotten some really good raw feedback that’s helped me evolve my classes. I’m just always so grateful for the student experience, because they inform me where this needs to go. Another way that I use a Google Form is with team-based learning. Michelson says that you should have the team members evaluate each other on their team performance. And typically, this is done at the end. But I like to do it in the middle of the semester, where they’re evaluating each other so that they have an opportunity to remediate, and then by the end, hopefully, their team’s performance scores have gone up. The challenge, though, with a Google Form is it’s very hard for me to share the feedback back to the students, it requires a lot of copying and pasting. And there’s a lot of room there for error, human error. So currently, I do bring in the students that are rated poorly just to give them some one-on-one guidance on how to improve their team performance. But in the meantime, to work around that I did trial a product called Kritik that offers that ability where the students will get their feedback back. But I reached out to our Center for Excellence in Learning and Teaching. And right now what we’re doing, we have a sandbox, and we’re working on trying to do a Kritik-like type of peer evaluation in Brightspace, using PeerMark. And we’re getting very close to ironing out some of the finer details. So I’m going to finally have an evaluation where every student can see their feedback from their team members based on their performance, so they know what they’re doing well and where they need to improve.

John: You teach both face to face and also online. Do you use many of the same techniques in your online classes that you use in your face-to-face classes? How do you modify your class for online delivery?

Tina: So I do everything the same, except that it’s in an asynchronous format. So students really have to be self disciplined in an asynchronous online type of environment. The online classes that I teach are post-licensure undergrads, so they have their two-year Registered Nurse license, and they’re looking to get their four-year degree. So some of the assignments, we tailor a little bit differently just because they have nursing experience, whereas my pre-licensure students do not. So maybe the assignments vary a little bit, but the structure is the same, using Articulate. I don’t use Kahoot! with them, only because I don’t have them in front of me, but they do have the quiz. And they have the TBL activities and things of that nature. So it’s the same, but it’s just in an asynchronous format.

Rebecca: I know that we mentioned in the intro that you do some research on some of your teaching practices. Can you tell us a little bit about some of that work?

Tina: Sure. So a colleague and myself got IRB approval, and we’re just starting to do some research on this evidence-based practice project that the students do in my class. And we’re just starting off with a cross-sectional study. We have a valid tool that’s been out in the literature that measures their perceived knowledge, skills and attitudes regarding evidence-based practice. So, I’m not building logistic regression models or anything yet, but starting off with a cross-sectional study to understand pre and post, the beginning of class and at the end of their research class, if there’s any impact or change in their knowledge, skills, and attitudes regarding evidence-based practice. So that’s where I’m starting. And I’d like to move on from there eventually.

John: And speaking of moving on, our last question is: what’s next?

Tina: So, I just would like to continue publishing and presenting. And continuing my research. Like I mentioned earlier, I’d like to introduce an AI tool for wellbeing, and Stony Brook just purchased several VR headsets. And because my courses include a lot of content about compassion, wellness, well being, I would love to develop a simulation about empathy. I think that would be a fantastic use of VR, apart from like, typical clinical scenarios. And that’s really my plan for now.

John: Well, thank you for joining us. And when you do have some results from your research, we’d love to have you come back and talk about it.

Tina: Thank you. Definitely. I really appreciate you inviting me. This is a wonderful opportunity for me. Thank you.

Rebecca: Yeah, thank you for letting us use your class as a little case study for folks to think about ways that they could change, improve, and reconsider their own classes. Thank you.

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John: If you’ve enjoyed this podcast, please subscribe and leave a review on iTunes or your favorite podcast service. To continue the conversation, join us on our Tea for Teaching Facebook page.

Rebecca: You can find show notes, transcripts and other materials on teaforteaching.com. Music by Michael Gary Brewer.

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301. A Return to Rigor?

Some faculty have advocated a return to “rigor” to address perceptions of growing student disengagement in our classes. In this episode, Kevin Gannon joins us to discuss an alternative approach that provides students with cognitive challenges in a supportive environment. Kevin is a history professor and the Director of the Center for the Advancement of Faculty Excellence at Queen’s University of Charlotte. He is also the author of Radical Hope: a Teaching Manifesto, which is available from West Virginia University Press.

Show Notes

  • Gannon, Kevin (2020). Radical Hope: A Teaching Manifesto. Morgantown: West Virginia University Press.
  • Gannon, Kevin (2023). “Why Calls for a ‘Return to Rigor’ Are Wrong.” The Chronicle of Higher Education. May 22.
  • Imad, M. (2022). Trauma‐informed education for wholeness: Strategies for faculty & advisors. New Directions for Student Services, 2022(177), 39-47.
  • Freire, P. (1970). Pedagogy of the oppressed, New York (Herder & Herder) 1970.
  • Boucher, Ellen (2016). “It’s Time to Ditch Our Deadlines.” The Chronicle of Higher Education, August 22.
  • Vygotskii L.S. (1984). “Problemy detskoi (vozrastnoi psikhologii).” In Sobranie sochinenii v 6-ti tomakh, vol. 4, pp. 243–432. Moscow: Pedagogika
  • Cavanagh, S. R. (2023). Mind over Monsters: Supporting Youth Mental Health with Compassionate Challenge. Beacon Press.
  • Jack, Jordynn and Viji Sathy (2021). “It’s Time to Cancel the Word ‘Rigor.’” The Chronicle of Higher Education. September 24.

Show Transcript

John: Some faculty have advocated a return to “rigor” to address perceptions of growing student disengagement in our classes. In this episode, we discuss an alternative approach that provides students with cognitive challenges in a supportive environment.

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John: Thanks for joining us for Tea for Teaching, an informal discussion of innovative and effective practices in teaching and learning.

Rebecca: This podcast series is hosted by John Kane, an economist….

John: ….and Rebecca Mushtare, a graphic designer….

Rebecca: ….and features guests doing important research and advocacy work to make higher education more inclusive and supportive of all learners.

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John: Our guest today is Kevin Gannon. Kevin is a history professor and the Director of the Center for the Advancement of Faculty Excellence at Queen’s University of Charlotte. He is also the author of Radical Hope: a Teaching Manifesto, which is available from West Virginia University Press. Welcome back, Kevin.

Kevin: Thanks. Great to be back with you all.

Rebecca: Today’s teas are:…. Kevin, are you drinking tea?

Kevin: I am drinking Cheerwine because I’m in North Carolina now. And this is how we roll in this state. And it’s so damn hot outside, a hot beverage is the most unappetizing suggestion right now.

Rebecca: All right, we’ll let it slide. [LAUGHTER]

John: I would have been tempted to have Cheerwine because it does have that whole North Carolina flavor, which I had never heard of until I came down here, the first time in 1987. But it’s incredibly popular.

Rebecca: What is it?

Kevin: It’s a cherry soda, basically. You got to be ready for sugar. You got to get your pancreas in shape and then prepare to go, but it’s quite tasty.

John: It’s a very inexpensive and popular cherry soda.

Rebecca: Interesting. It sounds like medicine.

John: No, it’s more sugary than medicinal.

Rebecca: Okay.

John: …but Duke, some time before last year, removed all of the soda from the vending machines and every place where they serve beverages on campus. You only have choices of healthy drinks: water, fruit juices, iced tea, they have of course, because it is North Carolina.

Rebecca: Is it sweet tea then?

John: It is not sweet tea, it is unsweetened tea. So I have a Tea Forte black currant tea that came down with me in my new Duke University mug.

Rebecca: And I have an Irish Breakfast tea because it’s 90 degrees outside and I have a hot tea because… I don’t know why. [LAUGHTER]

John: And I would not be drinking tea if I were not sitting in a very nicely air conditioned classroom here at Duke. So we’ve invited you here today to discuss your May 22 Chronicle article where you address the arguments that some people have raised advocating a return to rigor as a solution to what seems to have been a substantial reduction in student engagement Since the start of the pandemic. What do you think is the source of the disengagement that faculty have been perceiving?

Kevin: Well, I think there’s a lot that goes into it. But I will say that I think it’s important for us to remember that there’s: A) no one cause or explanation for it, which leads to B) there’s no one solution that’s going to fix it all. And we know this, I think, but in the day-to-day practice or dealing with this room full of disengaged students, it’s hard to remember that sometimes. And so I think the root cause of this disengagement comes from the fact that we went through and are still dealing with the effects of rolling trauma on a global scale. And we can talk about trauma-informed pedagogy all we want, but it’s not going to erase the fact that trauma happened and for some of our students, and for some of us, continues to happen as well. And of course, what we saw as a result of that was the pandemic laid bare so many of the other things that were already in place that were unsustainable, and didn’t let us hide from those things anymore. So whether we’re talking about the so-called racial reckoning of the summer of 2020, or we’re talking about the ways in which people from different socio-economic groups experienced the pandemic and or healthcare as a result of that. And we’re in an age now of sort of creeping authoritarianism, pseudo-fascism, whatever you want to call it. I don’t think anybody could realistically expect folks to bring all of their cognitive energies to bear in a classroom with all of this going on in the background. It’s like trying to read a book while you’re in the spin cycle of a washing machine. There’s no way. And I think we can talk about creating spaces that are sanctuaries from that, but I don’t think that we alone can solve all of the things that are leading to disengagement. In fact, disengagement, the diversion of cognitive bandwidth, defense mechanisms, these are all things that are actually, I would argue, fairly healthy responses to everything that we’re seeing around us. And we need to have the sort of empathy and understanding of what many of our students and ourselves are going through to allow space for that to happen.

Rebecca: Yeah, sometimes it feels like there’s a request to just snap out of it.

Kevin: Right. One of the refrains I’ve had over and over is we’re not going to pedagogy our way out of like systemic collapse. And so I think Mays Imad actually put it very well, when she talks about learning as a sanctuary. Our classes can be a sanctuary from this, and that’s important. And we should be doing that work and we should be providing those spaces and curating those spaces and nurturing those spaces for ourselves and for our students, but to put all the pressure upon educators to get students “reconnected,” despite everything else that’s happening around us, I just think it’s unrealistic, and it sets us up for failure. And the same is true, I would argue, for K to 12. Teachers, during the pandemic, educators were expected to sort of fill in the gaps of all of the missing social services over and above “just education.” And I think that when we talk about this disconnection, there’s a danger of us moving into that space where we’re being expected to solve systemic problems, when we are not in a position where we’re able to do so. And in fact, we are suffering from the effects of those problems, in many ways the same as our students.

John: And at the same time, I know our campus at least, and I think, throughout the US, we’ve seen an increase in the diversity of our student bodies. There’s many more first-generation students coming into our classes, there’s many students from historically minoritized groups who simply were not generally attending, and those students often come in with less knowledge of, as you note in your article, the hidden curriculum of education. We have to help them learn that curriculum. And that brings us to that whole question of the push to rigor. In the article, you describe two approaches to adding more rigor, one is adding more logistic rigor, and the other is adding more cognitive rigor to classes. Could you talk a little bit about those?

Kevin: Sure. And so when we think about this idea of rigor in the way that we normally talk about as faculty members, I do think that there are these sorts of two camps that rigor falls into, I don’t think that we… and I’m speaking broadly here, and certainly implicating myself, in some of this… I don’t think we always do a great job specifying which one or the other we’re referring to. So it’s very easy for me as a faculty member to say, “I’m making a very rigorous class.” And maybe all of that is one type of this rigor as opposed to a balance. And so I think when we look at rigor, what it basically boils down to is there’s sort of two broad ways in which a course could be challenging, it could be difficult. One of those is what we talk about as faculty as the good stuff and what I call cognitive rigor, complex thinking, higher order thinking, the ability to critically interrogate information, the ability to step outside of one’s own perspective, all of the things that we know higher education should be doing. And then there’s the other kind. There’s, for lack of a better term, I call logistical rigor. And that’s where you see things like inflexible policies, volume of work, not necessarily difficult work, but so much of it that the sheer volume in itself is what makes the difficulty exist for students. The classic story, I keep saying it’s apocryphal, but when I tell this story at various workshops I do at other campuses, people always swear it happened to them. So I think it is real. But the apocryphal story of the big lecture class where the professor strolls out of the first day and says, “Look to your left, look to your right, only two of the three of you will be here by the end of the semester,” like that’s that sort of logistical rigor that I think we see a lot. The problem is, as I note in the article, we often mistake one for the other. We often say that our classes are rigorous. And we think in our faculty braids that they’re cognitively rigorous, but the way our students are experiencing them is actually through logistical rigor. And so if you look at some of the research, and I linked some of it in the article, what really surprised me as I dove into this, were the vastly different perceptions that students and faculty had about a rigorous class. There was an article that listed the top 10 features of a rigorous class according to students. The top five of those were what I would call logistical rigor, the number of pages that were assigned to be written during the semester, the reading load, the pace of the scale of work, none of the good cognitive rigor stuff came in until the bottom five on that student list, and the numbers there were significantly lower. And this is just one study, but there’s a pattern across when we look at student perceptions of rigorous courses, of difficult courses, it’s a pretty clear thread that students are experiencing difficulty as logistical rigor. And so when we as faculty say, “Well, we’re really after these cognitively rigorous courses and that’s what it’s all about.” Well, that’s not what our students are seeing, which leads me to wonder if that’s really what we’re doing. And my suspicion is, is that no, that we’re often creating these logistically rigorous course spaces, and thinking that it’s cognitively rigorous, and of course, those are two very different things.

Rebecca: Well, and I think sometimes that code word of rigor, and I intentionally use the word code here is that it’s often used to weed certain students out and then we wonder why particular disciplines aren’t diverse or don’t have new faces as a part of the fields and disciplines, as if having structure or support or scaffolding is somehow the antithesis of rigor.

Kevin: Right. And this is really the crux of it, and of course, everybody’s brains will first go to STEM courses because STEM fields have really been struggling with this. But as a humanities guy, there are humanities fields, including some sub-fields in my own discipline of history. I would argue philosophy wrestles with this as well, where rigor in this logistical sense is exactly as you put it, the sort of weeding out, its code for “Some of y’all should be here, and some of y’all shouldn’t, and by the end of the semester, we’re going to have that sorted.” And of course, is that what we want to be doing? Is this how we reproduce our disciplines? If your answer to that is “yes,” I would argue that you’re probably in the wrong line of work. So we need to be thinking, what is it that we’re actually doing? There’s a difference between saying “our uses of rigor are counterproductive” and “we should dumb everything down.” Those are two separate things and that’s not what I’m saying. But our uses of rigor are doing the very things that you point out, Rebecca, that we’re putting barriers in front of students, we’re closing off pathways and opportunities for them to engage in our discipline. And given this moment of where we’re at in higher education right now, I think that’s a horrible, horrible strategy. Rigor, it has become such a loaded concept, because it has become this stand in for weeding out or culling or all these other awful metaphors that we use in higher ed to talk about kind of thinning the herd, so to speak, and that language matters.

John: When you were talking about the difference in faculty and student perceptions of making courses more rigorous. It reminds me of the discussion that we often see about active learnin. When faculty are surveyed in terms of the extent to which they use active learning activities in the class and the proportion of time that they lecture. When students are surveyed on the same questions, we get a remarkably different picture, suggesting that faculty are doing a lot more lecturing, and a lot less active learning than they believe that they are. And it might be nice if we could get a little bit more dialogue going back and forth between students and faculty and getting perhaps more student feedback in general. But it does suggest that we’re seeing a disconnect between what students observe and what faculty think they’re doing in their classes.

Kevin: Right. And a lot of times will be talked about, “Well, I do X in my class,” like I know in my own case, there are a lot of occasions where what I say I’m doing is actually more aspirational than actual. I would love to be doing these things. And on a good day, these things are happening. And maybe they’re working. And I get that. There are some days in some classes where the stuff that we know is most effective and most desirable, just doesn’t work the way that we would hope or the way that we would want. But that doesn’t mean that we stop trying. I think there are plenty of opportunities in place for us to have that sort of dialogue you’re talking about with students to see: are the actual experiences of my students aligned with what I think they are? And this is why we do assessment. This is why we do, at least in a perfect world, student ratings of instruction, if this course was designed to get you from point A to point B, and I want to say that you got to point B, I need to be able to prove that. And I need to be able to describe what that experience was like for you as students. And so how do I bring student voice into this. So you could do informal midterm feedback, you cn do weekly reflection papers, you could do check ins with students. The faculty development world has, I’ve seen it referred to as the small group instructional diagnosis, which is a unwieldy term for a kind of guided reflective discussion for midterm feedback and input from students about how a course is going. I think there’s a lot of tools already there that, working together…. and this is the other hard part….working as colleagues, working outside of my old office and department, and with my faculty development people or with other academic support, can I bring these folks into the process where they could work with my students as well, and help me gather that data? Am I doing, in actuality, what I say that I’m doing? What is my students’ experience of this course? And is that in alignment with what I have designed the course to be?

Rebecca: We all hit barriers like time and things that cause us to slip into old habits occasionally. So those aspirational moves certainly occur for all of us. But I also think that that transparency piece about like, “Why are we doing this active learning thing?” or “Why are we slipping into this old habit that’s maybe not the most ideal?” …can actually be really healthy, because then students can also share that and have that dialogue going back and forth so that they know where they’re at in something and vice versa, like we know where we’re at in terms of the classroom.

Kevin: Well, and it’s an excellent model, too. I think modeling transparency with our students in any way that we can about the course design, about the content, about the ways in which we might be collectively engaging with that. All of that is to the good. We want students to understand that learning doesn’t just happen by accident. We want them to get into this place where they’re thinking metacognitively, and to me really the only effective way to do that is to have this sort of radical ethic of transparency. If a student says “Why are we doing x in this course?” If my syllabus has, here’s all the stuff that we’re going to do this semester, and I can’t come up with a good answer to that, that’s a problem. And so this helps, as you suggest, keep us in this place where we’re ensuring that what we’re doing is in alignment with our goals and our values as disciplinarians, in other words, as members of our discipline, as well as effective instructors and human beings. Does this stuff align with what my professed core values as an academic and as an educator are. The only way we’re able to do that, I think, is to be in this place of transparency to model what that looks like for our students.

John: One issue where the logistical question comes up is that during the pandemic, a lot of faculty relaxed deadlines, and sometimes dropped deadlines entirely. And that certainly provided students with the flexibility they needed. But one concern is that some students would end up getting further and further behind in the course. And there’s a lot of research that suggests that without some structure in terms of deadlines, and getting things done in reasonable periods, the quality of student learning tends to deteriorate. What sort of policies might give students some flexibility, but still make sure that they’re progressing through the course, so they can keep up with other activities that they’re supposed to be doing as the course progresses.

Kevin: And so this is the key issue. And so I think it’s important to establish that, when I suggest that rigor, at least as we sort of traditionally used it is actually failing us, is getting in the way of actual learning, I am not suggesting removing structure from a course. And I wish I could remember which of his writings it’s from but there’s this piece of one of the Paulo Freire books or essays that I’ve read, where he talks about what we would call learner-centered instruction. And he basically says if we’re in a rowboat, and I teach you to swim by throwing you overboard, that’s learner centered, but that’s not necessarily helping you learn how to swim in that moment. And his point is structure is a necessary part of what he would call a liberating pedagogy, that it’s not just throw people in and say, “Okay, go learn, you are the agents here.” And so I think it’s important to realize that you can do this work well and meaningfully only if there is a structure in place, but it has to be a structure that’s explicit, that’s decipherable for students. Back to your notion of the hidden curriculum, if it’s hidden, [LAUGHTER] and the students are running up against these sort of invisible barriers without being able to name what they are, that’s a problem. But if there’s structure in the course, where students are able to see “here’s what I’m accountable to, and here’s how I’m accountable to other students in the class,” then you’re in a place where you could do what we might call that desirable level of difficulty. And so I think there are ways to bring in structure and maybe more structure than what we had during the pandemic. Getting through what we got through was a victory in and of itself, and whatever we had to do to do it, we got through it at least relatively unscathed as higher education. I think that’s a really important win to acknowledge. But it doesn’t mean that we have to go all the way back the other way now. And so I’m a big fan of the sort of nuts and bolts level of policies that build in flexibility, but don’t get rid of structure entirely. And so Ellen Boucher wrote a great piece in The Chronicle back in 2016, and had the headline, “It’s Time to Ditch our Deadlines,” which is unfortunate, because that’s actually not what she argues. She advocates for a two-day grace period, no questions asked, for her students. And if you needed more time than that, then you had to have a conference with her and come up with a plan, like “Okay, I can’t get this paper to you on the due date. I’m going to take the two days.” While I need more than the two days we’re going to have a conference and as the instructor, I’m going to work with you and say “Here’s the game plan. Here’s your next step. Here’s what you’re going to be accountable for and when you’re going to be accountable for.” So I’m doing extensions, but I’m not just saying turn it in whenever. I’m not leaving students to figure out “Okay, what are my next steps? What are my next actions?” Because in the case of deadlines, we know that when students are failing to meet deadlines, as you mentioned, this stuff just snowballs, and it becomes worse, and then they just ghost us, because the whole thing has become so overwhelming that the avoidance reflex kicks in. And so something like Boucher suggests where right off the bat, here’s a two-day policy, if you need it, just tell me you’re taking it, I don’t need to hear about whatever stomach ailment you had, or I don’t need the graphic email describing your symptoms. Just tell me you’re taking the two days if you need more than that we got to talk first. And so that’s an example of a policy that has a structure there but still it explicitly packages in that type of flexibility. And I think that’s a good model for where we need to be, understanding that for different students life is happening in different ways. And yet, there’s still we can’t just say “Okay, turn things in whenever,” because as most of us design courses, stuff builds on each other, right? That’s the whole point of scaffolding and getting rid of deadlines entirely or not having that sort of structured accountability in place does prevent the type of things from happening that should be happening. And so I think finding ways to preserve structure but flexibility within that structure, which, I get is… as I listen to myself say that, part of me goes, “Well, that’s a really just kind of wishy-washy answer.” But I do think, in this case, that moderating it, there was a reason we got rid of so much structure during the pandemic, with this recognition that it was absolutely necessary for the way that everybody’s lives were unfolding and happening. That didn’t go away, like people’s lives still unfold and happen in very complex ways. And that’s true for our students and us. So we can’t just say, “Oh, we’re going to swing all the way back, 180 degrees to the other side, and have deadlines by God.” I just think that’s an incredibly counterproductive thing. And I think that the folks who have been trying that are the ones who’ve been seeing a lot of resistance, and not a lot of success in terms of their students meeting those things. And that’s where we hear some of this frustration that’s coming out in the discourse.

Rebecca: I think the other thing that sometimes rubs up a lot against rigor is this idea of relationships between students and other students and students and faculty in the classroom and that sense of belonging… somehow these are like diametrically opposed. It’s not like rigors over here and belonging is over here, and they can’t possibly happen in the same place.

Kevin: Yeah, and doesn’t that speak to what we’ve seen with the sort of debate such as it is over active learning? The conversation starts from an erroneous proposition that you could either do active learning or you could have a “real class,” like you could do this namby pamby arts and humanities, sit in a circle and sing Kumbaya and braid each other’s hair kind of stuff or you could do real learning and manly-man stuff. And I’m exaggerating, actually only slightly. [LAUGHTER] A lot of times the conversation about rigor and challenge starts from this erroneous sense of mutual exclusivity, that you can have a compassionate flexible pedagogy or you could be rigorous, but you cannot do both. When it actuality it’s and you have to have one to have the other. You cannot have a challenging learning experience where your students can actually meet those challenges if you don’t have a compassionate empathetic pedagogical space, because the whole point about rising to challenges is you can’t do it by yourself. This is what the Vygotski talks about the zone of proximal development, learning is social, you need other people around you, you need an instructor, you need classmates. Well, why is that? It’s because we help each other when it comes to the point of really challenging and pushing ourselves cognitively to get to that achievement of that goal, that desirably difficult goal. We cannot do that if students don’t feel that they belong in that space. We cannot ask students to take intellectual risks or to try something that they have never tried before, if they’re at a place where they don’t feel secure in doing so. Because we wouldn’t ask that of ourselves either, if we’re being honest. And so rather than posit: “you could be rigorous or you could be flexible and compassionate,” it’s “you can be flexible and compassionate and then you can be challenging.”

John: At Oswego this fall we’re going to be using for one of our reading groups, Sarah Rose Cavanagh’s book that you reference here, her newest book, which is Mind over Monsters, and you cite that basically as suggesting the importance of bringing both of those things together. And it’s an excellent book, by the way, which I would recommend to anyone interested in addressing some of these questions.

Kevin: Absolutely. It’s a brilliant book. And I think it’s a vital intervention in this very conversation that we’re having.

John: A term that you use in the book, which was a technical term I hadn’t quite seen used in this context, was that many faculty when they tried to introduce rigor, essentially are adding more “hard-assery”, I think was term that you uses rather than actually more cognitive challenge. Why is that happening? Why do people do this?,

Kevin: Yeah, and the phrase I use is performative hard-assery. [LAUGHTER]

John: Oh that;s right. Sorry, I forgot. [LAUGHTER]

Kevin: Well, I’m glad that that resonated, because I’m really proud of that phrase. But I really do think that that is where a lot of the rigor conversation is. My classes are hard, my students write, they read a bunch, they do all these things. And it’s like, “Do they? and what is the result of them doing those things?” It comes back to the student perception of rigor as the more pages I decide to read and write, students don’t talk about what they learned, and they talk about what they had to do. They don’t talk about what they became. They don’t talk about how it made them feel. They don’t talk about how they changed. They just talk about things they have to do. And I think that that’s a really important distinction when we think about the student experience in all of this. And I think it’s very easy for us to say, “Well, I’m doing my job because I’m assigning my students a ton of work, and it’s hard and I grade hard.” And again, I’m not saying we shouldn’t be challenging. I think we should absolutely be challenging. But how are we structuring those challenges? Am I giving my students a challenge just sheerly through volume. Is my class just kind of a death march through this enormous swamp land of content that’s just going past them a mile a minute, or Is it challenging in the sense that they are taking the time to be deliberative thinkers, to be critical consumers of information, because those two things look a lot different. And again, especially coming at this sort of not quite post-pandemic stage that we’re at, is a very real desire to bring some structure back, but thinking about bringing that structure back in terms of just assigning more stuff, because from our own graduate school experience, that’s how we structured our very lives. And so if we think about structure, and again, I’m saying we very intentionally here, that’s the first place our mind goes to. And so I brought back structure, because I’ve assigned a whole bunch more work. And now I also get to complain about how students aren’t doing the work, because I’ve built in this sort of self-fulfilling prophecy, it makes me feel good, it makes me feel like I’m “doing my job,” but am I? Are students learning? Is this advancing learning, because chances are, it’s probably not,

Rebecca: As you’re describing these two scenarios, the marching through the marsh, for example, I’m thinking of the really long checklist that accompanies it. And then in this other environment, this luxurious amount of time to contemplate something and wrestle with something and think through it, and how there needs to be space around that sometimes, to really have the time to process and understand what it is that we’re trying to grapple with.

Kevin: On a micro level, we think about this as instructors all the time, when we think about trying to foster an effective discussion in class. We know that asking a good question is the essential piece of having a good discussion. If I ask a complex question that requires a fair amount of cognitive heavy lifting, I need to give my students time, I can’t expect my students to answer it right off the bat. If it’s a good question, there’s going to be some silence afterwards, as students think about and chew on it a little bit before they decide how they want to respond. And it’s true on a course level too. Are we providing space for our students to do this work, to do this processing? Or is it just more, more, more, more, more, faster, faster, faster, faster, in the name of rigor, in the name of structure, in the name of challenging, but it’s really kind of the cognitive equivalent of trying to drink from a fire hose, like what’s really happening there?

Rebecca: Sometimes not much. [LAUGHTER]

Kevin: I have actually stood in front of a fire hose, not willingly, but I’ve been hit by a fire hose. And I can tell you, it’s not pleasant, it hurts and you’re really wet and miserable afterwards. And I would argue that those are not the things [LAUGHTER] we want associated with learning spaces. And yet, this is, a lot of times, where we, and again, speaking broadly, where we kind of lay it…this sort of, we’re gonna fire hose everything out, and it’s up to the student. And I’m exaggerating slightly for effect, but again, not very much.

John: If the solution to the student disengagement is not dumping more work on students and having more students fail along the way, as many people seem to see it, what can we do to get students a bit more engaged with the class? Because that’s been a complaint. I’ve heard from a lot of people at many institutions in the last year or so.

Kevin: So I think there’s two things I would use to answer that question. And the first I would say, engagement’s not going to be 100% all the time. And if we are thinking that it was somehow that way, magically, before COVID, we’re deluding ourselves. And so we have to give ourselves permission to fall short in that category, not every student is going to be engaged in everything at every time, no matter what we try to do, because that’s the world we live in, that surrounds the spaces we’re in. And so let’s be realistic in what it is that we’re after, how do we engage students in a meaningful and at least most of the time kind of way? And that’s where I think we can do a lot. And so there’s a couple approaches that I think hold a lot of promise. One is we do have to be challenging, we do have to provide challenge, people like to meet challenges. If students think they know something already, they’re going to hear it and “Oh, I already know this, I’m already checking out.” So we have to put in this level of difficulty, of mystery, of complexity, but we have to provide support in helping them meet those sorts of challenges. And we have to be clear and transparent about how we’re providing that support. The idea of a safety net under the trapeze artists, the trapeze artists who’s doing incredibly complex and really, really difficult things that they’ve practiced a lot to do, but they’ve had a net underneath them, just in case it didn’t go well. And at a much lower risk sort of way, that’s what we’re doing. I’m asking you to do difficult things, things that you have probably not been asked to do before. You may fall short of the goal, but that’s okay, because here’s the supports underneath you. This is a space where it’s okay for that to happen. And so depending on the type of class and the discipline you’re in, that might look a little different. But when people talk about desirable difficulties, in other words, challenges that people can actually meet, even if it takes a lot of effort, but there is a solution. And again, I reference Vygotsky’s zone of proximal development, a lot in this. It takes a while to get there, but you get there and that’s what the important part is. So how do we create teaching and learning spaces where the challenge is centered, but the ways in which students are being supported in meeting those challenges are also at the center. Right now we’re very good at centering challenges. I would argue we’re less proficient at centering those other things. And so how do we support students in meeting those challenges of what should be a demanding education? And so Cavanaugh calls it, in her book compassionate challenge. I suggest in the article that the question we should have as our litmus test is: does this advance learning? Does this thing I’m doing advance learning in the sense of what are the goals? What are the outcomes that we’ve established for the course? Those sort of transformations, those promises, to use Ken Bain’s words, that we’ve made to students? Are we getting there? Do you know how we’re getting there? Are you able to assess as a learner yourself what’s working in getting you there? Those are the sorts of things that need to be at the center of the teaching and learning experience. And if we’re just doing challenge for challenges sake, or that sort of performative hard-assery shtick, our students are not going to be interested in having that conversation with us or with themselves even, about what’s working for them in terms of the strategies they’re adopting, and the things that they’re doing to meet the challenges that they’re faced with on our course.

Rebecca: Thinking about procrastination in relationship to what we’ve been talking about. And sometimes procrastination reads as lack of motivation, or a lack of engagement. And sometimes the reason for the procrastination is that there isn’t the deadline, or there isn’t the structure or there isn’t the milestones to move you along. How do you see the relationship of procrastination to rigor and this idea of engagement?

Kevin: That’s a great question. Because I think if we err too much on the side of the so-called logistical rigor, or it’s like just really hard, inflexible policies and strict deadlines and this high volume of stuff, we’re actually creating the circumstances that procrastination will become an epidemic among students, because what we’re giving is an unrealistic amount of work to do in the time that’s allotted. And it’s very easy to get from there to just sheer avoidance, I can’t do this, I don’t see a tangible way through this, I cannot see myself getting through this gauntlet. So eff it, basically, is how that works. And so I’m going to do other things, whether I’m doing this consciously, or subconsciously, or some mixture of both. That’s like the perfect storm. When it’s all extrinsic motivation and when it’s all insurmountable barriers, at least from the perspective of the student, that’s like the perfect storm for avoidance. And I’m someone who personally struggles with this all the time. My avoidance reflex is keenly developed over the 50 years of my life. [LAUGHTER] And I do not do well with unstructured time. And so getting back to this question of how do we find that balance, I think structure is important, not an overwhelming or a suffocating amount of structure. But there needs to be something in place to help our students fit themselves and their work and their lives into the framework of the course. We need to be able to give them the tools to do that without pre-determining every outcome or stifling every option. But I think thinking about what are the causes of procrastination, what are the effects of procrastination, because one of the things that when folks talk about student disconnection is this phenomenon that we’re seeing more and more of students just kind of ghosting, just dropping out, like they were in class for six weeks, and now they’re gone. And I think a lot of that is things have built up to the point where they seem so overwhelming that there’s no realistic solution in place. And a lot of that is exacerbated by that cycle of procrastination. And so by the time we get to the point where the student is feeling so overwhelmed that they just want to leave everything, which they do, it’s way too late. So we have to be intervening in the earlier part of that process where it’s procrastination that is creating the conditions that this sort of overwhelming volume is going to grow out of a little bit down the road if we’re not able to intervene. So I think thinking about procrastination is the way you frame it in these very explicit and sort of fraught of mind terms is a really important part of all of this.

John: Since I’m at Duke, I’ll mention a study that Dan Ariely had done a while back where he worked with one of his colleagues at MIT at the time, and they were giving students writing assignments where they had to write three papers over the course of the semester. In one class, they had fixed deadlines for submitting these papers that were evenly spaced. In the other section of the course, they were given the option of setting their own deadlines, which could be at any time during the semester. If they chose, they could set them all at the end of the term. And what happened was that students who had either fixed deadlines or who set the deadlines evenly over time ended up performing better than the students who chose to put the deadlines at the end. And I should also note, there was a one-percentage point penalty for each day they were late. So it was a small penalty, but it was a non-trivial penalty. So the logical thing is to put all the deadlines at the end and then try to get them done evenly. But the people who had deadlines later did the work later and did lower quality work. So those deadlines can be important as long as there’s some sort of incentive structure with it. And I think that has helped encourage me to not drop deadlines entirely. Usually I allow some scores to be dropped or allow some deadlines to be flexible, but warn students that if they don’t meet the deadlines they’re going to have trouble with these in-class activities that are going to be done based on the things they were supposed to have done before they come to class. But it’s a challenge. And I haven’t found a good balance

Kevin: That speaks to exactly the type of balance that we’ve been talking about. We don’t have to choose between strict, rigid, inflexible deadlines, or no deadlines, or complete student set deadlines, like the Elen Boucher piece that I referenced earlier. Here’s the structure, here are the deadlines. And then here’s the wiggle room that comes along with them. And so your desire to sort of have the deadlines but to balance them with flexibility in your classes, and to have students understand, this is why you need to have these things completed, or at least aiming for this particular juncture, because you’re going to need it in the next phase of the course, etc. This is all part of what we talked about supporting students to meet these challenges, this is the type of support. Support could be encouraged through our course design, as well as the actions that we’re taking on a day-to-day basis. And so again, I want to be really clear that I think rigor as we’re using it kind of higher education wide, has outlived its usefulness as a word. It has too much baggage, it has been wielded in exclusionary, inequitable, and sometimes very horrible ways. But that doesn’t mean that we don’t talk about challenge. And so I think like Cavanaugh does, and like a lot of other folks who have landed on this idea of thinking about ways that we can challenge our students. And the way to do so is to create structured environments where the structure facilitates rather than suffocate students as they endeavor to meet those challenges.

John: And at our teaching center, we’ve given hundreds of workshops over the years, but never once have we advocated rigor, or even used the term rigor in our framework we always refer to challenge and the benefits of that. And you cited a Chronicle article that was the basis of a podcast episode with Sathy and Jack. And we’ll include a link to that in the show notes.

Kevin: The headline was, “It’s Time to Cancel the Word ‘Rigor’” and playing on everybody’s sort of obsession with the boogeyman of cancel culture. And I think that that got in the way a little bit of folks engaging with the very real truth of the article was that, as Rebecca alluded to earlier, rigor has been wielded rather than used it’s been wielded like a cudgel, it’s been a barrier, it’s been exclusionary. And when we talk about rigor now, I think everything has a history, this is my own discipline talking here, I don’t think rigor with the amount of baggage it’s carrying, I just don’t think it can be constructively used when we’re talking about challenging students. And because students have experienced rigor, defined that way and referred to with that word, to the point where there’s that kind of baggage with it too where it’s sort of the pedagogical equivalent of hazing, as opposed to anything else. It helps us as educators ask ourselves, are my challenges cognitive or just logistical? Are my challenges supported for students? Or am I just sort of asking them to close their eyes and jump off the cliff and trust that no bad things are happening. And it helps me as an instructor hold myself accountable to ensure that again, I’m not doing the things that I would rather avoid and that I am doing the things that I tell students I’m doing to help support their learning. In the tradition of first-year student essays everywhere, look at the Webster’s definition of rigor, it talks about things like extreme inflexibility and rigidity. There are connotations, you know, rigor is for corpses. So I think that it’s a concept that has no usefulness for the questions that we’re trying to answer and the knots that we’re trying to untie at this particular moment in higher ed.

Rebecca: There’s a lot to think about. Thanks. [LAUGHTER] So we always wrap up by asking what’s next?

Kevin: Well, right now, I’ve actually thinking a lot about the course spaces in which some of these things that we’ve talked about play out all the time, and that’s the intro or survey courses. And I think the project that’s kicking around in my head right now, and I’m getting dangerously close to actually starting to write stuff, is thinking or rethinking the intro/survey course, sort of a critical interrogation. What are they supposed to be? What are they actually functioning as in reality? How large is the gap between those two things? And what are some ways in which people are creatively answering some of the problems that the survey course presents in terms of not just teaching but designing effective spaces as well as some of this comes out of my own field in history. We’re wrestling with again this death march through content. World history in two semesters, Plato to NATO in an academic year. Is that really what we’re after here? Or should we be doing something else? And so from my own discipline, I’ve developed an interest in thinking about this and thinking about the ways in which other fields and disciplines are wrestling with similar types of questions, which of course, then leads to the larger question of what is the point of these things? And are we doing the things that we say these courses should be doing? Because of that, thinking a lot about not just teaching and learning, but about first-year student success, about things like just and inclusive teaching, things like student-centered pedagogy, a lot of really interesting and fun things that are kind of swirling around. So the short answer, rather than that very long-winded one is I’ve researching survey and intro courses to see if there’s better ways that we might be doing it.

Rebecca: Sounds like a great project. Maybe you need a deadline so you get started on it. [LAUGHTER]

Kevin: Let’s not get carried away because I am going to take that two-day grace period, I can tell you that right now.

John: Well, thank you. It’s always great talking to you.

Kevin: Well, thanks for having me back. It’s a real treat to be with you two again.

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John: If you’ve enjoyed this podcast, please subscribe and leave a review on iTunes or your favorite podcast service. To continue the conversation, join us on our Tea for Teaching Facebook page.

Rebecca: You can find show notes, transcripts and other materials on teaforteaching.com. Music by Michael Gary Brewer.

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286. Grading for Growth

Traditional grading systems provide incentives for students to focus on maximizing their grades, rather than their learning. In this episode, David Clark and Robert Talbert join us to discuss alternative grading systems that encourage students to recognize that learning from mistakes is a normal part of the learning process.

Robert is a Professor of Mathematics at Grand Valley State University and the author of Flipped Learning: A Guide for Higher Education Faculty. David is an Associate Professor of Mathematics, also at Grand Valley State University. Robert and David are co-authors of Grading for Growth: A Guide to Alternative Grading Practices that Promote Authentic Learning and Student Engagement in Higher Education, which will be published this summer by Stylus Publishing.

Show Notes

  • Talbert, R. (2017). Flipped learning: A guide for higher education faculty. Stylus Publishing, LLC.
  • Talbert, Robert and David Clark (2023, forthcoming). Grading for Growth: A Guide to Alternative Grading Practices that Promote Authentic Learning and Student Engagement in Higher Education, Stylus Publishing.
  • Nilson, L. B. (2015). Specifications grading: Restoring rigor, motivating students, and saving faculty time. Stylus Publishing, LLC.
  • Grading for Growth blog
  • Robert Talbert’s other blog

Transcript

John: Traditional grading systems provide incentives for students to focus on maximizing their grades, rather than their learning. In this episode, we discuss alternative grading systems that encourage students to recognize that learning from mistakes is a normal part of the learning process.

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John: Thanks for joining us for Tea for Teaching, an informal discussion of innovative and effective practices in teaching and learning.

Rebecca: This podcast series is hosted by John Kane, an economist…

John: …and Rebecca Mushtare, a graphic designer…

Rebecca: …and features guests doing important research and advocacy work to make higher education more inclusive and supportive of all learners.

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Rebecca: Our guests today are Robert Talbert and David Clark. Robert is a Professor of Mathematics at Grand Valley State University and the author of Flipped Learning: A Guide for Higher Education Faculty. David is an Associate Professor of Mathematics, also at Grand Valley State University. Robert and David are co-authors of Grading for Growth: A Guide to Alternative Grading Practices that Promote Authentic Learning and Student Engagement in Higher Education, which will be published later this year by Stylus Publishing. Welcome, Robert. And David.

David: Good to be here.

Robert: Thanks for having us.

John: Today’s teas are:… are either of you drinking tea?

David: I am.

Robert: I am drinking tea. I’m more of a coffee guy normally, but I figured for the occasion I would bust the tea out.

John: What type of tea are you drinking?

David: I have, because its afternoon, a really lovely almost white jasmine right here.

Rebecca: Nice.

David: …really delicate and anybody who cares about tea is going to be horrified that I sweetened it with honey,

Rebecca: But it is in a really nice polka dotted mug. It is a lovely mug. Thanks.

Robert: And I have cheap stuff from the grocery store, because that’s my brand. This is a Bengal Spice by Celestial Seasoning, and my wife and I are addicted to this tea. We drink probably four or five cups a day of it, though to be honest when it’s cold out, but it usually is [LAUGHTER] here in Michigan.

Rebecca: And I have Jasmine dragon pearls today.

David: Oh, nice choice. Both Jasmine.

John: And I have spring cherry green tea. It’s a very cold wintry day here as we approach spring in upstate New York. We’re recording this a bit before it’ll be released, so by the time you hear this, we should be having the beginning of spring both here and Michigan, I’m hoping.

David: We hope, yeah..

Rebecca: Your tea choice is definitely a big wish for spring. [LAUGHTER] So we’ve invited you here today to discuss Grading for Growth. Can you talk a little bit about how this book came to be?

David: I don’t remember, Robert, if we were in person, or on a Zoom call or something, but I remember you saying at some point, I got a phrase for you: academic book about alternative grading. And I said, “You know, I need a project for my sabbatical.” And then I think it just happened from there [LAUGHTER], and so…

Robert: Yeah, we were in person, David. David and I, we’re not on the same hallway, we’re kind of on opposite arms of a T-shaped hallway. And so we run into each other, sometimes literally, at the intersection of these two hallways, and that happened one day. It was pre-pandemic, I guess. And it was just like, “Hey, Dave, I have this idea, Somebody should write a book about alternative grading. Because David and I have been using various forms of alternative grading in our classes for a while. And he was like, “Yeah,” and that was it. [LAUGHTER] But I think we were also tapping into some stuff that we have been hearing and around our Math Department and elsewhere, our colleagues outside of Grand Valley that started growing even three years ago, just a growing interest or dissatisfaction with the way grading is working. And we’ve been trying some stuff and thought, don’t you know, the best way to make change is to just get your ideas out there. And so this seems like the right place, right time for us.

John: So what types of alternative grading systems do you discuss in this book?

David: A pretty wide variety. And actually, something I’ll say, I think, both Robert and I tend to try to avoid labels too much for these, like there’s useful names to describe different approaches. But we do things like standards-based grading, specifications grading, ungrading, standards-based assessment. standards-based testing, but we look at a really wide variety of alternative grading approaches. And we’ve actually tried to come up with a framework that sort of describes what their common elements are, so that we don’t have to worry as much about names as what the useful features of them are. We found that people can really get locked into an idea of what, for example, upgrading means, and it’s not always a super useful thing to argue about with them.

Robert: Yeah, I would echo that too. Being mathematicians, Dave and I are both really into abstraction and so we look at these specific things that we see, but we’re more interested in the big, general overarching unification principles like what are all these models that are all good, and all applicable, in different places, to different levels of success, and what do they all have in common? And we do discuss ungrading, we do discuss specifications grading, standards-based grading, and a whole lot of approaches that are kind of in the in-between interstitial space, mostly through other people’s stories. I think the heart of this book and David’s real amazing contribution, what you really spend your sabbatical doing, Dave, was interviewing dozens and dozens and dozens of actual real life frontline professors, nobody is in one camp exclusively, everybody’s using some kind of combination, some kind of mix of all these different ideas. And so I think, to me, what the real contribution that our book makes is showing how different things can look, you can start from these basic building blocks, but real people with all kinds of different classes and life situations and professional situations are making this work by listening to their students and adapting appropriately.

David: I can’t emphasize enough how much variety there is in the people we’ve interviewed and the disciplines that they’re in, the types of classes they’re teaching, like it was an amazing thing to talk with all these people and see, okay, they’re able to use different types of alternative grading but absolutely across the board: in labs, in huge classes and tiny classes, and upper-level classes, and absolute freshman-level intro classes. And so it’s been just fantastic to hear how everyone’s doing this and try to put it together into something that could work for anyone, that everyone will find something useful.

Robert: Yeah, no two of them are alike either. And what’s even more amazing to me is that we had to cut a lot of those case studies. And we almost have enough material for a second book just for the case studies. We’re going to keep it on the blog, I think, unless Stylus wants us to do it. But, I mean, there was a lot out there that we don’t talk about in the book. So there’s more where that stuff comes from.

Rebecca: You mentioned that these alternative methods have some common themes or common threads. And maybe it would be helpful to talk about those common threads in relationship to the problems with traditional grading that lead people to these other alternative methods. Can you talk a little bit about that?

Robert: Well, I think one of the places that you begin to see some of the shortcomings of traditional grading is just looking at the history of where traditional grading came from. And it’s sort of a weird and checkered, and very short, history. Many of your listeners might be surprised to know that the current system of points based A-B-C-D-E-F, 4.0 GPA type of grading system is only about 100 years old. It’s a relatively recent innovation in higher education. Higher education, formally, is about 1000 years old. 1088 was the first university and the first readily identifiable grading system that we know of now is like 1890s. So it showed up very, very late to the party. And immediately it was co-opted by Industrial Revolution era approaches to teaching and learning which treated students more or less as subjects. The word “grading” really comes from agriculture, when it comes to like grading Grade A beef and grading grain and flour and that kind of thing. And pretty soon it became entrenched. And we have a situation now where when you look at where grading has led us, it’s highly questionable whether grades really do what we want them to do. And it seems almost certain that they do some things that we don’t want them to do. They lead to issues with ranking and sorting students, pitting students against each other. It’s not clear to me that the statistical validity of points-based grading is even well established. I mean, we put points on things, but they’re not really numerical data in any sense. Computing an average of points across a system of exams does not necessarily tell you how much a student knows. And that, to me, in my view, is the fundamental issue that I have with traditional grading, why I moved away from it. I just didn’t feel like the data was telling me anything.

David: I’d like to jump in on that one, in particular. A thought experiment that I think is really helpful for anybody to do is, let’s say you give a big exam, and a student takes it and they get 60%. So, most systems, that’s basically failing. What does that 60% tell you? What did they know? What don’t they know? Why did they do that poorly? Did they actually do poorly? Do they know 60% of the things that you’ve covered on that exam really well, and the other 40% not at all? Do they have a mediocre level of understanding of everything? Maybe they understand absolutely everything great, and they had a terrible day, and they had to get the kids to Grandma’s house or their work had to keep them late. Maybe they’re sick. All those things are wrapped up together, in that 60% and you just don’t know what it means. And then to add to that, if that student learns, and they really show great effort, and they can tell you later on, “Hey, I’ve got all this stuff, and let me show you how, maybe on like a cumulative final, that 60% is still averaged in and it’s going to permanently weigh them down and their final grade won’t represent what they actually came to know.

Robert: Right. And so grading really cuts against the very process that humans engage in when they learn anything. When I’m learning how to play a song on my bass guitar, and I play it once and I do terribly at it, if I eventually learn how to play it, people should not be looking back at the first time I tried it, [LAUGHTER] they should be looking at the last time I tried or the maybe the best time I tried it. That’s not how recording artists record. It’s not how athletes are ranked, and so forth. And it’s all because of this sort of Industrial Revolution era routes where we have everything measured and sorted out and put together and it inhibits growth. It sort of poisons our relationship with students, it leads to all these extrinsic goals that students now have. Rather than focusing on learning and growth, students get the idea that it’s wrong to fail at things the first time, whereas it’s actually normal to fail at things the first time and then grow from it. And I guess that’s where the name of our book came from, I forget where that phrase “Grading for Growth” popped up. It was way before we were asked for a title for our book. But it’s like that’s what we really want. We want to have a system, even if we must call it grading, we want it to be a system evaluating student work that focuses on and encourages growth as you are learning because that’s one of the great things about being human is that we do grow and we do learn from our mistakes. So where is it in our assessment systems? That’s kind of the fundamental question we’re asking.

David: So it might be helpful if we talk a little bit about this four pillars framework that we have in terms of where we go with that. We kind of spent a while trashing traditional grading here, and I could do that all day. So what did you do instead? What are the things you want to do instead of these things you don’t? And so from my point of view, the most important thing I want to know out of a grade is what does the student actually know? What do they learn? And so, as I said, we have this four pillars model, we talked about four pillars that any good rating system should have and one of those is really a clearly defined description of what it is you’re assessing. So we call it clearly defined standards. I don’t want to catch on to the name standards too much there, but a description of what it is you’re assessing and what it is that matters in that assessment. So how do you know that the student has achieved it? And what is it that the student has achieved? So in that way, that takes care of this issue of what does that 60% mean? 60% of what? And if you’re grading based on a specific thing that you’re testing a student about, then you can say, okay, maybe they’re achieved that or they have not achieved that specific goal. And then we try to incorporate in our other pillars, this idea of feedback loops. So humans work on feedback, they work on trying things multiple times, they work on trying and failing, and having to come back again, and that it should be the ultimate level of what they know, that really matters. So focusing on feedback, rather than focusing on numerical rates. So focusing heavily on feedback, on what’s happened, and how that relates to the standards or the specifications, or whatever the description is that they were trying to reach, and then making that feedback actionable so the student has a chance to actually act on that, and either through a new attempt show that they’ve got that idea, or through revising previous work, show that they come to understand it in a way that counts fully, so that they’re not penalized for needing multiple attempts, just like Robert was talking about with his bass, we’re not going to look at well, the first time you tried, it didn’t work out, too bad. We want to know, ultimately, where were they, so we shouldn’t penalize multiple attempts at understanding something. And finally, it feels like a technical thing, but it’s actually a really big move, moving away from points or percentages and instead, if you’re gonna put a grade on work at all, to make that grade something that’s sort of a descriptor of the feedback, something that basically says, you’ve met this standard or you’ve met these requirements or you haven’t and gives the students an idea of where to go next: you need to revise this, you should try this again, you’ve made it, something like that.

John: I know you’ve experimented with a variety of alternative grading systems. Could you talk a little bit about how you view some alternative grading systems in your own classes?

Robert: Sure, I’ll jump in on that. So around 2017, I described this in the book in my origin story where I came from with this. I had just taught a calculus class and I had just a terrible experience with grades. One student in particular, a fantastic student, she was the epitome of what we’re discussing here. She was on a 10 day delay from the rest of the class and after those 10 days were up, she’d be at the top of the class, but the exam is today, and so her exam scores just went down, down, down, down, down. It was just an awful way for a student to experience my subject. And so I started casting about and I read this book that had just come out by Linda Nilson, who is a legend in the area of professional development, and my former boss at Vanderbilt University. And it’s called specifications grading, and I said “What is specifications grading?” So I read this book, and I was converted on the spot. And I’ve been using specifications grading in almost all of my classes, except for one instance of ungrading last year, ever since. And so, I’m in various forms, and always tweaking, always experimenting, and trying to change things up. But, specifications grading is exactly along the lines of these four pillars that David is mentioning. There are clear content standards that we call specifications. The idea is not to give like points, but marks, to use a sort of a non-American term for those, marks that indicate progress, like you’ve met the standard, that’s what you get instead of a 10. Or you’re progressing, that’s what you get instead of a five, and giving lots of helpful feedback and especially letting students retry things without penalizing them for retry. To me, that’s like the thing that drives the loops. That’s been my main sort of area ever since for the last several years,

David: I’ve used a pretty wide variety of different alternatives. It’s come to the point for me where I think about all these different types of alternative grading systems that have names like standards-based grading, or specifications, or ungrading as elements to put in and they may be appropriate in some classes and not in others, depending on a whole bunch of factors. For example, I’ve taught intro level classes where I use a lot of standards-based grading where that means I’ve sort of divided up the topics into fairly fine-grained standards describing what a specific skill is, and what it would look like for a student to achieve it. And then the grade is essentially based on have they shown me that they thoroughly understand that, they can do the thing described in each of these standards and grades are based on meeting or not meeting those standards. And that can look like pretty traditional assessments, quizzes or exams or homework or such things. But instead of getting an overall grade, they get a mark, like Robert was talking about, for each standard. Yup, you’ve achieved this. Nope, you haven’t yet. Maybe they need to do it a few times. But that’s one element. It’s really useful for sort of discrete skills, intro level things. I’ve used specifications in a similar way that Robert is talking about. One of the strengths of specifications is that you sort of look at a student’s work holistically and say, “Have they overall shown me they can put these ideas together, understand the concepts, use all the different things that I think matter within this assignment,” and that works really well on written work… We’re mathematicians where students write proofs, it’s a detailed explanations of why something’s true, or in a project or in a portfolio or something longer than that. It’s really useful, maybe in upper-level classes or in places where I want students to show synthesis. And I’ve gotten pretty deeply into ungrading, or at least as I use the word ungrading, meaning removing grades entirely, even marks, in the way we’ve been talking about as another element that can be useful either in an entire class or just as individual things to do within some assignment. So I’ve covered a lot of this, I continue to push on what’s most appropriate in different classroom situations and different student situations.

John: I’ve tried some of the same things too. But one concern from a lot of faculty who have tried mastery grading systems or mastery quizzing and those types of things, is that it can put a lot more work on the instructor to do the grading on multiple attempts. In Linda Nilsen book, she suggests giving students a certain number of attempts, but limiting those. How do you keep the work manageable so that you’re not spending all of your time grading additional attempts, as students are working towards mastery.

David: Yeah, the thing you mentioned from Linda Nilson’s book, attempts without penalty doesn’t mean attempts without limits, and that is really important. And yeah, limits like that are one way to do it. There can be limits on number of attempts, or on frequency of re-attempting something or revising something once per week, once total, something like that. Those sorts of limits can just be really useful. And I know, I always encourage new instructors or people just starting to use these systems to start out limited, and then add flexibility because that way, they will be able to do it if they need to, and not do it if they don’t want to.

Robert: Yeah, you know, another thing too is, not just in the reassessments, but in your overall design of your course, including the grading system, you got to keep things as simple as humanly possible. This is something David and I just hammer home constantly, like every other paragraph ends with keep it simple, because people who want to mess around with grading systems are people who like tinkering with systems, and I am one of those people, and I know that when you start tinkering, it’s very hard to stop. And you end up with this massive Rube Goldberg like device that is your class and to you, it looks beautiful, but when you face it towards students… I mean, the first time I did specs breeding, I had 68 learning objectives that students had to meet throughout the semester and it was a nightmare. At the first of the semester, I thought, I’m a genius. I mean, look at this beautiful grading system I’ve devised. It’s going to revolutionize everything. And the only thing it did was give me a grading jail for four months. Just keep it as simple as humanly possible, and you’ve got to cut the work off at the source, I think. David and I wrote a book about grading, but we don’t like grading. I mean, nobody really likes the process of it. But it can be made at least a fulfilling undertaking if you are orienting it towards growth. But you still don’t want to be doing it 8-10 hours a day. So keep things as simple as humanly possible and put some limits on that. It’s okay to create a little bit of scarcity when it comes to the reattempt side of things. The feedback needs to be helpful that you give to students, but it doesn’t have to be incredibly lengthy. It might just be a couple of sentences, it might just be: “You did this really well, and this needs work.” …to kind of keep it right to the point, and then that helps the students who are on the other end of this too also experiencing a workflow possibly overload. And I worry more about them than I worry about myself. And so this makes it more likely they’re going to read your feedback if it’s shorter, more concise, and it makes it shorter to give.

David: Yeah, I want to emphasize that it can be a lot of work for students as well. Something that I suggest a lot is, if you want to use a system that emphasizes these pillars, especially reattempts without penalty, you’ve got to then think about those re-attempts as part of the regular workload of your class. Really what it means is you’ve got to think about the process of learning, that whole process, is part of the time that students are going to have to invest into it, and that you need to value that in your timeline for the class. So I like to think of maybe if you expect a student to work, however many hours per week on your class, account for whatever time each assessment takes, add another half for how much they might need to do revising or reassessing or reworking on things. And that can lead to really difficult decisions. You’ve got to cut stuff out if that’s going to happen. I don’t know, basically, anybody who looks at a classroom teaching and says, you know, there’s not enough in here. And so you got to make those difficult decisions, but it is worth it. Because what comes out of it is a student knowing things that are still in there way better than they would have otherwise.

Rebecca: I think one other barrier that faculty sometimes face is learning management systems, and how they guide you towards particular kinds of grading systems and evaluation systems. I wonder if you can share some tips that you have from your own experience of dealing with a learning management system to help you and your process rather than getting in the way of implementing some of these techniques.

Robert: We’re a Blackboard campus, and we’re making a transition right now and I’m honestly not sure how the new system handles those. But in at least the next to most recent version of Blackboard there was a thing called a schema, which is basically a way of going into your gradebook and defining a way to map number inputs to text outputs. And so I can set an assignment up to be graded on zero or one point. And then I can only enter in zero or one. But I could tell Blackboard if I enter in a one put “meets expectations” in the gradebook, and if I’ve put a zero put “does not meet expectations” or a happy face emoji and a frowny face emoji or whatever I feel like doing. And I have zero experience with any other learning management systems over the last 15 years, so I can’t really speak to that. But I know that many memory management systems allow you to customize the way that your numerical inputs present themselves in the students’ gradebook. And if you can find out how to do that, that’s the way to go, as far as I’m concerned.

David: And even if you can’t, the thing Robert mentioned, that essentially everything is a zero or a one, these systems all want to use points. So just refusing to play that game by making everything a zero or one. Even if students are seeing the zero or the one, it’s a lot easier to interpret the zero or one as success or not, than it is if you have points showing up somewhere else, and you’re trying to convince students No, no, no, when I put in a five, that meant something that doesn’t mean five points, that’s not going to fly. So limiting it to just a zero or one, a complete or incomplete, something like that works pretty well. That’s also true for spreadsheets. So if you just want to keep your info in a spreadsheet, they still want to work with numbers for the most part, but you can think of everything as a zero or a one. And then you start to change your mind from averaging or totaling things to counting. So I’m counting how many standards a student has completed, I’m counting how many assignments they’ve met the specifications on. And that’s really the same as saying, how many ones do I see here? One last thing is, everybody seems to have a different LMS. Even those of us who use the same one don’t quite use the same version of it [LAUGHTER]. So the best thing to do is to find someone who knows it really well and talk with them and say, “How do I make this type of thing display?” …and they probably know a way,

Rebecca: I’m gonna have this conversation with John about our LMS.

John: We’re using Brightspace from Desire to Learn, and it does have those capabilities.

Robert: And one thing I would say is that these days, as the ideas about alternative grading get more and more airplay, I think the tech companies are starting to listen to these things. I mean, you’re actually starting to build these things in as a competitive device like “Ah, you should adopt our LMS, because we can let you do ungrading and you don’t have to deal with all the hassle of hacking your own LMS. So I feel like ed tech companies should be paying attention to all this great interest that’s swelling up, it’s like this is a way to earn customers, honestly.

David: Something I’lll say most LMS’s do seem to do pretty well is to allow you to get feedback in a variety of ways. And so if you can de-emphasize that grade portion, just 0-1 or hide it or something, especially like I accept all assignments through Blackboard nowadays, giving feedback’s pretty easy on that. So that, in my mind, is a benefit.

Robert: Yeah, Blackboard does a really well, actually, that if you submit a PDF into Blackboard as an assignment, it’s easy to leave comments on it, and it keeps all the versions of it. So you can go back and easily see the students trajectory from the very first draft that they do all the way to the present day. And I think that’s really powerful, actually.

Rebecca: I’ve used rubrics to set up essentially specifications as well, like it’s met or not met.

David: Absolutely, yeah. If you know what you’re doing setting up rubrics, I don’t, that’s the problem for me. But if you know what you’re doing, that’s fantastic and it can also save you time.

John: Since the pandemic, there’s been an explosion of interest in ungrading. Does this approach work as well in all contexts, and for all students?

Robert: People are starting to use ungrading to mean anything other than traditional grading. And I think that’s leading to a lot of confusion, honestly. I was working with some teachers recently who were saying that, “Oh, I’m using ungrading but don’t have time, I’m being overwhelmed by all these quests for reattempts.” And it turns out, they weren’t using ungrading at all, they were totally grading thing. When we say ungrading, we mean like a specific approach to evaluating student work where nothing gets a mark, literally ungrading. You get a letter grade at the end of the semester, because most places require that, but it’s all based on a term that’s come up recently, that I really prefer, is collaborative grading. You’re working together with the students throughout the semester to talk about the quality of work, but nothing is getting a mark on it. I have a comment for you and you can either choose to iterate on that comment with a feedback loop or leave it alone. At the end of the semester, you’re going to sit down together and collaboratively determine what your course grade is based on the body of work that you’ve accumulated in some sort of portfolio situation with some clear standards for what an A would look like, a B would look like, and so forth. So that’s what we mean by ungrading. The explosion of interest in “ungrading” may or may not be all about ungrading the way we’re referring to it. So I just want to be clear about the terms before we answer this question.

David: And just add even another thing, it’s both that sort of umbrella term and what Robert just said and the general philosophy and a buzzword that people attempt to apply to random things they use. It’s unclear what someone means when they say ungrading.

John: When we’ve been talking about it, we’ve been talking about it exactly as you described as an extreme form of alternative grading where there are no grades other than one that is decided in consultation with the student at the end of the semester. And sometimes at midterm if that’s required in the institution. From what we’ve seen, this is used quite a bit in humanities fields, but it tends not to be used very much in the STEM fields. What are some of the barriers or some of the concerns that might be raised for ungrading in terms of in what contexts it may not work as well.

Robert: I have tried to fully ungrade a course once, and I might use it again. But the issue that I was coming up with with my students, is what I say is that ungradiing works precisely as well as students’ ability to self assess. If you have students who are struggling with the ability to self assess, or they’ve never tried it, or they’re new students, or younger students who maybe are still emerging with that idea… the whole thing about ungraded is that it’s predicated on students looking at their own work and self evaluating. And if that’s an issue, then I’m not totally sure that ungrading, as we’re defining it, best serves that population. I know I struggled with it. And this can be more me than anything else. Maybe I just don’t know how to draw students out and I need to work on that. It’s an area of growth for me, certainly. But if you have a population of students, for whatever reason, whose ability to self regulate or self evaluate is questionable, or kind of low, we’re not going to say bad students, because we’re all growing… it’s the whole point of our book… if you deploy ungrading with that population, you might be sort of targeting the weakest point in your class. And so maybe, in that case, some marks wouldn’t be such a bad thing, like use a specifications grading approach where the marks are just like: you’re progressing or you’ve met the standard. Just some kind of simple mile marker that shows students where they are. When I used this, once, it was an upper-level class, it did have a lot of writing in it, a math class. I would leave comments on their paper and I would just get questions like, so does it meet the standard or not. And I didn’t like to sort of be telling students this, but I felt like this is the way I helped them. I said like, “hasn’t met our standard yet, here is what you need to do.” So I thought, if I’m going to do that, why don’t I just put a mark on it? It seems like I’m just beating around the bush and trying to be cool by not giving marks and it’s like I’m thinking more about myself than I am about the students at that point.

David: I think that a general thing that everybody needs to think about when using any kind of alternative grading is, this is something new for students… almost guaranteed. And like any other new thing, it needs time to learn, you need to encounter it a few ways, you need to try to make sense of and probably fail initially, and then come back and you’ve got to work to understand it. Ungrading is sort of an extreme form of that. There’s more that needs to be understood about how it works, there’s more skills that need to be built. And I think, as instructors, we need to think about that and think about teaching how our evaluation systems are working and how the grading is going to work. And think about what skills we need students to build up in order to successfully engage with those. And ungrading asks a large amount of that. And I say this, as I very much enjoy using ungrading also in some upper-level math classes and I think it’s worked pretty successfully for me. But this sounds funny to say about something called ungrading, it requires scaffolding, it requires helping students build up that ability to self evaluate, advocate for themselves, to be able to understand what it is that matters in that particular system. But what I just said is also equally true for standards-based grading or for specifications grading, but with different skills that they’re building up. It’s also true for traditional grading, although it feels more familiar to students, but it still requires some scaffolding for them to understand what exactly is going on in the evaluation in this class.

Rebecca: Can you talk a little bit about some of your own experiences with ungrading and how you have done some of that scaffolding, what some of those early stages of scaffolding might look like, to understand the system.

David: So initially, I was having I think it was three check in meetings per semester, where I would meet with every single student in my class, like a 10- or 15-minute discussion, and we would talk about where they’re at. And that inevitably brings out students’ questions, and they don’t understand this part of they don’t know what that is about. And so that was one thing that I did, right? Those were the collaborative aspects of ungrading, and it was overwhelming, it was too much to meet with every single student that often. I still love being able to meet with students. And I use that as one of the tools in the toolbox. But nowadays, to sort of help build that up, I have a system where… this is actually done through homeworks for me… it’s like periodic homeworks and there’s some mathematical content. And there’s also some little additional thing where I ask a question, and early on, it might be something like, “Okay, what is a specific goal related to… and then I might have some of the math related content in the class or as a specific goal you’d like to work on related to this.” And that’s a fairly small thing. I ask students to say something along the lines of “I really want to work on improving my understanding of this one thing” and I can either respond to that as “Okay, great. Here’s the way I can suggest that you work on that,” or I can respond to it as… well, I don’t say it this way, but… “I can see that you’re having trouble elucidating the goal and so let’s talk about that” instead. And then another week or two down the line, there’s another maybe slightly higher-level task having to do with assessing themselves or thinking about their progress in the class. And so they’re scaffolded and I can, at each stage, see if a student is succeeding, in sort of the way that I’m looking for them to be thinking about their progress. And if not, then I can pull in a, “Hey, let’s actually meet and talk about this. And then I’m gonna give you a task to practice with that.” It’s really individualized, which can be a tough thing. But for me, it’s really fun to actually see students grow in that particular way, in addition to growing in the mathematical content.

Rebecca: So faculty that want to move to less traditional methods, what are some small steps a faculty could take to get started?

Robert: Well, I really appreciate that question. Because we don’t ever want to give the impression that you have to go all in on one particular grading system in order to like, be cool, or be a good professor or whatever, because everybody’s in a different position. Some people may not be in a position to ungrade, and we are never going to come out and say, “If you really care about students, you will do ungrading or you’ll do standards-based grading or whatever.” It’s like people care about students all over the place and just can’t or have mitigating circumstances. So I would say we laid out these four pillars: clear content standards, helpful feedback, marks that indicate progress, and reattempts without penalty. If a professor takes one of those pillars, and kind of drills into it on just a handful of assignments, that’s definitely progress in the right direction. So for example, you could take your next test you’re gonna give, experiment with letting students reattempt it, or reattempt different versions of it. So go one test, one class, allow reattempts without penalty, or give feedback that really gets to the point, not gives points, but gets to the point of what’s being done well and what isn’t being done well. Just pick one of these four pillars and just go with it. There are some small scale methods you might think about, let’s say, instead of grading your final exam, how about ungrading your final exam. Just say you need to lay out some standards for what constitutes successful work on your final exam and maybe that’s like 70% on the content. And then you got to write some reflective essays, and say, if you don’t meet expectations on the final exam, that’s a minus on your course grade, or something like that. So you can roll in aspects of alternative grading systems, whatever seems to resonate with you on small-scale individual assignments. And that’s really good progress. It’s really good data for you as the instructor too. You run these experiments, you ask students how it went, and then you just make notes and you iterate on that. It’s exactly the same thing that we asked students to do in these grading systems. You try something, you get feedback on it from a trusted third party, you iterate on it and try again.

David: I want to add one thing, because this is something that I always see happen when people first start using some kinds of alternative grading. Just for yourself, write a really quick list of what you think the major topics are in your class, aim for 10 to 20 things that are the important things to get out of the class, and then go pick some of your exams or quizzes, or whatever, and match them up. “Oh, on this one I was addressing these things and on this one, I was addressing those things.” And that can help you actually think about, “Oh, you know, I’m not really addressing this thing in my assessments at all, that I said was really important.” Or “Holy Moly, I have hit this one thing over and over and over all the assessments at the cost of not covering a bunch of others.” The first time you do this, even if you’re not showing students what the standards are, it can be amazing. “Wow, I’m not assessing what I say matters.” And that can adjust just how your assessments are focused.

John: Sounds like you’re advocating a backwards-design process where you start out with clearly defined objectives, and then you make sure that there’s alignment. And also, I think it might be important to make sure that students see the connection between those things, and that it’s a transparent process, which I know is something you’ve advocated in terms of your work on assessment.

David: Absolutely. And sharing your reasoning with students I think is very valuable, bringing something in from above and saying we shall now do it this way, because I said so, doesn’t work and you’re gonna get a lot of pushback, but talking with students about why you’re doing things and how it’s good for them, that makes a huge difference.

Robert: And don’t call it an experiment, okay. [LAUGHTER]

David: Yeah.

Robert: I’ve read some syllabi lately. It says, I’m going to be experimenting with this experimental new experimental grading system. And of course, you know what that is going to sound like to students… that I’m the subject of an experiment. What am I doing here? And so you’ve instantly killed your buy-in.

David: I’ll actually say, I don’t even give names to what I’m doing. So I am ungrading a class this semester, I have never used the word ungrading or any other name for it. I find that giving a name to things like that can help people sort of reduce it down to like a one dimensional idea, rather than engaging with what it actually is. I’m just “Oh, this is what we’re doing, and here’s why we’re doing it this way.”

Robert: Yeah, I have to share this story. When I started doing specs grading I did actually put we are using a thing called specifications grading on my syllabus. So, I got a call from our research office on our campus, they had gotten a call from the parent of one of my students complaining to them that I was experimenting on their child without informed consent, that I needed to give an informed consent form to my students before this happened. And I thought, well, that’s a weird flex from a parent and they call up the Office of Research Compliance [LAUGHTER] and complain about the Professor, but as you can just see even just the barest mention… Just tell students what you’re doing, and why you’re doing it. If I have to name it, nobody cares what the name is, it may not even have a name. And all this we mentioned before, that most of the people we interviewed for the book are not using any sort of canonical form of anything. It’s just like a little bit of this, a little bit of that, like cooking in your kitchen, you don’t use just one spice, you combine them, that’s where you get your unique flavor of what you’re doing.

John: Would it be fair to say that, given the title of your book and focusing on grading for growth, that one of the things you’re addressing is how to shift students from focusing on trying to maximize their grades to maximizing their learning?

Robert: Yeah, absolutely, yeah. I think a lot of frustration that I know I feel and I hear from other faculty is students tend to spend an order of magnitude more time talking about what they have to get on exam X to get grade Y than they talk about the actual content in the course. And we teach math, and I think some of the students who struggle the most with our math are doing like these amazing statistical calculations to try to figure out what the average has to work out to be. It’s like, “where was this in my actual math lesson?” I remember riding the bus home one day, from our downtown campus back to where we live, and I overheard this conversation and I said “Oh, this is this has got to come to an end.” [LAUGHTER] And absolutely, we want students to focus on their growth and I think students want to focus on their growth, too. I mean, students really, in the end, don’t want to think about all this stuff. They want to think about, “How am I growing as a human being? Is when I’m doing really meaningful? Where am I as a learner? Do I have any value in this vast educational system that I’m entering into?” And so if we can even just orient one small thing, like our grading system, towards convincing students that they have value, and are human beings in a stage of development, I think that’s worth it.

David: And that means we need to believe it, too. So I like to tell people who are thinking of using an alternative grading system, think about why you’re doing it, and what your students are going to get out of it. But definitely approach it as like, “Okay, I care about my students, and I want them to succeed.” And we’ll sometimes talk about incentives… grading systems set incentives in a class, and that can feel sort of like you’re trying to mess around with people and then incentivize you to do things a certain way. Traditional grading systems set incentives that are really kind of perverse towards learning. And if we can change those incentives, or just remove some of the ones that aren’t as good, that’s really a lot of what we’re aiming for here. And yeah, just respecting how people naturally want to learn anyway, that just allows them to do what they are as human beings going to do anyhow, or what they would naturally do.

Rebecca: So everyone wants to know, when can we have your book in our hands?

Robert: Well, it looks like on the Stylus website, it says July. So that’s what we’re going with for now. [LAUGHTER] I guess it’s sort of out of our hands at this point. We have one more round of copy edits to do. But it says July, you can preorder it now through the Stylus website and should be in your hands this summer.

John: My preorder has already been sent in. [LAUGHTER] So I’m waiting for a copy.

David: Awesome.

Robert: Awesome. Thank you.

Rebecca: And you mentioned earlier something about a blog. Do you want to tell us a little bit about that?

David: Yeah, if you’re interested in some of our ideas, go check out our blog, it’s gratingforgrowth.com …all spelled out. So, Robert and I started this sort of as a way to workshop some of our ideas for the book. So you can see proto-ideas. And we’ve also posted some examples of some of the case studies of some of these interviews that I have done with people using a lot of different alternative grading systems there. Every week, we post something new, or we have guest posters. There’s a really huge variety of ideas that show up on there.

Robert: And if any listener wants to contribute a guest post, we are accepting applications at this time… not really applications, just reach out. And we’re looking to hear. Now that the book is kind of close to coming out, we’ve had this discussion, you and I, David about where does the blog go from here once the book is out, and I feel like a great use of our time is to elevate the voices of other people. I mean, there are so many people out there doing great work, who are not education rockstars, they’re not on the lecture circuit or whatever. They’re just rank and file heads down people doing great work in the classroom. I love those people getting their ideas out there and seeing what they’re doing. So to me, that’s been a really rewarding experience.

David: So gradingforgrowth.com.

Robert: Right. It’s actually a substack. You can subscribe to it. It is free. It’s never going to cost anything and it comes every Monday. Except for taking planned breaks for holidays, we haven’t missed a Monday in two years.

David: Well, now you’ve cursed us, Robert. [LAUGHTER]

Robert: No, I put the pressure on me because then I got to step up. I think I’m next, actually. No, you’re next.

David: Oh, crap. [LAUGHTER]

Robert: Sorry, Dave.

John: We will put a link to that in our show notes.

Robert: Great.

John: Are there any other topics that you’d like to emphasize?

Robert: Well, I think I would just re emphasize simplicity. I mean, simplicity is the ultimate sophistication. I think Leonardo da Vinci said that. And so, when you’re designing a class simplify as much as humanly possible, and no more. But I think your students are going to be well served by less, honestly. I think we tried to do way too much in our classes, and we will be well served by this too. I mean, I have another blog that deals with productivity and time management in academia. And that’s the key thing. I mean, a lot of faculty struggle with overwork and burnout or just doing too much and there’s a lot of stuff you can say no to and I think keep things very, very simple and that can be a whole lot. podcast about how to simplify your life in higher education, especially applyied to course design and grading systems. You don’t want to make choices in July when you’re planning your fall courses that you end up regretting by October.

David: I will say that something that did come up earlier, briefly, but there’s not one right way to do it. You should not feel like you must go all out ungrading, you shouldn’t feel like you have to do specifications grading exactly the right way. Find something that works for you, look for models, pick and choose the things. If you look at something and say, “How could that possibly work?” then don’t do that. And yeah, we’re not judging you. Find something that works well and it’s going to be good beer students.

Robert: Yeah, and especially the last thing you just said, David is so important. All this stuff is predicated on actually communicating with your students. Don’t just sort of wait for the course evaluations. You have to really get in and talk, actually talk with your students on a regular basis and get feedback and see how things are going. And that’s one of the great strengths of all these four pillars sort of oriented approaches is that it really does get students talking with each other and with their faculty members. And I think that’s, maybe in the end, the best thing about all this.

Rebecca: Well, we always wrap up by asking what’s next?

Robert: Well, for me, I know I’ve been spending the last two years not only as a faculty member, but working in our president’s office under what’s called a presidential fellowship. And I’ve been coordinating large-scale institutional cross-institutional teaching and learning initiatives, mostly focused on active learning spaces. And so that’s been a particular focus of mine for a few years. That is wrapping up now. But we’re looking at maybe some interesting and exciting extensions of that idea where we’re going to try to surface and looking for what our faculty are already doing in terms of instructional innovation. There’s a lot of stuff out there, like we said earlier, but even in our own institution, a lot of faculty are doing really innovative and creative things and effective things but are kind of working under the radar. So the President and I, and those around us, are kind of thinking how can we look and find these faculty, get them together, elevate what they’re doing, and sort of make Instructional Innovation a normative practice at our university. So that’s that’s kind of what’s next for me is figuring out how to make that work on a practical level.

John: Sounds like a wonderful plan. I know, we’ve been talking about some ways of doing the same thing at SUNY-Oswego. And it’s a challenge.

Rebecca: It’s no small task. [LAUGHTER]

Robert: It is, it is.

David: Something that I am getting more and more interested in is what helps instructors be successful in any kind of educational innovation, not just alternative grading and changes in their pedagogy, anything like that. But especially when it comes to grading, there’s so many variations. And in so many different situations where instructors are working, what are the things that help them best succeed? And what are the things they do that help their students buy in and succeed most? And so looking at those sort of things from a more fine grain perspective, I think it’s going to be somewhere that I’m going next.

Rebecca: That sounds exciting.

John: It does. And I hope you’re both come back and talk about the success of these initiatives in future podcasts.

Robert: We’d very much like to.

David: Absolutely.

Rebecca: Well, thank you so much for joining us and sharing your stories. And I know that many people are looking forward to your book.

Robert: Thanks a lot for having us.

David: Yeah, it was great to be here. Thank you

[MUSIC]

John: If you’ve enjoyed this podcast, please subscribe and leave a review on iTunes or your favorite podcast service. To continue the conversation, join us on our Tea for Teaching Facebook page.

Rebecca: You can find show notes, transcripts and other materials on teaforteaching.com. Music by Michael Gary Brewer.

John: Editing assistance provided by Anna Croyle, Annalyn Smith, and Joshua Vega.

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276. Teaching at its Best

New faculty often start their faculty roles without training in teaching. In this episode Linda Nilson and Todd Zakrajsek join us to talk about the evolving roles and expectations of faculty and explore the new edition of a classic teaching guide.

Now Director Emeritus, Linda was the Founding Director of the Office of Teaching Effectiveness and Innovation at Clemson University. Todd is an Associate Research Professor and Associate Director of the Faculty Development Fellowship in the Department of Family Medicine at the University of North Carolina at Chapel Hill. Linda and Todd are each individually the authors of many superb books on teaching and learning and now have jointly authored a new edition of a classic guide for faculty.

Shownotes

  • Zakrajsek, T. and Nilson, L. B. (2023). Teaching at its best: A research-based resource for college instructors. 5th edition. Jossey-Bass.
  • Nilson, L. B., & Goodson, L. A. (2021). Online teaching at its best: Merging instructional design with teaching and learning research. John Wiley & Sons.
  • Nilson, Linda (2021). Infusing Critical Thinking Into Your Course: A Concrete, Practical Guide. Stylus.
  • McKeachie, W. J. (1978). Teaching tips: A guidebook for the beginning college teacher. DC Heath.
  • POD
  • Betts, K., Miller, M., Tokuhama-Espinosa, T., Shewokis, P., Anderson, A., Borja, C., Galoyan, T., Delaney, B., Eigenauer, J., & Dekker, S. (2019). International report: Neuromyths and evidence-based practices in higher education. Online Learning Consortium: Newburyport, MA.’
  • Padlet
  • Jamboard
  • Eric Mazur
  • Dan Levy
  • Teaching with Zoom – Dan Levy – Tea for Teaching podcast – May 26, 2021

Transcript

John: New faculty often start their faculty roles without training in teaching. In this episode we talk about the evolving roles and expectations of faculty and explore the new edition of a classic teaching guide.

[MUSIC]

John: Thanks for joining us for Tea for Teaching, an informal discussion of innovative and effective practices in teaching and learning.

Rebecca: This podcast series is hosted by John Kane, an economist…

John: …and Rebecca Mushtare, a graphic designer…

Rebecca: …and features guests doing important research and advocacy work to make higher education more inclusive and supportive of all learners.

[MUSIC]

John: Our guests today are Linda Nilson and Todd Zakrajsek. Now Director Emeritus, Linda was the Founding Director of the Office of Teaching Effectiveness and Innovation at Clemson University. Todd is an Associate Research Professor and Associate Director of the Faculty Development Fellowship in the Department of Family Medicine at the University of North Carolina at Chapel Hill. Linda and Todd are each individually the authors of many superb books on teaching and learning and now jointly have authored another superb book. Welcome back, Linda and Todd.

Linda: Thank you very much.

Todd: Really appreciate the opportunity to be here.

Rebecca: Today’s teas are: … Linda, are you drinking tea?

Linda: I’m drinking a tea called water. It’s rather dull, but I enjoy it.

Rebecca: It’s very pure.

Linda: Yes, very pure. Very pure.

Rebecca: How about you Todd?

Todd: Oh, I’ve got myself a Lemon Detox because I’ve spent most of my day getting all toxed and now I’m getting detoxed. [LAUGHTER] Wait a minute, that sounds bad. [LAUGHTER] But that will be all right. [LAUGHTER]

John: Especially at Family Medicine.

Todd: Well, we can fix it. [LAUGHTER] In general, life is good.

John: I am drinking pineapple green tea.

Rebecca: Oh, that’s a new one for you, John.

John: I’ve had it before, just not recently.

Rebecca: Okay. I’m back to the very old favorite, English afternoon. Because I stopped by the Center for Excellence in Learning and Teaching and grabbed a cup before I came.

John: And we are recording together in the same room, which has been a fairly rare occurrence for the last several years. We’ve invited you here to discuss your joint endeavor on the fifth edition of Teaching at its Best: a Research-Based Resource for College Instructors, that Linda originally developed and now you’ve collaborated on this new edition. How did the collaboration on this edition come about?

Linda: Well, let me talk about that. Because it was pretty much my idea. Jossie-Bass contacted me and said “let’s put out a fifth edition” and I said “let’s not.” [LAUGHTER] I was not in the mood to do it. I’ve been retired six and a half years now and I’m loving it. I mean, I’m really loving it. And while retired, I was still writing the second edition of Online Teaching at its Best. And then I was writing a book, Infusing Critical Thinking Into Your Course, and I guess I had had it. I mean, I wanted to really make a change and I wanted to get specifically into working at an animal shelter. So I was all occupied with that. So I thought I remember Wilbert J. McKeachie, when he was doing Teaching Tips that he came to a certain point after I don’t know how many editions that he brought other people on to really do the revision work. And so I decided I’m going to do that. So Jossey-Bass said “Okay, fine.” They wanted three names. Okay, I gave him three names, but my first choice was Todd Zakrajsek, because 1. I knew he’d finish it. [LAUGHTER] I knew he’d finish it fast. I knew he do a great job. He knows the literature like the back of his hand, I wouldn’t have a worry in the world. And guess what? Todd accepted. Hip hip hurray. I was so happy. I couldn’t tell you.

Todd: Well, this is great because I said no when they asked me. [LAUGHTER]

Rebecca: Like any smart person would, right? [LAUGHTER]

Todd: Well, I did end up doing it, of course. But the reason I said no was I knew that book very well and I know Linda very well. And I said, “There is no way. I don’t know anybody who can step in and pick this thing up. She knows so much about so much that it’s just not possible.” And they said, “But she really wants you to do this.” So I went back and forth a couple times and I finally decided to do it. And I will tell you, Linda, because I haven’t mentioned this to you. The first three chapters, I had to go back and redo those when I got done with it, because I was so scared of the first three chapters [LAUGHTER] that it was really rough. And then finally it’s like, okay, I hit my rhythm and I walked into it with impostor syndrome a little bit, and I finally caught my footing, but it’s a good book to start with.

Linda: Thank you. Thank you very much. [LAUGHTER] Yeah, I know, the plot thickens, right? It becomes more interesting as you go from chapter to chapter, right. And before you know it, there’s a happy ending after all.

Rebecca: So Linda, Teaching at its Best has been around for a long time with a first edition published in 1998. Can you talk a little bit about how that first edition came about?

Linda: Yes, that was…I can’t believe… 1998. That’s 25 years ago. It’s almost scary how time flies. But anyway, the actual seed of the book came about in about 1994… 95. But I need to give you some background because I had been writing TA training books since like, the late 1970s when I was first given the task of putting together a TA training program. So back then, I was putting out weekly mimeos,[LAUGHTER] remember mimeograph machines. Some of you don’t know, what is she talking about? But anyway, that was technology then. But anyway, smetl great, though… it really did. [LAUGHTER]

Rebecca: That’s the second time today someone has made a reference about the smell of those.

Linda: Yeah, oh yeah.

John: The dittos are what I remember having the stronger smell

Todd: The ditto did, yeah. yeah, and I’ll tell you before we move on, when I was a graduate student, we had a ditto machine. I just have to say this, Linda, because you liked the smell and all there.

Linda: Yeah, Yeah.

Todd: But they had a ditto machine. And below the ditto machine, I noticed that the floor tiles were kind of eaten away by the ditto fluid. [LAUGHTER] And then here’s the best part is that one day I was rooting around in the closet looking for something and I found the extra tiles in a box and the side of the box said “reinforced with long-lasting asbestos.” [LAUGHTER] So the ditto fluid was eating through asbestos lined tile, but that’s how strong that stuff is. So yeah, we all enjoyed the smell of that stuff back in the day..

Linda: Yeah, yeah. I guess it’s a good thing for all of us they invented something else, like copying machines. So anyway, so I started doing that at UCLA. And then that turned into like a booklet of sorts. And then I was at UC Riverside, and I was writing books there. And I sort of revised it every couple of years. And I was also writing these with my master teaching fellows. So we were doing that. And then I came to Vanderbilt, and I decided, well, I’m going to do this, pretty much on my own, I’ll get some help from my master teaching fellows. But anyway, it turned into an actual book. I mean, it turned into a happy monster. And I was very pleased with it. Well, along about 94-95, my husband recommended that I turn it into a regular book, and talk to a publisher about it. So anyway, I said, “Oh, great idea. Great idea and just sort of didn’t think about it much. Then in 1996, he died. And I thought, “Well, how am I going to pull myself through?” I bet it would be a great idea and a great tribute to him if I took Teaching at its Best, the Vanderbilt edition, and turned that into a general book. And I decided to do that and kept my mind off of bad things. And it turned into Teaching at its Best, the first edition. That’s why I dedicated the book to him, by the way, because it really was his inspiration that got me to do it. And so anyway, tribute to him. So that’s where the first edition came from. I mean, it really grew out of tragedy. But it’s been a comedy ever since, right? [LAUGHTER] So anyway, it’s been a wonderful thing.

John: And it’s been a great resource.

Rebecca: It’s interesting that it pulled you through, but then has pulled many teachers through. [LAUGHTER]

Linda: And I’ve gotten such feedback from faculty members who said, “I saved their lunch,” you know, if they were really in big trouble, and some of them said, “I was in big trouble with my teaching and you got me tenure.” Yeah, like, right. But anyway, the book helped a lot of people. And I guess maybe something in me when I first published this book said, “Gee it would really be great to be the next Wilbert McKeachie, right, which is a very pretentious thing to think. But then they wanted the second edition, I was thinking, “Hey, maybe I’m on the road to something.” And then there was a third, and then there was the fourth. And it didn’t get any easier to write the subsequent editions really, it was just a matter of keeping up with the literature. And so right now, I’m off into another corner of the world. So I just didn’t want to immerse myself in that again.

John: So that brings us to the question of what is new in the fifth edition?

Todd: Well, that’s my question. I’ve known Linda for the longest time. By the way, I do want to mention before we go on, I can’t remember, Linda, if it’s been that long ago, but it might have been the second edition. When at POD, I said, “You need to do a second edition of this book” …or second or third. But I was using the book. I mean, I learned so much from it. So for the new edition. Number one, of course, the research has been updated only because the research is always changing. And it had been a few years. So that’s number one. In terms of changing the book, though, we only have a leeway of about 10,000 words. Now, for those out there listening 10,000 words sounds like a lot of words until you’ve got a 200,000 word book, it was about 190. And they said, you can’t go over 200 Because the book just gets too big then. So it is 10,000 words longer than it was in fact, I think it’s 10,003 words longer. So it’s right in there. [LAUGHTER]

Rebecca: So you snuck an extra 3 words in.

Todd: It could have been a squeeze to put three words in there. And it’s always hilarious because when they say there’s just a few too many words I just start hyphenating things so yeah, it kind of all works. [LAUGHTER] Yeah, just any words at all. So you can do “can you” as just a hyphenated word. It works. [LAUGHTER]K So is that terminology, the terminology does change and I find this fascinating. One of the things I love to write about books is learning. I mean, Linda, the same thing what as we write, we read a ton of stuff. And as we read stuff, we learn stuff. So this one in particular, for example, is that I grew up with PBL as problem based learning. And I had done workshops on it, I had worked on everything else, but I hadn’t looked at it for quite a while. And in this particular book, as I started looking at PBL, I couldn’t find anything on problem based learning. And it was fascinating because I was doing some digging, and then I called Claire Major, who was an early person who had a grant on problem based learning and everything I ran into was about 2002, it just started to drop off a little bit, and there was some, but it started to tail off. And when I talked to Claire, she says, “Oh, yeah, I used to do quite a bit about that, it was back around 2002-2003.” And now, and the reason I’m saying this is, every time I saw the letters PBL, it was project based learning. And project based learning sounds a lot like problem based learning, but they’re different concepts. And so anyway, going through and finding some of the terminology, so it was consistent with what’s being done right now has changed. There is now a chapter on inclusive teaching, because over the last three or four years, we finally realized that there’s a whole lot of individuals who haven’t been successful in higher education, partly because of the way we teach. And so I’ve been making an argument for a few years now that teaching and learning, the classroom situation has always really been based for fast-talking, risk-taking extroverts. And we’ve suddenly realized that if you’re not a fast-talking, risk-taking extrovert, you may not get a chance to participate, classroom and other things. So I looked at some different things with inclusive teaching. There’s a whole another chapter on that. And then just the language throughout, we talk a little differently now, just even over the last three or four years than we did five, six years ago, I was pretty surprised by that. But there’s some pretty significant changes in language. So the book has a slightly different tone in language, and those are the biggest changes. Oh, I should say, before we move on, one of the biggest other changes, and I did this one, Linda put a section in there that said learning styles had changed significantly from the previous edition. And so she had pointed out that there was no longer a section on learning styles. And I put the learning styles right back in there, I told Linda and she gasped just a little bit. And then I explained that I put it back in there, and then said exactly how terrible it was to basically teach according to learning styles, because it’s the myth that will not die. So that’s back in there.

Linda: People love it. I know. [LAUGHTER]

John: We have that issue all the time, students come in believing in them and say, “Well, I can’t learn from reading because I’m a visual learner.” And I say “Well, fortunately, you use your eyes to read,” and then I’ll get them some citations.

Todd: Well, I’ll tell you, and before we move on, these are the types of things we learned. I couldn’t figure out why the thing is so hard to die. What is it that’s really doing this because other myths we’ve been able to debunk. And part of the reason is licensing exams, when you are in pre-service and you want to become a teacher, the exams you take to become a teacher, a large portion of those exams, have learning styles questions on there. So you have to answer about visual learners and auditory learners and kinesthetic. And so until we get those out of teacher education programs, we’re teaching teachers to believe this. So anyway, there you go. Public service announcement. Be careful about meshing. And if you don’t know what meshing is, look it up and then stop it. [LAUGHTER]

John: We have had guests on the podcast who mentioned learning styles, and then we edit them out and explain to them later why we edit out any reference to that. And I think most of them were in education, either as instructors, or they’ve been working as secondary teachers. It is a pretty pervasive myth. In fact, Michelle Miller and Kristen Betts, together with some other people, did a survey. And that was the most commonly believed myth about teaching and learning. It was done through OLC a few years back, about three or four years ago. Yep,

Todd: Yeah, I saw that survey. Yes, it’s pretty amazing. Michelle’s an amazing person.

Rebecca: The experience of the pandemic has had a fairly large impact on how our classes are taught. Can you talk a little bit, Todd, about how this is reflected in this new edition?

Todd: Things have changed pretty significantly because of the pandemic. There’s a couple things going on. Again, the inclusive teaching and learning, which I’ve already commented on, is really different now. And it’s interesting, because it goes back to the 1960s. We’ve known that, for instance, African Americans tend to flunk at twice the rate of Caucasians, in large machine-scored multiple choice exams. So we know it’s not the teaching, and we know it’s not the grades, it has to be something else. And it turns out that it was you put students into groups and those differences start to disappear. So I mean, even more so the last couple of years, it’s a lot of engaged learning, active learning. I’m still going to pitch my stuff that I’ve been ranting and raving about for years. And there’s no data out there that says that lecturing is bad. What the data says is that if you add active and engaged learning to lecture, then you have much better outcomes than lecture alone. But we’re learning about those types of things in terms of active and engaged learning, how to pair it with and mix it with other strategies that work, looking at distance education in terms of systems and how we can use technology. So a quick example is I used to have a review session before exams. And oftentimes, it’s hard to find a place on campus to have that. And so you might be in a room off in one hall or the library or something. And if the exam was on Monday, I’d have the review session at like six o’clock, seven o’clock on a Sunday night. And there are students who couldn’t make it. I would simply say, you can get notes from someone else. And we’ve known for the longest time, if a student misses class, getting notes from somebody else doesn’t work. Well, now I do review sessions on Zoom, we don’t have to worry about finding a place to park, we don’t have to worry about some students finding babysitters, if they’re working, it’s recorded, so they get the exact same thing. So things like Zoom have really changed teaching in a sense that you can capture the essence in the experience of teaching and use it for others, and it has helped with some equity issues. You can’t do it all the time. And teaching over Zoom is different than face to face. But there are now ways of using different technologies and using different modalities to help to teach in ways that were not really used before the pandemic.

John: Speaking of that, during the pandemic, there was a period of rapid expansion in both the variety of edtech tools available and in terms of teaching modalities themselves. In the description of your book, it indicates that you address useful educational technology and what is a waste of time? Could you give us an example of both some useful technologies that could be used and some that are not so useful? And also perhaps a reaction to the spread of bichronous and HyFlex instruction?

Linda: Yeah, I’ll take this one. And I’m drawing a lot of stuff from another book that I co-authored, with Ludwika Goodman. We were writing about Online Teaching at its Best, okay. And she was an instructional designer. And I came from teaching and learning and we put our literature’s together. And we were talking about modalities a great deal, especially in the second edition with the pandemic. Well, one thing I found out, not only from reading, but also from watching this happen was that this Hyflex or bichronous, whatever you want to call it, is a bust, if there ever was a modality, that’s a bad idea it’s that one, even though administrators love it because students can choose whether to come to class and do the things they would do in class, or to attend class remotely? Well, yeah, it sounds like “oh, yeah, that could be good.” But the technological problems, and then the social problems, especially the in-class social problems are enormous. And in-class social problems, like small group work, how do you hear what’s going on in the classroom over this low roar of small groups? Okay, so how can you help? How can the students that are learning remotely, what can they do? Now, the way this was invented, by the way, was for a small graduate class, and then okay, like, makes sense, because you’re only dealing with six students in this room and six students who are remote. But other than that, it’s so bad, the logistics, the sound logistics, the coordination that the instructor has to maintain, the attempt at being fair to both groups, at bringing in both groups, when the groups can’t even hear each other well. Now, if we had Hollywood level equipment in our classrooms, we might be able to make this work a little better, but we don’t, and we’re never going to have that. So there are just a lot of technological and social reasons why HyFlex, that’s what I called it in Online Teaching at its Best, what it was called at the time is a complete bust. Now, not to be confused with hybrid or blended learning, which we found has worked exceedingly well. So bringing in some technology, but into a face-to-face environment and that being the base of the class. Now, remote’s nice, but you might not want to do remote all the time for all things. It’s not quite the next best thing to being there. But it’s something and as long as you don’t just stand there and stare at the camera and lecture for an hour. You’ll get complaints about that quickly. And particularly with students today when they really need to be actively involved, actively engaged. So yeah, sure, fine, talk for three minutes, maybe even push it for five, but then give them something to do and you really, really must in remote because otherwise, you’re just some talking head on television.

Todd: I agree completely. In fact, it was funny because I happen to have a digital copy of the book here. And so I typed in a ctrl F and I typed in HyFlex and there’s one comment to the preface that said there’s many different formats out there and then I will tell the listeners, if you’re expecting to learn about HyFlex, the word never shows up again in the book. [LAUGHTER] So, it’s not in there. I mean, you look at the literature that’s out there. And I think it’s fair to say that maybe there are people who can do it. I haven’t really seen it done well and I think Linda’s saying she hasn’t either. And it’s so difficult, especially for a book like this. That’s not what we’re all about. I mean, again, if it even works well, which I’d love to hear that it would be a very advanced book and that’s not what this is. So we do have a lot in there about technology in terms of edtech tools, though. There are those in there, I would just say real quickly, for instance, Padlet’s one of my favorites, I’ll throw that out there. I like Padlet a lot. But there are tools out there, if you want to do a gallery walk, which for instance, if you happen to be in a face-to-face course, you’d set up maybe four stations with big sheets of paper, you put your students into groups, and then they walk from sheet of paper to sheet of paper, and they move around the room. And they can do what’s called a gallery walk. You can do the same thing online with a jamboard, you can set up jamboards so that there’s different pages, and then each group is on a page. And then you just say it’s time to shift pages, they could shift pages. So I’ve done gallery walks, and it’s worked well. I’ve used Padlet for brainstorming. And one of the things I love about Padlet, I’ll have to say is if you are doing some digital teaching in a situation, you can watch what each group is developing on the page for all groups at the same time. I can’t hear all groups at the same time when I walk around the room. So there are certainly some technologies coming out that can really do things well. There’s also things that don’t work very well, though. And I think one of the things you want to keep in mind is just learning theory. Does the technology you’re using advance students, potentially, through learning theory? Does it help with repetition? Does it help with attention? Linda was just mentioning attention, if you lecture too long, you lose their attention. If you do something ridiculously simple or not… I was gonna say stupid, but that sounds rude. But if we do something as a small group that makes no sense, you don’t get their attention either. So using clickers, I have to say, I watched a faculty member one time because they were touted as a person who was very engaging. And this is at a medical school, so I really wanted to see this. And the person used clickers, but used it in a way that asked the students a question, they responded, and the instructor looked up at the board and said, “Here’s how you responded, let’s move on.” And then moved on to the next thing. And about five minutes later gave another question said, “How do you respond?” and they clicked the clicker, and then they moved on again. That had no value at all, and in fact, there was no actual interaction there. So afterwards, I say, can’t you just ask a rhetorical question and just move on? We got to be careful not to use technology just because it’s being used, it should advance the learning process.

John: However, clickers can be effective if it’s combined with peer discussion and some feedback and some just-in-time teaching. If it’s just used to get responses that are ignored, it really doesn’t align with any evidence-based practice or anything we know about teaching and learning. But those per discussions can be useful and there’s a lot of research that show that does result in longer-term knowledge retention when it’s used correctly, but often it’s not.

Todd: Right. And I think that’s a really good point. I’m glad you said that, because Eric Mazur, and his concept tests, for a large extent, that’s where active and engaged learning really took off. And that is a clicker questions. And they can be used as great tools. But again, if you’re using it for the right reason, which is what you just said, My comment is, there’s technology out there, that is a waste of time, and not a good thing to have, because it’s just not being used in a way that’s conducive to learning. So good point, that’s fair.

Rebecca: Can you talk a little bit about who the audience of the book is?

Linda: Sure. It’s actually for anybody who teaches students older than children, I suppose, because it isn’t really designed for teaching children. But other than that, it’s really for people who teach but don’t have the time to read a book. The nice thing about Teaching at its Best is you can go to the table of contents, you go to the index, you could find exactly what you need for your next class. And it’s very oriented towards how to, so it could be for beginners or for experienced people who simply haven’t tried something specific before, or want a twist on it, or just want some inspiration. Because there there are a lot of different teaching techniques in there. And they’re all oriented towards student engagement, every single one of them. But I wanted to comment too, on just how the job of instructor or professor has changed over the past, I don’t know, 40 years, I suppose. I know when I started teaching it was a completely different job. And I started teaching in 1975, when I was 12, of course, but no and I was young to start teaching because I was 25 and there I was 180 students in front of me. So oops, my goodness, what have I done? But that’s exactly what I wanted to do. But you’d go in there, you’d lecture and you’d walk out. You were in complete control of everything. Like, you might throw out a question and you might get a discussion going. But it wasn’t considered to be essential. In fact, there were two teaching techniques back then: there was lecture, and there was discussion. And nobody knew how to do discussion. Now, I had to find out a few things about it when I was doing TA training, because TAs were supposed to be running discussions. But there wasn’t a lot out there. Thank God for Wilbert McKeachie’s book Teaching Tips, because that was about the only source out there you could go to. So anyway, but now the job, I mean, oh, it’s mind boggling what faculty are now expected to do. And they are supposed to, like, learning outcomes. Okay, I love learning outcomes. They’re wonderful. But I didn’t have to do that when I started, I just had to talk about my subject, which I dearly loved. And so, that was nothing. But you’ve got learning outcomes. So you’ve got to be like, a course designer, you have to deal with a student’s mental health problems, right? It’s part of the job, and you’re expected to respond to them. You’re supposed to give them career counseling in careers that you might not know much about, and possibly for good reason, because you’re in your own career. It’s so time consuming, not to mention fair use, oh, yes, fair use has changed, fair use has changed radically. And when you’re dealing with anything online, the rules are totally different. And you’re highly restricted as to what you can use, what you could do. When you’re in a face-to-face classroom, it’s a little bit easier. So yeah, so you got to be a copyright lawyer to stay out of trouble. And then you get involved in accreditation, you get involved in that kind of assessment. So you have to all of a sudden be totally involved in what your program is doing, what your major is doing, where it’s headed. There’s just too much to do. And there are more and more committees and oh, there’s a lot of time wasted in committees. Of course, you’re supposed to publish at the same time and make presentations at conferences. It was like that back then, too. But now, the expectations are higher, and it’s on top of more time in teaching, and more courses. I was teaching four courses a year, and you can’t find that kind of job anymore.

Rebecca: So Linda, you’re saying the animal shelter is going really well now?

Linda: Yes. Yes. Yes. Yes.

Todd: That’s hilarious. Well, I want to point out too, and I think Linda’s said it very, very well is that we are expected to do things we never had to use before. Never worried about before. And I love the fair use is great, because when I first started teaching, and I’ve been teaching for 36 years, when I first started teaching, you’d videotape something off TV and show it in class and then put it on the shelf. And I knew people who showed the same video for 10 years. Right now you better be careful about showing the same video for 10 years. But these are things we need to know. I would say also, by the way, this is a really good book for administrators, anybody who would like to give guidance to faculty members, or better understand teaching and learning so that when promotion and tenure comes along, you get a sense of this. And so if you’re saying to the faculty, they should use a variety of teaching strategies. It’s not a bad idea to know a variety of teaching strategies. And so I think it’s good for administrators as well, and graduate students. But I want to take a second and tell you, one of the reviews of the book, I guess, came in just yesterday or the day before from Dan Levy. He’s a senior lecturer at Harvard University. And what he put was Teaching at it’s Best is an absolute gem. Whether you are new to teaching in higher education, or have been doing it for a while, you will find this book’s evidence-based advice on a wide range of teaching issues to be very helpful. The style is engaging and the breadth is impressive. If you want to teach at your best you should read Teaching at its Best. And I love what he put in there because it doesn’t matter if you’re a new teacher or you’ve been doing it for a while, this book’s got a lot of stuff in it.

John: And Dan has been a guest on our podcast, and he’s also an economist, which is another thing in his favor. [LAUGHTER]

Todd: That is good.

John: I do want to comment on lenders observation about how teaching has changed because I came in at a very similar type of experience. I was told by the chair of the department not to waste a lot of time on teaching and to focus primarily on research because that’s what’s most important, and that’s the only thing that’s really ultimately valued here or elsewhere in the job market. But then what happened is a few people started reading the literature on how we learn And then they started writing these books about it. [LAUGHTER] And these books encouraged us to do things like retrieval practice and low-stakes tests, and to provide lots of feedback to students. So those people…[LAUGHTER]

Rebecca: I don’t know any of them.

John: …but as a result of that many people started changing the way they teach in response to this. So some of it is you brought this on to all of us by sharing… [LAUGHTER]

Linda: I apologize.

Todd: Sorry about that.

Linda: I apologize.

Todd: We apologize and you know, I will say too is, so yeah, sorry. Sorry about doing that. But I’m glad you said that.

Linda: We made the job harder didn’t we?

Todd: We did, but you know to just be fair for Linda and I as well as I still remember a faculty member calling me, It must have been about 20 years ago, and I just started doing a little bit of Faculty Development, she was crying, she had given her first assignment in terms of a paper. And she said, I’m sitting here with a stack of papers, and I don’t know how to grade them. And it got me thinking a little bit, how many of the aspects of the job that we’re required to do, were we trained to do? And that’s the stuff that Linda was mentioning as well, is nobody taught me. I’m an industrial psychologist. And so nobody taught me the strategies for delivering information to a group of 200 people. Nobody taught me how to grade essay tests. Nobody taught me how to grade presentations, I didn’t know about fair use and how I could use things. I mean, you go through and list all of the things that you’re required to do. And then look at all the things you were trained to do. And this is tough. And that changed. So I have one quick one I’ll mention is I was hired as an adjunct faculty member before I got my first tenure-track job. And I was teaching 4-4. So I had four classes in the fall, four classes in the spring. And about halfway through the spring, I ran into the department chair, and I was interested to see if I was going to be able to come back and I said, “Hey, Mike, how am I doing?” And this was at Central Michigan University, a pretty good sized school. He said, “You were fantastic.” And I said, “Excellent. What have you heard?” He said, “absolutely nothing.” So when it comes to teaching, what I learned was: research, you had to do well, and teaching, you had to not do terribly. And that is what you were mentioning has changed is now you’re kind of expected to do teaching as well.

Rebecca: And there’s a lot more research in the area now too. So sometimes it’s hard to keep up on it. So books like this can be really helpful in providing a lot of that research in one place.

John: And both of you have written many good books that have guided many, many faculty in their careers, and eliminated that gap between what we’re trained to do and what we actually have to do.

Rebecca: So of course, we want to know when we can have this book in our hands.

Todd: Good news for this book, which is exciting because we really cranked away on this thing and it’s listed in Amazon as being due on April 25. But it actually went to press on January 23. So it’s already out and about three months ahead of schedule.

John: Excellent. We’re looking forward to it. I’ve had my copy on preorder since I saw a tweet about this. I think it was your tweet, Todd, a while back. And I’m very much looking forward to receiving a copy of it.

Todd: Excellent. We’re looking forward to people being able to benefit from copies of it.

Rebecca: So we always wrap up by asking what’s next.

Todd: It’s hard to tell what’s next because I’m exhausted from what’s been [LAUGHTER] ever moving forward, as I’m working on and just finishing a book right now that’s to help faculty in the first year of their teaching. So it’s basically off to a good start. It’s what specifically faculty should do in the first year of getting a teaching position. And aside from that, probably working on my next jigsaw puzzle, I like to do the great big jigsaw puzzles. And so I just finished one that had 33,600 pieces. It is five feet….

Rebecca: Did you say 33,000 pieces?

Todd: No, I said 33,600 pieces.It was the 600 that…

Rebecca: Oh, ok.

Todd: …was difficult. [LAUGHTER]

Rebecca: Yeah.

Todd: When the puzzle is done, it has standard sized pieces, and it is five feet by 20 feet. So I just enjoy massively putting something together. It’s very challenging. So quite frankly, for those about and listening to this is if you imagine 33,600 puzzle pieces, that’s about as many studies as Linda and I have read to put this book together. [LAUGHTER]

Linda: Nothing to it. [LAUGHTER]

Todd: So that’s it for me. [LAUGHTER] Linda, what are you up to these days?

Linda: Oh, well, I live in la la land. So I’m still doing workshops and webinars and things like that mostly on my books of various kinds, various teaching topics. But I think what I want to do is retake up pastels and charcoals. My father was a commercial artist. And so he got me into pastels and charcoals when I was in high school. Well and then I dropped it to go off to college. Well, I want to get back into it in addition to working at the animal shelter. I know. It’s la la land and I wish la la land on everybody that I like.[LAUGHTER] I hope you all go to la la land and enjoy being a four year old all over again, because that’s the way I feel. I adapted to retirement in about 24 hours. That’s pushing it… you know, it’s more like four. But anyway, I slept on it. [LAUGHTER] That was the end of it. But I know I eased into it. I eased into it. I was still writing. I was still doing, especially before the pandemic, a lot of speaking. So then the pandemic hit and it just turned into online everything. And now I’m back on the road again, to a certain extent. I love it. So anyway, it’s a nice balance. So yeah, I wish you all la la land too.

Todd: That’s great.

Rebecca: That’s something to aspire to.

Todd: Yeah, it is. But you know, since you mentioned the speaking things, I just have to do the quick plug here. Linda, I think you and I, years and years ago, were joking around at POD about who would be the first one to get to the 50 states and have done a presentation in every state. And so I gotta tell you, I’m not even sure where you’re at in the mix, but I am at 49 states. And if any of your listeners are in North Dakota, [LAUGHTER] I could certainly use a phone call from North Dakota.

Linda: Well, I want to go to Vermont. I have not been to Vermont…

Todd: Oh, you haven’t.

Linda: …to give a presentation. So I would enjoy that. But I’ll go to Hawaii. I’ll do anything in Hawaii for you. Absolutely anything. [LAUGHTER] I’ll do gardening, [LAUGHTER] I’ll do dishes, your laundry. I don’t care.

Todd: That is good. Yeah, Linda and I had this gig. It was a long, long time ago. And I don’t know, it must have been 20 years ago we talked about it even. And there was some rules too. You had to be invited. And there had to be some kind of an honorarium or just I mean, it didn’t have to be much, but the concept was you just couldn’t show up at a state and start talking. [LAUGHTER] Otherwise, we’d have both been done a long time ago. But yeah,

Linda: Yeah.

Todd: … it was fun. This is the way nerds have fun. [LAUGHTER]

John: Well, that’s a competition that’s benefited again, a lot of people over the years.

Rebecca: Well, thanks so much for joining us. It’s great to see both of you again, and we look forward to seeing your new book.

Linda: Thank you for this opportunity. It was a pleasure.

Todd: It was so much fun. Thank you

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John: If you’ve enjoyed this podcast, please subscribe and leave a review on iTunes or your favorite podcast service. To continue the conversation, join us on our Tea for Teaching Facebook page.

Rebecca: You can find show notes, transcripts and other materials on teaforteaching.com. Music by Michael Gary Brewer.

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263. Reflect to Deflect

Students experiencing difficulty in challenging courses will sometimes blame their professor, especially when their professor’s identity does not align with the student’s cultural stereotype of who is a professor. In this episode, Melissa Eblen-Zayas joins us to discuss how she uses metacognitive reflection exercises to address student biases.

Melissa is a Professor of Physics in the Department of Astronomy and Physics at Carleton College. Melissa has served as a Director of a teaching center, and has published extensively on a wide variety of topics such as STEM education, student metacognition, and diversity, equity and inclusion. One of her most recent publications is a chapter in Picture a Professor, edited by Jessamyn Neuhaus.

Show Notes

Transcript

John: Students experiencing difficulty in challenging courses will sometimes blame their professor, especially when their professor’s identity does not align with the student’s cultural stereotype of who is a professor. In this episode, we examine how one professor uses metacognitive reflection exercises to address student biases

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John: Thanks for joining us for Tea for Teaching, an informal discussion of innovative and effective practices in teaching and learning.

Rebecca: This podcast series is hosted by John Kane, an economist…

John: …and Rebecca Mushtare, a graphic designer…

Rebecca: …and features guests doing important research and advocacy work to make higher education more inclusive and supportive of all learners.

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Rebecca: Our guest today is Melissa Eblen-Zayas. Melissa is a Professor of Physics in the Department of Astronomy and Physics at Carleton College. Melissa has served as a Director of a teaching center, and has published extensively on a wide variety of topics such as STEM education, student metacognition, and diversity, equity and inclusion. One of her most recent publications is a chapter in Picture a Professor, edited by Jessamyn Neuhaus. Welcome, Melissa.

Melissa: Hi, great to be here.

John: Today’s teas are:… Melissa, are you drinking tea?

Melissa: I am. I’m drinking a black tea with cranberry orange.

Rebecca: Oh, that sounds really good.

Melissa: It is, and it’s finally cool enough that it’s tea weather.

Rebecca: Oh, it’s tea weather year-round.

Melissa: I am a cold weather tea drinker.

Rebecca: Okay, well, it’s definitely cold today, and empty [LAUGHTER]. I just finished a pot of eight at the fort. Eight, the number eight, once again. It’s a black blend. I don’t know what’s in it still. We’re recording an episode a couple days ago, I was drinking the same thing. I still don’t know what’s in it.

John: And I am drinking ginger peach black tea today.

Rebecca: So we invited you here today, Melissa, to discuss your chapter in Picture a Professor. The title of your chapter is “Reflect to Deflect: Using Metacognitive Activities to Address Student Perceptions of Instructor Competence and Caring.” Could you tell us a bit about why you started using metacognitive activities in your classes?

Melissa: Yeah, so when I was a junior faculty member, just starting out teaching physics, I found that I would get a lot of pushback from students. When students didn’t understand a topic right away or do as well as they had hoped on an assignment or an exam, they’d often be disappointed or frustrated. And some of those students would then come to my office, and the implication underneath their visit to my office was that if I was a better teacher, or if I just did things differently, they wouldn’t be in the situation that they were in. And of course, there’s always room to grow as a teacher, but that wasn’t the primary issue. I think the research literature shows that for younger women faculty members, they often encounter challenges from students as a persistent problem. And particularly as a woman in physics, where there aren’t many women, I think a lot of what I was seeing was there were some students who just had trouble seeing that this young woman in front of the class was actually a competent physicist and in a position to be able to effectively teach them. And in reality, there’s some additional research, Madeline Heilman and colleagues have found that women in male-dominated fields face this double bind in terms of expectations, and they can either be seen as competent or likable, but not both. And in some follow up research that they did, they found that women can try to mitigate this double bind by displaying a caring and nurturing demeanor. But my natural demeanor… I tend to be a sort of reserved person, I’m not a super outgoing, cheerful kind of person, I tend to just be sort of quieter. And so I was looking for a way to demonstrate to students that I cared deeply about them and I cared deeply about their success in this class, but to also demonstrate that maybe I could help them do this, as opposed to having them just pin their lack of success on my failure as a teacher. And so I found that introducing metacognitive activities was a way for me to navigate some of the pushback that I got from students, and to help them take responsibility for their learning, but also to demonstrate to students that I cared deeply about their success. And I wanted to help them learn how to navigate the ways of thinking, studying, and learning that are important to my discipline. And so I found that this is a way that I could demonstrate a caring that is what students expect from female faculty members, but in a way that felt more natural to me, as opposed to trying to pretend that I was a caregiver or a cheerleader in a way that just didn’t feel natural to me. And so the place where I introduced these metacognitive activities were actually on two very different ends of the spectrum in terms of course level. I found that one place where I got a lot of pushback from students was in my intro course. And then the other place where I actually got a fair amount of pushback from students was also in the advanced lab course that I taught. And both of these classes are classes where there was the opportunity for students to be frustrated a lot, and I find that when student frustration is high, finding ways to try to mitigate that frustration is important. And so the metacognitive activities are a way that I have now incorporated into my teaching in an effort to both help students succeed, but also mitigate some of the pushback that I would get from students.

John: Could you describe these metacognitive activities? How do you get students become more aware of what they know and what they don’t know?

Melissa: Yeah, so this has been a long evolutionary process over which I’ve developed these activities. And so I’ll start by describing the first activity that I introduced, which was really in my first or second year of teaching, when I was getting a lot of this pushback from students. And in particular, in intro physics classes, I’d hand back any item of student work, and students would always come in and challenge me about the grades that I had given them. And I would say now, I’ve moved away from grading in a traditional manner. So this isn’t quite as much of an issue, but at the time, I was using traditional point- based systems. So I started by instituting a policy that if you had concerns about homework or exams, before you could come in and see me at office hours, you had to send me via email, a summary of how you approached the problem that you wanted to talk to me about, you had to write down why you think I might not have given you full credit for your work. And then you had to talk to me about your rationale for why you think there was a discrepancy between your understanding of the material, how you did the work, how I viewed the work, and what I was hoping to see in terms of learning, and then why you thought there was this discrepancy. And that ended up being really interesting, because first off, it limited the number of students who just came charging in without having really looked at or thought about the work that they had done and the feedback that I had given. But the other thing is that then it started as a discussion about the learning that the students were doing, and how the students were perceiving their learning, and how I was perceiving their learning. And so that’s really where I started as a way to directly respond to the student challenges that I was facing. But then I really liked the opportunities that this provided for conversations with students about how they were thinking about their work in the course. And so the next activity that I started to include was homework wrappers. And so when students would submit problem sets, I would also ask them to submit a cover sheet to their problem set. And it will be questions about “who did you work with on this problem set?” “Where did you work on this problem set?” “How long did it take you?” “Did you ask people for help?” And that was a great way for students to monitor not just: did they get the answers, but sort of how were they engaging with the homework that they were working on. And it was also a great way for me to get some insight into what students were doing, so I could see if there were students who never listed that they worked with anyone, never listed that they reached out for help, I could then proactively reach out to those students and say, “I see you’re doing this alone, that’s fine. But that’s really not my expectation, I’m expecting that this is a community, we’re learning together, and I’m expecting that people will talk with each other about this work.” Or I could also report back to the class and give some summary statistics of saying like, “Oh, I saw that most people are spending this many hours on the problem set, but here’s the distribution. And so if you’re either way on the short end or way on the long end, just be aware, and maybe come in and talk with me.” And so that was the next step of including metacognitive activities that I introduced. And I think since then it’s just taken off in terms of the ways in which I include those activities. And so I’ll give you one example of more in depth metacognitive activities that I do in my intro physics class, and one example of some of the more metacognitive activities that I do in my advanced lab course. And both of these actually have to do with the idea of what is the error climate of the classroom? And how much room is there? And how acceptable is it for people to make mistakes. And I first really started thinking about this actually in the advanced lab course that I was teaching. And so this is a required course for all physics majors. But the focus in this course is really having students design an experiment, and then carry out their experiment. But the focus being more on the design of the experiment and in the confines of a term, they may not actually get to a completed project or a result. And so things fail, things don’t go according to plan, and students are inevitably frustrated by that. And so the first time I taught this course with this focus on lots of independent projects, I just didn’t address the frustration that accompanies the failure and the uncertainty and the confusion that inevitably occurs in a course like this where students are doing these independent projects. And so the next year when I taught this course, before the first day of class, I asked students to write down in two sentences, what their definition of a successful experiment was. And I would say the answers fell into two distinct categories. There was one subset of answers of students who said, “a successful experiment is where I get a high precision result with little error that closely matches theoretical predictions.” And indeed, I think sometimes how we set up laboratory work in early courses, what students are doing is they’re trying to get a result that will match a particular theory. But in these open-ended projects, they were designing things they were asking questions that maybe there weren’t clear answers for. And so if that’s your definition of success, you’re going to have trouble when you deal with the messiness that inevitably exists. But the other group of students in defining what their successful experiment was, there were students who would say, “oh, any experiment is a success, if I keep a good record of what I’m doing, and I learned something from the process.” And so I would start the first day of class and pick out some of these different definitions of successful experiments from students in their own words. And we begin by having this conversation about what are our own expectations for what learning and experimenting looks like. And then, throughout the course, I continued to normalize that things wouldn’t work, that things would fail, by having opportunities, both for individual reflections. And so about every two weeks, I would ask them questions that just reflected, “how did you approach work in the lab?” “When you ran into problems, what was the strategy you employed in trying to troubleshoot those problems?” And I didn’t ask if you ran into problems, I started the question “when you ran into problems” with the assumption that everyone is going to run into problems. And I’d ask “when you sought help, who did you seek help from?” “What kinds of questions did you ask?” And then I’d always say, “and what’s one thing you would do differently as you move forward in tackling this kind of work?” And so it was really getting students to articulate how they thought about this process and how they dealt with setbacks. And sometimes it was individual reflections, but sometimes we’d actually spend a class period with students talking about their approaches, so that they could see how different individuals had different approaches. And so the whole idea about learning is an iterative process. And when things don’t go according to plan, you need to reflect on how you dealt with those setbacks, and then how you might deal with setbacks differently going forward was really important. And so I’ve taken this focus on error climate and making mistakes, and translated that a lot into my introductory course. And one of the ways I’ve changed my introductory course, which is also consistent with the pushback I would get from students about grades, was problem sets and homework and physics are really designed to be practice. It’s your chance to practice that you know how to apply these concepts to solve problems. And yet we grade those, or traditionally, I had graded those. And so that was part of what contributed to the course grade. But that’s sort of against the idea of practice. And it makes it high stakes in that you can’t make mistakes, or you’re worried about making mistakes because you’re worried that that will then reflect in your grade. And so I took this idea of “okay, if I really am serious about changing the error climate in my classroom, and making sure that it’s okay to make mistakes, not just in the lab, things won’t go according to plan. But also, when you’re working on problems, you might hit roadblocks that you don’t know how to deal with, and that’s okay.” And so one of the things I did is I now have an approach to problem sets that in some ways mirrors what my colleagues who teach writing do. And so in writing, of course, you submit a draft, you get feedback on that draft, and then you respond to that feedback, and you revise to submit a next version. And so I’ve started doing that actually, with problem sets in my introductory courses. And so I give students an initial set of problems. I asked them not to consult with each other, but just to try on their own to see how far they can get, submit whatever they have, get feedback on that. And so that’s a way for them to check how much do I understand on my own, they get some feedback, and then they can come back, they can consult with peers in their class, they can consult with me, they can make revisions, and they can resubmit that problem set. And so that really helped address this idea of it’s okay to make mistakes, that learning is a process and you can learn from your mistakes as you go forward. And I think accompanying that, I also have started giving students these prompts for weekly reflections. And so I call them learning reflections and in intro physics, they submit them once a week, and they’re asking students about lots of different aspects of the class. So it might be asking them, “where did you read the textbook?” “How did you read the textbook?” “How many times did you revisit particular parts of the reading?” I might ask students, “how do you think about translating the concepts that you’re learning and connecting it to the visuals that you’re seeing in the chapter?” The weekly reflection might be asking students about “what’s one topic that you found confusing?” And “how did you try to deal with that confusion?” And so in addition to the physics work they’re doing, I also asked them to do this reflective work. And then I can once again use that reflective work as the basis for either individual or whole class conversations about how students are thinking about engaging with the material. So that’s a big range. But it gives you sort of a sense of the variety of types of metacognitive activities I include.

Rebecca: I know one thing that I’ve experienced when I do metacognitive, or reflective activities with my students is that if they don’t have experience doing it before, and many of them don’t, they think, “Well, this is a waste of time, I’m gonna spend two seconds on it,” unless you really take the time to set it up, and help them understand the why, so I’m curious what some of the setup looks like for you and what some of the conversations have been, or the kinds of negotiations you’ve had with students about the importance of reflective activities.

Melissa: Yeah, so I actually have begun being really intentional, both about talking about it during class time, and I think talking about why I’m asking them to do this before I ask them to do it, but also making sure that when I ask them metacognitive questions, or these reflections, then I bring some of their responses back into the discussion during class time, so that they don’t feel like this is just an extra thing, but I weave this into how we are doing things in class. So for example, the reflection about how do you navigate making connections between visual representations and the physics concepts that we’re doing? The next time I come to class, and I’m giving a short lecture on a topic or something, and there’s a visual component, I might actually bring in the response that one of the students said about, well, I really have trouble doing this, or I find this helpful, if it’s relevant to the problem that we’re doing. So then it’s not as if it’s an extra thing that I’m asking them to do busy work on. I try to then also model a little bit during class time, how some of the responses might be relevant to our approaches to engaging in problems or things like that. The other thing that I’ve done, in addition to bringing this in in class time, is it used to be when I gave out problem sets in physics, my problem sets were: here’s the deadline, here are the problems. And that was it. But once again, taking a page from the folks who teach writing, when I see the assignments that my folks who teach writing-rich courses teach, there’s often quite a bit of prose that provides some background for the expectations for the written work that’s going to be done. And so I actually will include some background to my problem sets about, “okay, here’s how I want you to tackle this. First go through and do this; second, go through and do this.” And “here is why I am asking you to do this.” And I think that’s helpful. The other thing that I would say is I also give students feedback, particularly in the advanced lab course, where these reflections are sort of a central part of the course. And I’ll explicitly write to students, “I’m disappointed. This seems like it’s not really getting at how you tackle this.” And I’ll just let them know that and usually, I will then use that as a conversation starter when I’m interacting with the students to talk about ways that other students have thought about it, or why I’m asking them these questions. But you’re right, you can’t just ask students to do this, you have to build this into the fabric of the course, so it’s relevant and make sure you explain why you’re doing this.

Rebecca: One of the things that you’re describing, this worth probably noting, or talking about, is that if you start building in more reflective activity, that takes time, that then has to take priority over other things, which means other things have to be deprioritized. So what are some of the things that you allowed to let go to allow this to come in?

Melissa: I think there’s a couple of things that I have allowed to let go. One is I have just come to realize that covering lots of topics in physics is not that important. It’s really more important that they understand how to solve problems or how to take concepts and really try to dig into their understanding. Because to some extent, this is teaching students how to learn on their own, which is what’s important. I do cover less content. I will say the other thing, though, is, I think, because I don’t have as much grading that is like, let me figure out the points that I am going to give you for these problems, and it’s much more holistic feedback, I spend less time on the grading in terms of points. And I’m actually grading in terms of you’re on track here, you’re not on track here. So I’m not sure it actually requires that much more of my time. And I will say, some of these weekly learning reflections, I just go through and check if students have done them. And then I fold that into other conversations that I will have with students either during office hours or during class time. So it’s not as if I have to give lots of individualized feedback on every reflection. Maybe the best way to say it is a lot of these activities I use to enrich my interactions with students during class time, because I have this little bit of insight into how they’re thinking about approaching the material. And so when I see them working in class or working in the lab, I can talk with them not only about the physics, but I can also talk with them about what are the strategies they’re using, and maybe they might want to try using a different strategy.

John: In our very second podcast, we talked about a technique that Judie Littlejohn and I had been using, and I think we’re both still using it. It’s an online discussion forum, we call it a Metacognitive Cafe. And it’s addressing many of the same types of issues with these types of reflections. But one of the things that’s really jumped out at me over the years is just how much students have enjoyed hearing about successful learning strategies that they picked up from other people. Because students generally don’t talk very much or think very much about how they learn, and they generally don’t share it. Most years, I have one person who says, “I don’t understand why we’re doing this, because it’s not part of the course.” But everyone else has talked about in a reflection on the use of that, how beneficial that was. How have students responded to these metacognitive reflections?

Melissa: My sense is that students are quite positive about this. I think you’re right in that oftentimes, this is something that we take for granted in our students, that they know how to learn, or they know how to engage in material. And I think some of our students have sort of figured things out on their own without necessarily knowing that they’ve figured it out. And so I think just providing students the opportunity to really think about what they’re doing and hear what their classmates are doing is useful because it normalizes that there is not one way to do this, it normalizes that different strategies are going to work for different people. I think oftentimes, if you don’t talk about this, the minute students feel confused, or the minute students hit a block, they see it as a reflection on like, “Oh, my goodness,” and particularly in a subject like physics, which has a reputation or a stereotype, they immediately think, “oh, physics is not for me, I’m not cut out to do this.” But if they hear that everyone in the class faces confusion or runs into things that don’t work according to plan. I think that can be really liberating for students. And I will say, one of my favorite comments right after I started doing this, in my advanced lab course on student evaluation, at the end of the course, someone said, “I have never failed so much and felt so good about failing so much as I did in this class.” And they didn’t fail the course, but they just realized that experimental physics is about experiments not working out the first time you do them, and then you’ve got to figure out how to make them work better. And so I do think there’s something that reduces a little bit of students feeling that they need to keep up their barrier of “I understand this, and this is going well,” by having these conversations.

John: Going back to those discussions that I’ve been using. One of them is at a point in the class where students face some really challenging material that they all struggle with. And the question I give them that week is, “How do they deal with challenging material?” …and it helps to normalize that type of failure and the benefits of working through it.

Rebecca: As you’ve been talking about your advanced physics class, I’m thinking about an activity I do in my Advanced Design class, which is have students keep a process log. So as a project develops, their constantly reflecting and documenting what they’ve been doing. And part of what the students have indicated as helpful about that is that sometimes they feel like they have nothing to show for hours of time.

Melissa: Yes, [LAUGHTER] that also happens. Yes.

Rebecca: But actually a lot was happening. They were researching something, they were trying something, they were experimenting with, they were troubleshooting. But now there’s a place for them to make that visible to themselves as well as to me, and that’s been really useful to also help them figure out more efficient ways of doing some things.

Melissa: And I think that’s exactly right. In our advanced lab course, what it is, is they’re keeping a lab notebook. And I think in previous courses, where students are working on more structured labs, where it’s sort of laid out, “here’s the first goal, here’s the second goal.” They’re used to lab notebooks just sort of saying that they followed what was laid out in the lab handout, whereas here, we look at actually some lab notebooks of famous scientists, where it’s like, “Well, I’m thinking about doing this, but I don’t know.” And there’s room for emotion and some “I’m gonna go down this way.” And then like, “Ph, this didn’t work for this, so now we’re going to go back to the idea that we talked about a couple of days ago.” And so having that all recorded, I think you’re right, it makes them feel like they can see that they are moving forward, even if they don’t have anything to necessarily show in terms of nice plots of data that they have collected.

Rebecca: Yeah, it makes all that decision making visible because there’s many decision points. And sometimes they just make a decision, and they don’t really know why they made it, but, reinforcing the idea that like, “Well, you had to have made it based on something.”

Melissa: Right.

Rebecca: What was it?

Melissa: As experts, we have sort of hidden that we’re doing all of this. And so for these advanced students, they’re not at the introductory level, and they see experts, but they don’t really see all of the things that are internal to us that it’s helpful to actually make visible to them.

John: So have other people at Carleton adopted similar strategies?

Melissa: Yeah. So one of the things that I love about Carleton is that this is a place where we have a lot of conversations about teaching. And so I would say that I’m not unique in using these kinds of activities. And I think one of the beautiful things about metacognitive activities is that, although the details of some of the questions you might ask students might be specific to your discipline, really, anyone who is teaching in any discipline can actually work with students on metacognition, and so ot’s a topic where I can talk with colleagues really in any field, and we can share ideas and hear from each other. I would say that one of my reflective prompts that I ask students is about who has assisted in their learning, so it’s called the learning assist prompt. And this is actually something that I got from a colleague in Classics, Chico Zimmermann. And he asked students to reflect: “In this past week in the course, who has assisted in your learning?” and he explicitly talks to and gives examples of what assistance might look like to assistance could be, they made a mistake that helped you understand something that you didn’t understand before, or they were confused about the same topic as you were confused about and in discussing it together, you began to make sense of a topic. So he very clearly articulates the way that individuals can learn from each other in confusion, or in making mistakes. And I really just loved his framing of that. And so that’s something where we don’t share very much content between classics and physics, but we can share ideas about how are we going to help our students learn. And I think the other thing that’s really nice is, I do feel, Rebecca, you mentioned students don’t necessarily know how to engage in metacognition. And so I do feel like the more students are asked to do this in different disciplines across campus, the better they become at it, because it is something that you need to practice and get a sense of. And so I’m excited when I hear about colleagues who are using similar approaches, and we share ideas about how we’re using it in our classes, because then I know that students who have thought about this in a colleague’s class in American Studies might bring some skills to my class that would be useful.

Rebecca: It kind of goes back to that same idea of normalizing failures, normalizing this reflective behavior as well. We know that you have a forthcoming publication, addressing student mental health and moving toward UDL. I’m wondering if you can talk a little bit about how that work connects to this work around metacognition.

Melissa: Yeah, so it actually, I would say, builds quite nicely on some of this work. So this is a piece that’s written with two of my colleagues, one, Kristen Burson is a physicist at Grinnell College, and the other Danielle McDermott is now at Los Alamos, but was teaching before. And one of the things that we found is that physics is one of those fields that because of the stereotypes, students just get really stressed and anxious sometimes in their physics courses in a way that sometimes they don’t in other courses. And so one of the things the three of us spend a lot of time talking about is what are ways that we can actively try to reduce the stress and anxiety that we seem to see in students who are coming to us in physics courses. I think, these days, stress and anxiety are rampant on campus in general. So I don’t think anything is unique to physics. But Universal Design for Learning has some suggestions about how to make courses accessible to folks. It also, though, is quite overwhelming. And so we were thinking about the students who we see in our courses who come with a lot of stress and anxiety, sometimes clinically diagnosed depression or anxiety, what are ways we could take some of the UDL principles and take what we know about physics education research and use it to modify our courses to try to make them places that students feel like they’re supported in being their whole selves and doing their best work and not having to be overly anxious about it. And so one of the pieces is what I’ve already discussed with you, this idea of increasing mastery oriented feedback and assignments. And so some of the ways that I’ve changed problem sets where I make problem sets, not really about right or wrong, about the process of: you practice, you learn and you can revise until you get it right. And that’s really consistent with some of the UDL principles around organizing courses towards mastery oriented assessments and feedback. And so that’s one of the modifications that we pointed out as something that’s valuable. Another thing that we’ve done a lot with is thinking about the social aspects of physics courses. And as physics has moved away from being lots of lecture to a lot more small-group activities, we’ve seen that for students with anxiety and depression, some of those small group activities can actually be a source of significant challenge. And so they really can find that difficult. And so they’re thinking about how you design group work, and thinking about when you provide students choices not to engage in group work, and how you help students interact with each other, if they aren’t normally comfortable interacting with each other is something that we explore as a second way that physicists, or really anyone who’s doing active learning that involves small-group work, can think about, and this is something that I’ll say I’ve evolved a lot in terms of how I do this. I used to have when students walked into the room, every class, they would get a number and then they would sit with the other students with the same number. And that would be their group for the day. And research by Katie Cooper at Arizona State University has really shown that constantly mixing up small groups is a significant source of anxiety for a lot of students. And it doesn’t give students who need help learning how to interact, learning to trust their groups, to develop a rapport so that they can work effectively together. And so now, when I have students work in small groups, I still have them work in small groups just as much, but I really structure how those groups interact. And I have them interact for a long time so that they can begin to develop approaches and rapport that will help reduce some of the anxiety of that small group work. And then the last element that we talk about is providing students with more choices, that’s UDL all the way… is about providing choices. And so we talk a little bit about what does choice look like? For example, I ask students to turn in written problem sets. But there’s no reason why, even before the pandemic I would invite students if they wanted to, you could actually record yourself talking through a problem set instead of writing down a problem set. And so that’s one example of how you might provide choice for students in a physics class, but also explicitly bringing up the importance of student well being and help seeking in a class. And so some of this normalizing the expectation that students will ask questions, asking students to keep a record of where do they seek help, and how do they seek help is important. And my colleague, Kristen Burson, she even has on her problem sets occasionally, an activity… it’s a problem where students must choose one activity for the week that they think will make them feel physically, mentally or emotionally better. And so it’s like, are you going to take a nap? Or are you going to go out and hang out with friends? She actually has that as a like, what’s one thing you did this week that you did to promote your health as a person who is in this physics class. And so just bringing that element of the whole person, and that the instructor is encouraging the student to be a whole person and make choices that support their wellness in that holistic manner. So those are some of the examples that we talk about in this forthcoming paper. And indeed, some of it is very similar, it’s built on some of these ideas from the metacognitive element. But just generally trying to focus on there’s a lot more to creating a classroom environment where students can succeed than just giving them the content.

John: We always end with the question, “what’s next?”

Melissa: One thing that I’m working on right now is I’m working with colleagues at Luther College and St. Olaf College, on a program that’s designed to foster a more robust and thoughtful culture of peer observation of teaching. And this is thinking about peer observation for formative development. We have peer observation for evaluation. But I’m not sure even in that context, we’ve necessarily done a great job of talking with each other as colleagues about what that looks like and what that means to make it the best possible experience for everyone involved. And so having the opportunity to get folks together from these three colleges to talk about how we can create cultures that foster teachers observing each other’s teaching has been really fun. And it’s fun to think about how we might also learn across campuses and from teachers across campuses. And this project also ties in a little bit with the Picture a Professor anthology, because one of the things we’ve been thinking about in this peer observation is thinking about how we can encourage colleagues when they’re observing each other to be mindful of how embodied authority might be in play in terms of the choices that people make, and how they observe other people in the classroom. And so we just started this program at the end of August. And so it’s going to be a trial for this year. And so I’m curious to see where it goes, and I think it’ll be a fun opportunity to engage in conversations about teaching with colleagues on some other campuses.

Rebecca: Sounds like a meaningful activity and endeavor for sure.

Melissa: So it’s fun.

John: Well, thank you for joining us, and we’re looking forward to sharing this with our listeners.

Melissa: It was great, thank you.

Rebecca: Yeah, thank you so much.

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John: If you’ve enjoyed this podcast, please subscribe and leave a review on iTunes or your favorite podcast service. To continue the conversation, join us on our Tea for Teaching Facebook page.

Rebecca: You can find show notes, transcripts and other materials on teaforteaching.com. Music by Michael Gary Brewer.

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