360. Change Leadership

Higher educational institutions tend to adapt slowly in response to changing cultural, economic, and  technological environments. In this episode,  Kim Scalzo and Jennifer Miller join us to discuss strategies that can be used to help lead productive change initiatives.

Kim is the Interim Senior Associate Provost for Digital Innovation and Academic Services, the former Executive Director of Open SUNY and SUNY Online. Jennifer is the Assistant Vice Chancellor of Community College Support at the State University of New York and Executive Director of the New York State Success Center. Kim and Jennifer co-teach a professional development course at the SUNY Center for Professional Development on Leading Change in Higher Education.

Show Notes

Transcript

John: Higher educational institutions tend to adapt slowly in response to changing cultural, economic, and technological environments. In this episode, we discuss strategies that can be used to help lead productive change initiatives.

[MUSIC]

John: Thanks for joining us for Tea for Teaching, an informal discussion of innovative and effective practices in teaching and learning.

Rebecca:: This podcast series is hosted by John Kane, an economist…

John: …and

Rebecca: Mushtare, a graphic designer…

Rebecca:: …and features guests doing important research and advocacy work to make higher education more inclusive and supportive of all learners.

[MUSIC]

John: Our guests today are Kim Scalzo and

Jennifer: Miller. Kim is the Interim Senior Associate Provost for Digital Innovation and Academic Services, the former Executive Director of Open SUNY and SUNY Online.

Jennifer: is the Assistant Vice Chancellor of Community College Support at the State University of New York and Executive Director of the New York State Success Center. Kim and

Jennifer: co-teach a professional development course at the SUNY Center for Professional Development on Leading Change in Higher Education. Welcome Kim and

Jennifer:.

Kim: Thank you. Great to be here.

Jennifer:: Thanks for having us.

Rebecca:: Today’s teas are:… Kim, are you drinking any tea today?

Kim: I am. I have my Tea Forte black pomegranate.

Rebecca:: Yum. How about you,

Jennifer:?

Jennifer:: Well, I am an iced tea drinker, so I’m drinking Pure Leaf lemon tea.

Rebecca:: How about you, John?

John: …and I have an Earl Grey from Tea Forte.

Rebecca:: That’s a different choice for you today.

John: I know. I don’t have as many teas in this room as I do in our office.

Rebecca:: I know. Yeah, we’re in our recording studio. We have a limited supply here right now.

John: And mine is this because I ordered some of the black currant Tea Forte tea during COVID, and I got two boxes of the Earl Grey, and I’m gradually getting rid of the last of it. [LAUGHTER] So it’s elderly Earl Grey. [LAUGHTER]

Rebecca:: And I have some Awake tea this morning.

John: Very good.

Rebecca:: …that I can be nice and alert.

Kim: Awesome.

John: We’ve invited you both here today to discuss change leadership. After what seemed like centuries of relatively slow change in higher education, the pace of change seems to have accelerated quite a bit in the last few decades. You’ve both been involved in leading change in the SUNY system in a variety of roles for quite a while now. What are some ways in which change leadership in higher education differs from change leadership in other organizations?

Kim: Academia has its own culture. I grew up in this culture, and so it’s very familiar to me. I’m very comfortable in the culture of academia, but oftentimes folks come into our campuses, or for

Jennifer: and I here at the system office, not from academia, and it’s very clear that their expectations of how things happen and how decisions get made and how change occurs is very different. So I’ll just say a couple of things about what I think that academic culture includes. And the first is that we have shared governance. That doesn’t exist in places like industry or even sometimes in government. We have a very strong faculty culture here in New York, our faculty are unionized. So we have to take all of those factors into account when we are leading change initiatives, and we have to make sure that critical stakeholders are engaged, not just in the decisions about what we’re going to change, how we’re going to change, but also in what it’s going to look like beyond the initial change so that it can be sustainable. In my space, which is the technology space, it’s also important to understand that the role of technology plays a supporting or enabling role to things like student success, and technology is not the driver. So how you think about that is also important. And then the final thing I’ll say is that many changes involve faculty, where affecting that change actually means that individual faculty have to change what they’re doing in their classes, and they have a great deal of autonomy, as you both know, in how they teach their courses and help students achieve the learning outcomes. So it involves a lot of engagement. It involves a lot of case making, oftentimes training and professional development, and it doesn’t happen immediately, so we have to have the long view in mind. So that’s what I would say. Jen?

Jennifer:: So I agree with everything that Kim just mentioned, and it’s a really great question, because I think a lot of the work that’s gone on in change leadership, as you mentioned, has been done in business and government sectors and not as much in the higher education sector. Yet, now we see the driving forces of needing to change in departments and classrooms and all organizational structures. So Kim and I have both been working on large-scale, multi-college change for a decade now, probably, between the two of us. And higher education professionals. In addition, not just coming in from outside of higher ed, you’re also focused on students. You’re teaching students. Folks are focused on student supports, and not project management leads or folks who have done leading types of change projects. So what we understand and know about higher ed is there’s more of a need, as Kim was talking about, that professional development, that support, and we particularly think that this can very much help the success rate of some of these change projects that are taking place in higher education, where in business and industry and government, there’s, I think, a more already existing knowledge base. And I think we need to make sure that we have supports for folks who are leading these change projects. The other thing is, I think, and Kim mentioned this very specifically, is that the number of different power and authority and structures in higher education that differ from other places and the values that can compete in higher education are very different in business and industry and other sectors. So we need some additional thoughts on how to support that change.

Rebecca:: Can you elaborate a little bit on what some of those values are that are different?

Jennifer:: Sure, I think some of the values that we see are the desire to change to support student success. One of our ideas is, how do you make sure that students are being retained? And that often has some very big value laden opinions and ideas with it, and those can often be competing. There’s also competing values of financial resources. There’s competing values of, as Kim mentioned, shared governance and who has the authority to make what decisions. So oftentimes in business and industry, those things are very clear. In higher education, they’re a little more complex and navigating that’s really important in any change project that we see moving forward, either at the campus level or the system level.

Kim: I would just add the really strong value on faculty and the particular expertise, whether it’s technical expertise in your discipline or expertise around teaching and learning, very strong value on that. And as I mentioned earlier, faculty are pretty autonomous in the way that they carry out their responsibilities, and so that’s a really big difference that we have to account for. By the way, I happen to think it’s a great thing… faculty are what distinguish our institutions of higher education from each other. And so in my work, I’ve always had a really strong value on faculty and on that culture.

Rebecca:: One of the things that I heard you say, and I think I hear faculty say on our campus, and I hear in a lot of the conversations that we’ve had on our podcast, is there’s desire for change, but also humongous frustration [LAUGHTER] about lack of change, or that speed of change, usually from professional development folks that we might interview, but also from faculty. Do you have any nuggets of advice for folks that really feel that frustration to their core, before we get into some of the nuts and bolts about how change happens.

Kim: One of the reasons why Jen and I talk about “change leadership” as opposed to “change management” is because we feel like there’s a role that everybody has to play and can play in being a leader in the change and feeling empowered to both help yourself as well as other constituents, to not feel like the change is being done to you, but that change is happening, and you can play a leadership role. And I think that when you can have that mindset shift, you can actually drive the change, or lead the change, or support the change in a way that can be less frustrating. That doesn’t mean that you control everything, but your mindset and your view on your role in it can be pretty empowering.

Jennifer:: I would only add that we also talk about leading change from where you are and what your sphere of influence is, and how you can do certain things and maybe not everything you want to do, so really looking at it from the holistic perspective of what you want to change, and then looking at a lot of things we’re going to talk about today, which is the institutional culture and the context around change, the moves you can make from where you sit about that change, and then the collective or shared group of people you need to bring in to work with you. Because I think what we do know is change doesn’t happen for one person alone, but we can see the value when folks start talking together and start looking at it more as change of ways you can make moves, you can use levers, and you can understand the context to make that change happen. So in some ways, it’s also learning about how does change happen in other places, especially the change that you want, and how to use external resources, and we can talk a little bit more about that, to also support maybe the change you aren’t seeing as quickly or as much as you want on your own campus.

John: One of the areas in which most campuses are working right now is trying to reduce some of the equity gaps in student success by introducing more active learning and inclusive teaching practices and more support for students on campus in general. Part of your course’s focus is on Kotter’s Eight Steps for Leading Change. Could you take this topic and provide an overview of how this approach might be able to address institutional change in this area?

Kim: So Kotter has identified eight stages in a change leadership process that I learned about many years ago, probably over a decade ago, and as I have been involved in various change initiatives, it just resonates with me as a nice set of steps to think about and go through to ensure, or help ensure, the success of the change initiative. So I’ll just walk through those very quickly and talk about how that might apply in the scenario that you outlined, John. So the first step is establishing a sense of urgency. This is really all about the why of the change, and when you can rally around why a change needs to be made, when everybody can get clear on that, it’s easier. So you have to create that sense of urgency. When it comes to student success, what does that look like? Oftentimes, there is data to show where are students not being successful, or where are there challenges that they’re coming up against. And so data can be your friend, we say, and sometimes, when it comes to issues around equity, you have to think about disaggregating that data so you can look at different demographic groups and look at where exactly students may be not achieving the outcomes that we’d like them to see. You can also use students to tell the story, to help create that sense of urgency, oftentimes hearing their voice directly is really powerful. And so thinking about the ways to bring forward the why of your change, so that people aren’t questioning why you have to do something. It then becomes more about the what and how we’re going to do it. So that sense of urgency is important. The next stage is forming a powerful guiding coalition. This is a really important part of the process for me, because, as

Jennifer: stated previously, no one can affect a change like this alone. This can’t be one person’s job or one person’s responsibility. So you have to think about who are the key stakeholders in this case? It’s faculty, faculty leadership. It might be chief academic officers, it might be advising and learning center directors. Who are those key stakeholders, and you bring them together to form your guiding coalition who will help outline what your strategies are going to be for getting to the change. The next thing is creating a vision for change, and this is really about outlining that compelling statement that everybody can rally around and get behind. So that statement might be, or that vision might be, “We’re going to improve student learning outcomes for a particular demographic of students in a particular set of courses.” That gives you a way to target, oftentimes, we talk about gateway courses for students. And so when you can create that vision for change, and everybody can rally around that, then again, it’s going to be harder for people to not engage or want to be part of that change. The next step is communicating the vision. And what I think is one of the most important pieces here is your vision has to be clear. We have to have everybody know what that vision is, so that everybody who is communicating it is communicating it. And multiple channels are really important here. So communication through the academic channels with faculty and individual departments, with maybe it’s campus newsletters, maybe it’s a webinar series. What are the ways in which you can get to those key stakeholders so they know what is happening and when, and keep them engaged throughout the change process. I think that’s a really important piece of it. Next is empowering others to act on the vision. So this is where then you take those key stakeholder groups and now you’re building teams of people who may be working on the various strategies that you’ve outlined. In this case, maybe there is a team that’s working on professional development for faculty. Maybe there’s a data team that’s looking at how you’re looking at the data and how you’re going to track progress over time. Maybe again, those advising center and learning center directors are working together on what they’re going to do to support students. So you’re looking at how you are taking your guiding coalition and empowering a broader group of people to act. Generating short term wins is the next one. This is one of my favorites, because along the way, you’re going to see those early successes, and this is time to celebrate them and to really help keep people motivated to see that the change is starting to work. You’re starting to have some successes. And maybe in this scenario, this looks like faculty talking about something they did that had a short-term impact in their classroom on students. Maybe it is students talking about, “Oh, this made so much more sense to me. I really get this now.” So how do you celebrate those and then, based on that, the next stage is consolidating gains and producing more change. You use that momentum to then accelerate the change. And let’s say, take a practice that work in one or two faculty’s classroom and use that as the basis for professional development to the rest of the faculty. So you’re getting it now across the whole audience that you want to try to serve, and then finally anchoring new approaches in the culture. This is where things like policy changes might be important, where allocation of resources might come into play. How are you going to sustain this and make this part of the culture? Does it become part of regular faculty engagement, part of regular faculty development, whatever makes sense for the scenario, maybe it changes the way that the learning and advising centers work. So it’s about anchoring those new practices, those new initiatives, that show that they produce the outcomes that you’re going for. And the last thing that I’ll say about these eight stages is we talk about them sequentially, but the reality is that you can go back and forth between them. Sometimes you might go through one of them really quickly and then think, “Oh, I gotta go back and do more of that communicating, or more of that engaging, or I’ve gotta expand that stakeholder group.” So there’s very much a learning process that goes on, and you can work through the stages, sometimes out of order, or going back. So I know that was very quick, but I love that set of stages, because I feel like I can apply it in a lot of different scenarios.

Jennifer:: So one of the things that we have done in the course is look at two different change models, but they’re really related. Kim’s talking about Kotter, and that’s foundational for a lot of business and a lot of organizations. But Adrianna Kezar, in her work as a researcher has specifically looked at some of these types of changes in the higher ed context. So she adds to Kotter’s work when she talks about context that happens within the higher ed sector. So we have institutional type being different, leadership and governance, as we’ve mentioned, culture, I think, is a really important part of politics here, human capital and capacity resources and external impact and the external forces that work on higher education. So there’s that context piece, in addition to the Kotter steps, the other thing she adds, and her co-authors, Susan Elrod and others, in a Change Leadership Toolkit for Higher Ed, talk about leader moves. So very similarly to Kotter, there are eight leader moves in higher ed that this toolkit also addresses. So things like, very similar to the list Kim just gave, but vision, strategy, diversity, equity, and inclusion and fostering that, people in teams engaging those stakeholders, advocacy and communication, sense making, and learning. So how do the organizations really engage in these activities of understanding the change and then also preparing for the long term. So very similar to Kotter, there that in the Kezar and other researchers model. But the other piece that they also add that would be a little different than Kotter, is the levers or opportunities for change within higher ed are a little different. So we use both models because they’re very important, but it adds some of the higher ed context we’ve been talking about to the change process.

Rebecca:: One of the things you both mentioned earlier is leading change from where you are. That brings in the idea of both top-down and grassroots models depending on [LAUGHTER] where you’re situated in an institution. So can you talk a little bit about the different kinds of strategies you might use depending on where you sit in the hierarchy, and maybe the role of shared governance depending on where you’re sitting in that hierarchy.

Kim: Yeah. So I think when Jen and I talk about this, what we say is that we’re all somewhere in the middle. Depending on who you are, there are people to whom you report, and there are constituent groups that you work with, or people who report to you. And so if you’re a president, you have a board of trustees. If you are a dean, you have the provost, and then you have faculty. For us, we’re part of the system administration structure, and so we have people that we report to, and we have teams that we lead, and then we have all the campuses. So I think it’s important to just think about where you are and who are the stakeholders that you can influence, who are the stakeholders that you support. I often think about who is impacted by the change, and whose input is critical to the success of the change. And so in terms of some strategies, Jen talked about Adrianna Kezar, she talks about shared leadership and leadership in a collective process. And so the idea that we share ownership, we share responsibility for the change, and by working together collaboratively we can accomplish the change. And in SUNY, that is just so much a part of our process. And what I will say about that is some people fight it. Some people are frustrated by the fact that we have to engage all these people. If you can embrace that, and you can recognize that those people are your volunteer army, so to speak, you can have more reach, more impact, and again, that sustainability is a piece of it. And the other thing I’ll say about that is communication is critical. When you have the concept of shared ownership, or collective ownership of change, if people aren’t all in the know about where you are and how things are going when you’re having successes, when you’re not how you’re addressing those challenges, then you can lose people, and people can get frustrated or feel like they don’t know what they’re supposed to be doing. We haven’t said this yet, but many people resist change, not because they don’t want to change, but out of fear of not being able to do what they do well. People know how to do what they’re doing today well, and when we ask them to change, sometimes that resistance is fear that I won’t be able to do it well. Things like communication and engagement help people have confidence in their ability to continue to do things well.

Jennifer:: I would also say top down, bottom up. These terms are things that we’ve labeled in the change effort. So if the change is coming from senior leadership, that’s top down, and it’s coming from bottom up, from one faculty member’s idea of what they want to do. I mean, it’s very siloed. So in change, where we see the change that becomes successful as Kim mentioned, is this shared leadership. There has to be a willingness and a mindset to do that kind of work in an organization. Sometimes you find yourself in an organization or a college that may not have that aptitude. So really understanding the context that you’re working in and where you want to go with this change, especially if it’s a bottom-up change. If you’re a senior leader, how do you want to engage the people that are affected by the change, as Kim mentioned. I also think in some of the research that I’ve done in my own work, so I did a literature review that was published in the Journal of Post-Secondary Student Success on change. And Kim mentioned this, but it’s really out there in the literature, which is the context of the change matters to folks, the awareness, whether they are understanding the change and the motivation behind it, that’s really important, because we are people, and we have our own motivations plus institutional motivation, and then process and all these things at any given time can really impact the change that is happening. So really understanding that and being able to first of all acknowledge it, and then look at ways in which you can build that group of people to help with whatever, if it’s top down or bottom up, change, but really thinking about, as Kim mentioned, the communication, the engaging of stakeholders, and then reflecting: Is this working? Are you evaluating the change? Are there things we need to do differently? Are there different people we need to engage? And Adrianna Kezar talks a lot about this, is sometimes we start in a direction and we have to stop and say, “Okay, if this isn’t working, why is this not working, and how do we better understand it? Is it supposed to be something that should be an easy change, technical change, something that should be easy to do, or is it adaptive, where the cultures and the norms and things are underlying.” So I think all of that, it is very complex, but I think the key is also understanding these things are going on, acknowledging them, and then planning for them.

Rebecca:: I think a good example of this is in our faculty accessibility fellows that we’ve had at SUNY Oswego, we’ve had some really interesting examples of faculty leveraging some of the influence that they have with their colleagues, for example, in their department or their students in their class, and helping the folks around them recognize some of the easy changes that they can make in digital accessibility by sharing some technical skills, for example, with their colleagues or even with their students, and having their sphere of influence make changes in the culture in their kind of immediate sphere of influence change, and you can kind of see that start to blossom out from where they’re situated. And so that’s an example of someone not recognizing immediately that they have this kind of influence, but that happens.

Jennifer:: We see that often with the work we do, where you have change leaders doing change work, and then they have to find other change leaders, because it’s often hard and complex work, and it’s time consuming, and there’s often a real desire to make these changes, as you mentioned, and then finding others who are at that same mindset, both on your campus and your department, but also within other colleges and other external factors. I know that some of the change that we are seeing in the system and in colleges, is coming from external factors, and that might be a positive thing, especially if that helps the change happen that people want to have happen. They can also be a challenge in that if it’s working against the culture of the institution and what folks think should happen, Kezar talks about this a lot, is the ethics around change, and we talked about values, but there’s ethical considerations that even in a change project, that folks may come at it a little bit differently, and that also breeds resistance that we know is a barrier to some of the change. But not all resistance is bad resistance, some of the resistance tells us that there needs to be a different way of looking at things, or a different movement that needs to happen to support that change. So it’s not all resistance to change isn’t necessarily bad, and I think the research does call that out as well.

John: If we go back to that example of trying to spread inclusive teaching techniques on a campus, we do see some different values from faculty in different departments. Some faculty and some departments see themselves as being gatekeepers who maintain the quality of higher ed by failing as many students as they can to try to keep limiting the number of people who pass through those gates. How can we bring those people into discussions when they believe strongly that what they’re doing is the best way of doing this, and that everyone else is perhaps going in a wrong direction?

Kim: So, I’ll just say I think one of the really important things to do is bring them in as part of your guiding coalition. We need that voice to be at the table as we’re talking about the why of change, and if there is something about the way they’re viewing it and the way they’re experiencing it, quality in education is a really important factor. We often talk at SUNY about providing affordable access to high quality education. They believe they’re bringing that perspective of I’m keeping this high quality. And so when you can start to talk about what that means and how we measure quality, and how their practices may be contributing to or not contributing to that, I think that’s a way to understand both where they’re coming from and what’s important to them, and have that be part of the change initiative. And so it’s about meeting people where they are and engaging them, as opposed to oftentimes we say we’re just not going to invite them to the party. We’re going to go around them, and if they don’t come along, so what? And that’s a decision that you have to make about your team and what change you’re trying to affect. How significant is that perspective and how important is it to really understand it and address it? I’m the kind of person who when I hear those really strong perspectives, my gut reaction is to pull them in, and let’s talk about that. Let’s hear about that, and let’s think about how that factors into the design of whatever change we’re going to do.

Jennifer:: In some of the work we’ve done at the system level with faculty, especially in developmental education redesign, we’ve had some of these similar conversations that is this the right thing for students? Should we keep a really high quality education? It means these things and this kind of math courses that they need to take. And I think what we found as well, just as Kim said, is bringing people to the table to talk about it, discuss it, understand it. It may not be that their view is the view of the change effort going forward, but it does add or change how that might be interpreted or made better based on those viewpoints. So that kind of inclusiveness of a diversity of thought on the change project is part of the process. And then in some cases, there’ll be people who are just against change because of it. There’s a lot of resistance that’s personal resistance to change, or has something that isn’t uncoverable through a conversation. And then you have to make some decisions about if this change is going forward, how do you engage as many people as possible, but not everyone, and that is a challenge, especially in teaching, especially in the idea of what are we doing to support our students in an inclusive way? But at some point, if we just let all of the people who don’t want the change their voice to be the strongest, then the value to students is compromised. But it’s also important to make sure that all voices come to the table and are able to discuss it in a way that’s civil discourse that we can understand and that can make the change project better.

Rebecca:: You addressed this a little bit already, but context clearly matters, and higher ed is not uniform at all. Even within our system, it’s quite diverse. So how is it important, or in what ways is it important to work within a singular institution and adopt strategies or adjust strategies to really take into account the culture of the place, where it is in this moment when the change is initiating, and how might it evolve over time as the culture of the place changes over time.

Jennifer:: I would say for that, in particular, the research that Kezar and her colleagues have done on context is really important because culture is one of the many contextual elements that we’re talking about. And I think adapting the culture to the context, especially in the variety of higher education institutions we have, it’s really an important part of the process for a successful change project, if we want to call it that, mobilizing and implementing and then codifying that change in an environment changes the culture often. So understanding it really helps with missteps. So if the institution has unique rules or values or processes that might impact how that leader, whether it’s someone in the middle of the organization, the upper part of the organization, or a real grassroots makes a misstep, is about not understanding or identifying the culture and other contextual elements, and then they’ll use different levers, so whether it’s a strategic planning process or an evaluation process for faculty to really understand how that’s going to work within that contextual culture. You mentioned it, it’s institution type, it’s governance structures, it’s politics, it’s human capital, it’s resources, and then it’s the external factors that are really impacting either departments, divisions and whole colleges. So I think that acknowledgement, that there is that happening and going on, and then what does that, as Kim mentioned with all the other eight steps of Kotter, how do we actually plan for it? How do we think about that before we launch into whatever change project we’re going to take on? And I think that’s one thing we’ve seen a lot are there are toolkits and models out there to help support that, that folks don’t have to do this work alone or without some forethought about how to approach it in their culture.

Rebecca:: And that that culture can change over time.

Jennifer:: Oh yes,

Rebecca:: The organization 20 years ago is not this organization today.

Jennifer:: Well, and it’s also that, with the change project, if it’s organizational culture that you’re trying to change, I would work a lot with community colleges and their desire to change some of their structures to better support student, not just access, but student success and retention, moving students and really understanding what their needs are to move forward in their community college structure, that’s big change, and that has a lot of moving factors involved in it, and a lot of contextual factors involved, and sometimes takes a long time. And so it is, I think, ultimately trying to move the culture towards this culture of student success that it’s going to change the culture with the change project. But yes, the institutions of 20 years ago are not where we are today, and our students aren’t the same. So some of this change is important because students change, and we need to be understanding of what the environment is and what is surrounding them and what we’re dealing with today versus 20 or 30 years ago.

Kim: If I could just add one comment to this on a very practical level, because the change projects that Jen and I are involved in, we sit at system office and oftentimes where this is about change that has to happen at the campus level. And to your point,

Rebecca:, about how different every campus is in the culture and the context of every campus is different. One of the strategies that has worked, well, I think, in our projects, is that we have a lead person at the campus, a champion, somebody who is kind of a liaison to us to be able to talk about and communicate what the current context and culture is of the campus. What are their current pain points? What are they trying to do? How can they leverage what we’re trying to do to accomplish their own changes? And so, having that structure of a champion in the organization who can be the conduit to those of us who are leading the wider scale change has been really, really helpful to making sure that that local context and culture can be accounted for. The other benefit, and Jen talked about this, is it creates a community of all of those campus leads who can support and help each other. And that structure and that approach works for us at the system level with campuses. But if you’re on a campus level and you’re trying to affect a change across all the faculty, you have different colleges, you have different departments, so you could think about applying that structure at the campus level, or whatever organizational level, the change is occurring. And I think that bringing people together, to go back to Kotter a little bit, it’s about creating that guiding coalition and then enlisting the volunteer army. So those are some of the really key ways that you account for the different context and culture of individual campuses.

Rebecca:: One of the things that you brought up earlier, and I think might be helpful for folks is to dig a little bit into the role of shared governance, which sometimes I think it’s there, but sometimes folks don’t fully know how to use that lever. You kind of hinted at the role of shared governance throughout the entire eight steps, that shared governance is actually involved in all eight steps, but, could you talk through that a little bit?

Kim: Sure. Yeah. So for me, and this is kind of a lesson that you learn over time, that’s part of SUNY’s culture is shared governance is very strong and very highly valued. And so when I’m thinking about a change project, one of the first questions is, where and how do I engage them? And it’s usually early, and it’s always often. So for us at the system level, we have the presidents of the University Faculty Senate and the President of the Faculty Council of Community Colleges. And so there’s two groups, and those presidents are very involved. So whatever the initial group or committee is that is thinking about the change or articulating the vision, we engage them in helping to create that. I’m going back to my eight steps as we are creating that sense of urgency. Does it resonate with them? What are their perspectives on that? As we’re forming the guiding coalition, they’re part of it. Always ask for a rep from both groups to be on our core team, committee, governance structure, whatever we’re forming. I always want them to be involved in it. As we’re creating the vision for change, they are able to weigh in on that and to provide the perspective of how’s this going to resonate with faculty. A lot of times when we’re talking about the work that we do, there’s this question of, what is individual faculty call versus what is an institution’s decision versus what can we decide at the system level? Those are very different, and so they provide good perspectives on that that help us throughout the stage. They’re a big part of communicating the vision. They’re a big part of bringing in others to act on that vision, creating that volunteer army. When we have wins to celebrate, I’m always sending them things, saying, “Can you send this out to your constituents?” And so that word is getting out. They invite me to their plenaries. So whenever I go to their plenary sessions, and I think Jen goes to some of them as well, we get to talk about what we’re doing, so that all the delegates here, and so they’re just a part of it all throughout because it is such a strong part of the ethos of what we do here in SUNY. And if we didn’t engage them, they would be kind of out there on the side, always wondering, questioning, challenging, and rightfully so, in my opinion.

Jennifer:: I would just add that on the campus level, I think you both probably know even better than we do about the need for the different voices involved in shared governance for projects that are going to really impact big groups of people on a campus, and how do you bring them into the process and make sure that there’s appropriate places. And some of the research I’ve done, not just here in New York State, but in other parts of the country, a really big piece of what matters in this particularly organizational change is communication, of course, we’ve talked about, but in reflection on the process, but engaging the right stakeholders. And that’s a shared governance piece, because it’s often faculty, but also in our environments, in New York, it’s collective bargaining units and other things. So your governance is a bigger group, often than just faculty’s voice, but an important thing that I think leaders who are undertaking this kind of work really need to make sure fit into whatever change model, like Kim said, whether it’s Kotter or Kezar’s Change Toolkit, or whatever model of change you’re looking at, because that’s part of the engaging stakeholders and the shared leadership of a change project that’s going to be more successful than just a small group of people making decisions, and that happens often, unfortunately. But I think the idea is, the more engagement and understanding people have of different shared leadership, the more that they’ll use that as part of a change project that’s affecting the whole campus, in some cases, or if it’s a department, it affects all the people in that department, or a division, or a college. So I think it’s an intentional thing that needs to be done, both at the campus level and the system level, to make sure shared governance is a part of the process, and sometimes that really works well. And we see those projects where that’s working really well, and then we see the projects that it isn’t working well, and sometimes we step in and say, “Have you thought about engaging in shared governance processes? Have you followed [LAUGHTER] your shared governance processes on the campus?” So you often, sometimes have to stop, reflect, and see if that’s actually happening. But it’s a great point, because I think the most successful projects in higher ed have that really embedded intention of shared governance. There’s no single one way to do all of this. Each campus is going to approach it a little different, but there are tools out there to support change leadership for colleges and system folks in higher education. So we’re also looking to make sure that we bring some of that to the table. And many of these are free resources or books that are available. And I think that’s important, because I think sometimes we launch into change projects, there’s a timeliness or an urgency sometimes, and yeah, as urgent as something might be and important to student success or student retention or the institution’s well being, some planning that goes into it often saves a lot of challenges or resistance or barriers as you move through the process. With like any project, with a little planning, you can sort of overcome some of those things before they become issues. So I think this understanding and knowledge and bringing this to higher education is really important. But there’s not one way to do all this work, and that’s what makes it so challenging and complex, is there are multiple models. There are multiple ways in which context is going to matter to institutions and systems. But the more simple we can make it, and the more easy it is for people to identify what this is, that really will help, I think, overall, mitigate some of the issues with the needed change that has to happen with our institutions for our students.

Kim: I’ll just add that this is something you can learn. One of the reasons that Jen and I started the course that we’re teaching is because it is something that you can learn. It’s something that we’ve learned. And so to be able to provide the opportunity for people who want to learn and understand what can we do to help improve the effectiveness of change initiatives is something that you can learn. A lot of it is intuitive, but some of it is just codifying what you think of as good, intuitive practices and following a process and a methodology and to the tools that Jen mentioned, we end our course with providing folks with a template to outline what you would do in a change plan following Kotter’s eight steps, and so to be able to take what they’ve learned throughout the course and outline a project that they want to do, or are thinking about, or maybe have done, and say, “What would that look like if we ran through Kotter’s eight steps?” It’s just a real easy tool that they can use to apply that, when they finish the course, they feel like they’ve got a language, they’ve got some tools, they’ve got a network of people that they can reach out to. And so that’s really what our goal is in teaching the course is to help more people to be able to do this.

Rebecca:: It really seems like the key features are some intentionality, some structure, some interaction, some collaboration, and not a lot of just reporting out. The interactive component seems really important.

Jennifer:: And I think that your outline there is very succinct, and I think it’s excellent, but within that, there’s so much embedded for organizations. So I think we are really trying to support people and understanding that sometimes just thinking those things through a little bit ahead of time is going to save a lot of time for a project that needs to get done fairly quickly, because many change projects are time sensitive. Although the organizational change projects, often the research tells us, takes a really long time, but the idea is that we need to do things quickly. And I think sometimes that can be really problematic. And if we just take the list that you just had and just kind of say, “Okay, let’s look at these things ahead of time, it saves a lot of issues, because both Kotter and Kezar talk about 70% of change projects fail. So people are launching into change projects trying to get them done, and the intent that they had is not happening. So we have to think about a little bit of a better way to support, through research and through practice, the things that do work and that can work in an organization, in college.

John: We always end with the question: “What’s next?” …which is certainly an important question to ask involving change management.

Jennifer:: So as we mentioned, we have a course currently through the Center for Professional Development here at SUNY, and we are actually just in the process of extending that to a second course to create a leading change in higher education certificate through the Center for Professional Development for faculty and staff. We have faculty and staff within our SUNY system, but we’ve had folks from outside the state come and take the course, which has been really great, because leading change in higher education isn’t just a thing that we’re doing here. That’s a national effort, and there’s many national organizations that have taken on some of this work, so we really wanted to be able to support the work that’s going on in our state, but also really bring these principles wherever we can to support higher education change efforts. So that’s what’s next for us, and we look to, in the future, to be able to support the leadership work in that way. Kim, did you want to add anything to that?

Kim: Yeah, so another part of what’s next has to do with our community of practice. So we formed a community of practice across SUNY for Change Leadership, which started out to support the implementation of the SUNY Digital Learning Environment (the DLE), which was our Brightspace implementation and required a significant amount of change at the campus level. So we created this community because, back to where the change really needs to happen, we wanted to empower campus leaders to not see it as something that was being done to them, but instead try to empower them to take a more proactive role in leading the change so they could accomplish their own objectives for their campus. And so based on the success of that, we’ve expanded that out to anyone at the campus level who is leading change initiatives, and we’ve brought in someone to facilitate that community of practice. And starting with this fall, there have been regular monthly webinars. And what we’re looking to for the next academic year is more campuses sharing, because now the Community of Practice has grown, and so rather than us leading the discussions and facilitating those, more campus leadership, campus engagement to share what’s happening at the campus level and to hope to continue to grow that and expand it as we try to do what we initially set out to do, which is build the capacity for change leadership at the campus level at SUNY.

John: Well, thank you. This was a really interesting discussion, and I think it’s an area where many people need to work on their skills in doing this if we are to adapt to this rapidly changing environment.

Rebecca:: Yeah, thanks for joining us.

Jennifer:: Thank you.

Kim: Thanks for having us. This was a lot of fun.

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John: If you’ve enjoyed this podcast, please subscribe and leave a review on iTunes or your favorite podcast service. To continue the conversation, join us on our Tea for Teaching Facebook page.

Rebecca:: You can find show notes, transcripts and other materials on teaforteaching.com. Music by Michael Gary Brewer.

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356. Teaching Creativity

When thinking about creativity, many students (and faculty) believe that they are either creative or not. In this episode, Susan Keller-Mathers joins us to discuss how the study of creativity can help us get past this false dichotomy in order to develop our creative thinking skills. Sue is an Associate Professor at the Center for Applied Imagination at Buffalo State University.  She teaches graduate courses in creativity and has published over 30 articles, chapters, and books on creativity, creative behavior, and the use of deliberate methods to facilitate creative learning. Sue has worked with multiple departments on her campus and with colleagues in over a dozen countries to help infuse creative learning into teaching and learning practices.

Show Notes

Transcript

John: When thinking about creativity, many students (and faculty) believe that they are either creative or not. In this episode, we discuss how the study of creativity can help us get past this false dichotomy in order to develop our creative thinking skills.

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John: Thanks for joining us for Tea for Teaching, an informal discussion of innovative and effective practices in teaching and learning.

Rebecca: This podcast series is hosted by John Kane , an economist….

John: ….and Rebecca Mushtare, a graphic designer….

Rebecca: ….and features guests doing important research and advocacy work to make higher education more inclusive and supportive of all learners.

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John: Our guest today is Susan Keller-Mathers. She is an Associate Professor at the Center for Applied Imagination at Buffalo State University. Sue teaches graduate courses in creativity and has published over 30 articles, chapters, and books on creativity, creative behavior, and the use of deliberate methods to facilitate creative learning. She has worked with multiple departments on her campus and with colleagues in over a dozen countries to help infuse creative learning into teaching and learning practices. Welcome, Sue.

Sue: Thank you. It’s a pleasure to be here.

Rebecca: We’re glad to have you. Today’s teas are:… Sue, are you drinking any tea today?

Sue: I am, as a matter of fact, I have a blended tea, oolong, jasmine, and green tea, and it’s delicious.

Rebecca: That sounds lovely.

John: Very nice. Because this is the first time I’m recording in our recording space in about two and a half months. I wasn’t sure if I had the tea kettle back here, and it turns out I didn’t. So I bought some iced tea, which I will be drinking today. So I have some peach iced tea. It’s still summer here.

Rebecca: Yeah, that’s good. I have a Hunan noir today.

John: Very good.

Sue: Wow. That one sounds interesting.

Rebecca: It’s a really nice black tea, but the leaves are dried and curled. It’s very fancy. I felt fancy this morning. [LAUGHTER]

John: Could you tell us more about the Center for Applied Imagination and the Creativity and Change Leadership department at Buffalo State University? I don’t think there’s too many such programs in the country, and it was really nice to learn a little bit more about this.

Sue: Yeah, there isn’t many, especially in higher education academic programs, because we are a distinct program. We are not part of any other discipline. We are in the discipline of creativity. So in 1949 some creative thinking courses were introduced at the University of Buffalo by Alex Osborne, who was an advertising agent in BBD and O, and wanted to bring more creativity to education. So it developed from there. And in 67 we started our first graduate courses. Of course, we have a Masters of Science in Creativity and Change Leadership, as well as certificates and undergraduate minors in creativity. So we study the discipline of creativity. There’s been some other programs in creativity, but I have to always look close. We divide them up between those that have the word creative or creativity, but really don’t focus on the discipline, and those that actually have the content of creativity. So we are the first and part of those foundational programs.

Rebecca: Can you talk a little bit about who might benefit in studying Creativity and Change Leadership, and what folks who study that end up doing.

Sue: Yeah, I love that question, actually. When you’re on a plane and somebody says, “What do you do?” if I want a long conversation, I’ll tell them that I teach in a master’s of science and Creativity and Change Leadership. If I want a short one, I’ll try and get away with saying I’m a teacher, because people understand that [LAUGHTER] and hope that they don’t say more. So part of it is how people perceive creativity. And there are disciplines where teachers, for example, K through higher ed, adult learning, will say, “Yeah, I want my students to be creative.” Well, we want you to be creative too, so you first. So that’s an easy one. So we have some teachers, then designers, people in the arts. Well, this is a Masters of Science, not in the arts, however, we do have artists that come, particularly designers who are interested in the science of creativity to add to their professional work. So we say to people: “Do you want to enhance your professional practices? Do you want to go beyond where you are now, learn new skills, being able to put into practice new thinking?” So engineering law, we have clergy, coaches, artists. I even had a course this summer where I had seven dietitians, and I’m like, “Why are you in this course on creative teaching and learning?” They said “We have to communicate to our clients, and we have to problem solve.” …Business, armed forces… actually, I’ve had Marines and special forces, government officials, medical personnel, doctors, psychiatrists, you name it. So the whole idea is, do you want to enhance your professional and your personal self through the development of your creative potential?

John: In preschools and in early elementary education, there’s a lot of focus on giving students creative expression in various forms, but that seems to die out a lot by the time students reach middle school and move into high school, and in fact, it sometimes seems to be a little bit suppressed. Should there be more emphasis on creativity throughout the educational system?

Sue: Well, obviously the short answer is yes, and interesting, because I come from a background of elementary education and gifted education. In the schools and working with young children, you develop those practices. Well, we use those same practices at the university level, because what do we want to do with our pedagogy? We want to have students learn in a way that ignites their motivation, that takes them to think deeper. That’s what creativity is about. So for example, some of the skills like sensing gaps and tolerating ambiguity, and all the skills that are involved in problem solving, who doesn’t need that, right? So it really does belong in all disciplines. Some disciplines are harder to help understand, like I’ve worked with engineers, it’s not my area. My brother’s an engineer. They think different. So can we bring creativity to engineering? Well, of course. If you think of any professional practices, if you think of those people who are top in their field, they’ve brought innovation, they’ve brought change to their field. And so I think that part of helping people understand that it’s important in their discipline is understanding the characteristics, the practices, the processes, the skills people have who do the extraordinary things in their discipline, and then say, what does that mean for us for every day? How might we promote that?

Rebecca: A lot of students say things like, “I’m not a math person. I’m not a creative person.” [LAUGHTER] A lot of faculty and staff say that too.[LAUGHTER]

Sue: A lot.

Rebecca: Yeah. How do we encourage students and our colleagues to get past this sort of a fixed mindset in terms of creativity?

Sue: Well, just a short story. I think the hardest group to work with is my faculty, but we have such a reputation on this campus and a reputation internationally that people go, “I’m not sure what they do, but they’re really good.” [LAUGHTER] And so there’s the start. Pique the interest, right? We want a growth mindset. Let me give you another example. The “I’m not good at math” is interesting because one of the founders of our program, Ruth Noller, was the second woman computer programmer in the country. She worked on the Mark I sequence control calculator at Harvard during World War Two as part of the Navy WAVES. So when people say to me, “Well, I’m a math person, not a creativity person,” I’ll say, “Well, let me tell you about creativity people in math,” but the whole idea that “I’m not creative” is something that we start with in every course and every time that we do a workshop for anyone, because if you’re not open to it, you will not promote your creativity. So, for example, people will say the creative people are those who I put on a platform, they’re the highest, the rest of us, we don’t have creativity. It’s something magical. I don’t know, poof, how they do it. But when we study people in our field, and we begin to see how the struggles they had, first of all, and the way that they’re creative, then we begin to understand a bit more how we might be alike. And we always start with in classes, “How are you creative?” Not “Are you creative?” So once we shift that mindset to a growth mindset and ask the question, “how are you creative?” And then we introduce them to this content of creativity, which we could put simply into a framework. We have lots of frameworks, but let’s put in a framework of creativity and people, creative processes, creative environment, how we set the environment up for any learning experience and then products. So there’s a lot that we do with regard to helping people’s attitude toward knowledge, imagination and evaluation. And so what I just shared with you is Ruth Noller, who, again, was the second woman computer programmer, fell in love with the field of creativity. She was challenged to write a definition of creativity in a mathematical formula. So she said, “Creativity is knowledge, imagination, and evaluation with a subscript of attitude.” And so that helps bust some myths, because now we’re saying knowledge is essential, evaluation is essential, imagination is essential, and that’s what makes up creativity.

John: So based on what you’ve said, it seems like creativity is pretty much important everywhere. Are there any academic disciplines where the development of creativity is not important?

Sue: The short answer, again is no. However, there are disciplines that many people don’t recognize what creativity looks like in their discipline. For instance, I don’t want my bank teller to be creative when they’re giving me my money back. I want precision, accuracy, redundancy. I want all those things. But is there room for creativity in banking? First of all, people would say, “Oh, I know what you’re saying, you know? Yeah, those people are in jail,” like there are ethical and unethical uses of creativity. And if we want to flourish as an economy, especially economists, if you think of economists, there’s a lot of room for creativity there and in all disciplines, but there’s a story I want to tell you. My doctoral dissertation was a qualitative study of extraordinary women of creative accomplishment, so I sent out and asked for nominations from top people in the field. And I had a nomination of a woman who was a historian, who the nominator felt that this person was very creative, and she declined my invitation because she said, as a historian, she didn’t want to be seen as creative. So you can see that what’s going on there is she’s afraid of her credibility, because people will equate creativity with making things up. Where, if we were to unpack that for historians… and I love history, by the way… when I teach the history of creativity, what am I doing? I am bringing the most accurate information in a way that tells a story, that helps people understand it better. So from a pedagogical standpoint, I’m looking at delivering that information in a way that helps people not only grasp it, but get excited about it. And so that was, I think, a good example that I don’t want to bring creativity into my profession. Again to unpack that, where do we need the knowledge? How do we bring imagination in, and how do we use our evaluation effectively?

Rebecca: And that’s not to say that there isn’t room for imagination or any of those things, in maybe the ways that we represent or tell the story of history. [LAUGHTER]

Sue: Yeah. I mean, really, who are the great historians? Not only did they discover, they sensed gaps, they saw things that we didn’t know, and they were able to seek it out. And so not only the storytelling, but the actual acquisition of our history and our story as people.

Rebecca: Yeah, thinking about some of the best exhibits that I’ve seen in museums, that historians are highly involved in the development of some of those exhibitions, but the ways that those are delivered or told or developed to be interactive are highly creative and highly interesting.

Sue: Yeah, and if you think about it now, it’s not the lone historian sitting there and then the designer putting things together. It’s collaboration, and that’s what we teach in creativity, especially because we have a whole strand in creative problem solving, creative process, and so teaming and coming up with ideas or reforming problems or putting things to action and working together, and how important that is. So one of the outcomes in my master’s project was an impact study, and I looked at the impact of a course on creative problem solving. People felt more empowered. They felt they could solve problems better. They were utilizing techniques to get ideas better and to evaluate ideas and to put them into action. So those things are just really important in all areas.

John: As Rebecca was suggesting, if you wanted to describe history, you have to do it in a way that makes sense to people, and you have to make connections, otherwise you just have a series of unrelated facts. And the connections that are being made is really, I think, that form of creative expression there. Is that how you would interpret that?

Sue: Absolutely. And what we teach is specific skills, for example. So the skill you’re describing is based on the research of E. Paul Torrance, 50 year longitudinal study. Put it into context. If you think about the importance of context, that is a creativity skill.

John: And it’s one that I think is common to pretty much all disciplines. They have to make sense of a complex world by simplifying it into stories that are understandable by others, which involves that skill.

Sue: Absolutely.

Rebecca: Which is a nice segue to our next question. [LAUGHTER] What are some of your favorite classroom activities for fostering the development of creativity?

Sue: Oh, I have so many. Well, let me go back to the history first, and that is, I teach a course on pretty much the foundations of the field, and the scholars, the models, the theories. And what people find is that what people were talking about in the 50s and the 60s and the research that was happening, we’re still talking about today. They’re still very current in their thinking, and they’re always surprised. So we put the whole field of creativity into a timeline. And when I do it in person, we do a visual, and the whole room is set up pre-40s, the 50s, the 60s, 70s, and we walk it and we talk it and there’s color, but the skill we use is “put it into context.” What was happening in the 1950s? What was the result of Sputnik, and how did creativity then flourish, the field of creativity? Scientific creativity, there was lots of money being poured into it after Sputnik, because we felt we were losing the space race. And so therefore the field of creativity, a lot of research, a lot of scholars, came about. So we put the whole thing into context. And it’s a lot of fun. It’s a lot of fun to do that course. And the other thing with that course, I’ll stay with that one for a minute, and I do this in many ways, but I have a model based on E. Paul Torrance’s work called the Torrance Incubation Model. And like any good teaching model, there’s a warming up, there’s a digging deeper, and there’s an extending or something that happens to connect it to your learning. And what’s powerful about this is the strategies embedded in the heightening anticipation or the pre- at the beginning, and the deepening expectation strategies and the extending the learning strategies, which alone is powerful. However, the big piece about this is, this is a creativity model. It weaves a piece of creativity into the learning. So for the course that I teach, the foundations, visualizing it rich and colorfully is woven into the entire course. And so I’m teaching for creativity while I’m teaching a content. Now my content happens to be creativity, but I can teach anything, and when I work with other educators to give me an instructional plan that you do in your Business 101 class, it’s pretty good, but you feel like it could be improved. And let’s redesign it using this model called TIM. And let’s integrate a creativity skill so that we’re teaching for creativity while we’re teaching for content. Which brings me to the first thing I introduce people to, and that, again, is built on E. Paul Torrance’s longitudinal research, what’s helped individuals grow up to actualize their creative potential. And he introduced 18 creativity skills based on his research, and it’s quite extensive research that Torrance had done. My colleague, Cyndi Burnett, creativity and education, modernized it and used many of his skills and brought some of those that are more recent in the field and being talked about more… mindfulness, for example. And she put together a set of 20 skills that help define the skill set that we can build because we can become more creative. We can either draw it out more, or we can learn it, however you want to look at it. And so one of the activities I do in the creative teaching and learning course, which is an elective in our masters, is I do 20 skills in 20 days. So they have a journal, and their job is, first thing in the morning on Brightspace, they get an announcement: today is tolerate ambiguity, gives a definition, it gives a link to Cyndi’s website, where there’s videos, and they’re also reading her weaving book, and so there’s no expectations as to what you do with it. Keep it top of mind. Maybe use it yourself. Maybe share it with others. And it’s very interesting to see what they come back with and which skills, no matter which skills they find that they are drawn to more. The idea is they now have a set of 20 skills that they understand help promote creativity and that they can utilize. And so that one has been very successful. I’m very happy with that activity as well.

Rebecca: If instructors would like to learn more about introducing creative skills into their classes, what are some resources in addition to the book that you just mentioned, would be helpful?

Sue: There’s a lot out there now. I love all the videos that are out. Our YouTube channel has alumni profiles and videos. I’ve been working on bringing forward some of the history of Ruth Noller, because I didn’t feel like she was prominent out there, and so I’ve done some videos about her mentoring work. She, for example, talked about a mentee before anyone was using that word. And so now we have these foundations and 12 skills of mentoring, which really helps promote creativity. I’ve done a video on that as well. My colleague, Roger Firestein, another person I’ve taught with, has done a lot. We talk a lot, my colleagues and I talk a lot. And I say, “Give me free stuff. Will you put free stuff up?” Because I don’t want them to have to buy expensive books. So he has a Create in a Flash, which teaches people about creative problem solving, and he’s put videos up for free. He put worksheets up for free. And I’m like, “Thank you,” because then I can head people to things like that. Now my colleague Gerard Puccio has a great course on creativity. So for those people who like the great course. But you can find a lot of things out there, Prufrock Press had some good creativity books as well. They’re still around, but they’re under another publisher. So they often have some good stuff. And what I need to tell higher ed people is, if you find something for younger grades, don’t dismiss it. Take a look at it, because I think that we need to bring that joy into the higher ed classroom, and that doesn’t mean being silly. You have to go with what’s comfortable for you, but if you are going to bring it to your classroom, you’re going to need to model it. So you got to figure out what it means to you and how you operate, and then bring that motivation and joy to your classroom. Who wants to be a dull classroom? We don’t remember things. They might be able to take the test and pass it, but meet them on the street three years later and ask them one of those questions. [LAUGHTER]

Rebecca: Are you suggesting we should have fun? [LAUGHTER]

Sue: I know, I know. It’s silly, isn’t it? And I try hard, try warm ups, I try to put the content into interesting ways to do it, like for our current issues and creativity, my colleagues… and I’ve taught the course as well… but they developed big question paper. You know, what’s your burning question? What is it? So one of the topics that’s really coming forward is polarity, and so creativity and polarities and what does that mean? Or design thinking. How does that relate to some of the foundational processes? So if we can get our students involved in things that are meaningful for them, and they make connections to their future. And my students, like I said, come from all disciplines, and my background is education and my doctorates in curriculum and instruction, I have a psychologist. I had a performer, a dancer who became interested in creativity. I had an architect who’s one of our faculty members. So it’s been inspiring to be with people in all different disciplines who are devoted to understanding and use of creative behavior.

Rebecca: You know, a lot of our listeners, and John and I, go to a lot of meetings. How do we sneak more creativity into these places that we go to all the time. Please help.

Sue: Oh, I love the idea of meetings. Oh, when I used to be in the elementary ed just, just awful. When you’re in a school system, you have to sit there and …… nothing happened, it’s just you’re there. So it’s different here, and I’ll tell you why it’s different, because we frame everything in creative process, and we figure out what’s most important and how to do it. And so we do it. When we need conversations, we have conversations, but they’re managed, they’re facilitated. We are all facilitators. So first of all, how many meetings do we need? Can we do less than we do? Yes, of course, and we can do less if they’re more productive. So we did some vision setting for the university. The session was just to get ideas from faculty. That’s all it was. Was just an idea generating. And so we had our facilitators come. So there’s 150 people in the room, and it’s a framework. It’s described. They do it, they make some decisions, and I could hear people as they leave saying, “Some of the most productive meetings I’ve been to in a long time.” I’m like, “That’s what we do. That’s what we do.” And along those lines, in the field of creativity, I can go out and say, “Listen, I can bring facilitators, and we can facilitate your meeting,” and they’ll go, “Okay, great. Alright.” They have no idea what that means. It’s often not till they see it that they go, “Why weren’t we doing this?” And so a little bit at a time is what I would say to people. Bring a facilitator in if you can, but even if you can’t learn a bit about the facilitation of creative problem solving and know when to identify concerns, lots of times you go right to ideas. Well, I got this idea. I got this… Well, wait a minute, we haven’t even defined the concern yet. We don’t even know what the challenge is. And who was it, Einstein, who said a problem well stated is half solved. So stop trying to solve a problem when you don’t even know what the problem is. And so some of the pre-work before a meeting doesn’t need to be at the meeting, is another thing to consider. So I don’t mind our meetings anymore. 32 years in public education, and I’ve been here for a very long time, and we come to meetings, I won’t say joyful, but a lot of times we have cake, that helps.

Rebecca: Cake always helps.

Sue: …but we’re productive. Well, it’s part of that celebration, let’s celebrate that we are productive, that we work together, that it’s the beginning of the semester, that we like our colleagues.

John: Anything that could make meetings more productive and joyful, I think is worth exploring.

Rebecca: Any gathering.

John: …including our classes.

Rebecca: Yeah.

John: We’ve talked quite a bit about creativity. How did you become interested in this topic?

Sue: Well, I was trained here in Buffalo as an elementary educator, and I was hired by the New Orleans public schools. I was working in a creative arts magnet school in the French Quarter. Loved it. So, dabbling in different universities, looking for a master’s. I was at Tulane University taking the course in gifted ed, and we were sent to Baton Rouge to a conference. And the keynote speaker was Don Treffinger from Buffalo, and he talked about creativity, that was his field. And I went, instantly, you know how the aha happens? I’m like, “This is what I need to bring to students. This is the missing piece. This is what I want a master’s in.” So I eventually picked up, came back to Buffalo for a master’s in creativity, went back into the schools, and for a while, I was teaching creativity and creative problem solving to K to 6 and teaching university students, which was the best. And it was exhausting. [LAUGHTER] It was exhausting. So there’s nothing like bringing fourth grade facilitators into a class where they explain to the undergraduates how they facilitated first graders. Then after that, the undergraduates cannot whine about not being ready.

Rebecca: That’s amazing.

Sue: Well, it was one of my friends that asked me, she was teaching the class. She said, “They’re all complaining they’re not ready. They can’t do it.” I said, you know, I’ve got fourth graders that are really articulate, and they were part of a research project we did to show that kids as young as five can solve problems using creative problem solving. So I brought the two of them in. They’re like, “Well, first we did this, and then….” it was just priceless. Sometimes you have just this essence of something that makes things so clear. And I’m kind of lazy, I don’t capture them often, because I’ll remember them… and you don’t. So a tip for everyone is to make sure that you capture the essence of those qualities or those stories that just really help define something well.

Rebecca: Well, that sounds like such a priceless moment.

Sue: It was great. And I see those kids every once in a while, and that was, I can’t tell you how many years ago. I mean, they’re in their 30s, and they don’t forget. And here’s another thing, and I didn’t mention this, but I used to teach undergraduates. I’ve been doing graduate courses for the last 10 or 15 years, but when I taught undergraduates, our first course, we asked people to invent something. Now, after doing it for a couple years, you see the look on their face the first day. They’re reading the syllabus, and I say to them, “Do not drop this class because of the invention. You will be able to do it. I will help you.” So we teach them through creative process how to sense the gaps, find the need and then create something. And the most interesting thing happened to me years later in an ice cream shop, this woman’s behind me, she goes, “Do you remember me? I invented the…” it’s like that helped define that I am creative. And that’s happened more than once to me, is they’ll say, “Do you remember I invented the …” and I was always curious about that. But for some reason, just I guess, we think of inventors as being creative, and when we think of ourselves as an inventor, then we think of ourselves as creative.

Rebecca: That’s incredible. My daughter is attending a STEAM camp this summer, and they’re doing all kinds of creative thinking activities, and every day she’s coming home telling me about the inventions or the experiments that she’s been conducting in very elaborate one-hour debriefs. [LAUGHTER]

Sue: Isn’t that funny when they come back? And I love that it’s STEAM, because that’s what it should be. There’s a wonderful video The Adaptable Mind that talks about STEAM, and it’s just an amazing video about problem solving around the Ebola crisis. The other thing I would recommend to people and I just was thinking about it, it’s a classic that always is entertaining and thought provoking is Ken Robinson’s, Do Schools Kill Creativity? And whether you’re in higher ed or K-12, I think it’s very relevant to thinking about the importance of creativity in education.

John: Well, this has been a fascinating conversation. Thank you. We always end, though with the question: “What’s next?”

Sue: [LAUGHTER] What’s next? Well, I always have my hands in a lot of pots, because that’s what we like to do. And I had mentioned that I’ve been working on really bringing forward the work of Ruth Noller and the incredible career she had, but we have an innovation suite that is being designed, and so we’ll have a mentoring space, which will be really cool. Also at SUNY, you may or may not know this, under review at SUNY is a doctorate in professional practices in Creativity and Change Leadership. So we would be the first doctorate at Buffalo State University going forward. So we’re pretty excited about that as well. And I want to share this… one of my colleagues, Molly Hollinger, just had her article on creativity and wellbeing, “Measuring Self-Beliefs of Creativity and Well-Being” published in the Creativity and Thinking Skills Journal. And she started off with a quote from Csikszentmihalyi, who is one of the leaders in the field, and I think it speaks to creative potential and fulfillment. We all want to be fulfilled. Well, if you begin to equate recognizing and nurturing your creative potential with being more fulfilled as a person and more wellbeing, I think that that would resonate with people and Csikszentmihaly says, “The reason creativity is so fascinating is that when we are involved in it, we feel we are living more fully than during the rest of life.” And I thought that was just a great quote, because that’s what it’s about, right?

Rebecca: It’s good note to end on for sure. Well, thanks for such a fun conversation. Sue. We appreciate you joining us today.

Sue: I love it. I love it. I talk about creativity all day. [LAUGHTER]

Rebecca: So could I. [LAUGHTER]

Sue: Yeah. Yeah. Good. Good. [LAUGHTER]

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John: If you’ve enjoyed this podcast, please subscribe and leave a review on iTunes or your favorite podcast service. To continue the conversation, join us on our Tea for Teaching Facebook page.

Rebecca: You can find show notes, transcripts and other materials on teaforteaching.com. Music by Michael Gary Brewer.

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350. Nudging, not Judging

During the pandemic, faculty participation in professional development activities expanded dramatically. Faculty involvement, though, has been gradually returning to pre-pandemic levels. In this episode, Sarah Rose Cavanagh joins us to discuss strategies for bringing more faculty into discussions of teaching and learning.

Sarah is a psychologist and the author of four books related to teaching and learning. She is the senior associate director for teaching and learning and associate professor of practice at Simmons University and also is a regular contributor to the Chronicle and many other publications. Sarah often serves as a keynote speaker and we were very fortunate to have Sarah join us for a keynote address at our Academic Affairs Retreat in Oswego last August.

Show Notes

Transcript

John: During the pandemic, faculty participation in professional development activities expanded dramatically. Faculty involvement, though, has been gradually returning to pre-pandemic levels. In this episode, we explore strategies for bringing more faculty into discussions of teaching and learning.

[MUSIC]

John: Thanks for joining us for Tea for Teaching, an informal discussion of innovative and effective practices in teaching and learning.

Rebecca: This podcast series is hosted by John Kane, an economist…

John: …and Rebecca Mushtare, a graphic designer…

Rebecca: …and features guests doing important research and advocacy work to make higher education more inclusive and supportive of all learners.

[MUSIC]

John: Our guest today is Sarah Rose Cavanagh. Sarah is a psychologist and the author of four books related to teaching and learning. She is the senior associate director for teaching and learning and associate professor of practice at Simmons University and also is a regular contributor to the Chronicle and many other publications. Sarah often serves as a keynote speaker and we were very fortunate to have Sarah join us for a keynote address at our Academic Affairs Retreat. Welcome back, Sarah.

Sarah: Thanks for having me.

Rebecca: Today’s teas are:… Sarah, are you drinking tea,

Sarah: I thought about trying to blow your mind and saying I’m drinking some Bergamot green thing. But no, I just finished my last coffee for the day. And now I’m on to water. [LAUGHTER]

Rebecca: You’re so consistent.

John: My tea today is a black raspberry green tea.

Rebecca: And I have an Awake tea, which clearly I need. [LAUGHTER]

John: We’ve invited you here today to discuss your May 7, 2024 article in The Chronicle, entitled, “After a Tough Year for Classroom Innovation, It’s Time for a Reset.” And I think this is something that’s going to resonate with a lot of educational developers and many faculty. You begin the article by noting that there was a sudden increase in attention to student-centered teaching in response to the pandemic, but has that shift been as persistent as many of us might have hoped?

Sarah: Oh, I think yes and no. I think that a lot of people started focusing more on their teaching. In those pandemic years, we all saw in our teaching and learning centers, higher attendance at events and a lot of engagement, both in these larger events, and then faculty coming to us for consultations. And one hopes, as educators, that learning doesn’t just go poof, that the effect of all of that attendance and thinking and consulting is still impacting people in their classrooms. But I think that there definitely has been a trend on my own campus, and most campuses that I talk to, about declines in attendance at those same sorts of workshops and talks and consultations. And there also, I think, has been a bit of a pendulum shift in some of the topics such as flexible deadlines, where I think we saw a lot of people move in one direction, and then are starting to see a little bit of a shift back. And so hopefully, we still have overall nudged the average over towards student-centered teaching and that hasn’t changed. That’s my hope. But I definitely see a little less intensity and interest lately.

Rebecca: We definitely have seen similar declines in professional development on our campus as well. And sentiments like, “I’m just really tired,” or “I’m done” [LAUGHTER] which you highlighted in your article, and one of our most popular workshops of recent years has been related to burnout. Can you talk a little bit about ways that we can re-engage our faculty or why burnout is such a popular topic? [LAUGHTER]

Sarah: Right? Well, I think that if we’re thinking about kind of a shift away from student- centered teaching, or even a backlash, as we’ll talk about in a little bit, that burnout is one of the many causes of that. I think that faculty are just tired, as you said, and that sentiment of “I’m just done,” like, I’ve heard those words multiple times from multiple different people. And a lot of student-centered teaching, and certainly attending professional development workshops takes time, and there’s just no time. And so there’s the burnout that’s related to the emotions, and the trauma of the pandemic, and just workload being completely ridiculous. But then there’s just also a paucity of time. And I think that part of that is this whole Zoom… we’re here, not on Zoom, but we’re here virtually, and those virtual options open up so many possibilities. But I feel like we took all of our pandemic solutions with the Zoom sessions, and all of that, and we brought them into the future. But then we brought back all the in-person stuff. [LAUGHTER] And so there’s zero time for anyone. And so I think that the burnout is so strong, and that’s why there’s such attention to that. And that is one of the most popular topics right now.

Rebecca: Feeling over scheduled definitely limits the ability to feel creative, or to dream or to think about new things. So if people are used to kind of being in that state, or historically have been in that state, and they’re just feeling like they can’t get to that state. I can imagine that’s why people say they’re done is because it’s hard to come up with new ideas or to put the energy into that kind of thinking.

Sarah: Absolutely. And I think also students are equally, at least equally, burnt out. [LAUGHTER] And so I think another thing that’s happening is faculty put all this time into student-centered teaching, but then it’s not working. They’re not seeing more engagement or better learning. And so you’re investing all this time, but then the students are so burnt out that it doesn’t look like it’s being effective, and that’s frustrating, and I think that that’s also part of the feeling done, like, if you’re just throwing everything you have at bettering your teaching, but then still feeling frustrated by the outcome, then that is demoralizing.

Rebecca: It’s interesting that the way you put it instead of like getting re energized… [LAUGHTER] like, depleted.

John: And we never observe the counterfactual, we don’t see what would have happened, had we not been focusing more on student-centered teaching after some really tough times. So, why do you think faculty are pushing back a bit more against student-centered teaching approaches, because we had a lot of buy-in on that during the early stages of the pandemic, and for a couple of years after that, but we’re seeing a little bit more pushback.

Sarah: Yeah, well, I have a long answer for this one, because I am a psychologist and so I think everything is highly multi-causal. And one major factor is the level of burnout, both on the faculty side and the student side. And so we don’t have to go back to that, but I just want to highlight that I think that that’s part of it, is this burnout, and I love Rebecca’s depiction of like how impossible it is to feel creative and do new things too when you’re feeling exhausted. And so I think that’s a big part of it. On my endless commute yesterday, [LAUGHTER] there was a Red Sox game (I work in the Fenway), I listened to your interview with Josh Eyler, which was excellent, of course, and I think it probably predated the article, but you were talking about just this topic of sort of a backlash, specifically against alternative grading schemes as a student-centered practice. And Josh said, that I thought was very insightful, as everything Josh says is, that he had this analogy of a rubber band, and that there’s just this effect. And I think of it as a pendulum as well, which I already referenced, that there’s just this natural effect when you move in one direction to kind of snap back a little bit. And he saw that as part of the cause of this. And I think that that is true. I think it’s sad, but we love pendulums as human beings. I’m always like let’s just settle into moderation, [LAUGHTER] but we love swinging from one extreme to the other. So I think part of it might just be a regression to the mean sort of effect. But I think there’s a lot of other factors. I think that one is, if you drill down into the recommendations of so many different theoretical approaches to good teaching, you come up with similar recommendations, whether you’re focusing on inclusive teaching or accessible, teaching, engaging teaching, all these things, they all drill down to these recommendations of being warm and welcoming, having a promising tone, seeing students as people, giving them autonomy and giving them choice, all these things. And I think that some faculty feel, after attending several years of the pandemic and all these different intros and frames, but then the same recommendations feel like they got it. [LAUGHTER] And that might be part of it. The final two causes of the backlash are a little more delicate. I think one is the student reactions. And we talked about this a little bit, that students themselves are so burnt out and so faculty aren’t seeing great results when they experiment with student-centered teaching. But I think that there’s also a rise in student incivilities. Beth McMurtrie had a great report in The Chronicle, about a year back on the rise of student incivilities. Another term that people use is reactance, when they’re pushing back against the instructor. I can tell you a brief anecdote. I was on a different campus talking to a faculty member. And she had been using alternative grading practices, it was kind of a standards-based approach where students had multiple attempts at achieving a standard, but they’re passing an assignment and would either be competent or not yet competent. And she was teaching in a male -dominated field. And this student of hers who was male, he got a “not yet competent,” and threw the paper back in her face and said, “You don’t know what you’re doing.” And so I think that that too, when you’re putting all this time and effort into student-centered practices, and then having reactance and incivilities in reaction, that’s also demoralizing. And then finally, just to get myself in trouble, [LAUGHTER] I think that we in the teaching and learning fields, bears some responsibility. I think that especially toward the end of the heyday of teaching and learning years on Twitter, things got a little bit ugly. There was some shaming of faculty pile-ons, and some of the pile-ons were of people engaging in student shaming practices and other things that are ugly on their own. But some of it was also just venting stresses of teaching, and then getting piled on. And I saw this really clearly because I was active on Twitter in the teaching and learning fields. And then because I was more of a research focused faculty for most of my career and all my social contacts in person are more like that, I’ve had all my faculty friends on Facebook, and they would post just some things. They all very care deeply about their teaching and their students, but they would post things and I was like, “Oh my God, if you had posted that on Twitter, [LAUGHTER] you would be dead in the water.” So I think that we, as we talk to each other, and we convince each other, and we get more and more excited about change, and about some innovative practices, that sometimes we get a little out of touch with the majority of faculty who are teaching on the ground, and their constraints and practices.

Rebecca: We spent a lot of time talking about students as humans, but teachers are also human, I think, [LAUGHTER] and I think we need to be, and you’ve mentioned this before, too, is just making sure that we’re treating everybody as humans, and that everybody has constraints, and everybody has different pressures. And in your article, you suggest that the time seems ripe for a complementary revolution, one that recognizes and respects the autonomy and bandwidth of teachers. Can you talk about what this counter revolution might look like?

Sarah: Sure. And this is easy for me to say, because in my position I have no control over budgets, [LAUGHTER] or faculty workloads. But I think that primarily what we need is we need a revolution in how we treat faculty. Faculty have been through the pandemic, I think the coming demographic cliff and all of these things that administrators push for faculty to be more and more responsive to students, more and more student-centered, to take on more and more things. At my last institution, they had us writing letters, personal letters to individual possible students to try to encourage them to put down deposits. All of this emotional labor time, regular labor. And so I think faculty in response need more time and money. And I think we’ve just piled on and increased the workload and increased the workload and expanded the scope of the work exponentially through these pandemic and post-pandemic years. And I think that faculty need course releases, I think they need stipends for some of this work. And I think that we need to put a lot more resources toward our faculty. I think it also means a lot more full-time lines with security as well. And those are going in the opposite direction. I think that the other thing that we need is hands off our classrooms. [LAUGHTER] I think that we need to respect faculty autonomy and faculty choice. And so many of us get into this work, because we want that autonomy, we want that choice. We’re willing to work harder for a lot less money than if we went elsewhere. But it’s because we want to be self determined, and do the things that we want to do. And I think that we need to respect that.

John: One of the things you’re suggesting in the article is that there’s no single approach to student-centered teaching that works for all faculty or for all students. Could you give some examples of approaches that work for some faculty in their context that might not work as well for other faculty, given their context?

Sarah: Absolutely. There’s so many… class size is one, you know, are you teaching 25 students? Are you teaching 750 students? …very different strategies are going to be effective there. Courseload… are you teaching two courses a semester, or you’re teaching five courses a semester, that is going to affect the choices that you can make. Precarity of position… both pre-tenure and post-tenure, but also: Are you full time? Are you contingent? Are you on a semester to semester? Contract… identity, these characteristics of the instructor. We had Chavella Pittman come out and talk to our faculty at Simmons University last semester. She was fabulous. She talked a lot about student incivilities, and how many more faculty of color and other minoritized faculty receive of those student incivilities and what majority faculty can do differently in terms of their policies to help support their minoritized faculty. Your teaching philosophy, I think, is important. And again, autonomy is important. And a little bit your teaching talents. For instance, I’m not funny. [LAUGHTER] Some people are really funny. And that is like being humorous in front of the classroom is a really engaging strategy, but it’s not open to all of us. And some people are gorgeous lectures and actually, lecture might work better in their class than someone who’s not. And there’s just so many contexts, there’s so many constraints that are going to influence this vast buffet of teaching choices.

Rebecca: Sometimes when we’re thinking about offering students choice, that also means there’s an impact on faculty too. And so you’re kind of underscoring a faculty choice and some of the individual faculty needs where they might be balancing other things may have certain kinds of time constraints, physical limitations, there’s all kinds of things that could be at stake. How do we help folks understand the need to balance student needs with also faculty needs, and to make those kinds of decisions?

Sarah: It’s so tricky. I often think of all of teaching as kind of a dance, and there’s an art to it. And there’s a little bit of an intuition to it. I’m mad at myself, because I meant to look this up before this talk, but I will send you a link to something later on. Brian Dewsbury and some other folks put together an inclusive teaching massive online course through HHMI. And I lead faculty through a learning community using it. And they were discussing, and I’ll send you the link and the person’s name after. But it was an approach to teaching that, instead of being learner centered, it’s learning centered. And this balances out this competing tension between faculty needs and student needs, but also between, and I think we’re going to talk a little bit about this in a bit, students to student needs, you know, variations in the needs of students. And instead of centering the learner, centering the learning, and thinking about what is going to be most effective for the goal of this course, which is learning, and what can I do in terms of my teaching choices, and the structure of the course and the types of assessments and things like that, that centers the learning, which is going to center the learner as well, because it’s their learning that will happen. But I liked that subtle shift in how we think about this. And I think that might be one approach to approaching this dance with balance.

John: And that brings me back to when I first started working at the teaching center. The year before that an advisory committee put together a draft statement of the purpose of the teaching center, and they went with learning centered. We’ve still tried to maintain a focus on learning, because that’s kind of what we’re here for. And that’s why students are here. So I think that focus is really good.

Sarah: Oh good. [LAUGHTER]

John: But going back to that issue about different techniques working for different faculty, isn’t the same also true for students? That the flexibility that many faculty provided to a greater extent over the years immediately following the pandemic might work really well for many students, but might that provide a loss of structure which is really important for many of our students?

Sarah: Absolutely. A question I often get when I give talks about emotions in the classroom is about my recommendations for a lot of warm-up activities and small-group discussions, and getting students interacting with each other to maximize the sense of belongingness and community, which we know is important for learning and especially for marginalized students. But I often get the question of what about socially anxious students? What about introverted students? What about neurodivergent students? A lot of these students might really struggle having so many social engagements during a class period. And I don’t know that my answer is very helpful, [LAUGHTER] because I always try in my own teaching to have varied methods. So it’s not always social, that there are some classes that are much more independent, there are options to write in small books and things like that. And in the piece, I referenced Sarah Silverman’s work on access friction, and she didn’t coin the term she gives credit to Areley McNeney, and others, but about this friction that arises when one student’s accessibility needs are different, or even opposing in tension with another student’s. I think variation is good, you know, varying things around and flexibility and talking to your students, using who’s in class surveys to find out about student needs, always respecting students’ accommodations, of course, but having that conversation with students and drawing them in. And one thing that I really tried to do in my own teaching, is to be transparent about why I’m doing a certain thing. So I often start my classes with an explanation for why there’s going to be so many community building sorts of activities and how it is the research suggests that that’s important for their learning. So we think that kind of transparency, varying strategies, not doing the same thing all of the time, and then just acknowledging that certain teaching strategies are going to be more effective for some students versus others. And so let’s not just blast one teaching strategy the entire semester.

Rebecca: I think one thing that often happens is the use of the term universal design, not necessarily universal design for learning but this idea of universal design implies that one size can fit all, but usually universal design, if we’re really following those principles is that there’s variability and is that the space or the technique or the situation can adapt to the person and vice versa, rather than necessarily having one solution that works for everyone. I mean, it’s part of it, but there’s usually this flexibility piece that’s key, but flexible doesn’t have to mean so much extra work for a faculty either. There’s different ways to have flexibility.

Sarah: Yeah, multiple points of entry for students always is great.

John: When I first started teaching, I was told by the department chair at the time, who’s long since retired, don’t waste too much time on teaching, spend your time on research and other things that are essentially the currency of higher ed. We’ve moved quite a ways from the time where many faculty are getting that sort of advice, and those of us in educational development often become really passionate about encouraging student-centered teaching approaches, and we generally provide some criticisms of high-stakes exams, the sole use of lecture, multiple choice tests, and so forth. Those were pretty much considered to be standard practice not too long ago, and are still very common in many disciplines at least. You mentioned Twitter, many people would consider some of those techniques to be sort of like malpractice, where they’re actively doing harm to students and learning. Have we perhaps gone a little bit too far in pushing for changes in instructional practice, in the direction of a one-size-fits-all approach that perhaps we should back away from somewhat to bring more people into the conversation?

Sarah: Sure. So multiple layers there. I think one thing is, this is one of the places where I see the conversation on social media among teaching and learning folks as being a little disconnected from reality, if I can say that, [LAUGHTER] because I think that there’s so much of this still going on. I think that we talk to each other and then we talk to these wonderful faculty who come out to our professional development events. And that’s just like the tip of an iceberg. And we don’t tend to talk to people who don’t come to our events, [LAUGHTER] or don’t engage with us on social media. Where I see in this Facebook versus Twitter differential is I see my friends who are in much more research-focused careers, and all of their demands and rewards are all based on their research productivity. So you say we’ve moved away from that, but I think we’ve moved away from that some, and we have higher teaching demands even on research faculty, but I don’t think that the focus on research for a lot of those folks has changed very much. And when you’re burnt out, and all of the values and reward systems are rewarding you for research and not teaching, and you have TAs doing a lot of the on the ground face-to-face stuff with the students. I think there’s a lot of these so-called traditional practices still going on. And so I think it’s happening, and I think using the word harm might be a whole other big conversation. I would like us to step away from that word when talking about individual faculty and the teaching choices that they’re making in their classes. I think that there’s a host of problems with that word. And I think that part of the backlash, too, is this feeling of feeling judged by teaching and learning center, folks, and I think that that is not going to get us toward the sort of change that we want if there’s kind of these scores of faculty who are not part of the conversation yet. They’re not going to step into the conversation, if they’re feeling like we feel that their teaching practices, that they feel like they’re doing the best they can, are poor or actively doing harm to their students.

Rebecca: And the reality is they’re probably not actually harming students. Students are still learning and they’re having some other experiences and they’re facing challenge. That’s not, as you noted in your article, that’s not harm. Can you talk a little bit about fostering challenge for students?

Sarah: I don’t like to equate high-stakes exams and all these things… this is challenge and then student-centered teaching is low challenge, because I don’t think… and I’m not saying that you’re doing that… but I just want to be clear on my position for that. I think having really high expectations of students is challenge. I think asking students to take emotional risks and be a little vulnerable is challenge. And I think that all of that is done most effectively in a classroom where community has been built where students feel that they belong. I think reducing stakes is a really powerful tool to developing that feeling of safety in terms of willingness to take risks. So I am pro low-stakes. [LAUGHTER] And I’m not arguing that we should all be going back to sage on the stage and three exams, certainly not. And I have worked really hard over the last 10 years to try to nudge us away from those practices. But, I do think that they are not necessarily causing harm. And I think most of us, in our intellectual journeys, thrived under those conditions. I do think that people who have thrived under those conditions, usually people who’ve had a lot of privilege and a lot of resources. And so that’s another reason why we need to move away from these practices. But I think if we want to pull people with us and reduce high-stakes exams and reduce some of these practices that may not have been as effective at bringing all students to the table, then we need to do so with an open hand and also have ways that faculty can make incremental change. I reference in the article, Michael Palmer had a POD presentation at one of the teaching and learning conferences, in which he presented 15.9 million choices [LAUGHTER] that a faculty member makes in the construction of an individual class and argued that if we really want to make lasting change, we should be nudging little changes in all of those choices towards student centeredness, toward more inclusivity, rather than asking faculty to kind of throw everything out and start fresh and do something entirely new, and I found that compelling. And so if we could do that nudging, in the absence of judging, and by suggesting that there might be better effectiveness and equity, and doing that nudging, rather than saying you’re actively harming students with your current practices, I think would be a lot more compelling for a lot of those faculty who aren’t necessarily coming to our workshops.

John: So, nudging not judging, that’s a nice way of summarizing that, I think.

Rebecca: Yeah.

Sarah: That is a much more catchy way of saying it. [LAUGHTER]

John: I was thinking it would be a good title…

Rebecca: Yeah.

John: …or the podcast.

Rebecca: I was just thinking about, you never know what small little change you might make, that actually makes a humongous difference for a learner.

John: To use the technical term

Rebecca: I only use [LAUGHTER] technical terms. [LAUGHTER] So I think what you’re highlighting is really important, because these small little changes can make a big difference for an individual learner, or a set of individual learners. And you just don’t know what little tweak you’ve made, and what kind of impact it might have made. I’ve certainly had the opportunity to have a conversation with a student where they tell me about something that made a really big impact for them. And to me, it was like something that was really small, like, “Oh, alright, well, I should keep that.” [LAUGHTER] But it’s helpful. And they all add up over time.

John: What can we do to bring some of these other faculty who haven’t been as active in discussions of teaching into conversations, and to make it easier for us to do some of that nudging? We can’t really nudge people if they’re not talking to us or not coming into teaching centers?

Sarah: Well, I think more dedication of resources from the administration would be good. I think that bringing people to these events who haven’t traditionally come might happen if there’s more time and money, a course release or something, aa stipend for something else. I saw a presentation by Betsy Barre, a wonderful presentation where they had participation in a one-day teaching celebration event that was at something like 67% of the faculty attended. But it was very well resourced. They had a bunch of really fantastic speakers, a lot of great food, it was an entire day, and the provost canceled classes and like kind of shut down campus for the entire day and said, “This is important, come to this.” And they got something like 67% of their faculty at Wake Forest to attend that. So I think more resources is an answer. I think also having more varied offerings. So I tell the anecdote in the article when I was at Assumption University, one of our faculty came to us and he was from a department that never attended anything [LAUGHTER] that we offered and he said that, and he said, “Actually, none of us ever come because we think that you’re doing harm to teaching with all of these approaches that he felt were not effective, and that were kind of degrading education.” [LAUGHTER] And we had a conversation, and so what the result of that conversation was we had one of our faculty learning communities that we do over dinner with a book, and he gave a presentation called “the art of the lecture,” and it was a defense of lecturing, primarily lecturing as a mode of pedagogy. And then we also had a few other faculty do little flash talks about how they did kind of dynamic innovative lecturing. And then we had a conversation and a debate. So we weren’t advocating for this, but we were showcasing him, and then faculty were engaging in debate and dialogue around when is lecture appropriate? Like what are the ways to make it more student centered. And I would like to say that his whole department came out to that, and they didn’t, [LAUGHTER] but he was there. And I think demonstrating that kind of respect for all the variations of teaching, I think is good. Another that we did at my current institution is we had a panel of faculty and we intentionally chose faculty with varied deadline policies, so on the spectrum of more strict, more flexible, and kind of in the middle, and had them present their rationale and their procedures and then did q&a. And that was really well received and better attended than some of our other events. So I think mixing things up and creating a space where it is clear that we are respecting faculty autonomy, and that we see variation as good. I think it can be powerful.

Rebecca: I’m hearing some themes of celebrating teaching and learning [LAUGHTER] and respecting and listening.

Sarah: Yes.

Rebecca: …listening and respecting a wide range of teaching in all of the examples that you just shared, which I think are two things to remember and keep in mind, because I think you also said not in this last answer, but a couple answers back something about [LAUGHTER] I think you put the words faculty and equity in the same sentence rather than we usually think about students and equity. But I was hoping maybe you might elaborate a little bit more on this idea of some equity around faculty as well when we’re thinking about teaching in particular.

Sarah: I think that probably what you’re referencing in my previous answers was when I was talking about Chavella Pittman’s visit. And I think one thing that we don’t always acknowledge is the impact that our teaching choices can have on other faculty in our department and at our institutions’ teaching choices. And so she was talking about how many more incivilities and classroom disruptions faculty of color and other minoritized faculty get compared to white cis het faculty. And that when we make choices in our own classrooms, that might have an impact on other faculty. And so specifically, when white majority faculty have a lot of policies in their classes, that they have a lot of flexibility, or they don’t have a classroom disruption policy, or the classic example is “Call me Sarah, and don’t call me Dr. Cavanagh,” that sort of thing. That actually makes it more difficult for faculty who, in order to have a good classroom climate, needs to demonstrate their authority. I know we don’t like to use that word when we talk about teaching, but all our friends need to be called by “doctor” and need to have a classroom disruption policy, because otherwise there’ll be a lot of classroom disruptions. If there’s also this perceived differential in those two classes, then those faculty are going to get accusations from students that :”Oh, you’re so strict, you’re so this or that compared to these other faculty who are just like, relaxed, why can’t you be more like them?” And so I think that we do need to think… I’m saying “respect faculty autonomy,” but then also, “let’s talk to each other about our classroom policies in order to make sure that we’re not engaging in these behaviors that are going to impact other faculty.” But again, it’s a dance, it’s a dance and a balance, a little bit of this, and a little bit of that.

John: And I’ll mention that Chavella Pittman and Tom Tobin had a discussion of this in an article in The Chronicle, I believe, and then they joined us on a podcast for that too. And we’ll share links to both of those in the show notes.

Sarah: This has been a great conversation, but I want to be clear that I am so dedicated to student-centered teaching. And that is why I feel really passionate about this backlash because Rebecca, you mentioned listening, and I’ve just been listening and listening. And I’ve been hearing it all over the place. And again, I worry with these pendulums that we could just snap back to a place that we really don’t want to be. But I think sometimes when I have these conversations, I come out as “Oh, pro high-stakes exam and let’s have three exams, multiple choice, strict attendance, policies, all these things.” And that’s not the case, I just think that we need to do the nudging, not judging so that we can continue pursuing change, because I think we had this accelerant with the pandemic, and it was great, with so many people in zoom rooms and in seats, and really eager to like innovate and all of these things, and that has kind of faded, and we now have these other tensions that are pushing in the opposite direction. And so let’s have some new strategies so that we can continue pursuing educational reform

John: And the strategies of having different people with different perspectives discussing it, is probably a really good way of getting people to state their opinions, but also to hear some things that might nudge them in another direction. So someone who only lectures hearing a little bit about the possibility of doing an interactive lecture would be a relatively small adjustment that they wouldn’t have heard if they hadn’t attended an event of that sort.

Sarah: Absolutely.

John: I think that sort of approach is a really good one that we should try doing more of here.

Rebecca: I think also having varied classroom experiences is healthy for students, it’s a good experience for students and helping students to see the value and having just different opportunities, different ways of flexibility being demonstrated to them is helpful to point out to students rather than being really careful when you’re having a conversation with a student about the classes that they’re in, for example, and highlighting maybe some of the skill sets they might be getting from a particular experience rather than kind of bashing a faculty member or particular class and helping them understand they might want a variety of different kinds of classes to help their own workload and interest and that kind of thing. So we always wrap up by asking: what’s next?

Sarah: Well, I have an NSF-funded network in intro bio called TUnE-Bio, and we’ve been holding a lot of qualitative interviews of intro bio faculty and and digging into some of this, they’re thinking about change and the constraints and barriers and facilitators of change and I’m getting excited about kind of expanding that network into the possible future.

Rebecca: That sounds like some interesting work.

Sarah: Thanks.

John: Well, it’s always great talking to you. Thanks for joining us. And we look forward to hearing more about that project as more information comes in, as well as anything else that you’re doing that you’d be willing to talk to us about.

Sarah: Great. Thanks for having me.

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John: If you’ve enjoyed this podcast, please subscribe and leave a review on iTunes or your favorite podcast service. To continue the conversation, join us on our Tea for Teaching Facebook page.

Rebecca: You can find show notes, transcripts and other materials on teaforteaching.com. Music by Michael Gary Brewer.

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348. Active Learning Initiative at UGA

While there is compelling evidence that active learning results in increased student learning, these initiatives often face resistance from students and faculty. In this episode, Megan Mittelstadt and Leah Carmichael join us to discuss the active learning initiative at the University of Georgia that provides professional development for faculty, active learning training for students, and for the redesign of classroom spaces. Meg is the Director of the Center for Teaching and Learning at the University of Georgia. Leah is the Director of Active Learning, also at the University of Georgia.

Show Notes

Transcript

xJohn: While there is compelling evidence that active learning results in increased student learning, these initiatives often face resistance from students and faculty. In this episode, we explore a large-scale active learning initiative that provides professional development for faculty, active learning training for students, and for the redesign of classroom spaces to better support this initiative.

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John: Thanks for joining us for Tea for Teaching, an informal discussion of innovative and effective practices in teaching and learning.

Rebecca: This podcast series is hosted by John Kane, an economist…

John: …and Rebecca Mushtare, a graphic designer…

Rebecca: …and features guests doing important research and advocacy work to make higher education more inclusive and supportive of all learners.

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John: Our guests today are Megan Mittelstadt and Leah Carmichael. Meg: is the Director of the Center for Teaching and Learning at the University of Georgia. Leah is the Director of Active Learning, also at the University of Georgia. Welcome Meg: and Leah.

Meg: Hi.

Leah: Good to be here.

Rebecca: Today’s teas are:… Meg, are you drinking tea?

Meg: I am, I’m drinking double chai. Tea is a big deal. In our center. All of the people who work here have favorites. And we provide tea service at every workshop and I checked this morning, the most popular tea at our workshops is lemon ginger.

Rebecca: Oh, that’s good to know. Another teaching center full of tea. [LAUGHTER]

Meg: Yeah, we even have the teas of folks who don’t work here anymore that we keep stashed, just in case. So, Leah, you know, Colleen. Colleen drank…

Leah: Yeah.

Meg: …caffeine free peppermint tea, and we still keep it stashed, even though she doesn’t work here anymore. [LAUGHTER] Just in case.

Rebecca: How about you, Leah?

Leah: Well, I am a diehard coffee drinker. And so I am enjoying a cup of coffee. But my best friend is a potter, so I have her beautiful mug here to enjoy it with.

Rebecca: Wonderful. How about you, John?

John: I’m drinking a black raspberry green tea today.

Rebecca: Oh, that’s nice. And I’m back to my blue sapphire black tea.

John: Black and blue?

Rebecca: It’s black and blue. [LAUGHTER] We’re recording this at the end of the semester. [LAUGHTER]

John: We read about the active learning initiative in a recent Chronicle article and we invited you here to talk a little bit about the active learning initiative at the University of Georgia. We were really impressed to see that the university had budgeted over a million dollars a year for five years as part of the university’s Quality Enhancement Plan. This is a really large investment in effective teaching practices, and it’s especially impressive that this is happening at an R1 university. How did this initiative come about?

Meg: Yeah, we’re really excited that this investment is happening. And it kind of stems from an initial pilot that happened in 2018. There was a presidential initiative on active learning that resulted from a faculty task force. And so in 2018, our president allocated a million dollars to active learning programs, as a pilot. I feel super lucky to have a president who cares so deeply about the teaching enterprise at UGA. It’s something that you don’t see at every institution. And so I really appreciate it, value it, and count my luck there. Our president allocated a million dollars in 2018 for an active learning course redesign institute and a pilot classroom infrastructure renovation, and also the creation of a one-credit course for our students called Becoming an Active Learner that’s deployed by our Student Success Center. And that first year, we thought, “Gosh, it might just be a one-year investment, so we really got to make this count.” And so all the folks in the center sort of got together and backwards designed the programming for our first Active Learning Summer Institute, which by the way, was one of the most gratifying and enjoyable experiences of my career to get five educational developers in a room and get to go totally meta and apply the backwards-design process to the creation of a Course Design Institute. We nerded out. [LAUGHTER] We had like the room where we had all of our notes on the walls, and it was sort of our Beautiful Mind room for the Course Redesign Institute. We loved it. And so we designed this institute for 2018, and it went quite well. The folks at our institution who applied were way more applications than we could accommodate in the Institute and the folks who got into the Institute had a good experience. And we were able to show a couple of courses that had been redesigned seeing some really significant positive outcomes for students, both in terms of their depth of understanding, but also in some of the metrics in courses like numbers of Ds, Fs and withdrawals from courses decreasing in a few really key courses like our introductory mathematics course sequence. And so we were able to go back to the President and the Provost every year after that and say, “Okay, here’s how the course redesign Institute went, could we get funding to do it again?” And so we continued to do it every year. And this continued for a couple more years. And when we got into the 2020 timeframe, UGA was preparing for our next reaffirmation through SACSCOC. And for SACSCOC reaffirmation, an important component of that reaccreditation proposal is the creation and proposal of a Quality Enhancement Plan (or QEP). And so a committee was assembled to come up with what that topic might be, and they looked at programs that existed on campus as well as the university strategic plan. And luckily, by this point, our strategic plan had been drafted with quite a few key performance indicators related to the adoption of active learning practices. And so they identified this opportunity to scale the Active Learning Initiative at UGA. And so they proposed this topic, it was selected and now the funding has been stabilized for some of the pilot programs that existed, but also some newer initiatives to0.

Rebecca: There’s a substantial body of work supporting the efficacy of active learning and increasing student learning and reducing equity gaps. And it’s so exciting to hear about such a big investment and the interest of faculty [LAUGHTER] having more interest than spots for example, But I know one of the things that sometimes happens when faculty decide to start implementing active learning in their classes is sometimes there’s some pushback from students, but I heard you say something about a one-credit course for students. Can you talk a little bit about that? And how that ties to preparing students for this endeavor?

Meg: Yeah, so because we had this course from the get go, there was already this idea that reaching out directly to students and building their capacities and dispositions as learners to amplify their success in an active learning environment is something we might ought to think about. Of course, we also think about it from the faculty side too. One of our most popular sessions in the Course Redesign Institute is a session on student resistance to active learning, and we rely heavily on Tolman and Kremling’s Why Students Resist Learning for that session and then talk about some of the instructor facilitation and explanation strategies that instructors can use to ensure that student resistance is not cropping up and to help prevent barriers to student engagement. I think what’s really cool about Tolman and Kremling’s book is that they reframe “student resistance” to “barriers to engaging” and so we work with faculty to reframe student resistance as “Where are the barriers to engaging that we need to address as instructors?” And then on the student side too, the philosophy is “Where are there barriers to engaging?” And then “When can we do some really important work to help students appreciate that engaging in active learning is a really actually durable practice for them?” It’s really going to benefit them long term. And since that idea was already in the mix, as we were coming up with the programming for the QEP, there was a really large committee, I think, a 33-person committee of faculty, students, and administrators who proposed the programming that would go into our Active Learning Initiative. And one of the things that they wanted to think about was the role that metacognition plays in active learning. That was identified really early on because we were already aware of the student piece, thinking about metacognition as a key component of active learning. The committee spent quite a bit of time unpacking: “What are the learning dispositions involved in student metacognition? And what are the learning dispositions involved in lifelong learning and other benefits of active learning? And where’s the overlap?” So we looked at things like the AAC&U value rubrics on lifelong learning. And I think the other one was, I want to say, it was like transferable learning, I’m getting the title wrong. But anyway, there were two AAC&U value rubrics that we looked at, as well as some of the literature on metacognition and literature on lifelong learning. And our assessment team identified four student learning dispositions that seemed to exist across all of the categories that we were looking at: students acting more curiously, students engaging with initiative, students becoming more reflective in their practice as learners, and students drawing connections between what they were learning in their active learning courses and developing other knowledge and skills. And so we use this framework of these four learning dispositions to really drive our student programming. And I’m going to pass it over to Leah, so she can share a little bit more about how we’ve expanded beyond this one credit hour course to a whole portfolio of student facing initiatives.

Leah: So, first of all, I would like to say with the instructor development piece, I was an instructor on campus, a lecturer, and was in that first cohort in 2018, an international affairs scholar. And it really was the first time that I had had such a professional development opportunity that felt like it truly revolutionized the way I taught, the way I thought about my students, the way I interacted with my students. And so whereas I was taught to transform one of my courses, I ended up transforming them all. And when I was able to be on the team for active learning, I signed up, it was really excited to do that. So it was an amazing experience. For the student piece, what I really love is that we have not just gone to the instructors and said, “Alright, it’s time to consider something different and then your job is to not only do all this hard work to change and rethink your courses, but then can you do us a favor and sell it to the students?” That’s just such a burden and very difficult. And so within CTL, they do a great job of training us in the Institute to go in first day and frame the course, to craft our syllabus language in a way that would potentially be able to introduce this course before even day one and to help decrease that student resistance. So that was a really important piece. But we also would have these teams of students, these just superstars on campus, who are also part of the programming for active learning. One of my absolute favorites is the peer learning assistants. This is an on-campus paid position for students. They apply and they are able to either return to a class or return to an instructor whom they have worked with before. And they attend a class where they facilitate active learning approaches and activities with the instructor. So the peer learner is responsible for helping with the planning of the course and preparation with the instructor implementing it and then also of course, following along with the course materials. And this is a key: this near-peer experience has been key in allowing the burden to be shared in introducing active learning within a classroom. And the students look at these peers, maybe a semester ahead of them sometimes, maybe years, and they start to see these mentors that are built in. And these students know and care about active learning. They see why it works in the class and they’re returning to the class. And we have found that those classrooms have been just the most wonderful place to see this cultural change among students. We also have active learning ambassadors. And they are trained to do outreach. They do demonstrations for faculty. One of my favorite moments is we have an active learning summit every year open to the public. But we have an active learning summit in which they run a showcase where the faculty walk in, and there are students behind tables with interactive material demonstrating different active learning techniques and how they see it in their class, how they use it for study skills, and how they would enjoy instructors being able to incorporate it in their classroom. The faculty love it. They stop, they ask questions, they think, “Well, what about this? Well, this would be difficult.” And then students give that experience from their perspective of how these techniques work for them. And we see that the faculty really crave that and really enjoy being the learner in that moment, and learning from a student about what techniques work best for them.

Meg: And Leah, I think one thing that’s really unique about our quality enhancement plan that I haven’t seen at other institutions yet, or if they have them, I haven’t seen them, so mea culpa. But one thing that’s really cool about our Quality Enhancement Plan is that we have a partnership with our Office of Student Affairs where they’ve designed some programming through our residential life curriculum to embed active learning in the co-curriculum too, so that students are experiencing and talking about the value of active learning not just in the classroom with each individual instructor, but experiencing active learning outside of the classroom in the co-curriculum. Students who are leaders on campus are trained in active learning facilitation techniques, so that when they go in to serve as leaders of student groups on campus, they have some of these active learning tools in their back pocket that they can deploy and experience on the other side as well. So we’re really seeing active learning proliferated, not just in the classroom, but outside of the classroom too.

John: It’s nice to see such a holistic approach. In so many cases where we’ve seen active learning initiatives, it’s usually just designed for faculty development, to go and fix all those issues and challenges. And by approaching it from all these angles, it seems to be a really effective way of addressing some of the challenges that faculty face when doing this. One of the challenges, though, that faculty sometimes face when they introduce active learning is they go into a classroom where the seats are either bolted down, or are very rigid. I think part of your plan involves some type of infrastructure changes to support that. Could you talk a little bit about how classrooms have been redesigned as part of this process?

Leah: It’s such a key aspect of it, I have the anecdotal experience where I graduated from the Active Learning Summer Institute, went into a classroom ready to be highly engaged and interactive and set up have a highly mobile class design only to find that I was in stadium seating, with fixed seats and I thought, “Oh, no, what am I possibly going to do?” And so we have three foci, within the initiative. And we’ve mentioned the instructor development piece. So key, but as you said, it can’t stand alone without support for the other two. We have the student piece, we also have the classroom piece. And so our goal is to every… usually it has to be in the summer, when it’s much quieter… every summer, we just push for classroom enhancements across campus. And we have three criteria in mind that we see as not necessarily perfect for every single classroom situation, but the baseline for which we want to capture for an active learning classroom. And so the first is: does this classroom have mobile furniture? Are we able to move students around? Could an English professor have a roundtable discussion? And then within the 20-minute transition time, could my students go into that same classroom, which happened last semester, in a highly mobile classroom and be able to set it up into a simulation of roleplay thing for my international politics course? So do we have classrooms with that mobile furniture is the first thing. The second is, do we have student collaboration tools? And these do not have to be high tech. In fact, we ran the survey, and students and faculty said just give us more dry erase boards. We don’t need the fancy, fanciest of smart screens. Please just give us the basics. But let us work on a project huddled over together and be implementing and creating something new. And then finally, it’s just general space, do we have enough space that we are able to not only move the furniture around, but move people around in an effective way. And so 25 square feet per student is kind of our ultimate goal. And so we looked around and I was actually just running the numbers recently. And I think on campus we have, depending on how you measure our classrooms, between 400 to 600 spaces, it depends on if you count labs, and these other learning spaces, about 82% have at least two of these criteria. And so we’re getting there. We’ve made a real push and we’re trying to say: “Yes, instructors, please change but also know that we’re going to meet you with an environment that facilitates this kind of approach to learning.

Meg: Well, I also have to interject and say that the stance of the CTL is that active learning can happen in any classroom no matter the features. And so of course, like a good backwards design course or re-design institute, we always start out with the situational factors of a course. And that might include what’s the likelihood that you’re going to be in a fixed-seat auditorium or fixed table, but moveable chairs, and think about the choreography of that, the active learning techniques that you’ll adopt based on that. But in Leah’s example, in particular, if I remember correctly, Leah, you had a student in a wheelchair in your course the first semester after you redesigned your course. And when you were in the tiered auditorium, that meant that there was a specific area where the student in the wheelchair could sit and they couldn’t move through all of the case study roles that you had available. And so you were able to advocate for a different classroom, you obtained one, thank goodness, and everyone could move through a flat classroom instead. And so sometimes things crop up, even if you have planned to be in a fixed-seat auditorium, that you have to be able to modulate on the fly based on the characteristics of your students each semester too.

Rebecca: Can you talk a little bit about whether or not your program has focused on specific programs or if it started with specific programs and its spread to different programs or what your strategy is for involving faculty across disciplines?

Leah: One of the most important parts that I really liked about this initiative is it’s not a mandate, we are not requiring any instructor to adopt active learning through a mandate. Instead, it really is a support, educate, encourage. And so we really have not been focused on okay, this unit by X year needs to have Y outcome in terms of an active learning goal. But in terms of strategy, what’s nice is we can start to see the people that walk in the door to find the active learning Summer Institute. And the high demand that first year was a nice little kind of bellwether that, okay, there is something going on here. When you have more people that can fit, and that’s consistently. The CTL needs to keep it kind of a quality curated experience with a cohort that goes through and has to do these really difficult re-education, understanding education differently, and then of course redesign. Such a dense set of tasks. So with this cohort like experience really requires so much of the faculty. What we started to notice, as we looked around and realized that instructors from different schools and colleges were coming to the Summer Institute, and we have seen that as the CTL has expanded beyond the Summer Institute and provided workshops, both standalone workshops, as well as a course redesign experience outside of the institute. We see hundreds of faculty each semester coming into the programming of active learning. And really we have, I believe, 19 schools and colleges that have undergraduate programs, and we have representatives from each that participate in this programming.

Rebecca: That’s wonderful.

John: What type of training do faculty receive as part of the institute and other training that you provide?

Meg: It was initially just that summer Course Redesign Institute. And what we started hearing from faculty as we would get these applications every year is the deadline would pass, and we’d hear from some faculty who would say things like, “Oh, I really, really want to do the institute. but summer is my field research season” or “I’m in the clinics in summer,” or “I have childcare duties that I can’t get away during that time of year.” And so there started to be some sort of advocacy for other on ramps into the programming, so that when we had the opportunity to stabilize the funding through the Quality Enhancement Plan for active learning initiatives, we started thinking about how can we make this program one that faculty could find the on ramp that is appropriate for their needs? Is it a faculty member who’s been using active learning for a long, long time and they really want to brush up on their skills in one particular area? And so that might look like engaging in a specific workshop on something like facilitating group discussions in a large lecture environment, or looking at student metacognition and how that plays into a particular student developmental level that they might teach in their courses? Or does somebody want to do the whole workshop series and Course Redesign Institute all the way through, but they can’t do it during the summer, or anywhere in between. And so what we ended up with is a workshop series, we have 12 standard workshops that we offer over time: four fundamental workshops, and eight special topics, workshops, and we rotate through those. We offer a couple of each every year. And then we have the active learning summer institute that happens every May. And then starting next academic year, over the course of the spring semester, we’ve designed a course redesign experience that takes the course redesign elements out of the active learning Summer Institute and decouples those elements from the active learning workshop components of the Course Redesign Institute that we currently have, so that faculty can upskill through the workshop series. And once they’ve taken eight of the 12 workshops, they can apply for the course redesign experience over the spring semester. Through that course redesign experience, they come and meet with us for a couple of hours every three weeks or so over the course of the spring semester. And the idea is that by the end of that course redesign experience and workshop series completion, they’ve recapitulated all of the experiences that you might have during the multi-week summer Course Redesign Institute. We also provide different communities for folks to engage with. We have several robust Faculty Learning Communities on campus. So we have multiple faculty learning communities related to active learning, one specifically coming up this year that Lea generously funded from the Active Learning Initiative budget for folks who are looking to engage in SOTL, Scholarship of Teaching and Learning, on their active learning endeavors, as well as specific faculty learning communities for the folks who have peer learning assistance in their courses, or who are engaged in the work after the course redesign experience, for the alumni of the Course Redesign Institute. We also have opportunities for faculty who are highly engaged and master teachers to serve as active learning mentors to their peer faculty. So we have three active learning mentors every year who work with the folks who’ve graduated from the course redesign institutes to give them opportunities for office hours with their faculty peers for micro mentoring sessions on specific topics of interest. They also create supportive resources. We have similar mentors for our PLA faculty, our peer learning assistant faculty. And for those who are serving in those mentoring roles, the Center for Teaching and Learning provides them with opportunities for additional coaching and support on instructional development, educational development, instructional coaching practices that they might bring to bear in those consultative sessions with their peer faculty, too. So the goal here is that we have some workshops that are entry level, some special topics, workshops, the course redesign experiences, some stuff for the master teachers, who are really wanting to be mentors and wanting to kind of serve as role models within their spheres of influence and for others who are moving through this programming, and we’re helping them build capacity in those areas, too. And then, of course, we have faculty on campus who have been working in active learning for years and years and years, and who published on active learning, who are real role models nationally. And so we really try our best to honor their expertise and bring them in to help frame the ways in which we deploy our programming, but also to serve as guest speakers and to engage with folks who are newer to active learning so that we can help provide opportunities for that cross-collaboration and multidisciplinary discussion.

Rebecca: I love the range of options you have available, and really how much you all have embraced the idea of flexibility for your teacher learners, just like we might want in our classrooms as well.

Meg: Yeah, yeah, that’s right.

Rebecca: Can you talk a little bit about some of the active learning techniques that faculty have adopted after going through the institute or other variations?

Meg: Yeah, so as you’ve heard now, our summer institute is three weeks long. And so not only are we giving sessions on active learning, but we’re modeling active learning throughout. And so folks see a lot of different techniques that they might not have seen before. And they’re trying to identify which things that they’re seeing, which instructor moves they see, that align with the needs of their students, of the needs of their course, and their teaching persona as well. So as you might imagine, folks to leave the institute, select different things that are authentic to their practice and their situational factors for their course. So we go into the Institute, which actually begins today for summer 2024. We’re recording on the first day of the Active Learning Summer Institute. So we’re getting the anxious energy of meeting the new faculty. We start out on the first day of helping faculty appreciate that we don’t see active learning as a homogenous set of teaching activities, we’re not going to give them the recipe. We want them to discover the recipe that works for their course. So our QEP is sort of predicated on the notion that the extent to which students are actively engaged in thinking and applying what they’re learning is of far greater importance than the particular active learning instructional strategies used. And so to that end, the course redesign process helps faculty first hone in on the key enduring understandings and learning outcomes at the course level they want their students to leave with and identifying key learning bottlenecks or threshold concepts that they’ve identified that students tend to either have a tough time with, or they’ve really had to work hard to help students grasp that concept in order for them to move from novice to expert in that field. And then we encourage faculty to design their active learning interventions in alignment with those key features of the course so that active learning is more like the trunk of the tree rather than the ornaments on the tree. And our philosophy there is that when pressed for time, the ornaments are easy to cut, but if the act of learning is baked into the backbone or the trunk of the course, that’s just inherent to the identity of the course and it’s not something that’s going to be cut for time. And also you’re putting your energy into where the biggest impact is going to be for your learners..

Leah: If I may add, this was the revolutionary part of being a participant in the Active Learning Summer Institute. I thought I was going for the tips and the tricks, I’d get my little suitcase of ideas and I would just kind of put it all in there through the Institute, and then graduate and use all those as those ornaments as Meg: described it. And instead, I found myself looking at my course and realizing that the backwards design principle had me throwing a lot of content at my students, and not really aligning the activities in the course towards the student learning outcomes. Once I was able to do that hard work, then the excitement of “Ooh, okay, well, which tips and tricks, which kind of active learning engaging styles would be most useful for this.” And that’s just a really exciting way to do it as an instructor.

John: Most instructors, as they come through their educational process, have not been exposed, particularly not in graduate school, to active learning techniques. How do you address issues of faculty resistance to completely changing the way in which they’re approaching the design of their classes.

Leah: It takes a while, [LAUGHTER] having been one of the resistant faculty, I’ll speak to it from this perspective, I think Meg: referenced the former colleague Colleen, and she was my mentor going through this institute. And I remember her asking me to write all the content that I felt was so essential to get the students to to learn throughout the semester, and I distinctly remember this moment where she said, “Okay, let’s put that in an envelope, all that stuff that you just wrote down, we’re just going to put it in an envelope, and we’re just going to set it over here, it’s still very much matters, don’t worry, it’s not going away. It’s all still important.” And then she said, “Let’s really think about the future student. Who are you teaching? What would be a success?” And I think that’s a moment where I could take a deep breath, as a faculty. At first, it was scary and fearful. But it’s a moment for the first time you take a deep breath and go, if I miss a case in international law, they are still going to thrive in this world. I’m focusing on what skills they actually need to thrive in this future career. And so it’s not about that specific case, it’s about the skills. And once I was able to realign that, and it’s so important to be sitting in a cohort, it’s not an isolating experience, you’re sitting in a cohort with other people doing the same reformulating of their whole profession, with mentors from the CTL, helping and encouraging them. Without that sort of ecosystem, it would be a very lonely and harder… just slow… process, maybe, even if you are willing to change. So I think the quality of that instructional development experience within the CTL cannot be replicated. And then I hope the other two kind of prongs of the initiative, once they leave the institute, they’ll still have the mentorship for the next year with CTL and with the faculty mentors. They then can leave and say: “We have the classroom engagement things.” We are also trying to change the environment to help you and we want your feedback. We are always asking those active learning instructors, what can we do differently within these classrooms? And then also the students… we’re engaging the students. So you’re going to walk into class, and they’re going to know what you’re trying to do, and that it’s recognized as a really good thing to do across campus. So it’s the ecosystem that will create more empathy and support and therefore reduce the resistance.

Meg: Yeah, so Leah mentioned, this idea of you have this mentor that exists for the year after the institute. And I don’t know that we explained that. That’s a pretty unique feature of our Course Redesign Institute. And it comes somewhat from our Center for Teaching and Learning has quite a bit of tradition around investment in longitudinal cohort-based programming. So we have a lot of one-year, two-year, multi-month cohorted faculty development experiences, because we find that that interdisciplinary conversation is so helpful for helping folks build connections and shared disciplinary content, and teaching practices with one another in ways that proliferate those great ideas across campus and seed innovation. And as we thought about the ways that our faculty fellows…we call them Faculty Fellows Programs at UGA… ways that our faculty fellows programs were successful, were in that sort of longitudinal support that was available. And we wanted to replicate that as best possible with our Course Redesign Institute. And when we thought about the outcomes of our institute, and how we wanted people to leave the institute, be prepared to deploy a redesigned course in the coming academic year. And we started thinking about what that experiences like as a teacher, and we thought, “Gosh, people are going to leave the institute, be all excited, go back to their department, where they might be one of few who’s engaging in this sort of robust active learning commitment, especially in the early years of the institute.” How can we support them in being successful when they go into their first class and leave the class and go: “Ooh, that didn’t feel like it usually felt I wonder if it went well?” or they do their first robust activity and maybe it doesn’t go quite as they were expecting? How can we be there for them in those moments? So as folks leave our Course Redesign Institute, they’re each paired with a mentor from the CTL. And that mentor is their touch point for the year following the institute, so that when they have that class session that throws them for a loop or they get some feedback from students, that they’re not quite sure how they’re To respond to it, they have a touch point that they can go to. And it’s someone who knows their course intimately, who’s worked with them through the redesign process, is aware of the ways in which their course has changed, and is there to provide them with that support. And also that mentor is the person who performs… we call them mid-semester formative evaluations… but at other CTLs they’re called small group instructional diagnoses. So at the midpoint of their course, someone from the CTL comes in and talks with their students to focus group them, to collect some feedback on how the course is going so far, and then works with the faculty member at closing the loop on that feedback to help students appreciate that they are such an important component of the redesign process too, because the instructor is engaging in this two-way exchange of information with the students both on the content and on the operational organization of the course and refining the course in response to that feedback. So we want the students to appreciate that their experience and the way that they’re learning and what they think could be happening to support their learning even better, how that could be incorporated into the course as it continues.

Rebecca: I really love the depth of the culture change components that are built into this initiative, from feeling like you’re part of something bigger, the fact that it’s voluntary, your support structures, it’s holistic, both Academic Affairs and Student Affairs, there’s opportunities for feedback loops. Change can be really difficult, but when you’re a part of that bigger network, it can be helpful. The timing of this was really interesting when it kicked off…so, a couple years before COVID, so you had some time to establish the roots, and then COVID erupts, AI erupts, there’s more first-gen students, we’ve got a lot going on, and there’s a lot of change happening. How do you help your faculty avoid burnout with so much change and maintain this momentum?

Meg: Yeah, great question. You’re taking me right back to the pandemic and that experience of everyone just doing the best emergency remote teaching you could do. And one of the things that I remember from that period is faculty who had gone through the Active Learning Summer Institute mentioning that they were so glad that they’d gone through the institute because it made pandemic teaching easier. They had recently conceptualized of their course learning outcomes that identified the most important content that they wanted to prioritize, they had a sense of some lesson plans for how to deploy these things. And even though the institute happens in person, because of the way we were talking about how you would make adjustment to different things in different settings, they could more easily conceptualize of how to engage online or asynchronously with students using active learning principles. So we had this early indication that the folks who’d experienced the course redesign process felt better prepared for emergency remote teaching and pivoting quickly. We also found active learning to be perfectly timed as an initiative as a response to post-pandemic disengagement. So when students were coming back into the classroom and members of our community were craving that deep intellectual engagement and community with one another, but then in some instances, were a little bit disappointed when it didn’t materialize in the ways that it might have before the pandemic, we found that faculty were coming to the institute, saying, “This is something that I’m hoping can meet this need that I have to engage students in rich conversation or to engage students in deep intellectual engagement in this learning community, and how can I address this through active learning?” And also, we’re lucky to have a large number of faculty champions for active learning on campus, folks who’ve been using active learning for a while, and in various departments across the institution, not just in specific pockets. And so they’re serving as role models and mentors to the faculty in their unit. And a message that those faculty champions were helping us reinforce is that teaching with active learning is a joyful way to teach. And so oftentimes, when these faculty champions, these mentors, were talking to folks who were saying things like “post-pandemic teaching is a little bit disappointing,” or “I’m feeling a little bit burned out because of everything that we’ve experienced through the pandemic, and through these various disruptions to higher education.” When their mentors were telling them, “Have you considered bringing some joy into your classroom and making teaching a more joyful experience for you and for your students? And guess what? You can do that through active learning. Let me tell you how I brought joy into my classroom through active learning.” We would see folks come to us and say, “I’m just really looking for some rejuvenation and some revitalization, and I’ve seen my colleagues just transition their course through active learning in a way that they’re just skipping down the hall after they leave their class, and I want that feeling. So I’m hoping that this will be that experience for me.” And so we had people coming to us asking for that, and we hoped that would be the case. And then I’ll just add that like many higher education institutions right now we’re in the midst of an evaluation of teaching culture change, too. And so we’re trying to adopt a more what we’re calling a three-voice culture of teaching evaluations that’s relying upon your individual reflection on your teaching some data from your students and the interpretation and contextualization of that data, as well as peer observation of teaching data and bringing that all together as sort of like triangulated data to provide some insights on our teaching, and then respond to that and have like a assessment loop on this. And so it’s this idea of a culture of continuous improvement with teaching where we’re able to proliferate this message of: “You’re not an award winning teacher necessarily on your first day of teaching, but this is a set of skills that you can develop over time. And also, you’re never done developing it.” And so this culture is helping to amplify the message that taking part in educational development is not just an expected part of being a teacher, but it’s an opportunity to continue your culture of continued mastery.

John: So one of the ways in which this is spread has been from faculty to faculty. One of the things I’ve been noticing a lot on my campus is that it also sometimes spreads from students to faculty. As more and more faculty move from faculty-centered teaching to student-centered teaching, students become a little bit more vocal sometimes about expressing what works for them and that will often result in faculty considering using new techniques that their students have recommended to them. Has that been happening as well at your institution?

Leah: That’s why we wanted to capitalize on this proactively and have channels of growth. And so again, we have little areas in which we have students really playing that intentional role. So rather than maybe a complaining, “I went into this class and I didn’t like it” kind of a customer satisfaction problem area, we really want to make sure it’s more that students, first of all, are trained in the active learning pedagogy. So my active learning ambassadors, as they are chosen, we then say, “Okay, here’s the wizard behind the curtain friends, come join us [LAUGHTER] and see what’s going on behind these intentional classrooms that you really enjoy and don’t quite know why you like it so much.” So we bring them into the understanding of what instructors are doing when they’re in an active learning classroom and why. And then we give them opportunities to then go and front face and tell other faculty, “this is what an active learning classroom feels like for a student.” This is why one of my favorite moments… we have, again, as I mentioned, an active learning summit every year in February, and there was an entire breakout session run by students who were peer learning assistants and active learning ambassadors. And they were talking about the study skills that they have seen through their training, or through their classes that really work in their discipline that they use outside of the classroom to kind of empower themselves to study and to learn. And what was wonderful is that the front of the room were students in a panel and most of the room or faculty and I found that the question and answer period, the instructors would raise their hand and say, “Okay, well, but I’m not in that discipline, but I’m thinking about bringing this into my class in X way, is this something that you would find effective?” And they were asking the students about designing their course to be student centered. And that’s when I think if we put those students that know what is going on, so it’s not a complaint section, it is more a reframing and a sharing out of we know what you’re trying to do and we really appreciate it, and here’s how it works really well, for us. It just starts to kind of change that conversation from being yet another instructor versus student dynamic, which I think we have plenty of those around campuses at any given time to becoming an instructor and student experience.

Rebecca: Having student ambassadors and student voices celebrating this work, is certainly a testament to the success of this work. And you’ve also mentioned some other moments of assessment. Can you talk a little bit about how you’re assessing this initiative?

Leah: There is a rich assessment team who is actually part of the larger Active Learning Initiative. And so I hope I do justice to their very nuanced framework that they have. We have macro level, mezzo level, and micro level indicators that we are trying to capture. At the most macro level demand is one of the earliest indicators of success for us. Are people applying to the Summer Institute? Are ambassadors applying for the program? How many peer learning assistants apply and how many instructors want them, just really kind of those basic quantifiable amounts for demand. And then we also are attempting to capture survey data across the university. We stop the students and say: “We don’t know if you’ve interacted with active learning in the classroom or not, we’re not selecting a given class, we’re just wondering what you would say if you observe a cultural change going on.” So we’re also trying to get these larger macro level indicators. Then at the mezzo level, we’re getting into those lifelong learning dispositions that Meg: referenced earlier, the curiosity, the initiative, the reflection and connection. We have artifacts that we pull from courses that have an instructor who’s either going through all the Active Learning Summer Institute, or who has gone through it already, so we do a pre- and post-analysis. And we have faculty scorers, who can go through these artifacts to see if we are capturing if the artifacts include a prompt about curiosity or a prompt about initiative. And then we are attempting to measure, and we’re working on different ways to do that, but measure if we’re seeing growth over time in these lifelong learning dispositions, and then finally, at kind of the micro level, we’re making sure that the disciplinary knowledge is being enhanced within this that are focused on active learning techniques. One thing we have yet to mention is yet another part of our holistic umbrella. This is why the programming is so large, but we have these active learning change grants. And this felt really good to hear for me as an instructor who went through the institute. And then it was about five years later that the next person in my department went through the institute. What these change grants do is it really allows those who go to the institute to go back to their department or their unit and say, “What if we change several classes at a time through some sort of infusion of deep learning and the CTO will support us, the assessment team will help us assess whether we’re doing what we’re saying we’re doing.” And so on this micro level, the assessment team is really starting to capture some pretty cool indicators, that when you kind of create a unit change, there’s a cascading norm it’s called in international affairs, where you change enough of the unit and enough of the actors in a given scenario, you can then really see that norm start to shift in a unit. And so at each of these levels we’re finding it’s still early. So we’re not saying “It’s a win, close up shop,” [LAUGHTER] but we are finding really robust indicators of early success.

John: Well, you’ve given us and our listeners a lot to think about, and it sounds like a model program that could be copied very productively at other institutions. But we always end by asking: “What’s next?”

Meg: We’ve started to hear from folks that are interested in proliferating initiatives. So, of course, we welcome conversations with folks who are interested in hearing about some of the elements of the program and brainstorming ways to deploy these on other campuses, lessons learned along the way, etc. I mentioned earlier that as folks crave these multiple on ramps, we’re deploying these additional on ramps over time. So starting in the fall, we’ve designed some of our foundational active learning workshops, we’ve taken those and created asynchronous online versions of those workshops that are going to be hosted in our learning management system. So they’ll be available on demand. So if a faculty member doesn’t happen to be available at the time that we’ve offered that workshop this semester, they can still engage, especially in those foundational workshops. And then the spring semester course redesign experience version of our Course Redesign Institute will be deploying for the first time in spring 2025. We’re really excited about that as well.

Leah: I would also say for your listeners, if there is an interest in kind of seeing what we’re up to and helping participate in engaging with this discussion, traditionally the active learning summit has been really focused on UGA community for the first two years, but in the third year, so February 2025, we are going to open up the summit to visitors and encourage them to be a part of these breakout sessions or propose different ideas that they would like to talk about. I know Rebecca mentioned earlier, the challenges of AI, we’re going to try to have a breakout session, though, that focuses on this: active learning best practices in the age of such change. We’ll send out a call for applications in the fall, and we’d love to have anybody who’s interested in learning more, I think it will be Thursday, February 27, and Friday, February 28, on UGA campus, and we welcome all those who are interested in attending.

Rebecca: That’s great. Thank you so much for joining us. There’s so much to think about and so much exciting work that you’ve all done.

Leah: Thank you.

Meg: Thank you so much for having us.

John: Thank you and we look forward to more conversations in the future.

Meg: Absolutely. Anytime.

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John: If you’ve enjoyed this podcast, please subscribe and leave a review on iTunes or your favorite podcast service. To continue the conversation, join us on our Tea for Teaching Facebook page.

Rebecca: You can find show notes, transcripts and other materials on teaforteaching.com. Music by Michael Gary Brewer.

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340. The Alan Alda Center

Graduate programs prepare students to communicate with other scholars in their discipline, but do not generally prepare them to communicate with public audiences. In this episode, Brenda Hoffman joins us to discuss a program designed to help scientists develop effective public communication skills. Brenda is Associate Dean for Academic Affairs and Graduate Program Director for the School of Communication and Journalism at Stony Brook University.

Show Notes

Transcript

John: Graduate programs prepare students to communicate with other scholars in their discipline, but do not generally prepare them to communicate with public audiences. In this episode, we discuss a program designed to help scientists develop effective public communication skills.

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John: Thanks for joining us for Tea for Teaching, an informal discussion of innovative and effective practices in teaching and learning.

Rebecca: This podcast series is hosted by John Kane , an economist…

John: …and Rebecca Mushtare, a graphic designer…

Rebecca: …and features guests doing important research and advocacy work to make higher education more inclusive and supportive of all learners.

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Rebecca: Our guest today is Brenda Hoffman. Brenda Hoffman is Associate Dean for Academic Affairs and Graduate Program Director for the School of Communication and Journalism at Stony Brook University. Welcome, Brenda.

Brenda: Thank you for having me.

John: Today’s teas are:… Brenda, are you drinking any tea?

Brenda: I have water. [LAUGHTER]

Rebecca: …as we always say, the fundamental ingredient of tea.

Brenda: If I start drinking tea, I’m probably going to cough and have to [LAUGHTER] put it aside and it’s going to burn my throat and I gotta stay safe with the water. Know your audience is always my number one. [LAUGHTER] So I’m knowing myself… [LAUGHTER]… sticking with the water, but usually my tea of choice is spearmint.

John: Nice.

Rebecca: Oh, yum.

Rebecca: John, today I have a Scottish afternoon tea.

John: And it is afternoon, so that’s very appropriate. And I have…

Rebecca: …for once…

John: … a Tea Forte Black Currant tea?

Rebecca: Cool. So we’ve invited you here today, Brenda, to discuss the Alan Alda Center for Communicating Science and the Science Communication Graduate Program at Stony Brook. Could you tell us a little bit about the origins of the Alan Alda Center and the Graduate Program in Science Communication?

Brenda: Yeah, so the Alan Alda Center started with Alan Alda and his idea about creating a training center for scientists. A lot of people know him from M.A.S.H., but what he’s also well known for is a TV show called Scientific American Frontiers, where he was interviewing scientists and learning about their work. And he found it so interesting as they were talking, just to have that conversation. And he always describes it as “They started very closed off, and then the more I talked to them and asked questions and they felt more comfortable, their guard came down, and they were more willing to talk.” So his idea was how can we train scientists to do that sort of thing, and talk in a more conversational way without having someone on the other end having to pull that out of them. So he shopped around this idea for a training center, and it landed here at Stony Brook University, and that was ages ago at this point, it feels like. And at this point, we’ve trained over 20,000 scientists, healthcare professionals all around the world.

John: And as part of that you also now have a graduate program in science communication, could you tell us a little bit about that, and how it connects to the Alan Alda Center.

Brenda: Yeah, so the School of Communication and Journalism is really the umbrella here at Stony Brook. And we offer a Master of Science in science communication. And we also offer an advanced graduate certificate in science communication for our graduate students here at Stony Brook that may be enrolled in science programs and want a four class add on to their program just to have that extra communication expertise and training and just some time to practice and get some feedback while they’re still in school. So those programs are really closely aligned, they’re very focused on training students to become professional science communicators. So that’s not to say that students couldn’t go on for a PhD after, but that’s not the focus of training students to become researchers and academic writers. The focus of these programs really is for students to either take their own science, their own social sciences included in that, their own research, or someone else’s, and help that person to translate that really complex information into ways that the lay public can understand, and ensuring the integrity of the science while doing that, and the accuracy of the science rather than just what we would say, dumbing it down, but really simplifying it and making it easier to understand.

Rebecca: There’s a lot of science discussions that happen in the media, on social media as well, from climate issues, to COVID treatments, and many other topics. But a lot of this is done with people with little or no training in science. So why aren’t scientists more engaged in public discussions on such issues?

Brenda: Well, you’d have to ask a lot of them because I’m sure their answers would differ. If I had to guess, I think a part of that would have to do with cancel culture, there’s this pressure to communicate with absolute certainty, or else. And so this idea of communicating uncertainty can be very intimidating. And so that’s one of the things that the Alda Center really focuses on in training scientists and medical professionals is how to communicate what science is and how it works and where it may not be 100%. And what does that margin of error look like? And what does it actually mean? I think. probably comes into play a lot. And so the center is really focused on helping scientists who are interested in engaging with different audiences really share their work and inspire others in ways that are meaningful for them.

John: In terms of the master’s program in science communication, what are the career objectives of most of the students? You mentioned that many of them are not scientists, per se, but they’re focused on some career in science communication, what type of careers are they going into?

Brenda: A lot of them are going into or already in these careers as professional science communicators. Which is not a term that you can plug into a job search engine and find. These careers go by lots of different names. Often it’s in the communications departments, but it could be within actual labs, people who are being those connector pieces that are working with the marketers and the communications teams, and they’re the middle person between those teams and the scientists or they could be going into careers where they’re content creators. A lot of students recently are interested in podcasting and webinars and that sort of realm. So I see that becoming a big career path as well. Social media, and again, those careers are going to go by lots of different names, depending on what company, what region you’re in. But I would say a lot of our students are are looking to fill those gaps, and they have a real passion for helping people communicate that science, I think that was one of the things that really was interesting for us is we were expecting a lot of scientists coming into our program saying, “I want to learn how to communicate my science.” And while that is a decent chunk of our students, we also have a lot of social scientists coming to the table saying, “I want to help. I want to take my communication skills or my psychology skills, and I want to advance them and I want to learn how to practice this. And I want to learn how to work with these people and do a lot of what Alan was doing in that Scientific American Frontier show.” How do you get the important pieces out of these people and put it into a coherent story and then work with them to get some feedback, to ensure that in that translation process, the information and the science is still upheld in that. I would say a lot of the students are looking for those kinds of careers, where they’re what we call boundary spanners, and again, that’s a newer term, this is an entirely newer field. So I think students are going to be really looking for those types of careers.

Rebecca: One thing that I think about is the importance of people in these roles in actually generating interest for science programs and to become scientists. Because if the science is inaccessible, then it’s not necessarily something people understand or know exactly what it means to be a scientist, or what the study of science is like. I know that at my household, I have a small kid, and we watch lots of videos in media about science. And when it’s delivered in a way that we all can understand, we all get much more engaged.

Brenda: People think about science as scary, oftentimes, and especially when you’re thinking about that K-12 demographic, where they’re really starting to shape those ideas. I think that’s where, if they don’t understand something, or the class is a little bit harder, they get scared of it. And if they’re actually able to engage with scientists, I think their viewpoints will actually change, because when you start working with these people, it’s like, “Oh, they’re just like me, they’re not all wearing white lab coats and have a Petri dish.” [LAUGHTER] So I think breaking some of those barriers, and really overcoming those challenges, and those norms and expectations can be very helpful.

Rebecca: Yeah, that exact example happened yesterday. My daughter came home so excited that one of our SUNY Oswego scientists was at her school talking about the eclipse, so that they could understand the history of that. And she came home so excited and told me all about getting to meet a scientist and how cool that was. [LAUGHTER]

Brenda: Aaahhh. That’s what we need to do more of.

Rebecca: Yeah. [LAUGHTER]

John: On the other side of that, in most graduate science training, and most social science graduate training, one thing we’ve noted in past podcasts is there’s not a lot of preparation in terms of teaching skills, but there’s also not a lot of preparation in terms of communicating to a public audience. Graduate programs are very effective in teaching people how to present papers at professional conferences when they’re only talking to other scientists, but, in general, there’s very little work in preparing students to talk to the public. So it sounds as if this program might be the type of thing that many of those people in graduate programs could benefit from.

Brenda: Yeah, I think so. You know, you think about different cultures and different graduate programs in different fields. The expectations are all over the map. I mean, if you look at health care, you really see that come full circle in terms of bringing communication to the forefront and bringing it to medical student training. Even pre-COVID, this was really becoming more important, you were starting to see schools adopted, even if it was just one class in communication training or bedside manner, what we call patient-centered communication, or provider-patient communication, that was really becoming part of the norm. And if you look now, almost all graduate schools have some sort of communication woven in, even if it’s through like a grand rounds or something like that. So I think we’re starting to see that shift with science as well, at least on our own campus. We have a lot of graduate programs coming to us saying, “Hey, can you come in and do some sort of workshop with us? Can our students join your classes?” Our foundational science communication class, we have a number of programs on our campus that actually require that one class as part of the graduate program, so I’m hoping that We’re gonna start to see that shift more broadly as well.

Rebecca: So we’ve talked a little bit about the graduate program and the certificate program and how that might support students who are in science programs. But also, you have the Alan Alda Center, can you talk a little bit about the difference between your graduate programs and the Center?

Brenda: Yeah, so the center is very external facing in that we go out to government labs, other universities, corporations, and we train people as groups in teams who are already in their careers all the way from graduate students up to senior scientists. And we have two-day modules in person, and then we also offer a number of online three-hour modules. The Graduate Program uses some of that, but it’s much more academic based, in that students go through a foundational science communication course where they learn the science of science communication as a field, and they read some of that literature. How is the field developed? Where is it now? Where is it heading? They take a research methods class, where they can just learn about basic social science research methods, so that they can really look at a study and be able to judge is this a good study to talk about or report on? Was it done ethically from what you can tell? How many people were in their sample? How generalizable are these results. And then they also take classes in diversity. And they can pick from a number of electives having to do with science policy, podcasting, things like that. And so they do get the benefit of the Alda Center. So we have this program where we integrate the Alda offerings into our coursework. So all the students when they come, in that foundational required class, they will learn the Alda method, the ins and outs of basically what would happen in the morning of the first day of our science communication program. And that introduces them to the method, understanding how is improv used with communication theory and practice and research, and how is that all intertwined. And then throughout their coursework, they will receive some of the actual online modules that we offer to external clients as somewhat of a guest lecture, so our Alda facilitators will come into a class period or two and go through that module, whichever makes sense. For example, there’s a class on communicating science and health risks to the public. And so our media interviews module fits really nicely into that as students are preparing for public briefings and dealing with questions. They get that media interviews experience as part of that class to prepare them for that final assignment. So there is a lot of integration, and I think it’s one of the benefits of our program that the students actually do get to experience that. The Alda Center does not offer programs for individuals. So if I’m over at this university on the west coast, and I decided, “You know what, I just want to go through a program.” At this point in time, that’s not offered. We do programming for groups, mostly, and anywhere from 16 to 32, so if you are going to get a master’s degree or go on for some professional development, I think that’s what sets our program apart is students do get that experience and they get to work with our facilitators, and they are experiencing that actual training. It’s not like they’re getting a different version of that.

Rebecca: So you mentioned the Alda method. Can you talk a little bit about what that is?

Brenda: Yeah. So, when I started at the Alda Center, I had communication training. I knew how to give a talk, I knew how to engage people, I knew how to do this didactic sort of training. And when I came to the Alda center, I had this idea of what it was going to be. And I think this is a lot of people’s experience of there’s going to be some sort of lecture portion and an activity and then I’m going to do something at the end. And it really flipped all of that on its head for me when I saw what it was, because it combines traditional improvisation theater training that actors would get to help them connect with a scene partner. So I love this line that Alan always says, “When I was on a show, or I’m reading a script or something, I’m acting out those lines, I’m saying those lines because they were meaningful to me, the other actor was drawing those lines out of me. It’s not because the lines were on the page, there was some sort of connection between those two actors that really made that experience feel more authentic.” So we put our scientists through that training, that improvisation training, with really no information upfront about necessarily what they’re going to experience. We tell them to bring comfy clothes and you’re going to be standing a lot, you’re going to be interacting with different people, you’re going to be making direct eye contact and a lot of those activities seem very abstract. It’s kind of like “What are we doing? Why are we doing this in the moment?” And then what we do is we debrief the exercise at the end and relate it back to communication theory, communication, research, evidence-based findings of what works and how to make connections with people. It’s very experiential in that way, which I think is what makes it different. It’s one thing for me to tell you: “make eye contact and smile and move around the stage.” It’s another thing to actually make the eye contact with someone and feel what that feels like and get over that hump of the awkwardness and then be able to really benefit from what it’s like to make that connection with someone, whether you’re in person or even whether you’re online. So I think that’s what makes it really unique and unexpected to some.

Rebecca: We recently had the actors from the London stage come and do a workshop with some of our graduate students using some improv techniques that we didn’t warn them about either. [LAUGHTER] And it was really powerful. Can you give an example of what a couple of those activities might be like, just to make it come alive for some folks that maybe have never experienced improv training?

Brenda: Yeah, of course. So probably the most fundamental one is something that we call “mirror.” And basically, we have partners stand across from each other, they start with their hands up, almost like they’re going to high five each other both hands, and one person is the leader, the other person is the follower, and there’s no talking in the exercise. So we say, “Alright, one person just start moving, do whatever feels comfortable to you, and the other person is going to mirror you exactly, almost like you were looking at your reflection in a mirror.” And so they’re like, “Okay, why am I doing this?” And you get over that awkward stage, and then it gets a little funny, some people start doing the macarena. They realize, oh, this is something that maybe the other person knows, right? And so that makes it a little bit easier, breaks the ice. But really what they’re doing is this idea of the norm of reciprocity, they’re being able to match somebody else’s movements. And we almost do that in conversation as well. If I’m telling you a certain level of information about myself, you would probably match that with the similar level of information about yourself. It also helps you to connect with an audience and to be able to really focus on them and recognize when they’re understanding something, when they’re liking something, when they’re not, when they might be confused. And that gives you a sense of when you may need to stop and shift your approach a little bit. I think a lot of times people are told, just look at the back wall and talk to the wall. And what that ends up doing is it disconnects you from your audience, because you’re not able to actually get that feedback in real time from them about what’s working and what’s not. If they have a question about something or they’re not understanding, or they just seem upset about something you said, that may be something that you want to stop and address, and in showing them that you’re a real person and you care and you want to be connected with your audience. That’s a really important step to take. So being able to experience that fully through this exercise, I think just gives them a different perspective to think about when they’re on that stage, and they’re feeling uncomfortable, and they’re trying to quell those nerves, they can think back to these exercises of “Oh, yeah, I did this here and that was the takeaway.”

Rebecca: Can you talk a little bit about what the debrief is like after one of those exercises?

Brenda: Yeah, so the debrief is actually a lot like a flipped classroom. So rather than us just lecturing at you, it’s really a lot of questions, almost like a podcast, where you’re asking someone questions, and they’re answering. And so we’re almost trying to draw it out of them. What was that experience like? We start very surface level. What did it feel like? What did you like? What did you not like? And then we start to get deeper? Well, what does this have to do with science? Why are we doing this abstract activity of follow the leader with your arms? And then maybe one person will have a slight idea, and then they’ll start to build on it, and we’ll filter in as well. And then we really get to that translational piece of “Okay, now, how can you take these concepts and apply it to the work that you’re doing?” And that’s where they’re really making those connections for themselves, whether that’s as a group or whether that’s at smaller teams within that larger group, or whether that’s just for them individually in the work that they’re doing? So it’s a lot like a conversation, but we’re drawing those inferences from them, and then adding in the information as well.

John: How do people respond to this training? How do they react afterwards?

Rebecca: Or how did you respond at first? [LAUGHTER]

John: Yeah.

Brenda: I’ve liked to think that I’m very open to new things. Even I was standing there like “Guys, what in the heck? What are we doing?” First of all, no one told me how to dress for the day. So I was in like a pencil skirt and blazer that didn’t allow me to really move my arms and heels. So I was already kind of like “What’s happening?” But by the end of the day, I almost had no words. It was just such a different experience from anything that I had experienced. And I think with a lot of people, that’s what we see. They’re kind of like “What is this?” They’re a little nervous. When people get nervous or anxious about something or uncomfortable, they tend to just be like, “I don’t like this.” And then most of them will get to this place where they’re like, “Wow, that was transformational and I’ve never experienced anything like this before.” And then you will have others that are just very standoffish and are uncomfortable. They don’t want to do the exercises, they want to know what’s going to happen before it happens. And that’s something you have to work with. And a lot of times you’ll see the people next to them, like, “Hey, it’s fine, just do it, just do it. It’ll be okay. And they’ll grit through it.” But you definitely have to be open to something new. And for me, it was a breath of fresh air, it was something completely different. And I think that’s probably the most common experience that we hear of.

John: You mentioned working with graduate students or with people who are already out there? What are some of the other connections you make with people on campus?

Brenda: Yes, so we really like to offer something back to the campus community, because so much of the work that the Alda Center does is off campus. And so a big part of that is the Graduate Certificate in Science Communication, and obviously, the master’s program as well. But we also do a number of talks around campus for faculty, for postdocs who aren’t necessarily enrolled in our program or teaching in the program, but who are just interested in taking a class or experiencing the Alda method. And we also use it as a ground for training our instructors as well. So we have a new program that is being developed and being piloted. Nothing we put out is just slapped together and sold to a client. Everything is pilot tested. We get feedback from the audience, we go back, we adjust. And so it’s a pretty lengthy process. And so a lot of times we have people on campus that are like, “Look, I can’t devote a whole two days to the science communication experience. But I would just like to experience a workshop or I’d like to be involved.” And so when we have those pilot programs, we do them right here on our campus. We have an open call. So we’ll have everyone from faculty, to postdocs, graduate students, and even some of the campus leadership that will participate. Word has really gotten out. So we’re starting to see, as new leaders come to campus, they’re like, “We’ve heard of this Alda Center, and we feel like we want to take a workshop.” So we’d like to integrate our own community in in that way as well.

Rebecca: Sounds like a really great opportunity for professional development for faculty and staff. It probably provide some interesting ideas for their own classrooms.

Brenda: It’s a lot of fun when you do it on a campus where everyone works, because when we travel out people will come in from different units that are located in different parts of the country, and they don’t necessarily work together. But when you’re on a campus where everyone works together, it’s really nice because you start to see during lunch, during the breaks, and even at the end of the session, they’ll start to be making connections and building working groups and talking about research ideas or grants they should write together. And so I think that’s a really nice outcome of the Alda Center as well is just building connections between scientists. We’ve heard some organizations that we were at 5, 6, 7, 8 years ago, are still having working sessions and working groups. They do this on their own. They’ll have the group of folks who went through the workshop together, come back once a semester, once a month even, sometimes, and just have it be a brainstorming brown bag session where they bounce ideas, or they say, “Hey, I have a presentation coming up, can I do this and get some feedback from all of you?” So it’s really nice to see those types of relationships evolve and maintain over time as well.

John: Do you think faculty should do more improv in their classes [LAUGHTER] to help break down some of the barriers with students? I mention that partly because we had a reading group on campus this past year in the fall of 2023 with Sarah Rose Cavanagh’s book, Mind over Monsters, and she has a chapter on using improv to help students make connections with each other and to help build a community. Do you think that type of activity might be useful in general?

Brenda: Yeah, I think anytime you can change up the expectation of what’s going to happen in a classroom, that’s an A+ plus for you as the instructor. I will say that we used to do discussions and activities and the students liked those well enough. And after COVID, when everyone went online, and the classes all became the same, it all became post to a discussion board and then do this and then do that. When we came back from COVID, we really had a flip everything on its head and start over because the students just weren’t as engaged. Those activities that once were super fun, and they loved doing, they just were burnt out and exhausted from doing those. So I think anytime you can have those conversations where students get to just let their hair down for a little bit. There’s so much pressure on our students now to find jobs and get the internships because there’s so much competition and the more you can have real discussions and show students that you’re a real person too, they can be really helpful. So again, you have to know your audience. You have to know what students are expecting and which improv exercise might take it a little too far and be a little too abstract. Something, maybe [LAUGHTER] that you would try in a communication class, you wouldn’t go that far in a chemistry class. But there are exercises, they run the gamut of how intense they’re going to be. So even just starting out with a little activity could really go a long way to having students break that ice and open up.

Rebecca: Is there a place where using the Alda Method would be particularly beneficial to embed? If you had a magic wand and you could embed it somewhere, where would it have the most impact?

Brenda: I would say federal funding. As part of federal funding, when people get grants, you’re starting to see the shift of what are the broader impacts of this project, we’re starting to see more interdisciplinary work come together and really be the requirement for some of these funding opportunities. And so actually coming in and having the Alda Method be part of an award, [LAUGHTER] a post-award requirement, have your research team and your community partners all go through this training together, learn how to not just do the research, but disseminate it out. Communicating it out is half the battle. If you’re doing all this research and you’re publishing in journals that the general public isn’t reading, how much impact does it really have? So being able to not just present it in the ways that we’re used to, but also to have conversations about it. I think a lot of people are not as comfortable with presentation in general, but then when you get into a conversation with interviews, or the media where it’s a little more uncertain, we’re just not trained in that, especially in a lot of the science fields, there’s just not a lot of training and expectations of that even in classes, so being able to weave it in. I would say in a perfect world, if I could put it anywhere, that’s probably where I’d put it to really give these teams who are being awarded all this money, an extra tool in their toolkit to really be able to go out and disseminate that amazing work once they’re finished and throughout the process.

John: And as you were saying that, I was thinking back to COVID, when I was reading any scientific article by epidemiologists, or by other researchers, but then I’d hop on Facebook, or I’d look at Twitter and the discussions there seem to be somewhat different than the ones that were showing up in the journals or in the working papers. And I think you make a really good point there about suggesting that when people are going to do publicly funded research, having them develop skills in disseminating that information to the public could be a really useful public service.

Brenda: Well, I think what that also shows is the importance of knowing your audience. I think a lot of times we get up and we give presentations, because we think that’s what people need to know, and what people want to know. And when you actually start talking to them, that’s not actually what they’re interested in. So being able to have those conversations and break those walls down could really give scientists a whole new way of knowing and a whole new way of understanding their audience and what’s meaningful for them.

Rebecca: I like that you’re also kind of pointing out that the audience might be curious about things. I think sometimes we’re so in our own discipline or our own lane, that we forget that people outside of that lane might be curious about what we’re doing, or about what we’re studying, but don’t always have the language or a way to ask those questions or have access to that information.

Brenda: I think we take a lot for granted too. At the Alda Center, we call it the curse of knowledge. You don’t know what it’s like to not know something, once you know it. [LAUGHTER] It’s training we give doctors a lot. Remember what it was like the first time you heard this information. And imagine that it’s the first time for your audience. So even in talking about academic programs, there was this one time I was sitting next to a guy on an airplane, of course. And I said “oh, I do communication research.” And he’s like, “Oh, well tell me more about it.” And so I wanted to talk about my research into teams and healthcare. And I started talking and he was like, “Okay, so health communication, what is that?” And so our whole conversation evolved into a discussion of just defining health communication, something that, for me, was just part of my everyday vocabulary. So it wasn’t jargon to me. But in talking to someone else, it was a good reminder that hey, not everyone knows what this means. This is great. Like, let’s talk about it.

Rebecca: There’s been lots of things for us to think about in this conversation. So thank you so much for all of the food for thought. And we always wrap up with one final question, which is: “What’s next?”

Brenda: Well, that’s the million dollar question. For our graduate programs. I think we’re hoping one day to be able to build out a PhD program in communication so that we would have a professional pathway but we’d also have an academic pathway for those that are interested in that. For the center, continuing to build new programming and listening to the audience’s needs. What was important 5-10 years ago is not necessarily the same thing that’s important today, and what’s important today won’t be the same thing that is top of mind 10 years from now. So think just continuing to be present and listening to our audience’s needs, whether that’s public, whether that’s potential students, and just being able to respond to that and staying true to our mission and staying true to the science, I think will make a better world for everybody.

John: Well, thank you. We’re looking forward to seeing more informed science communication out there in the world. And it’s great that you’re doing this and I hope this spreads.

Brenda: Yeah, thank you so much for having me.

Rebecca: Thank you so much.

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John: If you’ve enjoyed this podcast, please subscribe and leave a review on iTunes or your favorite podcast service. To continue the conversation, join us on our Tea for Teaching Facebook page.

Rebecca: You can find show notes, transcripts and other materials on teaforteaching.com. Music by Michael Gary Brewer.

Ganesh: Editing assistance by Ganesh.

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339. Industry to Faculty

Some faculty begin teaching as a second career, after working in industry. In this episode, Kevin McCullen and Michael Walters join us to discuss how their prior careers in industry helped prepare them to design authentic learning experiences for their students.

Kevin is an Associate Professor of Computer Science at SUNY Plattsburgh. Prior to joining the computer science department at Plattsburgh, Kevin worked for several years at IBM. Michael is an Associate Professor and Chair of the Physics Department at SUNY Plattsburgh. Prior to joining the Physics faculty, Michael was the CEO of EISWorks Technologies and a metrology engineer for Corning Inc.

Show Notes

  • Design Automation Conference (DAC)
  • Consortium for Computing Sciences in Colleges (CCSCNE)
  • Clark, D., & Talbert, R. (2023). Grading for growth: A guide to alternative grading practices that promote authentic learning and student engagement in higher education. Taylor & Francis.
  • Lang, J. M. (2008). On course: A week-by-week guide to your first semester of college teaching. Harvard University Press.
  • CircuitPython
  • R.P. Colwell, At random – Employee Performance Reviews, IEEE Computer, 35(9), 12-15, Sept 2002

Transcript

John: Some faculty begin teaching as a second career, after working in industry. In this episode, we discuss how prior careers can prepare faculty to design authentic learning experiences for their students.

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John: Thanks for joining us for Tea for Teaching, an informal discussion of innovative and effective practices in teaching and learning.

Rebecca: This podcast series is hosted by John Kane, an economist…

John: …and Rebecca Mushtare, a graphic designer…

Rebecca: …and features guests doing important research and advocacy work to make higher education more inclusive and supportive of all learners.

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John: Our guests today are Kevin McCullen and Michael Walters. Kevin is an Associate Professor of Computer Science at SUNY Plattsburgh. Prior to joining the computer science department at Plattsburgh, Kevin worked for several years at IBM. Michael is an Associate Professor and Chair of the Physics Department at SUNY Plattsburgh. Prior to joining the Physics faculty, Michael was the CEO of EISWorks Technologies and a metrology engineer for Corning Inc. Welcome Kevin and Mike.

Mike: Thank you.

Kevin: Hello. I will just say 32 years is several.

John: It is. [LAUGHTER]

Rebecca: I think that’s the official definition. Well, today’s teas are:… Kevin, are you drinking any tea?

Kevin: I have Harney and Son’s Hot Cinnamon Sunset.

Rebecca: Oh, that’s a good one.

Kevin: It’s my go to tea.

Mike: And I accidentally left my tea in the car, but I do have a cinnamon tea that is by Tazo.

Rebecca: Yum..

John: Very nice.

Rebecca: Cinnamon’s are a favorite at my house.

John: I have that too, and I enjoy that one. Today, though, I have a spring cherry green tea.

Rebecca: And today I have Hunan Noir, which is very tasty.

John: Each of you received a PhD and worked in industry for a number of years before joining the professoriate. We’ve invited you here to discuss the transition from industry to academia. Many of us just went to school and never left. And we thought it would be interesting to hear the perspective of people who’ve been out there working and returned to academia. Could you tell us a little bit about your initial careers in industry?

Kevin: Well, actually, I took the roundabout path in that I joined IBM after my bachelor’s degree and IBM paid for my graduate work through programs that they don’t have so much anymore. And I always wanted to teach. And when I graduated as an undergraduate many years ago, I was kind of burned out on school. And then it gets hard to leave after a while because it becomes very comfortable. But eventually I kind of felt like it was time. I was becoming I would say more uncomfortable in the situation I was in in industry and opportunity presented itself. I had actually been looking for a number of years for a good local opportunity because I didn’t want to relocate. My wife still works for IBM. And Plattsburgh had an opening and I applied for it. And there’s a very funny story in there with the conversations with my management over that. But I applied for it, and they accepted me, and it’s been a lot of fun.

John: You mentioned a funny story, I think [LAUGHTER] that requires a follow up.

Kevin: Oh, it was just that I had submitted a presentation to an industry conference. So I’d gone through all the clearance work to get it approved, patent clearance and all those things, and it was not accepted. And then when the position opened up, and I applied for it, and Plattsburgh invited me to come over and give a presentation, I went to my manager, and I said, “So do you remember that presentation that we got approved for DAC? Can I go give it at SUNY Plattsburgh?” And she said, “Why?” And I said, “Well, they have an opening, and I’d like to apply for it.” And I said, “Don’t worry too much about it, because my guess is that they can’t afford me, even if they do give me an offer.” And she said, “Sure, go ahead and do it.” So I came back to her about a month later. And I said, “Good news or bad news. The bad news is they can’t afford me. The good news is I’m going to take the job anyway.” And we parted on good terms.

Mike: So I did get my PhD before starting in industry. And I sort of backed my way into industry. I was thinking about staying in teaching, but I was worried I wasn’t a good enough physicist to actually go for it. I have impostor syndrome very badly. And so I looked at going into industry because I was worried I was going to only teach freshman physics for the rest of my life, because that’s the only thing anybody would trust me to do. I went into industry for nine years, I did not have to approach anybody to see if it was time to leave, because they approached me and said, “Congratulations, you work your way into a research position at a production facility. That’s a pretty awesome job. And now we’re in a recession. So we don’t need you. Goodbye.” [LAUGHTER] I applied to a couple places in industry, had a position semi-offered to me at a solar panel facility in Oregon. And I could not say to the person who’s trying to hire, “Do you want this job?” He asked me three times. And after the third time, his shoulders just slumped and said, “You can just tell, okay, that was done.” And on my way home, my wife asked me, “Well, how did it go?” I’m like, “ah, I didn’t get that job.” I told her what happened. She’s like, “That’s lovely, dear. You have to figure out what you want to be when you grow up because we need a paycheck.” And at that time, I said, “Do you mind if I tried to go back into teaching? I think I really want to go back to it. Maybe I can not teach just freshman physics.” And so I adjuncted for a year at two institutions near my parents’ house. And SUNY Plattsburgh was looking for somebody who had a physics background but had engineering experience for their engineering three plus two program. I was a visiting professor for a year and then worked my way into a regular position.

Rebecca: I think there’s a lot of folks that are considering moving around and shifting careers at different points in their career. Can you talk a little bit about what that actual transition felt like that first year, maybe, back in academia?

Mike:Well, I can say three things that strike me when I was moving back into academia. Number one, I surprised myself finding out I can teach something besides freshman physics, so that was a great thing to figure out in getting some confidence there. The second thing was, and Kevin and I have joked around about this before, the pressures of academia in general, compared to the pressures in industry are at different scales. [LAUGHTER] And so we used to have fun when people would come up and talk about the pressures of doing stuff, we’d sort of chuckle a little bit, and go,”Yeah, this is pressure,” and I respect it, because there is definitely pressures in academia. But we can also talk about the times when you’re sitting around the office going, “Am I on the cutting block this time around?” …because you know, layoffs are coming this month, or even if you’re not on the cutting block, looking around at your friends and going, “Who’s not going to be here next month?” …is not a pleasant feeling. So being in academia made me feel more relaxed. I didn’t have tenure yet, but just the idea of knowing you belong, and you would know, hopefully, coming up if something was going to happen that way. And lastly, the camaraderie of the department … I am blessed to be in a department that was a very close-knit department. They were very supporting, they felt bad that initially, my office was in the middle of nowhere in a closet, basically, because that’s all the space they had. Kevin, I was on the fourth floor in one of those little side cubby holes. I only could see the sky from a skylight, literally everything else was cement.

Kevin: I thought you were talking about the office I first saw you in which also resembled a closet.

Mike: Yes, well, that was a different closet, [LAUGHTER] but it was a better closet. But anyhow, it was great having that camaraderie and having that trust, and that trust grew into a new major, because they trusted me to go ahead and take out the robotics major, and kick the wheels and let it go out for a spin.

Kevin: For me, it’s autonomy. I see a lot of people, I read the Chronicle and such, and it’s like making the transition to industry, and I’m thinking they’re going to have an interesting end of the year when they sit down with their manager to talk about how they did against their goals for that year, because it can be a little head spinning. My first year, I kind of felt a little lost, because it’s like if you had a guide, if everything you do is coming down from above, even if we get to a relatively high level in an organization like IBM, you’re driven by strategies that are sent to you and you are a piece of that strategy. And now you’re kind of an independent agent. And it took me a little while to get comfortable with that. But Mike and I both know people who really, really are struggling with the pressures of academia and all the things. I feel like I have a lot more ability to say “JNo,” and to say, “No, this is my limit of how much I am willing to take on and so I’m just going to steady on here.

John: I was talking to one of my advisees, who’s planning to go into a PhD program. And he said he was researching the market for a PhD economist, and he noted that jobs in industry paid a lot more than jobs in academia, and jobs in the government was somewhere in between academic jobs, and that, and he asked why there was such a big difference. And I used basically the argument that you just used, that you get a lot more autonomy when you’re in an academic setting, in terms of research, in terms of what you teach, in terms of what you focus on. And that’s something that I think we all value quite a bit. Was there anything that was surprising when you made the transition to an academic environment full time?

Mike: I’ll go with the autonomy. I mean, that was really surprising. Where all of a sudden nobody was breathing down my back. Where are the deliverables that you were supposed to get here? Other than getting classes together and doing your best that way? Yeah.

Kevin: I’m gonna go back to actually, it was a funny question I asked the Dean when I was hired, because I have kind of a long commute, as does Mike. And I was a little concerned about doing a commute from Vermont to New York five days a week on the ferry. And I asked the Dean, what are the expectations in terms of like, where you work, because even at IBM into the 2000s, we did a lot of working from home, pretty flexible work environment. And he said, one of the biggest changes when he moved out of teaching into administration was an expectation that he was in his office. And it’s the freedom and the flexibility. I’ll say one other thing, that was kind of weird, though. It’s the summers, and I’m a volunteer with several organizations. And immediately there was an assumption that I had nothing to do during the summer, and that I would immediately become available to them. And what I’ve taken to telling people is, the way that summers work is, I have a lot of things to do, but nowhere I have to be. And by the way, biggest surprise is that from what I have observed, we have the whole summer and everyone still does their syllabus three days before the semester starts.

Rebecca: We’re deadline driven, [LAUGHTER] just like our students. We are no different and that’s for sure. Can you talk a little bit about how your prior work experience has shaped your teaching practices.

Mike: So when I first came back into teaching, I taught in a very traditional sense. I would have the PowerPoint slides, I would have the graded homework, I would have the tests and exams in class so we can make sure everything is all above board and all that other fun stuff. And then as I go through, I think more and more back on what was important when I was working, and how that work environment operated. I now have moved as far away from trying to test as minimally as possible, if not never, and do much more project-based learning because that’s what I did. And even when I give a test, I would give a two-fold piece of the test. The first bullet piece is the closed book portion, which never ever had a calculation in it. And I told my students, when I was at a meeting, I was there as a knowledge source. And so I’d have to know somethings off the top of my head. That’s what they paid me the money for . And then if they asked me a question about X, Y, or Z, that had to have some calculations based into it, we’ve never had to do it right there on the table. That was not something you did. You could go back to your office, you could use all your resources, you could pull together the things you needed for that project. And so I tried now to model my classroom along those points, I will tell them, these are the things you need to know off the top of your head, this is the stuff that they’re going to pay you for that boom, boom, boom, you need to know. But everything else, Google is your friend, having your textbook there is your friend. And so on any of that stuff it’s open book, open notes. It’s a little harder with AI now. I’m not going to lie. But still, in general, if I was in industry, that would probably be where I would start as well. Oh, I need to do this. Okay, “Hey Google blah, blah, blah, blah, blah.” There’s my starting point. Now let’s move on forward.

Kevin: I think two things. So I spent the 32 years that I was at IBM, I spent one year doing microprocessor design and the other 31 years, I was in software development. And I’m a big believer in soft skills. And some of that comes from also being an ex-Scoutmaster, and heavily involved in scouting. But I tell my students, I try to instill in them the idea that your communication skills are vital to your advancement in your career. Everybody can code, but as you advance in your career, as you go further up the ladder, you’ll have larger responsibilities and you have more communication responsibilities, till you reach a certain point in which you live from being as technical toward being more in terms of communication. But one of the last things I worked on was I was basically project managing the, what they call the enablement for a test site, which is to say, just getting all the pieces together to build an experimental chip and a new technology. And that was primarily a communication job, it was a project management kind of thing. The other thing is the importance of group work and project work. And being able to work with other people that those, I think, as well as for my computer science students, algorithms really do matter. And anybody can write code that slow. But it’s important that you understand enough of the algorithms. And that’s because I entered industry as an electrical engineer, I had no background in any of those things. And I wrote some spectacularly bad code, when I was back in my 20s, before I started taking some graduate courses and going, “Oh, wow, there’s a better way to do this.” And so those are kind of the things that I think are important.

Mike: I want to piggyback on the group work part, I do a lot of group work as well. And one of the things I tell my students because I will always get the “Well, I’m the strongest person on this team, I’m doing all the work.” And I go to a “Yeah, congratulations. I said there was never a project that was less than $20,000 I worked on by myself. You’re always part of a team, you’re never a loan problem solver, if there’s money involved, because they want the others to be part of it and keep track of it and make sure it happens as fast as possible.” So group work where sometimes we let them off because of the whole stigma of “I’m going to be the only person working on it. Everybody is going to be a hanger on.” Well, when you get paid, that’s going to happen too and all you have to do is smile and say, “Yay, thank you,” and keep going [LAUGHTER] because you’re getting paid to do the thing.

Kevin: But I’ll just add that there’s no industry group I’ve ever worked on, where there weren’t checkpoints and communication of where things were. And so I know Mike does a lot of these kinds of things as well, which is the idea that what happened when we were undergrads where they basically say, “alright, you’re in a group, go do this, and then deliver the product.” So even in student groups, the importance of having checkpoints, and I basically have them write progress reports like you would do in industry along the way. It’s not “Here’s the project, go do it. Now here’s an end result.” It’s more like “Okay, you’ve gone for a week. What has each person done? What’s your next step?” Those kinds of things.

Mike: And while we’re trying to develop these skills for students going into industry, we think that there… well, I say, and probably Kevin will agree, they’re important no matter where you’re going to go into, including academia or any of the other spots. So I don’t want to make it sound like we’re trying to educate students just to go into a particular engineering job. But this is more of a realistic facet of life in general.

Rebecca: Do you think you both would have found this same path in teaching had you not had the industry experience and kind of underscoring and value some of the same things that you do now?

Mike: Absolutely not. You like what you’ve seen, and so we would have seen “sage on the stage,” and that is what we’d do. And to a point, that’s where we all start, right? I mean, there’s that sage on the stage piece, and then you start saying, “Okay, there’s got to be something better, because I’m not reaching all my students.” So how can I do that with the knowledge that you never will reach all of your students, but you got to give it the best bet you can.

Kevin: I think when I started, one of the big differences was the deference that people showed, it’s like, “Oh, you’re a faculty member, oh…”, and I worry, actually, if I had been 28, and started teaching at that point, that that would have gone to my head, and I would have started to believe my own PR. I don’t see people around me with that problem, but kind of a stereotype of academia. And you do read stories about actual faculty who are like that. But working in industry can give you a good strong sense of humility, because you have successes, and you have failures along the way.

Mike: So I will say in industry, there was still some of that out there. I mean, I used to get emails from my PhD colleagues down in Painted post, who would talk down to me because I was at a plant saying, “Oh, let me explain this to you in very simple terms.” In the very next email, I would just respond. “Well, thank you so much for your guided steps. Dr. Michael Walters, PhD da da da da da.” it was amazing. The next email was much more as an equal instead of I will talk down to you because you are way out there in the hinterlands. Do you know how to rub two sticks together to get fired, because you might need that you’re in the cold part of the country.

John: That reminds me of a time when I was coaching soccer for my sons’ teams. And there was another child who was on the same team three or four times over a space of four or five years. And there was an article that mentioned me in a local newspaper, and this mother came up to me and said, “Well, I knew you worked at the college, but I assumed you were a janitor there.” It was an interesting experience, because she always saw me out there in sweatpants and t-shirts and just assumed “Well, that’s not how a professor looks.” I think maybe that attitude is more common in elite private institutions, Ivy League, and so forth. I don’t think I’ve seen it at Oswego, which is very much like Plattsburgh, in terms of being a four-year comprehensive college.

Kevin: Well, if you wanted to, you could have coached in the tweed jacket with the elbow patches, and then they’d have all known.

Mike: And a pipe, you gotta have the pipe. You don’t have to put anything in the pipe, because that’s bad. But just the pipe itself.

John: I actually had one of those sports jackets. And it was a running joke with some of my students back in the 1980s, [LAUGHTER] because I just had that one sports jacket, and I wore it whenever there were honors, awards, and so forth. And they still ask me about it 35 years later. [LAUGHTER] But you know, one of the things I’m hearing from both of you is that you’re both doing some authentic assessments, which is something that we’re trying to encourage faculty to do in general, to move beyond the traditional types of teaching. How do you find that students react to these types of group projects or the teamwork or other things that you’re having them do?

Kevin: I’ve had, I think, a lot of success with it. I can’t think of any really bad experiences. Mike’s nodding his head. But I have a poster actually coming up at CCSCNE on our tech startup class, that actually, Dr. Del Hart, our department chair, the person who kind of came up with this idea, and then he came to me and he said, “So you’ve worked in industry, and you’ve been a Scoutmaster, how would you like to try leading this class, and it’s a multi-level multi-semester class where students basically can take on different roles based on whether they’re 400, 300, or 200 level in the class, and projects can run for multiple semesters?” And it’s probably one of the most fun classes I’ve ever taught. Because a lot of times I found myself, I don’t teach it now, but I found myself actually telling them “Slow down a little bit. Let’s establish some realistic goals. I know you’re very excited about what you want to do here.” But I think generally, I find the project work goes really well. But I do try really hard to make sure that I’m aware of what they think is going on with their team through various assignments that I collect that are like reflections or statuses.

Mike: I’ve had overall success. There have been times where there’s been failures, one or two semi spectacularly. We do a intermediate robotics lab, which is a project-based group class and at the beginning of the semester I give them what I call a 90% google-able project and say “Okay, from here on out, your group is now doing this for the rest of the semester. If you get done with part A, there is a part B you can have as a stretch goal if you want, but this is what you need to do.” And I try to emphasize that failure still means you can get an A, it just means that you failed at trying to get the project to work. The 10% is the hardest part of the whole project for any of these projects. Working for Corning, I was working on the bleeding edge of technology. And so I was always a horrible person till then in saying how long it’s gonna take to do something because I’ll say “it takes two weeks,” because it looks simple. And at the end of the two weeks, my boss would come back to me, “How’s that going?”” I got the first step kind of done.”” What do you mean kind of done?” “We’re still inventing something brand new, it didn’t happen as fast as I was hoping.” So when the project does work, this 90% thing, it’s great to see the students get excited, they see progress, they keep moving. And then what’s funny is then the cockiness will come out and say we can get this done in that three weeks, I’m like, “Yep, you’re just like me, we’ll see you at the end of the semester.” And sure enough, [LAUGHTER] that’s when it’ll happen, because they’ll run into wall after wall after wall because that last 10% is hard. But I do get sometimes, like this past semester, where the project I picked ended up being a failure. By the end of the semester, it did not work the way it was supposed to work, they could not get the robot to do the thing. And you can tell that towards the end, they were getting really down. I mean, really, really down. And at our final session where we basically talked about what worked and what didn’t work for the project, basically, I told them, “This is what happens probably 25 to 50% of the time in industry. You’re going to work on a project, work on a project, and it’s not going to work.” And there’s times when you got to sit down and say why doesn’t this work? And then go to your boss and say, “Well, you either a didn’t give us enough information, or enough resources or a combination of the two.” And I told them, “I didn’t give them enough resources to make it happen.” But we got to this point. So I pumped them up like, “Here’s the teamwork that you did, this is all great.” And they all got their “A” because every single person contributed and worked towards it. But those failures can sometimes be problematic. On the flip side of it, doing so much non-assessing means I go ahead and give them a lot of homework assignments that once again, are graded basically, “did you hand it in?” Did it kind of do the thing was supposed to do? Yay, you get all the points. And what’s funny is I thought this semester where I cut up all my tests. I have no test this semester whatsoever. Everything is you have homework, classwork, and a project. That’s it. And the beginning of semester, I was nervous. I was like, how am I going to differentiate? Not that I care. If all the students get As I’m happy. But I just want to know if I had to differentiate, how am I going to do the differentiation based on the system? Well, my students have proven to me that they can self select, because they stopped doing assignments. So they stopped doing whatever. And it’s like, “okay, this is how self selection will work.” It’s not that I don’t even come to them, say, “by the way, you haven’t handled this in…” “yeah, I’ll get to it.” We’re human, they’re not going to get to it. And that’s fine, too. But it ends up being almost more psychological of “You didn’t prove to me, not only that you didn’t know the material, but you also showed that you didn’t have the discipline to get that piece done.” And whether that is the focus of my class or not, I don’t know. That’s the negative to this type of assessment. I can’t tell if it’s because they didn’t know the material. So therefore, they didn’t feel comfortable trying to finish the assignment, or whether life happened. And that’s the only negative I’ve seen so far about using this assessment, because you see them not be so stressed, because there’s a test coming up and not be so focused “I’ve got to cram this thing together,” then five minutes later don’t know a single thing when you go talk to me in the hallway about what I put on the piece of paper.

Kevin: It’s funny in that class that I started by actually did something that would be called ungrading. And I used something I’d found in an article years ago, I could find the reference if I had to, but it was how Intel assessed people is managers would come in initially with a sheaf of overhead slides, then they’d have “this person should be promoted.” And you look at it’s here slide 1 of 60 kind of thing. And they went to this thing, I think they call it three up, three down, where you had to give three positive and three negative for the person and then summarize. And I actually had my students in that class for their midterm and their final grade, they had to do those. They had to do a self assessment, they had to tell me three things they were proud of, three things they could have done better or they didn’t do well, what they thought their final grade shouldn’t be and why. That class, though, that was a pretty much a highly selective class, that it was very, very seldom that a student checked out. And part of that was because the person in charge of their project was the 400 level student who they had agreed to work on that project with. And so there was a lot of peer interaction that led to just generally, I think, really good outcomes. Dr. Lecky’s teaching the class now, and from what I hear, he’s having a very similar experience with that course sequence.

John: One of the things we’re doing right now, and I know Kevin, you’ve already been participating in this, is a reading group on Grading for Growth by Robert Talbert and David Clark. And one of the points they make in their book is that, while we’re so used to traditional grading because we grew up with it, and that’s what we’ve always done in some way, one issue is the only time people tend to be graded this way is in academia, when they’re working in industry, they’re reviewed, but they don’t get grades, they either meet the requirements or they don’t, or if they exceed them, there are chances of promotion and so forth. But in pretty much everything else, including our own careers, we get renewed, we get tenure at some point, and there may be some other additional pay increases based on how well you’ve done. But we don’t get letter grades. And we don’t get numeric grades every year. And one of the things I’m noticing is you’re both doing some types of grading that are closer to the types of experience that you’d find in industry. Do you think that made you perhaps more willing to try these types of things that a lot of faculty have been really reluctant to experiment with?

Mike: I think so. When we talk about the industry thing it brought back a story, I one time was in a review, and I was rather well paid at this plant. And so they had high expectations for the salary they were paying me. I remember, I was talking to the plant managing engineer and they even brought the plant manager in during my review. So either this was gonna be a really good thing or a really bad thing. When I walk into the room. It’s like, okay, which way is this gonna go? I thought it was a bad thing. But what’s funny was they gave me a “met expectations.” But the plant manager turned to me he and he goes “I expected you to “exceed expectations.” I’m like, “Well, how am I supposed to exceed expectations? By default, you’re saying that is your expectation. So therefore, I either met the expectation or I didn’t.” And we got into a heated verbal argument for a little while. And eventually, I said, “Look, you either give me met expectations, or I didn’t meet expectations, I don’t care. But what you just said makes no sense.” And she threw up her hands and left, and I got “met expectations.” But it was just one of those things. It’s like even using these types of methodologies, sometimes you get conflicting viewpoints that goes forward. As to what your question asks, yeah, I think with the industry, this is why I’m gravitated towards that. I teach a class called fundamentals of engineering design. And when I tell the students why this class is there, I said, it’s everything I wish I knew as an engineer, before I became one. I was a physicist, I didn’t go through any of these preparatory courses, and then boom, here’s an engineering role, go run with it. And so being able to help my students be in a better situation when they go out into industry, which I assume most of my students are going to do, is a good thing. And any of the skills they pick up because of this isn’t bad if they stay in academia. Maybe this helps break the cycle of, we only can test and do homework for grades. By the way, I’m just gonna throw out my pet peeve for all of you out there listening. My biggest pet peeve is if you grade homework like a test, and count it, where are the students supposed to make the mistakes? That’s the thing that always used to tick me off. Where do I practice and get legitimate feedback on my practice, to know where I’m making a mistake such that when I go ahead and then perform, I know I’m performing at a higher level. That part always bothered me when I was an undergraduate. That was from day one, when I started adjuncting, I said, I’m not going to do that. Homework is going to be: did you try it or did you not try it, period, That’s it.

Kevin: I’m gonna make just one little thing. IBM really, really tried very hard for a long time to just grade people. We had a system where you had an appraisal or a personal business commitment. And at the end of the year, your manager basically gave you a score from one to five. The system changed many times over my years, but: one was, you’re on track, we’re going to promote you, you’re doing awesome, and a five was it was nice knowing you, but you generally knew where you were going to fall. And I won’t get into all of the arguments over the years as to whether there were ratios or stacked ranking, and at what level in the organization, there was a quota on how many could be at each thing. Actually, those kinds of systems caused a lot of the negativity that made me think that maybe I wanted to go to teach. I think, for me, one of the really big things has been, as soon as I started teaching, I started trying to learn how to teach, because I walked in the door, I adjuncted for one class at the University of Vermont, it was a graduate-level course and I really enjoyed it, and it was great. But I realized how much I didn’t know about teaching. I had my teaching statement when I applied for the job, actually leaned really, really heavily on stuff I’d learned as a boy scout leader, and then like a leadership course called wood badge, a six day leadership program. And I had learned a lot of what was basically active learning as part of that program, something called the edge method: Explain, Demonstrate, Guide, Enable sort of thing. And so I had kind of this foundation that came from a very non-traditional place in terms of pedagogy. And I came in and I started out doing exactly what I had experienced, which was you stand up, you lecture, you use PowerPoint, it’s really cool, you give homeworks but at the same time I started reading stuff and a lot of it was James Lang’s books. I think I’ve read all of his books, because the first one I read was On Course, and I think that they should give every new faculty member a copy of that book during orientation, because it got me through my first year. I have a copy in my office that I think has got a thousand post it notes stuck in it. And then I started reading his other books. And then I started reading the books he was talking about. And these days, I love to teach my classes in our programming lab, because when I can, it takes more prep time, but it makes actually the class easier for me in a lot of ways to do a little bit of lecturing and then say, “Okay, now you get the computer in front of you, go make JavaScript to do this.” And I’m going to walk around the room and help you do it. And so you’re kind of turning even lecture sections into labs, in that sense. And I find that’s a lot of fun for me. And I think the students find it more interesting, because some of them kind of struggle. But the thing is, there’s me, and there’s the other students around them. Like when I give quizzes, now I hand out a quiz, I say, “Take about 10 minutes and work on this.” And I say, “Okay, now compare your notes with your neighbors.” And then I say, “alright, let’s discuss it.” And at the end, I collect it, and basically say, “There you go, you get credit for being here, because you did this.” And I have a couple of students and Mike would know their names, I won’t mention them, they sit there, and when I give him one of these things, they’re way beyond anything I’ve even envisioned, they’ve gone off. But other students, I have to sit with them and help them. And I just find that’s a lot more satisfying for me as a teacher than to stand at a whiteboard and scribble on it for 50 minutes, or mine are all an hour and 15 minutes this way I set my schedule up.

Mike: I’ll agree with that, and I’m actually moving more and more of my courses over to, I will give you the bare minimum that you need to do what I’m about to ask you to do, and then go do this thing. And practice it there. And I’ll walk around, I’ll help out, we’ll talk to everybody, make it much more of a laboratory class, even though it’s not a laboratory class, just because the interaction between their peers, their interaction with me, becomes more of a one on one instead of one on many. Way back when, I used to start off my class, when I would teach introductory physics with saying, “You could learn from the book everything I’m about to show you, and that’d be great. And if you never show up and just show up for the test, you could do that. Awesome, congratulations, we’ll see these dates and have a great time. I know. But if you come here and just listen to me, that gives you the book and me. But here’s the more important thing, look around the room, there’s 40 other people here. So that’s me, 39 other people and you. All of a sudden you have lots of teachers that could work with you. And as long as I help facilitate you being able to use that resource, you have many, many more options, because I might not have the analogy you need. But your friend next to you or the one over two rows from you might have that analogy you need to make that connection.”

John: Could you each share some of your favorite teaching activities that you use in your classes?

Mike: I’m trying to teach them brainstorming methods, especially technical brainstorming. I have 1 2 3 4 5 6 whiteboards in my room. And I’m going to ask in front of each whiteboard, “I want three technologies, just random three technologies.” I’ll keep writing them down without telling them what’s happening, three technologies on every whiteboard. And then I break them up into groups and give them each one color markers. They always use their color marker and say, “Okay, now the six groups go to each of your boards, you now have two minutes to write every single technology product you can come up with, that’s a combination of some sort, matter, or form of those three technologies.” And sometimes like it could be weird stuff like ice cream, rocketry, and such and such, and I’m like, “Yep, now you got to figure out how you’re going to combine those three.” And I tell them, “Okay, so if you’re the first person on the board, you’re gonna put a one next to your thing, you only get one point for every one you come up with. Then you’re gonna draw a line and the next group comes up, they get two points per thing they come up with, they can’t come up with something that you already have, all the way up to that final group, where now five of the groups that brainstormed, but everything you come up with now is worth six points.” So it’s like you get one or two things you just made up for your first board and second board without a problem. But it really shows them, sometimes those six pointers at the end, when you’re really just grasping at straws, become the things that you want to move forward on. It goes to writing even. So I know when I do my writing, it’s like that first draft, you did all the easy stuff. Now throw out all the easy stuff, and I’ll start putting the second and third order stuff that might make it much more interesting.

Rebecca: That’s a great exercise. It’s really hard to get students to get to that further step. They want to stop at step one or two.

Mike: Oh exactly, and making it a competition of which team can get the most points, get some of them, their juices flowing. And it’ll be funny because at the end, we go through everybody’s stuff like “is this a legitimate idea?” No, cross it off. Then it doesn’t count. That’s a group response of rating, basically, of the thing. And it’s funny because at the end, most of the time, I can’t get through all six boards by the end, and they’ll be sitting there going: “We got to finish this. I want to know who won.”

Kevin: …favorite teaching activities. I really do like and I do it a lot now, which is to give the students little coding challenges in C++ or JavaScript class, which is to basically hand out something that looks like a quiz, but it’s basically: here’s some coding, let’s do do this simple coding thing in class, because if I handed out as a homework, well, they could try using ChatGPT. Although I have to at some point talk with Mike about the fact that one of my students tried that and ChatGPT hallucinated a library for circuit Python that doesn’t exist. And as I said, on social media to my friends, I’m happy to set up a PayPal account, if ChatGPT wants to hire me as a consultant to debug their program’s mistakes, because the poor student had no idea what to do, because the code he was given was incomprehensible. But I really like giving the students an exercise to do in class. The second place I would say, was, when I taught our ethics course, I did a lot of debates in class. And sometimes I would let them self select what side they wanted to be on the issue like drone warfare things, other times, I would kind of assign them. And when they balk at that, I’d kind of lean hard into my own experience and say, “Well, you know, I debated in high school, and you didn’t get to choose what side you were on. And it helps sharpen your brain to argue something that you don’t necessarily agree with, to try to logically follow it.” I would say for in classroom, those would be for out of classroom, like project kind of things, the posters, having students do a poster session, at the end of the semester, actually printing the posters, and putting them up in the lobby of our building. And then having kind of a little session where people can walk around, just like a conference poster session.

Rebecca: it’s really great to hear the different ways that both of you have incorporated your industry experience into the classroom from changing grading systems to thinking about consistent feedback throughout the semester so that students can learn and always being on that verge of not quite knowing what’s coming next, like you are often when you’re in a tech field and having to constantly learn or have professional development or try things that are brand new to you. But we always wrap up by asking: “what’s next?”

Kevin: I am, as the phrase goes, playing with house money. I was at IBM for 32 years, my wife still works there. I continue to do this because I really enjoy it. And I love all three aspects of the job in academia, I love the research, which we do research, I think I would say with a small r,, not like R1 with a capital R. I love the research, I really liked the service. All that time I did at IBM, I can do committees like you wouldn’t believe. I know how to do that kind of stuff. And I know how to be helpful in that way. And I love the teaching. I mean, I’m teaching an honors seminar on algorithmic bias this fall that I’ve taught once before. I really enjoy teaching a new class every once in a while or creating a class. It’s a very intellectually stimulating field. And I’ll just do it until my wife and I decide it’s time to be able to go to Disney World in September or something. And my guess is that a few years down the road, I’ll probably retire. And I will continue to adjunct because the great thing about adjuncting is you can keep an email address and you can also still get discounts on software. [LAUGHTER] I kid you not. It’s kind of like “Hey, I’ve got all of the Adobe tools and I was playing with Dreamweaver for my JavaScript class and generative AI creating images the other day.” I’m so curiosity driven that continuing to teach as long as I’m enjoying it.

Mike: My “what’s next” is to try to become a better evangelizer for the robotics major here at Plattsburgh. We’ve been growing it slowly, and I firmly believe in what opportunities it allows people to have it going towards the future. I run a not for profit here in Plattsburgh that works with middle schoolers and high schoolers to give them robotics opportunities on Saturdays. I do this major, I’m chair just so I can make sure I have the time to devote to doing things. It is fun, starting something and watching it grow up. And I’m just having a ball with it. All the stresses and anxiety that come with that as well. But yeah, that’s my what’s next.

John: And going back to Kevin’s comment, before you make the decision to go to Disney World in September. If you start teaching online or doing some more work teaching online, there is the Online Learning Consortium, which has a conference at Disney World in November, which is a really great time to leave the Northeast. And it’s a four-day conference, but you get the special conference rates at the hotel for a couple of days before and a couple of days after. So you might be able to combine those things.

Kevin: I will have to look into that because the best conference I ever went to is Design Automation Conference, it was held at the San Diego Convention Center and I went to that a couple times for IBM for CAD software and it’s one of those 6000-person trade show conferences, top end technical conference and on the trade show floor, everybody’s collecting polo shirts and desk-y gadgets, that kind of thing. It can be a lot of fun. And I have stories about that that are actually very funny as well, because when you’re at one of those and the part of the company you work for actually competes with many of the companies you’re visiting, eventually they kind of figure out that you’re asking questions that an ordinary customer would not ask. [LAUGHTER] And they’re kind of like, what exactly do you do for them?

Rebecca: Well, thank you so much for joining us. It was great to get a chance to talk to you in more depth.

Kevin: This was fun.

Mike: Thank you.

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John: If you’ve enjoyed this podcast, please subscribe and leave a review on iTunes or your favorite podcast service. To continue the conversation, join us on our Tea for Teaching Facebook page.

Rebecca: You can find show notes, transcripts and other materials on teaforteaching.com. Music by Michael Gary Brewer.

Ganesh: Editing assistance by Ganesh.

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338. Diversifying the Education Pipeline

Diversifying various fields and disciplines requires intentional work to create and support a pipeline of practitioners. In this episode, Laura Spenceley joins us to discuss specific initiatives to increase inclusion in the PK-12 sector. Laura is the Dean of the School of Education here at SUNY Oswego. She is an Impact Academy Fellow through the national non-profit organization Deans for Impact which works to strengthen and diversify the educator workforce.

Transcript

John: Diversifying various fields and disciplines requires intentional work to create and support a pipeline of practitioners. In this episode, we talk about specific initiatives to increase inclusion in the PK-12 sector

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John: Thanks for joining us for Tea for Teaching, an informal discussion of innovative and effective practices in teaching and learning.

Rebecca: This podcast series is hosted by John Kane, an economist…

John: …and Rebecca Mushtare, a graphic designer…

Rebecca: …and features guests doing important research and advocacy work to make higher education more inclusive and supportive of all learners.

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Rebecca: Our guest today is Laura Spenceley. Laura is the Dean of the School of Education here at SUNY Oswego. She is an Impact Academy Fellow through the national non-profit organization Deans for Impact which works to strengthen and diversify the educator workforce. Welcome, Laura.

Laura: So great to be with you two today. I’m really excited for our conversation.

John: It’s overdue. We’re really happy to be talking to you today. And we’re talking to you from a new room which the School of Education has graciously loaned to us because we lost our old recording space, and we’re now able to keep the podcast going. So thank you.

Laura: You’re most welcome. And truly, I can’t think of a more symbiotic relationship between Tea for Teaching, the opportunity to host you here in the School of Education, and continue this great work and digging into pedagogy issues across the education continuum. And having you right here in-house makes a lot of sense.

John: Our teas today are:… Laura, are you drinking any tea?

Laura: I am not a tea drinker. But I do have a robust French roast in my mug today.

Rebecca: A popular flavor of tea, as we’ve noted multiple times here on the podcast. I have Hunan Jig today, John, I thought it was a good celebratory sounding tea.

John: And I have a spring cherry green tea in a brand new School of Education mug, which I just received today. Thank you.

Laura: You’re welcome.

Rebecca: In your role as the Dean of the School of Education, you’re involved in the entire P-20 pathway. The School of Education has received two large grants to help support students pursuing careers in education. Could you tell us a little bit about these grants?

Laura: I’m thrilled to talk more about these opportunities. And these two projects are our teacher opportunity core grant, that’s our TOC grant and our Cultivating Representation in School Psychology grant. Both of these grants are, as their name may imply, designed to help us recruit, support, retain and move through into careers, teachers and school psychologists from a wide range of backgrounds. It’s a well known fact across most educational spaces that folks who are delivering instruction or providing support services don’t always represent the constituent student populations with whom they work. And each of these programs are designed to 1. help ensure that we have a representative and diverse education workforce. But more importantly than that, they’re also designed to ensure that as we recruit and matriculate students into our teacher preparation programs and school psychology program, that we’re investing in those candidates along the way, recognizing that students from historically marginalized groups are often more likely to have challenges in persisting through their academic programs, both undergraduate and graduate. So each of these programs has some similar foundational elements. That includes financial support along the continuum of their educational program, again, undergraduate or graduate, support for things like transportation, professional development opportunities. And those professional development opportunities are really designed to empower our students from those historically marginalized or underrepresented spaces in their fields with contemporary activities that will help them address systemic discrepancies in schools. So making classrooms more responsive to the needs of the multicultural communities in which they reside, helping ensure that our future psychologists and educators have opportunities to work with people along the way that look like them, that share their lived experiences, and build that really continuum of care around their success. It’s also a great opportunity for us as educators, leaders, teachers, to be invested in those spaces with them and hearing from their mouths, what their challenges are, what their opportunities are in districts and really working to empower them for a career in education.

John: And the School of Education has always been engaged in working with students from all these marginalized groups that you’ve mentioned. What other types of support, though, have you been working on developing in the School of Ed for students who are first-gen students, Pell-eligible students, or from historically minoritized groups?

Laura: It’s a great question, John, and I’m so thankful to have the opportunity to chat about it because I think sometimes, as is human nature, we want to create responses or programming from a perspective of “all first gen-students might need this thing” or “all Pell-eligible students might need this thing” and we’ve been certainly sensitive to the realities that those populations experience, but also have tried to take a step back and take a more nuanced approach to that work. I’ve had the opportunity to be in the Dean’s position for about three years now. And when I came in the door, it was the year after the global pandemic. And so, so much of what we knew here on a college campus and in our P-12 spaces in the community had just been turned on its head. So when I came into the dean’s office, one of the things that was really important was to hear from our students, our candidates pursuing their degrees, what are the challenges that you’re experiencing? And I need to give a shout out to Dr. Nicole Brown, our director of our clinical practice and partnerships office, she really had this vision of surveying students, engaging in some listening sessions with those students. And we took the opportunity to deploy a survey about how students were experiencing their programs, but also the challenges that they were experiencing. And those data were humbling, to say the least. We learned back in 2021-22, about one in five of our students was having to make the choice between eating and paying for gas to get to their placements. About one in four of our students had to go without a meal at a certain point so that they would be able to engage. We recognize, and this was not a new problem, but just how challenging transportation to and from their clinical sites was becoming particularly in a time where we were very sensitive to being in enclosed spaces. And so we took that opportunity to reflect on the ways we weren’t just to use quotes, “utilizing the resources,” like our teacher opportunity core program, but to really recalibrate the way we were engaging with all students. And so what that looks like right now is we’ve really taken an approach to engage with our students from the time they’re prospective students all the way through graduation and career placement. And so what that has looked like is we’ve had active faculty and administrator presence at recruitment events, helping prospective students and their families understand not just the phenomenal financial aid resources available to them, but demystifying grant programs like the Teach Grant program, like public service loan forgiveness, which is available to many of our graduates after a period of time, it’s also about helping those families understand what contemporary classrooms and contemporary educational careers look like. There’s so much animus in public media and in the dialogue around what’s going on in schools and giving our prospective students the opportunity to hear from our current students and our partners, what they can actually expect, not just out of their degree program, but the field, has been really impactful. On a more nuanced level, as a result of that survey, we have utilized a range of resources to help offset some of those specific concerns regarding transportation, costs related to certification, and food instability. I do need to call out our amazing student affairs team on campus that has made enormous investments in this space as well. And I think always connecting students to the most local resources has been a really effective way to ensure they can take advantage of those supports in a way that makes sense to them. For us, I was lucky enough to inherit a 12-passenger van that had been purchased right before the pandemic, and we’ve taken the opportunity to hire student drivers. We offer daily routes to and from the Syracuse area at no cost to our students, leveraging the generosity of our alumni and donors who have invested in the School of Education, we have made a commitment for any candidate that needs to get to or from their site and can’t use the van, that we’ve created an Uber voucher system. And so we’ve been able to put those funds directly in front of students. We’ve expanded our supports for certification exams and fingerprinting through really simply asking students: “Are these barriers?” and creating a process again, through our foundation funds, that we’ve been able to offset those costs in time of need. And then lastly, I think another part of this is helping our faculty understand the realities that our candidates are experiencing as they move through their degree programs. Bringing those data back from not just the survey but listening sessions we continue to offer as an open forum for students to share their concerns, bringing that back to our faculty and helping them understand in both a formative and accurate sort of way, what the experiences of our students are in looking to make changes, whether it’s to our core sequences, the way that we administer fees, encouraging open-access resources, building resource libraries within our departments, so that we can continue to wrap our arms around students, give them a great experience, and also ensure that something like a meal isn’t getting in the way of their ability to get to and from their site.

John: And one thing we should note is that Syracuse is about 40 miles or so from here. So the commute time for a student would probably be about 45 minutes to 55 minutes, depending on where the school is located. So transportation would be relatively expensive for students.

Laura: Yes, and it’s such a good point to make, and I know we’re likely to talk about partnerships later, being where we are here in Oswego, we are lucky enough to have amazing partners along the I-81 corridor from Syracuse to Oswego, almost to Utica, almost to Rochester. And so it is not unusual that our candidates are driving up to an hour each way. So absolutely.

Rebecca: And it’s a problem that campuses that are in a more rural context experience when they’re doing any kind of placements, whether it’s internships, student teaching, or service learning, or anything like that. It’s very different than an urban context.

Laura: Absolutely. And I think we’re really committed, we embrace the idea that we are a rural educator preparation program, while also embracing the fact we have large urban partners just down the road. And we see that as an opportunity to diversify our candidates’ experience and give them a broad sampling of school structures, organizations, what’s possible, both in large districts, small and the in-betweens. And so that’s been a really critical part of our preparation framework for many, many years here in the School of Education.

Rebecca: It’s always great to hear stories, and we’ve heard more of these since COVID, of schools really paying attention to the actual needs of students and what barriers they’re facing, and really being responsive to them and finding ways to solve the barriers that they’re facing. Because often, the barriers are great, but often there are solutions that we can put into place that aren’t actually that complicated when we get down to what they are.

Laura: Rebecca, I love so much how you framed that, because one of the driving mantras that I often remind myself is we can solve problems if we choose to. And I think to solve problems, we need to be able to describe the problem, we need to understand it from a compassionate perspective. Recognizing every candidate that declares a School of Ed major sees themselves as a future educator in one form or another, and partnering with them, to actualize that vision is the best part of my job.

Rebecca: Well, and we would hope they want to do the same thing for their students. So modeling what we’re hoping to bring into the land of education is certainly a good place to be. We talked before COVID, with the School of Education about some of the really great partnerships you all have both locally and regionally, both as school districts and community organizations. Can you talk a little bit more about some of the outreach you’re continuing to do in those spaces?

Laura: Absolutely. And frankly, we would not be a school of education without partners. Every program housed within the School of Ed requires an applied learning experience. And so even our non-teacher preparation programs in counseling psychology and management programs require some sort of applied experience. And so strong relationships and a strong understanding of the context for our partners is really important to our success and our candidates’ success. So I’ll talk about a few examples since there are many day to day here in the School of Education. For context, in 2020-23, for example, we placed more than 1000 candidates across I believe 246 different settings, kindergarten all the way up through high school. Don’t quote me on the number, but I think I’m close. But we have made a couple of purposeful efforts over the last few years. And in particular around our professional development schools. These are schools where we have an agreement to focus professional development activities for our pre-service teachers, in-service teachers, so folks who are classroom teachers in that district, and align that with our faculty areas of expertise to create what are called that third space for learning, where we were bringing in a range of expertise and perspectives. Here in Oswego County, we have professional development school partnerships with six of our nine local districts. And those partnerships have focused on strengthening support for technology and STEM-oriented initiatives at the junior high and high school level. In another district, it’s included a dedicated focus on early elementary school literacy outcomes and improving the way we’re preparing kids to read and write. Other districts have focused on more systems-level change with strengthening the way that we identify students who are struggling before that becomes a significant impediment to their learning, and organizing teacher and leader responses to ensure that those processes are unbiased, that we’re making decisions that help us put resources around what kids need to thrive. But that’s just a sampling of the types of partnerships that we have with local districts. I think, given the fact that education continues to be a domain where the public dialogue is not always framed as positive, partnerships with our local practitioners and districts, give us opportunities to 1. change that narrative and help people in our communities understand the value that schools can bring to that community. And Rebecca, you mentioned the way that, coming through the pandemic, schools are really regarded as kind of community centers. And I think we’ve seen those types of initiatives be really effective, whether that is including opportunities for families to access medical care, dental care, social services and supports when they’re in district, we have something to offer to that conversation because of the range of our preparation programs here on campus. And so we really tried to engage with our partners in the P-12 sector to ensure that we are operating as a true continuum of care for our communities.

John: During the pandemic, there were some fairly substantial learning losses that disproportionately affected students from low-income households, and low-income school districts. And a study was just released by WICHE in February of 2024, which found that those learning losses are still persisting, which means the students who are teaching in schools are going to face students with a fairly wide variance in their prior preparation. What types of things do you do to help prepare students to address the diversity of student backgrounds in terms of how much they come into the classes with?

Laura: Coming through the pandemic, one of the things we were reminded of was the power of a direct positive relationship between a student and an adult in the building, that can look like a wide range of folks, coaches, teachers, mentors, administrators, volunteers. But that’s something we have continued to embed in our curriculum and helping our candidates understand that day to day, the way that we make students feel is often the thing that will be really critical and helping ensure that they walk through the door the next morning, the next day, or ask for help when they’re having a tough situation. And so empowering our students to respect the dignity of people’s lived experiences, we embed before they move into their clinical experiences in schools, quite a bit of reflection, self-reflection on their own lived experiences, what education has meant for them, the spaces where they have been privileged or perhaps oppressed through educational structures, protocols or policies, and building that capacity of our students to both identify and address bias or embedded bias in the spaces where they work. Getting down into the curricular focus, it is frankly staggering to see how children have been impacted, particularly in the early elementary levels and the older adolescence ages when we think about both academic skills, but socioemotional skills, wellbeing, and I think one of the things that I try to celebrate is the resilience that’s been built into this generation of learners. On the other hand, that comes with a certain amount of exhaustion, anxiety, uncertainty about their future, and so coming back to that element of relationship building, it’s so key. At the curricular level, there is an enormous focus here in New York on the ways that we can do a better job in preparing children to be literate, contributing members of a just society. So right now in New York, there’s a lot of focus on the science of reading. And I want to be really clear to listeners, the science of reading isn’t about a curriculum, it is about embracing the empirical evidence towards a systemic approach to the instruction of reading, writing, and literacy across grades. There’s an enormous amount of energy around this work right now recognizing that we can do better in preparing kids to be literate. And I’m starting to see an equal attention to a focus on math and frankly, STEM preparation. Here in our community in central New York industry has returned with a bang. And there are wonderful opportunities for employment for students with a wide range of educational experiences starting right out of high school for gainful and lifelong employment in these sectors. But what we’ve heard is that math proficiency is often a barrier for those students. And so trying to incorporate elements of curiosity and creativity, bringing science, technology, and math into creative spaces, like art, design, dance, helping students understand that math and science, quite frankly, isn’t just about memorizing equations, or knowing your multiplication tables. But there are a range of application of math, science in our day-to-day lives. When I think about when I was a kid, we had a great lesson on fractals, and we went outside and we found fractals in nature. I remember it to this day, almost like it was yesterday, trying to engage students in their learning, that incorporates their lived experiences, having access to textbooks, readings that reflect their family structures, their linguistic background, the realities of their lives. And so our students ,when they move into those first teaching positions, carrying with them that, I’ll go back to respect for the dignity of all persons, that recognition that kids carry much more with them into a classroom than a backpack, and finding ways that we can empower their learning not just through curriculum, but through curriculum that is delivered at their level, that celebrates individual students growth, that isn’t anchored in some specific outcome, but recognizes individual student’ s growth as meaningful. And I’m really proud to say our data suggests our students do move into their first teaching careers with those skills. And I think the next phase of the conversation starts to focus on how can we, as an educator preparation program, be part of the community in delivering professional development? How can we bring the great work that’s going on in schools to our faculty and have that kind of recursive flow of information, and also ensuring that we are preparing school leaders to create conditions that help us achieve all of these goals. And with our programming here in the School of Education, we’re uniquely positioned because we offer those range of preparation programs and have the luxury of great relationships with partners.

Rebecca: We’ve talked a little bit about learning losses in K-12. But obviously, that has an impact on our college students as well. They also survived the pandemic and are here. What are some of the things that your faculty are doing to help these candidates feel like they have what they need to go into the community having maybe had some experiences of remote learning or challenges with some of these subjects too?

Laura: This is a really important question. And I think it’s one I’ll both answer from the school of education perspective, but also the broader campus perspective, frankly, because we don’t do this work in a vacuum or in a silo. And so I’ll pick up on some of the elements of the last answer, which is making sure that we on campus are framing the opportunity to serve our students as a positive one. We have an opportunity to meet students where they are and that will look different for different students. On the other hand, I think our faculty have been eager to try to crack this code, so to speak, on bridging our lived experiences in K through 12 and transition to college through the framework of the contemporary student experience and those are not parallel for many of us or really even comparable. I have been trying to, as dean of the school, make sure that we are approaching this from a perspective of strength. What students do come to us with us is a resilience that students of prior generations may not have. They come to us with skills and knowledge of technology and how to leverage it in a way that students didn’t in the past. And frankly, it was because they had to learn how to use that technology. Students coming to our campus today have access to more information at their fingertips than any generation of student has ever had in the past. And where we have opportunities is to help students both identify where they may have gaps, whether in their knowledge or experience, put those experiences in front of our candidates, and also help them navigate this world where it’s not always easy to identify what is good information and bad information. Now, let’s drill into some more specific examples there. I think one of the most critical things that we have done in the last few years and again, I’ll give kudos where they’re due to our student orientation groups. We have been embedding ourselves into some of those opening week sessions, where we’ve had the opportunity to talk to our future majors and undeclared students around college- level expectations. And while that might sound silly, I think when students can hear from us, from me, from my faculty colleagues, our stories that many of us are first-gen, were Pell-eligible, have student loans, worked while we were in college, struggled to purchase textbooks, come from different backgrounds, are new to the state or the country. I think that goes a long way as a formative first step in building that trust in the relationship with our candidates. It also gives us the opportunity to begin to plant those seeds around what supports are available to them. Whether that is to help them address their mental and physical health needs, their academic needs through our tutoring center, our office of learning services, the embedded tutoring services, and also come to see us as people that are here to help support them and what their vision for their success looks like. I had a young person come up at the end of our first orientation and said, “I’ve never had someone like you say, you walked in the same path as I have.” And it was really a moment where I understood that coming to the table and being authentic with our students is so critical at this point. The other piece of it, John and Rebecca, is recalibrating the way that we orient our classrooms to continue to give students frameworks for utilizing technology and AI and the wide range of information, also helping them become critical consumers of that information, providing formative feedback to their assignments in real time, flipping our classrooms and allowing students to lead the conversation. I think providing choice as much as possible around what literature students choose to present in classes, for example, have been ways that we have said to students, both overtly and more discreetly, you matter, your story matters and you and my classroom matters. I’ll also share we have been taking a look at the way we offer our curriculum to try to identify, and again as part of a larger campus focus on retention and success for our first-year students, where are the pain points, so to speak, in their degree program, particularly for transfer students, we’ve heard that there isn’t always as seamless of a transition to campus as we may assume. And so really starting to tackle some changes in our course sequence to ensure that our academic programs are set up in a structured sequential way that also gives enough flexibility for students to pursue some of their areas of interest, be student athletes ,be club leaders, or frankly, support their family, which many of our students need to do.

John: Recently, we’ve seen a lot of attacks on education at all levels, with books being banned in the classroom, removed from libraries, and restrictions on the types of topics and the types of history that can be taught in classes. What are some of the things that you do in the School of Education to help prepare students for a world in which they may be facing more challenges from parents and political pressures?

Laura: This is a critically important question and will be critically important action. I hope I could say in the next year, but I have a feeling this will be a long road. Too often I hear colleagues, neighbors, friends say, “Well, Laura, at least we’re in New York, you don’t have to deal with this in the same way.” And while it is true, I am proud to be in a state that has been very overt about people’s lived experience, respecting the civil rights of all persons here in the state. It is also the case that that can change very quickly in an election cycle. And frankly, we have seen that across the country. I’m particularly concerned right now about the way that civil rights discussions have been framed. And there are some cases in litigation right now around bullying initiatives and carving out exclusions or exceptions in those bullying protocols or policies that would allow, for example, trans students to be targeted without recourse. We see that replicated in both sports spaces, but also classroom spaces. I’m deeply troubled that this is a place that we’re going in a country that was frankly built upon public education and access. And we haven’t always gotten that access piece right. Many of our school policies and procedures have been built on an exclusionary clause rather than an inclusionary mission. On the other hand, we’ve made such great gains over the last 10 to 20 years in ensuring that schools are more responsive, supportive, dignifying places. I’m really troubled by this work. For our students, we have a commitment to social justice embedded in the framework of the School of Education. And that is more than transactional or it goes beyond the words social justice. Our curriculum prior to students going into schools is focused on those ways that schools have been exclusive spaces, have not always dignified the realities of the people who walk through the doors. And so for our students, what we tried to do is help them understand the threats or attacks on people’s civil rights or their histories is not new. On the other hand, it’s taken a very different tone in the way that it’s being implemented. So 1., it’s giving them the tools in knowledge and understanding of history to understand schools don’t have to be exclusive places, schools can be responsive, welcoming, encouraging spaces for all students from all backgrounds. It’s also about helping students understand that I want to be a teacher, I don’t want to be a politician is not a reality in which they will live as an educator. We try to empower them without encouraging them to engage in any particular behavior, to stay attuned to the realities of how legislative efforts, school board votes, and other sorts of community oriented book bans and dialogues might impact their ability to teach a particular lesson, utilize a particular academic resource. So you may have seen coming out of Florida, among other things in the last few weeks, a school district teacher had thought that it was prudent to send home a permission slip to alert the parents, that their children were going to be exposed to a black author. It wasn’t about the content of the book, it was simply the fact that they were going to be reading a book from an African- American author. I can’t think of a better example to highlight the importance that an apolitical stance is not one that classroom teachers can take, that school leaders can take. And that’s not about voting for a particular person or a particular party. But it is standing up to ensure as educational experts who have preparation, expertise, and insights that the community may not, to share them and be vocal about the ways that diverse learning materials, accurate historical representations of the world are critical towards ensuring that we do not replicate them. And so I am both incredibly disheartened at the turn that this discourse has taken. I’m also incredibly optimistic when I look at how young people, how educators, how experts have shown up and linked arms to say: “This is not right. We are not going to correct the wrongs of our history by limiting access to that history or by building smaller tables with fewer voices.” And so I tried to stay in that headspace as much as possible.

Rebecca: Definitely some good reminders and things for all of us to be thinking about in our role as educators. So we always ramp up by asking what’s next?

Laura: I love that question, because I could probably read you a laundry list of the things that we’re thinking about in our School of Education. Right now, here in New York, there’s a lot of robust conversation around, what does a high-quality teacher look like? What are they ready to do in their classrooms? And there’s a lot of engagement there. And again, this relates to helping the public understand not just what we do day to day or what the outcomes are, but the opportunity space towards preparing children for lifetimes of success. Here in the School of Education, we’ve got a range of new programs that we’re lifting in the fall of 2024, including our new master’s degree in behavioral health and wellness. And frankly, I think we have a range of new programs. As we talked about industry thriving here in central New York. There’s also a lot of energy in the school of education around our career and technical educator preparation programs, and of course, our technology education programs, some great investments in our lab spaces, looking at opportunities to do more in partnership in and with local districts to ensure, as we were talking about kids across Oswego County, have great opportunities to engage with science and technology and math in ways that bring them out of the classroom and into the world and creative spaces. So I’m really excited to see what the year ahead is going to look like for us.

Rebecca: Well, thank you so much for joining us, Dean Spenceley and for our wonderful space.

John: …and we’ll be talking to you much more in the future.

Laura: I look forward to the opportunity. Thank you both.

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John: If you’ve enjoyed this podcast, please subscribe and leave a review on iTunes or your favorite podcast service. To continue the conversation, join us on our Tea for Teaching Facebook page.

Rebecca: You can find show notes, transcripts and other materials on teaforteaching.com. Music by Michael Gary Brewer.

Ganesh: Editing assistance by Ganesh.

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336. The Multi-Disciplinary Instructional Designer

Instructional design is a discipline that people often discover and pursue as a second career. In this episode, Chris Gamrat and Megan Kohler are the editors of The Multi-Disciplinary Instructional Designer: Integrating Specialized Skills into Design Toolkits, which discusses how prior backgrounds and careers can contribute to the process of course design.

Show Notes

Transcript

John: Instructional design is a discipline that people often discover and pursue as a second career. In this episode, we discuss how prior backgrounds and careers can contribute to the process of course design.

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John: Thanks for joining us for Tea for Teaching, an informal discussion of innovative and effective practices in teaching and learning.

Rebecca: This podcast series is hosted by John Kane, an economist…

John: …and Rebecca Mushtare, a graphic designer…

Rebecca: …and features guests doing important research and advocacy work to make higher education more inclusive and supportive of all learners.

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John: Our guests today are Megan Kohler and Chris Gamrat. Megan is an Assistant Teaching Professor and Learning Designer in the John A. Dutton e-Education Institute at Penn State. She is the recipient of the Marion G. Mitchell Award for Innovative Teaching and is conducting research, funded by a Schreyer Institute Scholarship, on supporting neurodivergent learners in higher education. Chris is an Assistant Teaching Professor in the College of Information Sciences and Technology at Penn State. Chris and Megan are co-editors of The Multi-Disciplinary Instructional Designer: Integrating Specialized Skills into Design Toolkits.
Welcome, Megan and Chris.

Megan: Thank you. We’re happy to be here.

Chris: Thank you.

Rebecca: Today’s teas are:… Chris, are you drinking tea today?

Chris: I’m having coffee right now. But tea will be coming later.

Rebecca: Alright, good.

Chris: …still waking up.

Rebecca: Coffee is one of our most popular tea flavors. How about you Megan?

Megan: I am drinking a chai tea this morning in my lovely mug. [LAUGHTER]

Rebecca: I like it. It says “Hello Gorgeous” on her mug. [LAUGHTER] John, would you like to talk about your blasphemous tea this morning? [LAUGHTER]

John: I am drinking a hazelnut coffee tea today {HORRIFIED SOUND]. Coffee does seem to be a popular tea. But what happened was, we’re in a new recording room. And I came here early to set some things up. And I realized they did not have time to get back to my office to make some tea. And so I stopped at a nearby cafe. And it turned out they did not have tea there. I didn’t have any other alternatives. They didn’t even have iced tea that I could see.

Rebecca: John has only not had tea two times… once was water. And once is today

John: …and the other time was a day when we lost [LAUGHTER] our old recording studio and I just didn’t have time to get the tea made after my class.

Rebecca: Today I have a Scottish afternoon tea.

John: That’s better.

Rebecca: Yeah, it’s really smooth. I really liked this particular kind. Brodie’s is the brand.

John: We’ve invited you here today to discuss The Multidisciplinary Instructional Designer. Before we discuss this, though, it might be helpful to just talk about the various roles that instructional designers play in supporting instruction. And it seems like that role varies quite a bit from campus to campus, and even from school to school on campuses. So could you talk a little bit about that to help set the stage for the rest of our discussion.

Chris: I was an Instructional Designer for eight and a half years here. When I met with new faculty, I would explain that I serve kind of two functions. And the first is that I was a little bit like Q from the James Bond franchise, where I was in the background, doing research and developing new tools and things that they could use out in the field. And all the faculty tended to really like that analogy, because then that made them like a double 0 agent. They’re like, “Oh, yeah, that sounds good.” And then the second is concierge. So they will be able to come in and say, “I’m really running into this issue. What do you suggest?” Or “How am I gonna get around this, given the tool sets that we have available.” And so using the depth of knowledge I have, and the exposure I have from my own teaching and from working with many other faculty, I’d be able to make recommendations for them. So those are the ways that I would explain to our faculty

Megan: My explanation is not nearly as cool as a double 0 seven agent. [LAUGHTER] My explanation is that I think a bit more functional, from the perspective of instructional designers when we’re working on projects tend to be the glue that holds everything together. And we also end up being the conduit or the avenue by which a lot of information gets communicated. So we really help the faculty members think through how they want to present this content to the students, what’s the best way to do that, what types of media are best going to support and reinforce that instruction, and also what’s going to be the best options for students in terms of how they consume and retain that information. But there’s a lot of other components that come into this mix as well. So there’s graphic designers, there’s videographers, there’s so many different elements that go into this… project management too, is another really big one that a lot of people don’t really understand is a really critical skill for an instructional designer to have. And so we have to have all of this knowledge, even programming and basic coding, communicating with programmers in order to help them understand what a specific vision is. So we need to know enough about all of these different areas in order to be able to communicate effectively. And also, our primary focus ends up being on the pedagogical pieces. So we really wear a lot of different hats, and have a lot of responsibilities in the course design process.

Rebecca: I first heard about your book when I was at EDUCAUSE and Chris and I connected there. Can you tell us a little bit about how this book came about? I know that I was really interested in it the second I saw it.

Chris: That’s a Megan story for sure. [LAUGHTER]

Megan: Yeah, it actually came about somewhat organically. My background is in theater. I was a professional actor for many, many years, like 12 or 15 years, before transitioning over into the field of instructional technology. And Chris was participating on one of our professional development communities for our instructional designers here at Penn State. And one of the topics that came up was how do we help learning designers improve their presentation skills? And Chris was like, “I know exactly who I’m going to ping [LAUGHTER] to see if they can help with that.” And so he reached out to me, and he said, “Hey, Megan, can you come and give a presentation on how to help instructional designers refine and upskill their presentation skills.” And I was like, “Of course.” And so I went, I gave the session, and it was really well received. And I think Chris and I both walked away from that, with this little idea in the back of our minds that there might be something more to this, but we didn’t really pursue it. And then two-ish years later, Chris pinged me. And he was like, “Hey, I think this is a book.” And I was like, “I love it. Let’s do it.” So then we just sat down and pulled together ideas for the book. And here we are. This is about, what, a year, year and a half work. But now we have our book in hand, and it’s very exciting.

John: In your book, you note that instructional designers bring a wide variety of backgrounds into the work. And a major theme throughout your book is how instructional design can benefit from the specialized knowledge that each instructional designer brings from their academic training or from prior work experience? Could you share some examples of that with our listeners?

Chris: Yeah, I can talk about some of my experience. In my chapter, we talked about concepts around crisis management. So prior to working in the College of Information Sciences,and Technology here, I worked for NASA for about five and a half years. I was on a grant for them, and we were doing professional development for teachers across the country. So we were doing workshops for probably 10s of 1000s of teachers every year, maybe even more than that. So that entered in like a lot of room for failure, just things don’t work out. And the thing that I thought was really interesting, that permeated even into the culture of NASA education was that attitude failures, not an option, there always has to be: there’s a plan and a back-up plan and plan all the way up out through Z. That, really, we need to have a way of making things resilient. And so I had like that nugget of an idea from my work with it. And then it came to the college of IST, and we have a program called security and risk analysis. And inside of that, we really do spend a lot of time focused on teaching in building out resilience for any number of organizations. A lot of our students end up working for the federal government and other institutions that cannot do their job. And so I started to acquire more and more of that language on this concept, to really be able to describe the things that we were doing back when I was working on that project. And for the entire time that I was on my learning design team here at Penn State, we realized that we were building in this resilience without even necessarily naming it. So my colleagues and I spent our chapter really more formally defining, here are some of the processes that you can take advantage of. And there are really well-defined techniques that go into that that are being used by FEMA, the CIA, any number of huge and really critical parts of our government. So that was something that I realized, like, “Wow, this could be really powerful.” And when I started to flush out that chapter, I said to Megan, I think people are going to really have a good time reading this, and they’re going to get stuff out of it. So I really, even just in the writing process… and normally, writing is kind of like the hard part…that was fun.

Rebecca: …always nice when that lands as fun. [LAUGHTER]

Megan: Absolutely. Yeah. So I’ll just tag on to what Chris said a little bit by sharing some more pointed examples from the book itself. When we put out a call, we really were looking for people who had unique perspectives and backgrounds that we wanted to capture as part of this overarching story of the uniqueness, but also the variety that goes into the field of instructional design. And it’s especially relevant right now, because there are so many people that are transitioning out of different positions, a lot of K through 12 teachers, actually, right now are transitioning and looking at the field of instructional design. But really, for anybody who’s interested in this, you might think, well, this is a completely different shift in the skill set that I have. How on earth would I even make this transition? And the reality is that so much of what we do as instructional designers can draw on other fields. And one of my favorite examples that I always love to pull from, my friend, Paul, saw that we put out this call and he was like, “Hey, would you be interested in hearing my perspective on a military background?” And I was like “Submit a proposal.” He did. And then we reviewed it and what he had to say blew us away. His chapter is called “Out of the frying pan into the fire, the unintended and amazing consequences of risk taking in the practice of instructional design.” And I think that that’s something that is so wonderful to keep in mind, because instructional design becomes all about our processes and procedures, we have all of these things in place to ensure success. So when you think about the notion of risk taking, that doesn’t always seem like it’s something that pairs well with instructional design. But in his chapter, he makes a phenomenal case for why we need to be willing to take those risks as instructional designers and ways that we can go about doing that. In addition to what Paul has written, we’ve got chapters about how choreography from ballet can contribute to our design thinking processes. We’ve got stories about feminism, and how they can impact what we do as instructional designers. So it really is this piece of work that has such varied and amazing perspectives. And hopefully, people when they read this, they won’t just view it as, like, here’s a new set of skills that I can apply, because it’s definitely that but it’s so much more; it’s about how we can feel more impassioned about what we do as instructional designers, and how we can help share those passions from our prior fields into the work that we do today and then share that back with the faculty members in order to help engage them and inspire them as they go about these design processes as well.

Rebecca: I really love hearing you guys talk about the interdisciplinary nature, because as an interaction designer, or someone who’s in the design field as a whole, I see the design field as just being a very interdisciplinary place that’s borrowed from many different places over time to kind of make its own set of rules and principles that we follow in the big bucket of design. So it’s nice to hear how all these different disciplines and fields continue to make the discipline of design evolve. Can you talk a little bit about who you see the audience of this book being?

Megan: Sure, I think the reality is that this book can appeal to anyone in the instructional design field, as well as people who are even just curious or interested about transitioning into it. Because even if you’re a seasoned instructional designer, there’s perspectives in this book that you’re not going to have, that can help enrich your own toolkit. So if somebody doesn’t have a military background, they can read Paul’s chapter and learn about different skills, risk taking, resilience, many, many others. I do not have any kind of a background in feminism, but yet, when I read Jackie’s chapter, I learned a lot of different things that I will then go forth and apply. So I think it can really help seasoned designers build up their skills from incorporating new perspectives, but also somebody who’s just kind of curious, like I kind of mentioned before, people are transitioning fields post pandemic, and somebody is questioning, is this the right field for me? How would I even go about fitting into this? Or how would I go about making that transition? This kind of a book is a great read for them, because hopefully, they’ll see how these other different skill sets could be leveraged, and then maybe there’ll be inspired. And they’ll think about how their own skill sets could be leveraged as they move or transition into the field of instructional designer, instructional technology.

Chris: First off, I think, Megan captured it really well. I do think it’s very much a book for people who are just professionally curious, I think there’s an appetite for wanting to know a little bit to that. One of the things I describe as valuable a skill as a designer is being like a professional novice, when talking with a subject matter expert, knowing the kinds of questions to ask, to tease out being able to explain something well and effectively, and I think these chapters get to that, because for basically everyone who contributed a chapter to this, that was a different life, an entirely different way of thinking. And they’re able to provide it in a really consumable way for this audience. So I think anybody who is interested in that would greatly benefit from these chapters, because they’re designed to be picked up and run with.

John: Might a case also be made that this could be useful for administrators who might not always understand the role of instructional designers, especially if they’re looking at ways of improving instruction? And might it also be useful for faculty who do not always have instructional design support on their campus to consider various ways in which they can bring other knowledge and skills into the ways in which they design courses.

Megan: Yes, 100%. That’s a great perspective. Thank you.

Chris: Yeah, actually, one of my co-authors is a faculty member that I’ve worked with quite closely over the years. And that was something that he made a comment on, it was just like, “I didn’t realize that this skill set is impacting how I’m teaching.” And it’s just like that, revealing that what’s maybe obvious, that it’s actually already embedded in your practices. So I think ,absolutely, many subject matter experts would benefit from this for sure.

Rebecca: Both of you authored chapters or co-authored chapters in the book. And I’m hoping we can dig into a little bit of the content of some of those chapters so that folks can really see the benefit of the content. So Chris, you already hinted that your chapter talks about your time at NASA, and you kind of develop a resilience plan, a process that people can follow. Can you talk a little bit about what you mean by resilience and crisis management? And what that process might look like for folks?

Chris: Yeah. So when I’m teaching, I think about designing my courses in a way that fails gracefully. So day one, I think about when we have our very first class… okay, well, obviously, we’re going to talk about the syllabus, but also at the same time, literally everyone on campus, all 50 some thousand students and faculty are logging in to our learning management system all at the same time. So it becomes super slow. So how can I avoid, “Oh, we’re in class, I wanted to talk about my syllabus, but it can’t, because things not loading?” Well, I can be able to anticipate that because for sure it’s gonna happen. So I print it out, and I have a copy with me so I at least have that as a backup. And there are other things that I can think about where if the resources are down, if something happens in the class, how do we pivot? Many years ago, when I was still working on that professional development committee, the one that we asked Megan to come in, we did a session with the idea around being able to pivot gracefully, with that concept of like, all the snow days. One had just happened, so we’re thinking like, okay, let’s plan ahead. And we did that session, I think in November of 2019, we were not thinking about what else we might have to pivot around. So it really became a subject that a lot of people were suddenly way more interested. And so when we start to inject more of a methodical approach to that, you start to brainstorm, “okay, what are possible disruptions that might happen?” Well, students could get sick, that’s definitely going to happen, I could get sick, how do I deal with that? so on and so forth, and you put out all those ideas, and then you attach a weight to them. And the weight for that is calculated by likelihood of it happening, and how much it might provide an impact to the class. So if one student is out, maybe no big deal, if a lot of students start to get sick, well, then you have to really adjust. Or if I get sick, that would be a big impact. Because I might not necessarily have like, something else to do for a given day. So those are things that you would outline and identify, Okay, these are the top three that are going to be the biggest impact. Those are the ones that we build into our design. So that way you can adjust around those. That was, I think, a really valuable takeaway from this. And to prepare for the chapter, I was reading up on how actually standardized that description is for likelihood of risk. So basically, there is documentation that talks you through how you can attach a weight of like, well, that’s like 80% versus 60, etc. So there’s really a lot of detail that you can dive into, and be able to, again, provide a rubric for likelihood of risk. So when I say rubric, that’s my jam, so that has already piqued my interest as well. So those are a couple of things that I really took out of preparing this chapter and getting those prepared.

John: Megan, you already mentioned that you were an actor before. Could you talk about how that’s informed your work as an instructional designer? You have a chapter on that in the book?

Megan: Yeah, definitely. One of the things that I think people don’t always realize is how communication is a critical piece of what we do as an actor. People are probably thinking, “Well, you go in and you read a script, how is that freeform communication?” But the reality is that all of the communication that occurs in order to get the production up and running is very extensive. And I think one of the greatest examples that I can pull from in order to help people understand how critical communication is in a theatrical setting is in the context of stage fighting. So you figure you get swords on stage [LAUGHTER], and people are learning how to choreograph. Well, I mean, someone will come in and someone will choreograph a fight scene for a set of actors, and then they will have to enact it. But people have to feel comfortable speaking up and saying, I’m not comfortable with how this is working, could we try something different? And it is a really important skill to be able to communicate and to advocate for yourself as an actor, and something that I feel like a lot of instructional designers don’t always fully understand how to build as a skill. I think a lot of times a lot of instructional designers can sort of default to the “Oh, I have this blueprint, and then I’m just going to ask the faculty member to fill out this blueprint, and I’ll explain to them what this blueprint is about.” But the reality is, we need to be able to provide things that are out of context in order to help make connections between different things for faculty members. So I have a great example. In addition to working at Penn State I also have a consulting firm, I do consulting work on the side. And I was just working with some faculty members the other day, we’re designing a micro learning course. And they were having a really difficult time stepping away from the notion of, “Well, we’re just going to provide them with some bullet points, and then we’ll talk to those bullet points in the synchronous sessions that are going to accompany these micro learning experiences.” I was like, “Okay, but let’s think about the breadth of information that you’re covering, you’ve got seven different modules, and they’re full of bullet points. How are you going to cover all of those bullet points in one synchronous session?” And they were just really struggling with that concept of stepping away from the expert perspective and into that perspective of a novice. So how are they gonna help draw those connections or expand upon that information, so that it’s not just bullet points that there’s actual content there? And I gave them an example of like throwing a dinner party, I’m like, “Okay, well, let’s say we’re throwing a dinner party, I’m gonna send you to the grocery store, and I need you to pick up items for dinner and dessert and a nice drink to go along with it.” And I said, “What are you going to pick up?” And they’’re like, “We don’t know.” “That’s exactly where your learners are right now. You need to be able to identify what all of the ingredients are, and explain how those things are going to come together in order to form the dish that you’re going to serve at the dinner party.” And then they were like, “Oh, now we get it.” And so that communication is just such a critical element of what we do. And if you’re not communicating, well, your project is going to fail. They say there’s statistics that show that the communication is the fail point of every project and 80% of every project is communication, and the other 20% is the actual work. So it’s really a critical component of what we do. And I think the skills that we learn as actors can help build those skill sets for instructional designers. So that’s what the chapter that I wrote with Penny Ralston-Berg is all about.

Rebecca: It’s really interesting, and this exact moment in time, Megan, hearing you talk about this actor perspective, because our Graduate Studies Division is having the actors of the London stage come in and do a workshop for our graduate students, a professional development workshop on communication. [LAUGHTER] And really, everything you just outlined is exactly the kinds of things that our graduate students are hoping to dig into as well. But it really comes from this disciplinary background and providing some new tools to our students.

Megan: Yeah, I’m not sure if you’re familiar with this, but Alan Alda, he’s very famous from being an actor on MASH, he has a communication program for scientists that’s based in theatrical principles. And so he goes in, he has this training session that he runs with scientists at different institutions and organizations all over the world, but it helps them understand how to become better communicators. So yeah, it’s just definitely something that people can leverage. You can always become a better communicator.[LAUGHTER]

Rebecca: Definitely. [LAUGHTER]

John: And one of the things you also just said was that one of the roles of an instructional designer is to remind faculty of what it’s like to look at their content from a perspective of a new learner. Does the fact that the instructional designers are not generally in the same discipline as the instructors provide that sort of assistance that faculty might lose? Because once you become an expert in some discipline, it’s really easy to lose perspective on what novices know, and how quickly they can absorb material.

Megan: Yeah, absolutely. That’s 100% true. One of the things that I always tell faculty, when I meet with them, is “I get to be your sample student.” And that really is a gift to the faculty member when we’re working with them, because we’re going to be looking for things in which there are gaps, or there are overlaps. And that’s what we do as instructional designers, or part of what we do as instructional designers. But we also have that ability to communicate that back to the faculty member, whereas their students, they’re not going to do that. They’re going to take the information as it comes in, and they’re going to try and work with it as best they can. But having that sounding board or that ability to get that feedback from an instructional designer, in terms of “I don’t fully understand what it is that you’re trying to communicate here. Can you explain this to me a little more deeply?” Or “Can you expand upon this?” or “Let’s add some details in,” or “let’s add a graphic in that’s going to help convey this concept.” It’s absolutely a piece of the puzzle in terms of instructional design.

Chris: That just reinforces what I said earlier, which is I very much believe an instructional designer is an expert novice, among other things. [LAUGHTER]

Rebecca: It seems like to be able to share that information back to faculty, there has to be a level of trust between the faculty member and the instructional designer. Can you talk a little bit about that?

Chris: I agree that there is a huge amount of relationship building in design work. I’ve worked with different faculty where they were skeptical of me, skeptical of getting help, didn’t necessarily need to see that there was value, and being able to explain the process, how things work. how I can provide those needs, in the different ways that we talked about, can really push it over the edge to go from me showing up and checking in with them weekly or whatever is a burden to I’m looking forward to talking with Chris. And when they realized that that help can be whatever they need it to be, and that it can take many different shapes, that really changes the tone or the conversation. There are some faculty where I would meet with them for a few minutes to talk about the course and progress that they’re making, they would ask me about what’s going on. At the time, we were switching from our old LMS to our current one, and they would ask, like, “Oh, what do you know about this or that?” and I’d fill them in on the kind of like, university gossip almost of like, “yeah, transitions going on at this pace. And here’s what you need to know.” And that was valuable to them. So they were responsive to it, and that meant that went from having one kind of okay development process to three in the span of about four months. They were receptive to that by the end, like they wanted to work with me. So I definitely think there’s huge amounts of benefit. And I think they had been exposed to what we have in our book of like, “Here’s all these different things that we can bring to the party,” they would have warmed up a lot faster.

Megan: Trust is a piece that Penny and I also talk about in our book chapter on theater. And it’s really interesting, because as an actor, a lot of times you’ll be hired to be part of a show. And you’ll come in and you’ve never met any of these people before. But yet, suddenly, you have to work with them, and you have to be efficient, because you have limited times, I mean, sometimes you will have maybe a few weeks, sometimes you’re fortunate enough that you have like a two-month rehearsal time period, but you need to figure out how to learn to trust one another and work with one another very quickly. And so anybody who’s interested in learning some more skills in terms of how you could leverage that from a theater perspective, I definitely encourage you to get a copy of the book and check it out.

John: In each of the chapters, you have the authors introduce themselves and their background. Could you talk a little bit about why you chose that approach?

Chris: Yeah. So when we first started meeting, we realized that there was tremendous power in getting to know the backgrounds of the contributing authors, not just the topic, or the subject matter of this is their background, here’s why journalism can help you, here’s why theater can help you, etc. But really getting to know them and understanding their experiences was very powerful. We asked each of our contributing authors to contribute somewhere in the neighborhood of a page or so introduction that is more of a narrative or story about here’s how I got to where I am, and how I use these types of tools. And I think Megan and I probably talked about this after the fact, which is just that I feel like even though most of these authors we’ve never met in person, I feel like I’m a lot closer to them, [LAUGHTER] just having read those chapters. So I think that that’s super powerful. And one thing I’m really proud about with this book.

Megan: Yeah, and I want to tag on to what Chris said, because another reason why we wanted to capture the stories of these people’s journeys, was because we wanted to also remind people that instructional design isn’t just about the skill sets and the tools and the technologies, that we are human beings, and that we all have something valuable that we bring to the table. We all have journeys that we have walked through, we all have bumps and bruises as well as highlights and glimmering moments. And we wanted to try and capture that in this book as well, so that when someone was picking up this book, and they were reading through it, they felt connected to the people who were sharing this information so that it wasn’t just a series of strategies that you can include in your toolbox. But it was more like you were having a conversation with a mentor or a friend who was giving you advice in terms of how you could build your skill set based on the knowledge that they have to share with you.

Rebecca: I think one of the things that’s really interesting about the narrative approach, or really the diverse group of instructional designers that are represented in your book and the disciplines that they come from, is that it’s not like we wake up necessarily thinking, “Hey, I want to be an instructional designer when I grow up.” [LAUGHTER] It’s not necessarily one of those fields that are obvious, especially when you’re making those first choices for your college education, for example, and maybe not even later on. A lot of folks change fields or end up here at a later time.

Megan: Yeah, that’s absolutely true. And I know that that was definitely the case for me. [LAUGHTER] Life is full of interesting twists and turns, isn’t it?

Rebecca: Definitely. So we always wrap up by asking: “What’s next?”

Chris: That is my absolute favorite question. [LAUGHTER] In large part, I really do like to have a what’s next. When I was working with NASA, we would go to school districts and do big workshops with teachers, and they would get so excited about the thing. And they come up with like, “Oh, what can we do after this?” And for a while, in the early days, the answer was, “Well, maybe we can come back in a year.” And to put a wet blanket like that on the passion for learning, for being able to explore and do new things, is really upsetting. And so I really took that to heart. I always like to have something for students, for colleagues that I’m working with, like, “What is that next thing?” …whether it’s a new project or a different angle for research or whatever or another class that they could take. So I love the question. Megan and I have talked about a second edition, possibly. Meghan, I don’t know, if you want to throw out some other things that you’ve been thinking about.

Megan: Sure. From the book perspective, definitely, we would love to do another edition and possibly even a third edition, because there’s just so many different perspectives. As we’ve been talking about this book, one thing that we realized that was missing from this, there’s many different professions and fields that are missing from this, but one that really sort of surprised us as we were having conversations with people, and quite frankly, it shouldn’t have. But we were having a conversation with a stay-at-home mom, who was interested in instructional technology. And she’s like, “When I think about this, all I do is manage people all day long.” She’s like, “That’s what I do, I manage people.” And we were like, “Yes, you do. [LAUGHTER] “You 100 percent do.” And that’s a perspective that I would love to circle back around and capture in a new edition. And there’s just so many other people who have interesting and varied backgrounds that have a story to tell and have different skills that they can share, and about how those skills can help us be better designers. So from that perspective, hopefully, the book will sell really well. And the publishers will come back and be like, “Yes, another edition. Let’s do it.” For me professionally, I’m doing a lot of work with neurodiversity in higher education, and how we can support neurodivergent learners in higher education contexts. I have a couple of workshops coming up with that, as well as some other speaking events. So we’ll see how that pans out. [LAUGHTER]

Rebecca: It’s always nice to have adventures on the horizon, right?

Megan: Oh, absolutely.

John: Well, thank you for joining us. I enjoyed reading through much of your book. I haven’t yet had a chance to finish it. But it was really interesting. And I’m looking forward to reading the rest.

Rebecca: Yeah, it was great to hear your stories and to share your work with everyone. Thank you so much.

Megan: Yeah, thank you. And maybe there’s a chapter in the next edition about podcasting and how you can leverage those skills as an instructional designer,

John: Well, we began this for professional development purposes. And that is a large part of the role of instructional designers.

Megan: Absolutely. Well, thank you so much. We really had a wonderful time talking with you today.

Chris: Thank you for having us.

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John: If you’ve enjoyed this podcast, please subscribe and leave a review on iTunes or your favorite podcast service. To continue the conversation, join us on our Tea for Teaching Facebook page.

Rebecca: You can find show notes, transcripts and other materials on teaforteaching.com. Music by Michael Gary Brewer.

Ganesh: Editing assistance by Ganesh.

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334. Journey Toward UDL

Most faculty begin their teaching careers with little preparation in effective teaching practices. In this episode, Jeanne Anderson joins us to share her journey toward inclusive teaching practices and universal design for learning. Jeanne is a faculty development coordinator at Waubonsee Community College, and an adjunct faculty member in the English departments at Elgin and Waubonsee Community Colleges, and the College of DuPage. She teaches a mix of online, face-to-face, and hybrid writing courses.

Show Notes

  • Tea Tree
  • ACUE
  • 4 Connections Curriculum
  • Transparency in Learning and Teaching (TILTHigherEd)
  • Behling, K. T., & Tobin, T. J. (2018). Reach everyone, teach everyone: Universal design for learning in higher education. West Virginia University Press.
  • Tobin, Tom (2020). Pedagogies of Care: UDL. Tea for Teaching podcast. Episode 138. June 3.
  • Angelo, T. A., & Cross, K. P. (2012). Classroom assessment techniques. Jossey Bass Wiley.
  • Darby, F., & Lang, J. M. (2019). Small teaching online: Applying learning science in online classes. John Wiley & Sons.

Transcript

John: Most faculty begin their teaching careers with little preparation in effective teaching practices. In this episode, one faculty member shares her journey toward inclusive teaching practices and universal design for learning.

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John: Thanks for joining us for Tea for Teaching, an informal discussion of innovative and effective practices in teaching and learning.

Rebecca: This podcast series is hosted by John Kane, an economist…

John: …and Rebecca Mushtare, a graphic designer…

Rebecca: …and features guests doing important research and advocacy work to make higher education more inclusive and supportive of all learners.

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John: Our guest today is Jeanne Anderson. Jeanne is a faculty development coordinator at Waubonsee Community College, and an adjunct faculty member in the English departments at Elgin and Waubonsee Community Colleges, and the College of DuPage. She teaches a mix of online, face-to-face, and hybrid writing courses. Welcome, Jeanne.

Jeanne: Thank you, John.

Rebecca: Today’s teas are:… Jeanne, are you drinking tea today?

Jeanne: I am. I was out and about today, and I stopped at the Tea Tree in downtown Batavia and told them I needed something tasty that would give me some endurance, because I’m a little tired today. I just got over COVID. And so they actually made me a cup of endurance tea.

Rebecca: Oh, look at that.

John: Excellent.

Rebecca: Who knew? [LAUGHTER]

Jeanne: It’s a mix of herbs that have been traditionally used for increasing stamina.

Rebecca: Well, I hope it works.

John: I do too.

John: And I have English breakfast tea today.

Rebecca: Oh, it must be a theme. I have Scottish afternoon tea. We’re all looking for a little energy. [LAUGHTER]

John: …which is a little more appropriate because we are recording in the afternoon, at least here on the East Coast. We met at the POD conference back in November and we sat at the same table at one of the sessions. And we talked a little bit about your practices. And we’ve invited you here to talk about how you’ve integrated inclusive teaching practices, including UDL into your writing classes. Could you tell us a little bit first about what prompted you to adopt a UDL approach in your classes?

Jeanne: Well, John, I have four kids between the ages of 14 and 21. And three of them are neurodiverse. And my 21-year old has autism. My 15 year old has dyslexia and my youngest has ADHD. I started teaching in 2000. I became a mom in 2003. And autism was a word that was introduced in my life in 2005, when my son was 21 months old. So throughout the time that I was starting to teach, and also then throughout the time that I was raising my son, there was a constant theme of having to meet him where he was at, because most normal kids, babies, you would put them in a stroller and go to the mall, and they’d sleep, where my son would cry and scream. But if I brought him home, and he went in his little swing, he was quiet and he was content and he was happy. And so there were just a lot of things that I had to give up at that time to be able to meet his needs. So I had an interview for an adjunct position while I was still in graduate school, at a college in Chicago on a Tuesday afternoon, right after Labor Day. And by mid-afternoon, they were walking me to HR, and I was being told that I would have a class very soon. And then the man I interviewed with, Mr. Haynes, he turned out to be one of my mentors, he came back and he said, “Oh, can you sub tonight? You get paid $150, all you have to do is pass out the syllabus and turn on a video.” And I was like, I could watch a movie for $150.” So I go down and I do my subbing thing. And he knocks on the door, and he hands me a set of books. And he says, “Okay, your class is Monday, Wednesday (it’s Tuesday night I won’t be home till 10). your class is monday, wednesday at eight o’clock in the morning, and you’re teaching Comm 101. And I’m thinking “this isn’t even my discipline.” And so I kind of got thrust in this classroom, not knowing how to teach, as many of us are, and we rely on the good or bad practices of our previous instructors in college. Really, one of the first principles that I talk about, one of the first things that I have to be intentional about, is meeting students where they’re at. And I do that because, at the time, I didn’t know what else to do with them. And so I would just gauge who they were and what their needs were and I would try to meet those needs. And so that’s really the first seven years of my teaching career, I kind of relied on that principle of just doing what my other teachers used to do, and meeting my students where they were at.

Rebecca: Definitely a good way to get involved in inclusive teaching and a good framework to dig into a lot of models that are out there.

Jeanne: Definitely, and this college, they didn’t have any remediation. And they really took a lot of students from Chicago Public Schools who truly needed the remediation. And so as a faculty member in these classes, I really had to figure out what their needs were. I couldn’t fix them, but I could give them the best college experience that I could in the courses that I was teaching. And so that’s really what I sought to do. It was also a very diverse group of students. Most of my students were either Hispanic or black. And so, again, another reason to just meet your students where you’re at, get to know them and make them feel comfortable. They’re in a setting where they feel like they don’t belong. And so years before I knew about imposter syndrome, I’m in a classroom having a severe case of impostor syndrome with a group of students who also have impostor syndrome, and that’s really been the bedrock of how I started working with students in the classroom, is making them feel comfortable. Some of the professional development that I’ve done has really informed my teaching practices in a new way over the last few years. The first third of my career was me just kind of figuring out how to teach and also having a child with autism, and using some of the skills that I picked up by raising him, applying those things to the classroom. Whether it’s slowing down my speech and being more intentional and direct in the things I say, that was one thing that I did with him. The second third of my career, we adopted two children, and so I kind of took a backseat. I was still teaching an insane amount of classes, but I wasn’t really making much movement in professional development. And that’s where I was working on getting diagnoses for dyslexia and ADHD, and trying to figure out in their education, like how does trauma inform their education? How are learning disabilities informing their education? How does the fact that they grew up in a Spanish speaking home for the first four to six years impact their education? These are all things that I can think about when I’m talking to my students, because as a writing instructor, especially since my first assignment in English 101 is a literacy narrative, they’re very open about if they grew up in the Spanish speaking home, or if they had a learning disability and they hated school, and the fact that they know that I have this background kind of fosters that engagement and connection. So the last five years, I’ve really focused more on professional development. And I took the ACUE courses. And then I became a Faculty Development Coordinator, and at College to DuPage, they offered a paid course for adjuncts. The curriculum was 4 Connections, that’s what the course was called. 4 Connections comes out of Odessa College in Texas. And the 4 connections are checking in with students regularly, practicing praxis (which means maintaining rigor, but also having flexibility), one-on-one check-ins, and learning students’ names. And so as far as inclusive teaching practices are concerned, again, these are all things that when I started teaching, they were almost frowned upon. You don’t want to engage with your students too much. You’re there to lecture, they’re there to learn, and there’s no late assignments, and if you plagiarize, then you’re out of here. And these were all habits of faculty back in the early 2000s that I grew up under, but that didn’t work for me. And so I looked at these 4 connections, and all of a sudden, it was very validating, because it was like, “Well, I’ve kind of been doing this all along, checking in regularly, that’s something that I do with students, the one-on-one meetings, that’s the one that always kind of enrages faculty, especially adjuncts because of how thinly we’re spread. But if you can get past the I don’t have to meet with every student one on one, I started that process by saying, Okay, we’re post pandemic, I’m comfortable with Zoom… I went from “Why are you taking an online class, if you want to talk to me, you should take an in-person class,” that was kind of the mentality of the early 2000s and mid 2010s. I went from that to, “Hey, it sounds like you could really use a zoom call. Let’s get together. Let’s have a one on one, let’s talk” and really just students getting to know me and me getting to know them a little bit really helped get them on track. They needed that engagement to get on track. The practicing praxis, I used to be told in my early years, “Oh, you’re too flexible. If it’s past the deadline, you shouldn’t take it, it’s a zero.” And in the culture that I was working in, nobody was turning things in on time. There were so many obstacles to the students I had in the beginning. Being a writing instructor, students definitely walk into your classroom not wanting to be there, and believing that you are judging them from the get go. And you kind of are. And so it’s always been my intention to make students feel comfortable so that I can get the best writing from them as well.

Rebecca: What are some of the strategies that you use to make students feel comfortable?

Jeanne: I was thinking about my teaching style, and how I would talk about it. I came up with four principles that I really follow: being intentional about meeting students where they’re at, so getting to know your students and meeting them where they’re at while also maintaining rigor and meeting those learning outcomes on the syllabus, because those are two very important components of getting your students through your college courses. I’m also very intentional about engagement. So when I start a class, whether it’s online or face to face, I want my students to know that they’re making friends in this class, and that they and their peers and myself were all part of a learning community, and I’m learning from them. I don’t necessarily call myself an expert. I have so much to learn. And a lot of things that I learned, I learned from my students. I give them an assignment, and they give it back to me, and then I learn about what are the good aspects of that assignment, and what parts of that assignment really need to go. My students teach me that. I can’t learn that on my own. And so having that rapport and that engagement in the classroom is very important to me, especially since the majority of the courses I teach are online. Being transparent is also very important. And I was introduced to the TILT framework (Transparency in Learning and Teaching). And as an English instructor, and as an online instructor, I have to give very clear guidelines to students, because I’m not in the classroom with them. So they have to be able to read the guidelines and follow them. And so I’ve always been pretty good at writing those assignments and getting that across. I’ve tweaked it over the years, being more intentional about letting them know the reason why we’re doing this assignment. I’ve never been a teacher to have like a bunch of readings just because we should have a bunch of readings. Whatever unit we’re in in the English 101 class, I want the exercises that we do in these classes to help them in their final destination of that research essay that they’re putting together for the course. And then the fourth principle has to do with the UDL implementation. And that’s really having that plus-one mindset. Adopting a plus-one mindset is really important, because there’s always one thing that I can do, maybe I’m just doing one thing this week, maybe I’m doing one thing a day, maybe I’m doing one thing a semester, but there’s only one way to improve my curriculum. There’s always one way to improve meeting students’ needs.

Rebecca: So for folks that are interested in that plus one mindset, it’s introduced in Reach Everyone, Teach Everyone by Tom Tobin and Kirsten Behling.

John: And we do have a podcast with Tom that we’ll share a link to in the show notes. Maybe you could talk a little bit about how you’ve implemented some of those UDL principles in your class, as you’ve continually done the plus one thing.

Jeanne: Well, they talk about multiple means of representation, multiple means of expression and multiple means of engagement. So I’m always looking at my curriculum and thinking, how can I better represent, how can my students better express what they know? And how can we improve engagement? For multiple means of representation, I started revising my syllabus, first of all. I tried to use more inclusive language, a little more colloquial, a little more warm, not having these really strict rules, but kindly sharing what was expected of students in a tone that reduced that imposter syndrome, telling students directly in my syllabus “you belong” is important. Another thing that I did, I learned about how to create like a visual graphics syllabus. For example, for my English 101 class, we have four papers that students write. And so on one page, I outline the entire course with what the whole course will look like and some of the things that they’ll be learning. Under each paper, I would talk about specific skills that they were going to pick up under that paper, during that unit. So they could see the entire class on one page. It will list the papers and what percentage they’re worth. And it’ll list a little description of what is involved. Our final paper in the English 101 class is a career analysis project. And so day one, I want them to know, “Hey, you’re going to be writing a paper about the career you’re interested in.” So let’s start thinking about that. And so a lot of the scaffolding that I put in place from paper to paper helps students follow the general outline of the course. I also use a skeletal outline. When I teach a face to face course, I actually set it up on whatever learning management system I’m using in the class. I set it up the same way I would an online class. I do that because I don’t want to forget anything. But at the beginning of class, I can go over the page and say, “Okay, these are all the things that we’re going to get through today.” And students know, and they’re not getting restless in their seats, especially because I mostly teach night classes. And you can just imagine By seven o’clock how much they want it to be over. And thankfully, I don’t have a ton of content that I have to get through. And so it’s like a half discussion/lecture, half of the class is us working together. And the other half is lab time. And as part of like an inclusive teaching practice, during lab time I meet with students regularly, one on one. And again, I’m getting to know them, I’m finding out “How was work today?” But I’m also finding out “Where are you at with your writing practice today?” And if you put something in place for one student, every student can benefit from that. So like if I have a blind student who needs her readings to be audio, the mother who is driving her kid to soccer practice can also benefit from having an audio version of the text. I’ve really embraced that idea of, when I put something in a course, trying to give them a graphic, trying to give them the text, and then trying to give them an audio or audio-visual component. I use Zoom a lot to create my videos. And so we have the closed captioning, they have the PowerPoint, they have the option of reading the transcript, maybe all those things can be overwhelming, but then turn off the closed captions and just have the PowerPoint and the talking. A lot of times I don’t even have the PowerPoint, I just have the screen for the learning management system, which is not always smart, because I use three different learning management systems, so that I have to keep re-recording those videos.

Rebecca: It sounds like those alternative formats are really helpful for students in giving options to explore the content and giving variety. And it sounds like you’re guiding them through picking and choosing which format works best for them.

Jeanne: Absolutely. And in 2010, when I got my big start in online teaching, I had completed a master’s certificate in online learning through Illinois Online Network. And actually, that was the first time I had ever heard about things like summative and formative assessments. So I was using classroom assessment techniques or CATs to check in with students. So those were things that I was learning in this class that I didn’t know about, then fast forward to last semester, and now I want to learn more about universal design for learning. So I started a digital accessibility for educators certificate. And we had a course for the foundations, we had a course where we just learned the basics of manipulating documents and making them accessible. I did another course that did the same for videos, and then the full eight-week UDL course, but the videos was interesting in that they actually recommended that your videos only be two to three minutes long, which if you’re used to teaching an hour and a half class, how do you get a two-minute video to educate your students. And I think part of that is students are used to watching shorter videos. And so if you have a 20-minute lecture, chunking it into four different videos can be very useful, because even when they have to go back, they know that that information that they want to review comes from video two, or video three, and it breaks things up for them. And you can set them up where one flows into the next

Rebecca: You were just summarizing the different ways that you were implementing multiple means of representation. You’ve talked a little bit about multiple forms in your syllabus, you talked about skeletal outlines, and then you were just talking about multiple formats for lectures. So one of the other UDL principles is thinking about multiple means of expression or ways that students can demonstrate their learning. Can you share some of the ways that you’ve implemented that into your teaching?

Jeanne: Sure, well, again, because I teach primarily online, I rely very heavily on the discussion boards. And so I do definitely start out with the icebreakers. And it’s not a best practice to answer every student on the discussion board, but for the icebreaker I do, because I want them to know that I heard them and that I have a response for them. And so I really tried to be very intentional. And then as the discussion boards increase throughout the semester, I back off and let my students engage with each other. But what I love about the discussion boards is it democratizes the classroom, because if a student is put on the spot right there in the classroom, they can’t always process the information quickly enough. They might be shy, they might feel like they just can’t come up with the answer right then and there. But when you’re on a discussion board, a student has the opportunity to read the question and thoughtfully respond in their own timing. And that really matches the work that I do. I’m definitely better at creating courses in writing and using instructional design techniques to lay out my classes and have everything set up, do all the writing of assignments, I’m much better at the organization than I am at getting up in front of students and lecturing. That’s just what I’m better at. And so I can really understand the idea of having a new concept introduced to me, and then having the opportunity to really think about it, maybe do a little research and pull my thoughts together before I respond. And so I think having those discussion boards, sometimes I even integrate them in my face-to-face classes just to give students other opportunities to engage. I have a literacy narrative assignment, where I allow students to either write the essay, or use another modality. So like, every once in a while, I’ll have a student who will want to make a video, I don’t have all the techniques of what video software you should use. Sometimes having all that information can be daunting. In today’s age, you know, my son, he’s 21, so he’s a junior in life and he’s working in the trades. So he’s not in college. But he started using a Chromebook in sixth grade. So we have students now who have capabilities in video production that I don’t have, just because they’ve been doing it in their elementary, middle school, and high school classes. So I also have an option for them to create a comic. Because we have an example in our textbook where somebody wrote a literacy narrative,as a graphic comic. Every once in a while, I get the drawers who want to have their literacy narrative that way. And so again, there’s just multiple ways. Writing class, you can’t always have a video, students have to write. But I can sometimes give options, the literacy narrative is a great place to give students the opportunity to showcase their story using another modality. I provide examples whenever possible. I ask my students “Can I use this?” and I get more and more questions from students about, “Can I have an example?” And sometimes I don’t want to give them one, I just want them to respond. It’s a low-stakes assignment, and I want them to think. I don’t want them to see somebody else’s response. I just want them to tell me what they know. But especially for larger essays, I want to make sure that they have those examples. We read a lot of essays from published authors, but having examples from their peers, and especially examples from peers that had me as their instructor, can be very helpful to students being able to then turn around and express their thoughts in writing. And this is also where that TILT model comes in, because I want to tell them why they’re doing the assignment, the literacy narrative, the purpose is for me to get to know you as a student, as a reader, as a writer. It’s an opportunity for you to tell me your story, and what the actual prompt is, what the skills they need, there’s always a rubric for them to follow to guide them. I give them an idea of what I expect in the final product. And sometimes I’ve been learning more and more that sometimes, using specifications grading, it’s either you met the objectives, or you didn’t can be very helpful in some of these writing assignments. One of my favorite writing assignments is… I got this at a conference at College DuPage, like maybe in 2016, and I adopted it, and I’ve been using it for years, but only in the face-to-face classroom. It’s students pairing up to groups of two or three, and they choose a movie and they do their own version of “At the Movies with English 101.” I don’t know if you’re old enough to remember this, Rebecca, I know John is, but Siskel and Ebert At the Movies on Sunday afternoon, I watched it with my dad every week and so I get to nerd out a little bit and do things I love and show them all these different clips of Siskel and Ebert. And then they get to pair with somebody and watch a film and write a script that they present to the class. And so what I’ve learned over the years is that it’s not even really necessary to grade this assignment, because I’m really only grading on grammar and punctuation because they work so hard on it because they’re presenting it to their peers, and they’re working with another classmate that it’s a pure learning experience. And last semester, I had a student who was talking to her partner, and she said, “This is so fun. This is like doing a podcast.” And I thought, oh my goodness, I can bridge. I tell them to write a script and they look at me like a deer in headlights. But if I say they’re gonna do a podcast about their favorite movie, now I’ve reframed the assignment in terms that they understand. So that’s what I’m going to do next time. And like I said, if you’ve done the assignment, you get full credit because I’ve never had a student not do the assignment. I do have a rubric for the person who takes advantage, just in case they’re out there. And really the only way to lose points is if you don’t present your individual reflection on the entire process. So I feel like that is just one of those ways to meet students where they’re at by giving them the freedom to work with somebody else and see what kind of writing they can produce without too many parameters. And they’re almost always successful.

John: You had mentioned something about a career analysis project. Could you tell us a little bit about that?

Jeanne: Sure. That came out last spring, I had a late start class. And they were supposed to be writing an editorial and I was barely getting film analysis and literacy narrative essays from them. They were really struggling as a class. And I was trying to figure out a way to motivate them. And I’m thinking, if I have them write an editorial, that’s not going to work for this group. And so I scrambled, and I thought, well, as a freshman in college, most of the students who take English 101, this is their first time in college, and thinking about the TILT model, what can they write that gives them purpose? And so I came up with “Well, every student’s going to want to get out of college with a career, and we can still meet the learning objectives in the class.” So the final product is the actual essay, and that is totally graded with a rubric and they have to meet all the learning objectives, work cited page, introduction, thesis statement, all those components of a basic essay, source integration, synthesis. We’re in the early stages of getting them ready for that English 102 class. And so they can write an essay about their career meeting all those objectives in the same way that they could write an editorial meeting those same objectives. And so I always start a paper like that with an annotated bibliography. And so I got the librarians to help me find websites where students could research their careers. And so the librarians put together a page for me that students can refer to, and I’ve since created short videos, where I explain the different databases to them. Right now, I think I have like a 12-minute video that I did. So the next step is, instead of talking about all the databases in one video, talk about different individual databases in two to three minutes, breaking that down and meeting them even better than I was with a 12-minute video. So they write their annotated bibliography, and that gives them an opportunity to work on MLA citations, work on summarizing, and thinking about how they’re going to use that material for the final essay. That’s part one. Part two is using ChatGPT to have a conversation, I call it a ChatGPT interview. And so now that students have done the research on their own, now they’re taking what they know and I give them a series of prompts. And I’m giving them the experience of using ChatGPT to inform their writing and the research. And so I’m not necessarily concerned about the interview. I’ve very recently learned that instead of them describing the process, they can send me a link to the actual interview. So it’s evolved from describing the process to: write an introduction, give me your link, and then write a reflection on what helped and what didn’t help and how you think this is a valuable tool in education, how you think that ChatGPT could derail you in your education. And so I know a lot of English faculty are very wary of AI in the classroom with good reason, because I’ve gotten a few of those papers. And I’ve probably gotten more than I think, and they’ve gotten under my nose. But it’s like the internet was 20 years ago. It’s a tool that’s not going anywhere. And so it is our responsibility as educators to introduce students to these tools and talk about the ethics of them. And so this is just an opportunity to kind of slip that in. And the feedback I’ve gotten from most students is “Oh, yeah, I got really good information. Some of it wasn’t accurate based on my research. I could tell from the tone of what I was reading that it was robotic, and I definitely wouldn’t want my writing to sound that way. But it was nice to put some ideas in and get some feedback from those ideas. So part one is the annotated bibliography. Part two is the ChatGPT interview. Part three is that final essay, and this semester, I’ve added a part four, because I wasn’t feeling like this assignment was robust enough. And I’ve also been in conversations about UDL, giving students multiple ways to express what they know. And so I actually went into ChatGPT and I put part of my assignment in it. And I asked him to write me guidelines for doing a media presentation. And so now they’re going to have to take what they’ve learned in their essay, or what they’ve written in their essay. And they have to take it a step further and do some kind of a PowerPoint or video or some kind of visual component, so that they can, I guess, bring what they know, it’s not just an essay, but they’re sharing it with the world in some respects, or they have something that they could share with the world. And so this will give me an opportunity to talk about portfolios, ‘cause some nursing students need those kinds of things. I know I did when I was in public relations, journalism was my major. And so I know when I got out of college, I needed a portfolio. And so this is just another opportunity for them to maybe have a little bit of fun with the content. And it brings them more into the 21st century. Our students, I’m sure many of them aspire to be influencers. They love their YouTube. So this is a way for them to live out that dream a little bit.

Rebecca: Sounds like an opportunity to think about audience as well.

Jeanne: Yes, definitely.

Rebecca: How have your students responded to these opportunities in the reconfiguring of this project?

Jeanne: They have responded really well, especially with this particular project, the feedback I’ve gotten is I really appreciated the opportunity to research something I need to know about anyway. And I appreciated that you created an assignment that I can relate to, that means something to me. Not every discipline can do that. But as a writing instructor, Comp 101, Comp 102, I do have a lot of flexibility with the content. And so I focus very much on the skills that students can attain… the Siskel and Ebert, they all are looking at me, like, I’m crazy for asking them to create this podcast. But as they go through the process, I give them a lot of time in class. And as they go through the process of creating the document, at the end of the day, they have another piece of writing that they’re really proud of. A lot of them say “I had fun doing this.” And I feel like if a student is having fun doing a writing assignment, I’m really going to get to see their best efforts. I find that a lot of kids come out of high school and they come to college with this idea that I have to write what my teacher wants me to write. And I have to figure out what that is. And during the pandemic, I really got a taste of that when I was helping my son with his research paper, because he didn’t really do any writing. He started by looking for quotes. And then he explained what those quotes meant. He started with main ideas, and then he’d find quotes, and then he’d explain the quotes. And then he’d slap in a bunch of transitions and call that a paper. But there was really no like, “What do I think about this?” It was more about how do I meet all the criteria that my instructors have given me to complete this assignment. And so it’s a real privilege in English 101 to be able to kind of deprogram that thinking and give students the opportunity to really know what it’s like to write what they think,

Rebecca: Maybe to move on from just efficient solutions to things to something that’s actually valuable to them.

Jeanne: Exactly. And they’re learning skills in high school for a reason. They just lack the opportunity to really put those skills together in a lot of regular classes, I think. It’s been my experience with my kids anyway, and with my students, that they are really just re-imagining graphic organizers and presenting them to their students with all the boxes checked.

John: In your professional development role have some of the techniques that you’ve been using been widely adopted at your institutions?

Jeanne: Well, at Waubonsee, they pay for faculty to take the ACUE courses, which is a certificate in effective college instruction. And I know that there are a lot of active learning modules, there’s modules that have to do with creating a classroom environment that is conducive to learning. And there’s also a course that’s separate from the effective college instruction that is fostering a culture of belonging. And so that is a really good course to get people thinking about those around them. And at College DuPage, I do a lot of book clubs. So that’s how I got introduced to Thomas Tobin’s work, Reach Everyone, Teach Everyone and Flower Darby’s work with Small Teaching Online. And in fact, Thomas is the one who introduced me to John, at one of his sessions. So I’m a little bit of a Thomas Tobin groupie, I guess. And so I do find that any opportunity for faculty to engage with each other is really key. I know this as an online faculty member, I know this as an adjunct faculty member. I probably spent a good 10 years in a silo while I was raising my kids, and developed very slowly as an instructor, because I was really just doing my own research and learning my own things. But bringing it out into the world and engaging with other people, it really does improve your teaching strategies and your abilities at a much faster rate. And so I have really enjoyed the privilege of working in faculty development and sharing the things that I’ve learned with others and constantly also learning from others.

Rebecca: That is one of the benefits to being in faculty development, is getting the opportunity to learn new things, and from other faculty and other developers on a regular basis. I think that’s one of the reasons why John and I like to do the podcast. [LAUGHTER] And that’s why I enjoy listening to the podcasts, too. I go in these stages where I just listen and listen and listen and listen and listen, and then I burn out and I gotta stop, or I think, “Okay, I’m not listening to another podcast until I apply something from the last one I’ve listened to.” Because you know, when you’re in the car, and you’re just driving around, it can be really easy to think, “Oh, this is great, and then you forget about it.”

John: And that is a bit of an occupational hazard for being a podcaster in this area. Because there’s so many great ideas that we hear from people that it’s really tempting to try to do all of them. And that can be quite overwhelming.

Jeanne: For sure.

Rebecca: So, we do always wrap up by asking: what’s next?

Jeanne: I know and I keep thinking about that. My faculty development job is supposed to end because it’s a two-year fellowship, supposed to end in May. And so what’s next is there has been talk about keeping my fellow Adjunct Faculty Development Coordinator and I on staff. So I guess we’re waiting to figure out as we revamp that department if I will continue in faculty development. But the good news is I love teaching so much. And I love teaching online so much. And one thing that I’ve learned about the anxiety that I have with teaching in face-to-face classes is that I don’t do it enough. And if I do it more, that anxiety dissipates, because I’m in that community. So I don’t know what’s next.

John: Thank you for joining us. It’s been great talking to you again, and we look forward to hearing more about your continued evolution in terms of teaching.

Rebecca: Thank you for sharing your story.

Jeanne: Thank you so much for having me on. This was great.

[MUSIC]

John: If you’ve enjoyed this podcast, please subscribe and leave a review on iTunes or your favorite podcast service. To continue the conversation, join us on our Tea for Teaching Facebook page.

Rebecca: You can find show notes, transcripts and other materials on teaforteaching.com. Music by Michael Gary Brewer.

Ganesh: Editing assistance by Ganesh.

[MUSIC]

330. Educational Developers’ Praxis

Teaching centers typically have a core group of faculty that actively engage in professional development while others are rarely seen. In this episode, Constanza Bartholomae and Terri Hasseler join us to discuss strategies they use to expand participation and build faculty community. Constanza is the Associate Director of Teaching Support and Terri is the Director of the Center of Teaching Excellence and Professor of History, Literature and the Arts at Bryant University.

Show Notes

  • Center for Teaching Excellence at Bryant University
  • Smith, M. (1994). Local education: Community, conversation, praxis. McGraw-Hill Education (UK).
  • Jeffs, T., & Smith, M. K. (2021). The education of informal educators. Education Sciences, 11(9), 488.
  • Thackara, J. (2006). In the bubble: Designing in a complex world. MIT press.
  • De Bono, E. (2014). Lateral thinking: An introduction. Random House.
  • De Bono, E. (1990). Lateral thinking: a textbook of creativity. Penguin UK.
  • Nunn, L. M. (2018). 33 simple strategies for faculty: a week-by-week resource for teaching first-year and first-generation students. Rutgers University Press.
  • Norell, Liz (2023). Supporting Neurodiverse Students and Faculty. Tea for Teaching podcast. Episode 313. November 1. (This episode discusses “podcasts and puzzles”)
  • Cavanagh, S. R. (2023). Mind over Monsters: Supporting Youth Mental Health with Compassionate Challenge. Beacon Press.
  • Hochschild, A. R. (2022). The managed heart. In Working in America (pp. 40-48). Routledge.

Transcript

John: Teaching centers typically have a core group of faculty that actively engage in professional development while others are rarely seen. In this episode, we discuss strategies used at one teaching center to expand participation and build faculty community.

[MUSIC]

John: Thanks for joining us for Tea for Teaching, an informal discussion of innovative and effective practices in teaching and learning.

Rebecca: This podcast series is hosted by John Kane, an economist…

John: …and Rebecca Mushtare, a graphic designer…

Rebecca: …and features guests doing important research and advocacy work to make higher education more inclusive and supportive of all learners.

[MUSIC]

Rebecca: Our guests today are Constanza Bartholomae and Terri Hasseler. Constanza is the Associate Director of Teaching Support and Terri is the Director of the Center of Teaching Excellence and Professor of History, Literature and the Arts at Bryant University. Welcome Constanza and Terri.

Terri: Thank you.

John: It’s nice to talk to you again. I met both of you at the POD conference a few months ago, and that’s when we talked about you coming on the podcast. Thank you for joining us. Our teas today are:

Terri: Well, I’ll go first. As Constanza will tell you, I never have less than three beverages with me at any point in time. [LAUGHTER] So, I have a caramel macchiato, a diet Coke, and a chai.

Constanza: And I have a tea. I’m drinking a Mighty Leaf African nectar tea in the mug I have yet to earn. It’s a Tea for Teaching mug that John so generously gifted us at the conference. And so I’m working to earn it today. [LAUGHTER]

Rebecca: Oh, we’re definitely glad that you’re here. I have cardamom cinnamon tea.

John: That’s a new one.

Rebecca: I’m trying to cut down on the caffeination.

John: So no more of that harsh tea?

Rebecca: Oh no, I will definitely drink some of that. [LAUGHTER] I’m not giving it up. I said cut down. [LAUGHTER]

John: And for the first time ever, I am drinking water in a Tea for Teaching mug, because I didn’t have time to get tea between my class and this recording session.

Rebecca: Is it warm water?

John: It is cold water, because if I could have heated up water, I would have put you a tea bag in it.

Rebecca: Well, it’s the start of tea. [LAUGHTER]

Terri: That’s so sad.

John: It is. It’s been one of those days, and so we’ll just leave it at that.

Rebecca: So we invited you here today to discuss your work as educational developers at Bryant University. Can you describe your roles and the role of the center?

Constanza: Sure. So I’ll go first. I’m the Associate Director of Teaching Support. And that means I get to spend a lot of time with our faculty. I work one-on-one with faculty in consults ranging from working on specific activities that they might need some additional support on to talking about overarching course goals or objectives, or perhaps speaking about pedagogy. And also I work with faculty in groups, we might be talking about a common theme or we might have unstructured get togethers and meetings. And that’s the best part about my job is meeting with faculty, and I really love what I do. I’ll pass it over to Terri.

Terri: Thank you. I use she/her pronouns and I am the Director of the Center for Teaching Excellence and Professor in the Department of Literature and History in the Arts. As you noted a moment ago, I started at Bryant University where I am now almost 30 years in the mid 90s and I moved through the ranks of the faculty. I served as a department chair a number of years ago for a department in English Cultural Studies, and most recently served as the Associate Dean for the College of Arts and Sciences. My earliest research actually 30 years ago started in writing centers and pedagogy and I quickly moved into inclusion and social justice frameworks for teaching and learning. And I just moved into the Director of the Center for Teaching Excellence about five, six months ago. So I am very excited about this work, and the inclusion of the work that I’ve been doing in the scholarship of teaching and learning, and training and instruction and pedagogy.

Rebecca: Can you talk a little bit about the work that your center does?

Terri: Sure., so one of the things that we’re doing in terms of the philosophy of our work and a shout out to our educational technology person, Mary Boehmer and our wonderful faculty fellows. The work we do in the center really focuses on the concept of praxis that Mark Smith talks about, which is that idea of informed committed action. And when we talk about informed, we’re talking about what is it we know? We try to stay research- and evidence-based. We look at the theories and the current information that is out on any subject that we’re working with. And then the commitment, the committed, what we do and why we do it. The ethics… what’s the ethical framework for the work that we do? And then the action is: how do we do that work. And we look at, in the center right now, focusing on issues of creativity, inclusive communities, and the critical notion of kindness. These three concepts bring together student-centered approaches through a teaching-centered lens. We like that kind of inward and outward approach to the work we’re doing. And we are working to build more authentic relationships with teaching rather than performative teaching. And my job in that role is to run a lot of the different programs, work with a number of different partners on campus, and building out our strategic plan and then initiating it.

John: In an earlier conversation, there was some discussion of the Creativity Fellows Program. Could you tell us a little bit about that program, how it works, what its philosophy is and what its purpose is?

Terri: Sure, thank you. We’re very excited to talk about the creativity fellows. This is a program I started a number of years ago it was supported by Robert Shea who was our Director of our Center for Teaching and Learning at the time. Bob is now the Provost at Curry College. The work that we did In that is it was a seminar approach, a one-year seminar devoted to nurturing faculty members and their creative practices. The long-term goal is to fundamentally transform both the teaching practices and the educational philosophies. The program draws from faculty across all the institution, the different schools and programs on the campus. And one of the things that we’re finding is that there are heavy expectations on faculty, they’re expected to be creative… be more creative, and faculty are often at a loss for that. Many feel that they themselves are not creative. They’re trained in critical thinking and content providing, and they often have not been given the skills or the support to pursue what creativity looks like. We’ve also tried to think of creativity in contrast with innovation, innovation tends to be more product oriented, solution oriented: what are the viable solutions? What are the ideas, the methods, the products that one can produce? We’re much more interested in process when we work with faculty. So the premise of the seminar is that we start with the mindset. If faculty do not have an active creative practice, it’s impossible to model and to speak to creativity in authentic ways with students. So the seminar focuses on providing spaces to let faculty fellows develop a creative practice. And we are very literal about this. We talk about creative artistic practices, we do collage, hand papermaking, bookbinding, improv, ceramics, we bring in visiting artists, we have one-on-one creative mentoring, sketching, and we build a community of practice, where we focus on the inefficiency of creativity and learning. John Thackara talks about that in his book In the Bubble, says that creating and learning human beings are highly inefficient. So we make a space where we can be inefficient with each other. And that’s not a space that we create very often in academic settings, because we’re always very product oriented. So again, the emphasis was not on the final products, but the purpose was just to be in the seminar. And we do end with a final installation at the end of the seminar each year, we end with a process of creativity where faculty present their objects that they created throughout the time. And the last thing I will say, too, is what are some of the things that result from this… the work is very risky for faculty, many of them have never made art, or something creative. Many of them probably have not done art since high school or elementary school, or perhaps they have some secret creative practice that they haven’t shared in some time. So this is anxiety provoking, but also very exciting. And we focus on three different things. One, trust the process. We talk about this as purposelessness. Of course, it’s deeply purposeful. The work we’re doing is deeply purposeful, but the focus is on purposelessness, not publication, and in our syllabus we say to them, what if you were given space to play, time to think about it, and a cohort of colleagues to encourage you? What if you were able to participate in activities within which your very presence was the purpose? What if you could play with the distractions to see what they yield rather than immediately aiming for some objective? The second thing we do is we create a room and a space to play and some playmates to play with and do lots of kind of lower-stakes activities with the faculty. One of the first activities we do is we pull them together, and we give them modeling clay. And we say, “create an animal out of this modeling clay that represents your relationship with creativity.” Some might make a cat because they’re curious or a dragon because they hoard creative things, or whatever. And then we talk about why they created what they created. And then we put these animals in a habitat. And we say, “Now you’re all going to be working together with each other, what would be the habitat that would include all these animals?” And they might do something like a garden, or an amusement park, but it gets them immediately getting out of the self consciousness of creating, which we know is also something that is very real for our students. The final part I would talk about is the third tenet that we work with is the fear and its relationship with failure. Risk-taking is a primary part of creative thinking. And the biggest risk is taking these risks in front of colleagues. Our students do this all the time. We don’t. We’re very much experts in our fields. We don’t take beginner learning experiences and demonstrate them in front of our colleagues. And this is one of the things that we do with this activity.

John: As an economist, one of the things that struck me was your comment about inefficiency. Economists focus on ways in which people can use resources more efficiently to get more productive use of their time. So could you explain that inefficiency part of it?

Terri: Yes, no problem. I think that for faculty, a lot of the focus is on production and efficiency and sort of demonstrating to the institution that I published this number of papers, I’ve demonstrated that I know these certain things, I can teach these objects and these content principles. But as an artist myself as well, art is not very efficient, it’s often messy, you have to move between different projects, you have to make lots of mistakes, lots and lots of mistakes, and enjoy the mistakes and see what results from them. And it really takes a while to get faculty comfortable with that idea of being inefficient. There’s a reality to inefficiency too, we’ve got limited time, nobody has time to be inefficient. And so this process allows people to actually be able to put something down as I was a part of this group, and I was given opportunity to be inefficient.

Rebecca: How do you recruit for this program, or who do you tend to attract? Because if folks know that they’re risk taking, but they’re averse to risk taking, [LAUGHTER] then sometimes the people that we might hope really appreciate a process don’t always get included. So how do you nudge people to get involved?

Terri: So we’ve had three iterations. And we hope to have our fourth iteration soon. And we’ve had sort of different models. The first two models, we had small groups of faculty, eight in the first one, 12 in the second one, and then the third model, we did more a series of workshops across campus. And this was supported by two other faculty members who are part of the creativity fellows, Maura Dowling in Finance and Sandra Enos, who has since retired, but was in Sociology. And people are actually very interested in the past. We have had a carrot approach where we do have some perks attached to it that make people interested. But I think also we sell it as a place where you get to play and have some fun with some colleagues.

John: And I think all faculty should experience that process of stretching themselves a little bit, of being uncomfortable, to remind them of what it was like to be a student. So I can see the benefits of that.

Rebecca: I thought I almost saw the word play [LAUGHTER] come out of your mouth, but it didn’t actually come out.

John: I’m an economist.[LAUGHTER] We don’t play, we do serious work. [LAUGHTER] How have faculty reacted to this program?

Terri: So there’s a lot of different reactions… again, that notion of beginner learning experiences, that is really valuable. So people remember what it was like to sit down and do something for the first time. And then I also think it’s important for threshold concepts. When we’ve crossed over the threshold, and we know what is transformative about our discipline, we forget that other people haven’t crossed over that threshold. And this experience reminds them “Oh, yeah, there are things about my discipline that I take for granted that other people who are new to it may not understand.” We spend a lot of time with lateral thinking, Edward de Bono’s work about indirect approaches. So an economist who’s doing ceramics is definitely going to be thinking about this in a very different way. For faculty, they reported greater re-engagement with new learner experiences, a recommitment to a creative practice that they may have had in the past. That was actually a big thing that we noted. They enjoyed a like-minded group of colleagues that they were working with. And also, ironically, even though the focus was on purposelessness, this was probably one of the more traditionally purposeful activities because it produced a significant amount of scholarly research, new courses, new programs, conference work, so a lot came out of that. For the institution, it produced a commencement award in creative expression. Faculty instituted new courses, new programs. And then for students… this was the fun part…. so students also get to see what the faculty produced at a pop-up gallery, pop-up installation that we do, and the students talked about two things that they found were really moving to them about the experience. And they talked about how important it was to see faculty move outside of their comfort zone. One student said, “I found this valuable because it shows that these people who are experts in their fields are willing to take risks. I am sure doing these projects that it felt a little unnatural and it was interesting to see how they dealt with that and created something to be proud of.” And the second thing is that humanizing of faculty, they really saw faculty as human beings. This one is kind of cute. I just love this comment. A student said, “It was interesting to see professors doing the same things we are doing in class, and how proud they were of their work.”

Rebecca: One of the things I love doing is taking classes and learning new things, for some of those exact reasons: feeling vulnerable, remembering what it feels like to be a beginner, etc. You mentioned as you were laying out some of the things that your does, does your role in building community. We know that faculty often work in their own silos and sometimes feel like they’re facing their own unique challenges. But what strategies have you used to break down some of these silos and bring faculty together across campus?

Constanza: Yeah, that’s such an interesting question. And it’s so funny because we don’t often think of teaching as being an isolating practice. But really, if you’re teaching in a classroom, unless you’re co-teaching with someone else, or you’re being observed, you’re the only instructor in the room. So if something goes wrong in the classroom, you only have yourself to consult with in that very moment. And if you’re working through something, the best place that you can go to if your campus has one is a teaching center. Luckily ours does. Thank goodness, [LAUGHTER] because I love having a job. [LAUGHTER] But we find ourselves working with faculty to build these spaces for community because oftentimes, as an instructor myself, I’m not taking the time to build reflection and metacognitive practices into my own routine of teaching. So my teaching routine is “Okay, let me build my lesson plan. Let me do my grading. Let me meet with students for office hours.” But I’m not consciously thinking, “How can I reflect on my teaching?” Or “Where can I meet with other people to discuss this?” That’s our role of the teaching center. And so our job is to help support faculty in forming those connections and to build space for them to share their experiences. Sometimes we might coordinate a lunch to discuss a certain topic or invite one of our faculty to pose a question or discuss a certain problem that they’re facing. Some of the times we draw from our own teaching experiences to give examples of how we might approach a situation or some of the teaching wins that we’ve had or some of the teaching struggles that we’ve faced. Some topics that we’ve more recently covered are first-year teaching techniques, supporting first-generation students, managing student disruptions, course redesign, and Universal Design for Learning. But really, if faculty members come to us and they’re interested in a certain subject area, we’re more than happy to look into it if we’re not familiar with it ourselves, and then come back and design something for them.

John: You mentioned a first-year teaching techniques course to prepare faculty to teach first-year students, and in an earlier conversation, you mentioned that this was something you were hoping to spread throughout the entire faculty. Could you tell us a little bit about what the focus of that class is?

Constanza: Yeah, I got a lot of questions about this at POD actually, because this is something that a lot of universities are hoping to teach about, really. But I was having a conversation with our Dean of the College of Arts and Sciences, Dr. Veronica McComb, and we were casually talking, as one does, with the Dean over coffee. And she was saying it would be really great if we could offer something that would highlight some of today’s students’ challenges and some teaching techniques that would really complement their learning. And I looked at her, and she has a faculty development background, and I said, “Well, do you want me to build a course?” And she said, “Yeah, I’d love it.” And so the idea unfolded, and I began to design our first-year teaching techniques course. It’s a six-week course, which ends up with faculty creating new implementations into their own courses. And although it’s geared towards first-year students, it really applies to all students. So we’ve had two cohorts of faculty go through it already. Our third cohort is about to launch, there are five modules, and they talk about a variety of teaching techniques, some of which faculty may have seen before and may already use but not know that they’re actually evidence based, and some of which are entirely brand new. We use a variety of mediums. So they get to listen to some Tea for Teaching podcast episodes, as well as some other podcast episodes. They get to read some articles. And then we also all read Lisa Nunn’s, 33 simple strategies for faculty: a week-by-week resource for teaching first-year and first-generation students, which is really great, because there are anecdotes within that book from first year and first-gen students themselves with quotes of their thoughts and struggles and comments. And so it’s real and extremely relatable. And it gets our faculty thinking about how they’re delivering content or how they’re approaching students in an entirely different way. And so in the course, we’ve laughed together, we’ve cried together, we’ve met on Zoom, we’ve met in person, and folks get to know other faculty from different disciplines across campus. We’ve had folks who have just started teaching for the first time, we’ve had folks who have been teaching for a number of years at Bryant, folks who are new to Bryant. So it’s a really great way to build community. And I’m glad that you asked about it. But it’s also really helpful and a great way to show those who have been teaching for a really long time, especially, that it’s always really great to reflect upon their teaching practice and to think about how they can reinvigorate that practice and enhance it to fit the needs of today’s students.

Rebecca: One of the other programs that you’ve mentioned is the Course Redesign Institute. Can you talk a little bit about how this program is structured, when in the year it happens, and how many faculty participate?

Terri: Sure, this is something we’re very excited about that we just started this year. It was actually the idea of one of our faculty fellows, and we modeled it on our really wonderful writers’ retreat that we’ve had for a number of years on campus and big shout out to our colleagues in the Krupp library and the Academic Center for Excellence that we work with in planning that. The writers’ retreat is really just: show up, do your writing, we’ll feed you. [LAUGHTER] And we’ll be around to help you if you have questions. And we love that idea, and we love that structure. So what we did is we built into the structure a series of content experts. We brought in people with expertise and accessibility, course design, and open educational resources, and virtual reality and pedagogy, instructional technology, syllabus statements and design. And we brought everyone together in a space in the library. And we essentially just let people do their thing. So we structured it with: buy our meals, we structured it by the times we got together with our meals to be in community. We did not run any sessions in training. We did not have any required events other than strong encouragement to join together during the five meals that we shared together over our time together. And it gave people a chance to sit down and in real time reach out to the people who could help them with questions they were having in the moment. So a group of three or four math faculty, for instance, in our last retreat, were working together. And they would come across something as they were working, they’d say “We have an accessibility question.” They could go right to the person and ask that question. “Oh, we’d like to institute open educational resource in this,” they could go right to that person and ask them. And it was a very productive time, people love being fed. They love being able to just show up and do their work and have immediate response to the questions that they have. Our goal was to do this once a year, but it was so popular, we intend to do it in the fall and the spring, and keep this sort of a very faculty-centered event where they get access to the resources they need right away in real time.

Rebecca: I love the idea of having the meals to bring people together, because inevitably, that probably leads to conversations about the courses they’re all redesigning.

Terri: Absolutely. We’ve had wonderful conversations.

John: I believe you also do some things that bring faculty together a bit more informally. Could you talk about some of the ways that you do that?

Constanza: Well, as Terri has mentioned, we love food. So if there’s a way that we can bring folks together over a hot beverage or a meal, because we’re in New England after all, and as we were joking about earlier, the winters are rough, we’ll do that. So as we’re heading back during the first week of classes, we’ll have a welcome back lunch for faculty. But apart from that, folks will joke, I’ll sit in my office sometimes, but sometimes I’ll also go over to the faculty and staff cafe and I’ll sit over there and faculty will pass through and remember that they have a question for me, or they’ll see me and they’ll sit down and we’ll chat. And so that will be a way to informally catch folks, and remind them to come and visit us or perhaps chat with them about an idea that they have. And if I’m lucky, that’ll turn into a SOTL article or something like that. So I love to catch people in that way. It’s amazing how many questions folks suddenly remember that they have just by seeing my face, and it saves them from sending an email. But also, the more I get to know faculty on campus, the more I understand where their interests lie. And so if there’s a faculty member who has a question, and I know that there’s another faculty member who might have experience with that question and might be able to answer it, I might reach out via email and introduce them. In fact, I’m notorious for doing so. So it’s a way for them to get to know each other as well, because oftentimes, faculty will meet other faculty members in their department, but they may not necessarily know other faculty in other areas. So those are some of the ways that we informally network. Our faculty fellows allow for another space where faculty can get together and meet folks that are not within their discipline. And really any open session that we have in the Center for Teaching Excellence is another way for folks to get to know other faculty who are interested in pedagogy. I love Liz Norrel’s idea that she mentioned on your podcast a few weeks ago about doing podcasts and puzzles. And so shout out to her for that one because I really want to adopt that for our center as well.

Rebecca: Since the pandemic, we’ve dealt with a lot of issues related to student disengagement and increased reports of students dealing with mental health challenges and things like this, and this has really increased the emotional labor of faculty. Sarah Rose Cavanaugh in Mind over Monsters argues for a practice of “compassionate challenge.” How do you address the challenges that faculty are facing in finding a good balance between compassion and challenge?

Terri: So one of the things that we look at… and this is a really important question that everybody is navigating, so thank you for that question… one of the things that we look at is the concept of kindness. It’s one of our three principles. And there is a bit of a problem around kindness as a term, often wrongly defined as doing everything you can to help someone to the point where you start doing the thing that they needed to do in the first place. And this creates learned helplessness, it also can become manipulative. For those of us who are doing this kindness and compassion at work, it can become exhausting and frustrating. As educational developers, we end up doing all the work rather than teaching someone how to do it for themselves. And that can be really hard. So we’ve talked a lot about compassion fatigue, and what happens when working with students who have mental health challenges, as you mentioned, where we start to take on the experiences of the students, and sometimes not appropriately, because there are professionals who should be working in these areas, and we want to support students. So how do we do that effectively, but also make sure our students are getting the best care they can from the professionals who are there to do that work? So we have students who are disengaged, alienated, apathetic, worry about belonging, but we also have faculty who are disengaged, have burnout, have compassion fatigue, wonder about whether they belong to an institution that has changed so dramatically in such a short period of time that it makes sense anymore. The conversation about not being a great resignation, but a great disengagement that faculty are experiencing. And I think that a couple of the issues that we’ve been looking at is that performative care, the way that so much is required of us now as faculty and as educational developers to be caring, that the caring becomes a performance rather than something authentic. And, of course, this is a use of Arlie Russell Hochschild’s work on emotional labor, where you start becoming detached and alienated from that labor, because it’s taken over your identity, that you no longer authentically feel connected to that emotional labor. And when we’re dealing with so much endless change, we have to be careful of that boundary between compassion and challenge.

Constanza: Yes, and this is something that we’ve talked about in terms of layers, because if the students are feeling this way, it’s impacting the faculty. And then if the faculty are feeling this way, it’s impacting us as educational developers. And Terri knows the story, but it really hit me when I was at a conference with Terri last year. I’ve always sort of wondered, as one does, how did I end up in faculty development? What’s my real story if someone were to ask, and one of my mentors in graduate school, unfortunately, ended up taking their own life, because they felt as if they didn’t belong, and really, really suffered. And we’ve seen in the news recently, as well, that that is a topic right now that we’re grappling with in higher education too. So all of this to say that, as educational developers, we are seeing faculty being perhaps more vulnerable than ever coming to us with greater challenges than they perhaps have ever come to us with before. And we’re also feeling the ripple effects of all of this. And in some cases, it is very challenging for faculty to come to us with these issues, for all of those same reasons that we mentioned earlier, faculty thinking, “Oh, I’m probably the only one going through this, perhaps it’s not appropriate for me to come and talk about this,” or the opposite extreme, where they are oversharing all of the things that are happening, and we have to figure out how to help support them, and perhaps do that in a way that is most effective, while protecting ourselves at the same time from that compassion fatigue. So if faculty are to trust us, that means that we have to be willing to be vulnerable to a certain extent, as well. And that’s not to say that we bare our entire souls and say everything that is deeper or personal about what we’ve been through. But it does mean that it’s helpful for us to share some stories of our own teaching woes, or to talk about moments that things just didn’t go right. Or to let faculty know, “You’re the third person to come into my office today letting me know about this, so I just want you to know that you’re not alone,” or to let them know “this is a topic that has come up repeatedly, and just to let you know, we’ve heard about it so much that our director has gone and informed the provost too, so we’re going to start having greater conversations as a campus community about it.” And so those are the types of ways that we show up for faculty, because, again, if they’re going to be comfortable with us, we have to show them that we too, are willing to be vulnerable with them. The other thing that I should mention as well is that part of this process is for us to generate community too. So not only do we meet with each other as a team, but we’re also part of the Rhode Island Teaching and Learning Network. So we have educational developers from the entire state of Rhode Island on that network. And we meet monthly to talk about issues, ideas, and concerns that we’re seeing, and that’s a really great space for us all to get together and quite honestly, it is so supportive, and I’m not quite sure what I would do without that network.

Rebecca: So we always wrap up by asking: “What’s next?”

Terri: Our next steps are, as we said a few minutes ago, actually, we were talking about how students feel alienated, discontent, apathy, belonging issues, and our faculty are also feeling some of these same things. And surprise, educational developers are also in that mix. And we are feeling that same sense of disengagement and burnout, and compassion fatigue. And our next steps are to take these subjects that we’re working with and really start thinking about how it impacts our work as educational developers and other educational developers. We do a lot of the support work, and much is required of us, and how are we supporting each other? As Constanza mentioned a moment ago, the Rhode Island Teaching and Learning Network has been a place where we’ve been having some of these conversations this year, and we hope to continue to have them there and on our campus.

Constanza: I think Terri said that perfectly.

John: Well, thank you. It’s great talking to you again, and we look forward to future conversations.

Constanza: It’s great to speak with both of you. Rebecca, so nice to meet you. It’s so funny when you hear someone’s voice and then, I’m sure you get this all the time, and then you get to see them and I hope to meet you both in Oswego sometime. We’ll make it happen. And I’ll bring Terri with me.

John: That would be great.

Terri: It was lovely to see you both. Thank you.

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John: If you’ve enjoyed this podcast, please subscribe and leave a review on iTunes or your favorite podcast service. To continue the conversation, join us on our Tea for Teaching Facebook page.

Rebecca: You can find show notes, transcripts and other materials on teaforteaching.com. Music by Michael Gary Brewer.

Ganesh: Editing assistance by Ganesh.

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