325. Looking Forward to 2024

As we enter this spring semester, we take a break from our usual format to discuss what we are looking forward to in 2024.

Show Notes

Transcript

Rebecca: As we enter this spring semester, we thought we’d take a break from our usual format to discuss what we’re looking forward to in 2024.

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John: Thanks for joining us for Tea for Teaching, an informal discussion of innovative and effective practices in teaching and learning.

Rebecca: This podcast series is hosted by John Kane, an economist

John: …and Rebecca Mushtare, a graphic designer…

Rebecca: …and features guests doing important research and advocacy work to make higher education more inclusive and supportive of all learners.

[MUSIC]

John: So what tea are you drinking now, Rebecca?

Rebecca: I’m drinking Ceylon tea.

John: And I have ginger peach black tea from the Republic of Tea.

Rebecca: So it’s a new year, John, and we’re gonna have a nice positive episode. So what are you grateful for?

John: I’m grateful that we survived another year. I’m grateful for the continued return to face-to-face instruction and a continuing return to a more normal classroom environment and college environment after all the disruptions from COVID that lasted for a while. And I’m also grateful for the initiatives that we’re using on our campus, and most campuses, to provide more focus on equity and trying to reduce some of the equity gaps that we’ve been seeing. And I’m seeing a general interest in that across a wide range of faculty and the administration. And we’re just in the process of running some workshops, and we’re getting some really good attendance at workshops that focus on techniques that faculty can use to improve equity and reduce some of those gaps. And I’m looking forward to seeing continued expansion of more equitable practices. And also, we’ve had quite a few people trying to implement the TILT approach that Mary-Ann Winklemes has talked about on a past podcast episode, and we’re hoping that that, combined with the increased structure that many people are trying to use in their classes, will help provide all students with more equitable outcomes.

Rebecca: I’m really glad that you have brought up equity, John, because I was just reflecting on a couple meetings that I was in just this week, and thinking about how equity oriented many of our colleagues are. And it’s really exciting to see them really advocating for policies, instructional practices, and many other things that are really equity oriented, and thinking about inclusion, and access, and all the things that you and I have talked about for a long time and have cared about and tried to implement in our classes. I’m also really grateful for, and I know you are too, for the many guests that we’ve had who’ve shared their expertise with us and with our audience. When we do these weekly episodes, it’s so great to have the opportunity to talk to such experts, to learn from them, to stay fresh with what’s going on, and to be able to share it with everyone else. It’s an experience that I didn’t know that I wanted, and I’m glad that we get to continue doing it.

John: And one other thing I’m grateful for from last fall is I attended my first POD conference, and I got to meet dozens of guests that we’ve talked to before. And we’ve talked to them, we’ve seen them on camera, but it was so nice to meet them and talk to them in more detail and in more depth in person.

Rebecca: I felt that way when I went to EDUCAUSE for the first time this year and connected with a number of colleagues focused on accessibility and growing that network and really connecting beyond just names and emails and other ways that we’ve communicated.

John: What are some of the major things you’re watching in the higher ed landscape? We’ve seen a lot of changes going on in the last few years, what are things that you’re going to be focusing more of your attention on in the next year?

Rebecca: I know that some of the things that we’re working on in grad studies and that I’m personally really involved in are kind of some increased accessibility resources for our colleagues at Oswego as well as SUNY. I’m looking forward to building out some of those resources, sharing those resources, and wrapping up a couple of research projects related to accessibility and getting to share those out. And I’m really excited that the higher ed landscape generally is having a lot more focus in this space because students with disabilities have been often overlooked in our diversity, equity, and inclusion initiatives. And there definitely is a push to be a little more inclusive, and to have that population represented in these efforts and initiatives. We’re also really focused on ideas of belonging for a wide range of students, thinking about how do we get our online students connected to each other and to the larger population of students and to see them as members of our community, extending some of those features and opportunities for international students and really thinking about what some of their needs are to be successful at our institution, especially with our kind of rural location, and what can make things really excited. So I’m really looking forward to finding ways to support our students not just in the courses that I’m teaching or in my instructional role, but also in policies and procedures that we’re implementing at the institution,in grad studies, but more broadly as well. How about you?

John: One of the things that I’m really following closely is the development of AI. This came about a little over a year ago and it’s been a really disruptive influence. It offers a lot of tremendous possibilities, but it also provides some challenges to traditional assessment, particularly in asynchronous online courses. So I’m looking forward to continued development, it seems like there’s new tools coming out almost every week. And it offers some really nice capabilities to narrow some of the equity gaps that we have by providing low-cost assistance for students who may not have come into our institutions quite as well prepared. It offers a possibility of students doing a little bit more retrieval practice for those classes where instructors are not providing those opportunities. It offers students who, again have a somewhat weaker background, to take more complex readings that they may have been assigned and simplifying it and creating a more accessible format to help students get up to the level they need in their classes. And so it provides tools that can help students improve their writing, and so forth. The challenge, of course, is that it can also be used as a substitute for learning in some classes unless assignments are designed in a way, and assessment techniques are designed in a way, that reduces the likelihood of that and that’s one of the things we’ll be working on a lot this year, ways of coming up with more authentic assessment and ways of providing more intrinsic motivation for the work that students are doing, so that students can see the value of the learning rather than focusing entirely on grades. And one of the things we’re doing is we have a reading group coming up early this semester on Grading for Growth by Robert Talbert and David Clark. And we’re, in general, encouraging faculty to at least consider the adoption of alternative grading systems, which shift the focus away from students trying to maximize grades to maximizing their learning. And there’s a wide variety of tools that could be used for that, ranging from mastery learning quizzing systems, which many faculty have already been doing through specifications grading, contract grading, labor-based grading, and also ungrading.

Rebecca: Yeah, it’s really exciting that we’re going to focus on that semester, something that I’ve been interested in for a long time and have been using in my classes as well. I’m glad you mentioned AI, there’s certainly a lot of promise, and I’ve been really excited by how many faculty, staff, administrators who’ve actually really been engaged in the conversation around AI. I think sometimes there are new innovations and things and people kind of brush it aside and don’t always think it applies to them or isn’t relevant to them. But I think this is something that’s relevant to everybody. And most people are seeing that and engaging in the conversation, struggling in the conversation, but at least we’re doing that in community. And I think there’s some power in that as we think through policy, in assignments and all the things that we need to think about to provide an enriching experience for our students, but also engage and use the tools and the power that they offer.

John: One other thing I’m following is the development of a wide variety of new edtech tools. We saw an explosive growth in the development of tools and expansion of their capabilities in response to the COVID pandemic, but that growth and expansion hasn’t dropped. And we’re seeing more and more tools that have often been designed based on research about how students learn. And I think we’re going to see expanded use of many of these tools in the coming year.

Rebecca: And I think a lot of faculty got used to experimenting with these tools during remote education and are continuing to use them in physical and virtual classrooms, which I think is really exciting, maybe even more exciting to me was attending big conferences like Middle States and actually having a presenter use some of these edtech tools as part of a plenary. So rather than having more of a lecture style session, it was more of an interactive session, which doesn’t always happen at conferences of such scale, or these more leadership conferences. So it’s exciting to see that we’re modeling some of these practices at the highest level so that the wide variety of individuals involved in higher ed are experiencing learning and engaging with these kinds of tools. Along the same lines, I’m also excited that many of these tools are starting to actually attend to accessibility, in part because higher ed institutions are really pushing back to third-party providers and requesting them provide information about accessibility, and even refusing to adopt tools if they aren’t meeting basic accessibility principles, which I think is really excited and really important.

John: And I saw something very similar both at the POD conference where you might expect to see people creating more interactive workshops, but I’ve also been seeing it in the workshops that we’ve had in the last couple of weeks here. We have a record number of faculty presenting in workshops, they’re using polling, they’re using tools like Mentimeter and they’re doing many more interactive activities than in past years. If we go back a few years, many of the sessions that were presented were essentially straight walkthroughs through PowerPoint slideshows with not a lot of interaction with the participants. And our workshops here have been both in person and remote over zoom. And people have been working really effectively to bring all the participants into the discussion and into the activities, regardless of whether they are in person in the room or remote. And it’s been nice to see that. Much of that I think did grow out of the experiences of COVID, and people just getting more comfortable trying new tools.

Rebecca: Come to find out, practice helps us learn things.

John: Also, our campus enabled the AI Companion in Zoom, which will provide meeting summaries for people who arrive late or people who come in at the end of a discussion. And I think that’s going to offer some nice opportunities for people who may have missed part of the discussion early on in a session, or in a workshop, or in a meeting, because so many of our meetings now take place over Zoom.

Rebecca: And there’s lots to be watching that are also highly concerning, but John and I resolved that we weren’t going to focus on those today.

John: So this will be a relatively short episode. [LAUGHTER]

Rebecca: So continuing on this theme of gratefulness and positivity, John, what are you looking forward to trying this year, or focusing on in your own work this year, or committing to this year?

John: One thing, and this partly follows up a couple of podcasts we’ve had in the last year or so. In our campus, many departments are working to build in some of the NACE competencies into their classroom. And there’s some really significant advantages for that. If it’s done well, it will help students recognize the intrinsic value of the things they’re learning in class and recognize that these are skills that they’re going to need later, which again, helps provide much more motivation for students to learn than if they just see a series of activities that instructors ask them to do, and they don’t see the value of that. So by making the connections between what we’re doing in the classroom in terms of the development of critical thinking skills, teamwork, and all those other NACE competencies, it offers some really serious benefits for students and for faculty. Because if students are more engaged in the activities and understand the purpose of them, I think they’re going to be much more likely to focus on the learning rather than again, trying just to get the highest grade. And that’s also very consistent with the TILT approach that we mentioned earlier. If students understand why you’re doing things, they’re going to receive the techniques and engage in them more productively than if they didn’t see the value of those tasks.

Rebecca: Yeah, I’m glad that you mentioned TILT as well. We mentioned it earlier, but I was just remembering that one of the things I wanted to mention while we were talking today is a commitment to thinking about TILT, not just in a classroom context, but all the other places that touch a student experience. So thinking about policies and procedures and ways that we can use a TILT approach to really improve transparency and clarity for our students and provide some equity and access by doing so. The other thing that I’m committed to trying to do is get back to more play, we’ve had some episodes on Tea for Teaching focused on play. And they always get me really excited about some of the things that I’ve done in the past in some of my classes and that I’ve done with some of my colleagues… and that the burden of transitioning during COVID to remote learning, some of these things have taken time and maybe attention away from play. And I’m hoping to take some time in 2024 to put some more attention back on being a little more playful.

John: So, you think education could be fun?

Rebecca: Maybe.

John: Okay. [LAUGHTER]

Rebecca: I’ve moved to doing some exercises and activities again a little more recently that get to some of these more playful ways of creating and making and thinking through complex problems. And every time I do that the students appreciate it. I have more fun, they have more fun, and I think a lot more learning gets done.

John: Since we want to focus on the positive, we’ll leave challenges for future episodes.

Rebecca: We’ve got all of 2024 to do that, John.

John: And we really appreciate, as Rebecca said, all of the wonderful guests that we’ve had since the beginning of this podcast, and we appreciate our audience too. So thank you for hanging in there with us.

Rebecca: Have a great 2024.

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John: If you’ve enjoyed this podcast, please subscribe and leave a review on iTunes or your favorite podcast service. To continue the conversation, join us on our Tea for Teaching Facebook page.

Rebecca: You can find show notes, transcripts and other materials on teaforteaching.com. Music by Michael Gary Brewer.

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324. Unmaking the Grade

A growing number of faculty have been experimenting with ungrading. In this episode, Emily Pitts Donahoe joins us to discuss her ungrading approach and the documentation of this process on her blog. Emily is the Associate Director of Instructional Support at the Center for Excellence in Teaching and Learning and Lecturer in the Department of Writing and Rhetoric at the University of Mississippi.

Show Notes

Transcript

John: A growing number of faculty have been experimenting with ungrading. In this episode, we discuss one instructor’s ungrading approach and her documentation of the process.

[MUSIC]

John: Thanks for joining us for Tea for Teaching, an informal discussion of innovative and effective practices in teaching and learning.

Rebecca: This podcast series is hosted by John Kane, an economist…

John: …and Rebecca Mushtare, a graphic designer…

Rebecca: …and features guests doing important research and advocacy work to make higher education more inclusive and supportive of all learners.

[MUSIC]

Rebecca: Our guest today is Emily Pitts Donahoe. Emily is the Associate Director of Instructional Support at the Center for Excellence in Teaching and Learning and Lecturer in the Department of Writing and Rhetoric at the University of Mississippi. She experimented with ungrading and chronicled her experiences in her Unmaking the Grade blog. Welcome, Emily.

Emily: Thanks. I’m really excited to be here.

John: We’re very pleased to be talking to you. We talked recently at the POD conference, and I’m looking forward to this additional conversation.

Emily: Yes, where I got this lovely tea for teaching mug from John, which I’m so excited about and drinking from right now.

John: And since this is only audio, Emily was holding the mug [LAUGHTER]…

Emily: I’m showing it off.

John: So our teas today are:… Emily, are you drinking tea in that mug?

Emily: I am. [LAUGHTER] I am drinking tea out of my tea for teaching mug. I’m a big tea drinker. And so today I’m drinking my favorite tea, which is a strong black tea called Scottish morn. And I got this tea from a tea shop called Apothica in Niles, Michigan, which I used to go to when I lived in South Bend, so highly recommended if you’re in that area.

Rebecca: Sounds wonderful. I was ready for you to say that you had coffee or something in the tea for teaching mug so it’d be completely blasphemous… [LAUGHTER]

Emily: Never.

Rebecca: …because coffee is one of the most frequent flavors. [LAUGHTER] Emily, you’re doing it right. [LAUGHTER] I have blue sapphire tea today.

John: And I have Irish Breakfast tea today.

Rebecca: So, we invited you here today, Emily, to discuss your experiences with ungrading. Your blog is based on your spring 2023 course experiences but your ungrading experience predates this course. Can you tell us a little bit about your initial experience with ungrading?

Emily: Sure. So I have a background in Writing and Rhetoric and English literature, and so a lot of what we do in Writing and Rhetoric, I think, is already pretty aligned with some ungrading goals and practices. So in my courses, students have always had the opportunity to revise their work based on feedback, and include it in a final portfolio, and most of their grade is based on their revised work. So it’s not just that they get graded and then that’s the end of it, they always have a chance to improve based on feedback. The first time that I stopped putting letter grades and percentages on student work was in spring of 2022, when I was teaching a general education literature course at Notre Dame, and so the course was on pre-modern and early modern literature, but with a focus on how the texts that we were studying might help us examine or wrangle with some of the questions that we’re preoccupied with as a culture and society today, and thinking about how those texts might relate to student lives. So it was a course for kind of all levels and all majors, which I think made it a good course to experiment with. So I had first-year students all the way up through senior-level students from engineering and business and English and psychology and all kinds of different majors. So like all teaching experiments, I think there were definitely some kinks to work out after that first course; they never go exactly right the first time. [LAUGHTER] But I would say that, overall, it was a huge success. And that’s not because I did it perfectly, or even because I did it particularly well, but because I think ungrading really helped some of my students move beyond this idea of the school as a points game, to help find their interest and their motivations to study the material that we were studying for their own purposes, and to focus on developing the skills and knowledge that they wanted to develop rather than on attaining a specific grade.

John: And the second time you did this, you created a blog describing the process. What prompted you to create the blog?

Emily: So, I was inspired by a post written by Robert Talbert, who’s the co-author of a recent book, Grading for Growth, which I really highly recommend on alternative grading, and he and David Clark, his co author, also had a blog and substack newsletter on Grading for Growth. And so in December of 2022, Robert posted a stop, start, continue for the ungrading community. And if you’re not familiar with stop, start, continue, it’s an evaluation exercise used for mid-semester reflection, very often in classrooms where the instructor or another facilitator will ask students: “What kinds of teaching practices or classroom practices would you like to stop, start, or continue in the class?” And so Robert’s post was a stop, start, continue for the ungrading community. And one of the things that he recommended that the ungrading community start doing was getting into the weeds and writing in detail about the daily experiences and specifics of upgrading, so: what we’re doing, what kind of successes we’re having, what challenges we’re encountering, how we’re adjusting in real time, and he recommended keeping this as the kind of blog or like a captain’s log of weekly reflections. So when I read his post, I thought, “Well, I could do that. It didn’t sound that hard, and it sounded like a lot of fun.” So that was what prompted me to start writing weekly reflections to share some of the methods that I was using, successes and challenges that I had, and even some of my doubts or misgivings about some of the things that I was doing in the class.

John: And just as an aside, we were so impressed by Grading for Growth, that we’ll be using it in the spring reading group here, both at SUNY Oswego and at Plattsburgh with Jessmyn Neuhaus. So we’re very much looking forward to that. And Robert and David will be giving a keynote address at the start of our workshop series in just a few weeks in early January. So we’re very interested in doing more of this on our campus as well.

Rebecca: Can you talk a little bit about your decision to delay posting the blog until after the semester ended?

Emily: Sure. So the selfish reason is that it’s supposed to be an unfiltered look at the ungraded classroom. And part of me thought, what if I messed this up so badly that I’ll be embarrassed to talk about it. So it was partly that, but I would say the more important reason is that I thought it might be weird for students if I was talking in public about what was happening in the classroom in real time. And I was concerned that it would damage the relationship of trust that I wanted to build with my students if they knew that I was reporting on our conversations to a larger audience about the class. So I offered to hold things for that reason. But the other thing that I wanted to do was make it clear to students that I was writing these reflections that might later be published, and then to get their input on them. So some of what I shared on the blog, I didn’t really want to share without getting students consent to do that. But I also wanted to get their input on some of the things that I was talking about. So I believe really strongly in taking a students as partners approach to higher education and learning experiences. And I try to employ that in my educational development work in the classroom. So that means bringing students into conversations about teaching and learning and asking for their experiences and their expertise as students really and then using that to inform our practice. So delaying the posting allowed me also to get some input from students and to be able to share some of their thoughts and opinions on the blog whenever I could.

John: In reading through your blog, your spring 2023 class seemed really interesting. Could you describe that for our listeners?

Emily: Yeah. So this is the second course in our sequence of first-year writing courses here at the University of Mississippi, but it’s a little bit different. So for the second course in the sequence, students have the opportunity to take either Writing 102 or Liberal Arts 102, and I was teaching Liberal Arts 102. And so the goals of each course are really the same. But Liberal 102, as we call it, is conducted within the context of a research area in a specific discipline. So that means that it can have a very specific theme. So some of my really excellent colleagues in the department and in other departments have taught courses like writing about true crime, or the rhetoric of sports, or I believe there’s a course on fashion. So because one of my areas of expertise is teaching and learning, the course that I taught was called Examining Higher Ed Teaching and Learning in a College Classroom. And so I think this is a great course for first-year students as they’re entering this next phase of their education to reflect on where they’ve been and where they want to go. And so what we did was looked at questions like: What’s the purpose of a college education? Why are we all here? What kind of benefits does it provide to individuals or to society? What kind of collective benefits does it provide? And then how are those benefits enacted or engendered in the classroom. And so we explored a lot of debates around higher ed in the US and students have an opportunity to reflect on and draw on their own experiences as students and their expertise as students, and then integrate that with larger areas of research on education or current events in education. And then they communicated their ideas about education to audiences outside of our classroom. And so it was really, I think, an ideal course for ungrading because we could talk about grades, not only as a matter of course policy, but also as a core subject matter. So in the beginning of the semester, we read Alfie Kohn’s piece “The Case Against Grades” and talked about it both as a way to introduce the course grading system and as a kind of larger prompt for reflection about grades as an issue of concern in higher education right now.

John: And it sounds like a great opportunity to have students reflect on what you’re doing as you’re doing it. How did students respond to this?

Emily: So I think every time I’ve ungraded a class now, and I’m currently on my third ungraded class, students have responded a little bit differently every time and of course, every individual student is also different. I think there are three broad categories of response that I see. One is just enthusiasm; some students are really excited about ungrading, and usually that’s students who feel that, for one reason or another, their grades in the past haven’t been representative of their learning or who feel that some of their creativity or their risk taking has been stifled by their desire to get a good grade. So I wouldn’t say this is a lot of students, this is probably a smaller group of students, but some students are really excited about it. I would say another group of students are really hesitant because ungrading is a big unknown for them, especially for students who are dead set on getting that “A” grade. It can be really nerve racking not to know kind of where you’re at in the middle of the semester. When I get negative feedback on ungrading, it’s almost always students who say,”This is really interesting, but I never know where I’m at.” And so they’re really concerned about how they’re going to measure their progress. But they’re not thinking about their progress in learning, they’re thinking about their progress toward a specific grade, which is really understandable because grades are important. And so that’s also a smaller group of students. But I would say, by far, the biggest reaction I get from students is something like cautious optimism. So I always start ungraded courses with a conversation about grades and learning, and I ask students to share with me their experiences of grades and share with each other. And very often, they have a lot of negative experiences to share, and sometimes positive experiences as well. But we talk about the relationship between grades and motivation and grades and learning and they have a chance to reflect on that. And so I use these conversations as a jumping off point to explain why I use the system that I do and how I think it will benefit them as learners. And I think students find it really helpful to be able to talk about their experiences with grading openly and to be heard by a teacher. And I think that that alone makes them more willing to buy into the system. So once it’s explained fully, and once students start to see the potential benefits, I would say that most of them are cautiously optimistic.

Rebecca: I think that largely aligns with my experiences and explorations when ungrading as well. In your class, you included five different assessments and opportunities for revision. Can you talk about and describe these assessments?

Emily: Sure. So the first thing that students had the opportunity to do were weekly writing practice assignments. So these are what you might think of as formative assessments, they’re preparation for class discussion and major assignments that mostly involve reading or short writing prompts. And these students weren’t able to revise, they either kind of did it or they didn’t. But then students had an opportunity to do more longer major assignments, which are more typical assessments for the writing class, a series of papers and a multimodal kind of project or two, with an imagined audience kind of outside our classroom. And so these students could revise up to three times if they wanted to do that. And so I had to, for this class, adjust a little bit and do slightly fewer assignments than I might have done in a traditionally graded class, because the expectation is that students would be doing more intense work on each assignment in their revision. I also asked students to do self assessments periodically throughout the semester. So students would answer a series of questions about their progress toward the learning goals, about their goals for the remainder of the semester. And they would also propose a current grade for themselves based on evidence that they provided. And this is a similar activity to what we did at the end of the semester to determine their course grades. They were also assessed on their final portfolio, which had revised versions of their major assignments. So their work… basically as good as they could make it… their best version of their major assignments, plus another final self assessment of their work in the class. And then they were also assessed on class engagement, so their class attendance, their preparation for and participation in class discussion, the timeliness of their work, their support for the learning community and fellow students and things like that.

Rebecca: Can you talk a little bit about how you provided your feedback on those assessments?

Emily: Sure. So for the writing practice assignments, usually I just wrote a sentence or two in response to students work to let them know if they were on the right track, or they may be needed to adjust slightly as they prepare for their major assignments. For the major assignments, I did do a lot of longer written feedback, and a lot of this looked like feedback that I would give in a traditionally graded class. But I think it was a little bit more oriented toward future growth, rather than reflecting on past work. It was giving them a lot of direction on how they might want to revise to make their work better in the future, not just for future papers, but for this particular paper. And with that feedback, I also gave them a rubric, where I marked kind of where I thought they were at along the specific assessment categories and criteria that we were using for that assignment. So for example, we might have a category for audience and purpose. Students could see whether I think their work on that category was still developing, whether it was at the level of proficient or whether it reached the level of excellent, so I had these different categories and these different kind of progress metrics, where I would indicate this is a skill that I think you’re still working on, or this is a skill that you’re doing really well in. And I also provided feedback to students through our individual conferences. So we met once at midterm, I met with each individual student, and then once at the end of the semester, to have a face-to-face conversation about how students were doing and if they needed to make any adjustments to reach their goals for the rest of the semester. And I didn’t give any feedback through letter grades or points. Those are not really great forms of feedback. They don’t actually give us a lot of information about our progress. So most of the feedback that I provided was kind of qualitative feedback.

Rebecca: You just talked a little bit about rubrics as part of a feedback that we were providing students, can you talk a little bit about how those rubrics were developed?

Emily: Yeah, so I’ve tried several different methods of creating rubrics. And one of the things that I like to do is co-create them with students or get students input on rubrics. And I attempted to co-create rubrics with students in two different classes and have done it a few times. And sometimes it’s a huge success, and sometimes it really does not work very well at all. And in my spring class, it didn’t work very well at all. [LAUGHTER] So basically, what I’ve done previously is ask students what they think makes a good argument or a good piece of public writing, or whatever it is that we’re working on. Or I ask them what kinds of things they believe their writing should be assessed on, and how we would determine whether or not their writing is successful. And then we have a conversation about that. I make notes on the board as we’re talking. And then I go away and distill those notes down into a rubric with about five categories in which student work is assessed. And then there’s the three metrics, so developing, proficient, and excellent. And sometimes this works really well. But in my spring class, I think the students were really at a loss when I asked them about assessment, and even when I asked them what good writing looks like. And I think that’s because that no one has ever asked them to think about that before. They’re used to being told what their work should look like by someone else, and then trying to conform their work to those expectations, or to someone else’s standards. And obviously, we need to have standards and expectations for student work. But one of the things that that does is get the students only thinking about what the teacher wants and not what they want. They’re not thinking about what they want their work to look like, or what their standards are or what they’re trying to accomplish. And so I think, ultimately, if we’re preparing students for the real world, whatever that is, this is what we want them to be able to do, not just to blindly follow somebody else’s standards, but to create and work independently in a self motivated way, and then assess their work independently. So I think we have to kind of start with baby steps in that process. So in the spring course, the rubric activity really turned into a conversation about how students have been assessed in the past and why they’ve been assessed that way. So when I ask them about their experiences, how their writing had been assessed, they would say things like, we were graded on the word count, or we were graded on whether or not we included two sources in every paragraph. And then we use that as a jumping off point to talk about the principle behind those what they viewed as arbitrary rules. And so if your teacher is concerned about word count, it’s because they want you to make a substantive argument. And what does a substantive argument look like? If your teacher is concerned about including sources, it’s because they want you to make an argument based on strong evidence. And so what would strong evidence look like? And so we use that conversation to think about the assessment criteria for their college level work, and how that might be similar or different from what they experienced in the past. So in that way, I do think that conversation was helpful. And I do think based on my few experiences, that it helps to have students extrapolate criteria from some examples, rather than from thin air, kind of as I was asking them to do, but either way, having a transparent conversation about what students are being assessed on and why and a purpose behind the criteria is key to their success.

John: In one of your blog posts, you describe some of the writing assignments that you used in your class, and they seem quite interesting. Could you describe some of the writing prompts that you gave to students?

Emily: Yes, I was really excited about some of the assignments that I developed for this class. And I think I’m going to keep using them or versions of them in future classes. So for this class, I had a menu of assignment options. So the students could, for each major assignment, choose the kinds of projects that they found most compelling, or they would really draw on your strengths. And I thought this was important, partially because we were working some with generative AI in the class. And I’m sure everyone is aware by now some very serious data privacy concerns, ethical concerns around the use of generative AI. So I didn’t want to mandate that students work with AI if they didn’t want to, and some really didn’t want to. So I tried to offer them several options. And I was really happy about some of the options that I came up with. So obviously, one of the things that I was thinking about going into this semester was how to deal with generative AI and I have a lot of thoughts about that. But one big way to think about how to discourage inappropriate use of AI or encourage appropriate use of it is to think really carefully about assignment design. So one of the things that I did to help students navigate AI was lean into some multimodal work, think about argumentation in media other than writing or that kind of worked alongside writing. So we didn’t abandon writing entirely, but I did include a photo essay as one possible assignment in a menu of options. And for this course, I asked students to take a look at a book of photographs by Cassandra Horii and Martin Springborg that’s called What Teaching Looks Like. It’s a really, really cool book with candid photos of college teaching. And so we use this book to talk about visual rhetoric and also to use the photos as a launchpad for this discussion about college teaching practices and students’ experiences in the classroom. And so the assignment that students did based on their work with this book was to create their own photo essay called “What Learning Looks Like.” So instead of what teaching looks like, what learning looks like, with a specific audience and purpose in mind. So that was one of the assignments that I liked. Another one that I thought was really promising was something called “share your story,” which asks students to tell a personal narrative about their educational experience, and then connect that to a larger issue of concern or a body of research in higher education. So of course, this is not totally AI proof. ChatGPT can make up a story, but it can’t tell my students’ own stories. And I think most of us really like to tell our stories to other people. So I think that provided a little more motivation for students to do their own work. And then the last assignment that I really liked was an assignment that actually asked students to work with ChatGPT. So they created a prompt based on a template that I provided for an argumentative piece that they then fed to ChatGPT, so they gave ChatGBT the prompt. And then they took the ChatGPT output and critiqued it. So they annotated it, noting what pieces they thought were strong, whether or not the piece had weaknesses, and what those weaknesses were, where it might need revision or overhaul. And then they had to totally rewrite the piece that ChatGPT produced and make it their own. So they had to do a substantial revision. And then they had to annotate their own work and tell me why they made the revision decisions that they did. And so I want to clarify that I do think it’s important that students learn to generate first drafts on their own, because drafting is an essential part of the writing process, and it’s where a lot of the thinking happens. But I like this assignment as just one assignment in the sequence, because it does help students learn about generative AI and develop some AI literacy. And it also helps students get over that terror of the blank page. So a lot of students procrastinate because they don’t know how to get started. They’ll open their laptop to begin a paper and stare at the blank screen. And I find it really difficult to get over that first hump of starting work, and just close their laptop and go away and try it again later, usually the night before it’s due. So I think starting in this way, with a ChatGPT prompt and an essay gives them a jumping off point, and it’s an easy way to help them start building the confidence they need to do their own first draft.

John: We should mention that we did talk to the authors of What Teaching Looks Like, and we’ll include a link to that discussion in the show notes. One of the things you described in your blog is that having this ungraded environment encourages students to be perhaps a little more open and honest with their instructors, but that could lead to some challenges in terms of additional emotional labor. Could you describe the challenges that you faced in this class with that?

Emily: I think one of the big themes in the spring class in particular was that I asked students to share with the class and for audiences beyond the class about their previous experiences in school, or their current experiences, and I think this also happens in a lot of ungraded classes. One common method of introducing an unfamiliar grading system is getting students to think about their previous experiences with grades. And so one thing that happened in this particular class is that students’ related a lot of past educational trauma to me, and usually that involves bad experiences with previous teachers. And I’m really glad that they were able to speak honestly about that sort of thing. And I think it helped them to have a teacher take them seriously when they related those stories. At the same time, it was pretty difficult to navigate those conversations, because I was managing their emotions, my emotions, and also doing that when sometimes I only knew one side of the story. And so that was a little bit difficult. Another thing is that students in this class didn’t seem to feel that their grade depended on telling me what I wanted to hear. So I think they were a lot more honest about their views than in other courses that I’ve taught. So in my traditionally graded classes, or I think, in any class where students are discussing hot button issues, they tend to think that they’ll be graded more harshly if they express views that the instructor disagrees with. So very often, I think, they try to say what they think you want to hear rather than what they really think. And that didn’t seem to happen as much in my spring course. I had several students endorse viewpoints that I definitely disagreed with whether they knew that or not. And I think that’s good, because students have to sort through their own views and values. But it also required me to do a lot of thinking about how I would approach and address students not just whose views I disagreed with, but whose expression of those views might be damaging to others or to themselves. And so, we need to do some work around community building and relationship building in the class. And then of course, when you build relationships with trust with students, they’re more likely to tell you about the personal problems that they’re facing, whether that’s their mental or physical health or their personal relationships or family emergencies or grieving. And it’s really just a lot. And I do sometimes lay awake at night worried about my students. And there’s a lot of care work happens, I think, in all classes and also especially ungraded classes. And so there’s a lot of work in referring students to other resources and helping them navigate campus resources, and also just a lot of kind of management of your own emotional state [LAUGHTER] that has to happen. So I did want to be honest on the blog about some of the emotional toll of the work of teaching in general and of ungrading too.

Rebecca: You’ve described the care work, you’ve described individual conferences with students, you’ve described students’ anxiety over not knowing where they are sometimes and allowing substantial revision. Can you talk a little bit about how all of those things play into workload and how you’ve managed things?

Emily: Yes, this is a good question. And I feel like I have a very complicated answer to whether or not ungrading has increased my workload, because I get asked this question a lot. In my traditionally graded classes, giving all that feedback felt like a waste of time for a few reasons. First, because I had the sense that students weren’t really reading the feedback. So we know from research that when students receive a letter grade and also feedback on their work, they tend to see the grade and then ignore the feedback, or at least receive the feedback as a justification for a grade, rather than something that’s going to help them improve their work in the future. So I also spend a lot of time in traditionally graded classes worrying about how students would receive my feedback if they got a low grade on their paper. So how could I write feedback that would be appropriately honest, but also appropriately encouraging, so that students didn’t just see a C-minus or a D on their paper, and then give up and throw it in the trash. So I don’t really worry about those things since I’ve adopted ungrading. I provide feedback honestly, and with the mindset of a coach rather than a judge. And I provide it with at least some confidence that students will read it and use it. So they have plenty of opportunity to revise. And in fact, their ultimate achievement of the course is measured by their growth in specific areas and their demonstration of learning that arises from taking a piece of writing from not so good to much better. And so the expectation is that what they turn in the first time is not their best work and they’ll only get to their best work after they incorporate feedback. So I do spend a lot of time responding to student work now that I’m ungrading. But the process is more efficient because it accomplishes my goals rather than wasting my time. And it’s more enjoyable, because it causes me less angst. So I guess it is more work to provide feedback, but it’s also more efficient and enjoyable work. I think I feel kind of the same way about individual conferences with students, that it does take quite a bit of time to do those and it would be, I want to acknowledge, so much more difficult, it may be impossible to do if I was teaching more classes and more students. I’m very lucky that I teach small class sizes. And because I work in educational developments and work in a teaching center for most of the time, I only teach one course at a time. So I think there are ways to do this with larger courses, but I’m very fortunate in my course to be able to conference individually with each student twice in the semester. And those conferences are incredibly time consuming, and they can be really draining, but they are also really joyful. And I think it’s really important that students are able to have those one-on-one conversations with me. And they are much more, I think, effective in accomplishing a lot of the goals that I have for student learning than just simply doing written feedback or peer review or things like that. Having that face-to-face time to give students some individual attention is a really both enjoyable and effective part of the learning process.

John: A question that often comes up from people who have not tried ungrading is how well do students’ perceptions of their learning align with your perceptions of the learning when you do have to assign those midterm or final grades in the class?

Emily: Yeah, this is a really good question. And I would say I’ve had to do a little bit of work on my process to make sure that our expectations are aligning well. Sometimes, there are cases where students don’t automatically start off knowing what I expect from their work and what good work looks like, even when I thought that I was clear about that. So that is an issue that I’m working on. I would say for the majority of students, they do understand what good work looks like. And when they’re asked to provide evidence for their course grade, most of the time they know what good evidence looks like and are able to demonstrate to me in really, sometimes ways that I hadn’t anticipated, that they really had learned in the class and progressed and improved their work. For those students who struggle, and I think it’s more frequent for first-year students to struggle with this than more advanced students, for students who do struggle, I think it is important to be able to show them models of student work early in the semester so that they can get a sense of what a successful assignment looks like or what’s kind of level of expectations we have for what student work counts as really excellent work. So that’s been really helpful. And I’ve also made some changes to my class this semester to help clarify for students a little bit what kind of evidence might be good evidence for specific grade proposals in the course. So if they are really shooting for an A or B in the course, what kinds of actions or behaviors or demonstrations of quality work do they need to be able to show in order to attain that grade?

Rebecca: I know one of the things that I struggled with in some of the classes where I’ve done ungrading is that sometimes the midterm conference feels like it comes too late. So I experimented, I think once with like a one-third, two-thirds, three thirds approach, but then that was so much more conferencing.

Emily: Yeah.

Rebecca: So I’m curious about your timing and how the midterm time works in the classes that you’ve been teaching.

Emily: Yeah, I think that’s where the self-assessment assignments come in. So I do think midterm is quite late for students to be getting the first level of feedback. And so I have students do a self-assessment form, I guess, a quarter way into the semester. So we start that process really early of having them look back at the work that they’ve done, and propose a grade for themselves based on that work. And when they do those self assessments, I don’t conference with students every time they do a self assessment, but I do look at where their grade proposals are. And I’m able to say if our expectations are very, very different, or assessments of that students work is very, very different, I’m able to reach out and say, “Hey, I don’t think we’re aligned here, and here’s why.” And being able to intervene early on that I think is really important.

John: We’re recording this near the end of the fall semester of 2023. And you’re currently teaching another ungraded class, could you tell us a little bit about what types of changes you made from the spring class to the fall class?

Emily: Sure, there are a few changes that I’ve made, because there were some things that I think did not go very well in the spring and I wanted to try to improve that. So what didn’t go well was that I had a real problem with attendance, there were quite a few students who struggled with their attendance, especially in the latter half of the semester, and quite a few students who struggled to submit their work on time kind of throughout the semester. And that made it difficult for me, but I think more importantly, it made it really difficult for the students who once they missed an assignment, they found it really difficult to get back on track. So my challenge is really to figure out how to motivate students to attend class regularly and submit work on time without penalizing them for absences or late work or without a kind of point system to encourage them to show up to class and to submit their work on time. So that was one thing I wanted to address. And then the other thing is that students’ anxiety about not knowing where they stand in the midst of the semester at any given point. So what I developed to address all of those challenges was a course progress tracker. And so this is a document, a pretty comprehensive document, inspired by David Clark’s Grading for Growth post about grade trackers that I read during the summer while I was designing this course. And so the document is really a series of tracking worksheets in three different categories. So the first category is readings and assignments, students can see each week at a glance what work they have to complete, and then they can check off boxes as they complete that work, and then note, if there are assignments they’re submitting late, they can record those late submissions. There’s a category for attendance and engagement where students can check off the classes that they attend, and then make notes about their in or out of class engagement during each week of the semester. And then there’s a section… the most important section… for learning and growth where students can remind themselves of what the course goals are, and then track their progress along those goals, so they can see and make notes about where they’re still developing, where they’re doing excellent work, and how they’re improving their writing as the semester goes along. So, so far, it’s been going really well. And I’ve had fewer challenges with attendance and late work this semester than last semester, though, I can’t say to what extent that’s just a result of a different population of students or the fact that it’s fall instead of spring. So I will add that caveat, but I have surveyed students about their use of the progress tracker last week, and I’m really looking forward to diving into that next week. So the last thing that I think the progress tracker does, which I didn’t totally intend, but which has been really excellent, is that I think it helps students a lot with their self-assessment work, which they also struggled with, to some extent last semester, or I should say, maybe I struggled to teach really well. So I had a realization at the end of last semester, that when I sat down to think about a student’s work over the course of this semester, I was really thinking about three things. And so the first thing is quantity. How much work did students do? How much labor did they put in? How many assignments did they submit at a satisfactory level? How many class days did they attend? How much time did they spend on their major assignments? So that was one category. The second was quality. So how good was the work that they were doing according to the standards that we laid out? Was it still kind of developing work? Or was it excellent work? And then the third thing was growth. So how and how much did student work improve over the course of this semester? And can they demonstrate that they’ve gained knowledge and skills that they didn’t have before? Or can they demonstrate that they’re better off from having taken the course. And so while we’ve had conversations about those things in the spring, I never articulated to myself or to my students, that particular model; I never kind of said it in quite this way. So the last section of the progress tracker includes a guide to determining final letter grades for students. And it gives them space to think about quantity, quality and growth, and how that might contribute to the grade that they propose for themselves, if they’re interested in the specific letter grade. And it gives them a sense of what kinds of evidence they could provide if they want to show good evidence for a specific letter grade. So you can provide good evidence for an A if your work rises to the level of excellent on multiple assessment categories. Or if you attended class every time that you were able and submitted the vast majority of your writing practice assignments. So all of these things are good pieces of evidence if you want to propose an A grade for yourself. So there’s some flexibility there, I don’t prescribe exactly what students have to do for a specific grade, but I do make suggestions and say, here’s a guideline for you. If you’re confused about what kinds of work you need to be doing, or what you need to do to demonstrate that you’ve attained a certain letter grade, you can take a look at this guide, and learn a little bit more about what the expectations are. Currently, it’s just something for the students to use for themselves. I have provided time in class for students to fill out sections of it, because I think that if I did not ask them to do it in class, they might struggle to keep up with it outside of class. But I think maybe in the future, I will consider asking them to keep up with it. And then periodically checking in on those progress trackers throughout the semester so that I can intervene early, if there are any issues and maybe leave comments on the documents to let students know if I think they’re struggling in a specific area, or if they’re doing really well in a specific area. I am playing around with that idea for my next version of the class.

John: So we always end with the question: “What’s next?”

Emily: So this spring, I won’t be teaching an undergraduate course, but I will be working with graduate students who are preparing to teach their own Writing and Rhetoric courses. And I’m really looking forward to talking with them about teaching. And I’ll also be continuing to write about ungrading on the blog. So specifically, I’m hoping to share a bit more about what I learned from my experiences this semester. And I’ve been collecting data from my current students about their use of the progress tracker, about their use of AI in their writing this semester, and about their feelings and impressions of ungrading. And what I’m planning to do throughout the spring is share some of those student thoughts with the readers of the blog, and I’m really excited to be able to share students’ ideas about ungrading and other topics as well.

Rebecca: Sounds great. We’ll look forward to reading that for sure.

John: Thank you, Emily. It’s great talking to you and we look forward to future conversations.

Emily: Thanks, this has been fantastic.

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John: If you’ve enjoyed this podcast, please subscribe and leave a review on iTunes or your favorite podcast service. To continue the conversation, join us on our Tea for Teaching Facebook page.

Rebecca: You can find show notes, transcripts and other materials on teaforteaching.com. Music by Michael Gary Brewer.

Ganesh: Editing assistance by Ganesh.

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323. Explore First Study Abroad Program

Compared to continuing-generation students, first-gen students experience a higher risk of not completing a college degree. In this episode, Sue Roberts, Marianne Young, and Beth Hanneman join us discuss a study-abroad program for first-gen students that is designed to build their confidence, sense of belonging, and help them understand the connection between their education and their career goals. Sue is the Associate Provost for Internationalization at the University of Kentucky. Marianne is the Assistant Vice President for Smart Campus Initiatives at the University of Kentucky. And Beth Hanneman is the Associate Director of Career Advising and Career Education, also at the University of Kentucky.

Show Notes

Transcript

John: Compared to continuing-generation students, first-gen students experience a higher risk of not completing a college degree. In this episode, we discuss a study abroad program for first-gen students that is designed to build their confidence, sense of belonging, and help them understand the connection between their education and their career goals.

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John: Thanks for joining us for Tea for Teaching, an informal discussion of innovative and effective practices in teaching and learning.

Rebecca: This podcast series is hosted by John Kane, an economist…

John: …and Rebecca Mushtare, a graphic designer…

Rebecca: …and features guests doing important research and advocacy work to make higher education more inclusive and supportive of all learners.

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John: Our guests today are Sue Roberts, Marianne Young, and Beth Hanneman. Sue is the Associate Provost for Internationalization at the University of Kentucky. Marianne is the Assistant Vice President for Smart Campus Initiatives at the University of Kentucky. And Beth Hanneman is the Associate Director of Career Advising and Career Education, also at the University of Kentucky. Welcome, Sue, Marianne, and Beth.

Sue: Thank you, we’re glad to be here.

Rebecca: Today’s teas are:… Sue, are you drinking any tea?

Sue: I am not drinking tea right now. But if I were in my normal space, I would be drinking tea. Yes.

Rebecca: Do you have a favorite kind?

Sue: I do. It’s a rooibos tea, a red bush tea.

Rebecca: Wonderful. Marianme, how about you?

Marianne: I’m not currently drinking too, but I have one on the ready. It is a lovely wild sweet orange.

Rebecca: Nice. What about you Beth?

Beth: So I went to Montana this past summer for a yoga retreat and fell in love with Huckleberry. So I now drink a wild Huckleberry tea at least once a week. And that’s what I’m having this morning.

Rebecca: I have never had that. I think it’s a first on the podcast.

John: It is. I am drinking an Irish Breakfast tea.

Rebecca: And I have a Jasmine Dragon Pearl this morning.

John: Dragon pearls?

Rebecca: Dragon pearls. [LAUGHTER]

John: Ok, so we have a mythical tea. [LAUGHTER] We read about the Explore First Study Abroad program in an article in the Chronicle recently. And so we invited you here to talk about that. Could you give us an overview of this program?

Sue: Sure. It’s a new program for the University of Kentucky, run for the first time in summer 2023. We took 60 students, 60 undergraduate students, all of them first-generation students to either London or Dublin for a three- week Education Abroad program focused on career readiness.

Rebecca: Can you talk a little bit about this program came about?

Sue: It came about in many different ways, actually. There were conversations happening on our campus for probably two or three years before COVID, even, among different colleagues, some in the Career Center wondering how they could produce really good career readiness, education abroad programming. So I’m in the office of first-generation student success thinking about how we could do a better job in introducing first-generation students to education abroad. And then in the International Center, in the Education Abroad office itself, there were lots of conversations about how we could partner with colleagues across campus to develop programs that would reach this demographic.

John: One of the things we were really intrigued about was a program that was designed to benefit first-gen students as well as providing those career readiness skills. Could you describe a little bit how this program integrates that career focus?

Beth: Yeah, I’ll take that one. So over in the Career Center, we have the national association called NACE and they have NACE Competencies. And so when you start thinking about any major that a student has, you want them to make sure that they have those skill sets. So when they actually get into the workforce, they’re able to be analytical, they’re able to have communication skills. And what I love about the first-gen program and Explore fFrst within that, is the idea of how do you do that in a global setting. And so when you start thinking about designing this curriculum, and me and Marianne had the privilege of helping to work on that. It was this idea of, we had at least find out what the foundation is that the students had. And so sort of thinking about block scheduling, where a lot of times professors may say we’re going to do one topic and then go to another, I did more of what we call spiral curriculum, where you introduce a topic, and we brought it in here in the United States before we left, so maybe it was resumes where they had to create a resume and work on a resume ahead of time. And then when we’re overseas, we re-introduced resumes to say, “How would you put this Explore First experience on your actual resume? …kind of the same when it came to networking. What does it look like to navigate, to connect with people? Okay, great. We do that here in the United States. But then how do you do that in a global setting. So it was one of those things where you can actually see that reinforced. I also thought that was really cool when it came to interviewing as well, of having that prep for the students within that area.

Rebecca: We have a couple of other episodes of tea for teaching that also talk about the NACE competencies that we’ll link in our show notes for folks that are interested in that particular detail. So we just talked about NACE. Can you talk a little bit about the benefits that students get from it being a study abroad experience?

Beth: Yeah, at least for myself, the world is definitely interconnected. And so what I loved about how we interacted with employers is that we first looked at those that were connected here to Kentucky, and then we reached out with those that would be overseas. So for example, we have a company named Alltech that’s located here in Lexington. And so our students on the Dublin trip was able to actually go see their location. So it wasn’t one of those things that “Oh, hey, we’re just randomly seeing a company.” We’re very methodical about how that connection is. Another company, Compass, for example, does food services for our University of Kentucky health care system. So it wasn’t one of those things of just like, “Oh, we’re just gonna go see a company.” It was one of those elements of not only is making this connection abroad, but how does this actually impact me back home. And we would actually talk about that. Students would be like, “Alright, yes, you see this in another country, how does cultural awareness make a difference? How does being able to navigate and learn about yourself influence who you’re going to be back at UK?” And one of my favorite questions we asked in the interviews that they had to do for one of the assignments was: “If you’re back on the college campus, and you run into the university president, what are two things you tell them about the program?” And it was really cool to hear from the students that like, “I didn’t think I could learn so much about myself in three weeks, let alone three months about a career,” and others have never been on a plane before to navigate what that looks like. So even if you go into the job market, most likely somewhere along the line, you’re probably going to have to travel somewhere and do connections, but to have that support to have other people with them, when they did it for the first time was really impactful.

Rebecca: I love that reflection question. [LAUGHTER] So many benefits to that.

Marianne: I think the global stage also provides a really unique opportunity to just boost confidence with these students, as Beth was talking about, some of our students had never been on a plane. And not only did they navigate getting on a plane, they navigated getting into and past customs and immigration and all of that. And then the most surprising piece to me, in terms of what this looked like in terms of that confidence boost is at the beginning of our core sessions with the students, they put together kind of a: “these are what my goals are currently.” And by the end of the program, not only physically the confidence that you saw as they stood in front of the class, and they were presenting what their new goals were, for some of the students it expanded the opportunities that they were considering. They had never considered what it might be like to be in a leadership position in a global organization, or for the other students, it solidified what it was that they were wanting to do. And that confidence that they had of “Yes, I’m on the right path,” I think came from them navigating situations that they hadn’t been in before. And then being able to connect with different companies and different leadership individuals within the company, who they could see like, “Oh, my gosh, they were first generation as well, and now they’ve moved abroad, and they have this position in the company,” and the confidence that came from being able to navigate an international city as well as “I have confidence in how I’m going to navigate my career pathway,” that was so amazing to see in the sestudents.

Sue: I will agree with that. I visited, I think, three of the four programs. The program was split into four different groups, two went to Dublin two to London. So there were 15 students in each and I think I’ve visited three of them over the course of the summer, and to see that confidence grow, almost hourly, was incredible. And I will say that I think it translates, we’re hoping anyway, that it will translate, into greater understanding and kind of sense of purpose as a student. So you can see the point of your degree, you can see the point of why you’re struggling through this or that course to make it through to graduation. And of course, we want to see good results in terms of retention rates and graduation rates.

Rebecca: I’ve had the opportunity to teach a couple of travel courses where I’ve had students who had never traveled before, some within the US and some travel abroad. And I agree that seeing the confidence growth in students is such a rewarding experience for the instructors as well as for the students. It’s a really powerful experience. But one of the things that I really love that you’re describing is this connection to alumni, and those really specific intentional connections between the businesses locally as well as abroad. That’s a really beautiful component of your program.

John: And one of the challenges that all colleges face is the relatively high DFW rates generally experienced by first-gen students. And by making clear to the students the salience and the relevance of the material that they’re learning, and how this can open up these possibilities to them in a very obvious manner that they may not naturally see, I can imagine this could be really transformative.

Marianne: I think one of the great moments we had as we were visiting one of our employer partners, as Beth was talking about the spiral curriculum, he had talked about LinkedIn profiles and been helping them and then we get to this employer visit. And they start talking about LinkedIn profiles. And it is almost the exact lecture we had given that morning. And students are turning around and saying, “Oh, my gosh, you told us that this morning, and here’s this employer saying this exact same stuff. You were right.” And so we revisited again, and then the next employer, and so it was the aha moment of “Oh my gosh, this is actually something that I’m going to need and I’m going to use as I navigate my career.”

Rebecca: Can you talk a little bit about what a typical day for a student looks like in this program.

Marianne: There was no typical day, but this will kind of give you some activities they may have been shuffled around a bit. We’d start off with maybe some class time reviewing the visit. Maybe we’d have the day before talking about the experiences that the students had, answering any questions they may have had, how they navigated a challenge, just really taking time to connect and then help them build on the information that we were presenting. Once we kind of move through class time, we might have visited an employer in the afternoon and done a site visit where we not only learned about the company but also some of our employers took us through exercises like design thinking at some of our tech companies, or walking us through interviews and resume reviews in terms of a mock opportunity if you’re applying to their company. And then we may also have a cultural visit in the afternoon, visiting a significant landmark in the area or learning about the history and the culture of the particular space that the students were in. And then in the evenings, our students would maybe get together and cook in the residence hall, or they might go out to dinner together. And so generally we had class time and some cultural visits or an employer visit.

Beth: Yeah, exactly what Marianne said, and when you think about over the three weeks, because we were there for three weeks with these students, the beginning part of the classes were more kind of prep and foundation to get them to know what to expect. And so we broke teams of three, and so we would have one person would be the person who was in charge of introducing the group, we had one person that was the photographer, one person that was in charge of the “Thank you” at the end for each site visit. And that was really cool to see him learn collaboration, but also kind of change up and like, “Oh, well, this person is really interested in architecture, so we’re gonna have him be the speaker for this one, and then I’ll do the photography. And this one over here, we as a group, we actually wrote the thank you note together of what that means to follow up within it, kind of expectations within it.” So that was really cool in terms of curriculum, and kind of how we set that beginning. And then closer to the end like Marianne said, was more like review: “What did you learn from it and reflection?”

John: Do students travel with faculty or staff from the University of Kentucky?

Sue: We structured this program so that each group of students was accompanied and led by two professional staff members from the campus. Typically, it was a person from the Career Center, and a person from the Office of First-Generation Student Support. So it gave the students oftentimes very familiar people who understood where they’re coming from, and the skills they brought to the table, but also a person with the career advice ready for them kind of as needed. So it worked really well, I think, to have those program leaders on the ground with the students. And we weren’t hosted by a university, although we did visit universities in both locations. But we worked with a education abroad partner provider called AIFS. And they have provided the classrooms, they assisted us find student accommodation, and they worked on us with the cultural visits.

Rebecca: I think I remember also reading that you did some work prior to going abroad and some coursework there. Can you talk a little bit about what that looked like?

Marianne: We had an opportunity and clusters with the students, we broke them into smaller groups to help prepare them for what to expect as they were preparing for their education abroad experience. And so we covered a variety of topics of what about your luggage? What is a carry on? What is it checked bag? How do you move through security? What can you expect in an airport? What can you expect in terms of customs and immigration? We talked about how to prepare for the weather, how to think about budgeting, and being prepared for different costs of things, or how you might be able to consider all of the different pieces and parts of preparing for souvenirs that you want to get… all those different things, a variety of cluster topics to make sure that our students not only had a connection with the person that they were going to be traveling with, but also the other students. And then it gave us space for any of the questions that students may have had, as they were preparing for this experience.

Beth: It’s just a great way, because a lot of times when I’ve done education abroad, you might meet at the airport for the first time. But what I loved about this program is that we literally got to know each other prior, to at least kind of understand maybe some of the things that they were concerned about as a student. And so then as a staff member, we can be like, “Okay, let me give you some extra resources.” I remember one particular student, I ended up calling her mom and her was on the phone, because she’s like, “Okay, Beth, I know you went through the whole situation of what we need to do for the airport, but my mom has questions.” And I was like, “Sure, no problem. Let’s talk.” And so her mom was like, “Oh, nice to meet you Beth. Her mom dropped her off at the airport, gave me the biggest hug. When her mom picked us up. She was like giving everybody in the group a hug, because we were extended family for them for three weeks.

Rebecca: Can you talk a little bit about the timing of the program?

Sue: So last year, it was the first time through, so I think we had to do things very quickly. We had to assemble a team, we had to get these clusters stood up. We had to recruit students, we had to find the scholarships for them and all the rest of it in kind of a hurry. So this year, we’re spacing it out a bit more. So we’re recruiting for summer 24 right now. And we’re going to repeat the program, we’re going to take 30 students in two groups to London and 30 to Dublin in two groups. So we’re excited about that. And then their travel occurs during the summer vacation, early in the summer vacation, so May and June this year.

Marianne: The interesting piece of the timing as well was I was on the first group that went to Dublin, and we were actually able to connect with the group that was coming after us in the airport as they were preparing to go out, so my students were able to pass along some words of wisdom and some thoughts to the group that was coming after them. And so that was a really fun piece with the timing to be able to catch up with each other in the airport.

Beth: In terms of curriculum, the way it was set up, there was one class that everybody was part of. So we actually met as a group virtually, with all 60 students ahead time. So everyone had that basic foundation. And then when we’re actually over there, that was when we did the actual classes for the individual pieces. So I did Dublin two and London one. And so at the same time, we’re having curriculum in terms of giving feedback for the next group coming over.

John: Now, you mentioned that there was some time spent acquiring funding, could you talk a little bit about the funding that was used for this program?

Sue: Sure. And this is a little unusual, I think. It was a surprise to us when the Kentucky State legislature or general assembly awarded some funding to all Kentucky institutions of higher education to support displaced students, so refugee students primarily. As part of that program, they allocated a certain amount of funding also to support education abroad and exchanges. So when we realized that, which was only in the summer before, so summer 22, we thought, “Aha, we could finally make this happen. This thing we’ve all been talking about in different ways about connecting careers, connecting first-generation students with education abroad, and making a real difference for those students, and we could do it at a actually a quite a big scale for education abroad, 60 students is quite significant.” So we seized the opportunity. The trick, then, of course, was to find matching money, because it didn’t cover everything. So we found some money internally at the university, we used education abroad scholarships, our administration at the very highest levels awarded us some funding to kind of back us up if we needed it. So it was a team effort. And this upcoming year, we don’t have the state money. That was a one time deal, so we’re funding it all from our university funds.

Rebecca: So cost is always a concern, I think, for first-gen students, and may be one of the reasons why they don’t even think they might ever go abroad. I know that was the case for me, as a student. I didn’t think I was ever going to get a chance to go abroad, but I got to when I was in graduate school. So can you talk a little bit about what this meant to the first-gen students or if you had trouble initially even getting them to think that they could really actually participate in this program?

Beth: Yes, one of our students on Dublin two got the email about applying and that the program was going to be there when we started doing the recruitment. And he was like, “Is this a scam? Is this true?” We went over to the first-gen office to verify because he’s like, “it sounded too good to be true.” And so once we got the word out that it was, of course, students applied and said, “Okay, let’s do this.”

Sue: You’re absolutely right that it’s the number one barrier of first-generation students is finances. And I think it was the majority of our students on this program are Pell recipients. So first-gen is a very big category. But we did try and make a difference, particularly for students whose financial means were limited. So it was a tremendous opportunity for them. And as Beth said, some of them were very disbelieving at first of the opportunity, they couldn’t understand how this was happening, because they hadn’t thought that this was something that they could ever achieve. And that was another reason why we kept it to three weeks, because many of these students… well, in fact, I would say all of them… were working during the summer. So three weeks away from your summer job and earning is a big deal, and others had family obligations as caregivers, and so on. So that’s the reason why we ended up with a three-week timeframe was partly to be sensitive to those needs. And then in terms of the financing, London is an expensive city, and Dublin is an expensive city. And these are young people, these are primarily first- and second-year university undergraduates. So budgeting to shop, to eat, to go out is difficult, and especially when it’s a different currency and options are different, and the prices are different. So that was a big element that we’ve reflected on since this first time through, and I think we’ll be maybe just a little bit more supportive. We were supportive, but maybe just a little bit more supportive of how to budget when overseas because they were responsible for their own spending money on this program.

Rebecca: What about things like food or other personal costs for travel, was that included in the program?

Sue: So there were a few meals included. There were a few like welcome dinners and things like that included, but by and large students were responsible for their own catering as it were for their own food. And it turned out that was kind of an issue because it takes a bit of knowledge of the stores and what’s available and what’s affordable. It takes a bit of knowledge of how to cook in a budget conscious way and not just grab the processed thing. And of course these supermarkets are unfamiliar and I would say one thing we did think a lot about upon return and when we debriefed this was giving the students a bit more time to adjust to that situation and to learn their options and to cook because sometimes we were so busy with all these things we were doing every day that they didn’t have much time to plan their suppers, or to go shopping and cook so I’ll let Beth and Marianne chime in because they were on the ground, they know more, but that was the kind of impression I got.

Marianne: So, we had some bargain shoppers in my group that found meal deals at like close Tescos, things like that. And so it was always kind of a competition of “Did you know that the sandwich was included in the meal deal?” And so it was a pretty inexpensive breakfast and lunch and sometimes dinner opportunity for students that became somewhat of a game, to figure out, like, what are you going to put in your meal deal this time? And so a lot of our students were supportive in terms of sharing different deals that restaurants were doing. Did you know that on Tuesday, they have a student special where you can get this, this, and this. And so they were really great about sharing some of the tips and tricks and things that they picked up along the way. And then also sharing meals. So going to the grocery, and he brought me to purchase something, while I may not eat this whole thing, but if you split it with me, then I’ll get the next one. And so they were really great, that was really fun to see them kind of helping and sharing deals that they found along the way.

Beth: And one of the things that we did is we actually offered a time if someone wanted to come with me to the grocery store. We did a local one so they could see how close something was if they by chance needed something quick to eat. But then we actually went with them, which was one was a little bit farther away have more of the discount kind of larger what they would think of a supermarket type of thing here in the United States, just because, over there, you kind of buy more what you need, versus “I’m going to have lots in the refrigerator and freezer within it.” And we actually had a couple of times where we had meals together because it was someone’s birthday and we wanted to celebrate. And very similar to what Marianne said that they would be like, “here’s a deal,” or “hey, I’m going to make soup anybody else want?” And we had one student who loved to cook, and others are like, hey, awesome, I will help clean up, or pitch in for some money if you would be willing to be the person that actually wanted to make the meal, and they actually collaborated teamwork that way too. So it was really cool to see.

Beth: One thing I wanted to share is the fact I think people think that education abroad is three weeks, and then you’re done. For us, this is a lifetime connection for these students. So we actually had dinner with both groups separately, so they could get together and meet each other and see each other, I’ll get messages being like “Guess who I saw on campus?” and they have a competition of how many times they see a certain student, be like “I saw them three times this week, Beth, I saw this one four,” but even moreso is this confidence coming back to have to go after the dreams that they want. We had a student who, I’ll be very honest, had a really rough home life and had a lot of confidence issues and got over there had a chance to start talking, had a really good conversation with a couple employers. And we did a networking night where we invited all the employers back and they could come and network with the students. And she had a really good conversation with some of our staff that we actually had come over from UK to kind of see the program as well. And she followed up, wrote a note back to say thank you for this conversation, I appreciate it. This is what I’m looking for in terms of career or job, and that person connected her with to somebody back here in Lexington, she then goes and reached out to that person, met with them, interviewed, and now has an IT position that she never thought possible a year ago. So that’s really cool to actually see them do this steps, it’s one thing for us to say go do, it’s another for them to actually gain the confidence to go and actually obtain it.

Rebecca: What a great story.

John: One of the things that I think you’ve all mentioned is that this creates a really tight bond among the students as well as the connections to the staff members they traveled with. And that sense of belonging has been shown in a lot of studies to be a major factor in student retention. And I think programs like this can create really strong bonds that can help students be more likely to succeed.

Sue: I will agree with that. There were two young women on one of the programs who became fast friends. And I assumed they had been friends forever, and I just was chatting with them, and I said, “You know, you must have known each other a long time.” They said “no, we just met.” And one of them said that she was so excited to come back to UK in the fall… so this semester… and I said “well, weren’t you excited anyway?” And she said, No, she wasn’t, that her freshman year had been a little lonely, and she had not made a good connection with her roommate and was struggling a little bit to fit in. And she said “Now I have a best friend on campus, and we’re gonna have fun the next few years together. And I thought that was awesome.

Marianne: And I’ll brag on our students. They were phenomenal. I mean, when I told people that I was going to go to a foreign country with 15 college students, and we were going to travel the city and we were going to do all of the things they looked at me like, “Why would you take college students to an international city?” They were fantastic. They were supportive. They were curious. They were beyond what you could even imagine in terms of the questions that they were asking and the way that they engaged with the curriculum. We have phenomenal students here at the University of Kentucky and I was lucky to get to take 15 and I have them running across campus yelling my name saying “Oh my gosh, this is the first time that I’ve seen you since you’ve been back on campus” or seeing each other on campus is such an honor to be a part of just that family that we now have. And, like I said, they were the best students you could ever imagine traveling with. I do it again in a heartbeat.

Sue: So one thing that really impressed me about these students, actually taught me a lot about this category “first-generation” which is kind of thrown around is that these students are really amazing. I mean to get to the University of Kentucky, to be studying their majors, to be making good academic progress is an accomplishment for these students and they have the resilience, they have the resourcefulness, they have the curiosity, as Marianne said, to make the most out of education abroad. So these are not students who took this for granted. When they were in London or Dublin, their eyes and ears were open all the time. And they were busy taking it all in, reflecting on it, and they absolutely were some of the very best students I’ve ever seen on an education abroad program.

Rebecca: So do you have plans to evaluate the success of this program?

Sue: So yes, we built assessment into this program from the beginning. So we had a researcher from the College of Education who helped us and administered pre- and then during, and then post-surveys of each student. So she collected information about their responses and reflections to the assignments and to their learning, and also something about their intercultural learning as it were. So we’re going to also track these students and see how they do compared to the peers who didn’t get the opportunity to study abroad in terms of their academic progress and their graduation.

John: Excellent. We look forward to hearing more about how well this program works. We always end by asking, what’s next?

Sue: Well, we want to do this again. [LAUGHTER] So we think it’s working. We’ve got good results so far, assuming that the next summer is also successful. We hope to just keep tweaking it, making it better and better for the students and maybe building it in as kind of a signature program for first-generation students here at the University of Kentucky.

Rebecca: An incredible thing to invest in and offer first-gen students. Thanks so much for sharing the details of your program.

Sue: Thank you for having us. And thanks for your interest in this endeavor.

John: It sounds like a wonderful program.

Sue: Yeah, it’s been a blast to develop and to be part of I must say. It’s been fantastic. And I don’t think we mentioned but perhaps we should that over one quarter of our undergraduate students identify as first generation. So this is a significant population at our university which serves students of all sorts from the state of Kentucky and outside.

John: Excellent.

Sue: Thank you both.

Marianne: Thank you all

John: Thank you for taking the time to join us and to share this wonderful program.

Sue: Yeah, appreciate it.

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John: If you’ve enjoyed this podcast, please subscribe and leave a review on iTunes or your favorite podcast service. To continue the conversation, join us on our Tea for Teaching Facebook page.

Rebecca: You can find show notes, transcripts and other materials on teaforteaching.com. Music by Michael Gary Brewer.

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315. Unessays

An unessay assignment provides students an opportunity to demonstrate their learning in innovative and creative ways. In this episode, Jessamyn Neuhaus and Maggie Schmuhl join us to discuss how they have employed unessay assignments in their courses.

Jessamyn is the Director of the SUNY Plattsburgh Center for Teaching Excellence and a Professor in the History Department at SUNY Plattsburgh. She is the author of Geeky Pedagogy: a Guide for Intellectuals, Introverts, and Nerds Who Want to be Effective Teachers. She is the editor of Picture a Professor: Interrupting Biases about Faculty and Increasing Student Learning. Maggie is an Associate Professor of Criminal Justice and the Associate Director of the Center for Excellence in Learning and Teaching at SUNY-Oswego.

Show Notes

  • Neuhaus, J. (2019). Geeky Pedagogy: A guide for intellectuals, introverts, and nerds who want to be effective teachers. Morgantown, WV, USA: West Virginia University Press.
  • Neuhaus, J. (2022). Picture a Professor: Interrupting Biases about Faculty and Increasing Student Learning. West Virginia University Press.
  • Neuhaus, J. (editor) (2022). Using the Unessay to Teach History. Teaching History: A Journal of Methods. Vol. 47. No. 1.
  • Cavanagh, S. R. (2023). Mind over Monsters: Supporting Youth Mental Health with Compassionate Challenge. Beacon Press.
  • Jessamyn’s American Promise Unessay Assignment
  • Pittman, Chavella (2022). “Strategizing for Success: Women Faculty of Color Navigating Teaching Inequities in Higher Ed” in Picture a Professor: Interrupting Biases about Faculty and Increasing Student Learning. Ed. by Jessamyn Neuhaus. West Virginia University Press.
  • Pittman, Chavella (2023). Navigating Teaching Inequities. Tea for Teaching Podcast. Episode 291. May 31.
  • POD Network Conference
  • Teaching, Engaging, and Thriving in Higher Education Series. University of Oklahoma Press.
  • American Historical Association Annual Meetings

Transcript

John: An unessay assignment provides students an opportunity to demonstrate their learning in innovative and creative ways. In this episode, we explore ways in which different faculty have employed unessay assignments in their courses

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John: Thanks for joining us for Tea for Teaching, an informal discussion of innovative and effective practices in teaching and learning.

Rebecca: This podcast series is hosted by John Kane, an economist…

John: …and Rebecca Mushtare, a graphic designer…

Rebecca: …and features guests doing important research and advocacy work to make higher education more inclusive and supportive of all learners.

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Rebecca: Our guests today are Jessamyn Neuhaus and Maggie Schmuhl. Jessamyn is the Director of the SUNY Plattsburgh Center for Teaching Excellence and a Professor in the History Department at SUNY Plattsburgh. She is the author of Geeky Pedagogy: a Guide for Intellectuals, Introverts, and Nerds Who Want to be Effective Teachers. She is the editor of Picture a Professor: Interrupting Biases about Faculty and Increasing Student Learning. Maggie is an Associate Professor of Criminal Justice and the Associate Director of the Center for Excellence in Learning and Teaching at SUNY-Oswego. Welcome back, Jessamyn and Maggie.

Maggie: Hello.

Jessamyn: Hi. Thanks for having me.

Maggie: Good to be here.

John: Our teas today are:… Jessamyn, are you drinking any tea?

Jessamyn: I am. In preparation for this very question, I’m drinking a wild sweet orange.

Maggie: Oooh.

Rebecca: Sounds nice.

Maggie: That sounds very fall. I am drinking a bread pudding tea. It’s a black tea from a little tea shop in Sacketts Harbor.

Rebecca: That’s a first on our podcast for sure.

Maggie: I think it’s called Tea Thyme, the little shop. It’s quite lovely.

Rebecca: Nice. I have Irish breakfast this morning. So we’ve invited you both here today to discuss unessay assignments. Could you tell us a bit about what an essay is?

Maggie: I guess I’ll say an unessay is anything but an essay. Jessamyn probably has some more nuance? [LAUGHTER]

Jessamyn: Not really, that is the basic premise. In classes where you might traditionally ask students to show their learning via a standard essay, either like the five-paragraph essay or a research paper, an unessay project asks students to demonstrate their learning, increased understanding, via any other kind of format.

Rebecca: Jessamyn, can you tell us a little bit about why you decided to use unessays in your class?

Jessamyn: Sure. And this also relates to… I know, we were maybe going to talk about what was appealing for historians, in particular, about the unessay. And some points for history professors generally and me, what attracted us to considering using the unessay. A couple of things about our discipline: first, that the unessay, it’s a good way for students to explore some key historical thinking skills in different new ways for them, so things like citation, research, and historiography. So trying to understand what other historians have written and argued about the past. There’s also been a pretty significant sort of public history turn in the world at large, like trying to better understand different audiences for historical research. Some other more general reasons were issues of equity and inclusion, especially around Universal Design for Learning, trying to offer students some options as a way to increase their learning, increase engagement. And the final thing I’ll say, just for me personally, is that I wanted to make assessment and grading a more joyful and happy part of my teaching life. It had really started to drag me down. And I didn’t want to approach assessing student learning as a soul sucking slog, not just for personal reasons, but also that it was interfering with my ability to accurately assess. If I was absolutely dreading reading a stack of essays, then something was amiss, and I wasn’t going to be able to, in my view, really accurately assess what has this student achieved.

Rebecca: About you, Maggie?

Maggie: I think really a lot of what Jessamyn said echoes in the reasons I decided to incorporate the unessay in my classroom. I was actually inspired by a talk that Jessamyn gave to our faculty, I guess it was over a year ago now, about the unessay and I immediately thought of my senior seminar class. So in criminal justice, in our department particularly, it was common for students to write a 20- or 30-page long research paper, and they dreaded it. It was a source of anxiety for students. It was something in the end that I’m not entirely certain they felt proud of. They just were trying really hard to get the A in the class, to make it perfect, to spend lots of late nights trying to perfect this project and I don’t think it brought about the kind of learning gains that I was hoping to see with my students, it seemed like there was a lot of going through the motions. And the unessay just gave us an opportunity to really turn that on its head and give some of that autonomy back to students and some of that creativity back to learning.

Rebecca: I’m loving these themes of joy, creativity…

John: …which are not terms we often associate with either writing papers as students or with grading them as faculty, and Jessamyn, you were the editor of a fall 2022 issue of Teaching History that focused on unessays. Could you tell us a little bit about ways in which you and other historians have been using them in your classes… some examples of ways in which students have demonstrated their knowledge?

Jessamyn: Sure, and I’ll just give a little promo here, Teaching History: A Journal of Methods is an open access journal. So you can just Google Teaching History: A Journal of Methods, and it’ll take you to the open access platform. It’s hosted by Ball State University. And so that issue is still totally available for anyone interested in reading it. I would say, like some specific projects that were explored in that issue, there was an article about using maps as historical documents, there were a number of projects that were exploring how to present history and historical thinking in a public history setting. So along the lines of museum exhibits, and especially in a digital format, the upsurge in digital humanities is something several of the authors were looking at. And then there’s a whole range of examples that were discussed in the two interviews I did for everything from board games, to graphic novels, to quilt, to the annotated recipes. All those were discussed in that issue.

Rebecca: What are some specific projects, Jessamyn, that you’ve done in your classes,

Jessamyn: A couple that have come up that I used… it’s interesting… Maggie used the unessay with her senior students. And I have helped students in the history department here, they also have to do a major research project. And I’ve been the advisor on a number of non-traditional projects is what I called them at the time, and now would say unessay. So at the senior levels, students did major research projects, like a fictional interview with a historical figure, historical fiction would be another example. I’ve had a couple of students do online exhibits and one person do an in-person exhibit. But I also use the unessay assignment in my intro level class, which is a basic history survey class. And those projects ranged from again, the board game, I had a number of posters, I had one student who was a trained professional baker do a set of cookies with icing, comparing different protest movements, the Bonus Army March in the 1930s with the more recent climate change activism. And one of my very favorites was a video recording that a student did, showing step by step how she made a family recipe. And since the theme of the class was the American Promise, and the way that throughout our history, as a nation, we’ve struggled to achieve the ideals of equality and liberty for all. And we get closer and we fall short. And her recipe was from her family’s background from India. And she took us step by step through it. She had music playing and was describing the importance of this particular dish in her own family history. The unessay was encouraging them to see their location in the American Promise. And it really struck me, in my previous life as a historian of food and food waste. So that was interesting. But most striking to me was, this was a student who had been very, very quiet in class. I felt like I didn’t know her very well. She was doing great work, but she was sort of on the edge of things it seemed like, and with this unessay, it completely changed my perception of her. I felt like I got to know her so much better and so did the other students as well. Having students share their unessays is an important part of the work and It really changed just the whole classroom dynamic in that way. So that was really notable.

Maggie: Nice.

John: Maggie, what are some of the projects that your students have done as unessay assignments?

Maggie: Yeah, so I mentioned before that I assigned the unessay for my senior seminar class. So it’s a sort of capstone project. And there were some really awesome projects that came out of this and I probably don’t have time to talk about all of them. So cut me off at some point when I’ve been going on for too long. But I had a student who wanted to be a elementary school teacher, and had gone through our program and decided that being a practitioner in the field of criminal justice was not exactly where they wanted to be. And so his project was to create lesson plans for second graders to communicate some of the harms of incarceration and how it affects youth when their parents or caregivers are incarcerated. And so it was a really wonderful project, all the students had worksheets, kind of like you can think about having when you were in second grade, and little matching puzzles and games, and it was a really cool experience. And for him getting interested in a master’s of education program, it was a way that he could then take that project and show to his grad school applications and advisors, like, “Hey, this is something that I’m really passionate about. I’ve been working towards this. And yeah, it was a lot of fun.” We had a good time, even some spelling words thrown in there. [LAUGHTER] It was great. Another student project was a choose your own adventure story. There’s various examples of this. But in my youth, it was the Goosebumps choose your own adventure where you read to a certain part in the story, and then it gives you the option of what you want your protagonist to choose. And then you have to flip to a different area of the book and see the fate of that character. And so the students started a really great project, unfortunately, didn’t get to finish it for various reasons, but started a really great project about reentry. And so the main character was someone who was being released from prison and had to navigate all of the barriers and circumstances around reentry that made it difficult for him to assimilate back into society. So that was a big fan favorite amongst the class. They really enjoyed that. Of course, we also had some board games, one in particular, was a monopoly game that examines varying socioeconomic status, and how that influences someone’s path through the criminal justice system. So the players started off with different amounts of money. And as they would pull community cards and have to purchase property and such, they would be challenged to need to pay a particular court fine, and how that would set them back from being able to find a job. It was a very well thought out game of Monopoly. But the goal to show and highlight the inequalities related to income and how that affects criminal justice processing. I could probably keep going, but it really gave a lot of opportunities for students to combine what they were interested in. There was a student who had run their own podcast for a period of time. So she conducted a podcast series on Amber Alerts and their effectiveness. And it was something that when she had been traveling down to Texas, and had received a number of Amber Alerts in the short time that she was there, she was like, “Are these things really working? And how can I explore that through a medium that she was already quite drawn to?”

Rebecca: Unessays always sound like so much fun?

Maggie: Yeah. And they’re fun for us. I know Jessamyn touched on that, too. It’s a whole different experience as someone assessing the work that they’re doing when you know that they’re passionate about it. And it gets me excited about assessment, which I don’t think is something we can typically say.

Rebecca: There’s not a big line of faculty raising flags saying assessment is fun.

Maggie: Right. [LAUGHTER]

Jessamyn: I also wanted to follow up on a point Maggie’s touched on a couple times about student autonomy and agency. I think for both our student populations, this is a really key academic, professional, and personal skill that many of our students need to build, that they arrive to college with a sense of themselves as very passive recipients of education and have not had the opportunity to really see themselves as producers of knowledge. as having agency in academic settings. So for me, one of the great glories of the unessay, is that it’s starting point really is, what do you want to do? What do you want to do to demonstrate that you understand this topic, and for a lot of students, it’s scary at first. A few might think that you’re trying to trick them. And I know this was something we did want to talk about. It does require, on our part, a fair amount of structuring and transparency and communication with students, maybe even especially the highest achieving students. One of my favorite students of all time went on to become a high school social studies teacher. And she did a fantastic job in the intro class with the unessay and then told me like a year later, “You know, I hated that assignment when I did it.” And it was because she was very, very nervous. She was a straight A student who was really nervous about doing something different. But she said, “Now, it’s my favorite, looking back.” So providing that structure and support and transparency, a lot of careful thought on the front end.

John: And one of the things we’ve been talking about in one of our reading groups, Mind over Monsters this semester, at both of our institutions, is the importance of autonomy, in terms of increasing student motivation and giving them more sense of control. It sounds like it’s really helpful in motivating students.

Jessamyn: Yeah, I think so. In both of our disciplines, criminal justice and history, there is a major learning curve to helping students see themselves as having agency in this particular discipline, especially the way they may have interacted with it before. And for me, coming from a lot of their previous experiences with history has been learning what happened and not actually doing history or thinking about those processes and the unessay could really help them move towards that particular desirable learning outcome.

Rebecca: I think one of the challenges that faculty who have been engaged in unessays before see before they enter in is the complexity of having students doing many different kinds of things at one time and managing those projects and also assessing those projects. Can you talk a little bit about how you help provide that structure for yourselves and for students?

Maggie: Yeah, so for my criminal justice class, I spent a lot of time the summer before I implemented this project, creating very detailed instructions and expectations. Jessamyn, I went to your website, and I use some of the self assessment tools, and I adapted them for my class as well. It was a very mindful process to think about how to give students the structure they need to feel confident in their ability to carry out this project, but also give them enough flexibility and creativity to take this project where they want it to be. I also spend a lot of time reading about different alternative grading practices to also incorporate in this, so I use kind of a combination of ungrading and specifications grading as well to help students assess their work. And I met with students quite often throughout the semester, particularly we had a midterm and a final exam meeting where we talked about the strengths of their projects, where they needed to go and what areas they needed to work on, whether it was engaging more deeply in the research and how to communicate that effectively in their projects. It was a lot of work for the faculty, but it was worth it in my opinion. It wasn’t so onerous and it wasn’t boring. It was exciting to meet with students, even if it meant spending my entire midterm week in the office with the students. It was almost every minute of my day for an entire week doing this, but it was, I think, a unique opportunity for making those connections with my students.

Jessamyn: I have been lucky. I have a relatively light teaching load and small classes. So that did make a difference in how I thought about structuring and implementing the unessay. There would be challenges on a larger scale. I would also say that there’s components of the unessay, that it’s not just do anything you want, and then nothing, and then in the end they turn in something. No, there’s stages and components like usually a proposal process and I also was able to meet with students. You could meet with students in small groups as well, if it’s a larger size class to go over the proposals, and many unessay assignments also do have a written component like a bibliography, an intro. At the midterm and end there could be a reflective assignment or sort of summary of work achieved. I did co-create with students the assessment guidelines for their projects. So taking the autonomy and agency a step further, I didn’t leave it totally up to them, we worked together on it, but asked them, “So this is your idea, this is the project you have in mind. How will it show these important skills? How will it show that you’ve met these course learning objectives?” And we work together on it. And that part is always great for me, I just really enjoy trying to de-center myself a little bit as the instructor which again, is something I can do from a place of certain privileges. I have tenure, I’m white, I’m cisgendered. But trying to enlist students as partners more, decentering myself a little bit, and asking them to reflect on what would show that you have achieved this learning outcome with this unessay assignment. A nice bonus is always students, at least one student, will say this is so hard, teaching must be really, really hard. [LAUGHTER] So bringing them in on that assessment process can help them even reflect on what does grading and assessment mean? What would show me that you’ve successfully achieved this learning, this desirable outcome?

John: Do either of you use rubrics for the unessay assignments?

Jessamyn: Well, when I co-created assessment guidelines with students, some of them used a rubric form. A lot of my students found rubrics helpful for things like deadlines. And I did set deadlines for certain benchmarks. And that was something that was easy to map out and help them structure their work time and stay on track as well.

Maggie: Yeah, I created a checklist with that self assessment that was on Jessamyn’s website, geekypedagogy.com. I did have students go through that and rate themselves, and then we got together in a meeting to discuss where we felt the accuracy of each of those points. But I think it gave them some comfort in saying, “Okay, I know I did multiple revisions of this, and I incorporated all of the feedback I was given. And here’s the changes I’ve made, or here’s the areas that I think I probably could have done better, or I could have focused my time a little bit better in this way.” And it just gave them, I think, a nice guideline to be able to talk about the strengths and areas of improvement for their project.

Jessamyn: I’ve used rubrics before, when I was co-creating the assessments. That’s fine with me, if that’s what they want to use. I will say that this part of it, while being very cognizant, like I said, of my own privileges and positionality and aware of that, your teaching context can really shape what kinds of assessments you can implement, for sure. But I also think that it’s at least worth considering the idea of our academic egos and our investment in our discipline and expertise. And what the unessay may challenge us to do is let go of the thing we know how to do absolutely better than anything in the world. So as a historian, a trained historian, I know how to assess student writing better than any other task I do as a teacher. I know so much about it. And it’s easy for me to do, not joyful, [LAUGHTER] but not difficult. It doesn’t push me to think about anything outside my comfort zone. And when I assign an unessay, I have to let go of that and think about things differently. And again, keeping in mind that I know bandwidth is limited, the incredible pressure on a lot of people in the pandemic pivot and for all various reasons, our limited energy, it might be too big an ask, too big a lift. But I would encourage listeners, if it’s possible, to consider maybe it’s not about me. [LAUGHTER] It’s not about us, and what makes us most comfortable as the person with the PhD in the room. That being a little uncertain. how can I assess did students meet this learning outcome with a quilt, with a board game, with a podcast, that it’s okay for us to feel a little bit discomforted. That’s about maybe getting out of the students way a little bit.

Rebecca: When I hear folks talk about unessays, both of you as well as others that I’ve heard talk about unessays, I see a big emphasis on process and the behaviors of a discipline, rather than necessarily the outcomes of something. So often in a research paper, we might assess on some of the polish of something like that, rather than really seeing always the process that goes into the thinking. But I feel like a lot of times with these projects, you end up knowing a lot more about a student’s thinking, because you’re talking with them about their projects in an ongoing way. Can you talk a little bit about that process piece with unessays?

Jessamyn: Well, one thing that jumped into my mind, Rebecca, when you were asking your question is writing a thesis statement for a research paper. Now, this happens to be something I’m incredibly good at helping students do, crafting their thesis statement. But, just like you described, it’s often so much about the academic writing skill that I’m helping them with, and when they have to write a thesis statement for the research paper they’re working on, that’s a great skill to have, if you’re going to be an academic. If you are engaging in scholarly writing, you have to know how to do that. And for a few students, that’s important. And that’s not like written communication skill. I’m talking about the highly academic scholarly skill of summarizing the argument you’re about to make in a paper. So for students who want to go on to be graduate students, I’m all in. We’re going to sit and we’re gonna go through this word by ever loving word to figure out the best way to state your argument. For a lot of my students, though, is that the best investment of their time, and the best way I can help them? There might be other ways to, just like you said, have them articulate and demonstrate their thinking, which, and I’ll just throw it out here in the age of generative AI and ChatGPT, this is at the heart of how we help students navigate is their original ideas really matter, their ideas, and their thinking matters. So if I can support a student being able to demonstrate their thinking and ideas in a way that matters to them, that they feel articulate doing, then, mission accomplished. That’s what I want. That’s what I want for students.

Maggie: Yeah, and I would say that, in my class, the 20- to 30-page research paper does serve students who are going to go on to graduate school. But like said, I don’t know if that is the best way to help them make the connection between what we’re doing in the classroom to what they are going to be doing on a regular basis in their various careers that they find themselves in. I wanted to make this project less about a means to an end for them, I wanted them to really think about how they start with an idea and how if they spend enough time thinking about that idea, and really focusing on how to communicate that expertise that they gained throughout the research on this idea, that they can create something that they’re proud of and they are hopefully less focused on the grade at the end of the semester and more focused on “Okay, I was actually able to start in one place, develop that project, develop this in a way that I can now go to my future employer or in an interview and say that I’ve developed these skills along the way that are mine and mine alone. They’re not ones that have been imposed on me by an instructor.”

John: We have increasingly diverse student bodies in terms of their prior preparation. Some have come through and had lots of practice writing throughout their high school careers and have developed those skills, others haven’t had as much preparation in writing. And we have lots of courses, though, that give them that but writing skills are not always one of the most important learning objectives for many of our classes. And it seems to me that perhaps using unessays can help provide a more equal playing field for students who may not have as strong of writing skills, but might be fairly comfortable creating videos or might be able to engage in some other creative activity that can demonstrate what they learned much more effectively than if they were constrained to having to do it in a written format.

Maggie: Well, I would say that was my experience for sure. I had a group of students make a series of TikTok videos and so they were quite excited about their ability to use something that they are on almost every day, if not every hour of their day, to use that as a platform to communicate the time topics that they were most interested in. And so it did mean that I had to learn a little bit about TikTok, I had to create a profile so I could follow my students and be able to see the videos that they had created. There’s an up voting system, too, I had to navigate [LAUGHTER] but yeah, in terms of equity, it does give students the ability to make decisions about how to present information in ways that they’re comfortable, but still challenging. I think that no matter what mediums students picked, it was challenging regardless. So it didn’t feel like students were just picking something that “Oh, well, I do this all the time.” It really was a strong motivator. And I think in a lot of the conversations we’ve been having in our reading groups about how to channel anxiety about something into a more direct way to accomplish a challenging task. I think it gave even students who are perhaps underprepared for academic writing, or find a lot of anxiety around that to shift their focus away from what they envision that they struggle with to then start in a place of, “Oh, I know I can do this, and I can communicate it in this way.” So I think it gave them some of that confidence back, that perhaps they find disappears when we impose a pretty lengthy paper or academic medium on them.

Jessamyn: There’s two aspects of the unessay and equity minded teaching I’ve been thinking of. One is the universal design for learning concept of providing some choice. It doesn’t have to be unlimited, it doesn’t have to be infinite choice. But providing some choice does increase accessibility. The second kind of key equity minded principle I have in mind with the unessay is that we should not be grading and assessing people’s life circumstances, we are grading and assessing their learning and their ability to show that they have reached certain benchmarks and outcomes. Just to put it in here as a caveat, I do think all kinds of writing is very, very important. Writing skills are very, very important. And a lot of the unessay assignment as I use it does include some clear written communication, because that is a skill we need in this world of ours. So the equity piece comes in though, that if I’m going to be assigning a grade assessing student writing, then it’s on me as the instructor to teach that and create the conditions in the classroom, the practice and the feedback, and more practice and making mistakes, and more feedback to do that writing piece. And if I’m taking into account the wide variety of academic backgrounds, what needs to happen in the course, for students to be able to demonstrate their learning accurately via a written essay, that’s a lot of writing work that I’m going to be doing to provide that equitable classroom. So the unessay as an option, that’s something a lot of people do offer the unessay as an option alongside a traditional essay option, the unessay as an option could increase equity in that way. I think it does convey the idea that our diversity is an academic asset. That all said, it’s interesting that the unessay could also exacerbate inequities without structure, without support. Students who have had very rich and varied past educational experiences may leap at the opportunity and see it just solely in terms of its benefits. Other students with less of that in their background might be extremely nervous about it as a whole new frontier for them. So without some structure, transparency, without all that prep work, Maggie, that you were describing, it could actually exacerbate some of those inequities.

John: And I think the scaffolding that you both described is really important in relieving some of that uncertainty, because I know some students when I’ve given similar types of assignments are really anxious about it and letting them do it a little step at a time and master that step seems to help relieve the pressure on them by just reducing the uncertainty.

Maggie: I know one of the things I incorporated in the project, and I think Jessamyn did this as well, that I gave students unlimited rewrites on any of the written work. So I did have a bibliography and I did have a proposal and a sort of artist’s statement reflection at the end of it. I think, again, I took that from geerkypedagogy[.com] and I gave students the opportunity to just keep rewriting and rewriting. And yes, it was a bit more work on my end. But it was so refreshing that students were actually taking my feedback into their work and they were making improvements. I think that whenever I’ve done drafts in the past, they might go through and make just the easy corrections and leave some of the harder things aside. But in this project, because we started a lot of those elements very early in the semester, we spend weeks and weeks just revising. And it really did give students, I think, a opportunity to make sure they fully were understanding and achieving those outcomes.

Jessamyn: Yeah, that point Maggie about your feedback actually being read and applied is so important for students and for faculty. It’s discouraging and disheartening to provide students a ton of feedback and then feel like it hasn’t been read. It’s up to us, though, to provide the opportunity for students to apply the feedback. If it can’t be applied, it’s very difficult to take it seriously [LAUGHTER] and to see it as meaningful and relevant. And I think another aspect of what you are describing that listeners might be interested in… if we haven’t totally convinced you yet [LAUGHTER] to use the unessay… is that it does get students’ attention, it cuts through the static. We get into a routine we’re just trying to get through, check that box for students who are overworked, overloaded, for whatever reason. I really feel like it kind of cuts through a fog that many of us, students and faculty, are in just by asking us to do something a little bit different.

Rebecca: Sometimes in those cases, and you guys have alluded to this before, that doing something different if they’ve not done it before, is risky and scary. And so all that scaffolding that you’ve built described as so important for students to be able to take that first risk and maybe take other academic risks in the future.

Jessamyn: Yeah, we can’t underestimate the impact of our traditional grading systems and traditional school systems where the stakes are sky high. You can’t overestimate them, financial aid, everything, is so tied to a student’s GPA, their families support, staying in school is often tied to GPA, their own sense of their selves as students, who they are, is defined by the grade they get. So asking them to, Rebecca, like you said, consider the process, not the end point. It is a big ask. So we can’t expect instant student buy-in, that they will immediately jump on board and with ease and joy, even if we are feeling that way about it.

John: So it sounds like it’s been a lot more fun, even though it may sometimes take more work for both of you. How have students responded? You’ve mentioned a little bit about student responses. But how do students generally respond at the end of the semester? Is it something that they find to be equally joyful?

Maggie: Jessamyn touched on this, but there was a bit of student buy-in that I had to get. And there were a couple of students who still wanted to write a traditional research paper. But in the end, they did a podcast element as well with it. So it was the sort of combination of the two, but it was the first time I had ever implemented an unessay in my classes. So I didn’t have a lot of student examples to show them. But I did spend a lot of time creating my own examples of what an unessay would look like. And I think for each of those scaffolded assignments I created a bibliography and a presentation and I tried to create an unessay myself so that they could see what it would look like. I think that gave them a little more confidence in knowing what was expected of them. But really, it took a lot of conversations with students on why I was doing this, what I thought the importance of shifting away from a traditional research paper, what gains they were going to have from that, and every student, at least to my knowledge, really enjoyed the process and much preferred the unessay over their 20- to 30-page research papers.

Jessamyn: The student resistance you just mentioned, Maggie, reminds me that I mentioned teaching context before, but it is important to underscore that any non-traditional teaching and learning practice and assessment, you can expect greater student resistance or reluctance when you quote unquote don’t look like a professor. So when you don’t fulfill the stereotype of what a professor looks like, if you’re navigating any kinds of intersectional biases, you may have to take into account the student resistance component and student biases. It’s a point that Chavella Pittman has emphasized for like an ungraded practice, that it’s very important to take those considerations into account. I will add that the biggest benefit besides my own grading joy is what I see… it’s extremely hard to measure… I couldn’t put it on my end-of-the-year file assessments of my own teaching, but students gain confidence, students gain some agency, some autonomy. I can see it in how they talk about it. If you can have a showcase or a gallery walk, you can see that they are proud of what they have achieved. When we’re doing senior presentations, that’s always very clear, like students’ sense of accomplishment is very notable. And it’s not that that doesn’t happen with the research papers. Well, it can, but the range of students who express and demonstrate to me that they’ve gained some confidence in themselves as students, as thinkers, as knowledge generators, as producers, it’s really heartening.

Rebecca: So we always wrap up by asking what’s next? Jessamyn, you want to go first?

Jessamyn: I’m headed to the POD Network Conference. I’m gonna do a session, with Chavella Pittman and Thomas Tobin, on faculty development that acknowledges teaching inequities. And I am working on a book on teaching and learning when things go wrong in the college classroom, and I just recently signed a contract for that book with the new series at University of Oklahoma press called Teaching, Engaging, and Thriving in Higher Education.

John: Maggie and I will both be at POD and will try to get to your session. And we’re looking forward to that book.

Maggie: I suppose what’s next for me feels like such a loaded question right now because I’m anticipating applying for a sabbatical. And so I’ve been really ruminating on this question of what is next for me. I’m entering into a mid-career stage, and so I feel like my answer is “I’m not quite sure yet.” But as far as the unessay goes, I do plan on bringing the unessay to my courses next semester. I’m teaching two elective courses on death penalty, and women and crime. And I think really any course, but particularly these courses, would be well suited for an unessay project.

Jessamyn: That reminds me, I am lucky enough, I’m going to be going to the American Historical Association Conference this spring and doing a workshop on the unessay, so any historians listening, I hope I see you there.

John: And we will include links to Teaching History, to that specific volume, as well as to the other resources that have been mentioned here. So check the show notes to find more of those resources. And thank you both for joining us again.

Maggie: Thank you so much.

Jessamyn: Thank you.

Rebecca: It’s always wonderful to talk to both of you

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John: If you’ve enjoyed this podcast, please subscribe and leave a review on iTunes or your favorite podcast service. To continue the conversation, join us on our Tea for Teaching Facebook page.

Rebecca: You can find show notes, transcripts and other materials on teaforteaching.com. Music by Michael Gary Brewer.

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314. Handbook of Online Higher Ed

Since its start in the late 1990s, asynchronous online instruction has spread throughout the world and has been the subject of extensive experimentation and study. In this episode, Safary Wa-Mbaleka, Kelvin Thompson, and Leni Casimiro join us to discuss their new handbook that examines effective practices in online learning from a global perspective.

Safary is an Associate Professor of Leadership in Higher Education at Bethel University in St. Paul, Minnesota. He has authored and co-authored more than 40 scholarly journal articles and more than 20 books and book chapters. Kelvin is the Vice Provost for Online Strategy and Teaching Innovation at the University of Louisville. Kelvin developed the BlendKit Course open courseware as part of the Blended Learning Toolkit, and he co-hosts TOPcast: The Teaching Online Podcast. Leni is a Professor of Education, the Associate Dean of the AIIAS Graduate School and Chair of its Education Department and the Director of AIIAS Online, the virtual campus of the Adventist International Institute of Advanced Studies (AIIAS) in the Philippines. Kelvin, and Leni are frequent invited speakers on topics related to online instruction. They are the co-editors of The Sage Handbook of Online Higher Education.

Show Notes

Transcript

John: Since its start in the late 1990s, asynchronous online instruction has spread throughout the world and has been the subject of extensive experimentation and study. In this episode, we discuss a new handbook that examines effective practices in online learning from a global perspective.

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John: Thanks for joining us for Tea for Teaching, an informal discussion of innovative and effective practices in teaching and learning.

Rebecca: This podcast series is hosted by John Kane, an economist…

John: …and Rebecca Mushtare, a graphic designer…

Rebecca: …and features guests doing important research and advocacy work to make higher education more inclusive and supportive of all learners.

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John: Our guests today are Safary Wa-Mbaleka, Kelvin Thompson, and Leni Casimiro. Safary is an Associate Professor of Leadership in Higher Education at Bethel University in St. Paul, Minnesota. He has authored and co-authored more than 40 scholarly journal articles and more than 20 books and book chapters. Kelvin is the Vice Provost for Online Strategy and Teaching Innovation at the University of Louisville. Kelvin developed the BlendKit Course open courseware as part of the Blended Learning Toolkit, and he co-hosts TOPcast: The Teaching Online Podcast. Leni is a Professor of Education, the Associate Dean of the AIIAS Graduate School and Chair of its Education Department and the Director of AIIAS Online, the virtual campus of the Adventist International Institute of Advanced Studies (AIIAS) in the Philippines. Kelvin, and Leni are frequent invited speakers on topics related to online instruction. They are the co-editors of The Sage Handbook of Online Higher Education, which we’ll be talking about today. Welcome Safary and Leni and welcome back, Kelvin.

Safary: Thank you.

Leni: Thank you.

Kelvin: Good to be here.

Safary: A pleasure to be here.

Rebecca: Today’s teas are? Safary, are you drinking tea?

Safary: I’m having water this morning.

Rebecca: A key ingredient to tea it might add. [LAUGHTER]

Rebecca: How about you, Leni?

Leni: I used green tea, particularly this Japanese matcha. [LAUGHTER]

Rebecca: Nice. How about you, Kelvin?

Kelvin: I have deconstructed tea. That’s also called water.

Rebecca: [LAUGHTER] Popular globally.

John: And speaking of globally, Rebecca and I are both drinking Moon Bird tea, which is a gift from one of our listeners in France who sent this to us a few weeks ago. So again…

Safary: Wow.

John: …thank you, Myriam.

Rebecca: Yeah, it has a nice hint of pear and elderflower.

John: …which is also a green tea.

Rebecca: Yeah.

John: We’ve invited you here today to discuss the SAGE Handbook of Online Higher Education. Could you tell us a bit about the origin of this book project?

Safary: The origin of this project is actually something that has to do with me having worked with Kelvin several years ago at the University of Central Florida. And right after that, I decided to work in the Philippines and that’s where I met with Leni Casimiro and we worked together. And at both institutions, we were working with online education. And eventually I was transferred to work for two years in Kenya. During the COVID-19. I happened to be in Kenya, and I quickly saw the great need of people wanting to have online education. The resources went up in the place. The things were scattered all over the place. And immediately the idea came that we needed a project that captured the whole world because now this was a worldwide phenomenon, it was no longer something peculiar to Kenya or Philippines or U.S., the whole world was in need of a tool like this. And that’s how I reached out to Kelvin and to Leni.. Thankfully, they both agreed to be part of the project. And I think, from my perspective, that’s where it came from. I don’t know about them… how they think about this? [LAUGHTER]

Leni: Well, for me, it’s really a big project that we did, combining the different parts of the world. You see where Kelvin comes from, representing the West, I represent the opposite, the East. And although Safary comes from the East as well, but he can represent the African continent. And so this really makes the book a global project, really a blend of different perspectives. And so I can say that online learning is represented all over the world in this particular book. And this is indeed, a big surprise to all the readers and a big discovery for everyone.

John: Speaking of readers, what is the intended audience of this book?

Kelvin: Well, I mean, honestly, I would say anyone, anywhere, around the whole planet, who in any way touches online or digital education, should access this book. It’s great for libraries and institutions to acquire and be in their communities. It’s a big book. There’s stuff in there for everybody. So I think it’s a great resource.

Rebecca: Speaking of the size of the book, the handbook contains 50 chapters. Can you talk about how you selected those chapters?

Kelvin: I think the scope and the sequence and the layout of the chapters and the sections sources originally to Safary’s proposal with the publisher, but it was intended to be rather comprehensive with sections like fundamentals and student support and administration and instructional design, instructional delivery, regional specifics, particular regions around the world, and how online education might differ a little bit in, say, the African context versus the European context. But over time, as we were recruiting authors, and as the writing process started, you get a little bit of evolution, the sections might morph a little bit, the distinctives of a given chapter might adjust based on interest and specializations of the authors. So that’s a little bit of the insight into the evolution. But I credit Safary for the vision, which I would say, is probably about 80 plus percent of what he originally had envisioned in the layout. That’s my guess. Safary, would you agree with that?

Safary: Yeah, the thing is that, when you work on a huge book like this, especially a handbook for Sage, they want to have the complete plan when you submit your proposal. Before I can get my co-editors to agree with me, they need to have kind of ideas, okay, this is what I have in mind. So usually, when I work on a handbook like this, I come up with a rough draft. And Kelvin and Leni were very good in catching certain things that I wouldn’t have caught because of their expertise, their experience, and their regions that they represent. And so in the end, what we have here is a product of the Table of Contents was really the product of these three brains that are speaking today.

Leni: I really liked the way Safary has chosen the chapters of this book. Well, we can say that he really originated the choice of these chapters. As you can see, from the perspective of a reader, when you look at the content, you can look in the sequencing, and you will find that you are actually looking into the step-by-step development, or the step-by-step process of engaging in online education. I will say it’s almost like a manual, almost every step that you will go through in undertaking online education in your institution is covered in this book. That’s why it’s really a very important book for every school to have.

John: We had some challenges coming up with a brief intro for each of you, because each of you has done so much with online education in many different roles in many different places. But you also have an editorial board for this book, which is a little bit different than many other books that we’ve seen in terms of handbooks. What was the role of the editorial board in putting this handbook together?

Safary: Yes, we had an editorial board. When you have a project of this magnitude, it is really important to have experts from different parts, especially at the global perspective of experts, and of course, experts on the different topics that are represented in the handbook. As much as we have experience with online education, we cannot assume to know it all… areas where we definitely need help. And so we selected very well known, very well recognized experts from different parts of the world. As far as online education is concerned, all the names that are there are people who are very well respected in the field of online education within their respective countries. The role they played was, for them to be our experts in checking the accuracy and the quality and the completeness of the chapters that were submitted to us. So basically, each chapter went to two to three reviewers and the editorial board members were the primary reviewers to help us really catch everything… and the work they did, I know that some chapters had more feedback than others, but I can say that contribution they gave through their feedback was very substantive in improving this handbook. I don’t know, Leni, how you found that when you’re working with the editorial members who are assigned to you?

Leni: Yeah, actually the editors we chose, I can say they are truly excellent and helpful. During the early parts of the writing of the chapters we lead editors are having like a tug of war with the chapter authors. They tend to bargain their thoughts with us, but when the editorial board came into the picture, it gave a more balanced outlook into writing the chapters. And so we really appreciate their services. The other thing is that this editorial board members are experts in the area and so we can truly depend on them. Their feedback were truly much valued and contributed much to the excellence of the contents of this book.

Rebecca: So the handbook is divided into seven sections. Can you provide a brief overview of each of those sections to give us the lay of the land?

Leni: Oh Yeah, seven sections, it’s nice to give an overview for people to know what the book contains. First section, of course, is the fundamentals of online education. It contains the introduction to the topic of the book, online learning, and some variations in online delivery, like blended, MOOC and ERT, emergency remote teaching, we just really call it ERT, and that became popular during the pandemic. The second section, online education around the world. This section is the most colorful part of the book, at least for me. Because it tours us around the world and gives us a view of how online education grew in varied contexts like US, Canada, Europe, Asia, Latin America, Africa, Australia, and the Middle East. The third section, Online Instructional Design, this section now brings us to the T-cell of online learning, the design of online instruction with focus on how learning happens online. This is now the more serious part of the book. While we came from the most colorful, we now go to the serious part of the book. And then the fourth one, Online Instructional Delivery, this section focuses on the hammer and nail of online learning, the actual online teaching, and this is the most exciting part. Because this is now the delivery, the previous one was the most serious part, this one is the most exciting part. And then perhaps, Kelvin, can you say about the fifth section [LAUGHTER] Instructional Technology for Online Education?

Kelvin: Here’s what I would say about that, if you’ve got the most serious, you talked about the most exciting that you talked about, maybe the fifth instructional technology for online education is the most invisible, maybe that’s what it is. Nobody thinks about plumbing until it doesn’t work. [LAUGHTER]

Leni: Thank you. So that’s technology, I would say this section is essential, because you cannot teach without knowing how to use technology [LAUGHTER]. And the sixth section, Online Education Administration and Management, I would say this is the driver’s seat of online bandwagon [LAUGHTER]. Online education can never prosper without the support of the school administration. So, leading school reforms, like entering the field of online education requires certain strategies to be certain of success. Therefore, I would say this section will indeed equip the readers with those skills, perhaps Safary, can tell us what section seven is?

Safary: I would say the last section is the Customer Service, given that the students are the customers. So the customer service, how to make sure we deliver the best customer service to the online students. And so it discusses all those different aspects of how to really prepare, plan effective service to the students, because many times when people are migrating from face-to-face to online or integrating online education, they forget that online students actually need serious support. And this support definitely needs to be defined. And people who are dealing with the students need to be trained. And so the last chapter actually deals exactly with that.

Leni: For me, because I was looking at the table of contents, and I was smiling in my mind, wow, this is really neatly done. And so this works came to my mind, and I said, Oh, the seventh section, this section focuses on the heart of every online classroom, the students. And so because the students are the reason why we offer online learning, thus we ought to know how we should support them.

Rebecca: One of the things that I love about working on collaborative projects that are really big, and then you have these opportunities to reflect together, is how you summarize what you did. It’s probably really different than while you were right in the middle of it. And it’s fun watching the facial expressions and things as you guys are describing the different sections.

John: With 50 chapters, there’s a great deal of breadth and depth on these topics. In section one, though, you address two topics which are not always considered as part of traditional, at least, online education, which is the use of MOOCs and ERT, emergency remote teaching. But these have played fairly important roles. Could you talk a little bit about the role of MOOCs and Emergency Remote Teaching in the larger environment of online higher education?

Leni: As I see it, MOOC and ERT are connected to the overall theme of the book, because technically they are both delivered online. Online learning can be synchronous or asynchronous. And it’s mostly taken asynchronously while ERT is done synchronously, because it is generally a replication of the face-to-face classroom through the web. However, there are certain arguments in the field as to whether can we classify these two under online learning, because they are believed to not use the principles of effective online teaching. And they say, is their instructional design in ERT? There are more questions to raise to the point that some people believe they should not be called online learning. But for me, we have a common denominator, course delivery through the web. Maybe we can hear from my co-editors here, Kelvin and Safary, what they think about it?

Kelvin: I was thinking, John, when you asked that question, I think the combination of Emergency Remote Teaching and Massive Open Online Courses, it’s part of the popular conception of what online education is, it’s sort of like what a layperson might think, is, it’s just one big thing. So if you didn’t address Emergency Remote Teaching, Massive Open Online Courses, maybe even Blended or Hybrid learning, those mutations, it might not provide quite the same way in for the broadest possible audience. But then, once we’ve ushered you into the house, through the front door, I hope we do a good job of taking you on a more detailed guided tour through the nuances and everything that online education can be, without just being stuck at that surface level.

Safary: If I may add something to the ERT. Personally, the reason why I wanted to see this chapter there was that outside of the United States and maybe Canada, and a little bit of Latin America, when ERT came, Emergency Remote Teaching came, many people call it online education. And as we know, online education, the way we know it traditionally, is much more than translating your face-to-face class to a Zoom class or Google meet class. And let’s face it, that the word there is emergency. This was an emergency modality, which obviously emergency is never the best option, it means better than the chaos that you’re going through. And so many people who didn’t know online education, they came to believe that Emergency Remote Teaching means online education. And many people who were against online education to start with, it was like, “Okay, we have already said that this thing is really bad because it was an emergency.” So it was very important to distinguish what Emergency Remote Teaching is. And in the future, if somebody wants to use that for another calamity that happens, then they know what steps to take, but it does not replace what is known, what we define as quality online education.

Rebecca: One of the parts of your book, The second section is about online education around the world. And getting that tour around the world is not something we typically get the opportunity to have. So can you talk a little bit about what some of the global differences in how online higher education is structured and practiced across continents and regions?

Safary: This section came up as we were trying to make the book global. We really wanted to hear the voices of the people from around the world and not just the United States… the United States being the lead on online education, no question about that. We wanted to know where things are in different regions that were represented. We had to even go online to try to track people down from different countries. It was not easy finding people from certain regions where we didn’t have a network. So as a result, we’re able to bring on board chapters from different parts of the world. We had a chapter from the United States, we had a chapter from Europe, from Canada, from Asia, from Latin America, from Africa, from Australia, and from Middle East. So we were able to see what was happening in each one of them. And these chapters we had, they were kind of similar in a way where we wanted to know what is happening, what are the challenges, what are the achievements that people have in those regions, so that people from those regions who decided to do more work on online education, they have a place where they can learn of what is happening in the whole region from this book. They can have this as a reference to understand what was happening in their region. It is true that when you have one chapter, for example, I co-authored a chapter on Africa, because I was still in Africa at that time. It’s a chapter that’s covering 52 countries, you cannot really cover 52 countries, we just had to have illustration from some of African countries, because there’s no way we have data on all the 52 countries, but at least, there were some common themes that were coming up from a different African countries if I can speak from that specific region.

Leni: I can speak from the perspective of an Asian because I come from Asia. And I would say, we cannot deny that online education started in the West. But because we live in a connected world, it spread easily. Basically, I can see a lot of similarities around the world. The only differences I noticed, because your question says what are some of the global differences in how online education is structured and practiced? Now, I would say the only differences I noticed are the approaches to online learning, depending on the level of their maturity, in using this modality, and the resonance of the context they serve. Institutions that have been engaged in online learning for a long time definitely deal with issues that are different from those of newcomers, the needs of the context they serve also differ, so the strategies utilized also differ. One thing I would highlight, though, is that you can clearly see the creativity and continuity of people in different parts of the world in running online education. And we still can learn from each other. That’s why I said a while ago, the section on the global online education is really colorful.

Rebecca: One of the things that I think is really interesting about that section, is that it can also give us insight as instructors that teach a global audience about what the contexts are that students might be coming from. And that’s something that we often don’t have a little bit of insight into.

Safary: I think that is a very good point. Now that we have online education, people are teaching in many different countries. I remember just a couple of weeks ago, I was approached by one of my former students who wanted me to teach a class in the Caribbean. If things worked out for me, for that class, I would have just glanced at that chapter that covers a little bit of the Caribbean and see what I need to watch out for. So that is definitely a good point for the section on the different regions. In this handbook.

John: When online education first started, there wasn’t really that much known about what would work effectively. And as online education evolved, we saw the role of instructional design become an important part of the practice of online education. And section three deals with online instructional design. And that’s helped facilitate and inform online education, along with a lot of research that’s been done since the early stages. How have instructional design practices evolved since the early stages of online education in the latter part of last century?

Kelvin: That’s a good question. And I guess I’ve been in this field watching this first hand and touching it for about 25 years now. So I sometimes say not exactly the first floor of the building, but just one step above. And what I would say is that when I started in the late 90s, what we saw a lot was adaptation of traditional instructional systems design models and practices, that is constructs that were used quite often in corporate education. See if this takes you back to the past: CD ROM development, military learners. Those kinds of methods, practices, and models were adapted to this online context. And some of that’s constrained, like you’re making a system, like it’s a bounded system that was, quite often the context, like a CD ROM. And now you’re talking about the internet, a network open system. And I remember some of those early days, like, “Okay, what can we learn from these models? How can we adapt those?” Over time though, we learned that this is a unique context, which then began to have its own models and practices and processes and research and iterations and development. And I think of even things like much newer developments, like alongside of constructs like inclusive pedagogy, we see practices and thrusts, like inclusive design, as being a very specialized subset. So we’ve got a very robust research and professional practice literature that has grown up and these, arguably, two and a half decades of online education experience to draw upon. And I guess I’ll just say this, about that. Throughout my time in this field, what I’ve seen is that online tends to make the formerly invisible, visible; formerly implicit, explicit. And I think that evolution of instructional design and development field, it has learned from that. Online education has drawn us along in what does it mean to bring learners in from really anywhere and bring them together in a learning community, and how do we excel in that. That’s been a really rich progression over these last two and a half decades.

Safary: If I may add to that, the reason why we had this section was that many people who are new to online education, they think that online education is about uploading all the files that you have been using face to face, and then let the students read that, and that’s online education. It leads to a lot of frustration from the students because there was no instructional design for online learning. And so we needed to have a section that would guide people into that. And also for instructional designers in college and universities where they already have instructional designers. Some of them have not gotten a degree in instructional design. So they have limited knowledge. They just happen to know a little bit more than everybody else, but they don’t really have a solid foundation. And so that section helps to kind of guide people in the proper instructional design for online learning.

Rebecca: So sections four and five focus on online instructional delivery and instructional technology. These are topics that we love to talk about and have episodes of this podcast on. But given the time constraints, we probably can’t dig in fully here. But can you help us identify some of the most important changes that have occurred in how well designed online courses are taught?

Leni: That’s a nice question. Kelvin also said a while ago, he was mentioning about the early years of online instructional design, I would say, perhaps 1998 to 2000, those are the early years I’ve been involved, still in the planning stages of online delivery. Most of the online courses we developed were primarily text based, and are delivered asynchronously. That was after the military, Kelvin used, online learning, it was already in the university. Why text based? Because even our students, in the context we are serving also did not have the capability or the capacity to access videos or higher level technology tools. That’s why we designed the way they can access us. And so, yes, it was primarily text based and asynchronous. However, through the years, I would say two forces caused the major changes in the way we design online courses, first, technological developments, particularly in instructional technology. And second, changes in the needs or nature of our stakeholders, the students. Well, technological developments without a doubt have increased the repertoire of instructional media that we can use in designing truly engaging online courses. But as I’ve said earlier, technology is not the heart of online learning… it’s our students. And we saw how the nature of our online students change over time as well. While many of them were happy with plain text based asynchronous online courses during the early days, now they want more real-time meetings. And the flexibility they want is indeed tremendous, I tell you. We notice that there is a greater demand now for more flexible and personalized learning approaches. And these topics are dealt with in this handbook. I know Kelvin has written on this. And some other chapters also addressed this flexible learning, personalized learning approaches. These are now the needs and demands of the new generation of online students.

John: This is bringing me back to a time when I started back in 1997 teaching online when many of the students had 300 baud… [LAUGHTER] …or 1200 baud modems, and you couldn’t do much more than text. And I remember putting in some flash-based videos, and many students couldn’t access those because they didn’t have the download speed, especially students in more rural areas. So there was a lot of resistance to online education when it was first introduced, which is one of the reasons why I think instructional design practices became a part of early online education to help ensure the quality of that. And we do have, in most institutions a fairly elaborate process of instructional design assistance and instructional design review for online courses, which is something that’s never really happened in the same way for most face-to-face courses. Might it be time to start applying some of the techniques and practices of design that’s being used for online course delivery to in-person course delivery?

Safary: I remember about 15 years ago, I was training faculty on online teaching in the Caribbean. And I remember many of them, at the end of the training, saying, “I have improved my face-to-face teaching because of the training that I have been going through for online teaching.” So I definitely believe that if people get the proper training in online teaching, they can use that knowledge to improve face-to-face teaching. Because let’s face it, many people are teaching not because they have a degree in education, but because they have a degree in whatever field they come from, they have never learned how to teach. And so when they go through the training for online teaching, they discover a lot of principles that they should have even been using face to face. So I definitely agree with you on that one.

Kelvin: Yeah, it’s true. I say it all the time online makes the formerly implicit, explicit; formerly invisible, visible. And I think that’s why online has been a vehicle for applying thoughtful design and teaching practices and the improvement thereof. Once you sort of concretize the elements that make up an online education experience, then you can see well, how are they arrayed? Are they lined up properly? Does this cause lead to the desired effect, and you can work on improvement, no offense to anyone in this, but when we just are dealing in the ephemeral, we will walk into a space, four walls and a door, and we say words into the air, it’s much harder to see how those parts fit together or don’t. And it’s harder to be reflective. So, I think that’s the reason that online education has brought more emphasis to potential improvements, continuous improvements, and so I welcome it as a vehicle for a more thoughtful process in general. I love this elegant turn of phrase Caroline Boswell says she frames teaching as a student success intervention. Or as I put it, I’m one of those odd people who sees a connection between teaching and learning. And not everybody does.

Rebecca: You’re kind of queuing up our next question perfectly Kelvin. The final section of your book is really about student support. And our students are often distributed when we’re teaching online. So what are some of the biggest challenges in terms of supporting students that are in these online programs or online courses?

Kelvin: Yeah, I would welcome Leni’s and Safary’s viewpoint on this as well. But to me, I’ll keep it simple and say that the biggest challenge is the diversity of student profiles. The different backgrounds, the multifaceted demographics, and resource or not resource, or technological connection or not technological connection, that diversity makes it awfully hard to assure kind of an equitable experience for everyone. So that’s the gap that emerges, that student support is trying to offer… not to mention the diversity of approaches to design and development in the actual experience. But I’m curious what Leni and Safary would say to that.

Leni: I would go for the opposite, on the side of the teachers, I would say the greatest challenge in student support is personalizing your support. It’s related to your diversity. Almost every online student has her unique needs and contexts. So considering different personalities and backgrounds as well, you may be able to personalize your support. But in the name of efficiency, you’ll find yourself dehumanizing the process. What do I mean by this? Well, machines can never replace human touch. And human touch is what every online student needs.

Safary: If I may speak a little bit from experience I had in Kenya during the COVID-19, we migrated our classes to the online delivery. And I quickly realized that… and this was something that was going on in all of Africa, I know this because I was involved in different international association for online education all over the continent…. and so we were meeting and discussing some of these issues. The major challenges that were going on at that time, I don’t know about today, were dealing with infrastructure, because most universities that didn’t have online education platforms, or online education structural systems, so the technology was not in place. Many students there were not access because the internet was extremely slow, some were using loads of data to access the materials and they would run out. Some had issues with electricity. These are things we take for granted in the West. These are the not issues that we will discuss even in textbooks of online education, but they are real issues that cannot be ignored. And so that was a major challenge in supporting online students, because the infrastructure was not in place. And I think the issue is still the same. But more and more work is being done. I remember, for example, in Kenya, what the government did, they gave the free data access to all the faculty in the whole country, as long as it was used only for instructional purposes [LAUGHTER]. If you want to use it for something else, it wouldn’t work. I mean, that was quite creative, to try to help people to help education move forward, because everything was just stuck because of COVID-19.

John: Over the past year, we’ve seen a fairly explosive growth and use of generative AI large language models, including chat GPT, Claude, and a few others that have come out very recently. And that opens up a lot of interesting opportunities, but also some challenges for online education, particularly concerning the assessment of asynchronous learning. How do you see online education adapting in response to the widespread availability of tools like this, which will only become more powerful over the next few years?

Kelvin: It’s sort of the very definition and epitome of disruptive innovation or disruptive technology. And just to be clear about this, I don’t think it’s limited or focused on asynchronous online education, I think it’s everything. For me, it’s really an opportunity to address learning and assessment of learning much more meaningfully, and I’ll use one of Leni’s words, more personalized and relational. I think one of the things we’re seeing with the injection of these various forms of artificial intelligence into the learning setting is the value proposition of the human. And I think it was Cathy Davidson, years ago, from HASTAC said something like, “If we faculty can be replaced by a computer we should be.” That is, if all you’re offering is something that is easily rendered more efficient and scalable by a machine then, well, what are you doing it for? I think that the opportunity to really gauge learning, which is a very personal and a meaningful thing, we act like it’s something that’s kind of homogenized and industrialized, but learning… I don’t know what learning is, frankly, I can’t crack open a human and see what all is happening with the connections and making of meaning in all the background experiences. All I can do is get insight, but in dialogue, in the creation of artifacts I get a glimpse. If we’re product oriented, to the exclusion of the process, and to the exclusion of the human context, well, that can be certainly disrupted, maybe stolen by artificial intelligence in machines. But if we keep the emphasis on humans, on “Well, John, tell me about this…” that’s more meaningful. I learned a practice a long time ago from a faculty member that I studied under, where she adopted a practice of a learning summary. And in any course, again, that’s just one artifact, but it gives a glimpse into the articulation of what learning is really about. So I think we need to push the envelope in “What does authentic assessment mean? What does meaningful learning look like?” Now, that’s hard to do at scale. Are you going to have a personal oral defense with every student for every assignment, probably not. But if we see artifacts, and products, as breadcrumb trails leading to a destination of a more substantive dialogical process, well, then maybe that’s something. So I don’t think we know yet how this is going to play out. And I think your listeners are gonna find cold comfort from me in getting to an easy solution. But I think the future of responding to generative AI is to lean more into the human and the relational than less.

Rebecca: So we always end by asking what’s next?

Safary: Well, as far as this project is concerned, what is next really, we want to continue building a community of online higher education scholars, practitioners, so that this momentum that has been created by this book can continue, because this is one of the few maybe rare books that really have so much global contribution to online education. Many of the books that are written, they’re usually kind of regional to a specific region of the world. And so this is the first time we have a network of, I think, around 100 people who contributed to this, coming from many different countries. And I feel this has created synergy on the discussion of online education in a way that we should not let that go. So one of the things that we have been talking about is the possibility of holding a summit on online higher education in the next few months, once everybody has gotten a chance to hold a copy of this book, and to bring different experts together from different parts of the world, and try to address online education from different parts of the world, while addressing common issues such as assessment, which is one of the major controversial issues anywhere have been, everybody talks about the challenges of online assessments. So that’s things like this, and probably this artificial intelligence, which is a new thing, we may want to go deeper into that… we’re not able to dig too deep with that, although we addressed it in the book. But we didn’t go too deeply because it was still kind of new ChatGPT was just coming out when we were finishing the handbook. And so that is one of the things that we are looking into, there is another handbook in the making with SAGE that will focus specifically on instructional design in higher education. So that would be like an extension of this project. So we want to continue building on this work, because we consider it’s very important.

Leni: I’m really optimistic about the next steps on this because it’s like a seminal book that really got there’s a global perspective, as Safary says it’s not the same as the other online learning books. So we can also see a lot of developments coming up. And so I will say, this book is just step one, the next steps will really be coming up definitely, because the field is always growing. We have seen its growth, and it will still grow. And so there’s more to follow, I believe.

Rebecca: Well, thank you all for joining us. I know that our listeners will really enjoy the handbook and all that it has to offer.

John: Well, thank you, and it’s great talking to all of you and we’re looking forward to reading the book.

Safary: Thank you so much for the opportunity. Really appreciate that and wish everybody a wonderful reading experience.

Kelvin: Thanks for having us, Rebecca and John.

Leni: Thank you very much.

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John: If you’ve enjoyed this podcast, please subscribe and leave a review on iTunes or your favorite podcast service. To continue the conversation, join us on our Tea for Teaching Facebook page.

Rebecca: You can find show notes, transcripts and other materials on teaforteaching.com. Music by Michael Gary Brewer.

Ganesh: Editing assistance by Ganesh.

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313. Supporting Neurodiverse Students and Faculty

Many discussions of inclusive teaching practices ignore the role of neurodiversity in higher ed. In this episode, Liz Norell joins us to discuss strategies that faculty and institutions can use to create a welcoming environment for neurodivergent students and faculty. Liz is a political scientist and the Associate Director of Instructional Support at the University of Mississippi’s Center for Excellence in Teaching and Learning.

Show Notes

Transcript

John: Many discussions of inclusive teaching practices ignore the role of neurodiversity in higher ed. In this episode, we discuss strategies that faculty and institutions can use to create a welcoming environment for neurodivergent students and faculty.

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John: Thanks for joining us for Tea for Teaching, an informal discussion of innovative and effective practices in teaching and learning.

Rebecca: This podcast series is hosted by John Kane, an economist…

John: …and Rebecca Mushtare, a graphic designer…

Rebecca: …and features guests doing important research and advocacy work to make higher education more inclusive and supportive of all learners.

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John: Our guest today is Liz Norell. Liz is a political scientist and the Associate Director of Instructional Support at the University of Mississippi’s Center for Excellence in Teaching and Learning. Welcome back, Liz.

Liz: Thank you. I’m happy to be here.

Rebecca: Today’s teas are:… Liz, are you drinking tea?

Liz: I am not. I am drinking some vitamin water, tropical mango flavor.

Rebecca: So there’s some stuff mixed with water. That’s tea, right?

Liz: Yes, sure.

John: And I am drinking Prince of Wales tea today.

Rebecca: Oh, I like that one. John. Haven’t had that in a while. And I have Awake today. It’s Monday… [LAUGHTER] when we’re recording.

Liz: That feels fair.

John: But it’s getting really boring. [LAUGHTER]

Rebecca: I know. [LAUGHTER]

John: We’ve invited you here today to discuss issues related to neurodiversity in higher education. Before we start, though, could you define neurodiversity? And how is this different from neurodivergence?

Liz: Sure. So I think these two terms get kind of conflated with one another a lot. And so I tried to be really explicit in talking about neurodiversity versus neurodivergence. And there are a lot of different perspectives on these two terms, and some of the baggage that they carry with them. But when I think about neurodiversity, I just think about a diversity of brains. And so any group that has more than one person is going to be neurodiverse. We all have different brains. But neurodivergence is a brain that works differently than how we typically think of brains working. And there are lots of diagnoses that get put under the umbrella of neurodivergent. Some of the most common ones are autism, ADHD, there’s Tourette’s. There’s lots of other ones, dyslexia, dyspraxia, OCD sometimes gets lumped in there, bipolar disorder will get lumped in there. So neurodivergence is just a brain that works differently than the way we typically think of brains working.

Rebecca: If we’re thinking about college student populations, and I know that this is partially a guess, because we don’t actually know, but how many do we think are neurodivergent?

Liz: The estimates that I’ve seen have been around like one in six, maybe, but I think that it’s probably closer to 30, or 35%, honestly. I think a third is probably a reasonably good estimate. It’s a large number. And I will say that a lot of those students either may not know that they have some sort of neurodivergence, or they may not ever tell us that they have a neurodivergence and we’ll talk more about that a little bit later, I think.

John: What proportion of neurodivergent students have accommodations through campus disability services?

Liz: Who knows? If we don’t know the denominator, it’s hard to know what proportion of people would be registering with accommodations. But I think there are certainly a lot more students who are registering with disability services with an official diagnosis, but there are some barriers to that. And the first one is that it’s really expensive and time consuming to get a diagnosis. So I should say, and I should start pretty early in our conversation by saying that I recently went through the diagnosis process to get a diagnosis of autism at age 45. And it took me a year from reaching out until I had the diagnosis. And I was able to navigate that, because I have some experience interacting with medical teams. I had good insurance, but it still took me a year to get an appointment, and to get the diagnosis. And so there are a lot of students who may not have the tools or the time or the resources to go through that, even if they suspect it. And I went 44 years of my life without even suspecting that I might be neurodivergent. I think there are a lot of barriers to that. And then once you have the diagnosis, it can be very intimidating to disclose that, to go through the campus accommodation process takes so much time and advocacy. And that comes from a population that’s already taxed in terms of their bandwidth and their resources and their just ability to get these things done. So I don’t think that thinking about the numbers of people who seek accommodations is even close to representing the population of students who might have these conditions.

John: It would seem that there’s a bit of an equity issue here in that students from wealthier households, students from continuing generation households, are much more likely to have the resources to go through the process of having the need for accommodations being documented.

Liz: That’s right. And I think this gets into some of the language around neurodivergent versus the neurotypical. A lot of people who are neurodivergent, who have some sort of condition or way of thinking or way of operating have been socialized to think that there’s something wrong with them, this kind of medical model of disability, instead of the more like social model of this is a socially constructed difference. And so to seek out a diagnosis requires a kind of self containment, I think, to recognize that this is not something wrong with me. A lot of people who have a neurodivergent brain probably feel like they should be able to act like a neurotypical person. So they don’t want accommodations because they feel like that is somehow making them less than their neurotypical students. And it’s this medical model that has infused so much of our talk about disability, and especially pernicious here where we know that there are real struggles that students have when they have these neurodivergent brains, that we are just not accommodating well in the classroom.

Rebecca: I do want to mention at this juncture, that we do have an Episode 221 – Disability in Higher Education with Kat Macfarlane that really talks in detail about the accommodation process. And so that’s a really great place to learn more about that process in high detail that was kind of the subject of most of that episode. Most of our college faculty generally haven’t been trained to address issues of neurodiversity. Can you talk about some of the common challenges our neurodivergent students face in classrooms?

Liz: Yes. And it’s absolutely the case that we have not been trained in this. And I think also many of my faculty colleagues, past and present, have this idea that an accommodation is somehow like special treatment that’s making a class easier for students, when we should, John, as you mentioned, be thinking about this as an equity issue. So accommodations are meant to provide equal opportunity for success. And if you’re bringing some of these conditions into the classroom, you’re already operating at a deficit. So what are those? Well, it can be things like being really easily overloaded by sensory information. So we see this a lot with autism and ADHD, where, as someone who now understands herself to be autistic, I think about this phrase, “the lights are too loud,” like, it just feels very harsh. And when people are talking over each other, I get very flooded very quickly. This has been the case my whole life. If there are unfamiliar foods or drinks, that can be really overloading and so background noise, people who are close to each other, uncomfortable seating, these are all things that can show up in our classrooms that can cause someone with a neurodivergent brain to go into a kind of overload. And that, of course, reduces their ability to pay attention and to learn and to retain information. Unclear communication is a huge challenge for people with neurodivergent brains, because it’s often the case that there’s some sort of like inability to recognize sarcasm, or the ability to get some nonverbal communication. Oftentimes, people with neurodivergent brains will interpret everything very literally. And so they miss out on some of the nuance. And for me, it’s been this like obsession with choosing the just right word, because I need it to be precise. And I can get really fixated on that sometimes, in a way that feels very pedantic. But that is really just me very much trying to communicate clearly. When there’s unclear terminology–write professionally, or be collegial, or work well with others–like I don’t know what any of that means. I have no idea. And there’s an assumption that there’s some shared social norms that may not be as visible to people with a neurodivergent brain. There’s a lot of, of course, well documented social aspects to neurodivergence. So just like not really knowing how to work with others in an effective way, or feeling like that sense of, I’m different. I’m broken, I’m not as good as… that I mentioned earlier, can carry over into social dynamics. And then the last one that I think is really important for us to think about in terms of higher ed is executive function. So executive function is that ability to kind of be a taskmaster of your own attention and brain. And so things like prioritizing work, time management, how to take notes, how to make decisions, how to cope with the ups and downs of life, due dates, all of those things like managing systems is really hard when you have a neurodivergent brain. And we often assume that our students have those skills. And so we don’t scaffold them. We don’t help them. We don’t point them to resources, and that can be really hard. So those are just like four big clusters: sensory overload, communication, social interaction, and executive function.

John: How can faculty anticipate or design with neurodivergence in mind, particularly when many students with disabilities choose not to self identify?

Liz: Just being aware of these things that I’ve just mentioned, is hugely helpful. And I think the hard work is really just awareness. So for example, I have heard lots of my colleagues and myself at earlier points in my career, lament about students who are distracted by their cell phones or their laptops, who seemed to need to go to the bathroom three times during a 50-minute class, or who otherwise seemed to be just kind of like disconnected from class. We see that as a sign of disrespect and as of not paying attention. But a neurodivergent brain often really struggles to sit still and make visual contact with another person or object. And so it’s often the case that our neurodivergent students can learn better if they are doing something, the more physical, the better. So for some of my students, it’s things like knitting in class or coloring or doodling. This is actually not them disengaging or not paying attention. It’s them doing something that allows them to focus their attention on what you’re saying. So I like to think about performance of attention, what we often think of as paying attention. So if a neurodivergent student is going to perform attention, they’re probably not actually listening to anything you’re saying, because they’re using all of their brainpower to do the things that you think mean they’re paying attention. With that said, this sort of notion that we have to reorient our thinking about what students are doing and what that means in terms of their engagement with us, I think being really clear about scaffolding what tasks are needed, providing clear deadlines. So Karen Costa, who is just brilliant, talks a lot about ADHD, and she is a person with ADHD. And she talks about the need for more structure, not less, that flexibility can be useful, but you need a lot of structure. And for people with neurodivergent brains, it can be really helpful to have lots of small deadlines that are low stakes with some grace around them, but like clear structure is really important… messaging to students, like, here’s how you do this class. So if that’s working in a group that’s giving specific roles, and asking the students to decide who’s going to be the note taker, and who’s going to be the recorder, and who’s going to be the crazy idea person, and who’s going to be the let’s bring it back to the text person. So just kind of delineating some specific roles, communicating clearly and in multiple modalities. So especially if you’re doing a lot of audio lecturing, or giving up directions, making sure that those are also available in writing. So students can come back to them later when they know that you said something, but they don’t remember what. And then just being really aware of that sensory environment in which you’re learning. So if that’s in a physical classroom, thinking about ways to give students permission to make themselves comfortable, if that’s getting up and walking around a little bit, and just sort of saying, like, I know that that helps some of you concentrate, fine with me if you do that. Telling them that they can get up and leave the room for a couple of minutes if they need a break. If they want to bring in things to play with, color or fidget, create whatever, that’s fine too. A lot of my students like to just sit on the floor. I mean, that sounds like a disaster for me and my middle-aged body, but when you’re 18, it’s like easy to get up off the floor, and so if you want to sit on the floor, sit on the floor, it’s cool, if that helps you be more comfortable. So I think it’s awareness and then just messaging to students that they can do what they need to do. And I just want to say one more thing about this. And that is, even if you are not neurodivergent, even if you are what people define as neurotypical, you can talk about students you’ve had, people you know, friends, family members, colleagues, you know people who are neurodivergent, talk about some of the ways that they have given themselves permission to make their environments work for them. So that you’re messaging to students that you understand and that you support those kinds of self-advocacy efforts. So you don’t have to do all of that on the first day of school, [LAUGHTER], first day of class. It’s a lot, but I often include something on my syllabus that says you may have accommodations or you may not, but if there’s something that I can do to make this class easier for you to participate in meaningfully and be successful in, according to your own goals, then I will do it, as long as it’s something within my power to do. So. You don’t need formal accommodations to ask me to do something to help you.

Rebecca: One of the things that I heard you mention and often come up a lot in inclusive pedagogy and other spaces is the idea of scaffolding. Here, again, we have this assumption that everybody knows exactly what that is all the time. But part of that is really about helping students understand their priorities, perhaps within a class, and also how to manage their time related to certain kinds of tasks. Can you talk a little bit about that component of scaffolding and what that might actually look like in practice?

Liz: Yeah, it’s hard for me to tease that out without thinking about lots of other things too. Because, we, as faculty, are coming into the classroom with certain ideas about what should be important, and what students should want to do in order to be successful, whatever that means. And I have really had to learn over my teaching career to check myself on that, because my priorities are not the same as my students. I remember once I was grading a student’s final exam they had done, it was very, very early in my teaching career, I’m embarrassed to even say what they had done for their final, but it was it was multiple choice and I was grading it by hand, and I told them, they could just stick around. I would grade it real quick, and then give them their final grade, because I had done everything else before then. And I looked at the student who had come to class every day and had really meaningfully participated and said, “Your final grade as a C,” and I was so apologetic, like, “Oh my gosh, I’m sorry. “And this student was like, “YES! I PASSED!” And it was a real moment for me of just like saying, “Okay, you cannot put your own values and goals onto students, because that was literally the student’s dream–was to get a C and not have to take the class again,” I think when we’re talking about students, it’s really having that very frank conversation, like, some of you are here because you are being required to take this class, and I know it wasn’t your choice, and I’m going to try to make it as the least awful it can be for you. And I’m going to ask you to try to invest at least enough time to give it a fair shot. But I don’t expect that everybody has the same goals and so let’s take a moment and reflect on what success for you looks like. And then what do you need to do over the course of the next 15 weeks, or whatever it might be, in order to make that goal. And so we sort of assume that our students’ goals are to get a good grade and to move on to whatever the next thing is. But maybe it’s not, maybe they’re just taking the class for fun, maybe they don’t care about the grade. Maybe they’re an adult learner who has a curiosity about something. After I graduated undergrad, I took an ethics class online–this was like 2001 or 2002 maybe, so it was very early days of online teaching and learning. And I took it through the community college just because I had never taken it, and I thought it might be interesting. It really wasn’t interesting for me. So I just like stopped paying attention. But I did not consider that a failure. Like I got a little bit of information. I also took a macroeconomics class, because I had never taken a macro class; I had taken micro. And it was all online, and I did all the work, but I didn’t turn in any assignments because I just didn’t care about those. I just wanted to learn it. So, I think having these conversations can be really helpful in students figuring out what it is that they want to get out of a class

John: Going to that point you made about structure. This is something we’re seeing an awful lot… certainly in the work on inclusive teaching, in Viji Sathy and Kelly Hogan’s book, as well as the work of Mary-Ann Winkelmes on transparency and learning and teaching. There seems to be a convergence that by providing students with structure and support, it can do a lot, it can benefit pretty much all students. In past discussions, when we spoke to those authors, much of the focus was on the benefits to first-gen students and to students who were historically minoritized. But it’s kind of nice to know that the same inclusive teaching strategies also addresses issues of neurodivergence.

Liz: I had an experience at my last job, where I just kept asking my dean, “Give me a set of rules and I will follow them.” And she would say, “Well, just use your best professional judgment.” And I don’t know what that means. I think people with certain kinds of neurodivergence just want you to tell them what to do and they will do it. Give me a set of very clear expectations, and I will meet them and this can work for everyone… just like clarity. And it doesn’t have to be punitive. I’m very fond of Cate Denial’s Pedagogy of Kindness. And this notion that like it should be kind, which can be as Sarah Rose Cavanagh says like a warm demander. I want you to have expectations of me, I want to know that you care about me. But just be really clear, because clarity is kind. And yes, it helps with all of those things. So the first generation students, the historically minoritized, the neurodivergent, lots of different kinds of people are benefited by this. And even the third generation middle class neurotypical student, also [LAUGHTER] benefits from clarity.

Rebecca: Imagine that, not spending all of our cognitive energy trying to figure out what people want.

Liz: Exactly. {LAUGHTER]

Rebecca: What are some of the challenges that neurodivergent faculty face in their careers? We’ve talked a lot about students, but we also know that faculty also exist.

Liz: We do. And we’re not all like cut from the same cookie cutter. I can tell you, just from my own experiences, that higher ed can be really hostile to those who are neurodivergent. I’ve had really great experiences, and I’ve had some really challenging ones. I think that it’s helpful when we’re aware of these things for students, because we often have the most power over their educational experience. But we also share power with our colleagues. And so knowing what some of these things are can help us understand the behaviors of our colleagues that we might have been inclined to read as subversive, or unprofessional, or lacking in collegiality. Those words get used a lot, for a lot of different kinds of identities and traits. Neurodivergence is certainly one of them. So as a woman who’s neurodivergent, that intersectionality means that I’m always on the lookout for that kind of language of like unprofessional and not collegial and you’re being difficult in some way. Well, or maybe I just don’t understand what it is that you’re asking of me. I also think we need to be really careful when we think about this idea of fit. So especially in hiring, we are looking for someone who will fit. But fit often means like me. And it can be very exclusionary to people who have some sort of neurodivergence, because they may not act the way that you do. But that’s actually a strength, I think. When you look at the different kinds of neurodivergent conditions, ADHD brains are so good at hyperfocus. They just don’t always do a good job of like, understanding time, right, there’s a kind of time blindness. But they’re so good at that. And autistic brains are so excited about the things that they’re excited about. And that energy is so captivating. And so these are not weaknesses, these are strengths that can really help us appreciate things in our work that we wouldn’t if we didn’t have those around. So when thinking about working with colleagues, all of the things that I said before, sensory overwhelm, communication, social interactions, and kind of executive function, we should be thinking about those things with our colleagues as well. So when I design a workshop, for example, in our Center for Excellence in Teaching and Learning, I’m thinking about, “Okay, how do I create a space where the chairs could be moved away from the rest of the group so that people can have a little bit of space and kind of get away from that? Can I dim the lights a little? Can I ask, make sure everybody’s using a microphone, but also let people know that if they want to put in their loop earplugs, as I do, you can do that to kind of limit some background noise. Can I make sure that everything I say is also written down somewhere so that people have something to refer to later? Can I talk about my own experiences in a way that normalizes other people doing the same?” All of those things can be used to make the environment more inviting for our colleagues. The last thing I want to say is that it is so exhausting, as a person with a disability of any kind to constantly having to advocating for yourself. So the more that non-disabled people can lend their support and their voices to advocating for easier pathways to accessibility, the less you’re taxing your disabled colleagues. So thinking about what can I do, that if I did it, would make it easier for a disabled colleague to come behind me and ask for the same?

John: Near the end of the summer you posted on the social media site formerly known as Twitter, something about a podcast and puzzles set of workshops. Have you started that? And could you talk a little bit about that?

Liz: Yes, so I’m really excited about this. And a lot of people who are not at the University of Mississippi are also excited about it. And I’m just trying to get the people on campus excited about it. So the idea here is that, and this was specifically created as a neurodivergent-friendly space. So faculty and staff can come to our center for an hour every other week. So this Wednesday will be our next one. And we play a pedagogy podcast. So we played an episode of this podcast, and we do a puzzle or some other kind of individual or parallel play is what it’s called. So I’m working on a puzzle. It’s in the next room, and I’m not done with it. And it’s driving me crazy, because I don’t like unfinished puzzles. But I have committed to not working on it, except when everybody else is here. But it’s a Funko Pop puzzle of Ted Lasso, so it’s really fun. And we’ve had two of these now, and it’s a small but mighty group who are into this, but the lights are low, it’s indirect, diffuse lighting, there’s lots of different kinds of seating, and one person comes and colors, a couple of people have come and done puzzles. But the idea is that it’s just a way to get together in a social space without the social expectation of small talk. So you can just come and show up and listen to a podcast and leave. If you want to stay and talk you can, you don’t have to, I am hoping that this becomes a movement of podcasts and puzzles. And I’m going to stick with it as long as it takes for me to make it so here, but we have probably like five or six people who have come to one of them. And I hope many more who will as it continues to spread. It’s kind of hard to describe in a website or an email, but I think once people come they see the brilliance of this… I say with all possible modesty. [LAUGHTER]

John: Have people actually finished a puzzle during the course of one of these meetings?

Liz: This Wednesday will be our third meeting. So I think the Funko Pop Ted Lasso crossover puzzle will finish this week, I hope. It’s going to drive me absolutely batty if it doesn’t, and then we’ll move on to another one.

Rebecca: That sounds like a lot of fun.

Liz: It is. And it’s a good way to kind of model why I think so many of our neurodivergent students would really thrive at a kind of way of learning that’s very different than what we’re used to in higher ed. And that’s probably why it’s hard for people to imagine why we’re doing this or what it looks like. But we have writing groups where people come into our room and do their own writing. And just that body doubling of having someone else there, while I’m trying to do something is enormously helpful. And so in this case, like I took two things that I love, that I never make time for because I feel guilty about all the other things I should be doing. So puzzles and listening to podcasts about teaching, and I just put them together. And I hope that more people will see ways to create these spaces that are perhaps a bit unconventional to higher ed. But that can open our imagination to the ways that we can model learning in different ways than the more traditional models that we’re used to seeing.

Rebecca: I like the analogy with the writing group, in that it’s really holding people accountable to do a particular thing, which is to attend to teaching in a different way, by listening to a podcast as opposed to a different kind of workshop or something and allowing them to do something with their hands.

Liz: I also have this very large bucket of fidget toys that I take to every workshop. And I say just borrow a fidget and just play with it and see how that changes your experience of the workshop. And if you find it to be soothing, imagine what normalizing this in your classes might do for your students. So my colleague who’s just a couple of doors down I have one of these little like pop balls that make like these really satisfying noises. And the first time I brought this to a workshop, she said, “Is that the sound I’ve been hearing?” I just play with it all the time.

John: Do you have any other advice for faculty and campuses who wish to better address neurodiversity?

Liz: There’s this phrase in the autism world and the disability world and I’ve been hearing it more and more and it is, “Nothing for us, without us.” And so I can tell you my perspective as someone who is neurodivergent, there’s so much expertise on your campus, and you should talk to those people. So that might be in the disabilities support services area. It might be students in your class, but just like have these conversations and find out, what can I do from my position, whatever it might be, that can make this place more welcoming to people who are neurodivergent? And I think when you’re asking that question, just like with anything else that we might be doing, then people are going to assume good intent. And they’re also going to be much more forgiving, if you make a stumble of some kind, whatever that might be. I don’t know. And so just talk to people, ask them. I feel like this is the most obvious advice that we give as faculty developers, but it’s ask your students, just ask them, they just want to be asked. And so if I was to give any advice that would be that just ask your students: “What can I do that would make this easier for you?”

Rebecca: I know, one thing that we talk a lot about on our campus is that access is really the doorway to belonging. If you don’t have access…

Liz: Yes.

Rebecca: …you’re not going to feel like you belong.

Liz: Just to know that someone is thinking about what you might need is enough to make them feel like they’re included, and that you’re listening when they tell you what they need, would be helpful.

Rebecca: So we always wrap up by asking: “What’s next?”

Liz: I have so many writing projects that I’m just sort of getting started with. So I just recently finished a manuscript on my book, The Present Professor, that I mentioned the last time we talked. And so that’s going through the publishing process and will eventually go out in the world, I assume, knock on wood. So I’m filling my time while I wait for progress there on, it seems like, about a dozen other writing projects, all of which are just kind of me thinking. I’ve been really interested lately in talking about the role of learning outcomes, and what we decide rises to the importance of a learning outcome. And if I may say this one controversial thing that I just keep saying to everyone I know, I don’t think you as a student should be able to fail a class for doing something or failing to do something that is not a learning outcome of the course. So if turning in something two days late means that I fail the assignment, then shouldn’t that be a learning outcome, timeliness? I don’t know. It just feels to me like, if we’re going to assess learning, then we should be assessing learning, and not all the other things that are performance of learning. So I’ve been thinking a lot about that and a whole bunch of other things. That’s what’s next, something, many things.

John: We had a similar conversation with Kevin Gannon, not too long ago who talked about…

Liz: …performative hardassery…

John: That was the technical term…

Rebecca: [LAUGHING]

John: …but it was…

Liz: Yes

John: …in terms of rigor, who distinguished between cognitive rigor and logistical rigor.

John: Well, thank you. It’s great talking to you and we look forward to more conversations in the future. And when your book gets closer to coming out, we’d be very happy to have you back on to talk about that as well as any other topic that comes up in between now and then.

Liz: Absolutely. I so appreciate the work you guys do, and I’m grateful and honored to be a part of it.

Rebecca: It was great talking to you. Thank you

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John: If you’ve enjoyed this podcast, please subscribe and leave a review on iTunes or your favorite podcast service. To continue the conversation, join us on our Tea for Teaching Facebook page.

Rebecca: You can find show notes, transcripts and other materials on teaforteaching.com. Music by Michael Gary Brewer.

Ganesh: Editing assistance by Ganesh.

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312. Alice: Finding Wonderland

Many of our disciplines are unfamiliar to students until their first encounter in an introductory course. In this episode, Rameen Mohammadi joins us to discuss his first-year course that introduces students to computer science using an approachable hands-on experience.

Show Notes

Transcript

John: Many of our disciplines are unfamiliar to students until their first encounter in an introductory course. In this episode, we look at a first-year course that introduces students to computer science using an approachable hands-on experience.

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John: Thanks for joining us for Tea for Teaching, an informal discussion of innovative and effective practices in teaching and learning.

Rebecca: This podcast series is hosted by John Kane, an economist…

John: …and Rebecca Mushtare, a graphic designer…

Rebecca: …and features guests doing important research and advocacy work to make higher education more inclusive and supportive of all learners.

[MUSIC]

Rebecca: Our guest today is Rameen Mohammadi. Rameen is the Associate Provost at SUNY Oswego and an Associate Professor of Computer Science. Welcome, Rameen.

Rameen: Thank you. Thank you both.

John: It’s good to have you here. Today, for the first time ever, we’re all drinking the same tea, which is Chimps tea, a black tea with honey flavor, fig, and thyme. And this is a gift from one of our listeners. Miriam in France. Thank you, Myriam.

Rebecca: Yeah, so far. It’s really tasty.

Rameen: Yeah, really excellent tea. We love it.

Rebecca: So we invited you here today, Rameen, to discuss your First-Year Seminar course that combines animation and storytelling using the Alice 3 programming environment. Before we discuss that, though, could you provide an overview of the goal of first-year seminar courses at Oswego?

Rameen: This is not a standard first-year seminar. First-year seminar courses are designed to extend orientation, familiarize students with resources, and things like that. Our perspective about this type of course, which we call signature courses at SUNY Oswego, is that you are welcoming students to the intellectual community that we have. So as first-year students we desire a number of outcomes to be met by these courses, one of them is critical thinking, they have to have a significant critical thinking component. Also, these courses need to have both writing and oral communication embedded in them. And one of my favorites is that they have to enhance the cultural competency of our students, we’re a very diverse student body, there’s quite a bit of opportunity to make sure students experience other perspectives. And I think courses of this type really need to address that. Our provost, Scott Furlong, brought the idea to us even during his interview at SUNY Oswego, about what they had called, at his previous institution, passion courses. Now, as I said, we call them signature courses here. But those of us who love our discipline certainly can understand when somebody uses the term passion. So what makes you excited about your discipline? That’s what the course should help students experience.

John: So, you’re using the Alice 3 programming environment. Could you talk a little bit about the types of things that students are going to be doing in the class?

Rameen: So Alice 3 is a VR programming environment. So what you do is you build a scene, you can bring avatars of various types, could be people, could be aliens, could be dogs, into a scene, and you have props, trees, mountains, buildings, that you could bring into a scene, and then you learn to program something. So they can talk to each other, they can move from point A to point B. And it actually turns out, they’re able to, and they will be, writing reactive programming, which typically is what we do when we design games. So the user acts in some way, and then you program the reaction in the VR world in that context, or things run into each other. And obviously, when you’re designing games cars, or other things may run into each other, and you have the ability to detect that and actually act on that. But at this point, they are already running about a month ahead of where I thought they could be in just about a month of the semester. So I’m really hoping we can get that far.

Rebecca: Can you talk a little bit about why you chose the Alice platform, and what you were really hoping to foster with students.

Rameen: So, just a bit of background about Alice, Alice is supported by researchers in Carnegie Mellon. I think Randy Paudsch, when he was at University of Virginia, is really the person that began the innovation with Alice. And he thern moved to Carnegie Mellon. Many people in computer science would know who he is because of his work in VR, but what he should universally be known for is The Last Lecture, which is a pretty amazing hour plus lecture he gave before he died from cancer. But that group has been working on Alice for a very, very long time, and of course, has had new actors along the way. Don Slater is one of the people that has been part of that group for a long time, and he’s very much involved and was at the time when I met him very much involved in advanced placement. And that’s something I’ve been involved in for a long time, advanced placement for computer science. So one of the things we do in AP readings, we have people do professional development activities, and he gave a talk about Alice and this is a long time ago. But when I first listened to him talk about it, and he showed the features of the system, I really didn’t have a place for it in anything I taught at the time. So it has been brewing in the back of my head as a thing to build a course around for a long time, but really couldn’t have done it until the opportunity came along to build a signature course.

John: For those students who do go on to computer science. It seems like a really nice way of introducing the concept of object oriented programming. Does it work in that way?

Rameen: So the thing to understand about object orientation is that most of us who are software engineers by discipline, database types, we are very comfortable thinking of a student information being an object and the fact that we have a container of student objects and so on. But it turns out that’s not necessarily as comfortable for students as it is for those of us who do this for a living. But when you say, here’s an avatar, and you put this on the screen, and you could tell it to go from point A to point B, that seems like a very natural idea to students, and the fact that this particular avatar, so suppose it’s a bird, has wings, and opposed to a person who has legs, you don’t have to explain that. It’s a concept as inherent in being a human being and 18,19 years old. So some aspects of object orientation that often is difficult for students that are really obvious in this context. So any object like an avatar of a person, dog, cat, whatever, they can all be moved from point A to point B. So they share a set of expectations and attributes. They have a location in a 3D world, and you can move them from A to B, piece of cake, they understand. But then you say, “Well, this one is a bird, it has wings.” So the fact that you can spread the wings or fold the wings would be a characteristic that exists only because of it’s a bird. So inheritance, which is a concept that we like to teach in computer science is just built into the way the system behaves. And no student will say, “Well, what do you mean, a bird can spread this way or fold its wing.” People just naturally know what it all means. And believe me, it’s not always natural, in some of the other things we try to do with students to teach these topics. So it does lend itself extremely well, in understanding that objects have attributes, they have functionality, and it’s all there on the screen, and they can see it.

Rebecca: I think Alice is really nice, because it is so visual. And so you get those immediate, “I can see the thing I did,” whereas I remember when I started learning some code, I was building a database for car parts, and it was completely abstract. And I cared nothing about car parts.

Rameen: Yeah.

Rebecca: So it didn’t make it that accessible to me.

Rameen: It’s not, exactly, then the other aspect of it that I think we need to think about, about the platform, is that you don’t write a single line of code, you generate 1000s and 1000s of lines of code, but you don’t write any. So if you have a particular avatar as the object that you’re processing at the time, in building your code on the screen, you could just drag and drop functionality it has into your code. If you need to loop and repeat steps, you drop a loop into your code and then put the steps you want to repeat inside that loop. So all the typical barriers a student had with syntax or various languages, whether it was Java, Python, C++ kind of wash away, because you don’t really have to know syntax at all you, need to know “what are you trying to do?” and what will enable you to do it, and then you can execute that. So far, clearly, that’s not a problem for them. Here is the screen, this part of it is dedicated to X, that part of it is dedicated to Y and they’ve been able to handle it probably from week one. So all the standard things that tend to take a long time, don’t take any time. And besides doing 3D graphics, if you are a computer science person, in my mind, is super senior level type of activity. You got to teach them an awful lot about data structures and other event handling elements that they must learn because that is what we all had to learn. But guess what, you can learn it with Alice in short order. And this is the course is proving that you can.

John: Now one of the challenges that I could imagine you might have as that students come in with different levels of prior knowledge or interest or engagement with computer science. Some students may have not written a single line of code in any language, while others may also be taking other CS courses at the same time, or have some prior programming experience. How do you address the differences in background?

Rameen: So my sample case here is small, I only have 17 students, but this is not a computer science required course. So this is one that has art students in it, it has biology students, and and it does have a few computer science students and then maybe this one with an AP computer science background from high school, and none of them are doing any better than these other kids. So I guess the point is, it levels the playing field in a pretty significant way. If you can think a thought you can probably write code in Alice. And I’m finding it quite interesting, since I’m not preparing them for another course… not only this course doesn’t have a prerequisite, it’s not a prerequisite for anything else. So the way I designed the course going into it, I went into it with thinking, okay, so if storytelling and writing a really cool story within groups is the best I can get out of them, great. If I can get them to a point where they can write new functionality for objects, and I can help them write reactive programming so they react to the mouse click or collisions of objects and so on, maybe I’m dreaming, but that would be fantastic. At this point, I’m pretty certain I can get him there without other stuff. But that was kind of the key coming into the course, I walked in with a mindset of being flexible, that if they are struggling, I’m not going to keep pushing it like I would typically do in a CS course, which is partly why you would also lose students, but at least in my experience with these kids, and I can’t say until I teach it again (and hopefully I can) whether it will be the way it works is that you show them how to do something, and then they go to work, and they start doing it and then they make mistakes, and we all do, and then you give them a little bit of a hint about potentially maybe a different technique they could have used to accomplish the same task. I’m just going to give you an example. So you want the bird to go from point A to point B, so it’s on the ground, needs to go up on top of the tree. So Alice lets you put a marker where you want it to go on the tree, because you can’t go to the tree, you’re going on a branch of a tree. So you need to know how to put a marker there. So you put a marker there. And then it just goes from point A to point B, it goes from the ground to the top of the tree, then you say “Wait a minute, that’s really not the way birds fly.” So now you got to figure out, well, how am I going to flap his wings to go from point A to point B, to go from the ground to the branch on that tree? So it turns out and I’ve come up with a solution to this myself, obviously, you can’t really teach these things if you haven’t thought about how you could possibly solve them. And one of my students, after like three weeks of instruction, she figured out how to do what we call in Alice a “do together.” So as it’s moving from point A to point B, the step that is happening at the same time is the flapping event of spreading and folding the bird’s wing and she made it very clear that the bird was flying [LAUGHTER] from the ground to the tree with no interruption. Then we need to talk about well, do they really need their legs hanging out as they’re flying? I don’t know much about birds, but I think they fold their legs back. So now we have to learn how to address some kind of a functionality that is about a part of the body of the bird. So this is the way the learning is happening in the course, kind of naturally, you’re trying to make a realistic action on the screen in the animation. Well, how are we going to do that? Well, we have to now address the joints like the hip joint or the knee joint or the ankle joint to make that much more natural in the way it works. And there’s no persuasion here, the student is trying to make an interesting thing. And then I’m there to help them figure out how do you make that much more realistic.

Rebecca: What I really love about these courses, and in what you’re describing with Alice, as someone who’s also taught code to students, particularly ones that are not in computer science, is that they’re thinking like a computer scientist, and you’re really getting them completely within the discipline, you’re hooking them right in because they’re leading with their curiosity. They’re not satisfied with the way something looks, so they’re digging in and digging in and digging in. And unlike our traditional way of structuring curriculum, where we think this is the foundational information, and this is the next thing we build on, it almost turns it totally on its head [LAUGHTER], and does it like backwards from what we traditionally do. And it’s really fun.

Rameen: Well, I think the students are at the center of that type of a decision, that for years, you see human beings that probably could do this kind of work, but shortly after they try and they get errors after errors after errors, they say, “Hey, listen, this is great that there are geeks like you would like to do this kind of thing. It’s not for me,” and they walk away from the discipline, even though they could have had great contributions in computer science. So for me if some of these concepts are introduced this way, where syntax and semantics, which is typically what slows people down when they first begin, even the systems we use… like how do you type your program? And how do you run your program? …there’s a whole bunch of instruction around how do you do anything. You just go to alice.org, you download Alice 3, but once you do, it’s here you go, you click here, and then you set up your scene; you click here, you begin writing code. Well, how you write code? Well, the object is on the left side, you drag the command from the left to the right, how far do you want it to go? Well, you gotta choose a certain distance that it needs to travel… really, really easy for students to take to right away. And I just had no idea what I should expect. You watch a lot of YouTube videos. I mean, I certainly do when I was preparing this course, of all these different people, young and old, building things and being proud of what they had built. And I thought, if I could bring that to a course for our first-year students, that would be really, really awesome. And I think that’s what has happened.

John: You mentioned that the students are able to interact. Are they all in one virtual shared space for the class? Or do they have to invite the other students into the spaces that they’ve developed?

Rameen: So this is a really good question, John. So when I imagined how the course was going to work, I had to think of a number of things. One, I asked our technology people to install Alice on all lab computers because I can’t assume or assert that every single student that will take a course like this will necessarily have the equipment that could enable them to run it. Even the Mac kids who had trouble at first installing the thing, and I needed people to help them to get it installed, even they could continue to work because we had the software on our machines. The type of collaboration that I advocate for in class is a little untraditional. At least I think you could argue that it may be. So like the other day, I gave them a 10-question quiz. So they answer the 10-question quiz. And then I said, “Find a couple of other people and persuade them why your answers are correct and their answer is wrong.” So now the whole room starts talking about the quiz. I don’t know if they’ve ever had an experience where somebody says, “This is not cheating, what I’m asking you to do.” Who gives a quiz that says, talk to everybody else to see what they answered for the quiz.

REBECCA; John does. [LAUGHTER]

Rameen: And that’s not surprising, but in my mind, is it about the learning process? Or is it about assessing or giving a grade? This is a very low-stake experience. So why exactly would I care if you talk to someone else about it? So why not persuade someone else that your answer is right? That’s a very different tactic than to say, “Do you know the answer? And are you right or wrong?” Persuading someone requires talking to them, requires thinking for yourself, first of all. Well, why is this answer right? And then opposite of that, you hear the explanation. Are you persuaded that what they said is accurate? Or do you think they’re wrong? In which case now you’re giving them back a different perspective, and then they change their answer. And of course, you could change your answer for the wrong reason. That’s just one example. I really want them to collaborate and work with each other. And every time somebody does something interesting, like the young woman who built the code that I had not been able to myself, having the birds fly from point A to point B, looking very natural. I had her come to the front of the room, plug in with a connector that is in the room and show everybody how she wrote her code. And we’ve done that at least a dozen times so far, where people just come up, plug their computer and show everybody their code. So we often are worried about students cheating and using other people’s work. And if it is about collaborative learning, then you really have to cultivate the idea that, you know, that was a really good idea, maybe I can do that. And I think hopefully, the course will continue to behave that way where I’m confident everybody’s learning from it. That’s the concern that I’m the only one who knows something, whoever I am as a student, and everybody’s just copying me or whatever. That is not my experience so far in this course. They’re just trying to do it better, and if you have a better idea, maybe I can take that and move with it. Then maybe I’ll make it a better idea. And you see that also with students. One of them figures out how to make somebody walk more naturally, and then the other one even enhances that, even makes it even more realistic in the way you would walk. And that’s kind of what I like to see happen and is actually happening.

Rebecca: So how are students responding? Are you cultivating a whole new crop of computer scientists?

Rameen: So, this is an interesting question. I am wondering, those who are not computer science students, whether or not they decide that this may be something for them. But I’m also… with Rebecca here, is good to bring this up… they might become interested in interaction design as a discipline to pursue and become passionate about. Those of us who do this kind of work for a living and have done it for 40 years or whatever, the engagement aspect is the critical aspect. If they are really invested in the learning process, they can overcome an awful lot of barriers, that frankly, I cannot persuade you to put the time in, if you’re persuaded that you could do something a little bit better, then I’m done. As a teacher, I’ve set up the environment in the way it should be where you are driving the learning process yourself as a student, and they look like that’s what you’re doing at this point. And we’re only within a month into the course and they are behaving that way. Now whether or not they will continue to take more computer science courses, and get a degree in computer science. I’m not really sure, but, hopefully, if they do interaction design, there’ll be better interaction design students, because some of the structures that they have to learn here would definitely benefit them in that curriculum too.

Rebecca: Yeah. When can I come recruit?

Rameen: Anytime. I’ve already had Office of Learning Services. That was one of the things I wanted to point out, that I’ve had Office of Learning Services, they came and they talked about the learning process. And besides what they have done for me and talking about the learning process, and it’s all research-based discussions, which is really critical for students to hear things that actually do work, and we can prove they can work. I talk about the learning process on a regular basis with them. And I’m very interested in them understanding why we’re doing anything that we’re doing. I mean, they may be used to somebody standing in front of them talking for an hour and I just don’t do that. I may talk for 10 minutes and then have them work on stuff and then as we see gaps in what they understand then I talk for 10 more minutes, maybe. I try not to talk a whole lot. I want them to be working. So the time I’ve spent is on building what they are supposed to do to learn, not so much talking to them on a regular basis during the 55 minutes that the class goes on. Unfortunately, I’m not quite sure that that’s the experience they’ll have in other courses that they take, because to me, there is a freedom embedded in the way the course is designed that is hard to replicate if you have to cover from A to Z of some topic. You get to “H” and people are having trouble, well, you just keep going. Well, I don’t if everybody has the luxury to say, well, maybe we need to pause longer because we can’t get past this point. I mean, what’s the point? We get past this point, you’ll never catch up to where the end is. So I am hoping some of them will decide to be CS majors as a result, but I’m more interested in seeing how they will do if they take more CS courses. I mean, if they take a CS 1 course, are they going to do better than a typical person taking a CS 1 course if they move on and take data structures and other courses we require? Will it come to them easier? I think it’s a really interesting question. And I think there’s a lot of research that advocates for the fact that they will do better, but I like to see it firsthand.

John: One of the things I believe was mentioned in the title of the course was storytelling, what types of storytelling takes place in the class? Is it the design of the scenes or is there some other type of communication going on?

Rameen: So the way you do animation, in general… and I probably should back up and say I spent about an ungodly amount of hours trying to learn how to do this, but I went about it backwards because I went after event-driven programming and interesting things that I knew Alice could do to write games. But then you step back from it and say, well, students can’t start there. I mean, that’s just not a good place. So then you look at the alice.org website, which gives you tremendous amount of resources and say, “Oh, designing scenes happens to be the first thing they teach you to do. Oh, maybe I should learn how to design a scene.” So you put the pieces that you want in your story on the screen, and if you don’t want them to appear, you could make them invisible. But the way Alice works, you have to put all the components in on the front end. It’s a little different than the way we do object-oriented programming. When we do object-oriented programming, you create things when you need them, you don’t think about setting up the scene on the front end. So that took a little getting used to, but that’s what you do. And then the characters you put on the screen can move, they can talk, they can fly, they can do whatever you need them to do. And my biggest interest was storytelling, when I was conceiving of the course was that I really want students, especially those from other cultures, other backgrounds, to tell their story, find a way to tell their story. And this is probably going to be starting as a group project for my students in a few weeks. And we’ll see how that actually goes. And obviously it has to have a beginning and middle and an end for it to be an actual story. But I’m just excited to see what they will actually decide to do and how they actually do it. Along the way, though, they’re going to need some tools. And that’s kind of what my contribution will be in making sure that they can tell the story the way they want.

John: It sounds as if developing this course required you to learn quite a few new things that were outside your normal teaching experiences. Do you have any advice for faculty who are working on the development of similar courses?

Rameen: So for those out there who teach for a living, the opportunity to build something from the ground up, especially something that frankly, when I first thought of it, I thought it’d be a lot easier than it turned out, because there was so much that I didn’t know how to do, but when you don’t know something you don’t necessarily know that you don’t know something. People who were doing it and I was watching them do it made it look very easy to me. But once I began to do it, I discovered how much work there was to come to a point that actually orchestrates a course, I mean something that is meaningful, and has a clear direction to it. So if you have that opportunity, even after 40 years of teaching, to start over in some ways and build something that you feel not particularly comfortable about, I really highly recommend people do that. Because that is what your students are experiencing every single day when they are trying to learn this stuff that you know so well. So having a little bit of a taste of what it takes to learn something you know very little about, I think is critical. So my message to the faculty who are listening, is that if that opportunity arises, by all means, take it.,

Rebecca: You certainly get a lot more empathy for what it feels like to not be an expert, when you’re learning something brand new again.

Rameen: Well, that’s the thing about most of the things we do. I’ve been programming for 50 years. So it’s one of those things where you’re completely in tune with the idea of: understand the problem, solve the problem, whatever. But where should the camera be in a 3D world in order for it to point at the person talking just the right way? I had to figure that out. It didn’t come naturally to me. The first bunch of programs I wrote the camera was always in the same spot and then I began learning that “Oh I have control over where this camera goes. [LAUGHTER] So maybe it needs to be somewhere else when this person is talking versus this other one.” That’s been a lot of fun to get a sensibility back into the system here that this stuff is not as obvious as it may seem.

John: We always end with the question: “What’s next?”

Rameen: So I certainly would like to teach the course more, and I also want to do some presentations with the faculty in computer science, and if there is interest in graphic design faculty to do some for them, too, because I think the platform is extremely powerful. It doesn’t cost anything, the resources that exist have been getting developed for a very long time and they’re pretty mature. And again, back to no cost. We all know how much books cost. You really don’t need one, you just use the exercises that they give you at the Carnegie Mellon site for Alice and go with it. So I really want to advocate for faculty to consider using it beyond just this first-year signature course.

John: Well, thank you. This sounds like a really interesting project that can really engage students.

Rebecca: Yeah, it sounds like a lot of fun. I can’t wait to come visit.

Rameen: Yeah. Thank you both. Really, this was fun. Thanks for the tea also.

John: Well, we have Myriam to thank for that.

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John: If you’ve enjoyed this podcast, please subscribe and leave a review on iTunes or your favorite podcast service. To continue the conversation, join us on our Tea for Teaching Facebook page.

Rebecca: You can find show notes, transcripts and other materials on teaforteaching.com. Music by Michael Gary Brewer.

Ganesh: Editing assistance by Ganesh.

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308. Design for Learning

We tend to design courses for ourselves because we are the audience we know best. In this episode Jenae Cohn joins us to explore how user-experience design principles can help us create effective and engaging learning experiences for the students we have right now. Jenae is the Executive Director of the Center for Teaching and Learning at the University of California at Berkeley. She is the author of Skim, Dive, and Surface: Teaching Digital Reading. Her newest book, co-authored with Michael Greer, is Design for Learning: User Experience in Online Teaching and Learning.

Show Notes

  • Cohn, J. (2021). Skim, dive, surface: Teaching digital reading. West Virginia University Press.
  • Cohn, J., & Greer, M. (2023). Design for learning: User Experience in Online Teaching and Learning. Rosenfeld Media
  • Global Society of Online Literacy Educators
  • Horton, S., & Quesenbery, W. (2014). A web for everyone: Designing accessible user experiences. Rosenfeld Media.
  • Web Accessibility Guidelines
  • Copies of Design for Learning may be ordered at the Rosenfeld Media website. The discount code for listeners is TEA20. It’ll be available on Wednesday, 9/27 and will give listeners access to 20% off the book for one month (i.e. 30 days).

Transcript

John: We tend to design courses for ourselves because we are the audience we know best. In this episode we explore how user-experience design principles can help us create effective and engaging learning experiences for the students we have right now.

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John: Thanks for joining us for Tea for Teaching, an informal discussion of innovative and effective practices in teaching and learning.

Rebecca: This podcast series is hosted by John Kane, an economist…

John: …and Rebecca Mushtare, a graphic designer…

Rebecca: …and features guests doing important research and advocacy work to make higher education more inclusive and supportive of all learners.

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Rebecca: Our guest today is Jenae Cohn. Jenae is the Executive Director of the Center for Teaching and Learning at the University of California at Berkeley. She is the author of Skim, Dive, and Surface: Teaching Digital Reading. Her newest book, co-authored with Michael Greer, is Design for Learning: User Experience in Online Teaching and Learning. Welcome back, Janae.

Jenae: Thank you. I’m so glad to be back.

John: It’s good to see you again.

Jenae: …Good to see you, too.

John: Today’s teas are… Jenae, are you drinking any tea?

Jenae: I sure am. I’m always prepared to drink tea. Especially when I’m talking to the two of you. But I went for a classic English breakfast tea this morning. Do you both have some tea with you?

Rebecca: Yeah, I have English tea time.

Jenae: We’re matching…

Rebecca: Yeah…

[LAUGHTER]

John: And, I’m not. I have [LAUGHTER] ginger peach black tea today.

Jenae: That sounds really good, though.

John: It is.

Rebecca: Sounds like a good way to start the day, for sure. So we invited you here today to discuss Design for Learning. Can you talk a little bit about how this book project came about?

Jenae: Absolutely. So my colleague Michael and I have a lot of shared interests. Michael and I both are trained in rhetoric and composition. And we both are people really interested in online writing, online reading, and online learning, broadly speaking. We both served on the board for the Global Society of Online Literacy Educators, which is an organization dedicated to supporting folks who teach reading and writing online, broadly speaking. Through that organization, we got to know each other better. And we just realized how much we wanted to talk about what it really meant to create quality online learning experiences. And something that kept cropping up for the two of us. And I should say that both of us have had like a hodgepodge of jobs in and around higher education. We kind of joke that we were both sort of like these misfits in higher ed, people who have kind of done a bit of teaching, a bit of admin. He’s worked in publishing, I did a lot of work in instructional design and just higher education pedagogy. And something we noticed, just in the various roles that we were in was that educators, professors, faculty could learn a lot from user experience frameworks. And we were reading a lot about UX and UI in the work that we were doing around instructional design and for him publishing, and it just dawned on us like, why are we not bridging these conversations between the work of thinking about designing learning interfaces and the work of building really good, high quality learning experiences. I think we notice that in higher ed, there is this tendency to kind of try and reinvent the wheel around defining what a good teaching experience, especially what a good online teaching experience is by just creating really kind of exhausting templates and tons of checklists and rules. And we really thought those are useful, but wouldn’t it be more useful just to remember that students are people navigating devices online? And can’t we use the frameworks that help inform those design decisions to inform the design of learning experiences to make them better? So that was really the genesis of this project. We started off thinking we’d write a bunch of blog posts and then it struck us that blogs and articles were great, but wouldn’t it be even better if we wrote a book [LAUGHTER]. So we put it all together, and it resulted in this book.

John: So who’s the intended audience of this book?

Jenae: We really are targeting a broad audience with this book, I’d say primarily folks who do instructional design style work in mind. So in higher ed, that could be faculty, a lot of faculty play the role of instructional designers, as well as facilitators and teachers, of course. But, we also hope that this book would really reach folks who do dedicated instructional design support. We also hope that this would just reach people who are having to teach online or do trainings or workshops online, and who are still really struggling with it. This book, I would say, was written before the pandemic happened. We were, I would say, drafting and conceptualizing it before the pandemic. And of course, the pandemic shaped the drafting as we went, there’s still COVID-19 out there, so I don’t want to say we’re beyond the pandemic. But in this moment where we’re beyond perhaps like a peak point of the pandemic, let’s just say. There may be folks who are still wanting to be more intentional about what it means to provide more equitable access to online learning experiences, who want to be designing in a more intentional way, and who want to be really thinking critically about how to create more sustainable online learning experiences, as well, that really work. I think we were also on a mission with this book to prove that really, anyone can do this, you just need to keep some known principles in mind that, again, this is not totally new territory, and scholars and user experience and human computer interaction have been thinking for a very long time about how to make information accessible online, and how to make sure that information and interactions are easily navigable. And so that was really the literature we wanted to tap into. So that’s all to say that I think people who benefit from reading this book is really anyone who wants to be creating a better online learning experience for whatever teaching situation they’re in.

Rebecca: I’m, of course, super excited about this book, because I’m a UX designer. I love that you use that framework to write this book. Can you talk a little bit about why you chose this approach?

Jenae: Absolutely. I’m so glad that you appreciate this book exists. We’ve gotten really good reception from the UX community on it as well. I would say that we use this framework because we felt like it really centered the learner in an important kind of way. I think that in a lot of teaching situations, people who educate or design learning are often more thinking about the content: What information do I have to deliver? What are the main things that I need to make sure people know how to do? Those aren’t bad things to focus on, we need to cover content, and we need to make sure that there are clear outcomes. But I think it’s most important to really think about how is someone engaging with that content? How are they understanding it? What are their opportunities to understand that content in a variety of different ways. And I think what a user experience framework allows us to do is to center that reminder. Learners have these embodied experiences that shape how well they’re going to be able to learn, how well they’re going to be able to interface with the information. And if we’re talking about that in an online context, in particular, it’s impossible to do so without addressing what it means to, again, engage with and use these online environments effectively. So I think a UX framework really just allows us to be more centered in reminding ourselves who really benefits from the learning experiences we design, and who really needs to have access to [LAUGHTER] the information to be successful. And I think UX frameworks just really help us center that.

John: Can you talk a little bit about how this approach centers the user in terms of practical ways in which that’s built into the design process?

Jenae: Sure, one way to sort of think about that is to really take a step back and try to remind yourself just who is taking your class in the first place. Starting there, starting from the place of trying to be curious about who your learners really are. I think that it’s easy to make assumptions, I’ll just say in higher education, in particular, since I think that’s primarily the audience for this particular podcast. I think a common misconception, for example, is that all students entering their class are traditional college age, 18 to 21 years old, but like, I should put a big asterisk on that and say, that’s probably not the traditional age at most institutions anymore. But that’s the stereotype of kind of who a college student is. And there may be some assumptions about what their prior learning experiences were like that brought them into a college classroom… about the prior knowledge that they had. And so what I think a user-centered design encourages us to say, “Do we know that? How do we know that? What information do we need to gather to remember who’s actually coming into our rooms?” And I’m not suggesting that any educator has to like, do deep dive demographic data work to find out who their learners are. But I think most of us can kind of anticipate the range of people who are coming into our classes. We might anticipate just the different types of learners that we may encounter. And by that, I mean, it’s worth, I think, before you start designing, just trying to remember, what are the different motivations that students have for coming into the class? What are their purposes for being there? What are the main things that students are going to want to do by being in your class or your training or your workshop at any given moment? So starting by just sort of trying to map out who those people are? And then try to anticipate, okay, given this motivation, or this purpose that this learner may have, what kinds of things might they be looking for… literally looking for my online course? What things will they click on first? Which links are they going to want to access most frequently? Which resources are going to benefit them on the site most? And then trying to design your learning management system course site, or if you’re not using learning management system, your course website, broadly speaking, to really privilege the resources, the links, the activities, the pages that are going to be best aligned with what you anticipate your users or your learners may need. And Rebecca, I’m sure, can speak to this given her expertise, too, but UX design really is a whole process of trying to consider how the visual information, how even like the tactile information, say how your keyboard was set up, how your device is set up, how that allows you to most easily use and engage with products, so to speak, that you’re building. And in this case, we want to think about how can you build the best online course that you can, in a way that allows users to most easily find the information you anticipate they will most frequently need?

Rebecca: So one of the things I’m hearing you say, is really thinking about the wide variety of learners that we have and the different needs that they have and trying to address that. One of the things that’s really popular in UX design and that you talk about in your book are personas. Can you talk a little bit about how learner personas can help us think through the different kinds of learners that we have in our class in a really practical, tangible way. You just kind of provided that theoretical framework, but I love that the personas is such a practical application of that.

Jenae: Yes, thanks for asking that. Rebecca, I was debating whether to dive into that with the last question. But let’s dive into it now. So for those who aren’t familiar, personas are an exercise where you really try to create a character sketch, I would say, of the user you’re imagining is going to engage with your course or in this case, try to imagine an example of a student who’s going to be in your class. And by creating a character sketch, I mean, I encourage instructors, if they have the time to sit down and say, “Okay, what might be the name of someone in my class? What might be their age? What might their prior experiences with learning my topic have been? Why are they here? What brings them to college? Or what brings them to this class in the first place? What are going to be some of their biggest challenges? What are going to be some of their biggest hopes? What are the things that they’re going to be most excited about doing in this class?” And again, it’s a bit of an imaginative exercise. And so I think it’s easier to do with more teaching experience. But it’s also not impossible to do even if you’ve had relatively limited experience. It’s really just an exercise in trying to think through who might be the real people that you are engaging with, I do want to say that there’s been a lot of conversation in the UX community, and again, Rebecca, you may have some thoughts on this, too, about sometimes the stereotypes that personas can perpetuate. For example, I think there have been concerns in the UX community that when you try to characterize, say, an older user, of an online interface, a stereotype might be that they struggle more or are more challenged with using technology than, say, a younger user. And that that might be a challenge to anticipate. And so I want to be mindful, for example, that if you are going to be in the practice of building personas, which we talk about in the book, because I do think is a useful exercise to kind of try and make concrete for yourself who is going to be on the receiving end of your experience, that you do try to check yourself a little bit on reinforcing stereotypes to the best of your ability. It’s easy to do, stereotypes exist because we notice patterns sometimes in how people behave. And that can sort of reproduce some harmful assumptions about who those users are. But again, to the best of your ability, attempt to anticipate what the needs might be based on what you do know about who might be in the room, just again, kind of reminding yourself that you’ll want to think about your personas in nuanced ways, and not necessarily make assumptions about who they are. And I would say one solution to that, how am I supposed to write a generalized description of a persona, while avoiding all possible stereotypes about who they might be? I would say again, time allowing, try to run your personas by other people, and just see what their reactions are to reading them. For example, if you have a trusted colleague, or a friend who teaches a similar class, or who you work with regularly, just show them what you’ve drafted and say, “Does this feels like a real person to you?” And to attempt to ask diverse people about how your persona sketches are landing or how realistic they feel to them. That’s always a good way to kind of gut check, and just make sure that as you’re anticipating your users’ needs, you’re not falling too much into your own biases about who the people are that you’re supporting in your course.

Rebecca: So one of the things, I think, people do sometimes run into when they’re making personas is to create the ideal student that doesn’t exist, and also to recreate themselves. And so one strategy that I often recommend is thinking about creating aggregates of people that you do know. Because then they’re more realistic in terms of the way they might interact. So if you’ve taught a class before, you might have a real pool of people you could draw from [LAUGHTER] and to create a persona from, obviously, that’s more difficult when it’s a new place. And I was also going to offer up in terms of thinking about disability and thinking about accessibility, that there’s a book called A Web for Everyone, and they have a lot of resources. It was published quite a while ago, but they have a lot of resources still online, they have some personas for people with a wide range of different kinds of disabilities. And sometimes that can be really useful in just thinking through kinds of scenarios that you might not think of on your own.

Jenae: That’s fabulous. I would love to see that resource about sort of supporting accessibility, especially. That’s such a huge issue in designing online learning experiences, particularly. I’m so glad you mentioned those resources. That’s fantastic.

John: And while there may be those types of biases that you might have, those who’ve taught classes multiple times do know some of the types of problems that past students have had. So those issues that they’ve experienced in the past could be built in. But one of the other things you suggest is doing a pre-course survey, so that you get some more information about the actual students in the room rather than those who may have been thinking about when you initially designed the course? Could you talk a little bit about that survey?

Jenae: Yes, I’d be happy to talk about the pre-course surveys. So this is a practice that, I think, has multiple benefits. So in a pre-course survey, I think instructors have this wonderful opportunity just to ask students what their motivations are for engaging with the class, what brought them here, how they would characterize some of their prior experiences with learning similar topics, if any, and just to voice what concerns they have, or what things are exciting to them about the term ahead. I’m giving a lot of examples of possible questions and I just want to acknowledge that not all instructors will want to ask all of those questions all at once. But those kinds of questions that really get at motivation and concerns, I would say, in a nutshell, can be really critical, both for adjusting, I think, those persona expectations. So, creating personas should be an iterative process, I should say, as well. It’s not a one and done thing where you anticipate who your learners are prior to the course starting and then you’re like, “Okay, I figured it out, I know who all the students are. Knowing who the real students are, can then allow you to go back to what you anticipated. I think, and both of you, Rebecca and John, were speaking to how you could use prior information from prior terms to inform your kind of current term or current course. Great, you could sort of just align your prior understanding with this current information you might get from these surveys to then go into your course website, or your course learning management system, your syllabus and say, “Okay, is this design going to work for the group of people who are actually here based on what I’m reading?” …recognizing, of course, that nothing’s gonna be perfect for everyone. But you can do the best you can to try and make the materials as good as possible for the group that you have. In front of you. I would say that you want the survey to feel less burdensome for your students to complete. I’m giving a lot of examples of questions that I think are ideal as open-ended questions. Some of these, you could turn into multiple choice or kind of Likert-scale style questions, because you can just use it as an opportunity to take the temperature. “On a scale of one to 10, for example, how confident do you feel in your understanding of your ability to pick up new quantitative concepts?” …for example, if you’re teaching in a STEM-style discipline. Or “On a scale of one to 10, how comfortable do you feel as a writer or with writing tasks?” …if you’re teaching something more humanities- or writing-centric. You can get really creative in trying to solicit some feedback. And I also encourage instructors to be judicious in what they’re asking in these pre-course surveys to kind of try and ask questions, with the end goal of helping you as the instructor make small tweaks to the design of the course. Think about this information as a way to say “Okay, are there certain links I should put on the homepage that I didn’t think needed to be on the homepage? Or should I reorganize the menu on my learning management system in a way that highlights some resources more than others based on the information I’m getting in the survey? Should I reorganize a module to introduce some content before other content, because I’m seeing a trend in the surveys about less confidence in one area of the course than I was expecting in another?” So thinking about how the answers might inform your design, a research-based perspective really, I think, can make your course really even stronger. And I think it’ll feel better, both for you and the students because it helps the students see that you’re curious about them, you want to know who they really are. And we know that engaging personally with people really matters for good teaching. But the instructor too, it can be really frustrating. If you design something and it doesn’t land with your students. You feel like you spent a lot of time building something that didn’t work. That’s a really disheartening experience. So getting the feedback might allow you to avoid [LAUGHTER] having or feeling so disappointed if the information didn’t land the way you were expecting it to. And this isn’t foolproof. There’s always room, again, for iteration. But I do think the surveys can at least help you anticipate a little bit better how the progression through your course could go.

Rebecca: I can imagine that some of those surveys with open-ended questions could lead to better understanding how students name things or label things which could give you a lot of clues about the actual user design of a course by just how you might name or provide quick descriptions of things. In your book, you talk a lot about instructional text design, which obviously has lots of skills in online learning from instructions for assignments to just how we might label a folder [LAUGHTER]. There’s lots of skill there. Can you talk a little bit about the basic principles that you’d recommend for course designers to follow when they’re writing instructional text?

Jenae: Absolutely, and I realized, as you were talking and responding, I was nodding along. And then it struck me. It’s like, “I’m on a podcast, no one’s going to know that I’m nodding and agreeing with you right now.” So [LAUGHTER] for the listeners sake, like I was nodding along quite vigorously with that entire response. Instructional text, I think, is one of the most underrated and one of the most important things to design for any online course experience. I think that online course designers have a real tendency to rely too heavily on video and on images. There’s an assumption that if you’re working online, everyone’s just using video all the time, or everyone’s just wanting to engage with the flashiest multimedia possible. That is still important. I mean, we have two chapters in the book, all dedicated to video. So I don’t want to undermine that. It is important to engage with multimodal artifacts and building multimodal interventions, when you’re teaching in a multimodal environment like the internet. However, for students who may have low internet access and low bandwidth, for students with disabilities, text remains one of the most accessible and easiest ways to find information in an online course. I’d also say text is one of the most mobile-friendly pieces to think about. And we know that increasing number of students are accessing their courses or coursework through their smartphones. I’ll answer your question directly now, but I wanted to provide that context. I would say when it comes to designing instructional text, I really encourage instructors to think about two big things, to think about the hierarchy of the information that they’re writing, and to think about the discrete chunks of information that they’re wanting to communicate. So when I talk about the hierarchy of texts, I think it’s important when we’re writing to consider what are the sections of our text? Most academics, most instructors, are used to, when they’re reading or writing, creating headers, and sub-headers, and paragraphs that denote a certain order of information. And when you’re teaching online, especially, I think even more critically about how are you labeling the text? How are you indicating which things are instructions versus content? How are you labeling the order of the content that you want students to read in? How are you even labeling the order of instructions, like there is usually multi-tiered sets of steps. So using header text and different layers of header text, is a really important web accessibility measure. And again, it helps readers see visually and if they’re using a screen reader tool, it helps them navigate that text more easily. So I should take one step back and say when I’m referring to header text, I mean that when you’re working in a rich text editor, on any website, you can typically see an option to select different layers of headers, like the header ones are usually the highest, biggest level header, header twos go below that header, threes go below that. So just being mindful that just increasing text size is not the same thing as using headers is one really, really simple way to create hierarchy. And again, to denote the correct order of reading the text information. And when I say chunking text, this is as simple as just thinking about paragraphing, making sure that you are spacing out pieces of content in really critical ways. So anyone who’s read a piece of writing with super long paragraph knows, that’s a lot harder to kind of discern, it’s a lot harder to see how one idea moves from one to the next. Shorter paragraphs are typically easier to get a sense of when you’re moving from one idea to a new idea. And so even though long paragraphs have their purpose, perhaps especially in scholarly writing, or even in more, I would say kind of creative writing, in some cases, when you’re doing really instructional or technical work, which you’re often doing when you’re designing a class, shorter is better, more chunked is easier to access, because you’re assuming that people are doing things with your information. So those are the two qualities I would just be thinking about with instructional text. There’s a whole other component that we didn’t really address in the book, but I’ll just stick to very briefly here, which is also thinking about just the visual appearance of your text. A lot of accessibility folks speak to some best practices and guidelines around font face, and font size, and some of these factors when you’re designing text as well. I’m not an expert, I should say, in like type of graphic design or font size, but I want to point out anyway, because I think if you are designing online, it’s important again to do the best that you can to try and anticipate those needs. So I think as a general rule, making sure your font sizes are not super teeny tiny, or super large. Making sure that you’re using standard font faces: Arial, Helvetica any sort of sans serif font is typically considered a best practice. The rules around this change all the time, Web Accessibility Guidelines change as technology evolves, so I never like to give super hard and fast rules, and again, it’s not my area of expertise. But it’s another piece to keep in mind that visual and verbal information is intertwined. Text is a visual medium, online learning experiences are largely a visual medium, by default. And so the more mindful we can be of what that looks like, and the more mindful we can be of how the visual experiences we design online, are compatible with accommodations for disabled users. We just anticipate our users’ needs, our learners’ needs more proactively, and it raises the boats for everyone. It just gives everybody a deeper chance to succeed if we’re just thinking about these interface choices in more deliberate ways.

Rebecca: I love that you’re really talking about how the instructional text is also part of digital accessibility. It’s important to have plain language, it’s important to chunk your content and these sorts of things. So I’m really excited that you’re incorporating that into the work that you’re doing.

Jenae: Thank you. It is exciting. I think it’s one of these things that, when Michael and I were first discussing this book, it was a real lightbulb moment for us that there was such a robust literature out there that discussed all these great principles for making sure that online information was easy to find. And it just was striking to us that a lot of folks in teaching professions weren’t getting access to that information or exposure to that information. And we started thinking about this, again, prior to the pandemic, kind of in the mid 2010s. And even at that point, online courses were growing, mobile access was becoming a more common way that students were engaging with courses. So, why not tap into these existing sets of conversations that are industry best practices, for engaging with online interfaces, in spaces like higher ed, and in spaces just like learning and development, where these dialogues seem not to have met each other as fully as they could.

Rebecca: Our chief technology officer and I were having a conversation about some of these things yesterday as we’re talking about our student body is diversifying and that we have far more students with disabilities who are able to attend college and have access to college in a way that maybe they haven’t in the past. And as you were talking about headings and paragraphs and things, something that people might not know, is that if you use a screen reader, you’re not necessarily visually interacting with the text. Instead, you’re thinking programmatically, and so just like kind of vision centered [LAUGHTER], the user might skim headings visually, it’s the same way someone might use a screen reader. So by choosing a heading level two, it allows someone to find that section easier. And by breaking things into paragraphs, and delineating that’s that kind of content that allows a screen reader user to be able to jump to a particular part of the content. When we don’t do that, a screen reader user has to listen to everything from the top to the bottom of the page.

Jenae: Great example. Yes, and that’s such a frustrating experience to have to do that. If we can be just a little bit more attentive to the information architecture of sort of what we’re trying to communicate and convey… information architecture is a technical term, but it’s also a metaphor [LAUGHTER]… we have architecture and we have design to help create solid foundations for places that we live. Similarly, when it comes to information, we need to be building solid infrastructure to help people navigate their way through a course. One of my colleagues a while ago used a metaphor for online learning design I’ve never forgotten and we’ve alluded this a bit in the book, which is that when you’re building something online, it’s like you’re just building a whole house [LAUGHTER]. When you walk into an in-person classroom, the architecture is literally there, and you make assumptions about the room in the space, the second that you walk in the door. When you’re designing text online, or just when you’re thinking about the whole online learning experience, it’s a total blank canvas, you have to build that architecture and those hierarchies. If you’re not attentive, you’re absolutely right, the consequence is that it can be a big overwhelming mess of information. And I think it’s a useful practice for instructors, even when they’re not teaching online, to think about these things. It’s also just a great exercise and getting really very focused on what information do you want to prioritize when you’re communicating assignment instructions or when you’re picking out content-based readings for your students? What do you want them to focus on? What are the big things you really need them to learn or pay attention to? And so if your course design, your visual design can align with the hierarchy of choices you’re making as an instructor or the priorities that you’re setting, it just makes it easier for everyone to have equal access that information so that more time can be spent for students to focus individually on how they’re processing, applying, doing higher-order thinking with that information. They don’t have to spend so much energy just trying to intake the kind of basics before they have the opportunity to really work with it and apply it meaningfully,

John: You provide a lot of other information in your book, and we encourage people to read your book. If they want to find out more about creating videos, about providing effective webinars, and so forth, there’s some really nice hints and suggestions throughout. But one of the things you end with in there, is ways in which instructors can continuously improve their courses, in terms of soliciting feedback to make the course better each time. Could you talk a little bit about how you would encourage instructors to continuously work on developing their courses?

Jenae: Sure. So I really like that section of the book, because what I hope that section communicates is that thinking about your course design is a reflective and an iterative process. I don’t think a course is ever really fully perfect and done, there’s always things you can do, and modify each time you teach or offer the experience. So, I don’t think getting feedback on the course has to be hard, I don’t think it has to take a ton of time. We talk about multiple ways of getting information about how the course is working. And I’m going to start with I think some of like the easiest and most passive ways to get information and then we’ll sort of work our way to some of the more perhaps active or personalized interventions for getting information about the course. So one thing I think is worth really paying attention to, after you finish teaching a course, are some of the analytics that are available in your learning management system or your course website. And I recognize that some folks are really reluctant to look at the analytics, because there is a surveillance economy implicated in the tracking of course analytics. Every site on the web tracks your movements, every site in the web knows how long you’ve stayed on a certain page, what things you’ve clicked on. And a learning management system is no exception to that. Unfortunately, that information can get weaponized to discriminate against students, discriminate against users in problematic ways. In the web, outside of learning, for example, analytics can be gathered and sold to advertising companies to spread information about your activities for profit. So I just want to note that context, but you can also use this information for good and for some useful things as well. So seeing which resources students are clicking on the most in your class can be really useful information for you to say, “Huh, seems like a lot of people found that resource useful.” You don’t have to necessarily identify which individual students looked at which resources but you can look at this data, typically in aggregate, and again, most learning management systems have an analytics dashboard, you can access to look at this. I think that’s incredibly useful just to see what was clicked most often and what wasn’t. You might also want to track, for example, which pieces of information students did spend more time on. It could indicate a couple different things, it might indicate that something was really challenging, if students spend a lot of time on one particular piece of content over another or if they found it useful. You’d have to contextualize that data based on what you were seeing in the course. But I think if you’re willing to look at that information, again, in the context of how your term went, it might just give you some passive information that could surprise you. I would even look at, for example, with assignment submissions, how many delays were there on certain assignments versus others? In which assignments did students request more extensions more than others? Again, this is just information that might help you inform whether the pacing was appropriate for the course, whether assignments were sequenced appropriately. That kind of thing. If you want to get more active, if you gave a pre-course survey, you can do a post-course survey. Most institutions, of course, have formal evaluations of teaching, but we know that institutional student evaluations of teaching can be fraught. Sometimes they ask the kinds of questions we don’t always want to ask or find most useful as instructors. So if you do your own very brief post evaluation, you could focus it on the design of the course itself. I think it’s worth asking students at the end of the course, how easy was the course site to navigate? How accessible did the materials feel for your ability to learn? You could return to some questions from your pre-course survey. If you asked a Likert scale about rating your confidence with learning something on a scale of one to 10 at the start of the course, you could ask them by the end, “How does your ranking change?” Even referring back to the original data that they might have submitted to you with the pre-course survey. So those are another way to ask them. I think if it’s possible to, what I love to at the end of the course is even a little brief post interview with students if possible. We mentioned this a bit in the book. Again, it’s time consuming. But if you have a small-ish class where you could have conferences at the end of the term, and have a moment with just a five-minute conversation to ask students: “How did it go? What aspects of the course design did you like most? Which were most challenging to you?” That’s another way to get information. Finally, I’ll just do one more technique we write about in the book, which is never discount your own reflection on your experience as well. This is another form of user research. Even though you are not the end user for the course, you are the designer, and so I think it’s always useful just to jot down a few notes and treat that as research when you’re done, too. What did you notice about user interactions on your course site throughout the term? What things surprised you? What things went exactly as you expected? You can use those notes to iterate and improve your experience for the next time that you offer it. So those are just a few techniques and many, which again, are drawn from the field of user experience research surveys, and interviews, for example, are pretty common user experience research practices… other UX research practices that, again, just depending on your time, depending on your resources, it’s great if you can see students engaging in the course as well, asking them, just really seeing what it looks like for them to interact in the course. That’s a good way to get at good information about it. I just want to encourage anyone who’s teaching not to shy away from getting that kind of feedback, because it does make, I think, teaching more satisfying when you’re getting more information about what’s working and what isn’t.

Rebecca: So, you know this question’s coming…[LAUGHTER] We always wrap up by asking: “What’s next?”

Jenae: Yes, I do know it’s coming, and it’s funny, because I was thinking about it. What am I [LAUGHTER] doing next? So to be honest, I don’t have a clearly defined project, I’m doing a lot of little things, I might be taking a little break, because I have written two books in about two and a half years [LAUGHTER]. So that’s been a lot… wonderful. I think I’ve been bitten by the writing bug, for sure. And so I suspect there’s more writing in my future, but nothing immediately next. I’m still very curious about what it’s going to mean to keep designing really good online learning experiences in the future, I don’t think we’re done with that conversation. I’m really curious about how that’s going to evolve in the context of creating more inclusive and equitable learning environments for students. So I imagine those are topics I will continue to explore to some extent, but we will see how, of course, with AI too, and the impacts of that on online learning, I’m sure there’s gonna be a whole set of ways to think about these topics that will continue to evolve. So I’m kind of keeping my eyes open and my ear to the ground on how things are developing. And we’ll just kind of see what ideas emerge from there.

Rebecca: Well, it’s always a pleasure to talk to you, Jenae. Thanks for all the work that you do.

Jenae: Likewise, thank you, again, for having me and for engaging with these excellent questions. And if you listened to this podcast, we’ll put in the speaker notes, I’ll give you a little gift of a promo code. If you’d like to buy the book, we can give you a 20% off discount with thanks to Rosenfeld Press who published this book.

John: Well thank you. We’ll be sure to include that in the show notes and it’s always great talking to you.

Jenae: Wonderful, and likewise, thank you again.

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John: If you’ve enjoyed this podcast, please subscribe and leave a review on iTunes or your favorite podcast service. To continue the conversation, join us on our Tea for Teaching Facebook page.

Rebecca: You can find show notes, transcripts and other materials on teaforteaching.com. Music by Michael Gary Brewer.

Ganesh: Editing assistance by Ganesh.

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303. Higher Ed Then and Now

Teaching practices have gradually evolved as we’ve learned more about how humans learn. From one year to the next, these changes may appear small, but the cumulative effect is profound. In this episode, Todd Zakrajsek joins us to reflect back on the changes that have occurred in higher ed during our careers.

Todd is an Associate Research Professor and Associate Director of a Faculty Development Fellowship at the University of North Carolina at Chapel Hill. He is also the director of four Lilly conferences on evidence-based teaching and learning. Todd is the author of many superb books, and has published four books in the past four years. His most recent book is a fifth edition of Teaching at it’s Best, a book he co-authored with Linda Nilson.

Show Notes

  • Zakrajsek, T. and Nilson, L. B. (2023). Teaching at its best: A research-based resource for college instructors. 5th edition. Jossey-Bass.
  • Zakrajsek, T. D. (2022). The new science of learning: how to learn in harmony with your brain. Routledge.
  • Harrington, C., Bowen, J. A., & Zakrajsek, T. D. (2017). Dynamic lecturing: Research-based strategies to enhance lecture effectiveness. Routledge.
  • EdPuzzle
  • PlayPosit
  • ChatGPT
  • Wayback Machine

Transcript

John: Teaching practices have gradually evolved as we’ve learned more about how humans learn. From one year to the next, these changes may appear small, but the cumulative effect is profound. In this episode, we reflect back on the changes that have occurred in higher ed during our careers.

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John: Thanks for joining us for Tea for Teaching, an informal discussion of innovative and effective practices in teaching and learning.

Rebecca: This podcast series is hosted by John Kane, an economist…

John: …and Rebecca Mushtare, a graphic designer…

Rebecca: …and features guests doing important research and advocacy work to make higher education more inclusive and supportive of all learners.

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John: Our guest today is Todd Zakrajsek, and I am with Todd here in Durham, North Carolina. Todd is an Associate Research Professor and Associate Director of a Faculty Development Fellowship at the University of North Carolina at Chapel Hill. He is also the director of four Lilly conferences on evidence-based teaching and learning. Todd is the author of many superb books, and has published four books in the past four years. His most recent book is a fifth edition of Teaching at it’s Best, a book he co-authored with Linda Nilson. Welcome back, Todd.

Todd: Well, thank you, John. Well, this is exciting. And Rebecca may be a long ways away, but I have never been arm’s length from a person who interviewed me for a podcast before.

Rebecca: Isn’t that cool?

John: And we’ve really done that before either at a conference or at Oswego,

Todd: I feel very special.

Rebecca: Well, we can celebrate with our teas. So, today’s teas are:… [LAUGHTER]

Todd: I’m drinking a peach mango that I got from some teas that John brought, which are fantastic.

Rebecca: John, how about you?

John: I am drinking a Tea Forte black currant tea, which I brought from Oswego, in a new mug that was given to me by Claire McNally, when she visited this area last week.

Todd: Love Claire, she’s fantastic.

John: And it has kangaroos on it.

Todd: Yeah.

Rebecca: And I can’t see it. Let me see it, John. Oh, that’s a cool mug.

Todd: It’s a good mug. I got a mug from her university. But I didn’t realize I should have brought it. So I feel bad about that. But it is a podcast. So I didn’t think about what it would look like.

John: That’s true, we generally don’t do a lot of visuals on here.

Rebecca: And I have a blue sapphire tea in my Tea Rex mug.

Todd: Well, that’s a nice mug,

John: We’ve invited you back to talk a little bit about how some of the changes you’ve observed in college teaching across your career have impacted how you teach today. When did your work in higher ed begin?

Todd: Actually, it started when I was a graduate student. So back in 1987. So there’s no reason to try to figure out how old I am. Now I’ve basically specifically dated myself here. I started teaching, I got to teach an introduction to statistics course. And I had so much fun that I taught again the following year. And by the time I left my graduate program, I had taught more courses in that program than any other graduate student had ever taught in the psychology department there. I really loved teaching right from the beginning, when from the beginning, very concerned about student learning, and just getting rolling.

Rebecca: What was it about the teaching, Todd, that really got you hooked?

Todd: Just watching the studentsis. it’s the same thing as it is today, when you have an individual who’s struggling with something, and suddenly they get it and you realize that they may eventually get it on their own, but you realize how much you’ve helped them to move that along very quickly. And facilitating the learning process, I just really love that. That doesn’t mean I was fantastic at it. But I really did love it.

Rebecca: Sometimes the things we love the most are things that we’re not great at to start with.

Todd: That’s true.

John: My experience was similar, actually, I started in 1980, with a course where I had a fellowship, so I didn’t have to teach. But there was a sudden shortage in the department. And they asked me to fill in. And I was planning to go on into research. But it was just so much fun teaching that I’ve never stopped.

Rebecca: I taught as a graduate student too, and taught the whole time I was there. But I started a little bit later in 2003.

Todd: Alright, so that was a couple of years later.

Rebecca: Just a couple.

Todd: Yeah, I had kind of a funny start, I will mention that when I first started that after the first semester of teaching, my students got almost all As and Bs. And the department chair called me in and he said, “I’m not going to have you teach any more courses.” And I said, “why not?” And he says, “Well, you give grades away like candy, we have to have better standards than that.” And I said, “Well, how are you basing that?” And he says, “Well, you know, we looked at the grade point averages.” And I said, “Well, how about if I bring in my final exam, and just walk through it, and then you can tell me how it could change to be more rigorous.” And so it was great. I showed it to him at the beginning. And like the bottom of the first page, the students had to calculate a statistical value, then I had them explain how they came about that number. But if they had used a different test how might it been inappropriately found and what the interpretation might have been, based on the fact that they had done it wrong with a different test. I thought it was important for them to understand how these things can change. The Chair said, “I can’t believe you have your students in the first class actually talk about various tests like that.” And I said, “Yeah, I did. Then we turned the page he says “You did nonparametric tests?” I said, “Well, yeah, we did parametric tests, but then I thought they should know the equivalent.” And he said, “We never do that.” And then he turned the last page and he said “You had them do a two-way ANOVA? You’re only supposed to go through one-way ANOVA.” I said, “Yeah, but we’d finished everything and we still had a week left. And I figured I might as well introduce the next concept to them. And so I showed them how to do a two-way ANOVA and they ended up with all As and Bs. So if you could help me in how to push their grades down and give them lower grades, I’m perfectly happy to do that.” And he then set me up with two courses the next semester, but it’s that reliance on the teaching evaluations is always funny.

Rebecca: Todd, it’s just funny, as we’ve gotten to know you through the podcast [LAUGHTER] it sounds so perfect that that was your first experience. [LAUGHTER]

Todd: Yeah, I’ve lived my entire career on the edge. [LAUGHTER]

John: And those sorts of arguments are still occurring in a lot of classes today about rigor and the need to keep grades lower.

Todd: Yeah.

John: They’re less severe than they were a few years ago.

Todd: Yes, but also looking at how well a person’s teaching based on student evaluations. I mean, we should be looking at authentic assessment. Some things have changed through the years, some things have not changed through the years.

Rebecca: Well, technology is one of those things that has changed.

Todd: Woosh, yeah.

Rebecca: Can you talk a little bit about what tech was like in the classroom when you first started and how it’s evolved a bit?

Todd: Yeah, I know you have some listeners who have been teaching for a very long time. So those of you have been teaching for like 30 to 40 years, just stop and think back about what it was like when we first started. For those of you who have been teaching like Rebecca since 2003, let’s just mention that technology back then was mostly pens and chalk and chalkboards. So back then, of course, there’s technology, there’s always technology, but we were using overhead projectors. This was long before the internet came along to really be used in the classes. LCD projectors were not out yet. Canvas, Blackboard, Sakai, all those learning management systems were not around. We didn’t have any of the ways to email individuals, you couldn’t email your students back then. And there was no ChatGPT to write your papers for you.

Rebecca: But there were calculators that could do all the work for you.

Todd: Yes, but this is the cool part. Back when I started teaching statistics, I’m glad you mentioned the calculators, huge debate back then was whether or not the students should calculate the statistical values by hand using the calculator, because computers had just come onto the scene and we could punch the data into a computer and have a computer run an ANOVA for you. Should you calculate it by hand? Should you run it to the computer? And there was a huge camp that said you should do it by hand or you will never understand a statistical value. And I said, “You know, we’ve got the technology there. Why don’t we have the students use the computer to do the mundane stuff, and we’ll have more time to talk about the theoretical and the important implications.” But even back then we were having the discussions about whether to use the technology at hand or not. Oh, and by the way, we are also hanging grades on doors. So we would figure out the grades, we’d tack it to the door, and then the students who want to know what their grades were for the class would swing by and look at the door.

John: And they were sorted alphabetically, to make it easier for people to find where they were in the grade list.

Todd: Yeah, it was great. We listed them according to their social security number, [LAUGHTER] which was a little different back then. And yeah, we actually did that back then. But as John pointed out, they were listed by number so nobody knew whose number went with whom, except, surprisingly, they were alphabetical on the door. So not only could you figure out Armstrong’s exam score, you’d get Armstrong’s social security number as well. Yeah, times have changed.

John: And it was also back in the day of dittos and mineos as well, which was the only way of disseminating information on paper.

Todd: This is so much fun. We’ll get to some real meat of this thing. But that walk down memory lane has some fun stuff too. The dittos…

Rebecca: I remember dittos, just for the record, okay.

Todd: Yes. So you probably remember, if you dittoed just before class, and you handed it out in class, the students would all pull the ditto up to their face, so they could smell the ditto fluid. And they got that smell. I was running dittos one time in the graduate student office, and I noticed when I looked down because it ran out of fluid, and I had to put some more fluid in, and I looked down and I noticed that the floor was kind of eaten away by this ditto fluid. And then… this is the best part… About a month later, I was digging for something in the closet and I found extra tiles and I thought they should put these tiles down to replace the ones that are all eaten and on the side of the box it said these tiles were long lasting and durable, reinforced with asbestos. So that ditto fluid was eating through asbestos tiles. That’s some strong stuff.

John: …to make it a little bit more friable so that it would disseminate in the air nicely.

Todd: Well, there had to be something to help the faculty members who were running all their own dittos to not mind doing it, and one way of doing this is to have them use ditto fluid, because I’ll tell you, you may not have liked it when you started, but by the end, it was all right. [LAUGHTER]

Rebecca: It’s funny that we’re taking this walk down memory lane, because on our campus, I was in our historic lecture classroom today in Sheldon Hall.

John: What are some of the other changes that have occurred and how have they influenced how we teach?

Todd: Yeah, so it’s interesting, I did the walk down memory lane and we were chatting about this stuff. It’s all fun, but thinking about how the changes have taken place. I think that’s really important. So there have been massive changes. I think that we tend to forget, it’s so easy to communicate with students now. Heck, people are texting now so that you can text back and forth with students. But think about how that has transcended or gone through time. There was a time when I would have to call and leave a message for a student on an answering machine, and then they would call back and we would try to find a time that we could talk on the phone. If we wanted to have a conversation. I could either leave a note for the student or I could call and leave a message that says least come see me after class. So even having a conversation with a student was difficult, then it became easier with email because you could start emailing back and forth. And now we have Zoom. And the equity in the way that this has changed, just think about the difference of this, if I’m leaving a message for a student, they may not even have an answering machine, if they’re living off campus with limited means back then. So even getting in touch with a student would be challenging. Now I can have a Zoom conversation with a student who doesn’t have to hire a babysitter, who doesn’t have to find reliable transportation, who doesn’t have to drive across town and burn gas, and to do all of those things that it would take to have a 15-minute conversation that in the past would have been really hard, and even four or five years ago would have been challenging. The grades, why in the world would a person have to leave… and I was teaching in very northern Michigan, there were days that the wind chill was 75 degrees below zero… and students would leave their dorm rooms and walk across campus to see a grade on the door. It’s actually physically dangerous. And now we have learning management systems, we could post things for students. Interlibrary loan used to take weeks to get a document that you can now go on and get. People can lament all of these technological changes at times, but we’re actually creating more and more equity within the higher education system as we make certain things easier. Not saying that we’re anywhere near an equitable system yet, but we’re moving in a really good direction. And a lot of those changes are helping us to get there.

Rebecca: I’m thinking about all the times when I get to go to the door or meet after class, it really assumes that students are a certain kind of student, they’re full time, they have time. And our students now are working [LAUGHTER], and where they’re juggling a lot of different schedules and things.

Todd: Yeah, and I mean, we want to be careful too. And I agree with you 100%. But they were juggling back then too. But some of the things we were doing, for instance, I taught a night class. Now I would probably suggest if I was going to teach a class from 7 to 10pm that I would teach it through zoom, because there’s a lot of reasons that it’s good to do. But I had students that I noticed in class, would very quickly at the end of class would start talking to other students and I couldn’t figure out what it was doing because a lot of buzzing and stuff. And what I found was that there were certain students who were uncomfortable, and we were in a very safe campus, but they were uncomfortable walking to their car at 10 o’clock at night. So I started saying to the students, “Hey, I’m gonna park a car… and when we showed up, there were quite a few cars there… but I’ll be under the second light, I drive a little red Chevette, not a Corvette, a Chevette, but I’ll have my car there. If you want to park near me, we can walk out together.” And there were students that were not paying attention to almost any of the class because they were fearful of how they were going to get to their car safely. When you think about Zoom and stuff, it’s even safety factors, I would never have a review session now like I used to at 8 to 9 pm the night before the exam because I’m exposing people to potentially dangerous situations. Now we’d have zoom sessions. But I could tell you 40 years ago, there was no even concept of what zoom would be and how it would work. Even Star Trek didn’t have stuff like that.

John: And there was also, besides the inequity associated with people who were working, many campuses had a lot of commuting students who could not easily get back to campus for office hours. Or if they were just taking classes on Monday, Wednesday, Friday and your office hours was on a Tuesday, they’d have to come in that extra day, arranging childcare, or their work to be able to fit that into the schedule.

Todd: Yeah, it really did start to change that system. So we got a little bit more equity, and like you were saying too, the commuting students, the part-time students, the students taking distance courses. When I first started teaching, I was writing… oh my word, remember the correspondence courses? …and you mail away and get a packet of material, you take a test at a local library and, and they talk about distance education being not as good as on campus, but at least better than nothing. And now we’re finally getting to a system where we can stop assuming that those folks who are coming in for part-time courses and stuff are just getting something better than nothing. They’re actually getting something similar to full college courses, which some of those online courses are actually as good or better than college courses that are on campus. But all that’s changing with the technology. It’s crazy.

John: And there’s a lot of research that supports that in terms of the relative learning gains with online and face-to-face, as well as hybrid courses, which seemed to outperform others in a few meta studies that have been done. But those were options that just weren’t available back then. And the early online courses were often designed to be replicas of face-to-face classes, and they probably didn’t work quite as well. But we’ve learned since that, which brings us to the issue of research. During the time that you’ve been teaching, there’s been a lot of research on teaching and learning. While some of it was taking place, it wasn’t very widely disseminated to faculty.

Todd: Yeah, that is true, too. It’s so much easier to get technology out. It’s easier to gather data, it’s easier to write it up. It’s easier to edit it so all of those types of things that are happening now that couldn’t happen before. And as a result, we’re learning a lot more about how people learn, you know, the book I did on the New Science of Learning, looking at a lot of the ways that students learn. And part of it’s just the ease of getting to information. But also part of it’s just being able to investigate how people process information. I used to teach Introductory Psychology back then, we would talk about the stages of sleep. And nobody really knew, for instance, what REM sleep was about, we knew that you had to have it or else it caused some problems. Deep sleep we knew was important, we now have indications that deep sleep for consolidation is necessary for semantic memory. If your sleep is interrupted, you can get eight hours of sleep. But if you don’t get deep sleep, the information doesn’t get consolidated. Procedural memory, how to give shots and kick balls and do anything procedurally looks like it’s more solidified during REM sleep. So again, the different types of sleep are associated with us learning long term, different types of information. We never knew that before all this technology was running around. In fact, back then I gotta say, I remember from my intro psych class being told that you were born with a certain number of neurons, and as you live through life, neurons would die. And if you killed them by drinking or doing something like drugs or something, they were gone forever, and you would never get more. And if you broke a connection, it was broken forever. That’s just simply not true. But it’s what we thought back then. So technology has really allowed us to look better at how people learn, different ways of helping them to learn and different ways they can even study. By the way, before we move on, we now have this physiological demonstration that staying up all night and cramming the night before the test. Even though it gets you slightly higher grades on the test, we now know that because the information is not consolidated that it won’t be there a week later or two weeks later. So we’ve always told students, you shouldn’t do it, but now we can actually show them why it doesn’t work.

John: And the LMS itself has offered a lot of ways of giving more rapid feedback to students with some automated grading with some things to give them more low-stakes testing opportunities. And those were things that we just couldn’t easily do back when you started teaching.

Todd: No, John, that’s a really good one. And we know that one of the most consistent findings right now in all of learning and memory stuff is that the more often you do something, the easier it becomes, long-term potentiation. Which means the more frequently you retrieve information from your long-term memory, the easier it is to retrieve. And just like you’d mentioned, we can now do LMS systems that are set up so that you could do practice quizzes, you could do dozens or hundreds of practice quizzes and keep pulling that information out over and over and over again. That was just not possible before this. And so the LMS helps with that, it helps by giving feedback, really good feedback so that students know what they’re doing well, and what they’re not doing well. And it helps faculty members to design feedback specifically for certain types of projects, and so that I can more easily give more feedback without spending a lot more time on it. So LMSs have done a tremendous amount of work. And that’s not even mentioning the fact that you can have all of the LMS systems loaded with the content. So students can log in and get their information without leaving their house. If there’s fiscal challenges with your class, you can put in articles, the students may not have to buy a book, they could read the articles. And so we’ve got students who were able to come to classes because they can afford to be there. By the way, I remember being on a committee when I was a graduate student, and we were looking at financial aid and different financial systems. And I remembered asking the Chief Financial Officer, I said, “What increase in tuition does there need to be before you start to see students drop off because they can’t afford to be here?” And this was about 40 years ago, but he said $100 for a year, if they have to pay $100 this year more than last year, some students won’t come back. If we look at the price of textbooks now, textbooks can cost $400. So, a book like that is definitely going to make a difference between some students being able to take the class or not. So LMS systems make this possible.

John: And they also make it easier to share OER resources that don’t have any cost for students, or some less expensive adaptive learning platforms, giving all students that first-day access. I remember, not so long ago, when I was still using textbooks in some classes, students would wait several weeks before they got that book. And that put them at a severe disadvantage. And the people who were being put at a disadvantage. were generally the students who came in with the weakest backgrounds because they came from lower resourced school districts.

Todd: Yeah, if they had the resources, they would have the better background foundational material, but they’d be able to buy the books. And you mentioned OERs. So open educational resources are really another thing that are really valuable because back then, before the technology, you couldn’t produce something that would be readily available like throughout the world. And so this project that’s going on now where they’re doing introductory level books in all the different disciplines, you can get an OER introductory psychology textbook that students can log in and read. None of that was possible before the technology. So even the creation of OERs has changed so much.

Rebecca: Well, speaking of digital materials, libraries have changed significantly too over time from having completely physical collections and interlibrary loans and things that take a lot of time to having a lot of digital resources, which changes access to research and materials that you can populate into your classes, but also can aid students in the work that they’re doing. Can you talk a little bit about the change in libraries and how that’s impacted how you’ve taught?

Todd: Yeah, you know, libraries have been fascinating to watch over the last 40 years, because it used to be the biggest challenge librarians had before them was which books to put on the shelves because there was a finite amount of shelf space. And there were lots and lots of books. And so that was the big thing. We used to take out journals that weren’t used very much to make room for other journals. Through time, little by little, they started digitizing all that stuff. And I can remember chatting with librarians, one conversation I had was back around 2001. I said, gonna be interesting, because there’s gonna come a day where there’ll be no books in the library, and the Dean of Libraries said “Well, there’s always going to be books.” I said, “Not always, potentially.” But even if we reduce them, I said, “What is your foresight? How is the library going to change?” And so he had a couple of ideas. But what it basically boiled down to our conversation is, I always felt like a library was like the brain of the campus, it had the books, and it had all of the information that you could go and get. As the books left, and things were diversified in a way that you could find this stuff, you could get all the information right from your dorm room, or from your apartment, when the internet came along, you could get anything you needed, then the library was still a physical space that was in the middle of campus. And what it should become is a learning commons, a place where people go to share and to learn from one another. And I think that’s what’s really changed is individuals still just pile into libraries and use the space, but they use it in different ways. They go there to meet other individuals to work, which they did before. But they took away that aspect of going there for the book part. And it meant all of those shelves got emptied, and they started pushing them out. And you can go into libraries right now that have very few shelves. But they have webcams, they have smartboards, they have spaces where folks can plug in their computers and share with one another. They’ve got screens set up so that you can project and have students sitting around a table, they’ve got Google Glass set up, all of these types of things that bring students together to use technology to learn from one another.

John: And they have cafes to help support that to make it easier for people to gather.

Todd: Yeah, you could swing by and get a cup of tea.

Rebecca: It’s funny, even when I was in high school, my sister and I would rely on going to the library to have access to a computer so that we could even type of paper, because we didn’t have one at home. And that kind of place of having the technology started a long time ago, but it’s amped up quite a bit over the last 20 years.

Todd: Yeah, and I agree completely. And the computers that are there. I mean, even right now, with the books dissipating, there a’re still large numbers of computers. And oftentimes, they’ll even be an area in a library that’s carved out with really high-end computers. But it gives students an opportunity to go. We make this assumption that everybody has a computer and they don’t. But libraries give them that opportunity.

John: Yeah, for those students working on smartphones or Chromebooks, that gives them access to all the tools that students with $2000 or $3000 or $4,000 computers.

Todd: Yes, because smartphones can work for lots of things. But they’re a little tough to write a paper on

John: When I started teaching, and probably when you did too, the predominant mode of instruction, which actually still is often the predominant mode of instruction in many departments, was lecture. That’s changed quite a bit since then. Could you talk a little bit about the shift from lecture-based courses to courses that involve much more active learning activity?

Todd: Yeah, or they just involve a lot more of everything. The concept of flipped classrooms, which was almost impossible 30, 40 years ago, because you really couldn’t get the information to the students. Yes, it was kind of possible, but whoo, if it was hard now, it was really hard back then. But the ability to get information out to students that they can read it before they come to class. But coming back to the lectures… So I’m going to take this moment and those of you who know me know that I’m going to do this, is that we still have no evidence that lectures are bad, but there’s something that we need to really keep in mind. I think this is vital. I do think it’s important for us to be able to talk about buzz groups and jigsaws and fish bowls and lectures and Socratic lectures, discussion lectures, all those different methodologies out there so that we know what we’re talking about when we chat with one another. But I do think it’s time that we stop talking about lectures being more effective than one thing or fishbowls being more effective than something else and look at the components of what is valuable in a learning experience.

John: And a good reference for that is a book on Dynamic Lecturing, which you happen to be a co-author of.

Todd: That is true and in fact that there’s the Dynamic Lecturing. And then there’s a chunk in that about The New Science of Learning. And then there’s a whole chapter in that about Teaching at its Best, because that’s a good point, John, thank you.

Rebecca: It’s almost like you’re trying to slip it in everywhere you are.

Todd: Because the research… people keep talking about one methodology being better than another. Here it is, folks, you can be a hideous lecturer, you can be a phenomenal lecturer. And if you’re a hideous lecturer, you’re not going to learn anything. If you’re a phenomenal lecturer, students will learn from you but they won’t learn all the time, it depends on some student factors. I’ve actually been exposed to group work in flipped classrooms that were awful. And so that concept is we start thinking about and this is why it’s going to come back to the technology, we think about the elements that need to be there, that are necessary for learning to take place. I’m just going to do this, because it’s not the topic I’ll make it very brief, is let’s just go with three things. If you don’t have your attention, as a teacher, if my learners aren’t attending to what I’m saying, if they’re on their phone or thinking about bacon, then they can’t process what I’m presenting. And if you’re having a think-pair-share, if they’re not attending to the person they’re sitting next to, you have to have attention. Number two, they have to have some value. If I’m hearing somebody or I’m reading something, and this has no value to me, it’s really hard to get it into your long-term memory and to learn it. And number three, I have to have a clue of what’s happening, I got to understand some aspects. Now if we think about attention, value, and understanding, now we can flip back to the technology. This is why gaming works. Gaming draws the attention, it increases the value, because you want to win the game, and it has understanding. We have all played games. You open up the old board games, and now it’s digital, where you don’t have a clue what the game is. It’s like, if you advance a player four pieces and the opponent advances five pieces, you have to go back three spaces, unless it’s a Tuesday. When those instructions are that complicated, you don’t understand. So we can use technology to help with attention, we can use technology to help with the value of what’s going on. And we can use that technology to help with understanding. Those are things that were very difficult before. And they allow us to do things like a mini lecture and then shift over to an active learning exercise, and then say, take all this information and create a Zoom session tomorrow that will go over it again. So the technology has really helped us to be able to do all of these things to get at the core of learning, a topic I barely care about. [LAUGHTER]

John: That’s an important one, because people often see this as this binary issue where you lecture or you use active learning. And there are some really effective ways to combine them. And in fact, in that book on dynamic lecturing, it was suggested that lecture can be more important in introductory courses, when students don’t have as much of a knowledge base.

Todd: You’re absolutely right. Discovery learning is a really great way to learn if you’ve got a lot of time. I can just put you into a room with some other people and say, “Here’s some data, and here’s some things we need to know. Go.” And if you don’t have any foundational knowledge at all, it takes forever to figure it out, you go online, you know what to look for, I could do a five-minute lecture, and at the end of five minutes, set it up and say, “Now go and work with your neighbors. In fact, here’s what we’re going to do, we’re going to have you each work in small groups in class, I’m going to open up a Padlet. At each table, I want you to go in and add your information or put it into the column that corresponds with your group number.” As an instructor, I can watch everything develop in front of me. While I’m in the room, I can look at my laptop and see it and walk over to a table and say, “looks like you’re struggling a little bit.” I’ve lectured, I put them into small groups, I’ve had them use technology, I’ve created a little bit of competition on who can come up with what and I’ve had a way for me to monitor it and give them feedback. That is so different than what teaching used to look like. So pulling it all together, that’s what we do.

Rebecca: The tools to be able to monitor have been really helpful in my own teaching and being able to get a better pulse on what’s going on and get a nice overview and then be more targeted in how to interact with small groups rather than just kind of wandering around more aimlessly like I think I did initially. [LAUGHTER]

Todd: Yeah, and this is all going to be great until we get our cognitive load headbands that I’m waiting to be developed. So anybody who’s listening, take this idea, run with it, you can make a bazillion dollars and then take me out to dinner or something. I want a headband and the headband has a light and it measures brainwave activity. And then as I’m teaching, if you start to be a little bit like it’s a little bit too much, you’re moving out of that zone of proximal development, the light turns from green to a yellow. And then when it hits red is like when you’re trying to put together an Ikea bookcase and someone comes by and says “What do you think of this?” and you say, “Errr, I’m working on an Ikea bookcase right now.” …that shutting down with that red light. I’m telling ya, that’s going to be the technology we’ll want next.

Rebecca: It would be so helpful. [LAUGHTER]

Todd: You can actually look and see somebody else’s zones of proximal development and their cognitive load. Whoof. Which by the way, there’s a little party game that they’ll do periodically at parties. It’s like if you’re a superhero, what would you want your superpower to be? And I was in a room one time and one person said they wanted to fly and somebody else said that they wanted to be invisible, which real quickly in my head, I’m thinking, what could you possibly gain that wasn’t illegal or creepy if you’re invisible. So aside from that, transporting and everything else, and they got to me, and I said, “I want to be able to see people’s zones of proximal development. If that were my superpower, I’d be the best teacher.”

John: I bet that went over really well at those parties. [LAUGHTER]

Todd: Yeah, my friends all said “You are amazingly smart and quite insightful.” They used different words, but that’s what I heard. [LAUGHTER]

Rebecca: They didn’t start with what is that? [LAUGHTER]

Todd: As soon as I start talking, most of my friends just shake their head and drink whatever beverage they have near them. [LAUGHTER] So yeah, it’s good times, good times. They’re all impressed. They don’t say it all the time, but I know they are.

Rebecca: I think one of the things that often happens with technology is that it allows us to get things quickly and move through things quickly. But sometimes, as you just noted, learning doesn’t happen quickly.

Todd: Yeah.

Rebecca: Can you talk a little bit about speed and the difference between maybe not having all the technology and all the things really quick versus maybe now where we have it at our fingertips, but do we always want it at that speed?

Todd: So there’s another study that I’m waiting to see. This is an easy study, folks, somebody can run this one quickly. We all know that students are listening to any recorded lectures or recorded material that they have to watch, 1.7 is about the best speed that we tend to see people listening. 2.0 is a little bit fast for some folks. 1.0 is like normal speed, that’s no good, too slow. So what I’m curious about is the space between words and between sentences that our brains, because they move so fast, we can listen faster than somebody can talk. And we have all this other stuff going on is I can be thinking and processing while you’re talking to me. But if I bumped that up to one seven, I think we close the gaps. And I hear it a lot faster. But what I don’t think is happening is the cognitive processing while I’m listening. The active listening component to it. So I think technology can create concerns in those directions. And students who do try to process material too fast… we’ll wait and see.

John: And that’s especially important in flipped classrooms where students do watch these videos outside. One of the things I’ve been doing with those, though, is embedding questions in the video so they can watch them as quickly as they want. But then they get these knowledge checks every few minutes. And then if they find they’re not able to answer it, they may go back and get their attention back and watch that portion again.

Todd: Yeah, I think that’s a really good way to go. EdPuzzle’s kind of a fun technology to use. I don’t know if that’s the one you used.

John: I’m using Playposit, which is a bit more expensive, it works beautifully. I love it, they did just double the price this year, though, it was bought by a new company.

Todd: This is the tricky spot now as the prices are going up. You know, inflation is a terrible thing to waste. Anytime somebody can raise prices now it’s like, “ooh, inflation”. So you know, prices double, inflation is 8% with runaway, now it’s back down around three. But when inflation was 8%, they doubled the price and say, “Hey, we’ve got to,” but yes, it’s some of them are expensive. There’s lots of things that are less expensive. Oftentimes we pay for functionality that help us but the freemiums kind of thing. So stuff that’s inexpensive. I just wanna let everybody out there know just about anything you want to do in class or can think about doing it, there’s a way to do it for either free, or probably under $100 a year, which I know $100 can be expensive for some people, it’s about eight bucks a month. And so things like Padlet that I think might be up around 140 now, so maybe $12 a month, can change how much time you spend doing things, and how much time for students. But yeah, I love the embedded questions to help slow things down.

Rebecca: I think that the cognitive load can happen really quickly if we’re piling lots of information in but not always providing the time to process and use that information in some way in the kind of activities that you were talking about. Or knowing when everybody’s red light is going off in the class.

Todd: Or when people try to do multiple things. I mean, now you’ve got the technology around. So if students are trying to listen to an assignment while they’re texting their friend and have a TV on, I mean, we’re living in an age where there is a lot going on, and people believe they can process lots of things. Evolution doesn’t happen quite that fast. And so I think we have to be careful with that one.

John: One other thing that’s happened is back when you and I both started teaching, the only way students generally communicated their learning was either on typed pages or on handwritten notes. Now we have many more types of media that students can use. And also we’ve seen a bit of an expansion of open pedagogy. How does that help students or how does that affect student learning?

Todd: Wow, that’s really changed a lot as well. Blue Books. Remember the blue books? I think they still sell blue books in the library. They may cost more than the I think it was eight cents when I started, but the concept of writing things down, you turn them into the faculty member, the faculty member would grade them and turn them back. One of the big things that I caught years and years ago was so much wasted cognitive energy in terms of what they produced. I’d read a paper from a student and think this is amazing, and no one will ever see it. It was written for me, I graded it. And now it’s done. I think the technology has changed so many things. One of the biggest things, I would encourage all the listeners, any faculty member out there is, whenever possible, create something that will take the students’ work, the things that they’re doing, and use it to make society better. It’s not that hard. There’s assignments that you can do on Wikipedia. Anybody who wants to complain about Wikipedia, if you don’t like it, I’m gonna go back to Tim Sawyer, who is a faculty member of mine, my very first time I ever did TA work. I was complaining about some students. And he said, “You can complain three times. And after you’ve complained three times, either stop talking,” he was a little bit ruder about that, “or do something about it… just shut up or do something.” And so I complained about Wikipedia for a while, that it wasn’t all that effective. And I thought, well, if I don’t like the page on cognitive load on Wikipedia, I could give an assignment of my cognitive Psych class to go on to Wikipedia and fix it. And so you can have Wikipedia assignments, there’s so many things you could do. Here’s one for you. If you’re doing one on communication, you could have your students go and take pictures or short videos somewhere on campus of something that’s meaningful to them, and then jot down why it’s meaningful, take that compilation of stuff and send it over to the office on campus that does publicity. What better way of drawing students to campus than to have all of these students that have said, I love sitting by the pond because… and in the past, we would have had students write a paper about someplace on campus that you think is effective, put it in the blue book, we would grade it, we turn it back to the students. And that is a waste of possibilities. And so I think we do have lots of ways that we can get the students involved in helping through technology,

John: One of our colleagues in SUNY, Kathleen Gradel, had an assignment for a first-year course, where the students went out, took pictures, geocoded it and added it to a map layer that was then shared with other first-year students about useful resources on campus and their favorite spots on campus, which is another great example of that type of authentic learning.

Todd: Yes, for the authentic learning, there are just so many possibilities because of the technology. If anyone doesn’t have ideas, ask deans, ask the provost, ask the president on your campus, like what kind of information would be helpful, either for the next round of accreditation or for just helping the campus and we can design those things. Another one I did was we took students to the museum. We’d go to the museum, almost any class could kind of find some way to tie museums in, and through the museum, not only would they write stuff that the folks at the museum who did curation would help use, but also just helping the students to see how issues from the museum, how artifacts and things can be used in their own life, to better understand.

Rebecca: When I first started teaching, community-based learning was popular, in fad at the time, and I think having the experience of being a student in a class like that, but then also a faculty member teaching classes like that has really informed the kinds of projects that I do. Maybe they’re not always community-based learning, but they’re often community oriented, whether it’s the campus or even the surrounding community that the campus is situated in to help students get connected. There’s so many nonprofits that need partners and love, there’s always a project that can be done. [LAUGHTER]

Todd: There is. And I used to be a director for a service learning component of the campus. And yeah, there’s just so much out there that we can do to help others.

Rebecca: And students always had such a strong connection. And they didn’t want to fail because other people were depending on them. And so there was a real investment in the work that they did on projects like that.

Todd: I will admit that I’ve never experienced it myself. I’ve never even heard of anybody that if the students are doing some kind of authentic learning, that their authentic learning is then used to help somebody else. I have never heard students say “What a waste of time” or “I hate that class,” or “those assignments are just busy work.” They’ve never used those terms.

John: One common sort of project is to create resources that could be shared with elementary or secondary school students in the disciplines. And again, they can see the intrinsic value of that.

Todd: Yeah. Students could write short manuals on how to learn and then pass that on to the first-year students. And so upper-division students could be helping the lower-division students because not everybody can get a copy of The New Science of Learning, third edition.

John: …available from… [LAUGHTER]

Todd: Available at… used to be Stylus. Since Stylus was sold to Routledge, now it’s available at Routledge. [LAUGHTER]

Rebecca: Given the historical background that we’ve walked through today, what if we think about the future? Where do you see technological changes or learning theory changes impacting the future of higher ed?

Todd: Yeah, we’re living at an interesting time. I like to point out to folks that when you go back to Socrates, Plato kind of time there was a thought that if you wrote something down, it would weaken the mind so we shouldn’t write things down. Luckily, some individuals wrote things down or we never would have known. We’ve gone through several iterations of those kinds of things. Samuel Johnson, I believe it was, who said “With the ready availability of books, teachers are no longer needed. If you want to learn something, you could go get a book on it.” Well, that was a couple of 100 years ago. And we still have faculty members, we have students writing things down, we’re reading, I don’t imagine how you could teach without writing things down and having books. The internet came along, as we were discussing earlier, while we were teaching, we watched the internet show up. And there were people who said, “Well, with the internet, there’s going to be no need for teachers anymore, because students can get whatever they want.” I can’t imagine teaching without the internet right now. So as we’ve gone through each of these iterations, there’s been this fear that maybe we’d be supplanted by some technology followed by “I don’t know how I’d work without that,” it’s a little trickier now, because with generative AI, we’re talking about not just something being available, but actually creating something. I don’t know what that’s going to look like. But there’s some real possibilities that the generative AI ChatGPT, could do things like help students who have writer’s block, get started. And that’s an individual that maybe could produce something really cool, but just can’t get started. I didn’t publish my first book until about seven or eight years ago, because I’m one of those individuals who has a terrible time from a blank screen. I just have a terrible time with that. And so now, I don’t use ChatGPT to actually write anything significant. But I will tell you that I will use it for the first paragraph. That’s all, just one paragraph. And then I completely rewrite that. And there’s no actually trace of it. But it’s something that gets me going.

John: So can we count on more than a book a year going forward? [LAUGHTER]

Todd: No, no, no, no, you can’t. So exhausting. But the concepts that will help students that can do that, I think that’s going to be helpful for them. So there’ll be a type of student who couldn’t have produced before, but now can. We are definitely going to run into some challenges, though, with students who are going to just use generative AI and use artificial intelligence to actually create and to hand something in instead of doing the work. So I do think we’re in a challenging time right now. And I wouldn’t make light of that. There’s actually something that I find fascinating from this. Right now, more than ever before, we can actually have artificial intelligence create something for us, especially in higher education, this hasn’t been done before. The tricky thing is that we were the ones to be able to make that possible, because we learned things. If we let a machine do that work for us, we’re not going to be put into the situation or our students coming along, will not be put into a situation where they’re intelligent enough to do the things that need to be done when they need to be done. And so I do think we’re facing a real dilemma right now. If my students, for instance, always do use some artificial intelligence to create a paper and hand it in, if I can’t catch it, they may end up with an A in that portion of the class. But there’s going to come a day when they’re going to have to write something or be able to read something and tell if it’s written well. And so I’m a little bit nervous, we’re entering a phase where by bypassing some cognitive processing that needs to be done, we may be limiting what we’re able to do in the future. Wrapping this up, though, I don’t want to be the person who says if you use a calculator, you’ll never understand this statistical test. So I don’t know where the balance is. But I do think we’re going to have to have decisions coming up that we’ve never had before.

John: Generative AI is drawing on that wealth of knowledge that has been produced. And for that to continue to grow in the future, we do need to have some new materials being created. So that is an interesting challenge, unless it goes beyond unless….

Todd: …unless it creates it. So that was one I thought about, by the way, sometimes you’re sitting around just thinking about stuff and it’s interesting. I was thinking how do I acquire new information. And the way I acquire new information is I go read articles, I read books, I read a ton of stuff. And then I say I think this is valuable, I don’t think that’s valuable. And then I put it together and say here’s what I’m thinking. And now I’m looking at this generative AI who goes out and scans the environment and pulls these things and then creates something new. It doesn’t have the cognitive processing that I have at this point, but…

John: it’s in the early stages.

Todd: We have some folks who are very concerned out there, especially in European countries that are starting to put some guardrails out, because at the point that it keeps grabbing stuff, and then generating and then it grabs the stuff it generated, then it’s going to be interesting. But as of right now, I just read another article, I think it was yesterday, that they’re going out and grabbing the most popular or most frequently written things and then putting it down as if that is right.

Rebecca: The way that you might prioritize as a human with an expertise in something, is going to be really different than a system that’s prioritizing based on popularity, [LAUGHTER] or like how current something is like when it was last published. That’s a really different value system that really changes priorities.

Todd: Yeah, and I think it changes how we teach. I think the way we teach is going to fundamentally shift because we’re going to have to work with students with all these things being available and explain to them and talk to them about the learning process and the value of the learning process. And keep in mind, this isn’t just about ChatGPT writing papers, everybody’s freaked out about that right now. We shouldn’t lose sight of the fact that you could get fresh, cleanly written papers that have not been plagiarized at all, we’d be able to do that for 20 years. There are paper mills, I can either write away or contact somebody and say, “Please write me a 10 page paper on Descarte, and they would write it, I could turn that in. What actually has happened recently is that everybody can do it, even those who can’t afford to have a paper written at $10 a page or whatever it’s costing. And so equity comes back again. [LAUGHTER] Now we’re an equal opportunity cheater. So we have to be careful with that. But I think the way we teach is going to change because all that information is going to be available, kind of like the internet on hyperspeed. And then what do you do with that? It’s going to be really intriguing. I think it’s an exciting time.

Rebecca: So Todd, this episode’s gonna come out right at the beginning of this semester. So you’re saying we need to be thinking about how to change our teaching. ChatGPT’s here, what are you doing for the Fall differently?

Todd: Well, I think the biggest thing is what we were just talking about, looking more at the learning process, which has been a big thing for me for the longest time, is explaining and talking through the learning process, I can hand you all this information, but if I hand it to you, you don’t learn. In fact, one of my favorite examples came from a friend of mine, and it was the gym, if you want to get in better shape, I could pay somebody to go do sit ups for me. And then I could somehow log in the book at the gym that 100 Sit ups were done, use the passive voice there, and somebody else did them for me, I’m not going to get in better shape unless I do the situps. So I have to do the work, I have to run, lift weights, do the situps in order for me to be able to gain. We need to just turn that into a cognitive process for our students to really gain cognitively they have to do the work. And so I think more than ever, it’s how do we convince students of that? And for the faculty members who say, “Well, that’d be great, but my students just want the grade.” If that’s the case, we have a bigger problem than whether or not some technology can write a paper for them.

John: So how do we convince students that it is important for them to acquire the skills that we hope they get out of college?

Todd: I think this is probably going to come down to the community building, it’s been there forever. If you really want your students to do the work, the best thing you can do in my view, and that’s why I’m gonna say, Rebecca, I don’t think a lot for the way I teach, has changed. You build a community, you build relationships, you talk to the students about importance of things, if you’re sincere about that, and they get that then yes, there’s going to be some students that are going to mess with the system, they have always been there. But you’re also going to get a lot of students who will say, “Yeah, that’s a good point.” And then they’ll do the work. I don’t teach as many undergraduates as I used to, I’m teaching more faculty than ever because of being the faculty developer. But there were years that I would have to tell my students don’t put more time than this in on your paper, you have other classes, you need to do the work in the other classes. Because, and I’m telling you, I am very proud of this, my students would spend a ton of time on this stuff for my class, because they didn’t want to let me down. And I would say you’ve already got an A, I’m proud of what you’re doing, please go work on your other classes. That kind of scenario happens when you build community. And I’m not saying it’s easy, I would never say it’s easy. And it’s not going to happen for everybody. But it is the foundation of good teaching.

Rebecca: So we always wrap up by asking, what’s next?

Todd: There’s just so much going on right now. I think that what’s next for me is I am still in that headspace of coming kind of back from the pandemic, anybody who says, “Yeah, but the pandemic’s all over,” wait for November, we won’t know, we’re going to see. But I still think that’s next is kind of thinking about how we teach and learn in this environment. So moving in that space, it’s probably not surprising. I’m working on the next book here. One of the things I want to do now is the last couple of books that I’ve done had been pretty heavy books. And now I want to write something that’s a little bit lighter. So it’s going to be more of a quick guide with more narrative and having some fun, I love telling stories. I love having fun with people. So I’m going to try to create a book that’s kind of like a science of learning and teaching at its best but really accessible and more of a story-based kind of way of looking at things.

Rebecca: Who is your audience for that book?

Todd: Anybody who will read it? [LAUGHTER] Anytime I write anything, I have to have the audience firmly in mind and think about who am I talking to. And I really believe there is a pretty big overlap with students and faculty who don’t know specific things. And I’m not saying this in a mean way toward any of my faculty colleagues at all. But there’s a lot of people who aren’t taught about things like long-term potentiation and deep sleep in terms of semantic memory, and looking at depth of processing and those types of things. So the same type of thing we can say to a student, we know you shouldn’t cram, but here’s why you shouldn’t cram… faculty learn a lot from that as well. And so my audience for this book is going to be faculty and students, students, because I think it’ll be more fun to read about how to learn in a narrative form like that. And faculty because it’s more fun to learn when you read in that kind of a format for some people. we’ll see.

John: And if faculty design their courses to take advantage of what we know about learning, it can facilitate more learning.

Todd: Wouldn’t that be cool? We could just keep rolling, rolling. What a great amount of work. I mean, a huge amount of work that faculty do. They’re hard working folks that are just cranking away all the time. Number one, making their life a little bit easier by helping to understand things would be great. And just having a little bit more fun would be fun, would be nice way to go to0.

Rebecca: Hey, anytime you can save time, so that we can have more play in our lives is better.

Todd: Yeah, just to do whatever you want to do.

John: Yeah, ending on a note of fun is probably a great way to end this.

Rebecca: Well. It’s always great talking to you, Todd. Thanks for chatting with us and going on the Wayback Machine.

Todd: Oh, you know, I love the Wayback Machine.

Rebecca: I love it too.

Todd: For those of you who don’t know about that, you should check out the Wayback Machine

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John: If you’ve enjoyed this podcast, please subscribe and leave a review on iTunes or your favorite podcast service. To continue the conversation, join us on our Tea for Teaching Facebook page.

Rebecca: You can find show notes, transcripts and other materials on teaforteaching.com. Music by Michael Gary Brewer.

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301. A Return to Rigor?

Some faculty have advocated a return to “rigor” to address perceptions of growing student disengagement in our classes. In this episode, Kevin Gannon joins us to discuss an alternative approach that provides students with cognitive challenges in a supportive environment. Kevin is a history professor and the Director of the Center for the Advancement of Faculty Excellence at Queen’s University of Charlotte. He is also the author of Radical Hope: a Teaching Manifesto, which is available from West Virginia University Press.

Show Notes

  • Gannon, Kevin (2020). Radical Hope: A Teaching Manifesto. Morgantown: West Virginia University Press.
  • Gannon, Kevin (2023). “Why Calls for a ‘Return to Rigor’ Are Wrong.” The Chronicle of Higher Education. May 22.
  • Imad, M. (2022). Trauma‐informed education for wholeness: Strategies for faculty & advisors. New Directions for Student Services, 2022(177), 39-47.
  • Freire, P. (1970). Pedagogy of the oppressed, New York (Herder & Herder) 1970.
  • Boucher, Ellen (2016). “It’s Time to Ditch Our Deadlines.” The Chronicle of Higher Education, August 22.
  • Vygotskii L.S. (1984). “Problemy detskoi (vozrastnoi psikhologii).” In Sobranie sochinenii v 6-ti tomakh, vol. 4, pp. 243–432. Moscow: Pedagogika
  • Cavanagh, S. R. (2023). Mind over Monsters: Supporting Youth Mental Health with Compassionate Challenge. Beacon Press.
  • Jack, Jordynn and Viji Sathy (2021). “It’s Time to Cancel the Word ‘Rigor.’” The Chronicle of Higher Education. September 24.

Show Transcript

John: Some faculty have advocated a return to “rigor” to address perceptions of growing student disengagement in our classes. In this episode, we discuss an alternative approach that provides students with cognitive challenges in a supportive environment.

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John: Thanks for joining us for Tea for Teaching, an informal discussion of innovative and effective practices in teaching and learning.

Rebecca: This podcast series is hosted by John Kane, an economist….

John: ….and Rebecca Mushtare, a graphic designer….

Rebecca: ….and features guests doing important research and advocacy work to make higher education more inclusive and supportive of all learners.

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John: Our guest today is Kevin Gannon. Kevin is a history professor and the Director of the Center for the Advancement of Faculty Excellence at Queen’s University of Charlotte. He is also the author of Radical Hope: a Teaching Manifesto, which is available from West Virginia University Press. Welcome back, Kevin.

Kevin: Thanks. Great to be back with you all.

Rebecca: Today’s teas are:…. Kevin, are you drinking tea?

Kevin: I am drinking Cheerwine because I’m in North Carolina now. And this is how we roll in this state. And it’s so damn hot outside, a hot beverage is the most unappetizing suggestion right now.

Rebecca: All right, we’ll let it slide. [LAUGHTER]

John: I would have been tempted to have Cheerwine because it does have that whole North Carolina flavor, which I had never heard of until I came down here, the first time in 1987. But it’s incredibly popular.

Rebecca: What is it?

Kevin: It’s a cherry soda, basically. You got to be ready for sugar. You got to get your pancreas in shape and then prepare to go, but it’s quite tasty.

John: It’s a very inexpensive and popular cherry soda.

Rebecca: Interesting. It sounds like medicine.

John: No, it’s more sugary than medicinal.

Rebecca: Okay.

John: …but Duke, some time before last year, removed all of the soda from the vending machines and every place where they serve beverages on campus. You only have choices of healthy drinks: water, fruit juices, iced tea, they have of course, because it is North Carolina.

Rebecca: Is it sweet tea then?

John: It is not sweet tea, it is unsweetened tea. So I have a Tea Forte black currant tea that came down with me in my new Duke University mug.

Rebecca: And I have an Irish Breakfast tea because it’s 90 degrees outside and I have a hot tea because… I don’t know why. [LAUGHTER]

John: And I would not be drinking tea if I were not sitting in a very nicely air conditioned classroom here at Duke. So we’ve invited you here today to discuss your May 22 Chronicle article where you address the arguments that some people have raised advocating a return to rigor as a solution to what seems to have been a substantial reduction in student engagement Since the start of the pandemic. What do you think is the source of the disengagement that faculty have been perceiving?

Kevin: Well, I think there’s a lot that goes into it. But I will say that I think it’s important for us to remember that there’s: A) no one cause or explanation for it, which leads to B) there’s no one solution that’s going to fix it all. And we know this, I think, but in the day-to-day practice or dealing with this room full of disengaged students, it’s hard to remember that sometimes. And so I think the root cause of this disengagement comes from the fact that we went through and are still dealing with the effects of rolling trauma on a global scale. And we can talk about trauma-informed pedagogy all we want, but it’s not going to erase the fact that trauma happened and for some of our students, and for some of us, continues to happen as well. And of course, what we saw as a result of that was the pandemic laid bare so many of the other things that were already in place that were unsustainable, and didn’t let us hide from those things anymore. So whether we’re talking about the so-called racial reckoning of the summer of 2020, or we’re talking about the ways in which people from different socio-economic groups experienced the pandemic and or healthcare as a result of that. And we’re in an age now of sort of creeping authoritarianism, pseudo-fascism, whatever you want to call it. I don’t think anybody could realistically expect folks to bring all of their cognitive energies to bear in a classroom with all of this going on in the background. It’s like trying to read a book while you’re in the spin cycle of a washing machine. There’s no way. And I think we can talk about creating spaces that are sanctuaries from that, but I don’t think that we alone can solve all of the things that are leading to disengagement. In fact, disengagement, the diversion of cognitive bandwidth, defense mechanisms, these are all things that are actually, I would argue, fairly healthy responses to everything that we’re seeing around us. And we need to have the sort of empathy and understanding of what many of our students and ourselves are going through to allow space for that to happen.

Rebecca: Yeah, sometimes it feels like there’s a request to just snap out of it.

Kevin: Right. One of the refrains I’ve had over and over is we’re not going to pedagogy our way out of like systemic collapse. And so I think Mays Imad actually put it very well, when she talks about learning as a sanctuary. Our classes can be a sanctuary from this, and that’s important. And we should be doing that work and we should be providing those spaces and curating those spaces and nurturing those spaces for ourselves and for our students, but to put all the pressure upon educators to get students “reconnected,” despite everything else that’s happening around us, I just think it’s unrealistic, and it sets us up for failure. And the same is true, I would argue, for K to 12. Teachers, during the pandemic, educators were expected to sort of fill in the gaps of all of the missing social services over and above “just education.” And I think that when we talk about this disconnection, there’s a danger of us moving into that space where we’re being expected to solve systemic problems, when we are not in a position where we’re able to do so. And in fact, we are suffering from the effects of those problems, in many ways the same as our students.

John: And at the same time, I know our campus at least, and I think, throughout the US, we’ve seen an increase in the diversity of our student bodies. There’s many more first-generation students coming into our classes, there’s many students from historically minoritized groups who simply were not generally attending, and those students often come in with less knowledge of, as you note in your article, the hidden curriculum of education. We have to help them learn that curriculum. And that brings us to that whole question of the push to rigor. In the article, you describe two approaches to adding more rigor, one is adding more logistic rigor, and the other is adding more cognitive rigor to classes. Could you talk a little bit about those?

Kevin: Sure. And so when we think about this idea of rigor in the way that we normally talk about as faculty members, I do think that there are these sorts of two camps that rigor falls into, I don’t think that we… and I’m speaking broadly here, and certainly implicating myself, in some of this… I don’t think we always do a great job specifying which one or the other we’re referring to. So it’s very easy for me as a faculty member to say, “I’m making a very rigorous class.” And maybe all of that is one type of this rigor as opposed to a balance. And so I think when we look at rigor, what it basically boils down to is there’s sort of two broad ways in which a course could be challenging, it could be difficult. One of those is what we talk about as faculty as the good stuff and what I call cognitive rigor, complex thinking, higher order thinking, the ability to critically interrogate information, the ability to step outside of one’s own perspective, all of the things that we know higher education should be doing. And then there’s the other kind. There’s, for lack of a better term, I call logistical rigor. And that’s where you see things like inflexible policies, volume of work, not necessarily difficult work, but so much of it that the sheer volume in itself is what makes the difficulty exist for students. The classic story, I keep saying it’s apocryphal, but when I tell this story at various workshops I do at other campuses, people always swear it happened to them. So I think it is real. But the apocryphal story of the big lecture class where the professor strolls out of the first day and says, “Look to your left, look to your right, only two of the three of you will be here by the end of the semester,” like that’s that sort of logistical rigor that I think we see a lot. The problem is, as I note in the article, we often mistake one for the other. We often say that our classes are rigorous. And we think in our faculty braids that they’re cognitively rigorous, but the way our students are experiencing them is actually through logistical rigor. And so if you look at some of the research, and I linked some of it in the article, what really surprised me as I dove into this, were the vastly different perceptions that students and faculty had about a rigorous class. There was an article that listed the top 10 features of a rigorous class according to students. The top five of those were what I would call logistical rigor, the number of pages that were assigned to be written during the semester, the reading load, the pace of the scale of work, none of the good cognitive rigor stuff came in until the bottom five on that student list, and the numbers there were significantly lower. And this is just one study, but there’s a pattern across when we look at student perceptions of rigorous courses, of difficult courses, it’s a pretty clear thread that students are experiencing difficulty as logistical rigor. And so when we as faculty say, “Well, we’re really after these cognitively rigorous courses and that’s what it’s all about.” Well, that’s not what our students are seeing, which leads me to wonder if that’s really what we’re doing. And my suspicion is, is that no, that we’re often creating these logistically rigorous course spaces, and thinking that it’s cognitively rigorous, and of course, those are two very different things.

Rebecca: Well, and I think sometimes that code word of rigor, and I intentionally use the word code here is that it’s often used to weed certain students out and then we wonder why particular disciplines aren’t diverse or don’t have new faces as a part of the fields and disciplines, as if having structure or support or scaffolding is somehow the antithesis of rigor.

Kevin: Right. And this is really the crux of it, and of course, everybody’s brains will first go to STEM courses because STEM fields have really been struggling with this. But as a humanities guy, there are humanities fields, including some sub-fields in my own discipline of history. I would argue philosophy wrestles with this as well, where rigor in this logistical sense is exactly as you put it, the sort of weeding out, its code for “Some of y’all should be here, and some of y’all shouldn’t, and by the end of the semester, we’re going to have that sorted.” And of course, is that what we want to be doing? Is this how we reproduce our disciplines? If your answer to that is “yes,” I would argue that you’re probably in the wrong line of work. So we need to be thinking, what is it that we’re actually doing? There’s a difference between saying “our uses of rigor are counterproductive” and “we should dumb everything down.” Those are two separate things and that’s not what I’m saying. But our uses of rigor are doing the very things that you point out, Rebecca, that we’re putting barriers in front of students, we’re closing off pathways and opportunities for them to engage in our discipline. And given this moment of where we’re at in higher education right now, I think that’s a horrible, horrible strategy. Rigor, it has become such a loaded concept, because it has become this stand in for weeding out or culling or all these other awful metaphors that we use in higher ed to talk about kind of thinning the herd, so to speak, and that language matters.

John: When you were talking about the difference in faculty and student perceptions of making courses more rigorous. It reminds me of the discussion that we often see about active learnin. When faculty are surveyed in terms of the extent to which they use active learning activities in the class and the proportion of time that they lecture. When students are surveyed on the same questions, we get a remarkably different picture, suggesting that faculty are doing a lot more lecturing, and a lot less active learning than they believe that they are. And it might be nice if we could get a little bit more dialogue going back and forth between students and faculty and getting perhaps more student feedback in general. But it does suggest that we’re seeing a disconnect between what students observe and what faculty think they’re doing in their classes.

Kevin: Right. And a lot of times will be talked about, “Well, I do X in my class,” like I know in my own case, there are a lot of occasions where what I say I’m doing is actually more aspirational than actual. I would love to be doing these things. And on a good day, these things are happening. And maybe they’re working. And I get that. There are some days in some classes where the stuff that we know is most effective and most desirable, just doesn’t work the way that we would hope or the way that we would want. But that doesn’t mean that we stop trying. I think there are plenty of opportunities in place for us to have that sort of dialogue you’re talking about with students to see: are the actual experiences of my students aligned with what I think they are? And this is why we do assessment. This is why we do, at least in a perfect world, student ratings of instruction, if this course was designed to get you from point A to point B, and I want to say that you got to point B, I need to be able to prove that. And I need to be able to describe what that experience was like for you as students. And so how do I bring student voice into this. So you could do informal midterm feedback, you cn do weekly reflection papers, you could do check ins with students. The faculty development world has, I’ve seen it referred to as the small group instructional diagnosis, which is a unwieldy term for a kind of guided reflective discussion for midterm feedback and input from students about how a course is going. I think there’s a lot of tools already there that, working together…. and this is the other hard part….working as colleagues, working outside of my old office and department, and with my faculty development people or with other academic support, can I bring these folks into the process where they could work with my students as well, and help me gather that data? Am I doing, in actuality, what I say that I’m doing? What is my students’ experience of this course? And is that in alignment with what I have designed the course to be?

Rebecca: We all hit barriers like time and things that cause us to slip into old habits occasionally. So those aspirational moves certainly occur for all of us. But I also think that that transparency piece about like, “Why are we doing this active learning thing?” or “Why are we slipping into this old habit that’s maybe not the most ideal?” …can actually be really healthy, because then students can also share that and have that dialogue going back and forth so that they know where they’re at in something and vice versa, like we know where we’re at in terms of the classroom.

Kevin: Well, and it’s an excellent model, too. I think modeling transparency with our students in any way that we can about the course design, about the content, about the ways in which we might be collectively engaging with that. All of that is to the good. We want students to understand that learning doesn’t just happen by accident. We want them to get into this place where they’re thinking metacognitively, and to me really the only effective way to do that is to have this sort of radical ethic of transparency. If a student says “Why are we doing x in this course?” If my syllabus has, here’s all the stuff that we’re going to do this semester, and I can’t come up with a good answer to that, that’s a problem. And so this helps, as you suggest, keep us in this place where we’re ensuring that what we’re doing is in alignment with our goals and our values as disciplinarians, in other words, as members of our discipline, as well as effective instructors and human beings. Does this stuff align with what my professed core values as an academic and as an educator are. The only way we’re able to do that, I think, is to be in this place of transparency to model what that looks like for our students.

John: One issue where the logistical question comes up is that during the pandemic, a lot of faculty relaxed deadlines, and sometimes dropped deadlines entirely. And that certainly provided students with the flexibility they needed. But one concern is that some students would end up getting further and further behind in the course. And there’s a lot of research that suggests that without some structure in terms of deadlines, and getting things done in reasonable periods, the quality of student learning tends to deteriorate. What sort of policies might give students some flexibility, but still make sure that they’re progressing through the course, so they can keep up with other activities that they’re supposed to be doing as the course progresses.

Kevin: And so this is the key issue. And so I think it’s important to establish that, when I suggest that rigor, at least as we sort of traditionally used it is actually failing us, is getting in the way of actual learning, I am not suggesting removing structure from a course. And I wish I could remember which of his writings it’s from but there’s this piece of one of the Paulo Freire books or essays that I’ve read, where he talks about what we would call learner-centered instruction. And he basically says if we’re in a rowboat, and I teach you to swim by throwing you overboard, that’s learner centered, but that’s not necessarily helping you learn how to swim in that moment. And his point is structure is a necessary part of what he would call a liberating pedagogy, that it’s not just throw people in and say, “Okay, go learn, you are the agents here.” And so I think it’s important to realize that you can do this work well and meaningfully only if there is a structure in place, but it has to be a structure that’s explicit, that’s decipherable for students. Back to your notion of the hidden curriculum, if it’s hidden, [LAUGHTER] and the students are running up against these sort of invisible barriers without being able to name what they are, that’s a problem. But if there’s structure in the course, where students are able to see “here’s what I’m accountable to, and here’s how I’m accountable to other students in the class,” then you’re in a place where you could do what we might call that desirable level of difficulty. And so I think there are ways to bring in structure and maybe more structure than what we had during the pandemic. Getting through what we got through was a victory in and of itself, and whatever we had to do to do it, we got through it at least relatively unscathed as higher education. I think that’s a really important win to acknowledge. But it doesn’t mean that we have to go all the way back the other way now. And so I’m a big fan of the sort of nuts and bolts level of policies that build in flexibility, but don’t get rid of structure entirely. And so Ellen Boucher wrote a great piece in The Chronicle back in 2016, and had the headline, “It’s Time to Ditch our Deadlines,” which is unfortunate, because that’s actually not what she argues. She advocates for a two-day grace period, no questions asked, for her students. And if you needed more time than that, then you had to have a conference with her and come up with a plan, like “Okay, I can’t get this paper to you on the due date. I’m going to take the two days.” While I need more than the two days we’re going to have a conference and as the instructor, I’m going to work with you and say “Here’s the game plan. Here’s your next step. Here’s what you’re going to be accountable for and when you’re going to be accountable for.” So I’m doing extensions, but I’m not just saying turn it in whenever. I’m not leaving students to figure out “Okay, what are my next steps? What are my next actions?” Because in the case of deadlines, we know that when students are failing to meet deadlines, as you mentioned, this stuff just snowballs, and it becomes worse, and then they just ghost us, because the whole thing has become so overwhelming that the avoidance reflex kicks in. And so something like Boucher suggests where right off the bat, here’s a two-day policy, if you need it, just tell me you’re taking it, I don’t need to hear about whatever stomach ailment you had, or I don’t need the graphic email describing your symptoms. Just tell me you’re taking the two days if you need more than that we got to talk first. And so that’s an example of a policy that has a structure there but still it explicitly packages in that type of flexibility. And I think that’s a good model for where we need to be, understanding that for different students life is happening in different ways. And yet, there’s still we can’t just say “Okay, turn things in whenever,” because as most of us design courses, stuff builds on each other, right? That’s the whole point of scaffolding and getting rid of deadlines entirely or not having that sort of structured accountability in place does prevent the type of things from happening that should be happening. And so I think finding ways to preserve structure but flexibility within that structure, which, I get is… as I listen to myself say that, part of me goes, “Well, that’s a really just kind of wishy-washy answer.” But I do think, in this case, that moderating it, there was a reason we got rid of so much structure during the pandemic, with this recognition that it was absolutely necessary for the way that everybody’s lives were unfolding and happening. That didn’t go away, like people’s lives still unfold and happen in very complex ways. And that’s true for our students and us. So we can’t just say, “Oh, we’re going to swing all the way back, 180 degrees to the other side, and have deadlines by God.” I just think that’s an incredibly counterproductive thing. And I think that the folks who have been trying that are the ones who’ve been seeing a lot of resistance, and not a lot of success in terms of their students meeting those things. And that’s where we hear some of this frustration that’s coming out in the discourse.

Rebecca: I think the other thing that sometimes rubs up a lot against rigor is this idea of relationships between students and other students and students and faculty in the classroom and that sense of belonging… somehow these are like diametrically opposed. It’s not like rigors over here and belonging is over here, and they can’t possibly happen in the same place.

Kevin: Yeah, and doesn’t that speak to what we’ve seen with the sort of debate such as it is over active learning? The conversation starts from an erroneous proposition that you could either do active learning or you could have a “real class,” like you could do this namby pamby arts and humanities, sit in a circle and sing Kumbaya and braid each other’s hair kind of stuff or you could do real learning and manly-man stuff. And I’m exaggerating, actually only slightly. [LAUGHTER] A lot of times the conversation about rigor and challenge starts from this erroneous sense of mutual exclusivity, that you can have a compassionate flexible pedagogy or you could be rigorous, but you cannot do both. When it actuality it’s and you have to have one to have the other. You cannot have a challenging learning experience where your students can actually meet those challenges if you don’t have a compassionate empathetic pedagogical space, because the whole point about rising to challenges is you can’t do it by yourself. This is what the Vygotski talks about the zone of proximal development, learning is social, you need other people around you, you need an instructor, you need classmates. Well, why is that? It’s because we help each other when it comes to the point of really challenging and pushing ourselves cognitively to get to that achievement of that goal, that desirably difficult goal. We cannot do that if students don’t feel that they belong in that space. We cannot ask students to take intellectual risks or to try something that they have never tried before, if they’re at a place where they don’t feel secure in doing so. Because we wouldn’t ask that of ourselves either, if we’re being honest. And so rather than posit: “you could be rigorous or you could be flexible and compassionate,” it’s “you can be flexible and compassionate and then you can be challenging.”

John: At Oswego this fall we’re going to be using for one of our reading groups, Sarah Rose Cavanagh’s book that you reference here, her newest book, which is Mind over Monsters, and you cite that basically as suggesting the importance of bringing both of those things together. And it’s an excellent book, by the way, which I would recommend to anyone interested in addressing some of these questions.

Kevin: Absolutely. It’s a brilliant book. And I think it’s a vital intervention in this very conversation that we’re having.

John: A term that you use in the book, which was a technical term I hadn’t quite seen used in this context, was that many faculty when they tried to introduce rigor, essentially are adding more “hard-assery”, I think was term that you uses rather than actually more cognitive challenge. Why is that happening? Why do people do this?,

Kevin: Yeah, and the phrase I use is performative hard-assery. [LAUGHTER]

John: Oh that;s right. Sorry, I forgot. [LAUGHTER]

Kevin: Well, I’m glad that that resonated, because I’m really proud of that phrase. But I really do think that that is where a lot of the rigor conversation is. My classes are hard, my students write, they read a bunch, they do all these things. And it’s like, “Do they? and what is the result of them doing those things?” It comes back to the student perception of rigor as the more pages I decide to read and write, students don’t talk about what they learned, and they talk about what they had to do. They don’t talk about what they became. They don’t talk about how it made them feel. They don’t talk about how they changed. They just talk about things they have to do. And I think that that’s a really important distinction when we think about the student experience in all of this. And I think it’s very easy for us to say, “Well, I’m doing my job because I’m assigning my students a ton of work, and it’s hard and I grade hard.” And again, I’m not saying we shouldn’t be challenging. I think we should absolutely be challenging. But how are we structuring those challenges? Am I giving my students a challenge just sheerly through volume. Is my class just kind of a death march through this enormous swamp land of content that’s just going past them a mile a minute, or Is it challenging in the sense that they are taking the time to be deliberative thinkers, to be critical consumers of information, because those two things look a lot different. And again, especially coming at this sort of not quite post-pandemic stage that we’re at, is a very real desire to bring some structure back, but thinking about bringing that structure back in terms of just assigning more stuff, because from our own graduate school experience, that’s how we structured our very lives. And so if we think about structure, and again, I’m saying we very intentionally here, that’s the first place our mind goes to. And so I brought back structure, because I’ve assigned a whole bunch more work. And now I also get to complain about how students aren’t doing the work, because I’ve built in this sort of self-fulfilling prophecy, it makes me feel good, it makes me feel like I’m “doing my job,” but am I? Are students learning? Is this advancing learning, because chances are, it’s probably not,

Rebecca: As you’re describing these two scenarios, the marching through the marsh, for example, I’m thinking of the really long checklist that accompanies it. And then in this other environment, this luxurious amount of time to contemplate something and wrestle with something and think through it, and how there needs to be space around that sometimes, to really have the time to process and understand what it is that we’re trying to grapple with.

Kevin: On a micro level, we think about this as instructors all the time, when we think about trying to foster an effective discussion in class. We know that asking a good question is the essential piece of having a good discussion. If I ask a complex question that requires a fair amount of cognitive heavy lifting, I need to give my students time, I can’t expect my students to answer it right off the bat. If it’s a good question, there’s going to be some silence afterwards, as students think about and chew on it a little bit before they decide how they want to respond. And it’s true on a course level too. Are we providing space for our students to do this work, to do this processing? Or is it just more, more, more, more, more, faster, faster, faster, faster, in the name of rigor, in the name of structure, in the name of challenging, but it’s really kind of the cognitive equivalent of trying to drink from a fire hose, like what’s really happening there?

Rebecca: Sometimes not much. [LAUGHTER]

Kevin: I have actually stood in front of a fire hose, not willingly, but I’ve been hit by a fire hose. And I can tell you, it’s not pleasant, it hurts and you’re really wet and miserable afterwards. And I would argue that those are not the things [LAUGHTER] we want associated with learning spaces. And yet, this is, a lot of times, where we, and again, speaking broadly, where we kind of lay it…this sort of, we’re gonna fire hose everything out, and it’s up to the student. And I’m exaggerating slightly for effect, but again, not very much.

John: If the solution to the student disengagement is not dumping more work on students and having more students fail along the way, as many people seem to see it, what can we do to get students a bit more engaged with the class? Because that’s been a complaint. I’ve heard from a lot of people at many institutions in the last year or so.

Kevin: So I think there’s two things I would use to answer that question. And the first I would say, engagement’s not going to be 100% all the time. And if we are thinking that it was somehow that way, magically, before COVID, we’re deluding ourselves. And so we have to give ourselves permission to fall short in that category, not every student is going to be engaged in everything at every time, no matter what we try to do, because that’s the world we live in, that surrounds the spaces we’re in. And so let’s be realistic in what it is that we’re after, how do we engage students in a meaningful and at least most of the time kind of way? And that’s where I think we can do a lot. And so there’s a couple approaches that I think hold a lot of promise. One is we do have to be challenging, we do have to provide challenge, people like to meet challenges. If students think they know something already, they’re going to hear it and “Oh, I already know this, I’m already checking out.” So we have to put in this level of difficulty, of mystery, of complexity, but we have to provide support in helping them meet those sorts of challenges. And we have to be clear and transparent about how we’re providing that support. The idea of a safety net under the trapeze artists, the trapeze artists who’s doing incredibly complex and really, really difficult things that they’ve practiced a lot to do, but they’ve had a net underneath them, just in case it didn’t go well. And at a much lower risk sort of way, that’s what we’re doing. I’m asking you to do difficult things, things that you have probably not been asked to do before. You may fall short of the goal, but that’s okay, because here’s the supports underneath you. This is a space where it’s okay for that to happen. And so depending on the type of class and the discipline you’re in, that might look a little different. But when people talk about desirable difficulties, in other words, challenges that people can actually meet, even if it takes a lot of effort, but there is a solution. And again, I reference Vygotsky’s zone of proximal development, a lot in this. It takes a while to get there, but you get there and that’s what the important part is. So how do we create teaching and learning spaces where the challenge is centered, but the ways in which students are being supported in meeting those challenges are also at the center. Right now we’re very good at centering challenges. I would argue we’re less proficient at centering those other things. And so how do we support students in meeting those challenges of what should be a demanding education? And so Cavanaugh calls it, in her book compassionate challenge. I suggest in the article that the question we should have as our litmus test is: does this advance learning? Does this thing I’m doing advance learning in the sense of what are the goals? What are the outcomes that we’ve established for the course? Those sort of transformations, those promises, to use Ken Bain’s words, that we’ve made to students? Are we getting there? Do you know how we’re getting there? Are you able to assess as a learner yourself what’s working in getting you there? Those are the sorts of things that need to be at the center of the teaching and learning experience. And if we’re just doing challenge for challenges sake, or that sort of performative hard-assery shtick, our students are not going to be interested in having that conversation with us or with themselves even, about what’s working for them in terms of the strategies they’re adopting, and the things that they’re doing to meet the challenges that they’re faced with on our course.

Rebecca: Thinking about procrastination in relationship to what we’ve been talking about. And sometimes procrastination reads as lack of motivation, or a lack of engagement. And sometimes the reason for the procrastination is that there isn’t the deadline, or there isn’t the structure or there isn’t the milestones to move you along. How do you see the relationship of procrastination to rigor and this idea of engagement?

Kevin: That’s a great question. Because I think if we err too much on the side of the so-called logistical rigor, or it’s like just really hard, inflexible policies and strict deadlines and this high volume of stuff, we’re actually creating the circumstances that procrastination will become an epidemic among students, because what we’re giving is an unrealistic amount of work to do in the time that’s allotted. And it’s very easy to get from there to just sheer avoidance, I can’t do this, I don’t see a tangible way through this, I cannot see myself getting through this gauntlet. So eff it, basically, is how that works. And so I’m going to do other things, whether I’m doing this consciously, or subconsciously, or some mixture of both. That’s like the perfect storm. When it’s all extrinsic motivation and when it’s all insurmountable barriers, at least from the perspective of the student, that’s like the perfect storm for avoidance. And I’m someone who personally struggles with this all the time. My avoidance reflex is keenly developed over the 50 years of my life. [LAUGHTER] And I do not do well with unstructured time. And so getting back to this question of how do we find that balance, I think structure is important, not an overwhelming or a suffocating amount of structure. But there needs to be something in place to help our students fit themselves and their work and their lives into the framework of the course. We need to be able to give them the tools to do that without pre-determining every outcome or stifling every option. But I think thinking about what are the causes of procrastination, what are the effects of procrastination, because one of the things that when folks talk about student disconnection is this phenomenon that we’re seeing more and more of students just kind of ghosting, just dropping out, like they were in class for six weeks, and now they’re gone. And I think a lot of that is things have built up to the point where they seem so overwhelming that there’s no realistic solution in place. And a lot of that is exacerbated by that cycle of procrastination. And so by the time we get to the point where the student is feeling so overwhelmed that they just want to leave everything, which they do, it’s way too late. So we have to be intervening in the earlier part of that process where it’s procrastination that is creating the conditions that this sort of overwhelming volume is going to grow out of a little bit down the road if we’re not able to intervene. So I think thinking about procrastination is the way you frame it in these very explicit and sort of fraught of mind terms is a really important part of all of this.

John: Since I’m at Duke, I’ll mention a study that Dan Ariely had done a while back where he worked with one of his colleagues at MIT at the time, and they were giving students writing assignments where they had to write three papers over the course of the semester. In one class, they had fixed deadlines for submitting these papers that were evenly spaced. In the other section of the course, they were given the option of setting their own deadlines, which could be at any time during the semester. If they chose, they could set them all at the end of the term. And what happened was that students who had either fixed deadlines or who set the deadlines evenly over time ended up performing better than the students who chose to put the deadlines at the end. And I should also note, there was a one-percentage point penalty for each day they were late. So it was a small penalty, but it was a non-trivial penalty. So the logical thing is to put all the deadlines at the end and then try to get them done evenly. But the people who had deadlines later did the work later and did lower quality work. So those deadlines can be important as long as there’s some sort of incentive structure with it. And I think that has helped encourage me to not drop deadlines entirely. Usually I allow some scores to be dropped or allow some deadlines to be flexible, but warn students that if they don’t meet the deadlines they’re going to have trouble with these in-class activities that are going to be done based on the things they were supposed to have done before they come to class. But it’s a challenge. And I haven’t found a good balance

Kevin: That speaks to exactly the type of balance that we’ve been talking about. We don’t have to choose between strict, rigid, inflexible deadlines, or no deadlines, or complete student set deadlines, like the Elen Boucher piece that I referenced earlier. Here’s the structure, here are the deadlines. And then here’s the wiggle room that comes along with them. And so your desire to sort of have the deadlines but to balance them with flexibility in your classes, and to have students understand, this is why you need to have these things completed, or at least aiming for this particular juncture, because you’re going to need it in the next phase of the course, etc. This is all part of what we talked about supporting students to meet these challenges, this is the type of support. Support could be encouraged through our course design, as well as the actions that we’re taking on a day-to-day basis. And so again, I want to be really clear that I think rigor as we’re using it kind of higher education wide, has outlived its usefulness as a word. It has too much baggage, it has been wielded in exclusionary, inequitable, and sometimes very horrible ways. But that doesn’t mean that we don’t talk about challenge. And so I think like Cavanaugh does, and like a lot of other folks who have landed on this idea of thinking about ways that we can challenge our students. And the way to do so is to create structured environments where the structure facilitates rather than suffocate students as they endeavor to meet those challenges.

John: And at our teaching center, we’ve given hundreds of workshops over the years, but never once have we advocated rigor, or even used the term rigor in our framework we always refer to challenge and the benefits of that. And you cited a Chronicle article that was the basis of a podcast episode with Sathy and Jack. And we’ll include a link to that in the show notes.

Kevin: The headline was, “It’s Time to Cancel the Word ‘Rigor’” and playing on everybody’s sort of obsession with the boogeyman of cancel culture. And I think that that got in the way a little bit of folks engaging with the very real truth of the article was that, as Rebecca alluded to earlier, rigor has been wielded rather than used it’s been wielded like a cudgel, it’s been a barrier, it’s been exclusionary. And when we talk about rigor now, I think everything has a history, this is my own discipline talking here, I don’t think rigor with the amount of baggage it’s carrying, I just don’t think it can be constructively used when we’re talking about challenging students. And because students have experienced rigor, defined that way and referred to with that word, to the point where there’s that kind of baggage with it too where it’s sort of the pedagogical equivalent of hazing, as opposed to anything else. It helps us as educators ask ourselves, are my challenges cognitive or just logistical? Are my challenges supported for students? Or am I just sort of asking them to close their eyes and jump off the cliff and trust that no bad things are happening. And it helps me as an instructor hold myself accountable to ensure that again, I’m not doing the things that I would rather avoid and that I am doing the things that I tell students I’m doing to help support their learning. In the tradition of first-year student essays everywhere, look at the Webster’s definition of rigor, it talks about things like extreme inflexibility and rigidity. There are connotations, you know, rigor is for corpses. So I think that it’s a concept that has no usefulness for the questions that we’re trying to answer and the knots that we’re trying to untie at this particular moment in higher ed.

Rebecca: There’s a lot to think about. Thanks. [LAUGHTER] So we always wrap up by asking what’s next?

Kevin: Well, right now, I’ve actually thinking a lot about the course spaces in which some of these things that we’ve talked about play out all the time, and that’s the intro or survey courses. And I think the project that’s kicking around in my head right now, and I’m getting dangerously close to actually starting to write stuff, is thinking or rethinking the intro/survey course, sort of a critical interrogation. What are they supposed to be? What are they actually functioning as in reality? How large is the gap between those two things? And what are some ways in which people are creatively answering some of the problems that the survey course presents in terms of not just teaching but designing effective spaces as well as some of this comes out of my own field in history. We’re wrestling with again this death march through content. World history in two semesters, Plato to NATO in an academic year. Is that really what we’re after here? Or should we be doing something else? And so from my own discipline, I’ve developed an interest in thinking about this and thinking about the ways in which other fields and disciplines are wrestling with similar types of questions, which of course, then leads to the larger question of what is the point of these things? And are we doing the things that we say these courses should be doing? Because of that, thinking a lot about not just teaching and learning, but about first-year student success, about things like just and inclusive teaching, things like student-centered pedagogy, a lot of really interesting and fun things that are kind of swirling around. So the short answer, rather than that very long-winded one is I’ve researching survey and intro courses to see if there’s better ways that we might be doing it.

Rebecca: Sounds like a great project. Maybe you need a deadline so you get started on it. [LAUGHTER]

Kevin: Let’s not get carried away because I am going to take that two-day grace period, I can tell you that right now.

John: Well, thank you. It’s always great talking to you.

Kevin: Well, thanks for having me back. It’s a real treat to be with you two again.

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John: If you’ve enjoyed this podcast, please subscribe and leave a review on iTunes or your favorite podcast service. To continue the conversation, join us on our Tea for Teaching Facebook page.

Rebecca: You can find show notes, transcripts and other materials on teaforteaching.com. Music by Michael Gary Brewer.

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